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On Crash Course right now, the delicate art of demolition. | 0:00:04 | 0:00:09 | |
I've driven just about | 0:00:13 | 0:00:14 | |
every-high powered vehicle there is. | 0:00:14 | 0:00:16 | |
But that was just for fun. | 0:00:16 | 0:00:18 | |
The world's biggest, baddest vehicles are made to work. | 0:00:18 | 0:00:21 | |
So, now I've decided to travel across the United States | 0:00:21 | 0:00:24 | |
to see if I can conquer the monsters of the worksite. | 0:00:24 | 0:00:27 | |
I'll have just three days to learn how to handle | 0:00:27 | 0:00:31 | |
these complex and dangerous machines | 0:00:31 | 0:00:33 | |
that normally take years of training to master. | 0:00:33 | 0:00:36 | |
And in the end, | 0:00:36 | 0:00:37 | |
we'll find out if I'm good enough to get the job done. | 0:00:37 | 0:00:40 | |
This is a track hoe. You will have seen one. | 0:00:43 | 0:00:46 | |
And there's a very good reason for that - | 0:00:46 | 0:00:48 | |
they are the workhorse of the construction industry. | 0:00:48 | 0:00:51 | |
They can push, pull, dig, lift, load. | 0:00:51 | 0:00:53 | |
Pretty much every building you've ever seen | 0:00:53 | 0:00:56 | |
will have been worked on by one of these. | 0:00:56 | 0:00:58 | |
Every road you've ever seen, every bridge you've ever seen. | 0:00:58 | 0:01:00 | |
Pretty much everything you've ever seen that has been built | 0:01:00 | 0:01:03 | |
will have been worked on by one of these. | 0:01:03 | 0:01:05 | |
And as this is a show about working vehicles, | 0:01:05 | 0:01:08 | |
I really need to learn how to run one. | 0:01:08 | 0:01:10 | |
To do that, I've hooked up with a team | 0:01:10 | 0:01:12 | |
at Central Environmental Services, demolition experts, | 0:01:12 | 0:01:14 | |
because they use these things in some pretty special, unique ways. | 0:01:14 | 0:01:18 | |
They use a thumb and bucket attachment | 0:01:18 | 0:01:20 | |
to grab and pull down walls, sifting out recyclable material. | 0:01:20 | 0:01:24 | |
Then they use a densifier attachment | 0:01:24 | 0:01:27 | |
to crush the remaining slabs of concrete. | 0:01:27 | 0:01:29 | |
They even use it to swing a wrecking ball. | 0:01:29 | 0:01:32 | |
They're using it right now to pull down that building over there, | 0:01:32 | 0:01:35 | |
and that's a hint, | 0:01:35 | 0:01:36 | |
because at the end of my three days' training on that machine, | 0:01:36 | 0:01:40 | |
I'm going to use it to tear down an entire house by myself. | 0:01:40 | 0:01:45 | |
I'm going to pull a house down with that. | 0:01:45 | 0:01:48 | |
Just me and that. | 0:01:48 | 0:01:49 | |
And if I can do that, I'll be able to call myself a real demo man. | 0:01:49 | 0:01:54 | |
Let's use this building as an example, | 0:02:00 | 0:02:02 | |
-cos this is going to come down, isn't it? -Yes, sir. | 0:02:02 | 0:02:04 | |
Right. Now, to the likes of me, I look at what you're doing | 0:02:04 | 0:02:07 | |
where you get some sort of big machine and go splat | 0:02:07 | 0:02:09 | |
and that's that. What's involved in taking that down? | 0:02:09 | 0:02:12 | |
We pull off the wire. | 0:02:12 | 0:02:13 | |
All the electrical boxes, the air conditioning units, | 0:02:13 | 0:02:16 | |
the heaters, the boilers, then we pull out all woods, | 0:02:16 | 0:02:19 | |
kitchen equipment, whatever is in there. | 0:02:19 | 0:02:22 | |
Punch out all the aluminum, pull all the wire, | 0:02:22 | 0:02:24 | |
get all the copper, all the brass. | 0:02:24 | 0:02:26 | |
Even the steel and the concrete are all recycled. | 0:02:26 | 0:02:30 | |
Everything goes to recycling. | 0:02:30 | 0:02:31 | |
And we got ourselves to the point where we're recycling | 0:02:31 | 0:02:34 | |
about 85% of most commercial buildings. | 0:02:34 | 0:02:36 | |
You love this, don't you? | 0:02:36 | 0:02:38 | |
-I love it. -You really do. | 0:02:38 | 0:02:39 | |
Are you kidding? There ain't nothing like demo. | 0:02:39 | 0:02:41 | |
It's wonderful. I love it. It's great. | 0:02:41 | 0:02:44 | |
It's powerful. | 0:02:44 | 0:02:45 | |
It...when you're wrecking something, you're like a Superman. | 0:02:45 | 0:02:48 | |
You're going to take a day and knock it on its butt. | 0:02:48 | 0:02:52 | |
OK. Let's knock a building on its butt. | 0:02:58 | 0:03:01 | |
My teacher Danny is going to show me how it's done. | 0:03:01 | 0:03:05 | |
-Cos he's going to punch a hole through the wall. -Yes. | 0:03:05 | 0:03:07 | |
Right there. Now be real careful when you punch that hole. | 0:03:07 | 0:03:10 | |
Now, he doesn't want to go all the way through, | 0:03:10 | 0:03:13 | |
so he doesn't hit his boom or his cylinders. | 0:03:13 | 0:03:17 | |
So, he's just going to punch a hole, push all the block in. | 0:03:17 | 0:03:19 | |
He's quite neat, isn't he, for a man in a big track hoe? | 0:03:19 | 0:03:23 | |
It is amazing. That's a 30-ton track hoe, | 0:03:23 | 0:03:26 | |
but it's extremely accurate. | 0:03:26 | 0:03:28 | |
And now he's using it like a fist to just punch through the wall. | 0:03:28 | 0:03:31 | |
-Right. -So, now he's taking out the pillars. -Right. | 0:03:31 | 0:03:34 | |
It really isn't just an all-out destructive process, is it? | 0:03:34 | 0:03:36 | |
There is some finesse being demonstrated by the operator. | 0:03:36 | 0:03:39 | |
These guys know what a building is about. | 0:03:39 | 0:03:42 | |
They're pretty much destruction engineers. | 0:03:42 | 0:03:45 | |
-That is a big powerful machine he's using. -Very powerful. | 0:03:45 | 0:03:49 | |
Just because he's using finesse, that's got a lot...look at it. | 0:03:49 | 0:03:51 | |
-Very powerful. -He's just flicking it out of the way. | 0:03:51 | 0:03:54 | |
Why is he watering the ivy? You're pulling the building down. | 0:03:54 | 0:03:56 | |
-I don't get it. -There's another regulation in demolition. | 0:03:56 | 0:03:59 | |
We've got to make sure that we do everything we can | 0:03:59 | 0:04:03 | |
to keep the dust down. | 0:04:03 | 0:04:05 | |
When we hose stuff down, the dust goes right down. | 0:04:05 | 0:04:08 | |
Now, see what he's doing? | 0:04:08 | 0:04:09 | |
He's picking up the air conditioners that have already been abated | 0:04:09 | 0:04:13 | |
and getting them out of the way. This is all wire in there. | 0:04:13 | 0:04:15 | |
We...we'll recycle all that stuff. This is the beginning of recycling. | 0:04:16 | 0:04:20 | |
Aaargh! He's not even... | 0:04:20 | 0:04:22 | |
-He's just flicking it all to one side. -You're right. | 0:04:22 | 0:04:25 | |
Now watch, he's going to go after the first bar joints. | 0:04:25 | 0:04:28 | |
Now, see? He's got the outside bar joints. He's going to do | 0:04:28 | 0:04:31 | |
a little bit more pushing and shoving. | 0:04:31 | 0:04:33 | |
Now he's going after that steel. | 0:04:33 | 0:04:35 | |
So, he doesn't tear it up apart. He pulls it apart, piece by piece. | 0:04:35 | 0:04:39 | |
That's it. | 0:04:39 | 0:04:40 | |
'Danny just took down that building like a surgeon. | 0:04:41 | 0:04:45 | |
'Now, I'm dying to learn how to use a 30-ton track hoe like a scalpel.' | 0:04:45 | 0:04:49 | |
So, Danny, this bit of the end here is the track hoe itself. | 0:04:49 | 0:04:53 | |
-Right. -And this is kind of familiar to us all. | 0:04:53 | 0:04:55 | |
-This bit here. -Right. | 0:04:55 | 0:04:57 | |
These can be fitted with all sorts of heads. | 0:04:57 | 0:04:59 | |
