Browse content similar to 31/01/2018. Check below for episodes and series from the same categories and more!
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Enter | 0:00:17 | 0:00:17 | |
Hello and welcome to
your Wednesday One Show | 0:00:17 | 0:00:20 | |
with Alex Jones. | 0:00:20 | 0:00:21 | |
And Matt Baker. | 0:00:21 | 0:00:24 | |
We talked about the Super Blue Blood
Moon last night. Here is in its It's | 0:00:24 | 0:00:33 | |
a perfect glory. Moon for going
wild. We are experiencing wildlife | 0:00:33 | 0:00:37 | |
like never before. We have burrowing
meerkats tonight. We have fishing | 0:00:37 | 0:00:43 | |
penguins as well. Anded we will be
climbing trees with chimpanzees. | 0:00:43 | 0:00:49 | |
Gordon Buchanan is here with us to
show us what happens when you hand | 0:00:49 | 0:00:53 | |
all the cameras over to animals.
Interesting stuff. Yeah. We have | 0:00:53 | 0:00:57 | |
taken a leaf out of Gordon's book
and earlier we strapped cameras o | 0:00:57 | 0:01:04 | |
our other guests. Let's look at the
footage. A woman, flicking through | 0:01:04 | 0:01:10 | |
the day's papers. Likes to keep up
with current events. A book on | 0:01:10 | 0:01:14 | |
barging. Interesting. Drinking tea
out of a GMTV mug. Who is this? Oh, | 0:01:14 | 0:01:22 | |
male we think. Testing out a lever.
What might that do? He likes | 0:01:22 | 0:01:27 | |
football, look. There is a portrait
there. By the look of that book he's | 0:01:27 | 0:01:36 | |
a comedian. Who are they, Matt.
Penny Smith and Frank Skinner of | 0:01:36 | 0:01:40 | |
course!
APPLAUSE | 0:01:40 | 0:01:43 | |
Hello. So, I mean, you only had a
camera strapped to you for a little | 0:01:43 | 0:01:49 | |
bit there. Had you had it on all
week what would be the highlight for | 0:01:49 | 0:01:52 | |
the viewers? One of mine was handing
back a piece of rubbish to somebody | 0:01:52 | 0:01:59 | |
who it thrown it at my feet. I said,
"I'm sorry I think you just dropped | 0:01:59 | 0:02:07 | |
this" she said, "oh, no I don't want
it." I said, "I will pop it in the | 0:02:07 | 0:02:12 | |
bin for you then." What kels you do.
No other option. Slightly | 0:02:12 | 0:02:17 | |
confrontation al. It was my birthday
on Sunday. When I came down stairs | 0:02:17 | 0:02:22 | |
in the morning my partner and my son
had made a spread of exotic food and | 0:02:22 | 0:02:31 | |
a cake with my age spelled out in
pomegranate. It was lovely. Huge | 0:02:31 | 0:02:38 | |
effort. Have you a thing about
exotic food or was it random in We | 0:02:38 | 0:02:44 | |
all have. I will interview the
chimpanzee after. | 0:02:44 | 0:02:48 | |
It's award-winning chart-topping
Franz Ferdinand who have been using | 0:02:54 | 0:02:56 | |
our cam rachlt they are warming up,
I presume. Not sure what is going on | 0:02:56 | 0:03:00 | |
there. Alex will be on the sofa
later on. They will perform a track | 0:03:00 | 0:03:07 | |
later. Music outside. Exactly. | 0:03:07 | 0:03:16 | |
Going to the dentist would probably
be on many people's lists of things | 0:03:16 | 0:03:19 | |
to put into Room 101,
but not being able to visit one | 0:03:19 | 0:03:22 | |
is definitely worse in the long run. | 0:03:22 | 0:03:24 | |
Andy Kershaw has been to one place
where the lack of access to NHS | 0:03:24 | 0:03:27 | |
dental treatment has left a hole
that only volunteers can fill. | 0:03:27 | 0:03:30 | |
If you are in Dewsbury with a tooth
ache and no dentist and can't afford | 0:03:30 | 0:03:33 | |
to pay, you have got a problem.
Which is exactly where Neil Saxton | 0:03:33 | 0:03:42 | |
find himself. I broke my tooth a
year ago. It has given me pain ever | 0:03:42 | 0:03:46 | |
since. He has no dentist, he is not
alone. Half of England's dentists | 0:03:46 | 0:03:53 | |
have stopped taking on new NHS
patients. Here the figure is 96%. My | 0:03:53 | 0:03:57 | |
family is struggling to find a local
dentist now who is actually with the | 0:03:57 | 0:04:01 | |
NHS. The only reason they take me on
is if I was a private patient. | 0:04:01 | 0:04:07 | |
There's never ever anything
available. When you find it on the | 0:04:07 | 0:04:12 | |
NHS website, when it says "accepting
new NHS patients" you ring - no, | 0:04:12 | 0:04:16 | |
we're not. For today at least help
is at hand. In the shape of a truck | 0:04:16 | 0:04:23 | |
parked outside Dewsbury town hall. | 0:04:23 | 0:04:28 | |
They are all getting emergency
visits from this dental charity. | 0:04:36 | 0:04:43 | |
This mobile clinic, staffed by a
team of local dental volunteers, | 0:04:43 | 0:04:47 | |
offers emergency free care all over
the country to those who can't get | 0:04:47 | 0:04:50 | |
help any other way. With a queue
forming already, Nico Donovan, | 0:04:50 | 0:04:57 | |
heading up the team, has a busy day
ahead. I've worked several of these | 0:04:57 | 0:05:02 | |
sessions in and around. We get
patients who open their mouths and | 0:05:02 | 0:05:07 | |
it being loos like a hang grenade
has gone off in their mouth. Not a | 0:05:07 | 0:05:10 | |
nice situation for them to be in.
Neil is queueing. Why don't you see | 0:05:10 | 0:05:15 | |
a regular dentist? I went to see a
dentist and they said that they | 0:05:15 | 0:05:19 | |
would have to wait until somebody
died before I could fill their | 0:05:19 | 0:05:23 | |
place. With so many in the queue,
the team are doing treeage | 0:05:23 | 0:05:31 | |
prioritising. It's not that the
dentists can't handle more patients | 0:05:31 | 0:05:35 | |
like these, but they are funding to
carry out a limited number of | 0:05:35 | 0:05:38 | |
treatments on the NHS. I have three
chairs in my surgery. There is a | 0:05:38 | 0:05:43 | |
room empty at least four days a
week. Halfway through the day and | 0:05:43 | 0:05:46 | |
they have pulled out a dozen decayed
teeth and done several fillings. | 0:05:46 | 0:05:51 | |
Jonathan is up next. Jonathan, tell
us why you have come to visit the | 0:05:51 | 0:05:56 | |
clinic today? I've been in agony
with a wisdom tooth for about four | 0:05:56 | 0:06:03 | |
weeks now. It's giving me jib. Just
as well I'm not queamish. Jonathan's | 0:06:03 | 0:06:16 | |
treatment is under way. In a sense,
he is one of the lucky ones. That | 0:06:16 | 0:06:21 | |
looks ready to part company from
you, all right. The British Dental | 0:06:21 | 0:06:25 | |
Association says that nation Ali
every year nearly three quarters of | 0:06:25 | 0:06:28 | |
a million people who can't find a
dentist turn up at the GPs or at | 0:06:28 | 0:06:34 | |
A&E. Out she comes. Well done. Why
do you think it is that so many | 0:06:34 | 0:06:41 | |
people have difficulty getting on a
dentist list? Some patients have not | 0:06:41 | 0:06:45 | |
been for years and they think they
are registered, they are not. Some | 0:06:45 | 0:06:48 | |
people move to the area and they
suddenly find that there is no | 0:06:48 | 0:06:53 | |
dentist taking on NHS patients. Or
they may have been struck off the | 0:06:53 | 0:06:58 | |
list, so to speak, for missing an
appointment. The charity relies on | 0:06:58 | 0:07:03 | |
the support of local dentists like
Nick to give up their time to help. | 0:07:03 | 0:07:08 | |
While we are filming a new volunteer
turns up. This is something that we | 0:07:08 | 0:07:11 | |
didn't expect. | 0:07:11 | 0:07:17 | |
didn't expect. He is not a patient,
but a dentist who has a practice in | 0:07:18 | 0:07:21 | |
nearby Leeds. Most people's
perception of dentists these dayses | 0:07:21 | 0:07:25 | |
is that they are greedy and they
don't want to take on NHS patients. | 0:07:25 | 0:07:30 | |
Would you say that perception is
incorrect? Of course it's incorrect. | 0:07:30 | 0:07:35 | |
There is not enough funding for NHS
practices to take on extra patients. | 0:07:35 | 0:07:39 | |
It's virtually the end of the day.
