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Hello, it's coming up to 7 o'clock. What better time to celebrate | :00:31. | :00:39. | |
the man who spent 50 years entertaining us on | :00:40. | :00:42. | |
television and radio. Yes, this was Sir Terry Wogan's slot | :00:43. | :00:48. | |
and we're proud to be sharing it with him tonight, taking things | :00:49. | :00:51. | |
slowly, as he was wont to do, and revelling in his | :00:52. | :00:55. | |
work and his wit. Joining us are people who were lucky | :00:56. | :00:59. | |
enough to work with him - our friend Chris Evans, | :01:00. | :01:01. | |
who had the impossible task of taking over his radio show. | :01:02. | :01:05. | |
Graham Norton, another great talent who followed | :01:06. | :01:09. | |
in his footsteps on Eurovision. Alan Dedicoat and Lynne Bowles, | :01:10. | :01:12. | |
his on-air wingman and woman, who bantered away many | :01:13. | :01:14. | |
an early morning together. And later Sue Cook, who presented | :01:15. | :01:17. | |
Children in Need alongside Sir Terry for 11 years. | :01:18. | :01:20. | |
So welcome to you all. It's good to see you. | :01:21. | :01:26. | |
APPLAUSE. It's a shame on such a sad day, but what a collection of people | :01:27. | :01:31. | |
we have. I know, Chris, would have been absolutely knocked sideways by | :01:32. | :01:34. | |
the news yesterday morning. Where were you and when did you hear the | :01:35. | :01:40. | |
news of Sir Terry's passing this I woke up yesterday morning to a | :01:41. | :01:44. | |
message from our boss at Radio 2, Bob Shennan. It was a voice message. | :01:45. | :01:50. | |
Message. I was asleep and he said, can you please call me back | :01:51. | :01:54. | |
urgently, there's something you need to know. So I called him back and he | :01:55. | :01:59. | |
told me. It was a quarter past 8. And with that, so many memories must | :02:00. | :02:04. | |
flash before you. If there was one, we are going to be talking for an | :02:05. | :02:10. | |
hour about this, so don't feel the pressure, but if there was one vivid | :02:11. | :02:15. | |
memory that you have of Sir Terry what would it be? There are so many. | :02:16. | :02:20. | |
And today, the last 24 hours have taught me more about life than the | :02:21. | :02:25. | |
last 24 years. I knew Terry relatively well. Graham knew him | :02:26. | :02:30. | |
well, "Deadly" and Lynn better than we did. I met him 25 years ago-ish. | :02:31. | :02:41. | |
He took he under his wing. I didn't deserve it, I was an eejit as he | :02:42. | :02:46. | |
would have said. Wayward. When I was on Radio 1 he was on Radio 2. He | :02:47. | :02:51. | |
invited me to his studio to break the bread and then very quickly | :02:52. | :02:55. | |
after that he said look, we do wake up half the nation every morning, | :02:56. | :02:59. | |
why don't we get together one day and chat about that a bit? He | :03:00. | :03:04. | |
invited me to have a game of golf with him, which was brilliant to | :03:05. | :03:10. | |
play golf with Terry Wogan, the man who holds the record for the | :03:11. | :03:16. | |
longsest telesides putt. I went to his house. You know when you imagine | :03:17. | :03:21. | |
somebody's house and it is never how you want it to be, but this was | :03:22. | :03:28. | |
exactly, big gates, crunching gravel. Have you been? No. I | :03:29. | :03:32. | |
thought, I must play well today. But we weren't going to play golf | :03:33. | :03:37. | |
straight away because we were going to have lunch, and before lunch we | :03:38. | :03:42. | |
had a drink. A bottle of pink champagne. I thought, here we go. | :03:43. | :03:49. | |
Within an hour it had gone and Lady Helen had made a pre-prepared lunch, | :03:50. | :03:54. | |
because she was off to play bridge. We finished lunch at 2 or 3, at | :03:55. | :03:59. | |
which point I couldn't remember the game of golf, and we had another | :04:00. | :04:03. | |
game of golf. We got to the 11th hole out of 18. He said, I think | :04:04. | :04:09. | |
Christie, we had better wrap it up after this one. I said, yes, it is | :04:10. | :04:16. | |
getting rather dark, and he said no, we've got dinner booked at 8 | :04:17. | :04:21. | |
o'clock. And it got to half ten and we had to be up to do our shows the | :04:22. | :04:27. | |
next day. I thought, we had better go now. I didn't want to call an | :04:28. | :04:31. | |
early night. He said, Christie, what's the matter now? I said, we've | :04:32. | :04:37. | |
got to get ready to do our show. He said, what time do you get up? I | :04:38. | :04:43. | |
said, half four. He said you are not on until half six. He said they | :04:44. | :04:48. | |
either like you or they don't. And that's the best thing I've -- heard | :04:49. | :04:56. | |
about broadcasting. The more you hear about him... He always had time | :04:57. | :05:00. | |
for people after the show, time for his pals, time for the team, and | :05:01. | :05:04. | |
time on the radio and on telly, like you said. That's why he could be so | :05:05. | :05:09. | |
funny, because he gave himself time to think about things and listen to | :05:10. | :05:14. | |
things and orchestrate and use that wit and vocabulary that he had. What | :05:15. | :05:21. | |
about you Graham? I love that Sir Terry Wogan was the one leaving you | :05:22. | :05:27. | |
astray. For me it was how funny he was. I remember him laughing like a | :05:28. | :05:34. | |
drain when he did the round-ups of what happened in Dallas the night | :05:35. | :05:37. | |
before, or the Janet and John stories. And the things you didn't | :05:38. | :05:41. | |
appreciate fully at the time. The way he used language, the words he | :05:42. | :05:47. | |
would use. We had never heard the word ginormous before he said it. He | :05:48. | :05:55. | |
was very well read Weirdly always prepared in that way, because he | :05:56. | :05:58. | |
knew where he wanted to take things and what have you, so he was | :05:59. | :06:02. | |
prepared in his own way even if at this time looked like he didn't want | :06:03. | :06:06. | |
to do a lot of prep. This is your The One Show, so if you have ever | :06:07. | :06:11. | |
met Sir Terry, please share your pictures. We would love to see them. | :06:12. | :06:16. | |
We'll show some later. As well as everything else Sir Terry made many | :06:17. | :06:19. | |
television documentaries. One of the most recent was when he toured the | :06:20. | :06:23. | |
UK in a black cab in search of the best British food. His driver was | :06:24. | :06:28. | |
Mason McQueen and he was out and about early this morning in search | :06:29. | :06:36. | |
of more memories of the great man. The first stop memory lane,ester and | :06:37. | :06:42. | |
your fondest memories of Sir Terry. The first night of the first | :06:43. | :06:47. | |
Children In Need, we were facing ten hours of live television. And | :06:48. | :06:51. | |
autocue broke. It could have been a disaster with anyone else, but of | :06:52. | :06:55. | |
course Terry, as you know, loved unscripted. He loved mistakes. We | :06:56. | :07:01. | |