You've got a special one here. What does it do? | 0:04:59 | 0:05:01 | |
This here is the standard hydraulic thumb built onto my bucket. | 0:05:01 | 0:05:05 | |
So, essentially what you've got is bucket, | 0:05:05 | 0:05:07 | |
-which we have, that can dig and stuff. -Yes. | 0:05:07 | 0:05:09 | |
-And then this thumb that does that? -Right. | 0:05:09 | 0:05:12 | |
-Yeah, it will move in and out. -So you can pick stuff up. | 0:05:12 | 0:05:14 | |
-Right. -So, you can pick up a car with that? -Right. | 0:05:14 | 0:05:17 | |
But what about small stuff? How much finesse can you use? | 0:05:17 | 0:05:20 | |
How small a thing can you pick up? | 0:05:20 | 0:05:21 | |
-Small pieces of metal. -Really? | 0:05:23 | 0:05:25 | |
-Yeah. -Hang on. Look, give me that. Thank you very much. | 0:05:25 | 0:05:27 | |
You can see where this is going, can't you? | 0:05:27 | 0:05:29 | |
-Yeah. -I should introduce you. This is our drinks cooler. | 0:05:29 | 0:05:32 | |
I just wondered if, say, the crew said, | 0:05:32 | 0:05:34 | |
"Can somebody pass us our drinks cooler?" | 0:05:34 | 0:05:36 | |
and you were up there in that, could you pass us that with this? | 0:05:36 | 0:05:40 | |
-Er... -Without breaking it? -I can give it a shot. | 0:05:40 | 0:05:43 | |
Saddle up, I'll put it down here. | 0:05:43 | 0:05:44 | |
That's our drinks box. | 0:05:47 | 0:05:48 | |
If it gets broken, there'll be a very cross crew. | 0:05:59 | 0:06:02 | |
There, look he's in. He's in. He's in. | 0:06:02 | 0:06:05 | |
Ooh! Ooh, ooh, that is millimetre-precise, | 0:06:05 | 0:06:08 | |
cos it's not quite... oh, ho, ho! | 0:06:08 | 0:06:10 | |
Gentlemen, your drinks. | 0:06:17 | 0:06:19 | |
Ah, there we go. | 0:06:25 | 0:06:27 | |
There you are. | 0:06:27 | 0:06:28 | |
That is pretty amazing, actually, | 0:06:28 | 0:06:30 | |
-and now you're going to teach me how to do it. -OK. | 0:06:30 | 0:06:33 | |
-I want to do that. -OK. | 0:06:33 | 0:06:34 | |
-I want to be that good. -I can teach you. | 0:06:34 | 0:06:36 | |
Yeah, right. I'm climbing up. Oh, oh. | 0:06:36 | 0:06:39 | |
-This is about finessing my skills here. -Right. -So, what do I do? | 0:06:39 | 0:06:42 | |
Well, I have a crazy way of remembering how to use the machine | 0:06:42 | 0:06:46 | |
-and I teach a lot, you know. -Yeah. -some of the guys and stuff. | 0:06:46 | 0:06:49 | |
I call it right-hand as BB and my left hand is SS. | 0:06:49 | 0:06:53 | |
Which just stands for the right-hand runs | 0:06:53 | 0:06:57 | |
-operates your bucket and your boom. -BB. | 0:06:57 | 0:07:03 | |
And then your left hand operates your stick and your swing. | 0:07:03 | 0:07:08 | |
All right. | 0:07:08 | 0:07:09 | |
Stick and swing. Boom and bucket. | 0:07:09 | 0:07:11 | |
Right. | 0:07:11 | 0:07:12 | |
Boom and bucket, stick and swing. | 0:07:12 | 0:07:14 | |
It's kind of cool, isn't it? | 0:07:14 | 0:07:16 | |
-That's how I like it. -That's how I teach the guys. | 0:07:16 | 0:07:18 | |
-I can do that. -You can do that? | 0:07:18 | 0:07:19 | |
-I can do that. -All right. -I can do that. | 0:07:19 | 0:07:21 | |
-We'll give it a shot, see what you can do. -OK. I'm good. | 0:07:21 | 0:07:25 | |
This really is where it all starts | 0:07:25 | 0:07:28 | |
for most building and demolition projects. | 0:07:28 | 0:07:31 | |
This one machine is an extension of the builder's | 0:07:31 | 0:07:34 | |
and the demo guy's hands and arms. | 0:07:34 | 0:07:37 | |
It's that significant a machine. | 0:07:37 | 0:07:38 | |
So, I have to learn how to move one of these | 0:07:38 | 0:07:41 | |
if I'm going to appreciate what working machines are all about. | 0:07:41 | 0:07:45 | |
Bucket and boom, bucket and boom, bucket and boom, swing and stick. | 0:07:48 | 0:07:52 | |
And I have to say, his boom and bucket thing, | 0:07:52 | 0:07:55 | |
way of remembering, it does work. | 0:07:55 | 0:07:58 | |
I reckon if I get good enough with this, | 0:07:58 | 0:08:00 | |
I'll be able to pet a mouse. | 0:08:00 | 0:08:01 | |
Not my own mouse, somebody else's, obviously. | 0:08:01 | 0:08:04 | |
OK, Danny, I've got that. I've got it. | 0:08:04 | 0:08:07 | |
I'm ready to pull a building down. Where do I go? Come on. | 0:08:07 | 0:08:09 | |
Actually, I got a smaller house you can practise on. | 0:08:11 | 0:08:14 | |
OK. I'm willing. I'll start small. | 0:08:14 | 0:08:16 | |
That's good, where do I go? Lead on. | 0:08:16 | 0:08:18 | |
I'll take you to it. | 0:08:18 | 0:08:19 | |
Oh, come on. I'm not going to wreck that. | 0:08:21 | 0:08:23 | |
No, you're not going to wreck this. | 0:08:23 | 0:08:25 | |
You're going to move this for me. | 0:08:25 | 0:08:27 | |
-Pick it up -Pick it up and move it for me. | 0:08:27 | 0:08:29 | |
-The outside lavatory. -Right. | 0:08:29 | 0:08:31 | |
-All right. I've got to be careful. -Yeah. | 0:08:31 | 0:08:34 | |
-Oh, I can do that. You stand back and watch. -OK. | 0:08:34 | 0:08:37 | |
Here we go. I go right to the immortal words, "Watch this." | 0:08:37 | 0:08:40 | |
Huh. | 0:08:44 | 0:08:45 | |
OK then, boss, so what do you want? | 0:08:45 | 0:08:48 | |
Gently pick it up. From the top. | 0:08:48 | 0:08:50 | |
I need you to move that from there, I want to move it over there | 0:08:50 | 0:08:53 | |
just out of the way for the... underneath my trees for me. | 0:08:53 | 0:08:56 | |
OK. Pick it up, put it by the trees. Here I go. | 0:08:57 | 0:08:59 | |
Ahhh. | 0:08:59 | 0:09:01 | |
Precision. | 0:09:01 | 0:09:03 | |
Precision. | 0:09:03 | 0:09:05 | |
OK. | 0:09:09 | 0:09:11 | |
Down with your boom a little bit. | 0:09:11 | 0:09:14 | |
Down with the boom, OK. | 0:09:14 | 0:09:17 | |
So, let's just line that up in there like that. | 0:09:17 | 0:09:21 | |
That's the thumb, in goes the thumb. Nice and careful. | 0:09:21 | 0:09:27 | |
Now, in comes the bucket. | 0:09:27 | 0:09:30 | |
I got it. I got it. I got it. | 0:09:40 | 0:09:43 | |
Oh, slipping, slipping! Oh! | 0:09:43 | 0:09:46 | |
OK. Got to put the thumb to the back carefully. | 0:09:59 | 0:10:02 | |
In. | 0:10:04 | 0:10:06 | |
There we go. | 0:10:08 | 0:10:10 | |
Oh! | 0:10:16 | 0:10:18 | |
Oh. | 0:10:18 | 0:10:19 | |
Yes. It's the whole precision. | 0:10:21 | 0:10:22 | |
It's harder than it looks, isn't it? | 0:10:22 | 0:10:24 | |
Isn't it harder than it looks? Oh. | 0:10:24 | 0:10:27 | |
Yeah, I'll maybe finesse that a bit. I think... | 0:10:27 | 0:10:31 | |
I kind of had it, but it slipped, | 0:10:31 | 0:10:32 | |
and then I thought I caught it and it...I didn't in the end. | 0:10:32 | 0:10:35 | |
Its...oh, that's not nice either. | 0:10:35 | 0:10:37 | |
That's a...oh! | 0:10:37 | 0:10:39 | |
Yeah. We'll deal with that later. | 0:10:39 | 0:10:42 | |
Practice is everything, though, I can see now. I'm learning. | 0:10:42 | 0:10:46 | |
I'm learn...I'm getting better. | 0:10:46 | 0:10:48 | |
Do you want me to tidy it up? | 0:10:48 | 0:10:50 | |
I got other things for you to do. | 0:10:51 | 0:10:52 | |
Day One ends in Orlando. | 0:10:57 | 0:10:58 | |
And clearly, I've already mastered the fine art | 0:10:58 | 0:11:00 | |
of using the track hoe with finesse and precision. | 0:11:00 | 0:11:04 | |
Yeah, all right. Clearly, there is some practice needed. | 0:11:04 | 0:11:07 | |
But hey, I've got two days left. | 0:11:07 | 0:11:09 | |
Day Two in Orlando. My second day with Central Environmental Services | 0:11:10 | 0:11:13 | |
