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Hi, I'm George Lewis. Welcome to Extra Gear. | 0:00:02 | 0:00:04 | |
What a great show we have in store for you tonight. | 0:00:04 | 0:00:06 | |
We show you how to keep up with a DB11 | 0:00:06 | 0:00:08 | |
screaming down the Dunsfold runway. | 0:00:08 | 0:00:10 | |
We find out where Rory's love of the hatchback started. | 0:00:12 | 0:00:14 | |
My first-ever car was in 1978 Fiesta. | 0:00:14 | 0:00:18 | |
Sabine drops by to tell us how much she enjoyed | 0:00:18 | 0:00:21 | |
scaring the crap out of Rory on the Green Hill. | 0:00:21 | 0:00:24 | |
So much power. | 0:00:24 | 0:00:26 | |
And Chris takes the driver's seat in our reasonably fast car | 0:00:26 | 0:00:30 | |
and shows us what it can really do. | 0:00:30 | 0:00:32 | |
That's right, this is Extra Gear. | 0:00:32 | 0:00:35 | |
CHEERING AND APPLAUSE | 0:00:35 | 0:00:37 | |
So, tonight may have featured secret agent Le Bond | 0:00:58 | 0:01:02 | |
and the terrifyingly badly dressed Doctor No Hair, | 0:01:02 | 0:01:05 | |
but the real star of the show was the DB11. | 0:01:05 | 0:01:08 | |
With a top speed of 200mph, | 0:01:08 | 0:01:10 | |
it's definitely more than just a pretty face. | 0:01:10 | 0:01:13 | |
And it is a very pretty face. | 0:01:13 | 0:01:15 | |
But when a car is travelling that fast, how do you film it? | 0:01:15 | 0:01:19 | |
Hello, I'm Alex Renton, series editor of Top Gear. | 0:01:26 | 0:01:30 | |
We've got our first day of the new series down at Dunsfold. | 0:01:30 | 0:01:34 | |
It's good to be home. | 0:01:34 | 0:01:36 | |
We're testing the Aston Martin DB11 with Matt LeBlanc. | 0:01:36 | 0:01:40 | |
So, everyone's back, everyone's raring to go. | 0:01:40 | 0:01:43 | |
The idea of the kit we've got here | 0:01:51 | 0:01:53 | |
is just to track the fast DB11 | 0:01:53 | 0:01:56 | |
and try to get some very fast tracking shots. | 0:01:56 | 0:01:58 | |
Normally, we have a cameraman | 0:01:58 | 0:02:00 | |
in the back of the car, and when he's in the back of the car, | 0:02:00 | 0:02:03 | |
we can only go quite slow speeds. | 0:02:03 | 0:02:06 | |
And it doesn't show fast cars at their best. | 0:02:06 | 0:02:09 | |
So, today we've got ourselves a nice fast car, this R8, | 0:02:10 | 0:02:13 | |
and we've got a pan-and-tilt head with zoom capabilities | 0:02:13 | 0:02:16 | |
on the front edge of this | 0:02:16 | 0:02:18 | |
and a low-level to try and accentuate the speed. | 0:02:18 | 0:02:21 | |
So, by using this rig, | 0:02:21 | 0:02:23 | |
we can pan, tilt, zoom and focus as we're travelling. | 0:02:23 | 0:02:26 | |
So the two cars can jockey for position | 0:02:26 | 0:02:29 | |
and capture some very interesting high-speed shots. | 0:02:29 | 0:02:32 | |
We got covered in a lot of rubber then. | 0:03:17 | 0:03:19 | |
-Yeah, it was good fun, that. -Yeah. | 0:03:20 | 0:03:23 | |
Cameras, cut. | 0:03:23 | 0:03:24 | |
Now, let's bring on two men | 0:03:25 | 0:03:27 | |
that are all too familiar with filming fast cars. | 0:03:27 | 0:03:30 | |
It's Chris and Rory. | 0:03:30 | 0:03:31 | |
CHEERING AND APPLAUSE | 0:03:31 | 0:03:34 | |
I loved that film because you watch this amazing driving footage, | 0:03:40 | 0:03:45 | |
but you don't really think about it, but obviously there's | 0:03:45 | 0:03:47 | |
going to be another car that's got to go equally as fast to film it. | 0:03:47 | 0:03:52 | |