They have seen 37 patients. Pulled | 0:07:39 | 0:07:44 | |
out more than 20 teeth and done five
fillings. Finally, it's Neil's turn. | 0:07:44 | 0:07:50 | |
How did it snap, do you remember? I
was eating something. Cheers. Good | 0:07:50 | 0:07:55 | |
work that. How did you get on?
Brilliant. They were going to pull | 0:07:55 | 0:08:02 | |
my tooth out. No extraction. They
put a temporary filling in that | 0:08:02 | 0:08:09 | |
might last a few years. I'm really,
really happy. Job done. But as | 0:08:09 | 0:08:15 | |
everyone here know this is is all
just a temporary fix. Eddie Crouch | 0:08:15 | 0:08:20 | |
joins us now. He is the Vice Chair
of the British Dental Association. | 0:08:20 | 0:08:24 | |
Eddie, welcome. Evening. Recent
reports suggest that North | 0:08:24 | 0:08:31 | |
Lincolnshire, West Devon Gosport and
Barrow-in-Furness aren't taking on | 0:08:31 | 0:08:38 | |
adult patients on. What is being
done to ensure those people get NHS | 0:08:38 | 0:08:41 | |
dental care? My real worry is that
it's not only in those areas. Across | 0:08:41 | 0:08:46 | |
the whole of the country, the BBC
did research on this, it's access to | 0:08:46 | 0:08:51 | |
NHS dentistry is a problem
everywhere. It's the responsibility | 0:08:51 | 0:08:54 | |
of the local NHS to actually
commission enough services. | 0:08:54 | 0:08:58 | |
Unfortunately, that's not happening.
Nothing is actually going on in | 0:08:58 | 0:09:01 | |
those areas as we speak? Well, there
is. It takes such a long time to | 0:09:01 | 0:09:06 | |
commission the services that often
there is a big gap between a dental | 0:09:06 | 0:09:10 | |
practice closing and a new one
opening. The whole system is really | 0:09:10 | 0:09:13 | |
not very good. The whole process of
tendering for contracts is not very | 0:09:13 | 0:09:17 | |
good. Whitehall we want is a whole
change to the whole system so | 0:09:17 | 0:09:22 | |
patients can be helped. We should
say the system is different in | 0:09:22 | 0:09:25 | |
Scotland and Northern Ireland, isn't
it? It is, yes. There has been an | 0:09:25 | 0:09:30 | |
increase in NHS dentists, 20%. You
would think that would improve | 0:09:30 | 0:09:35 | |
things slightly, but not so? Well, I
mean, what we are talking about | 0:09:35 | 0:09:38 | |
there is the global number of
dentists working in the NHS. We are | 0:09:38 | 0:09:41 | |
not talking about the number that
are working full-time in the NHS. So | 0:09:41 | 0:09:46 | |
that figure is irrelevant, really.
If the whole time numbers of | 0:09:46 | 0:09:51 | |
dentists working in the NHS haven't
increased. In fact the funding | 0:09:51 | 0:09:54 | |
hasn't increased for a long time. If
there were more dentists working in | 0:09:54 | 0:09:58 | |
the NHS they are working with the
same amount of funding. Talk me | 0:09:58 | 0:10:01 | |
through the target system that is in
place? There are fines if you don't | 0:10:01 | 0:10:05 | |
meet the targets. Those fines should
go back to the NHS. How does that | 0:10:05 | 0:10:09 | |
work in practice? Well, the system
we are working in at the moment is | 0:10:09 | 0:10:13 | |
based on a target of numbers of
dental activity. It's a stupid | 0:10:13 | 0:10:19 | |
system if a dentist does six hours
of work on you one particular | 0:10:19 | 0:10:22 | |
patient he may get the same amount
of target credit as if he'd done one | 0:10:22 | 0:10:27 | |
filling on that patient. That
doesn't work - one patient as | 0:10:27 | 0:10:32 | |
opposed to the amount of time or
appointments? Related to what | 0:10:32 | 0:10:36 | |
dentist does. If he gets a filling
he gets three years whether it's one | 0:10:36 | 0:10:41 | |
or 20 fillings. At the end of the
year if dentists have seen patients | 0:10:41 | 0:10:45 | |
that need a lot of treatment and
spent a lot of time on them, they | 0:10:45 | 0:10:48 | |
haven't hit their targets at the end
of the year and the NHS take the | 0:10:48 | 0:10:51 | |
money back. That wouldn't be bad if
they were reinvesting it back into | 0:10:51 | 0:10:55 | |
new services. That isn't happening.
We contacted the NHS but we haven't | 0:10:55 | 0:10:59 | |
had a response yet. For the people
in the areas that Matt mentioned at | 0:10:59 | 0:11:03 | |
the beginning, what are they
supposed to do they have an abscess | 0:11:03 | 0:11:08 | |
or something very painful. Tooth
ache is the worse. A lot can't | 0:11:08 | 0:11:12 | |
afford private care? Absolutely.
They have to be realistic. If the | 0:11:12 | 0:11:15 | |
NHS has a problem, we haven't got
sufficient funding to go around, we | 0:11:15 | 0:11:19 | |
really need to target at the people
who can't afford to have private | 0:11:19 | 0:11:23 | |
dentistry. The other thing that they
should do really, if they can't | 0:11:23 | 0:11:28 | |
access an NHS dentist they should go
on NHS Choices, a website. The | 0:11:28 | 0:11:34 | |
problem is that it is so rapid that
what happens dentists can take | 0:11:34 | 0:11:38 | |
patients on, then they can't, it's
not a great system. If they are | 0:11:38 | 0:11:42 | |
struggling locally I would encourage
them to write to their MP. Thank | 0:11:42 | 0:11:45 | |
you, Eddie. Thank you for the tips
on flossing. Thank you very much. | 0:11:45 | 0:11:51 | |
You have to show everybody what you
have. I always carry this. This is a | 0:11:51 | 0:11:56 | |
gift. I have a sterling silver tooth
prick holder. Look there they are. | 0:11:56 | 0:12:06 | |
With Frank's Tooth Picks. I work in
films a a medieval tooth... After | 0:12:06 | 0:12:16 | |
every meal they come out. It's a
tradition. Do you approve? | 0:12:16 | 0:12:19 | |
Absolutely. I love Eddie I'm an
extractor fan. There you go. What | 0:12:19 | 0:12:31 | |
annoys me on Room 101 posh
restaurants, tiny portions and then | 0:12:31 | 0:12:35 | |
foam. I don't want foam, I want
food. For me any phone call that | 0:12:35 | 0:12:41 | |
involves pressing a number or
talking to a robot. I hate it. Press | 0:12:41 | 0:12:45 | |
1, press 3, press 4 for this. For
anyone like us in neat need of a | 0:12:45 | 0:12:51 | |
good moan it's as as well Room 101
is back. What is upsetting Jimmy? | 0:12:51 | 0:13:00 | |
Tax loopholes, Frank. This isn't tax
evasion, this is tax avoidance. | 0:13:09 | 0:13:14 | |
Following the letter of the law, not
the spirit of the law and leaving it | 0:13:14 | 0:13:17 | |
up to us to decide how much we pay.
I don't think it's a good idea! That | 0:13:17 | 0:13:27 | |
was from Friday night's episode.
Yes. Whats Jimmy's idea or his | 0:13:27 | 0:13:33 | |
accountants? I think accountants are
against that thing being said on | 0:13:33 | 0:13:37 | |
television. Jimmy was up for it.
It's one of the best responses to a | 0:13:37 | 0:13:42 | |
choice we have ever had. I did point
out it was like a burglar putting in | 0:13:42 | 0:13:46 | |
windows. They are there, you don't
have to climb through it. Yes. He | 0:13:46 | 0:13:53 | |
was fabulous good sport about it.