Demolition Company. I've set myself the goal of becoming a demo man. | 0:11:13 | 0:11:18 | |
And today is the day when, finally, | 0:11:18 | 0:11:21 | |
I get my first go at tearing a building down. | 0:11:21 | 0:11:24 | |
You are mine, oh, yeah. Boom, gone. | 0:11:24 | 0:11:27 | |
You're as good as gone already. You might want to stand back. | 0:11:27 | 0:11:29 | |
'I just have one problem. | 0:11:32 | 0:11:34 | |
'Before I have a good whack at this building, | 0:11:34 | 0:11:37 | |
'I have to get Rich out of the track hoe.' | 0:11:37 | 0:11:40 | |
-Yo, Richard. I'm going to show you how it's done. -Here we go. | 0:11:40 | 0:11:43 | |
There, he's happy, look. | 0:11:45 | 0:11:47 | |
-Not modern dance, but... -Incoming! | 0:12:00 | 0:12:02 | |
Missed, but only just. | 0:12:02 | 0:12:05 | |
I don't think I've ever witnessed anyone so completely caught up | 0:12:05 | 0:12:08 | |
-in what they're doing as he is right now. -Mm-mm. Mm-mm, no. | 0:12:08 | 0:12:12 | |
I've never seen anything like this. | 0:12:12 | 0:12:15 | |
Watching him, you can kind of see the... | 0:12:15 | 0:12:17 | |
he goes after specifics, doesn't he? | 0:12:17 | 0:12:19 | |
He's not just flailing about and smashing it to bits, | 0:12:19 | 0:12:21 | |
he is going into particular... | 0:12:21 | 0:12:23 | |
Yeah. He goes in... | 0:12:23 | 0:12:25 | |
It's like a backwards puzzle to him. | 0:12:25 | 0:12:28 | |
In the course of making these shows, I've met a lot of guys | 0:12:28 | 0:12:30 | |
who are really good at what they do, whatever their role is. | 0:12:30 | 0:12:34 | |
I've never met anybody who just enjoys it as much | 0:12:34 | 0:12:37 | |
as he clearly does it now. | 0:12:37 | 0:12:39 | |
That was astonishing. | 0:12:39 | 0:12:41 | |
It just shows the muscle that this thing's got, | 0:12:41 | 0:12:44 | |
and the skill that an operator can develop. | 0:12:44 | 0:12:46 | |
You must be the calmest man in the world up there. | 0:12:46 | 0:12:48 | |
-All I can say, have you any stress left in you? -Well, | 0:12:48 | 0:12:52 | |
-this is my good stress release. -You don't say(?) | 0:12:52 | 0:12:55 | |
Other people go to a bar, I get down here, wreck a crack house, | 0:12:55 | 0:12:58 | |
-you know? Or a building. -I'm not surprised. What can I do? | 0:12:58 | 0:13:00 | |
Get in there and see if you can pull down some bones. | 0:13:00 | 0:13:04 | |
I might not show quite the same aggression. I'll try. | 0:13:04 | 0:13:06 | |
I'm never going to match up to that display of... | 0:13:07 | 0:13:10 | |
I don't want to say naked aggression, cos it wasn't. | 0:13:10 | 0:13:13 | |
It was...it was controlled aggression, but it was aggression. | 0:13:13 | 0:13:16 | |
Little guy with a big job to do. | 0:13:16 | 0:13:18 | |
HE LAUGHS | 0:13:20 | 0:13:22 | |
Already this feels funny. | 0:13:22 | 0:13:24 | |
I don't know why, it just does. | 0:13:24 | 0:13:26 | |
I'm walking. This feels strange. | 0:13:26 | 0:13:30 | |
I'm a bit nervous. It feels like I'm going to... | 0:13:30 | 0:13:32 | |
well, I'm going to break something, obviously. | 0:13:32 | 0:13:34 | |
Ah, you'll be all right. | 0:13:34 | 0:13:35 | |
You'll be OK. You got it. | 0:13:35 | 0:13:36 | |
Oh, I got one! I got one. Hold on. | 0:13:41 | 0:13:43 | |
I have! | 0:13:43 | 0:13:44 | |
I've got one. Blow me down if I haven't got one. | 0:13:44 | 0:13:47 | |
Now, just slowly bring that to you. | 0:13:48 | 0:13:50 | |
That whole piece, bring it to you slowly. | 0:13:50 | 0:13:52 | |
HE LAUGHS | 0:13:52 | 0:13:54 | |
Look at that. | 0:13:54 | 0:13:55 | |
All right. That's a loose piece. Bring it all around here. | 0:13:57 | 0:14:00 | |
Free swing all around. | 0:14:02 | 0:14:03 | |
Oh, yes. | 0:14:03 | 0:14:05 | |
All right, reach out and set it way out here. | 0:14:10 | 0:14:13 | |
Out of your way. | 0:14:14 | 0:14:15 | |
Good job. Good job. | 0:14:18 | 0:14:19 | |
That's one. | 0:14:19 | 0:14:21 | |
Only about 100 more to go. | 0:14:21 | 0:14:23 | |
Suddenly, I see what it's about. | 0:14:24 | 0:14:27 | |
This is strangely and horribly, | 0:14:27 | 0:14:30 | |
for all the wrong reasons, fantastic. | 0:14:30 | 0:14:33 | |
You're mine, come with me. | 0:14:35 | 0:14:36 | |
Come on. Come with me. | 0:14:41 | 0:14:42 | |
Arrr, arrr. You're mine. | 0:14:42 | 0:14:44 | |
Arrr. | 0:14:44 | 0:14:45 | |
Oh, it's breaking all those wires off it. | 0:14:45 | 0:14:48 | |
Grrr! | 0:14:48 | 0:14:50 | |
HE LAUGHS | 0:14:51 | 0:14:54 | |
HE LAUGHS | 0:14:56 | 0:14:58 | |
'There you go. All right.' | 0:14:58 | 0:14:59 | |
Take it back around. | 0:14:59 | 0:15:00 | |
CRASH | 0:15:02 | 0:15:03 | |
That was alarming. | 0:15:03 | 0:15:05 | |
I want more of that. | 0:15:11 | 0:15:13 | |
I want to get some more of these bones. | 0:15:13 | 0:15:15 | |
Is there any chance I can have that air-conditioning unit off? | 0:15:15 | 0:15:18 | |
-Please. -'Ah, go for it. Take it off. | 0:15:18 | 0:15:20 | |
-'It's in your way.' -Yes! Yes! -'Get rid of it.' | 0:15:20 | 0:15:22 | |
Oh, I'm so having that. That's my prize. | 0:15:22 | 0:15:25 | |
If you're watching and imagining, "I bet that's fun..." | 0:15:25 | 0:15:29 | |
or worse still, imagining, | 0:15:29 | 0:15:30 | |
"That can't be as much fun as it looks..." No, it is. | 0:15:30 | 0:15:33 | |
Butterfingers, butterfingers. | 0:15:40 | 0:15:42 | |
Just want to get it out from all those bits of wire and metal there. | 0:15:45 | 0:15:48 | |
That's it. | 0:15:48 | 0:15:49 | |
That's mine. | 0:15:49 | 0:15:51 | |
Not sure, but this could be about as much fun | 0:16:01 | 0:16:04 | |
as I've ever had in any machine. | 0:16:04 | 0:16:06 | |
It's just a humble track hoe, but now I'm learning just why it is. | 0:16:06 | 0:16:09 | |
Good job. | 0:16:10 | 0:16:12 | |
Oh, that is just... | 0:16:12 | 0:16:13 | |
-You did really good. -..too much fun. | 0:16:13 | 0:16:15 | |
You giggled like a little schoolgirl in there. | 0:16:15 | 0:16:17 | |
I don't know why I enjoyed that so much. | 0:16:17 | 0:16:19 | |
It probably doesn't bear examining, but that is just... | 0:16:19 | 0:16:22 | |
it's weirdly addictive, isn't it? | 0:16:22 | 0:16:23 | |
-Yes, very. -Trying to find the right bit and pulling, | 0:16:23 | 0:16:26 | |
and pulling and then, bam! Off it comes. | 0:16:26 | 0:16:27 | |
And you realise the power of the machine, that it just.. | 0:16:27 | 0:16:30 | |
-Yeah. -Nothing can stop it. | 0:16:30 | 0:16:31 | |
Well, it really is up to you to make sure you don't make | 0:16:31 | 0:16:34 | |
a horrible mistake. Everything is just... you put it on. | 0:16:34 | 0:16:37 | |
-You don't drive it, you wear it. It becomes... like wearing a big robot suit. -Yup. | 0:16:37 | 0:16:40 | |
I love that game! | 0:16:40 | 0:16:42 | |
I'm surprised there's anything left standing around here. | 0:16:42 | 0:16:45 | |
'Now that I've had and enjoyed my first taste of wrecking a building, | 0:16:45 | 0:16:49 | |
'I think it might be nice to kick back and relax at Richard's house.' | 0:16:49 | 0:16:53 | |
Right, I am keen to see what a guy who wrecks buildings | 0:16:53 | 0:16:56 | |
does in his downtime. | 0:16:56 | 0:16:58 | |
And I'm guessing it's going to be in here. | 0:16:58 | 0:17:00 | |
It is. Some people call this thing a barn. | 0:17:00 | 0:17:03 | |
I call it my kind of man cave. | 0:17:03 | 0:17:05 | |
So, right now... | 0:17:09 | 0:17:10 | |