just bantered. There was no feeling of fear on my part because I had | :07:02. | :07:08. | |
unflappable T Wogan next to me. When I first met him I came home and my | :07:09. | :07:14. | |
wife Sid, you're talking like Terry Wogan! I said, am I? A slight Irish | :07:15. | :07:20. | |
Liberal Democrat. I had been around him all day. He had this effect on | :07:21. | :07:25. | |
you. I remember he was a guest on Top Gear and you realised how sharp | :07:26. | :07:32. | |
he was, he was so funny. I wasn't going all out. You can say that | :07:33. | :07:36. | |
again! I don't normally get affected by this sort of news. You hear of a | :07:37. | :07:43. | |
celebrity's passing but this time it's been quite depressing. Tell us | :07:44. | :07:48. | |
all you know about Mr T? The mornings in the radio studio, | :07:49. | :07:53. | |
listening you would laugh, but off air you would end up helpless with | :07:54. | :07:56. | |
laughter sometimes. It is a fantastic day to start the day | :07:57. | :08:00. | |
either as a listener or a colleague. How many people get to laugh first | :08:01. | :08:03. | |
thing in the morning as part of their work? And we did. It was | :08:04. | :08:08. | |
fantastic fun. Whenever I think about it I just smile. Exactly, and | :08:09. | :08:15. | |
that's how he would want us now. I used to watch that programme, | :08:16. | :08:19. | |
Blankety Blank, the chequebook and pen. We didn't get television until | :08:20. | :08:26. | |
later on in our teenage years, so Blankety Blank was the big one | :08:27. | :08:29. | |
there. My mother lived for that show. You would be proud to be | :08:30. | :08:35. | |
seeing an Irishman making it over here and doing well. Everybody | :08:36. | :08:42. | |
seemed to love him. Are you a fan of Terry Wogan? Of course, I've been a | :08:43. | :08:49. | |
fan of his for years. I like Eurovision but I like tuning in to | :08:50. | :08:54. | |
hear what Terry says. This is my favourite bit because I was reared | :08:55. | :09:00. | |
on diddly d diction music. When somebody was silly or not good, the | :09:01. | :09:05. | |
to hear what serry would say about it. This will win. How are you? I'm | :09:06. | :09:13. | |
sad. It is like that isn't it, but he wouldn't want us to be sad, | :09:14. | :09:19. | |
Gabby. I know, I did my radio show yesterday and everyone said, how can | :09:20. | :09:25. | |
you do it? If Terry was there he would say, what do you think you're | :09:26. | :09:29. | |
doing? Just entertain. He didn't take it too serious did he? No, but | :09:30. | :09:34. | |
the only thing he took seriously was his love of his family. I think | :09:35. | :09:38. | |
everybody is talking about their wonderful memories of him, and | :09:39. | :09:42. | |
people who knew him and worked with him. But it is his family. My heart | :09:43. | :09:46. | |
is breaking for the family. He adored his family. They came first, | :09:47. | :09:53. | |
Helen and the kids came first. APPLAUSE. Do you know... So many | :09:54. | :09:58. | |
people are saying how they feel that we forget there's a family at the | :09:59. | :10:02. | |
core of it and are really going through it. Of course, and everybody | :10:03. | :10:06. | |
feels so much shock across the nation. You really can't imagine. | :10:07. | :10:11. | |
Alan, let's have a word about how you ended up working with Sir Terry. | :10:12. | :10:17. | |
You read the news, 15 years you did it? More than 15 years I gave to | :10:18. | :10:22. | |
that man. How did it start? We had a team of about ten and we wanted it | :10:23. | :10:27. | |
whittled down to a few so we could build up a relationship with him. | :10:28. | :10:32. | |
One of my favourite stories of great man is on one occasion I did get | :10:33. | :10:38. | |
invited to the house. And it is a lovely place, a nice gaffe. We were | :10:39. | :10:40. | |
going to the mad escy lovely place, a nice gaffe. We were | :10:41. | :10:48. | |
going to the mad -- Madejski stadium to watch rugby. Rugby. Rugby. My aim | :10:49. | :10:54. | |
is to hoover up the food generally, but I was standing in his lounge. It | :10:55. | :10:59. | |
was very lived in. I was looking down the garden on a wet, miserable | :11:00. | :11:04. | |
Saturday morning. Morning. I remember seeing this grey object at | :11:05. | :11:08. | |
the end of the garden. I said, what is the that there, is it a Wendy | :11:09. | :11:14. | |
house for the kids? He leaned over and said, it's Windsor Castle. And | :11:15. | :11:21. | |
it was! His house backs on to Windsor Castle. But it was by royal | :11:22. | :11:28. | |
appointment, because the Queen did listen. And Lynn, you joined up a | :11:29. | :11:32. | |
little bit later. I was about the last five years with you guys on | :11:33. | :11:37. | |
air. I had been five years behind the scenes but I think Terry was | :11:38. | :11:41. | |
never one to prepare. This is going to come through, I feel, in this | :11:42. | :11:48. | |
show. He knew the word rehearsal but didn't know how to put into it | :11:49. | :11:53. | |
operation. He said, rehearse, rehearse, rehearse and then pull | :11:54. | :11:56. | |
back. Forget the rehearsal. You do traffic and travel. Lots of people | :11:57. | :12:01. | |
will be excited to see new the flesh this evening. Who are obviously | :12:02. | :12:06. | |
crackers! But you worked closely with Terry. Closely with Chris and | :12:07. | :12:11. | |
Ken. Presumably there's a different atmosphere or vibe for each of the | :12:12. | :12:15. | |
three. Chris obviously horrendous every morning... Absolutely. You | :12:16. | :12:21. | |
don't know how much I suffer. How was Terry? Ken is obviously my radio | :12:22. | :12:28. | |
husband, but Sir Terry Wogan was just fantastic. He was the best guy | :12:29. | :12:32. | |
you could ever work with. He was kind and generous. He was generous | :12:33. | :12:37. | |
to a fault as a broadcaster. Not all broadcasters are. You will be | :12:38. | :12:42. | |
surprised to learn. But he, if I said the clever thing to get us to | :12:43. | :12:47. | |
finish a little skit, he would let me have it. He didn't need to top | :12:48. | :12:51. | |
me, because he just wanted everyone to have a good time. If that | :12:52. | :12:57. | |
finished it, fine, we would move on. Even that intonation that you have, | :12:58. | :13:02. | |
when you talk to him you can't help but get on to that flow and the way | :13:03. | :13:08. | |
he's. A beautiful voice. You never worried about him being a big star. | :13:09. | :13:14. | |
He was just a good bloke. I think that's, you forget this was the | :13:15. | :13:20. | |
first guy who presented in that way, that incredibly relaxed laid-back | :13:21. | :13:24. | |
way, the way everyone aspires to do now. I think he came up with that, | :13:25. | :13:29. | |
the idea of being that. It sounded like he was wearing a cardigan, not | :13:30. | :13:36. | |
a suit. He is the first and only person I've ever been star struck | :13:37. | :13:41. | |
with. I remember when I did an interview with him on Blue Peter. I | :13:42. | :13:45. | |