The crowd went with him. We are very | 0:13:53 | 0:13:57 | |
forgiving the British. Yes. Five
years ago I think it was Frank you | 0:13:57 | 0:14:00 | |
were sat here and you said you
wanted to put the One Show theme | 0:14:00 | 0:14:06 | |
tune into Room 101. Yes. Can you
believe it? It's the lyrics. | 0:14:06 | 0:14:14 | |
# 1, da, da
# 1... | 0:14:14 | 0:14:18 | |
#. They don't even go show. They go
one - come on. It's popular in some | 0:14:18 | 0:14:24 | |
households like the Hinge household.
Look at this. This is Silvester. | 0:14:24 | 0:14:33 | |
Silvester absolutely loves it. Yep.
That is every night he is like that. | 0:14:33 | 0:14:38 | |
Are you sure he loves it? Yeah,
yeah. It's a response. I'm not sure | 0:14:38 | 0:14:46 | |
about what canine pain sounds like.
That would be my guess. On that | 0:14:46 | 0:14:50 | |
point we did play Silvester your
theme tune. Oh, yeah. The Room 101. | 0:14:50 | 0:14:56 | |
This was his reaction. Is this
enjoin joy am. It gets worse. He is | 0:14:56 | 0:15:05 | |
getting more and more bored.
He is starting to sense, Frank, your | 0:15:05 | 0:15:10 | |
presence and, well, this then
happens. | 0:15:10 | 0:15:19 | |
He looked so mournful! The new
series started a few weeks ago. The | 0:15:19 | 0:15:28 | |
theme tune should have been
# Room 101... # | 0:15:28 | 0:15:38 | |
biggest surprise this series? Well,
Jimmy, Stephen Mangan but in the | 0:15:38 | 0:15:47 | |
Archers. Vicky McClure pudding rice
pudding which... I am with her, the | 0:15:47 | 0:15:54 | |
skin! | 0:15:54 | 0:15:59 | |
skin! I made something is out of the
dried skin, it is actually quite | 0:16:02 | 0:16:05 | |
practical. Wrong on so many levels!
I am a big rice pudding enthusiasts. | 0:16:05 | 0:16:13 | |
So they were quite shocking. Have
you surprised yourself with what you | 0:16:13 | 0:16:19 | |
have been convinced to put in there?
Ireland is pack and really pushed me | 0:16:19 | 0:16:25 | |
into pudding children's hard on
fridges. -- I remember Chris | 0:16:25 | 0:16:31 | |
Packham. It is a bit harsh! And
Victoria Coren went or James Bond, | 0:16:31 | 0:16:37 | |
Victoria Coren Mitchell, and I
didn't put it in, and that night I | 0:16:37 | 0:16:40 | |
lay in bed thinking, he is a bit of
a sexist murderer. Never a good | 0:16:40 | 0:16:46 | |
thing! So I phoned up the next day
and said, and do you know what, you | 0:16:46 | 0:16:52 | |
were right, and she said in block
capitals, it is too late now! | 0:16:52 | 0:16:56 | |
Because we're talking
Room 101 tonight, Frank, | 0:16:56 | 0:16:59 | |
we thought it would be a nice idea
to reopen the door of the famous | 0:16:59 | 0:17:03 | |
room and offer you a swap deal. | 0:17:03 | 0:17:11 | |
Are you going to slice some ham?
Potentially! This one is for you. | 0:17:11 | 0:17:20 | |
Over 24 years and 18 TV series, 503
items have been put into Room 101. | 0:17:20 | 0:17:24 | |
We've had a tidy-up in there
and categorised them. | 0:17:24 | 0:17:31 | |
We are going to be but the chance to
take an item out and replace it with | 0:17:31 | 0:17:36 | |
a modern equivalent, one out, one
in. So category one is... Pull the | 0:17:36 | 0:17:42 | |
lever. I think you mean...
# Category one! # | 0:17:42 | 0:17:52 | |
Gently does it.
Here we go, it is passion. That | 0:17:52 | 0:17:55 | |
worked beautifully. Shell suits.
Gabby Logan put shell suits in. | 0:17:55 | 0:18:04 | |
Novelty boxer shorts, another
option, that was Johnny Vegas. And | 0:18:04 | 0:18:07 | |
Lorraine Kelly put thongs in. You
can pull out one of those items from | 0:18:07 | 0:18:17 | |
Room 101. I am going to retrieve the
novelty boxer shorts, I have no | 0:18:17 | 0:18:21 | |
problems with them. A friend was
given by mother, who ate all the | 0:18:21 | 0:18:25 | |
pies with mince pies on, and I found
them quite entertaining. How often | 0:18:25 | 0:18:31 | |
did you see them? Frequently. That
is quite a friend! If we pull them | 0:18:31 | 0:18:39 | |
out? I am pulling them out, Frank.
So what goes in? One fashion item? | 0:18:39 | 0:18:53 | |
That is quite difficult, I think
probably white leggings. Aren't | 0:18:53 | 0:19:00 | |
jeggings even worse? I think I may
have a jegging. I have forgotten | 0:19:00 | 0:19:06 | |
what they are! Hard jeans, half
leggings, they are tried, they are | 0:19:06 | 0:19:12 | |
quite comfy. They are good for
cleaning in. That is no | 0:19:12 | 0:19:19 | |
recommendation for clothing! I have
never seen that on any poster | 0:19:19 | 0:19:23 | |
advertising clothes! White leggings?
We should mention that you made the | 0:19:23 | 0:19:33 | |
dress you are wearing. I did, I just
ran it up! It has even got a zip and | 0:19:33 | 0:19:41 | |
everything. Really? And it is
hidden, not the way that my mum made | 0:19:41 | 0:19:50 | |
things, very exposed. Like a scar. I
once made a shirt, and when I put it | 0:19:50 | 0:19:56 | |
on, I thought, what on earth is
wrong with this? Are the sleeves in | 0:19:56 | 0:20:01 | |
the wrong arms? You don't even
notice, how can it even...? You | 0:20:01 | 0:20:05 | |
would be like that, thank you. That
is a very good impression. Great if | 0:20:05 | 0:20:11 | |
you were ski jumping. I don't know
why I bothered to change them! That | 0:20:11 | 0:20:18 | |
is how they train, put the shirt on
back to front. Whenever I do a ski | 0:20:18 | 0:20:25 | |
jump, I stick it on. This is really
proper! You have got to get yourself | 0:20:25 | 0:20:32 | |
on that sewing bee. | 0:20:32 | 0:20:36 | |
Over the years,
we've managed to find and reunite | 0:20:36 | 0:20:39 | |
lots of long-lost family members,
friends and workmates, | 0:20:39 | 0:20:41 | |
but tonight we've set our team
a whole new challenge. | 0:20:41 | 0:20:43 | |
Natasha Raskin Sharp has been
helping one treasure-hunter | 0:20:43 | 0:20:45 | |
uncover the history behind
a unique antique-shop discovery. | 0:20:45 | 0:20:53 | |
Sue Allen from the Isle of Wight
loves hunting around for unique | 0:20:54 | 0:20:57 | |
antiques. Look at this! What have
you got? That is something else, | 0:20:57 | 0:21:03 | |
isn't it? And in the past, her
passion for antiques has led her to | 0:21:03 | 0:21:10 | |
something really special. This
exquisite military jacket was found | 0:21:10 | 0:21:17 | |
in 2004 at an antiques store in
Windsor. Look at that Scarlett. I | 0:21:17 | 0:21:24 | |
know, you can see how which doubt at
me. This is how it was, on a | 0:21:24 | 0:21:30 | |
mannequin in the store, I recognised
as an officer's mess jacket, because | 0:21:30 | 0:21:33 | |
they still wear the same things on
formal occasions. I tried it on, it | 0:21:33 | 0:21:39 | |
bit me. That is why you bought it!
Fancy dress? Did you end up wearing | 0:21:39 | 0:21:44 | |
it as fancy dress? No, because once
we got it home, I looked inside the | 0:21:44 | 0:21:50 | |
label, and it has got a name in it.
And suddenly it becomes a person's | 0:21:50 | 0:22:00 | |
jacket, not a piece of army surplus.