every man across America watching is calling his wife and saying, | 0:17:10 | 0:17:13 | |
"Look at what this guy's got. I want that at home." | 0:17:13 | 0:17:16 | |
You don't think that's neat... Come on. | 0:17:16 | 0:17:18 | |
I've got something else to show you. | 0:17:18 | 0:17:20 | |
OK. So the...this is it. This is your hobby? | 0:17:20 | 0:17:23 | |
Yes, it is. | 0:17:23 | 0:17:24 | |
What is it? | 0:17:24 | 0:17:26 | |
-Oh, these are bonsais. -Are they? | 0:17:26 | 0:17:28 | |
It's an ancient art of the miniaturisation of trees. | 0:17:28 | 0:17:31 | |
OK. This is just one of these weird leaps that you have to make | 0:17:31 | 0:17:35 | |
when you meet somebody, because having met you, | 0:17:35 | 0:17:37 | |
you talk about your job and what you do is big, | 0:17:37 | 0:17:40 | |
knocking stuff down... and then, little tiny trees. | 0:17:40 | 0:17:42 | |
I know. It takes the stress out. | 0:17:42 | 0:17:44 | |
You know, it wouldn't matter how long you gave me to think about it, | 0:17:47 | 0:17:50 | |
I could not come up with something just more opposite | 0:17:50 | 0:17:53 | |
to what you do for a job than this. | 0:17:53 | 0:17:55 | |
I mean, it's completely... | 0:17:55 | 0:17:58 | |
it's...you're creating stuff, it's tiny. | 0:17:58 | 0:18:01 | |
Requires patience. Well, let's get back to work. | 0:18:01 | 0:18:04 | |
-That's enough. -You got it. | 0:18:04 | 0:18:05 | |
-It's important we get on. -Let's go wreck something. | 0:18:05 | 0:18:07 | |
Just one...just...that one there. | 0:18:09 | 0:18:13 | |
Come on, we got a building to wreck. | 0:18:13 | 0:18:15 | |
Yeah, I just want to... you see, once you've started... | 0:18:15 | 0:18:17 | |
that one, that was bothering me. | 0:18:17 | 0:18:19 | |
This is a wrecking ball. | 0:18:23 | 0:18:25 | |
Probably the iconic piece of demolition hardware. | 0:18:25 | 0:18:29 | |
It's best part of two tons of lead encased in steel. | 0:18:29 | 0:18:33 | |
It is effective and dangerous. | 0:18:33 | 0:18:36 | |
So dangerous, it's actually illegal in the UK. | 0:18:36 | 0:18:39 | |
Nevertheless, if I'm going to learn how to be a demo man, | 0:18:39 | 0:18:41 | |
I'm going to have to learn how to swing one of these. | 0:18:41 | 0:18:44 | |
Before I actually swing it, I am going to need a lesson or two. | 0:18:44 | 0:18:48 | |
It's making me nervous even when it's still. | 0:18:48 | 0:18:50 | |
Just going to back away from it slowly. | 0:18:50 | 0:18:52 | |
OK, then, Danny, um... | 0:18:57 | 0:18:59 | |
'Do you have everything you need?' | 0:18:59 | 0:19:01 | |
Demonstrate the fine art of swinging a wrecking ball. | 0:19:01 | 0:19:04 | |
I've never even see this done. | 0:19:04 | 0:19:05 | |
-I...honestly, this is a first for me. -I'll show you. | 0:19:05 | 0:19:08 | |
There we go. | 0:19:13 | 0:19:15 | |
There we go. | 0:19:15 | 0:19:18 | |
That's what I'm talking about. | 0:19:18 | 0:19:19 | |
There we go. | 0:19:22 | 0:19:23 | |
Oh, you see there's a lot... | 0:19:29 | 0:19:30 | |
there's more involved in this than I thought. | 0:19:30 | 0:19:32 | |
Oh, there's thinking to be done. It's really hard. | 0:19:32 | 0:19:36 | |
And that ball weighs the better part of two tons. | 0:19:37 | 0:19:40 | |
If that goes out of control, | 0:19:40 | 0:19:41 | |
it weighs an equivalent of many times more. | 0:19:41 | 0:19:44 | |
HE LAUGHS | 0:19:49 | 0:19:50 | |
Simple as that. | 0:19:50 | 0:19:52 | |
'OK.' | 0:19:52 | 0:19:54 | |
I'm guessing if I get this wrong, I am, well, killed. | 0:19:54 | 0:19:59 | |
Uh, yeah, basically. | 0:19:59 | 0:20:02 | |
Oh, Lord. | 0:20:02 | 0:20:03 | |
'Because the wrecking ball is so dangerous, | 0:20:03 | 0:20:07 | |
'it won't be part of my final exam. | 0:20:07 | 0:20:09 | |
but I'll never be able to call myself a real demo man | 0:20:09 | 0:20:12 | |
'if I don't at least learn how to swing one.' | 0:20:12 | 0:20:15 | |
I have one piece of advice for your crew, really | 0:20:15 | 0:20:18 | |
and that is, seriously, go over there somewhere. | 0:20:18 | 0:20:21 | |
Bye. | 0:20:21 | 0:20:22 | |
I mean, how hard can this be? | 0:20:24 | 0:20:27 | |
Danny, I guess this is one of those things | 0:20:27 | 0:20:28 | |
I just need to sort of get a feel for, yeah? | 0:20:28 | 0:20:31 | |
Yes, it's just something you got to get a feel for and the only... | 0:20:31 | 0:20:34 | |
the key thing to this is that you don't open your bucket. | 0:20:34 | 0:20:38 | |
'Left hand, side to side,' | 0:20:38 | 0:20:40 | |
not your right hand. | 0:20:40 | 0:20:42 | |
Yeah, so back and forth with my right hand, | 0:20:42 | 0:20:46 | |
but not side to side, or the bucket will be opened? | 0:20:46 | 0:20:49 | |
Correct. | 0:20:49 | 0:20:50 | |
And if you feel like it's coming at you, | 0:20:50 | 0:20:53 | |
just try and take your left hand, | 0:20:53 | 0:20:55 | |
straight down, to bring the ball to the ground. | 0:20:55 | 0:20:58 | |
Right. So, lifting it up. | 0:20:59 | 0:21:01 | |
I'm suddenly scared of this thing. I mean, really scared. | 0:21:05 | 0:21:07 | |
This thing is illegal in the UK. | 0:21:07 | 0:21:09 | |
Oh, that's a two-ton weight there. | 0:21:09 | 0:21:13 | |
So, up... | 0:21:13 | 0:21:14 | |
..and then swing down. | 0:21:16 | 0:21:20 | |
Whoa! | 0:21:26 | 0:21:27 | |
This is dangerous. Oh, God. | 0:21:27 | 0:21:30 | |
You want that ball to chase that bucket. | 0:21:31 | 0:21:34 | |
As it's coming up, you already want to get your motion | 0:21:37 | 0:21:40 | |
to go the opposite way with that bucket. | 0:21:40 | 0:21:42 | |
Oh, man, that is so much harder than I expected. | 0:21:47 | 0:21:51 | |
I mean, really a lot. | 0:21:51 | 0:21:52 | |
I thought you just swing and then it's done. | 0:21:53 | 0:21:57 | |
But no, there's timing, | 0:21:57 | 0:21:59 | |
you've got to extend and depress the boom, | 0:21:59 | 0:22:01 | |
and as soon as you get the swing wrong, | 0:22:01 | 0:22:04 | |
what the ball does is come at you. | 0:22:04 | 0:22:06 | |
That's why it's dangerous. | 0:22:07 | 0:22:09 | |
Well, I'd say I've just about got the hang of the wrecking ball, | 0:22:12 | 0:22:16 | |
but clearly I do need to practice. | 0:22:16 | 0:22:18 | |
It's a big dangerous thing. | 0:22:18 | 0:22:19 | |
I wish there was, like, a wall I could practise on. | 0:22:19 | 0:22:22 | |
You know, something... | 0:22:22 | 0:22:23 | |
well, look at that! | 0:22:23 | 0:22:26 | |
How convenient. | 0:22:26 | 0:22:27 | |
'A wall constructed of such unforgivable hideousness | 0:22:27 | 0:22:30 | |
'that it deserves to be pummelled by a two-ton ball of steel.' | 0:22:30 | 0:22:34 | |
OK. Danny, in your own time, show me how it's done. | 0:22:34 | 0:22:37 | |
No problem. | 0:22:37 | 0:22:39 | |
Oh, that thing is just terrifying. | 0:22:41 | 0:22:44 | |
Oh, oh, oh! | 0:22:48 | 0:22:51 | |
That's one. | 0:22:51 | 0:22:53 | |
Boo-yah! | 0:22:54 | 0:22:55 | |
It works. | 0:22:57 | 0:22:58 | |
My, but that's an effective piece of kit. | 0:23:04 | 0:23:07 | |
Danny, that was truly some fine work. | 0:23:07 | 0:23:09 | |
Do you reckon I can give it a go on the second story of them? | 0:23:09 | 0:23:12 | |
-Come on. No problem. -'OK.' | 0:23:12 | 0:23:14 | |
I'm just... it's old and childish | 0:23:14 | 0:23:16 | |
but that looks like too much fun to miss out. | 0:23:16 | 0:23:19 | |
'Danny was able to swing the wrecking ball with such force, | 0:23:19 | 0:23:22 | |