couldn't believe that it was him there. I thought, and he made me | :13:46. | :13:51. | |
feel so at ease. I thought, if I can get through this, I can talk to | :13:52. | :13:55. | |
anybody. He was so magical. He said I will stay to the end of your | :13:56. | :14:00. | |
filming, all the bits you need to do I'm here for you, don't worry. He | :14:01. | :14:06. | |
knew if he was relaxed the show was relaxed. Listeners and viewers, | :14:07. | :14:11. | |
there is nothing they like more than a relaxed conversation. It really | :14:12. | :14:15. | |
works and communicates. Graham is right, he originated that. He was | :14:16. | :14:20. | |
half a decade older than the Radio 1 lot when they started. So in '67 he | :14:21. | :14:25. | |
was five or six years older, almost a generation older. He was never | :14:26. | :14:31. | |
really a disc jockey. He was more of an observer really. He was | :14:32. | :14:37. | |
intelligent and disk jockeys aren't, they are simpletons the, so he made | :14:38. | :14:41. | |
us feel even more up to weed his wit. If we could have 10% of what he | :14:42. | :14:52. | |
had, we would be 100% better. At RTE he was an announcer and a teacher. | :14:53. | :14:58. | |
Terry once said, my opinion has the weight of a tonne of feathers but he | :14:59. | :15:03. | |
meant that to be taken with a huge pinch of salt. And nobody knew more | :15:04. | :15:11. | |
than him what made great radio. He started in 1967. At his peak Wake Up | :15:12. | :15:19. | |
To Wogan had 871 million dump Wake Up To Wogan had 8.7 million | :15:20. | :15:24. | |
listeners, although he said he only had one. | :15:25. | :15:29. | |
The most important programme on any radio network is the morning show, | :15:30. | :15:34. | |
the Breakfast Show, it identifies the network and it's at the time | :15:35. | :15:38. | |
when people are more susceptible or more receptive, if you like, to what | :15:39. | :15:42. | |
is going on. She's going to be singing live... Yeah... So you have | :15:43. | :15:46. | |
to reflect, I think, what they are actually looking at or what they are | :15:47. | :15:49. | |
listening to, or what they're involved with. Ten seconds, Terry... | :15:50. | :15:55. | |
You're better off listening to Radio Two. You don't hear that very often, | :15:56. | :16:06. | |
to you? Oh, sorry to talk to you while your mic is on and you're | :16:07. | :16:11. | |
eating. I love raidy owe because I can impose my own timing on it. And | :16:12. | :16:18. | |
because people think while they're listening to the radio, television | :16:19. | :16:26. | |
is, you know, the thinking is done for you. You can't really pause too | :16:27. | :16:33. | |
much, otherwise the director will take the camera off you. Keith's on | :16:34. | :16:41. | |
casters or Wordsworth's on wheels... Poetry in motion. A very Terry | :16:42. | :16:45. | |
Wogan... People tend to say to me, I prefer you on the radio, than I do | :16:46. | :16:49. | |
in the television -- on the television. | :16:50. | :16:54. | |
And that's because I think they're probably right, it's more my medium | :16:55. | :16:59. | |
than the television, the radio. Who wakes you up each morning when you'd | :17:00. | :17:03. | |
rather stay asleep... The radio Show I would say is the show for which I | :17:04. | :17:10. | |
have the most innate ability. I've never ever been frightened of a | :17:11. | :17:14. | |
microphone. I've been frightened of a camera. | :17:15. | :17:18. | |
And I've never doubted my ability to speak into a microphone. I've always | :17:19. | :17:27. | |
been able to do it. Television took an awful lot longer. And yes, it's | :17:28. | :17:33. | |
fun and a great challenge to do the big things particularly. But my | :17:34. | :17:44. | |
first love, my first job was radio. And that's the thing, I think, | :17:45. | :17:47. | |
they'll probably have to drag me away from the microphone when they | :17:48. | :17:51. | |
decide to elbow me. I shall cling to it. There'll be a lot of tears and | :17:52. | :17:57. | |
screaming. I'm gonna miss you. Thank you. Thank you for being my friend. | :17:58. | :18:06. | |
Wasn't that a moment! We have many of the TOGs in the awed yen tonight, | :18:07. | :18:14. | |
Terry's fan base of course, the glue that held many a radio show together | :18:15. | :18:20. | |
-- in the audience. Why are you so loyal to the man, who was it about | :18:21. | :18:25. | |
Terry that you loved? He was just such a wonderful, charming, gentle, | :18:26. | :18:29. | |
generous man with that wonderful voice that you could wake up to. If | :18:30. | :18:33. | |
we could just bottle what he had, we'd all be millionaires, but I | :18:34. | :18:38. | |
think I feel like a millionaire just for the privilege of having met and | :18:39. | :18:42. | |
known him. Gosh, what a fantastic thing to say. Nigel, what was it for | :18:43. | :18:48. | |
you then about Sir Terry? Just that he supported everything that we did | :18:49. | :18:52. | |
with the TOGs in fund-raising, a really generous man and a lovely man | :18:53. | :18:57. | |
to be in his company, funny and welcoming to everyone. After meeting | :18:58. | :19:03. | |
all of you tonight, you've radiated warmth, just a lovely warm group of | :19:04. | :19:07. | |
people. Christine, he inspired a lot of people, you included? He did. For | :19:08. | :19:13. | |
me, he lit up every morning. He lit up a room and I think he lit up all | :19:14. | :19:19. | |
our lives. Yes, truly inspiring. In terms of inspiration or something | :19:20. | :19:24. | |
specific, because you became a DJ? I did. When I retired nearly five | :19:25. | :19:29. | |
years ago, I'd always been musical, wanted to learn the processes, | :19:30. | :19:33. | |
thought I would be doing it in a room quietly, went off and did some | :19:34. | :19:38. | |
courses, got the equipment, build-up play list, got a tutor, and then the | :19:39. | :19:42. | |
TOGs, thanks to Norman and Helen at one of our conventions I was going | :19:43. | :19:48. | |
to every year said "would you dDJ for us"? Can you imagine, I've never | :19:49. | :19:53. | |
performed, and the day I was doing my performance, I was sitting next | :19:54. | :19:57. | |
to Terry at lunch which was such an honour. Terry said, be yourself, | :19:58. | :20:05. | |
just relax. He got up and was thanking all the TOGs and then said | :20:06. | :20:11. | |
"Dizzy Twilight is going to be your DJ". That is perfect for a DJ isn't | :20:12. | :20:17. | |
it? Well, it was in there but I was very honoured indeed so what an | :20:18. | :20:22. | |
inspiration. We have four other people who're quite good on the raid | :20:23. | :20:25. | |
yes over there. Lovely to see the TOGs because one | :20:26. | :20:29. | |
of the elements that kind of fired the imagination of so many listeners | :20:30. | :20:33. | |
as well, but the was the thing because Sir Terry was just magical | :20:34. | :20:39. | |
at being able to create a fantasy world with all the characters that | :20:40. | :20:43. | |
went along with it being radio and it lent itself to the imagination so | :20:44. | :20:47. | |