Fascinated by who the wearer was, | 0:22:00 | 0:22:05 | |
Sue and her husband went online and
uncovered swathes of information. | 0:22:05 | 0:22:10 | |
They found out that E Momber was a
decorated soldier of the First World | 0:22:10 | 0:22:16 | |
War tunnelling companies. Their job
was to dig under enemy lines and | 0:22:16 | 0:22:21 | |
said off explosives. Craters which
were the result of mining operations | 0:22:21 | 0:22:24 | |
were named after him, so we have a
map of Hugh | 0:22:24 | 0:22:32 | |
map of Hugh -- Givenchy in France,
and we can see that one of them is | 0:22:34 | 0:22:37 | |
named Momber. He was awarded the
distinguished service order and the | 0:22:37 | 0:22:41 | |
Military Cross. For conspicuous
gallantry and skill in connection | 0:22:41 | 0:22:45 | |
with mining operations, a brave
soldier too. In the course of their | 0:22:45 | 0:22:50 | |
research, they discovered Edward
sadly didn't survive the war. He | 0:22:50 | 0:22:54 | |
died in Belgium on June 20, 1917,
wounded by a shell. Just a few days | 0:22:54 | 0:23:03 | |
after he died, his General rights,
his place cannot be adequately | 0:23:03 | 0:23:08 | |
filled, for by his untimely death,
we lose one of our bravest and best | 0:23:08 | 0:23:12 | |
officers. And now you want to find a
family member. That is right, it is | 0:23:12 | 0:23:19 | |
not our family, it is something that
he had when he lived. If we found | 0:23:19 | 0:23:24 | |
the family, I hope it would mean a
lot to them as well. Determined to | 0:23:24 | 0:23:29 | |
find Edward's relatives, in 2015 the
even travelled to his grave in | 0:23:29 | 0:23:34 | |
Belgium, leaving flowers and a note
for his family. When they didn't | 0:23:34 | 0:23:38 | |
receive a response, it looks like
they had hit a brick wall. But early | 0:23:38 | 0:23:43 | |
in 2017, they contacted our people
finding expert, Cat Whiteaway. They | 0:23:43 | 0:23:48 | |
had done an incredible amount of
research and were able to provide me | 0:23:48 | 0:23:52 | |
with these incredible documents.
Sadly, they couldn't find a marriage | 0:23:52 | 0:23:56 | |
certificate, because he was only 29
when he died, and he didn't have a | 0:23:56 | 0:24:00 | |
chance to get married or have
children. To find out whether Edward | 0:24:00 | 0:24:04 | |
had other relatives, she needed to
create a family tree for him, but | 0:24:04 | 0:24:08 | |
with no birth certificate to confirm
his family names, she had to look | 0:24:08 | 0:24:13 | |
elsewhere. When I was going through
papers, I made a breakthrough. He | 0:24:13 | 0:24:17 | |
was such a distinguished soldier
that his death was announced in the | 0:24:17 | 0:24:21 | |
Times, and it clearly says here,
dearly loved second son of Robert | 0:24:21 | 0:24:25 | |
and Eugenie Momber, confirming that
he had an elder brother. One Cat | 0:24:25 | 0:24:33 | |
drew up his family tree, she
discovered he was actually one of | 0:24:33 | 0:24:36 | |
six siblings. The older brother
mentioned in the newspaper | 0:24:36 | 0:24:41 | |
announcement, Robert, had three
children of his own. Diana, born in | 0:24:41 | 0:24:47 | |
1919, Beatrice, 1920, and Robert,
1925. What's more, both Diana and | 0:24:47 | 0:24:53 | |
Beatrice are still alive and well.
When Cat wrote to Diana, she | 0:24:53 | 0:24:58 | |
confirmed that her uncle Edward was
the hero of their family. Today | 0:24:58 | 0:25:01 | |
Diana has asked to nephew Hugh to
come and collect his great-uncle's | 0:25:01 | 0:25:07 | |
jacket on behalf of the family. It
is a lovely thing to have happened, | 0:25:07 | 0:25:11 | |
actually, it gives you that sort of
feeling of being in touch with them, | 0:25:11 | 0:25:16 | |
even though it has been three or
four generations. Find what happens | 0:25:16 | 0:25:23 | |
later when the lost jacket is
returned to his family after over | 0:25:23 | 0:25:26 | |
100 years. | 0:25:26 | 0:25:28 | |
We'll catch up with
Hugh and his great | 0:25:28 | 0:25:30 | |
uncle's jacket later. | 0:25:30 | 0:25:33 | |
Penny, for your latest little
challenge, escapade... Good word, | 0:25:33 | 0:25:39 | |
yes! It is not about dressmaking, it
is taking to the water. Where did | 0:25:39 | 0:25:44 | |
you end up, and why did you go where
you went? First of all, when you get | 0:25:44 | 0:25:48 | |
asked to do something, you make a
choice, and I thought barging | 0:25:48 | 0:25:54 | |
sounded nice with like-minded
people, I imagined something a bit | 0:25:54 | 0:25:57 | |
quaint, like a narrow boat, with
five of us alleged celebrities, can | 0:25:57 | 0:26:05 | |
I say that? You know what it means.
Five celebrities having a cup of | 0:26:05 | 0:26:12 | |
tea. Sounds great! Lots of rogues
and everything, I am imagining that | 0:26:12 | 0:26:18 | |
and thinking lovely. And then we go
to France, and I am shown this | 0:26:18 | 0:26:24 | |
whopper... We are not back to the
novelty boxer shorts?! Thank you, | 0:26:24 | 0:26:30 | |
no. Anyway, they show us the boat,
it is a massive great cruiser, it | 0:26:30 | 0:26:35 | |
has got five double berths, it is
huge. And Tessa Sanderson and I, | 0:26:35 | 0:26:41 | |
Tessa Sanderson, Tom Conti, Diarmuid
Gavin, Tony Christie, me and Tessa | 0:26:41 | 0:26:47 | |
on one of these things, and the
three boys, one of whom, Tom Conti, | 0:26:47 | 0:26:53 | |
has been voting for ages, on the
other. And we are supposed to be | 0:26:53 | 0:26:58 | |
guiding this... I can't tell you how
big this thing is! We are supposed | 0:26:58 | 0:27:02 | |
to be going through locks and
everything else. Had you any | 0:27:02 | 0:27:05 | |
previous experience? I had done my
powered Old Course about 18 months | 0:27:05 | 0:27:10 | |
ago, but it is like having two days
in a Many learning to drive and then | 0:27:10 | 0:27:16 | |
being shown an articulated lorry! --
Mini. They should rename and five | 0:27:16 | 0:27:30 | |
people crashing their way around
France, I did it on day one. Did you | 0:27:30 | 0:27:35 | |
do that thing lying on your back
under the bridge? No. You are | 0:27:35 | 0:27:41 | |
mistaking me for someone who was so
calm and collected you could get | 0:27:41 | 0:27:44 | |
through a bridge without
thinking...! No, we didn't do a huge | 0:27:44 | 0:27:50 | |
amount... In France, it was mostly
locks,... It sounds like a great | 0:27:50 | 0:28:00 | |
thing to do. Let's have a look, you
and tested learning the ropes. Can | 0:28:00 | 0:28:06 | |
you jump off? Quake! Can you do it
yet?! I cannot jump that, it is too | 0:28:06 | 0:28:14 | |
far! You need to get closer so I can
jump! She is struggling with the | 0:28:14 | 0:28:18 | |
wind. Bow thruster! Oh, God! Have
you got us on? You are not tied up | 0:28:18 | 0:28:33 | |
properly, it has to be much tighter
than that! Wade?! For God's sake! | 0:28:33 | 0:28:41 | |
APPLAUSE
It looked like quite an extensive | 0:28:41 | 0:28:48 | |
boat to crash.
Yeah. I know. But listen, what | 0:28:48 | 0:28:56 | |
happened was, I slowly, essentially,
drifted into the undergrowth and | 0:28:56 | 0:28:59 | |
started melding with the trees,
communing quite heavily! We wouldn't | 0:28:59 | 0:29:05 | |
see you in that frock! All I could
hear was crunching underneath as I | 0:29:05 | 0:29:13 | |
hit the shallows, I was thinking, oh
dear, and the trees were getting | 0:29:13 | 0:29:17 | |
closer, I was being pushed in by the
water rushing down, and I had to be | 0:29:17 | 0:29:22 | |
rescued by Diarmuid and poked off
with a branch, and Tessa was | 0:29:22 | 0:29:26 | |
stranded. But then a bit later on,
Diarmuid crashed into something, Tom | 0:29:26 | 0:29:32 | |
Conti crashed... How long was the
route? It was only two weeks, you | 0:29:32 | 0:29:39 | |
know, we didn't crash every day!