'he was able to flick those minivans off the pile like ants off a twig. | 0:23:22 | 0:23:26 | |
'Now, let's see if I can do the same.' | 0:23:26 | 0:23:29 | |
OK. | 0:23:29 | 0:23:30 | |
And with the ball of death, ohhh. | 0:23:30 | 0:23:33 | |
All right. Activate hydraulics. | 0:23:33 | 0:23:37 | |
Keep it close to you and hit it. | 0:23:37 | 0:23:40 | |
Now draw her back the other way. Now go for it. | 0:23:40 | 0:23:44 | |
Yo-ho! | 0:23:45 | 0:23:48 | |
Give a little more swing to her. | 0:23:48 | 0:23:49 | |
Just bring her out a little more and then come back. | 0:23:49 | 0:23:52 | |
Swing. Boom! | 0:23:54 | 0:23:55 | |
Nearly...I nearly got it, | 0:23:55 | 0:23:57 | |
I nearly got it, I nearly got it. | 0:23:57 | 0:23:59 | |
Yeah, nearly. And you are going off now, baby. | 0:23:59 | 0:24:03 | |
You are going off. | 0:24:03 | 0:24:04 | |
Boom, boom, bang! | 0:24:04 | 0:24:09 | |
Oh, come on! It's stubborn, isn't it, that one? | 0:24:10 | 0:24:13 | |
It's wedged on top of her. | 0:24:14 | 0:24:15 | |
Right. What I need to do is the other car. | 0:24:15 | 0:24:17 | |
I might go slightly higher. What do you think? | 0:24:19 | 0:24:20 | |
It's all yours. | 0:24:20 | 0:24:22 | |
It's starting to suss... | 0:24:26 | 0:24:28 | |
it's all these little movements that they do | 0:24:28 | 0:24:30 | |
that is very much like complex surgery. | 0:24:30 | 0:24:34 | |
I'm just beating it up. I don't mind that, | 0:24:42 | 0:24:45 | |
but it's not going to fall off. This is tricky. | 0:24:45 | 0:24:48 | |
I'm learning something really special and subtle. | 0:24:48 | 0:24:51 | |
You know those people who paint miniature portraits on enamel? | 0:24:51 | 0:24:54 | |
It's a bit like that. | 0:24:54 | 0:24:55 | |
Exactly. Track forward about another three feet. | 0:24:55 | 0:25:00 | |
Both tracks. Straight forward, there you go. | 0:25:00 | 0:25:02 | |
There's the sweet spot right there. | 0:25:02 | 0:25:04 | |
OK. I'm going to start from there. | 0:25:06 | 0:25:07 | |
I want to get the centre pillar where the doors meet. | 0:25:07 | 0:25:10 | |
That's a strong bit. | 0:25:10 | 0:25:11 | |
Right. Let's give it a go, then. | 0:25:11 | 0:25:13 | |
I think I missed the strong bit. | 0:25:19 | 0:25:20 | |
Sometimes you have a picture in your mind of what will happen | 0:25:20 | 0:25:23 | |
and what something is going to be like, | 0:25:23 | 0:25:25 | |
and then the reality turns out to be really very different. | 0:25:25 | 0:25:28 | |
That's what's happening here. I thought a wrecking ball is just, | 0:25:28 | 0:25:31 | |
"Raar!" swing it and it just knocks everything down. | 0:25:31 | 0:25:34 | |
It turns out, no. It's a fine and subtle art. | 0:25:34 | 0:25:37 | |
No wonder that's illegal. | 0:25:39 | 0:25:40 | |
It's not just dangerous, it's impossible. Really difficult. | 0:25:40 | 0:25:43 | |
-Look what it's taken. -Yes. | 0:25:43 | 0:25:45 | |
-It's wedged. -It's wedged up in there and you see the other one. | 0:25:45 | 0:25:49 | |
Well, clearly some idiot built the wall wrong. | 0:25:49 | 0:25:51 | |
I mean, they all locked together. | 0:25:51 | 0:25:53 | |
-Yup. -I learned, though... I learned a lot doing that. -Yeah. | 0:25:53 | 0:25:56 | |
-Do you know what? -Hmm? | 0:25:56 | 0:25:57 | |
-Really enjoying being a demo man. I have to say. -Yeah. | 0:25:57 | 0:26:01 | |
I love this. | 0:26:01 | 0:26:03 | |
What you see before you is evidence of learning, | 0:26:03 | 0:26:06 | |
training, and I like to think, | 0:26:06 | 0:26:09 | |
an almost artful determination to see your job through. | 0:26:09 | 0:26:12 | |
It's quite a moving thing. | 0:26:12 | 0:26:14 | |
That is an art installation right there. | 0:26:14 | 0:26:16 | |
We made that. It's quite beautiful. | 0:26:17 | 0:26:20 | |
Day three for me at Central Environmental Services in Orlando. | 0:26:21 | 0:26:25 | |
So far I've learned, I think, pretty quickly | 0:26:25 | 0:26:27 | |
how to tear down a building using a track hoe. | 0:26:27 | 0:26:30 | |
The thing is, though, the job doesn't end there, | 0:26:30 | 0:26:33 | |
because right now, these guys can recycle 85% of a building | 0:26:33 | 0:26:36 | |
after they've wrecked it. | 0:26:36 | 0:26:38 | |
And that's what my lesson today is about, recycling. | 0:26:38 | 0:26:41 | |
This is where we get to the finer details, | 0:26:41 | 0:26:43 | |
finessing the whole process. | 0:26:43 | 0:26:45 | |
It's why people talk of the fine art of demolition. | 0:26:45 | 0:26:48 | |
They do talk about it. Well, I do. | 0:26:48 | 0:26:50 | |
It is a fine art of demolition. | 0:26:50 | 0:26:52 | |
And today that's what I'll learn. | 0:26:52 | 0:26:55 | |
So what are we doing here? | 0:26:56 | 0:26:57 | |
Well, we're recycling metals. | 0:26:57 | 0:27:00 | |
This here is called dirty aluminum. | 0:27:00 | 0:27:02 | |
-This is dirty what? -Dirty aluminum. | 0:27:02 | 0:27:04 | |
Aluminium. It's aluminium. | 0:27:04 | 0:27:06 | |
-Dirty aluminium. -Yes, it is. | 0:27:06 | 0:27:08 | |
Aluminium. | 0:27:08 | 0:27:10 | |
-And three small screws in there are steel. -Right. | 0:27:10 | 0:27:12 | |
So if we took that to a scrap yard and put it in there, | 0:27:12 | 0:27:16 | |
they'd give us a price for dirty aluminum, | 0:27:16 | 0:27:18 | |
which would be about 30 or 40 cents per pound less. | 0:27:18 | 0:27:21 | |
Now, this over here... | 0:27:21 | 0:27:22 | |
-Yes. -..is copper. | 0:27:22 | 0:27:24 | |
These are the copper water pipes within a house, | 0:27:24 | 0:27:26 | |
probably the most valuable non-ferrous metal | 0:27:26 | 0:27:29 | |
-out there on the demo job. -Right. | 0:27:29 | 0:27:30 | |
This is the stuff you really want. | 0:27:30 | 0:27:33 | |
So my job is to go through that whole pile | 0:27:33 | 0:27:34 | |
-and sort it out into these piles so it's ready to go? -There you go. | 0:27:34 | 0:27:38 | |
What's really cool is that you're, like, on a treasure hunt. | 0:27:38 | 0:27:40 | |
You never know if you're going to find a special prize | 0:27:40 | 0:27:43 | |
in that pile. You never know. | 0:27:43 | 0:27:44 | |
Oh, ho. | 0:27:46 | 0:27:47 | |
Oh, oh. Right. So that's... no, that's the boom. | 0:27:47 | 0:27:50 | |
Oh, oh, Lord. Hold on. | 0:27:52 | 0:27:53 | |
No, no, no, no, it's the other... | 0:27:53 | 0:27:55 | |
HE LAUGHS | 0:27:55 | 0:27:56 | |
I've just got the hang of this. Oh, no. | 0:27:56 | 0:27:59 | |
Oh, this is really difficult. No. | 0:27:59 | 0:28:02 | |
Look, this is harder than it looks. That's what you need to know. | 0:28:07 | 0:28:10 | |
Curl your bucket too. | 0:28:10 | 0:28:12 | |
-There you go. -That's sheet aluminium, yeah? -Yes, sir. | 0:28:15 | 0:28:18 | |
-I'll go the other way around. -All the way over here. | 0:28:18 | 0:28:21 | |
Go around this way. | 0:28:21 | 0:28:22 | |
Oh, I'm really getting to grips with this now. | 0:28:27 | 0:28:29 | |
Let's have a look. So... | 0:28:29 | 0:28:30 | |
You see that piece of copper in there, Richard? | 0:28:30 | 0:28:33 | |
Get that piece of copper pipe right there. | 0:28:33 | 0:28:34 | |
Oh, that's the treasure, isn't it? This...OK. | 0:28:34 | 0:28:37 | |
This is what these guys are after. The copper is where the value is. | 0:28:37 | 0:28:40 | |
Now, hopefully I can bring that in. | 0:28:42 | 0:28:43 | |
Come on, come on, come on, little pipe. | 0:28:43 | 0:28:46 | |