much more so what was it like for you guys to be working in this | :20:48. | :20:51. | |
imaginary fantasy world? Here is a great example of that, every 5th | :20:52. | :20:55. | |
November we had the silent fireworks... | :20:56. | :20:57. | |
LAUGHTER It's bad enough doing fireworks on | :20:58. | :21:02. | |
the radio, but silent! ? Because we didn't want to alarm animals and | :21:03. | :21:05. | |
children which is absolutely the right thing to do. Brilliant. So you | :21:06. | :21:09. | |
would have a Roman candle. Beautiful! And that would go on | :21:10. | :21:14. | |
throughout the whole programme. Shall we let another one off, yes. | :21:15. | :21:22. | |
Oh! Just fantastic. And there was a company that supplied empty | :21:23. | :21:25. | |
fireworks to have in the studio so that we could have it make sense | :21:26. | :21:29. | |
then. There was a real irony to him as well. What do you think he'd make | :21:30. | :21:35. | |
of all of this, Graham? All of this admiration that everybody is seeing | :21:36. | :21:39. | |
at the moment? Very self-deprecating? He was a little | :21:40. | :21:43. | |
bit but he did know how good he was. In interviews when he was pinned | :21:44. | :21:48. | |
down to talk about what he did, he did get it, there was a kind of | :21:49. | :21:53. | |
self-analysis that went on where he understood, but I'm sure he'd be | :21:54. | :21:56. | |
very embarrassed and nonplussed by this. It's a weird thing, it seemed | :21:57. | :22:06. | |
right that we'd gather to sing his praises and I still can't quite | :22:07. | :22:10. | |
believe that he's not here, we are talking about him without him. On | :22:11. | :22:16. | |
the front of every newspaper, like somebody from the Royal Family, you | :22:17. | :22:24. | |
know, all that sort of stuff. It feels right, this, that he's on the | :22:25. | :22:28. | |
papers as well? I'm sure he knew about the love. We've talked a lot | :22:29. | :22:36. | |
about radio but his television career included Blankety Blank and | :22:37. | :22:39. | |
for 28 years, the Eurovision Song Contest, but, it was a show simply | :22:40. | :22:44. | |
called Wogan by brought him regularly into our homes at this | :22:45. | :22:48. | |
very time of night. Rarely a dull moment, particularly when certain | :22:49. | :22:53. | |
female guests sat opposite him. It was a show that went out three | :22:54. | :22:58. | |
nights a week live. You're on, you're on... With a live audience. | :22:59. | :23:03. | |
With anyone who's anyone dropping in, the good, the bad, the you ugly. | :23:04. | :23:10. | |
They called it Wogan -- the good, the bad, the ugly. Nicholas Cage, | :23:11. | :23:16. | |
Robert de Niro... Terry, erm... Is it Terry? Yes, it is. Don't touch | :23:17. | :23:26. | |
me! It was a risk not many people will take. At the time, many advised | :23:27. | :23:31. | |
me not to take the risk. Welcome to the beginning of what I hope will be | :23:32. | :23:35. | |
a long and happy relationship. You are live, aren't you? Yeah... Proof | :23:36. | :23:41. | |
if it were needed. I wanted to make the interview sparkle. I still think | :23:42. | :23:45. | |
that's the way to do it. I still think you have to have somebody | :23:46. | :23:51. | |
who's able to joust and exchange. There is this kind of obsession with | :23:52. | :23:56. | |
trying to look younger than you are. You're speaking about the West | :23:57. | :24:01. | |
Coast, a sweeping generality. I'm not a sweeping generality. Certainly | :24:02. | :24:09. | |
not! I've heard great things about you from Victoria Principal, she's | :24:10. | :24:12. | |
crazy about you. Do you like her? Yes. OK! . Do you like her? I'm not | :24:13. | :24:19. | |
going to say no if you don't say no. I like who have you like. Didn't you | :24:20. | :24:24. | |
find her a little trampy? You haven't read the book have you? No. | :24:25. | :24:30. | |
Then how can you sit here and have this conversation? With the greatest | :24:31. | :24:39. | |
difficulty! There were women who were so astoundingly beautiful, you | :24:40. | :24:42. | |
cannot do anything but react to them. You were voted the third | :24:43. | :24:46. | |
sexiest lady in the history of the universe. How did you fell about | :24:47. | :24:50. | |
that? It's completely changed my life. What will you do as you get | :24:51. | :24:58. | |
older? I'll do a talk show, I imagine. That's all muscle. I don't | :24:59. | :25:03. | |
know. Do you know what you started when you refused to touch me with a | :25:04. | :25:07. | |
barge pole, everybody touches my knees ever since. | :25:08. | :25:13. | |
I had a very low threshold of embarrassment and I have. You know, | :25:14. | :25:22. | |
the blush of shame easily mantles my cheek. Were you a virgin when you | :25:23. | :25:32. | |
got married? APPLAUSE | :25:33. | :25:39. | |
Weren't we all? ! It's like life, it's going to have its highs and its | :25:40. | :25:41. | |
lows. You haven't paid any attention to | :25:42. | :25:58. | |
what I've been saying... They don't make any concession to the fact that | :25:59. | :26:04. | |
you're a woman. Why should they, I don't make any concession to the | :26:05. | :26:14. | |
fact that they are men. LAUGHTER | :26:15. | :26:22. | |
# Time flies # Why can't I | :26:23. | :26:25. | |
# Wanna set the night on fire # Shine a little light on me... # | :26:26. | :26:39. | |
APPLAUSE So entertaining to look back on | :26:40. | :26:44. | |
those clips. Although we all knew he was a giant in broadcasting, | :26:45. | :26:47. | |
absolutely brilliant at what he did, he did like to do it in his very own | :26:48. | :26:52. | |
way, no doubt in that. Chris how was it for you because you did produce | :26:53. | :26:59. | |
him on Terry and Gabby for a while? I tried but it wasn't really like | :27:00. | :27:05. | |
that. We had the show which ran after his daily radio show for a | :27:06. | :27:10. | |
year, it started at ten and Terry finished at half nine so he had the | :27:11. | :27:14. | |
whip across there. His energy levels were amazing, after you come off the | :27:15. | :27:18. | |
radio, you are deflated for a while, a lot of adrenaline's gone through | :27:19. | :27:21. | |
your system and you've been focussing a lot. He'd come over, | :27:22. | :27:27. | |
nice to everybody again, first thing, my assistant now, the frothy | :27:28. | :27:32. | |
coffee man, he started on that show as a runner and he remembers Terry | :27:33. | :27:36. | |
every morning coming up to him, you know, the lowest of the low, with | :27:37. | :27:39. | |
the greatest respect to everybody in TV and going over to him and making | :27:40. | :27:46. | |
a big fuss of him. He said he made a fuss of him. The more insignificant | :27:47. | :27:50. | |
everybody else thought you were, the more significant he made you feel, | :27:51. | :27:54. | |
that kind of thing, do you know what I mean? We had to write Terry's | :27:55. | :27:58. | |
scripts, you know, the most ah tick loot man on TV without scripts, so | :27:59. | :28:05. | |
we spent ages writing these scripts. They looked like auto prompts and | :28:06. | :28:12. | |