-How clever you are. -Yes! I worked it out. | 0:03:52 | 0:03:54 | |
But, the DB11, they used an R8. | 0:03:54 | 0:03:58 | |
Why's that the car of choice, Chris? | 0:03:58 | 0:04:00 | |
I think it's a very clever car because it's four-wheel drive. | 0:04:00 | 0:04:03 | |
The Aston is two-wheel drive, so it's got a traction advantage, | 0:04:03 | 0:04:06 | |
which means, when you're following close, | 0:04:06 | 0:04:08 | |
you really need a faster car than the car you're following. | 0:04:08 | 0:04:11 | |
Which is a big ask when you've got a 600 horsepower Aston Martin. | 0:04:11 | 0:04:14 | |
So the car's got the performance, it's got the traction, | 0:04:14 | 0:04:17 | |
its handling is fantastic, we know that. | 0:04:17 | 0:04:19 | |
But of course the whole thing's pointless | 0:04:19 | 0:04:21 | |
-unless you've got a great crew working with the car. -Yes. | 0:04:21 | 0:04:24 | |
Yeah, you must have a specialist crew because there's so many things | 0:04:24 | 0:04:28 | |
they've got to handle really delicately | 0:04:28 | 0:04:30 | |
cos there's the speed, the distance, the presenters. | 0:04:30 | 0:04:32 | |
Yeah, absolutely. We saw in the video | 0:04:32 | 0:04:34 | |
that one of our mini-cam specialists, | 0:04:34 | 0:04:36 | |
he has to spend so much time making sure | 0:04:36 | 0:04:38 | |
everything is perfectly secured to the car, | 0:04:38 | 0:04:40 | |
cos if you're going 180mph and something flies off, | 0:04:40 | 0:04:43 | |
A, the camera is broken, | 0:04:43 | 0:04:45 | |
and B, that turns into a high-speed projectile. | 0:04:45 | 0:04:47 | |
You've got to factor in things like | 0:04:47 | 0:04:50 | |
when they rig is on the front of the car, | 0:04:50 | 0:04:52 | |
it becomes a longer car or a wider car, | 0:04:52 | 0:04:55 | |
depending on how you mount it. | 0:04:55 | 0:04:56 | |
Also, the aerodynamics of the car change as well. | 0:04:56 | 0:04:59 | |
So if you're doing 180mph, you've got to factor in | 0:04:59 | 0:05:02 | |
the difference in handling that that kit provides to the car. | 0:05:02 | 0:05:06 | |
So they're tuned into it, they're dialled into it, | 0:05:06 | 0:05:08 | |
they understand how the car is going to react. | 0:05:08 | 0:05:10 | |
They understand how the star car driver is going to react | 0:05:10 | 0:05:13 | |
-in every given situation. -When you get it right, it's a great feeling. | 0:05:13 | 0:05:16 | |
Because it is quite high-risk stuff. And it's not CGI. | 0:05:16 | 0:05:19 | |
When you watch the current films with computer generated stuff, | 0:05:19 | 0:05:22 | |
I love the fact we go out there and do it properly and it looks better. | 0:05:22 | 0:05:25 | |
Those shots, close cropped onto that Aston wheel, how good do they look? | 0:05:25 | 0:05:28 | |
That's real. | 0:05:28 | 0:05:29 | |
Bits of tyre flying off, that's really visceral, exciting stuff. | 0:05:29 | 0:05:33 | |
The Aston looked amazing, and this is an important car. | 0:05:33 | 0:05:36 | |
Aston Martin say that this is the most important car | 0:05:36 | 0:05:39 | |
in their 100-year history. | 0:05:39 | 0:05:41 | |
Do you agree with that? | 0:05:41 | 0:05:42 | |
I think car companies always say that. Don't they always say that? | 0:05:42 | 0:05:47 | |
The turbo engine, that's a big move. Are you for it? | 0:05:47 | 0:05:51 | |
I think, for this application, this is a fast GT car, | 0:05:51 | 0:05:53 | |
it's not an out-and-out sports car. | 0:05:53 | 0:05:55 | |