-There it is. -There you go. Just swing her over here. | 0:28:47 | 0:28:50 | |
I want to check that. It sure looks to me like it's fool's copper. | 0:28:53 | 0:28:56 | |
What's wrong with that? | 0:28:56 | 0:28:57 | |
It looks like copper but it's not. | 0:28:57 | 0:28:59 | |
This here is the demo man's smallest tool. | 0:28:59 | 0:29:02 | |
It's a magnet. | 0:29:02 | 0:29:04 | |
It shouldn't be magnetic? | 0:29:05 | 0:29:07 | |
If it's pure copper, the magnet would be on the ground. | 0:29:07 | 0:29:10 | |
-But it's steel. -Right. I'm going to find some copper. | 0:29:10 | 0:29:13 | |
Hang on, hang on, hang on, look. | 0:29:14 | 0:29:16 | |
You know how you said sometimes you find treasure? | 0:29:16 | 0:29:19 | |
If that's not treasure, what is? | 0:29:19 | 0:29:22 | |
Oh, yeah, hold on. | 0:29:22 | 0:29:23 | |
Oh, my goodness, look at this. | 0:29:31 | 0:29:33 | |
I may have bent it a little bit but not a lot. | 0:29:33 | 0:29:36 | |
-Look at that! -See, I told you, | 0:29:36 | 0:29:37 | |
you never know what you're going to find. | 0:29:37 | 0:29:39 | |
There it is. I found it. | 0:29:39 | 0:29:41 | |
All right. Look at that. You know what? | 0:29:41 | 0:29:44 | |
This is your reward for such an unbelievable job. | 0:29:45 | 0:29:48 | |
Oh, that is so... it's a proud moment. | 0:29:48 | 0:29:50 | |
It matters a lot to me and to my family and my agent. | 0:29:50 | 0:29:53 | |
And whoever hid this and didn't expect me to ruin it, | 0:29:53 | 0:29:57 | |
I'm really sorry. | 0:29:57 | 0:29:58 | |
But I am starting to get that this really is about precision, | 0:29:58 | 0:30:01 | |
right from the moment you start. | 0:30:01 | 0:30:02 | |
It's not just tearing the place down, | 0:30:02 | 0:30:04 | |
it's about breaking all the way from being a building | 0:30:04 | 0:30:06 | |
down to its constituent elements and sorting those out. | 0:30:06 | 0:30:09 | |
Absolutely. | 0:30:09 | 0:30:10 | |
Demo guys don't just recycle the metal | 0:30:13 | 0:30:16 | |
out of the buildings they wreck. | 0:30:16 | 0:30:17 | |
They recycle the bricks, the concrete, the very fabric, | 0:30:17 | 0:30:20 | |
even the foundations of the buildings themselves. | 0:30:20 | 0:30:23 | |
To do that, we need something pretty special. | 0:30:23 | 0:30:26 | |
You need one of these. | 0:30:26 | 0:30:28 | |
That is one angry looking machine. Oh, oh. | 0:30:30 | 0:30:32 | |
I don't want to be recycled! | 0:30:32 | 0:30:34 | |
Rich, I don't think I need to ask really what's happening here. | 0:30:39 | 0:30:42 | |
Oh! I mean it's pretty clear what's going on. | 0:30:42 | 0:30:46 | |
That's called a densifier. | 0:30:47 | 0:30:49 | |
It's horrible. | 0:30:49 | 0:30:50 | |
That is about 10,000 pounds of pressure | 0:30:50 | 0:30:53 | |
cracking that, and gets it constantly broke up. | 0:30:53 | 0:30:58 | |
Why has it got to do that? | 0:30:58 | 0:30:59 | |
Well, he wants to make sure that | 0:30:59 | 0:31:01 | |
when he crushes a piece of concrete, | 0:31:01 | 0:31:03 | |
that he gets all the rebar out of it. | 0:31:03 | 0:31:05 | |
Then they just mag that out. | 0:31:05 | 0:31:06 | |
Oh, it's got it stuck in its teeth. | 0:31:06 | 0:31:08 | |
I hate when that happens. That'll be... | 0:31:08 | 0:31:10 | |
Oh, it's just angry, cross. | 0:31:10 | 0:31:12 | |
It's just an animal. | 0:31:12 | 0:31:13 | |
Grrr. | 0:31:13 | 0:31:15 | |
I've got to have a go. Please, can I have a go, please? | 0:31:15 | 0:31:17 | |
-Yeah. That's it. I think you ought to have a go on that. -Yeah. OK. | 0:31:17 | 0:31:21 | |
All right, Richard. | 0:31:21 | 0:31:23 | |
You learned from the best with Central Demolition right there. | 0:31:23 | 0:31:25 | |
I'ma tell you, if you can't do it with this, | 0:31:25 | 0:31:27 | |
I got a 80-pound hammer sitting waiting on you. Good luck. | 0:31:27 | 0:31:31 | |
OK. I didn't understand most of that. | 0:31:31 | 0:31:33 | |
But basically, get this right or we're going to use a hammer. | 0:31:33 | 0:31:36 | |
That's what I took from that. OK. | 0:31:36 | 0:31:38 | |
So, Rich, do I now begin? | 0:31:38 | 0:31:40 | |
Ready to go, buddy. | 0:31:40 | 0:31:41 | |
Firing it up. Right. So, let's give it some revs. | 0:31:41 | 0:31:44 | |
I want to get a straight mouthful. | 0:31:44 | 0:31:46 | |
I'm driving a dinosaur. | 0:31:46 | 0:31:49 | |
-Now go ahead and crush. Try that right there. -Which way is close? | 0:31:49 | 0:31:52 | |
There. Oh, that way. OK. | 0:31:52 | 0:31:55 | |
Grrr! | 0:31:55 | 0:31:56 | |
Hungry. Arrr! | 0:31:56 | 0:31:58 | |
There you go. That's it, man. | 0:32:01 | 0:32:03 | |
It's hungry. | 0:32:05 | 0:32:06 | |
It's like feeding a massive hungry dog. There you go. | 0:32:06 | 0:32:09 | |
Have a bone. Oh, my! | 0:32:09 | 0:32:12 | |
Whoo! Whoo! | 0:32:14 | 0:32:15 | |
Way to go, boy! | 0:32:15 | 0:32:17 | |
You cannot tell me the guys don't enjoy this. They must. | 0:32:19 | 0:32:21 | |
Big crunch coming up. Arrr! | 0:32:23 | 0:32:24 | |
HE GROWLS | 0:32:24 | 0:32:26 | |
Whoo! | 0:32:28 | 0:32:29 | |
You know, that's bloody fantastic. | 0:32:32 | 0:32:34 | |
That was great. You know what? I'm full. | 0:32:35 | 0:32:37 | |
It's like... it's almost like indigestion. It is. | 0:32:37 | 0:32:41 | |
-You're the man. Way to go. All right. -Oh, I got indigestion. | 0:32:41 | 0:32:44 | |
You should make mint flavoured concrete for that thing. | 0:32:44 | 0:32:47 | |
-I think it would like it. -I think it would too. | 0:32:47 | 0:32:49 | |
I thought at first it was a dog with a bone, but it's more like | 0:32:49 | 0:32:51 | |
-a dinosaur eating another dinosaur's leg bone. -Yes, it is. | 0:32:51 | 0:32:55 | |
-All gone. -Now, you did good. | 0:32:55 | 0:32:57 | |
I've got an idea for maybe another use for it. | 0:32:57 | 0:32:59 | |
-Something that's pretty important. -Really? | 0:32:59 | 0:33:02 | |
Just bear with me on this one. You'll be impressed. | 0:33:02 | 0:33:04 | |
-Well this one I got to see. -Yeah. Here it comes. | 0:33:04 | 0:33:06 | |
Hey, Rich, are you a lover of the arts? | 0:33:17 | 0:33:21 | |
Oh, yeah, absolutely. | 0:33:21 | 0:33:22 | |
I want to get this just right. I'm sorry. | 0:33:24 | 0:33:26 | |
I'm being precise. It's all about precision. | 0:33:26 | 0:33:29 | |
HE LAUGHS | 0:33:29 | 0:33:31 | |
This is a glorious, glorious thing that we are doing. | 0:33:31 | 0:33:35 | |
Stupid garden statues, I can't stand them. | 0:33:37 | 0:33:40 | |
Oh, that was... not at all gentle, was it? | 0:33:41 | 0:33:44 | |
You know, I think that might have been better than a minivan. | 0:33:47 | 0:33:49 | |
I think it was. | 0:33:49 | 0:33:51 | |
I do hate those miserable little garden statues. | 0:33:51 | 0:33:54 | |
Man, did you give him a whupping! | 0:33:54 | 0:33:55 | |
I'll tell you what I've... | 0:33:57 | 0:33:59 | |
What I've just seen in there. | 0:33:59 | 0:34:01 | |
THEY LAUGH | 0:34:01 | 0:34:03 | |
His butt made it. It's OK. | 0:34:03 | 0:34:04 | |
-His butt made it through. That's all OK. -All right. | 0:34:04 | 0:34:08 | |
Well, there you go. Sorry, David. | 0:34:08 | 0:34:10 | |
It's the end of Day Three. The only thing ahead of me now | 0:34:10 | 0:34:13 | |
is my final exam, and this house is going to be it. | 0:34:13 | 0:34:15 | |
Greg Harvey, you're the contractor. | 0:34:15 | 0:34:17 | |
Greg is basically is my boss for the purposes of this exercise. | 0:34:17 | 0:34:21 | |