Terry, I mean, he was the King -- articulate man. He was the King of | :28:13. | :28:17. | |
autocue, he could find intonation on it because he'd never read it | :28:18. | :28:21. | |
beforehand, you know that, and he'd read it perfectly and make it sound | :28:22. | :28:25. | |
miles better than you ever wrote it. But we had production meetings which | :28:26. | :28:29. | |
he was very much averse to, because it's like Woody Allen, he eyes the | :28:30. | :28:33. | |
Best Actors then lets them out, he doesn't tell them how to act | :28:34. | :28:37. | |
otherwise why would he hire them? We had to have a production meeting for | :28:38. | :28:41. | |
everyone else on the show, including Gabby and the director. We sat Terry | :28:42. | :28:47. | |
down, gave him a cup of tea and assembled around him and had this | :28:48. | :28:50. | |
meeting sort of without him realising. Under the guise of tea | :28:51. | :28:55. | |
and biscuits? Yes, hoping that some of it might go in, not that it | :28:56. | :28:59. | |
mattered. One day we put some philosophy on it because he studied | :29:00. | :29:06. | |
that as a student, so we put something in there to do with | :29:07. | :29:10. | |
meditation. Before he got to the lines, he'd already read ahead and | :29:11. | :29:15. | |
this is on telly, then he starts giggling and says, we have some of | :29:16. | :29:18. | |
this on the way for you and it's like what? ! How did you read it | :29:19. | :29:23. | |
that far ahead, he remembered what it was and there was no point in | :29:24. | :29:26. | |
toying with him. The best thing to do with him was make a show as good | :29:27. | :29:33. | |
as you could before he arrived then leave him to it. That used to happen | :29:34. | :29:41. | |
with Janet and John, he'd read further ahead, that's why he started | :29:42. | :29:46. | |
sniggering before anyone could sense what was going to happen. We were in | :29:47. | :29:49. | |
fits of laughter. He had the greatest laugh in broadcasting. He | :29:50. | :29:54. | |
did. Set everybody off. He and Peter Alice. Like dastardly and Mutley. | :29:55. | :30:02. | |
Utterly infectious. If you were driving around the country and | :30:03. | :30:06. | |
looked in other cars, you could see who was listening to Wogan. | :30:07. | :30:13. | |
You'd see other people laughing and thinking, you're all listening, yes. | :30:14. | :30:18. | |
We think you are going to like this next film, Graham, because things | :30:19. | :30:22. | |
didn't always go to planment some of Sir Terry's guests were reluctant, | :30:23. | :30:26. | |
confused and even a little bit squiffy. | :30:27. | :30:31. | |
It can often be quite embarrassing where the people you have just | :30:32. | :30:39. | |
spoken to refuse to leave the stage. LAUGHTER. I would prefer to do these | :30:40. | :30:46. | |
things live, prefer to do it warts and all with the untidy edges | :30:47. | :30:50. | |
shoexct television doesn't have to be honed and polished to a fine | :30:51. | :30:56. | |
gloss. When the bomb went off I didn't feel anything, I felt I was | :30:57. | :31:03. | |
swallowing a lot of heat. Hang on, I think somebody has let something off | :31:04. | :31:09. | |
here. Actors have to be given lines, so I you sometimes have a problem on | :31:10. | :31:19. | |
chat shows. Do you ever do this stuff in America? Never. Are you | :31:20. | :31:26. | |
glad to do this one? No. You walked out there like many actorst do on | :31:27. | :31:31. | |
talk shows with your eyes blank, thinking, I've Government to ad-lib | :31:32. | :31:36. | |
for about 16 minutes. Does it intimidate you, this type of thing? | :31:37. | :31:42. | |
No, it's fine. You seem to play an awful lot of those energetic and | :31:43. | :31:48. | |
slightly loony roles. This is true. Does this reflect your own sunny | :31:49. | :31:55. | |
personality? Yes. You love doing talk shows don't you? It's terrific. | :31:56. | :32:04. | |
CHEERING. You just interviewed what was put in front of you, which is a | :32:05. | :32:09. | |
bit like school dinners. When are you going to get off cooking and | :32:10. | :32:16. | |
talk about any new book? Whenever you like. Let's do it now. The Duke | :32:17. | :32:23. | |
of Edinburgh... I thought we were going to talk about carriage | :32:24. | :32:26. | |
driving. I know you are enormously popular in England and I'm thrilled | :32:27. | :32:30. | |
to be on your show. I came on this show to sell a book. If I'm talking | :32:31. | :32:35. | |
to somebody and we get into an embarrassing situation, I want to | :32:36. | :32:40. | |
get away. It will cost you a Bentley. Do you drive a Bentley? I | :32:41. | :32:46. | |
don't drive anything, I got banned. You were celebrating some kind of | :32:47. | :32:53. | |
anniversary. Am I? What am I celebrating. It says on the card | :32:54. | :32:57. | |
there you are. George Best. And it is at this point I know that George | :32:58. | :33:05. | |
is out of his mind with drink. You keep bring these managers in and | :33:06. | :33:09. | |
I've got no idea what they are talking about... They talk a load | :33:10. | :33:16. | |
of... Please. Is this live? Very, well almost. Although he hasn't got | :33:17. | :33:21. | |
a drink with him and another he isn't drinking any more, he is | :33:22. | :33:26. | |
getting progressively drunker as the interview goes on. He panics. Can | :33:27. | :33:33. | |
you see it in my eyes? Evil has been in control of the control of the | :33:34. | :33:39. | |
planet. It was the dominating force. Was a shock to discover this at 38? | :33:40. | :33:46. | |
Actually when I see that again I'm embarrassed about it. David Icke | :33:47. | :33:50. | |
believes what he believes, however we may think of it. I'm delight | :33:51. | :33:56. | |
there had is so much laughter in the audience tonight. They are laughing | :33:57. | :34:00. | |
at you, not with you. Fine. I shouldn't have done that. I'm not | :34:01. | :34:07. | |
proud of that. I always knew when an interview went well and when it | :34:08. | :34:13. | |
didn't. You couldn't dwell on it. You had better change to a different | :34:14. | :34:19. | |
subject. If you mean do I behave in Question Time like I do in private | :34:20. | :34:23. | |
with four or five friends, the answer is yes. Why didn't I ask it | :34:24. | :34:30. | |
in that way in the first place? What do the cards say? I don't mind when | :34:31. | :34:39. | |
they say, what's that mean? You are giving me the wind-up. | :34:40. | :34:45. | |
APPLAUSE. Wow! Of course, we understand the kind of, the joy of | :34:46. | :34:52. | |
live. It makes me feel a lot from because offing that. Bruce Willis | :34:53. | :34:56. | |
seems run of the mill now. The thing is that was live, out there on his | :34:57. | :35:01. | |
own with a guest. You know what he feels like there Graham. When you | :35:02. | :35:04. | |
observe his technique and watching him through the years, what did you | :35:05. | :35:11. | |
learn from him as an interviewer? What is amazing is nothing really | :35:12. | :35:18. | |