So it's more of a cruiser than it is a kind of scalpel. | 0:05:55 | 0:05:58 | |
So I think, for this, it works. | 0:05:58 | 0:06:00 | |
It's got good torque, works well with the transmission, so I'm a fan. | 0:06:00 | 0:06:03 | |
But we know it's only going one way, and it's turbo-charging all the way, | 0:06:03 | 0:06:06 | |
which ultimately I think is a shame. But in this application, it works. | 0:06:06 | 0:06:10 | |
-Story? -It's not a shame at all. | 0:06:10 | 0:06:13 | |
Turbo-charging brings benefits. | 0:06:13 | 0:06:15 | |
-There's no drawback to turbo-charging. -We're talking about engines, not your hairdryer. | 0:06:15 | 0:06:19 | |
Turbo-charging only brings benefits, there's no drawbacks whatsoever. | 0:06:19 | 0:06:22 | |
You start with a massive V12 engine, | 0:06:22 | 0:06:24 | |
you add a couple of turbochargers to it, and suddenly, more power. | 0:06:24 | 0:06:28 | |
Also you get the benefit of increased efficiency, | 0:06:28 | 0:06:30 | |
so the car uses less petrol. | 0:06:30 | 0:06:32 | |
Have you ever driven a naturally aspirated Aston? | 0:06:32 | 0:06:35 | |
You watch the petrol needle and it just drops | 0:06:35 | 0:06:37 | |
with every application of your right foot. | 0:06:37 | 0:06:39 | |
Whereas with this thing... | 0:06:39 | 0:06:40 | |
It drops with every application of your right foot. | 0:06:40 | 0:06:43 | |
But slightly, slightly slower than it would normally. | 0:06:43 | 0:06:46 | |
I'm going to ask you about a phrase you just said then. | 0:06:46 | 0:06:48 | |
There are no downsides to turbo-charging. | 0:06:48 | 0:06:50 | |
-Not if it's done right. -Anyone here disagree with Rory Reid? | 0:06:50 | 0:06:53 | |
-Turbo lag. -Yes, you see? Turbo lag. | 0:06:53 | 0:06:56 | |
Two turbos, one going off early, one going off late, | 0:06:56 | 0:06:59 | |
-no turbo lag. -Going off? -Fact. | 0:06:59 | 0:07:02 | |
It's the technical...description. Firing. | 0:07:02 | 0:07:05 | |
Is that what they say? | 0:07:05 | 0:07:07 | |
We saw you driving a Mercedes S63. | 0:07:07 | 0:07:10 | |
And can I just say, by the way, | 0:07:10 | 0:07:12 | |
what an amazing performance from Chris as the evil villain. | 0:07:12 | 0:07:16 | |
It was the role he was born to play. | 0:07:17 | 0:07:20 | |
Absolutely haunting. Oh, there it is. | 0:07:20 | 0:07:23 | |
So, they hijacked me three hours before we went to shoot that. | 0:07:23 | 0:07:26 | |
They said this is what you're wearing. I mean, look at it! | 0:07:26 | 0:07:28 | |
It was made of material that was one worse than polyester. | 0:07:28 | 0:07:31 | |
It would just remove skin from your neck. | 0:07:31 | 0:07:34 | |
-The car, that Mercedes, is just fantastic. -Yeah. | 0:07:34 | 0:07:38 | |
But what it doesn't do, the only thing it doesn't do, | 0:07:38 | 0:07:41 | |
is it doesn't pander to the vanity of the marketplace. | 0:07:41 | 0:07:45 | |
Because it doesn't have a badge, and actually, | 0:07:45 | 0:07:47 | |
to the untrained eye, it looks like a C Class Coupe, doesn't it? | 0:07:47 | 0:07:50 | |
Well, I think that's the problem. | 0:07:50 | 0:07:51 | |
If you buy a car with 550-plus horsepower, | 0:07:51 | 0:07:54 | |
you want people to know about it. Right? | 0:07:54 | 0:07:56 | |
I love the idea of just smoking along and no-one really knowing | 0:07:56 | 0:08:00 | |
until they see it go boom past them. | 0:08:00 | 0:08:02 | |