Before I actually do it, why are we tearing this house down? | 0:34:21 | 0:34:24 | |
Well, the owners wanted a very energy efficient | 0:34:24 | 0:34:27 | |
and eco-friendly home, and unfortunately, | 0:34:27 | 0:34:29 | |
we weren't able to achieve that with the home that we have today, | 0:34:29 | 0:34:33 | |
and they elected to go ahead | 0:34:33 | 0:34:35 | |
and tear it down and start with a new one. | 0:34:35 | 0:34:37 | |
-My conscience is entirely salved. -You should be good. | 0:34:37 | 0:34:39 | |
-I'm doing the world a favour. -You are. | 0:34:39 | 0:34:41 | |
There'll be, like, otters and birds and things that are pleased. | 0:34:41 | 0:34:44 | |
That's right. That's right. | 0:34:44 | 0:34:45 | |
-Because of what I'm about to do. -That's right. | 0:34:45 | 0:34:47 | |
So if I appear at any point to be enjoying it wildly, | 0:34:47 | 0:34:50 | |
-I'm enjoying the sense of doing something good. -That's correct. | 0:34:50 | 0:34:53 | |
And also most of this is going to be salvaged and recycled anyways. | 0:34:53 | 0:34:57 | |
So this is...it's kind of for the children, | 0:34:57 | 0:34:59 | |
for their future, that I'm... | 0:34:59 | 0:35:01 | |
You know what, you got it exactly right. | 0:35:01 | 0:35:02 | |
That's the nicest thing anybody's ever done for me, Greg. | 0:35:02 | 0:35:05 | |
All right. Good luck. | 0:35:05 | 0:35:06 | |
I've spent the last three days training with | 0:35:09 | 0:35:11 | |
Central Environmental Services in Orlando | 0:35:11 | 0:35:14 | |
to learn how to use the heavy machinery | 0:35:14 | 0:35:16 | |
they use in their work as demolition experts, | 0:35:16 | 0:35:18 | |
and that is my final exam. | 0:35:18 | 0:35:21 | |
I've got to use the track hoe | 0:35:21 | 0:35:22 | |
to tear that house down piece by piece. | 0:35:22 | 0:35:26 | |
But I am going to have to draw on all of my several days | 0:35:26 | 0:35:28 | |
of experience as a demo man to do that | 0:35:28 | 0:35:30 | |
with care and absolute precision. | 0:35:30 | 0:35:33 | |
Because here's the thing - | 0:35:33 | 0:35:35 | |
I have to demolish the entire house leaving this room, | 0:35:35 | 0:35:38 | |
and my friend Nigel here, undisturbed. | 0:35:38 | 0:35:41 | |
Though he's not my real friend. Obviously. | 0:35:41 | 0:35:43 | |
I mean, the dummy doesn't travel everywhere with me. | 0:35:43 | 0:35:46 | |
It's just...a dummy representing a friend of mine. | 0:35:46 | 0:35:49 | |
The point is I have to demolish the whole house | 0:35:49 | 0:35:52 | |
leaving this room and the dummy in the bed | 0:35:52 | 0:35:54 | |
intact and undisturbed. | 0:35:54 | 0:35:55 | |
You see. Precision. | 0:35:55 | 0:35:58 | |
Here you go, Nigel. | 0:35:58 | 0:35:59 | |
Here you go, fella. Just in case. | 0:35:59 | 0:36:01 | |
You'll be fine. Don't worry. | 0:36:01 | 0:36:03 | |
Suddenly, not nervous. | 0:36:07 | 0:36:09 | |
What's the word? Really excited. | 0:36:09 | 0:36:11 | |
That's what I am. | 0:36:11 | 0:36:13 | |
Going to knock a house down, going to knock a house down. | 0:36:13 | 0:36:15 | |
-Richard, are you ready? -Oh, it's the boss. | 0:36:15 | 0:36:17 | |
I am so ready. I'm firing up. Here I go. | 0:36:17 | 0:36:20 | |
Now, to make things even tougher, | 0:36:20 | 0:36:22 | |
Nigel's room is located in the centre of the house. | 0:36:22 | 0:36:26 | |
I'm going to have to attack the building | 0:36:26 | 0:36:28 | |
from two different sides if I'm going to save Nigel. | 0:36:28 | 0:36:31 | |
I'll be starting with the master bedroom, | 0:36:31 | 0:36:33 | |
which is directly attached to Nigel's room. | 0:36:33 | 0:36:37 | |
Here I go. | 0:36:37 | 0:36:39 | |
Pull that thumb all the way back to the stick, | 0:36:45 | 0:36:48 | |
and just start going through the... right through the roof. | 0:36:48 | 0:36:51 | |
Terribly sorry. Hope you had a lovely time in the house. | 0:36:51 | 0:36:53 | |
I don't doubt it holds many happy memories | 0:36:53 | 0:36:55 | |
for a lot of people, but... | 0:36:55 | 0:36:57 | |
Oh, I've spoiled it. | 0:36:59 | 0:37:01 | |
Rather bad, let me just put that back. | 0:37:01 | 0:37:04 | |
Oh! | 0:37:06 | 0:37:07 | |
Oh. Just knock it down... | 0:37:07 | 0:37:11 | |
In fact, backwards a little bit, for a little bit. | 0:37:14 | 0:37:16 | |
Let's take some of them walls down. | 0:37:16 | 0:37:18 | |
Oops, sorry. | 0:37:35 | 0:37:38 | |
All right, go ahead and push her in right there. | 0:37:40 | 0:37:43 | |
There you go. | 0:37:43 | 0:37:44 | |
There you go, Madam. See, there's daylight flooding in. | 0:37:53 | 0:37:57 | |
Oh, now the room is far... it feels more open, doesn't it? | 0:37:57 | 0:38:01 | |
Yes, it does. Yes, it does. | 0:38:01 | 0:38:02 | |
Right. What I'm doing now is just going for... | 0:38:03 | 0:38:06 | |
I'm trying to just flatten the roof. | 0:38:06 | 0:38:08 | |
What he said was bring it all into one sort of big, central pile. | 0:38:08 | 0:38:12 | |
It might look like I'm simply flailing around. | 0:38:12 | 0:38:16 | |
So this is where it gets really tricky. | 0:38:16 | 0:38:18 | |
I'll put this lot over here. | 0:38:18 | 0:38:20 | |
Nigel, my dummy, is very precious to me. | 0:38:21 | 0:38:24 | |
I don't want to disturb his sleep. | 0:38:24 | 0:38:27 | |
He's in there. | 0:38:27 | 0:38:28 | |
Can I walk on this stuff now? | 0:38:31 | 0:38:33 | |
Am I all right to walk it further in or will I be killed? | 0:38:33 | 0:38:36 | |
It's all yours. Go ahead and walk her in. Take a risk. | 0:38:36 | 0:38:38 | |
I've now come round to the side of the house, into the garage. | 0:38:47 | 0:38:50 | |
I'm going find the strength inside myself | 0:38:50 | 0:38:53 | |
to use this track hoe to smash the roof in | 0:38:53 | 0:38:56 | |
and then push the walls in. | 0:38:56 | 0:38:57 | |
Oh, boom! | 0:39:02 | 0:39:04 | |
Boom! | 0:39:04 | 0:39:05 | |
-Hello? Come in. -HE LAUGHS | 0:39:05 | 0:39:08 | |
Bang! | 0:39:08 | 0:39:09 | |
This is the most destructive thing, obviously, that I have ever done. | 0:39:09 | 0:39:15 | |
Honey, I'm home. Here I am. Yeah. | 0:39:15 | 0:39:18 | |
I'll be in the garage, that's where I am. | 0:39:18 | 0:39:20 | |
Oh, that's going to need a new garage door. | 0:39:23 | 0:39:25 | |
The good thing about this is I'm nowhere near Nigel. | 0:39:25 | 0:39:28 | |
I know I'm safe. | 0:39:28 | 0:39:29 | |
Boom! | 0:39:29 | 0:39:30 | |
Oh, that was a good one. Now I'm going to do it again. | 0:39:30 | 0:39:34 | |
Now that did... that really went. | 0:39:34 | 0:39:36 | |
Tell you what... | 0:39:39 | 0:39:40 | |
after a big party, this thing would be really useful. | 0:39:40 | 0:39:43 | |
One of those teenage ones when you're a kid | 0:39:43 | 0:39:46 | |
that got a bit out of hand. | 0:39:46 | 0:39:47 | |
Before your mum and dad came back, have a sort out with this and... | 0:39:47 | 0:39:51 | |
Boom! | 0:39:51 | 0:39:52 | |
..and bang. | 0:39:54 | 0:39:56 | |
Yeah. Oh, that's effective. | 0:39:56 | 0:39:58 | |
You have to understand, for a small guy, this is amazing. | 0:39:58 | 0:40:02 | |
I'm a giant! See, I am mighty. | 0:40:02 | 0:40:05 | |
I've never been mighty before, and now I am. | 0:40:05 | 0:40:08 | |
Now it's, pardon the pun, crunch time. | 0:40:11 | 0:40:14 | |
The only parts of the house that still remain | 0:40:14 | 0:40:16 | |
are directly attached to Nigel's room. | 0:40:16 | 0:40:19 | |