fazes him. You can tell he wishes it was going better, but there's a kind | :35:19. | :35:23. | |
of carelessness, OK don't talk, or insult me. He rolled with the | :35:24. | :35:27. | |
punches and that goes back to how incredibly relaxed he was at any | :35:28. | :35:30. | |
time. And also about the lack of preparation. You can only do that if | :35:31. | :35:39. | |
you are quite fluid. That's what he was able to do. We very to talk | :35:40. | :35:47. | |
about the Eurovision handover. His acerbic comments bake infamous. | :35:48. | :35:55. | |
Brilliant. You you took on the mantle. Lots of people have | :35:56. | :36:02. | |
commentated on the Eurovision Song Contest over the years but he turned | :36:03. | :36:06. | |
it into a job. Prior to that it had been nothing. For 0 years he | :36:07. | :36:11. | |
absolutely made it his own and it will always be his. I've said this | :36:12. | :36:16. | |
before, when I'm doing Eurovision Terry's voice is in my head. The | :36:17. | :36:21. | |
first time I sat there in Moscow, when the Eurovision theme came up, I | :36:22. | :36:26. | |
thought, oh, I've got to speak, I've got to say, welcome to viewers in | :36:27. | :36:29. | |
the United Kingdom. It was extraordinary. When he had enough of | :36:30. | :36:37. | |
Eurovision, when he had fallen out of love with it, they asked me, but | :36:38. | :36:41. | |
I didn't want to do it unless he said it was OK. So messages went | :36:42. | :36:46. | |
back and forth. Anyway, it came back yes, he is very happy that you do | :36:47. | :36:51. | |
it. I don't know whether that was true, but I didn't care, because I | :36:52. | :36:56. | |
wanted to do the job. So I went, OK, I'm sure he said that. Anyway, a | :36:57. | :37:01. | |
couple of days before I went to Moscow, my phone rang and it was | :37:02. | :37:05. | |
Terry. It was so unnecessary. He didn't need to do that. It was an | :37:06. | :37:10. | |
incredibly sweet thing to do. He found my number and called really | :37:11. | :37:15. | |
just to say good luck, that he would be watching. The only advice he gave | :37:16. | :37:20. | |
me was not to have a drink before song number nine. So every year, | :37:21. | :37:25. | |
Terry is in my head the whole way through, but we always think of | :37:26. | :37:30. | |
Terry at song nine when we pull out the cork. This year will be so | :37:31. | :37:37. | |
bittersweet, because everyone will be thinking about Terry so much. Can | :37:38. | :37:44. | |
you shout out, song nine everyone! Absolutely, we will. Sir Terry could | :37:45. | :37:50. | |
be fairly scathing about his TV career at times but one show he | :37:51. | :37:54. | |
would never take the Mickey out of was Children In Need. Another night | :37:55. | :37:58. | |
that will never be the same again, but with him at the helm it became a | :37:59. | :38:04. | |
TV institution which changed thousands of lives. He raised ?790 | :38:05. | :38:12. | |
million. Now it's time to pay tribute to a very wonderful and warm | :38:13. | :38:18. | |
human being. But enough of me. If there was a good ship Children In | :38:19. | :38:23. | |
Need, Sir ter Irish would be the carved figurehead at the front of | :38:24. | :38:29. | |
it. Sir Terry has presented Children In Need for over 30 years. That's | :38:30. | :38:37. | |
over 200 hours of live TV, and pure professionalism. Sir Terry Wogan is | :38:38. | :38:41. | |
quintessentially Children In Need. When you think of Children In Need | :38:42. | :38:45. | |
you think of Terry. The second I started on the that show he took me | :38:46. | :38:50. | |
under his wing and guided me through the chaos. He has the smoothest | :38:51. | :38:57. | |
voice I think I've ever heard. Imagine a sweet with Terry Wogan | :38:58. | :39:00. | |
running all the way through it. Sir Terry Wogan is the linchpin in | :39:01. | :39:07. | |
Pudsey's nappy. He's got great energy. You never see him waving | :39:08. | :39:15. | |
overnight. Hello, I'm gabry Roslin No, I've really lost Terry Wogan. He | :39:16. | :39:20. | |
might be having a tipple on the side. As far as I know, Terry Wogan | :39:21. | :39:29. | |
only ever drunk water. This is Terry Wogan, who wants ?250 for his tie? | :39:30. | :39:36. | |
The show must go on. The old pros bore everyone to death. He gets | :39:37. | :39:42. | |
dealt curve balls all night. Pretty Smyth, eh? WHITE | :39:43. | :39:45. | |
dealt curve balls all night. Pretty Smyth, eh? -- pretty smooth, eh? If | :39:46. | :39:50. | |
you've been watching from the start, and even I haven't been watching | :39:51. | :39:56. | |
from the start. He is a great host for the evening. He will rock on the | :39:57. | :40:04. | |
balls of his feet and go, oh, or... Just caught a glimpse of myself on | :40:05. | :40:07. | |
the television. How have you been able to watch this? Tonight we can | :40:08. | :40:13. | |
all make it count, really count, for the children. He's passionate about | :40:14. | :40:18. | |
the charity, about what it stands for. Keep the donations coming in, | :40:19. | :40:24. | |
please. I hate to nag but we've got to do better this year. All that | :40:25. | :40:28. | |
fine work that contributed to him becoming Sir Terry. We are glad that | :40:29. | :40:32. | |
you're here, but show us the money. It's Terry's show. Children In Need | :40:33. | :40:36. | |
is Terry and Terry is Children In Need. Isn't that heart-warming, | :40:37. | :40:44. | |
everybody? He's a legend. He's a legend. A legend. Deepest respect | :40:45. | :40:52. | |
for that man. I've always loved him. He is a national treasure. It is | :40:53. | :40:59. | |
just great to say, I worked with Terry Wogan. And just hope, when the | :41:00. | :41:07. | |
day comes when I'm notable to react quickly, when I trip over my feet, I | :41:08. | :41:11. | |
hope that somebody's going to take me aside and say, time you were | :41:12. | :41:15. | |
gone. Thank you, thank you, thank you for all your efforts. But in the | :41:16. | :41:21. | |
meantime, I'm going TOG on doing it for as long as I can. It is all very | :41:22. | :41:28. | |
strange. But I love you. APPLAUSE. ?790 million. He was such | :41:29. | :41:43. | |
a big part of raising. We are joined by Sue Cook, who presented Children | :41:44. | :41:48. | |
In Need with Sir Terry. It was 1984 your first year. It was the first | :41:49. | :41:53. | |
year it was seven hours long, until 2 in the morning. What were your | :41:54. | :41:58. | |
memories of that year? Of course I was terrified. That goes without | :41:59. | :42:03. | |
saying. Terry was really calm as usual. We had a run-through the | :42:04. | :42:08. | |
night before, which Terry didn't come to. | :42:09. | :42:13. | |
LAUGHTER. It was a loose phrase. We had a script that thick and it had | :42:14. | :42:21. | |
TBA on every page. We didn't really know what was going to happen over | :42:22. | :42:26. | |
seven years. Terry didn't rehearse anything. He would stay in bed all | :42:27. | :42:31. | |
day and come into the studio at 6 o'clock. But we had 20 million | :42:32. | :42:38. | |
viewers that day, everybody was watching. Very frightening. I know | :42:39. | :42:44. | |