What part of France? In the South, | 0:29:39 | 0:29:48 | |
the Canal du Midi, most of the time
it was lovely. Are you telling me | 0:29:48 | 0:29:53 | |
you didn't stop in five-star hotels?
We were staying on the boat. I can | 0:29:53 | 0:29:58 | |
imagine Tessa Fishing with her
javelin! That is exactly what | 0:29:58 | 0:30:02 | |
happened. You can see Celebrity 5 Go
Barging on Friday on Channel 5. | 0:30:02 | 0:30:11 | |
Now, have you ever wondered what it
would be like to worry | 0:30:11 | 0:30:14 | |
that you're about to become part
of the food chain? | 0:30:14 | 0:30:17 | |
Our next guest has. | 0:30:17 | 0:30:19 | |
My goodness, look at that. He's
right in front of me. | 0:30:19 | 0:30:28 | |
My heart is racing. That was close.
Please welcome wildlife cameraman, | 0:30:55 | 0:31:02 | |
Gordon Buchanan. | 0:31:02 | 0:31:05 | |
That is extraordinary. How did you
even hold your nerve? I mean the | 0:31:08 | 0:31:14 | |
reaction would be to scream and run
the other way. The thing is I wasn't | 0:31:14 | 0:31:19 | |
expecting to be quite so close. With
wildlife it's miles away. This | 0:31:19 | 0:31:25 | |
leopard was as - Brock probably
closer than you are. I could hear it | 0:31:25 | 0:31:29 | |
breathe. I've watched them hundreds
of times before and never heard one | 0:31:29 | 0:31:33 | |
breathe. I had a pump action fog
horn that was the only deterrent. I | 0:31:33 | 0:31:37 | |
slug it in my bag. No that I will
get into a situation to use it, if | 0:31:37 | 0:31:43 | |
if it comes close I will go... That
would hopefully do it. That is why | 0:31:43 | 0:31:49 | |
they never attack geese! Exactly.
Those Was it pant wings. Ing? It was | 0:31:49 | 0:31:58 | |
sinister breathing. Do an
impression. It was more sinister | 0:31:58 | 0:32:05 | |
than that. It was very close and
quite unnerving. Leopards are pound | 0:32:05 | 0:32:11 | |
for pound the most powerful, one of
the most powerful animals on the | 0:32:11 | 0:32:15 | |
planet. You have lived with bears as
well. We have this brilliant | 0:32:15 | 0:32:20 | |
footage. This bear, it being loos
like it went to media college or | 0:32:20 | 0:32:24 | |
something of the elk. This has given
the idea for the programme that we | 0:32:24 | 0:32:29 | |
are about to talk about? -- looks.
It went to media college and went on | 0:32:29 | 0:32:36 | |
to do great things because he's now
on camera five in the One Show | 0:32:36 | 0:32:41 | |
Studio. There you go. There he is.
Brilliant. I knew him when he was | 0:32:41 | 0:32:55 | |
black! This series where you give
cameras two animals. We have footage | 0:32:55 | 0:33:02 | |
here. Are these tame animals. What
is the story with these particular | 0:33:02 | 0:33:08 | |
creatures? We were working with
scientists really to find out from | 0:33:08 | 0:33:13 | |
them whether the questions that
could be answered with the | 0:33:13 | 0:33:16 | |
deployment of cameras. They were
putting GPS could Ashes or tracking | 0:33:16 | 0:33:26 | |
systems on certain animals. --
cameras. The scientists studied | 0:33:27 | 0:33:38 | |
seals, but they had never seen what
they see. Everything an animal does | 0:33:38 | 0:33:41 | |
it reacts to what it's seeing. To
put that picture together. To see | 0:33:41 | 0:33:46 | |
the world through the animal's eyes.
It was really intimate. I wasn't | 0:33:46 | 0:33:53 | |
expecting it. Most of the scenes
were touching and moving. A private | 0:33:53 | 0:33:59 | |
moment with a chimpanzee on the top
of the tree or a seal trying to | 0:33:59 | 0:34:05 | |
avoid detection from a great white
coasting along the bottom of the | 0:34:05 | 0:34:09 | |
sea. Eye-opening. The challenge is
getting the cameras on and getting | 0:34:09 | 0:34:15 | |
the footage back and finding the
animal with the camera? We think | 0:34:15 | 0:34:19 | |
technology can do more than it
actually can. So the technology is | 0:34:19 | 0:34:23 | |
not there that you can transmit to
some satellite in outer space to get | 0:34:23 | 0:34:27 | |
the footage back in real time. So
all of the cameras had to be | 0:34:27 | 0:34:32 | |
deployed and then retrieved. In some
cases, with the meerkats, we lost | 0:34:32 | 0:34:37 | |
more cameras than we - we lost count
of how many we lost. The meerkats | 0:34:37 | 0:34:42 | |
you put them on. That was
straight-forward. They had been | 0:34:42 | 0:34:45 | |
studied for 20 years. Put it round
its neck and it disace Pearce. A lot | 0:34:45 | 0:34:50 | |
took them off down the burrow. If we
were in the morning and waited for | 0:34:50 | 0:34:54 | |
them to come back up and had them we
could retrieve them and download it. | 0:34:54 | 0:35:00 | |
When you say take it off they would
go down and undid it them. They | 0:35:00 | 0:35:08 | |
could flick them if they wanted. The
chimpanzees they put them on | 0:35:08 | 0:35:12 | |
themselves. The stuff we have here
on the table. Talk us through what | 0:35:12 | 0:35:17 | |
would be on what animal from what we
have. One interesting one is this | 0:35:17 | 0:35:21 | |
one. We put this on devil rays
inside housing that could cope with | 0:35:21 | 0:35:27 | |
depths of 2,000 meters. To retrieve
this it was released from the rays, | 0:35:27 | 0:35:36 | |
a magnesium link. It dissolves in
saltwater. You have eight hours. | 0:35:36 | 0:35:40 | |
This camera could have actually
floated back up to the surface from | 0:35:40 | 0:35:44 | |
2,000 meters and then we find it.
Everything for this series is set up | 0:35:44 | 0:35:49 | |
for it to fail. Never work with
technology and animals. It's really | 0:35:49 | 0:35:54 | |
surprising what we were able to
reveal about their lives and to, I | 0:35:54 | 0:36:00 | |
suppose, work with scientists and
see their response to animals they | 0:36:00 | 0:36:05 | |
know and make them say - I didn't
know they did that or that is what | 0:36:05 | 0:36:08 | |
their world looked like. When you
got the footage back, what was the | 0:36:08 | 0:36:12 | |
most surprising thing for you that
you saw? As I said, the intimate | 0:36:12 | 0:36:16 | |
things. The devil rays that
congregate every single year to see | 0:36:16 | 0:36:23 | |
one of the reasons is to give birth.
To see, such intimate views they | 0:36:23 | 0:36:28 | |
were heavily pregnant you could see
their unborn pups unside their stop | 0:36:28 | 0:36:34 | |
being yas pulsating and moving like
a heavily pregnant woman. They are | 0:36:34 | 0:36:37 | |
about to give birth in the weeks to
come. I suppose also with the first | 0:36:37 | 0:36:46 | |
seals, when they take to the water
their lives on aren o the line. | 0:36:46 | 0:36:56 | |
Great white sharks are trying to get
them. Life-and-death struggle. To | 0:36:56 | 0:37:00 | |
see it in this way it's very
personal. It's very moving. When you | 0:37:00 | 0:37:05 | |
are right there. Right there. We are
not, but it's the animals are doing | 0:37:05 | 0:37:10 | |
all the work. Isn't that the weird
thing about animals. You are rooting | 0:37:10 | 0:37:14 | |
for both sides. That is the weird
thing. If they are endangered but | 0:37:14 | 0:37:17 | |
they are going after something.