There's one thing you haven't mentioned, | 0:08:02 | 0:08:04 | |
which is the headlights, the Swarovski crystals. | 0:08:04 | 0:08:07 | |
Did you ever find out what they were for? | 0:08:07 | 0:08:09 | |
No. Absolutely no idea. | 0:08:09 | 0:08:12 | |
-I did. -Can you enlighten me? -Yes. -Go on. | 0:08:12 | 0:08:15 | |
According to Mercedes, it's to provide striking visual highlights | 0:08:15 | 0:08:20 | |
and emphasise the unique nature of the vehicle. | 0:08:20 | 0:08:23 | |
-What? So they do nothing. -Obviously. -They do nothing. | 0:08:23 | 0:08:27 | |
Chris, I think you've got a little treat for us, haven't you? | 0:08:27 | 0:08:31 | |
I do indeed, George. | 0:08:31 | 0:08:32 | |
So far in this series, you've seen eight celebrities | 0:08:32 | 0:08:35 | |
get behind the wheel of our reasonably fast car. | 0:08:35 | 0:08:37 | |
Even with the traction control on, | 0:08:37 | 0:08:39 | |
the GT86 is a twitchy little number. | 0:08:39 | 0:08:42 | |
This week, it's my turn to get behind the wheel. | 0:08:42 | 0:08:44 | |
But this time with the traction control turned off. | 0:08:44 | 0:08:47 | |
This thing's only got 200 horsepower, weighs 1,250 kilograms, | 0:08:51 | 0:08:55 | |
so the numbers aren't massive. | 0:08:55 | 0:08:56 | |
But the rear tyres are straight off a Prius. | 0:08:56 | 0:08:59 | |
So it's got very little grip. | 0:08:59 | 0:09:00 | |
It's been designed to be a bit unruly, | 0:09:00 | 0:09:02 | |
that's why it's the perfect car for our celebs. | 0:09:02 | 0:09:05 | |
So if I turn in here now, I'm already... | 0:09:05 | 0:09:08 | |
look, we're sliding already. | 0:09:08 | 0:09:10 | |
God, that's a nice feeling! | 0:09:10 | 0:09:12 | |
But I have to say, it's a real challenge | 0:09:12 | 0:09:14 | |
because you have to balance the throttle quite accurately. | 0:09:14 | 0:09:18 | |
I think it's a wonderful car. | 0:09:18 | 0:09:19 | |
Because you can get on the gas early like that | 0:09:19 | 0:09:22 | |
and then just ride it all the way out. | 0:09:22 | 0:09:24 | |
But they use the traction control quite heavily there. | 0:09:25 | 0:09:29 | |
In fact, being honest, | 0:09:29 | 0:09:30 | |
they use the traction control everywhere cos they're leadfoots. | 0:09:30 | 0:09:34 | |
All of them are quite fearless. Look at the Hammerhead now, here we go. | 0:09:34 | 0:09:38 | |
If I gas it here, already we're fully, fully... | 0:09:38 | 0:09:41 | |
TYRE SCREECH DROWNS SPEECH | 0:09:41 | 0:09:43 | |
Much, much more difficult than a cee-d or something like that. | 0:09:43 | 0:09:46 | |
Yeah, James McAvoy was quite lairy through there. | 0:09:46 | 0:09:50 | |
And through this right-hander, he was, I have to say, quite fearless. | 0:09:50 | 0:09:54 | |
Oh-ho-ho! | 0:09:54 | 0:09:55 | |
95mph drift. Probably a bit much for our guests. | 0:09:55 | 0:09:59 | |
The follow-through, even safe, pretty much flat out. | 0:10:00 | 0:10:03 | |
Let the car right out to the outside | 0:10:03 | 0:10:06 | |
and then just trail-brake it in. | 0:10:06 | 0:10:08 | |
David Tennant nearly... | 0:10:08 | 0:10:10 | |
He was a worried boy. | 0:10:10 | 0:10:13 | |
But then you hit this really slippery tarmac | 0:10:13 | 0:10:15 | |
on that last corner, Gambon. | 0:10:15 | 0:10:17 | |
Gambon. | 0:10:17 | 0:10:19 | |
Oh, that was quite lairy! | 0:10:19 | 0:10:21 | |
-Scary? -Now, on account of me liking living, | 0:10:24 | 0:10:26 | |
-traction control will stay on for all the guests from now on. -Yes. | 0:10:26 | 0:10:30 | |