from experience, he sat here, Sir Terry, instead of Matt on a couple | :42:45. | :42:49. | |
of occasions and his timings were anybody's guess. But it was hard to | :42:50. | :42:56. | |
get a word in edge ways. Impossible. They gave me omnibus talk-back, | :42:57. | :42:59. | |
where you have the earpiece with everything. We had at least six or | :43:00. | :43:04. | |
eight regions around the UK all doing their little bits. The live | :43:05. | :43:08. | |
inserts and so on. We needed to know what was going to come up next, what | :43:09. | :43:13. | |
had broken down. I had seven people's voices in my ear. Terry | :43:14. | :43:17. | |
sensibly had just one voice, the director. So it was my job as Mrs | :43:18. | :43:27. | |
Sensible from the current aaffairs department to introduce the films | :43:28. | :43:31. | |
and make sure that Terry shut his mouth when the news was coming up. | :43:32. | :43:37. | |
He just wouldn't. I ended up putting my hand over his face. Once I went | :43:38. | :43:44. | |
and sat on his lap to shut him up. Whenever the going got tough, he wee | :43:45. | :43:48. | |
is it there and go, Sue. LAUGHTER. He wasn't that generous | :43:49. | :43:57. | |
then! It was a baptism of fire. But of course everybody has been talking | :43:58. | :44:03. | |
about how much a great talker he is, but I word with him on the board of | :44:04. | :44:07. | |
trustees of Children In Need and what struck me was how much of a | :44:08. | :44:11. | |
good listener he is and how he can react to what he is hearing. That's | :44:12. | :44:17. | |
the key to Terry. So passion it at his heart of Children In Need. He | :44:18. | :44:22. | |
would give everything with his time and his generosity. I know you have | :44:23. | :44:27. | |
worked closely with him on that front. | :44:28. | :44:30. | |
Yes. Terry thought this business was nonsense. He focussed on it and he | :44:31. | :44:37. | |
did a very good job but he still thought at the end of the day it was | :44:38. | :44:41. | |
silly, he thought the world in general was silly, and that was one | :44:42. | :44:45. | |
of the secrets of his success. But the thing he did take very seriously | :44:46. | :44:49. | |
was Children In Need. And again, the smaller you were, the more he put | :44:50. | :44:53. | |
the magnifying glass over you and, if you needed help, you know, that's | :44:54. | :44:58. | |
what it was all about with Terry because of certain challenges and | :44:59. | :45:01. | |
situations he came across in his own life. That was the joy of the radio | :45:02. | :45:05. | |
show because there was this underlying real sort of joy for life | :45:06. | :45:11. | |
because life is so fragile and, you know, that was all part of that | :45:12. | :45:16. | |
sophisticated veneer that came across very simply in the mornings. | :45:17. | :45:21. | |
But actually it was so complicated and what he was brilliant at was | :45:22. | :45:26. | |
disstilling it all and giving you, giving us the fruits of all that | :45:27. | :45:31. | |
internal labour and conflict and then he'd just go "and here it is". | :45:32. | :45:37. | |
Brilliant that he took on board the experiences he had and allowing us | :45:38. | :45:41. | |
to share. He lived in the UK most his life but he lived in Limerick | :45:42. | :45:51. | |
and grew up there. Ciara Doherty is there for us now. How is the news | :45:52. | :45:55. | |
being reported over there in Ireland? There's a genuine | :45:56. | :45:59. | |
outpouring of sadness here in Ireland. Notwithstanding the fact | :46:00. | :46:04. | |
that our general election is due to be called tomorrow, every newspaper, | :46:05. | :46:08. | |
every television station and radio programme has been dominated by Sir | :46:09. | :46:14. | |
Terry's passing. On Ireland AM, we were inundated with calls and texts | :46:15. | :46:18. | |
from viewers who wanted to express their sadness. They also wanted to | :46:19. | :46:22. | |
talk about the pride they had for this Irish immigrant who'd gone to | :46:23. | :46:25. | |
the UK and had been so successful. They talked about the fact that he | :46:26. | :46:30. | |
left at the time of the Troubles in the '70s and '80s when English/Irish | :46:31. | :46:35. | |
relations were fractious and it was a difficult time to be an Irish | :46:36. | :46:39. | |
person in the UK. Because he had such a platform and so many loyal | :46:40. | :46:42. | |
listeners and because he was so loved by UK audiences, he perhaps | :46:43. | :46:47. | |
played a part in changing people's preconceived notions of what an | :46:48. | :46:51. | |
Irish person really was. In Limerick where he was born and grew up, | :46:52. | :46:56. | |
there's been two books of condolences open today and people | :46:57. | :46:59. | |
have queued all day to sign the books. There's talk of erecting a | :47:00. | :47:05. | |
permanent memorial to Sir Terry in Limerick. Those who signed the book | :47:06. | :47:09. | |
today, including a 78-year-old man, the first person this morning to | :47:10. | :47:13. | |
sign the book, spoke of him as an ambassador, a real asset to Ireland | :47:14. | :47:18. | |
and they said that, that self-deprecating sense of humour you | :47:19. | :47:21. | |
talk about, the ability to tell a story and spin a good yarn, we like | :47:22. | :47:26. | |
to think those are quite unique Irish qualities. He embodied all | :47:27. | :47:30. | |
those, embraced all those, so while we were more than happy to share him | :47:31. | :47:34. | |
with you in the UK because he was that person, we really felt that he | :47:35. | :47:38. | |
owned him here in Ireland and we were so glad and so proud today to | :47:39. | :47:43. | |
call him one of our own. He'll be fondly remembered and very, very | :47:44. | :47:48. | |
sadly missed. Back to you in London. Thank you, Ciara. Graham, of course, | :47:49. | :47:52. | |
he was a trailblazer for Irish talent for you yourself? He made it | :47:53. | :47:57. | |
possible at a time when Irish people left to come here and work in the | :47:58. | :48:02. | |
buildings or whatever, here was this man, there was Eamonn Andrews and | :48:03. | :48:07. | |
him and Terry took off. He had that thing about how the Irish accent was | :48:08. | :48:12. | |
classless. He was the first person who it was spoken about it being an | :48:13. | :48:17. | |
advantage. He made it possible for anyone with a regional accent really | :48:18. | :48:27. | |
didn't he? ! Come on Wales! Terry reconnected with his Homeland | :48:28. | :48:30. | |
and here he is reminiscing about his upbringing. | :48:31. | :48:38. | |
# Wake up to Wogan on Radio Two. " This is the day I've been dreading, | :48:39. | :48:42. | |
the inevitable morning when you and I come to the parting of the ways. | :48:43. | :48:46. | |
After 40 years of talking to myself and to you, the loyal listeners, I | :48:47. | :48:52. | |
gave up the day job and now I'm heading off to rediscover the | :48:53. | :48:53. | |
country that made me. We are about to arrive in Limerick. | :48:54. | :49:08. | |