You feel sorry for both sides. | 0:37:17 | 0:37:24 | |
Predators are unsuccessful most of
the time. The most gobsmacking | 0:37:24 | 0:37:28 | |
footage we got was from a head
mounted camera from a Cheeta with | 0:37:28 | 0:37:36 | |
flexible hosing. It's between the
ears of the Cheeta as it's running | 0:37:36 | 0:37:41 | |
50mph, 60mph trying to get its
dinner. It's on tomorrow night. On | 0:37:41 | 0:37:47 | |
BBC One. | 0:37:47 | 0:37:52 | |
The Oxford English Dictionary
features more than 829,000 | 0:37:52 | 0:37:54 | |
words, and today it
added a bucketload more. | 0:37:54 | 0:37:57 | |
So if you don't know
the meanings of them yet - | 0:37:57 | 0:37:59 | |
don't get hangry
or become diffiding. | 0:37:59 | 0:38:03 | |
Here's our resident smittling,
yampy titivater Alex Riley | 0:38:03 | 0:38:05 | |
to mansplain a few to
the people of Chester. | 0:38:05 | 0:38:09 | |
There are hundreds of new words
added to the Oxford English | 0:38:09 | 0:38:13 | |
Dictionary every year. Does anybody
know what they are and, more | 0:38:13 | 0:38:16 | |
importantly, does anybody know what
they mean? Smittling? A small mouse. | 0:38:16 | 0:38:24 | |
No idea. Smittling. Use it in a
sentence. He has the flu I hope it's | 0:38:24 | 0:38:32 | |
not smittling. Contagious. Get in.
If they are yampy. Grumpy. Is it to | 0:38:32 | 0:38:41 | |
do with vegetables. | 0:38:41 | 0:38:43 | |
Someone is a saver. A dinosaur that
only eeds fruitloops. Yes. Animals | 0:38:48 | 0:39:00 | |
that mainly eat a diet of fruit.
What is hangry? When you are hungry | 0:39:00 | 0:39:04 | |
and angry all at the same time. I
have to go now because I'm hangry | 0:39:04 | 0:39:08 | |
now. | 0:39:08 | 0:39:18 | |
What is titivated? We use that all
the time. Geg. Alleyways. Have a | 0:39:19 | 0:39:28 | |
conversation about the weather and I
will geg you. It's raining. It's | 0:39:28 | 0:39:33 | |
horrible. I'm from the Wun Show do
you want to talk about the English | 0:39:33 | 0:39:44 | |
sary. What is mansplaining. Do you
know what it is? I do. You just did | 0:39:44 | 0:39:53 | |
it. Nobody likes a mansplainer.
There is a lovely book called | 0:39:53 | 0:40:02 | |
Reading the Oxford English
Dictionary. He has picked out the | 0:40:02 | 0:40:11 | |
best words like. People who eat
sitting at their desk and they call | 0:40:11 | 0:40:18 | |
it al desko. I love it. Very good.
Frank I'm delighted because the | 0:40:18 | 0:40:28 | |
fourth series of Sky Arts Portrait
Artist of the Year is back on. Yes. | 0:40:28 | 0:40:32 | |
It doesn't sound as if I'm a fan,
but I am. We spoke about it before. | 0:40:32 | 0:40:36 | |
I know Matt is a big fan. I meet
many people passionately in love of | 0:40:36 | 0:40:43 | |
the programme. You and Dame Joan are
great mates. Off to the opera. Who | 0:40:43 | 0:40:50 | |
is sitting for the portraits it this
year in We have David Tennent. Lily | 0:40:50 | 0:41:01 | |
Cole. Noel Fielding. | 0:41:01 | 0:41:09 | |
Cole. Noel Fielding. The That was
your ex-plait mate? Used to sleep on | 0:41:10 | 0:41:14 | |
my sofa for a long time and now he's
in Game of Thrones. Having his | 0:41:14 | 0:41:19 | |
portrait painted. Showbusiness. What
is the big prize? You get to paint | 0:41:19 | 0:41:28 | |
Kim Kattrall that hangs in the
Walker Gallery in Liverpool and | 0:41:28 | 0:41:33 | |
£10,000 as well. Good prize. I met
Kim. She is lovely. Have you had her | 0:41:33 | 0:41:38 | |
on here. One of my faefs. She's the
same age as me. I thought she was | 0:41:38 | 0:41:43 | |
about 40. She said I had an
operation on my foot, which at my | 0:41:43 | 0:41:47 | |
age is a chat up line! She was
great. What did you say, you were | 0:41:47 | 0:41:54 | |
thinking of having your own done. I
didn't want to get too heavily | 0:41:54 | 0:41:58 | |
involved. I have never seen Sex in
the City apart from that time the | 0:41:58 | 0:42:04 | |
bloke across the road left his
curtains open. We have been tracing | 0:42:04 | 0:42:09 | |
the history behind an antique
military jacket. Here is Natasha | 0:42:09 | 0:42:13 | |
Raskin Sharp to bring you up to
speed. For 13 years Sue Allan has | 0:42:13 | 0:42:20 | |
been longing to reunite this
military jacket with the family of | 0:42:20 | 0:42:23 | |
the soldier it belonged to. Sue
discovered that that soldier was | 0:42:23 | 0:42:30 | |
Major Edward Momber, a decorated
officers who died in battle having | 0:42:30 | 0:42:37 | |
received two medals for gallantry.
He died before having children of | 0:42:37 | 0:42:41 | |
his own. Our people finding expert
has traced his great nephew, Hugh. | 0:42:41 | 0:42:47 | |
Today he's about to meet Sue. I'm so
thrilled he will go back. I can't | 0:42:47 | 0:42:52 | |
wait. I want to introduce somebody
to you. Just for you, the great | 0:42:52 | 0:42:58 | |
nephew of Major Edward Momber, Hugh
Momber. Hugh, how lovely to meet | 0:42:58 | 0:43:05 | |
you. How lovely. Can I introduce you
to your great uncle's jacket. It's | 0:43:05 | 0:43:11 | |
wonderful. He has been part of our
family really for 10 odd years. We | 0:43:11 | 0:43:19 | |
can't wait now to pass him back.
Just such an amazing idea, really. | 0:43:19 | 0:43:27 | |
He wore this. Your great uncle wore
this. Edward's jacket is going home | 0:43:27 | 0:43:32 | |
to be reunited with his family a
century on and the medals he won in | 0:43:32 | 0:43:36 | |
battle which Hugh brought to show
Sue. To have the two things together | 0:43:36 | 0:43:41 | |
now it brings them back to life,
doesn't it? Hugh Hugh has | 0:43:41 | 0:43:45 | |
photographs.
Edward that paint aic packure of the | 0:43:45 | 0:43:48 | |
man behind the uniform. Oh, look at
this. A family photo. That is | 0:43:48 | 0:43:52 | |
fantastic. That is all the Mombers.
Yes, my grandfather. Robert. With | 0:43:52 | 0:43:59 | |
the cane. Edward in the flat cap.
Hugh said that Edward was cheeky and | 0:43:59 | 0:44:05 | |
naughty. Was he. With his sister and
they were always up to no good. They | 0:44:05 | 0:44:09 | |
climbed up on the roof and got stuck
in the lightning conductor at one | 0:44:09 | 0:44:14 | |
point. He had a tough adulthood, as
tough as it can get. To see these | 0:44:14 | 0:44:20 | |
photographs the fun that he had as a
family, they were very close. We | 0:44:20 | 0:44:26 | |
have Hugh in front of us. I'm so
grateful. I'm very happy to hand | 0:44:26 | 0:44:30 | |
this over to you from Momber to
Momber. That's where it belongs. The | 0:44:30 | 0:44:35 | |
Momber family can now forge a new
connection to their extraordinary | 0:44:35 | 0:44:39 | |
ancestor. Very proud of him and...
As you should be. Extremely grateful | 0:44:39 | 0:44:46 | |
to you for being happy to hand it
over as well. Yes, definitely. The | 0:44:46 | 0:44:51 | |
most beautiful story. That is
lovely. We are glad it's back in the | 0:44:51 | 0:44:56 | |
hands of the rightful family.
Antiques are something a lot of | 0:44:56 | 0:44:59 | |
generations enjoy something we don't
want around for an eternity is | 0:44:59 | 0:45:03 | |
plastic.