I have to surgically remove those bits | 0:40:19 | 0:40:21 | |
without disturbing either the roof of Nigel's room or its walls, | 0:40:21 | 0:40:25 | |
and I have to use a 30-ton track hoe to do it. | 0:40:25 | 0:40:29 | |
'Danny, I'm getting very close to the bit of roof' | 0:40:29 | 0:40:32 | |
that has Nigel under it. | 0:40:32 | 0:40:33 | |
How do I not smash that bit of roof off | 0:40:33 | 0:40:36 | |
when I'm punching this roof in? | 0:40:36 | 0:40:37 | |
Just keep poking through like you're doing | 0:40:37 | 0:40:39 | |
'on the opposite side of that header beam.' | 0:40:39 | 0:40:42 | |
Once you try and get out and poke a hole through it, | 0:40:42 | 0:40:44 | |
and weaken it up, then just bring down that header beam, | 0:40:44 | 0:40:47 | |
it should keep it away... | 0:40:47 | 0:40:48 | |
should be able to keep your roof intact over Nigel. | 0:40:48 | 0:40:52 | |
Yeah, it's about to be spoiled. | 0:40:53 | 0:40:55 | |
Oh, yeah. | 0:40:55 | 0:40:57 | |
Yeah, there it is. | 0:40:58 | 0:40:59 | |
Just swinging along, punching holes in the roof | 0:41:00 | 0:41:03 | |
either side of that big central beam. | 0:41:03 | 0:41:06 | |
Now just push her straight down. Let them go straight down. | 0:41:10 | 0:41:13 | |
OK. I'm getting very close to Nigel now. | 0:41:16 | 0:41:18 | |
I'm going to be very delicate and grab this lot and the remainder | 0:41:18 | 0:41:21 | |
of that beam, see if I can't lift it off the roof without waking him. | 0:41:21 | 0:41:24 | |
So. | 0:41:26 | 0:41:27 | |
Ah. | 0:41:41 | 0:41:42 | |
Yes! | 0:41:42 | 0:41:44 | |
Yes! | 0:41:44 | 0:41:46 | |
The other side of Nigel's wall is intact. | 0:41:47 | 0:41:49 | |
Oh, there's a hole in it, but it'll be all right. He's asleep deeply. | 0:41:49 | 0:41:53 | |
Good job. Good job, Richard. | 0:41:53 | 0:41:55 | |
He's going to be so amazed when he wakes up and the house is gone. | 0:41:55 | 0:41:58 | |
All right, Richard. We got two walls left. | 0:41:58 | 0:42:00 | |
Don't disturb Nigel. | 0:42:00 | 0:42:02 | |
Yeah. I'm going to be super careful. | 0:42:02 | 0:42:04 | |
I'm creeping in now. | 0:42:04 | 0:42:05 | |
This next bit is going to be especially tricky. | 0:42:06 | 0:42:09 | |
I have to take down a huge brick fireplace next to Nigel's wall. | 0:42:09 | 0:42:13 | |
If it falls in the wrong direction, | 0:42:13 | 0:42:16 | |
Nigel is going to be buried in rubble. | 0:42:16 | 0:42:19 | |
Hey, Danny, what I've got in front of me now | 0:42:20 | 0:42:22 | |
appears to be a big brick chimney. | 0:42:22 | 0:42:24 | |
Leave your bucket...leave your thumb folded back towards the stick. | 0:42:24 | 0:42:27 | |
Lift up, put the bucket over the top of that chimney. | 0:42:27 | 0:42:31 | |
Set her down on top of it and retract her backwards. | 0:42:31 | 0:42:34 | |
Bring her to you. | 0:42:34 | 0:42:35 | |
Come on. There you go. | 0:42:35 | 0:42:36 | |
All right. | 0:42:36 | 0:42:38 | |
What I'm hoping to do is pull the chimney...oh, God, I'm going. | 0:42:38 | 0:42:40 | |
Back her fast... back her up quick. | 0:42:42 | 0:42:45 | |
Back her up quick. | 0:42:45 | 0:42:46 | |
That's what I was talking about. Good job. | 0:42:47 | 0:42:49 | |
'All right. This is it. | 0:42:51 | 0:42:53 | |
'I'm down to my last two walls. | 0:42:53 | 0:42:54 | |
'I'm just hoping that these walls aren't what's keeping up | 0:42:54 | 0:42:59 | |
'the walls of Nigel's room.' | 0:42:59 | 0:43:01 | |
You're almost there. | 0:43:10 | 0:43:11 | |
You're almost there. Good job. | 0:43:11 | 0:43:13 | |
All right. You're almost there. | 0:43:13 | 0:43:16 | |
All the skill I've learnt... | 0:43:17 | 0:43:19 | |
..all that talk of finesse. | 0:43:20 | 0:43:22 | |
There's going to be some finesse. | 0:43:23 | 0:43:25 | |
Oh! Look at that pirouette! | 0:43:25 | 0:43:27 | |
There you go. Last one. | 0:43:32 | 0:43:34 | |
Last one. | 0:43:34 | 0:43:36 | |
Bring her in. Bring her in. | 0:43:36 | 0:43:39 | |
Can you move back a little bit? | 0:43:41 | 0:43:42 | |
I make that done. Is it done? Is it done? | 0:43:44 | 0:43:46 | |
In demo world, that is done. | 0:43:48 | 0:43:50 | |
Good. That's good. The house is down, | 0:43:50 | 0:43:52 | |
but I've got to know... how's Nigel? | 0:43:52 | 0:43:53 | |
We've got to go and have a look, yeah? | 0:43:53 | 0:43:55 | |
That was incredible. | 0:43:55 | 0:44:00 | |
I can't tell you. | 0:44:00 | 0:44:01 | |
That was just the most amazing thing. | 0:44:01 | 0:44:04 | |
All I did was knock down a house. | 0:44:04 | 0:44:05 | |
Well, all I did. But the point is I'm walking around it now and well, | 0:44:05 | 0:44:09 | |
-there was a house there. -Was. | 0:44:09 | 0:44:10 | |
And it's gone. Oh, and there is a bit of a mess. | 0:44:10 | 0:44:12 | |
-I did that. -You made the mess. | 0:44:12 | 0:44:14 | |
-Yeah. But there was a house there. -Yeah. | 0:44:14 | 0:44:16 | |
And me and that machine... poof, gone. | 0:44:16 | 0:44:17 | |
Had to go. | 0:44:17 | 0:44:19 | |
It just felt... | 0:44:19 | 0:44:20 | |
mighty. | 0:44:20 | 0:44:22 | |
So, Nigel was asleep in his bed, in this bedroom here. | 0:44:22 | 0:44:26 | |
Oh, come on. Look! Ha! | 0:44:27 | 0:44:30 | |
Do you see? | 0:44:30 | 0:44:32 | |
-Come on. The ceiling's there. -He's still asleep? | 0:44:33 | 0:44:36 | |
Don't wake him. Honestly. | 0:44:36 | 0:44:37 | |
-He's still intact. -You'd have been fine. -Yup. | 0:44:37 | 0:44:40 | |
-Could have stayed in there yourself. -Yeah. Could have. | 0:44:40 | 0:44:42 | |
-I did it. -You did it. Congratulations. | 0:44:42 | 0:44:44 | |
-Yes, I did. I got to... -You did a great job. | 0:44:44 | 0:44:46 | |
It has been...it has been an amazing few days, | 0:44:46 | 0:44:49 | |
and I have to say as well that at the very beginning, | 0:44:49 | 0:44:52 | |
when I met you and Richie, I just thought, | 0:44:52 | 0:44:54 | |
"Those guys are a bit odd with their passion for wrecking." | 0:44:54 | 0:44:57 | |
-Yeah. -Now I've done it. -Yeah. | 0:44:57 | 0:45:00 | |
And I totally, totally get it. | 0:45:00 | 0:45:02 | |
Yeah. | 0:45:02 | 0:45:04 | |
-You're doing a puzzle in reverse. -In reverse. | 0:45:04 | 0:45:06 | |
Looking at something, thinking, "Just how is that put together? | 0:45:06 | 0:45:08 | |
"How can I take it apart?" | 0:45:08 | 0:45:10 | |
And I guess how you take it apart can be just as important | 0:45:10 | 0:45:12 | |
-as how it's assembled in the first place -Exactly. | 0:45:12 | 0:45:15 | |
It has been a real eye-opener. I've learned a lot. | 0:45:15 | 0:45:17 | |
And I knocked a house down and I didn't wake Nigel. | 0:45:17 | 0:45:19 | |
Greg. | 0:45:22 | 0:45:23 | |
House is gone. | 0:45:23 | 0:45:25 | |
It's not there and Nigel is fine. | 0:45:25 | 0:45:28 | |
Brilliant. Brilliant job. You did an outstanding job. | 0:45:28 | 0:45:31 | |
It's going to be pretty easy to take from here. | 0:45:31 | 0:45:33 | |
-Yeah. It's not bad. So that's praise from my boss. -Yeah. | 0:45:33 | 0:45:36 | |
Can I just say, you've got the best job in the world. | 0:45:36 | 0:45:38 | |
-It's astonishing. -Yeah. | 0:45:38 | 0:45:40 | |
I get to destroy things for a living and get paid for it. | 0:45:40 | 0:45:43 | |
And that was tremendous. I thank you very much for my lesson. | 0:45:43 | 0:45:45 | |
-Thank you. Congratulations. -I did that. | 0:45:45 | 0:45:47 | |
Subtitles by Red Bee Media Ltd | 0:45:47 | 0:45:49 |