This is where I was born, where I lived until I was 15. I'm coming | :49:09. | :49:12. | |
home. Apart from being my birthplace, | :49:13. | :49:16. | |
Limerick's other claim to fame is that it lies on the mighty sham, the | :49:17. | :49:20. | |
longest river in the British Isles, running, as it does, all the way up | :49:21. | :49:32. | |
to the border with Northern Ireland. I cycled back-and-forth over the | :49:33. | :49:34. | |
bridge every day travelling from home to school and back again and | :49:35. | :49:38. | |
now, as a Freeman of the City, I can drive a herd of sheep over the self- | :49:39. | :49:44. | |
same bridge. This was the school, Crescent | :49:45. | :49:49. | |
College, run by the Jesuits. The building is still standing. Hope the | :49:50. | :49:53. | |
same can be said of my old school friends! | :49:54. | :49:59. | |
Look, look at the boys, look. I thought you would be there with open | :50:00. | :50:06. | |
arms. Jim Sexton, Bobby mull Rooney and Mike Lehy. -- Mulrooney. The | :50:07. | :50:14. | |
building is still used as a school so I hope it's not changed too much. | :50:15. | :50:19. | |
I haven't been through these doors in 60 years. The school was run on a | :50:20. | :50:24. | |
diet of rugby and punishment and this stair case takes me back to the | :50:25. | :50:26. | |
person that dished out the punishment. Am I right in thinking | :50:27. | :50:33. | |
that snitch Magnier used to stand up at the top there -- Snitch | :50:34. | :50:43. | |
McLoughlin. He was Jerry McLoughlin, he was a northerner. A man of severe | :50:44. | :50:49. | |
aspect. He was. He was very strict and, as you rightly say, we were all | :50:50. | :50:55. | |
in a certain terror of him. Remember you got a docket when you were | :50:56. | :51:00. | |
punished for not knowing something. I had the whole morning or afternoon | :51:01. | :51:03. | |
to think about it. He was the executioner. This is where you used | :51:04. | :51:11. | |
to go to get your hands knocked off. My Streams could be heard all the | :51:12. | :51:16. | |
way down O'Connell Street. We are coming down O'Connell Street. See | :51:17. | :51:23. | |
that thing on the corner... That's the store. The old grocery store. | :51:24. | :51:28. | |
It's now a clothing store. If you look carefully at this rare old | :51:29. | :51:38. | |
photograph you will see Leverett's on the far right. He used to carve | :51:39. | :51:46. | |
the ham about here. He was handling the exotic food stuffs and he was an | :51:47. | :51:51. | |
expert in the cooking of meats and hams and my dear mother, God rest | :51:52. | :51:54. | |
her soul, was the great destroyer of meat. She did the incineration | :51:55. | :52:01. | |
technique of cooking. Aunty May used to say, Rose couldn't boil water. | :52:02. | :52:06. | |
That's my mother Rose. That's right. The moment I've been waiting for, | :52:07. | :52:11. | |
Elm Park is where Brian and I were born, where we spent our childhood, | :52:12. | :52:15. | |
and for the first time since we left Limerick over half a century ago, we | :52:16. | :52:17. | |
are going home. 18 Elm Park, Limerick, eh. Michael | :52:18. | :52:34. | |
Wogan used to sing in this bathroom every evening as he shaved, like | :52:35. | :52:40. | |
Valentines Gone By and he used to deafen everybody within a radius of | :52:41. | :52:45. | |
100 metres. But he always shaved the night before. Meticulous man. I | :52:46. | :52:50. | |
learned the Floral Dance because, in this very bathroom, he used to sing | :52:51. | :52:53. | |
it here. That's right. Baritone | :52:54. | :53:01. | |
extraordinaire. # All together in the Floral | :53:02. | :53:06. | |
Dance... # After driving nearly 2,000 | :53:07. | :53:10. | |
kilometres around the old em-Alled isle, I'm back in Dublin -- emerald | :53:11. | :53:19. | |
isle. We Wogans moved here from Limerick. 12 years later, I made | :53:20. | :53:25. | |
Helen Joyce the happiest woman on the planet by marrying her. | :53:26. | :53:32. | |
My life, if you ask me about my life and the meaning of my life, it's | :53:33. | :53:42. | |
been absolutely wonderful. I've had the most wonderful time, I've had a | :53:43. | :53:48. | |
lovely family, I've had a lovely wife, I've had success in the | :53:49. | :53:54. | |
material world, I've done something I wanted to do, I've had an ideal | :53:55. | :54:00. | |
life. So I can only tell you what it means to me which is happiness. | :54:01. | :54:06. | |
APPLAUSE As we said, our thoughts are with | :54:07. | :54:12. | |
Sir Terry's family and his son Mark's sent a letter to you that he | :54:13. | :54:18. | |
wants you to read. Everybody's reaction has been amazing and lovely | :54:19. | :54:22. | |
today, if you could deliver the following words on our behalf, we'd | :54:23. | :54:26. | |
be most appreciative. I and the rest of the family would like to keep our | :54:27. | :54:30. | |
grief private for now. We as a family though are overwhelmed and | :54:31. | :54:35. | |
grateful for the love and support displayed for our loving husband, | :54:36. | :54:38. | |
father and grand matter. He would have been embarrass bid the fuss but | :54:39. | :54:42. | |
we thank you from the bottom of our hearts. Thank you. | :54:43. | :54:51. | |
We are going to finish with a little bit of music. Sir Terry wasn't just | :54:52. | :54:56. | |
a broadcaster, he was also very briefly a pop star. It's true. In | :54:57. | :55:02. | |
1978 after entering listeners with his own rendition of the Floral | :55:03. | :55:06. | |
Dance, he released the track by popular demand and even appeared on | :55:07. | :55:10. | |
Top of the Pops. Yes. He released the single with the Brighouse and | :55:11. | :55:14. | |
Rastrick band who're going to play us out very shortly, they are behind | :55:15. | :55:19. | |
us. Derek is here. He's been reunited. So pleased you're here | :55:20. | :55:23. | |
because the last time you did this was 1978 for this is your life? | :55:24. | :55:28. | |
That's correct. We'll let you get prepped, keep your hands warm | :55:29. | :55:31. | |
because it's about to happen very shortly. That's about all for | :55:32. | :55:36. | |
tonight, thank you to Graham, Chris, Alan Sue and Lynn and our thoughts | :55:37. | :55:44. | |
are with Alan, Mark, Katherine, Terry's children and Helen his wife. | :55:45. | :55:54. | |
Tomorrow we'll be live from Hebden Bridge where the flooded shoulder of | :55:55. | :55:57. | |
mutton pub will be our studio for the night. Two thoughts from Sir | :55:58. | :56:03. | |
Terry, time flies like an arrow but fruit flies like a banana. And his | :56:04. | :56:07. | |
Golden rule of broadcasting was, get on your toes, keep your wits about | :56:08. | :56:12. | |
you, say good night politely when it's over, go home and enjoy your | :56:13. | :56:17. | |
dinner. On that night, playing us out, it's the Brighouse and Rastrick | :56:18. | :56:21. | |
band with the Floral Dance. Good night. | :56:22. | :56:55. | |
Hello, I'm Riz Lateef with your 90 second update. | :56:56. | :58:07. | |
The Zika virus is a global public health emergency. | :58:08. | :58:10. |