Our plastic crusader, Lucy, is here. | 0:45:03 | 0:45:07 | |
You are owl over it? I am. Latest
plastic news. The news this week is | 0:45:07 | 0:45:13 | |
mainly about water. Drinking water.
We are trying to do is displace all | 0:45:13 | 0:45:19 | |
of those single use plastic bottles.
We get through millions and millions | 0:45:19 | 0:45:22 | |
and millions. We have been in touch
with the London's Mair's Office. | 0:45:22 | 0:45:26 | |
They have said they have plans for
20 new drinking water fountains to | 0:45:26 | 0:45:31 | |
be installed across London this
summer. We know from previous news | 0:45:31 | 0:45:36 | |
items that lots of cities and towns
are looking at drinking water | 0:45:36 | 0:45:39 | |
fountains. These will tie into water
refill scheme across the UK. So | 0:45:39 | 0:45:45 | |
shops, cafes and businesses will
offer free water refill points and | 0:45:45 | 0:45:50 | |
nip in with your refillable bottle
by 2021. Happen by this summer? | 0:45:50 | 0:45:56 | |
2021. I have to add a few years on.
The aim is to get loads in different | 0:45:56 | 0:46:07 | |
cities in the UK. Whit brand signed
up to this initiative and they will | 0:46:07 | 0:46:12 | |
have it in their outlets by 2018.
Bristol have 200 across Bristol. | 0:46:12 | 0:46:18 | |
Always first with this Bristol. Well
done to you. | 0:46:18 | 0:46:20 | |
And viewers are always very helpful
in sharing ways that they think they | 0:46:24 | 0:46:28 | |
can make a difference. Yes, so
great, loads of responses, mainly | 0:46:28 | 0:46:34 | |
about microplastics, the tiny
fragments of plastic that get into | 0:46:34 | 0:46:38 | |
the food chain, so from zoo
plankton, turtles, Wales, right the | 0:46:38 | 0:46:42 | |
way through, these can be very
easily ingested. Now, Irene Brown, | 0:46:42 | 0:46:48 | |
you are my hero, from Blaydon, she
contacted us because she is | 0:46:48 | 0:46:52 | |
concerned we are all using tea bags
and that they have got plastic in | 0:46:52 | 0:46:57 | |
them. This prompted quite a
discussion, and she is really on the | 0:46:57 | 0:47:01 | |
money, because most of the... 165
million cups of tea are drunk every | 0:47:01 | 0:47:09 | |
day in the UK, 96% of the tea bags
of polypropylene in. Because we | 0:47:09 | 0:47:16 | |
drink so many, it is a problem with
these microplastics, if you put them | 0:47:16 | 0:47:19 | |
into compost, so we need the
retailers to act on this. The Co-op | 0:47:19 | 0:47:25 | |
has announced plans to make their
own tea bags free of plastic. But | 0:47:25 | 0:47:32 | |
Irene just uses loose-leaf tea.
Excellent! That is all we have got | 0:47:32 | 0:47:36 | |
time for for now, Lucy, but you will
be back next week with more, thanks | 0:47:36 | 0:47:40 | |
for getting in touch. | 0:47:40 | 0:47:43 | |
Now, let's introduce tonight's
music guests who burst | 0:47:43 | 0:47:45 | |
onto the music scene 14 years ago
with belters like this. | 0:47:45 | 0:47:49 | |
# Well, do you, do you wanna?
# Go where I never let you before... | 0:47:49 | 0:47:59 | |
# | 0:47:59 | 0:48:04 | |
#
# It's better in the matinee... | 0:48:05 | 0:48:11 | |
# I say, don't you know, you say I
don't know... # | 0:48:11 | 0:48:20 | |
Please welcome Alex Kapranos
from Franz Ferdinand. | 0:48:20 | 0:48:25 | |
Hello! Good to see you! You guys
have had a bit of a reshuffle, some | 0:48:25 | 0:48:32 | |
have gone, some have come in, so
what is the score? Well, Nick left | 0:48:32 | 0:48:39 | |
after we did the FFS tour, he wanted
to spend more time with his family, | 0:48:39 | 0:48:46 | |
and Julian Corrie and Dino Bardot
have joined the band, from Glasgow | 0:48:46 | 0:48:51 | |
as well. So there you all are. So
what is the sounds like now? Has it | 0:48:51 | 0:48:57 | |
changed at all? Have you tried to
stay as you work? I guess, when you | 0:48:57 | 0:49:01 | |
hear the new record, it still sounds
like under straightaway, but we're | 0:49:01 | 0:49:05 | |
doing something new, it feels like
the beginning of a new decade for | 0:49:05 | 0:49:10 | |
the band, if you like. The album is
doing well, four or five stars. I | 0:49:10 | 0:49:17 | |
haven't been looking at reviews. Are
you bothered by reviews? I know | 0:49:17 | 0:49:23 | |
everybody says it, but I have been
trying hard not to read them, | 0:49:23 | 0:49:26 | |
because you start thinking about
that when you are performing, rather | 0:49:26 | 0:49:29 | |
than the gig itself. | 0:49:29 | 0:49:36 | |
than the gig itself. Five stars, you
said four and five, he is dying | 0:49:36 | 0:49:39 | |
inside! Thanks, Alex! And you used
to be in a band. I was, I was in a | 0:49:39 | 0:49:48 | |
punk band for a while, which went on
to become the Prefects, the second I | 0:49:48 | 0:49:56 | |
left, they took off like a
skyrocket. I used to be quite a big | 0:49:56 | 0:50:02 | |
punk type of... Safety pins... We
don't have to imagine, we have a | 0:50:02 | 0:50:10 | |
photograph. That was when I was Mick
Jagger! | 0:50:10 | 0:50:18 | |
Jagger! They are schoolmates of mine
pointing in. You looked petrified. | 0:50:18 | 0:50:24 | |
No, I look groovy, like Hayley
Mills! And how are you feeling now | 0:50:24 | 0:50:31 | |
within the band and how it is all
going, the new sound? It feels | 0:50:31 | 0:50:36 | |
really exciting. I guess you don't
really know, you made a record, you | 0:50:36 | 0:50:39 | |
don't know how it is going to go
down until you play the songs. Four | 0:50:39 | 0:50:45 | |
25 stars! Such a disappointment! We
toured a lot last year, we played in | 0:50:45 | 0:50:52 | |
America, the audiences were going
nuts for the songs. And what is the | 0:50:52 | 0:50:57 | |
plan with touring now? Around the UK
in February, then Europe, America, | 0:50:57 | 0:51:04 | |
Japan, Latin America, everywhere!
And one really quick question, | 0:51:04 | 0:51:10 | |
because Frank is here, which band
would you put in Room 101? I | 0:51:10 | 0:51:16 | |
couldn't do that! Play the band, we
have got 15 seconds left! I can't | 0:51:16 | 0:51:21 | |
think of a band. You got away with
it, we are down to five no! Over | 0:51:21 | 0:51:27 | |
just put the members of Franz
Ferdinand who left! | 0:51:27 | 0:51:31 | |
Now picture your dad dancing. | 0:51:31 | 0:51:33 | |
There he is, at a wedding,
dancing away to a bit | 0:51:33 | 0:51:36 | |
of Oops Up Side Your Head. | 0:51:36 | 0:51:38 | |
Now picture a room
full of dancing dads | 0:51:38 | 0:51:40 | |
at the World Dad Dancing
Championships. | 0:51:40 | 0:51:41 | |
Good luck, Matt Allwright. | 0:51:41 | 0:51:49 | |
Calling all middle-aged wedding
disco dancing dads. Do you recognise | 0:51:49 | 0:51:57 | |
these moves? The lawn mower. The
running man. And of course the torch | 0:51:57 | 0:52:10 | |
of trying. Maybe you even consider
yourself to be a dad dancer, but | 0:52:10 | 0:52:14 | |
have you ever taken part in a dad
dancing competition? This is what | 0:52:14 | 0:52:21 | |
I'm going to do, here are my rivals,
and here is my 16-year-old son deep | 0:52:21 | 0:52:25 | |
in the grip of wretched adolescence,
that is right, it is payback time! | 0:52:25 | 0:52:33 | |
# Let's dance to the sound of their
playing on the radio... # | 0:52:33 | 0:52:36 | |
I come here to compete in any
teenager's worst nightmare. | 0:52:36 | 0:52:50 | |
teenager's worst nightmare. The
World Dad Dancing Championships is | 0:52:50 | 0:52:51 | |
part of a festival to give busy dads
time to spend with their kids. The | 0:52:51 | 0:52:59 | |
idea is to get dads outside having
fun with their kids. Have a little | 0:52:59 | 0:53:05 | |
festival for the dads. The jewel in
the crown is the main event. The | 0:53:05 | 0:53:11 | |
official championship is held here.
You say that, but I noticed that a | 0:53:11 | 0:53:15 | |
lot of entrants seem to be from the
south-west of England, and yet it is | 0:53:15 | 0:53:19 | |
the World Dad Dancing Championships?
It is a bit like baseball, it is not | 0:53:19 | 0:53:24 | |
really the World Series. Well, we
are the only ones that do it. You | 0:53:24 | 0:53:29 | |
know, we have got people from
Bristol. | 0:53:29 | 0:53:34 | |
# I'm so excited, and I just can't
hide... # | 0:53:34 | 0:53:38 | |
I'm excited to see all the dads
dancing, it's going to be really | 0:53:38 | 0:53:42 | |
funny. If you have got it, show it.
If you haven't, show it anyway. I am | 0:53:42 | 0:53:50 | |
not dancing, I am not a dad. What is
it that makes dad dancing so | 0:53:50 | 0:53:56 | |
distinctive? The shape of the body,
not as chiselled and toned... No | 0:53:56 | 0:54:02 | |
idea! What is my greatest strength
as a dancer? If they are embarrassed | 0:54:02 | 0:54:08 | |
about me, how do they feel about
you, Conrad? I would like to think | 0:54:08 | 0:54:13 | |
they are proud, but I'm not so sure.
Last year he was going, yeah! | 0:54:13 | 0:54:21 | |
However embarrassed my family are at
me, you have gone one step further. | 0:54:21 | 0:54:25 | |
Wish me luck. God, you are
embarrassing! I shall now introduce | 0:54:25 | 0:54:32 | |
you to the judges! And two at the
MD, the festival's kids will be | 0:54:32 | 0:54:39 | |
doing the judging. -- and to up the
ante. If I feel a tap on the | 0:54:39 | 0:54:47 | |
shoulder, that means I am out. Dads,
are you ready? Hit the tune is! | 0:54:47 | 0:54:54 | |
Straightaway, I get my twerk on with
Beyonce, but as soon as I find my | 0:54:54 | 0:55:04 | |
rhythm... Oh, this is better, I am
killing this! And a change of tune! | 0:55:04 | 0:55:17 | |
But then, disaster strikes. I feel
the ice and cold disappointment on | 0:55:17 | 0:55:22 | |
my shoulder, and I am out, Tommy is
devastated. I didn't even make the | 0:55:22 | 0:55:32 | |
cut! First 20%! It is time to leave
it to the cream of the crop, the | 0:55:32 | 0:55:37 | |
disco dads in a dance-off final. | 0:55:37 | 0:55:43 | |
disco dads in a dance-off final. The
winner of the World Dad Dancing | 0:55:43 | 0:55:46 | |
Championships 2017 is... Can Conrad,
last year's runner-up, Pollard out | 0:55:46 | 0:55:52 | |
of the bag? Conrad! Yes, he can, and
these were the moves that got him | 0:55:52 | 0:56:00 | |
there.
# I'm so excited, I just can't hide | 0:56:00 | 0:56:05 | |
it... #
I've worked so hard for this! At | 0:56:05 | 0:56:13 | |
least you tried. I think I have
strained a pectoral, though. We | 0:56:13 | 0:56:22 | |
could all do a little bit of that
now, brace yourselves! Thank you to | 0:56:22 | 0:56:27 | |
all of our guests, Frank, Penny,
Gordon. | 0:56:27 | 0:56:33 | |
Room 101 and Celebrity 5 Go Barging
are both on Friday evening. | 0:56:33 | 0:56:35 | |
And don't miss the first Gordon
Buchanan's Animal's With Cameras, | 0:56:35 | 0:56:37 | |
8pm tomorrow night. | 0:56:37 | 0:56:38 | |
Join us tomorrow
with Penelope Wilton. | 0:56:38 | 0:56:40 | |
Now, playing us out, | 0:56:40 | 0:56:41 | |
here's Franz Ferdinand
with the title track | 0:56:41 | 0:56:43 | |
from their new album,
Always Ascending. | 0:56:43 | 0:56:50 | |
# Always and always
and always ascending | 0:56:51 | 0:56:54 | |
# The opening line leaves
an uncertain ending | 0:56:54 | 0:56:58 | |
# Always and always
and always ascending | 0:56:58 | 0:57:02 | |
# The chords seem to pause but ah | 0:57:02 | 0:57:06 | |
# Never going to resolve | 0:57:06 | 0:57:07 | |
# Never going to resolve | 0:57:07 | 0:57:09 | |
# Never going to resolve | 0:57:09 | 0:57:10 | |
# Never going to resolve | 0:57:11 | 0:57:13 | |
# Talk to me | 0:57:14 | 0:57:16 | |
# Come on, talk to me | 0:57:16 | 0:57:17 | |
# Yeah, talk to me | 0:57:17 | 0:57:20 | |
# Come on, talk to me | 0:57:20 | 0:57:22 | |
# Yeah, talk to me | 0:57:22 | 0:57:26 | |
# Wake me up | 0:57:26 | 0:57:27 | |
# Come on, wake me up | 0:57:27 | 0:57:30 | |
# Waking up dry | 0:57:30 | 0:57:32 | |
# Waking up dusty | 0:57:32 | 0:57:34 | |
# Feeling remorse | 0:57:34 | 0:57:36 | |
# Feeling thirsty | 0:57:36 | 0:57:38 | |
# Bring me a cup | 0:57:38 | 0:57:41 | |
# Bring me water | 0:57:41 | 0:57:47 | |
# We can ascend | 0:57:47 | 0:57:48 | |
# From this arrangement | 0:57:48 | 0:57:50 | |
# We can see fate | 0:57:50 | 0:57:53 | |
# As entertainment | 0:57:53 | 0:57:55 | |
# Bring me a cup | 0:57:55 | 0:57:58 | |
# Bring me water | 0:57:58 | 0:58:01 | |
# Bring me water | 0:58:03 | 0:58:10 | |
# Always and always
and always ascending | 0:58:12 | 0:58:16 | |
# The shepherd misleads
so you think you're transcending | 0:58:16 | 0:58:20 | |
# Always and always
and always ascending | 0:58:20 | 0:58:24 | |
# Pause the progression but ah | 0:58:24 | 0:58:28 | |
# Never going to resolve | 0:58:28 | 0:58:29 | |
# Never going to resolve | 0:58:29 | 0:58:31 | |
# Never going to resolve | 0:58:31 | 0:58:32 | |
# Never going to resolve | 0:58:33 | 0:58:36 | |
# Never going to resolve | 0:58:36 | 0:58:37 | |
# Talk to me | 0:58:37 | 0:58:39 | |
# Come on, talk to me | 0:58:39 | 0:58:40 | |
# Yeah, talk to me | 0:58:40 | 0:58:42 | |
# Talk to me | 0:58:42 | 0:58:48 | |
# Come on, wake me up | 0:58:48 | 0:58:51 | |
# Come on, wake me up | 0:58:51 | 0:58:52 | |
# Waking up dry | 0:58:52 | 0:58:54 | |
# Waking up dusty | 0:58:54 | 0:58:56 | |
# Feeling remorse | 0:58:56 | 0:58:58 | |
# Feeling thirsty | 0:58:58 | 0:59:01 | |
# Bring me a cup | 0:59:01 | 0:59:04 | |
# Bring me water | 0:59:04 | 0:59:08 | |
# Bring me water | 0:59:08 | 0:59:11 | |
# Bring me water | 0:59:12 | 0:59:16 | |
# Bring me water | 0:59:16 | 0:59:21 | |
# Bring me water, yeah. # | 0:59:21 | 0:59:29 | |
CHEERING AND APPLAUSE | 0:59:30 | 0:59:36 |