Now, Rory, when people see you and I together, they think, | 0:10:30 | 0:10:33 | |
these guys have probably got nothing in common. | 0:10:33 | 0:10:36 | |
One's cool, stylish, great at driving. | 0:10:36 | 0:10:39 | |
And the other is Rory Reid. | 0:10:39 | 0:10:40 | |
LAUGHTER | 0:10:40 | 0:10:42 | |
As it turns out, we're not that different. | 0:10:42 | 0:10:44 | |
This is the Ford Fiesta ST200. | 0:10:47 | 0:10:50 | |
It will do 142mph, | 0:10:50 | 0:10:52 | |
0 to 60 in 6.7 seconds, | 0:10:52 | 0:10:55 | |
and that makes it the fastest Fiesta ever made. | 0:10:55 | 0:10:59 | |
Look, it's no secret that I'm partial to a hot hatch. | 0:11:06 | 0:11:09 | |
Come on! | 0:11:12 | 0:11:14 | |
But there's a special place in my heart for the Ford Fiesta. | 0:11:14 | 0:11:18 | |
My first-ever car was a 1978 Fiesta. | 0:11:18 | 0:11:22 | |
'Introducing Fiesta. Now imported from Germany by Ford.' | 0:11:22 | 0:11:27 | |
It was the mid-'90s and it was a crucial time for the hatchback. | 0:11:27 | 0:11:31 | |
Back then, these cars didn't roll off the production line | 0:11:31 | 0:11:34 | |
with 17-inch alloys, Recaro seats and mad body kits, | 0:11:34 | 0:11:38 | |
they were affordable and begging to be tweaked. | 0:11:38 | 0:11:42 | |
Back then was the dawn of the modified car scene. | 0:11:42 | 0:11:45 | |
And I was hooked. | 0:11:45 | 0:11:47 | |
I started going to cruises, | 0:11:54 | 0:11:56 | |
which were clandestine gatherings in empty lots or car parks | 0:11:56 | 0:12:00 | |
where people would gather to show off their modified cars. | 0:12:00 | 0:12:04 | |
And this wasn't just in South London, | 0:12:07 | 0:12:09 | |
it was happening all over the country, | 0:12:09 | 0:12:11 | |
including in Stockport, where a young George Lewis | 0:12:11 | 0:12:15 | |
was pottering around in his own majestic Fiesta. | 0:12:15 | 0:12:19 | |
I certainly was, Rory. | 0:12:19 | 0:12:21 | |
-Hello. -Hiya, mate. | 0:12:21 | 0:12:23 | |
So what made yours so special? | 0:12:23 | 0:12:25 | |
Mine was a '95 Fiesta, third generation, | 0:12:25 | 0:12:29 | |
and I got it for 100 quid off my mate Dougie. | 0:12:29 | 0:12:32 | |
But then I had to spend the money on the mods as well, | 0:12:32 | 0:12:35 | |
-so that was another 50 quid. -OK. 50 quid's worth of mods? | 0:12:35 | 0:12:39 | |
-Oh, yes. -So you had some special stuff on there then, clearly. | 0:12:39 | 0:12:43 | |
Er, yeah, I had stick-on vents on the bonnet. | 0:12:43 | 0:12:46 | |
I also had a flashing blue gear stick. | 0:12:46 | 0:12:49 | |
-So, just stuff that would make me go faster, really. -Right. | 0:12:49 | 0:12:52 | |
I've never, ever heard of a flashing gear stick | 0:12:52 | 0:12:54 | |
-helping anyone change gear faster. -I thought you were into cars, mate. | 0:12:54 | 0:12:56 | |
Well, clearly you know more than I do. | 0:12:56 | 0:12:59 | |
Did you find yourself going to cruises? | 0:12:59 | 0:13:02 | |
I went to cruises, but I found them pretty scary places. | 0:13:02 | 0:13:06 | |
You know, you turn up and there'd be an air of menace. | 0:13:06 | 0:13:09 | |
I'd always be worried the police were going to turn up | 0:13:09 | 0:13:12 | |
and for some reason they'd arrest me. | 0:13:12 | 0:13:15 | |
THEY LAUGH | 0:13:15 | 0:13:16 | |
The guy with the flashing blue knob, he's gone too far. | 0:13:16 | 0:13:19 | |
Nowadays, kids have it so easy. | 0:13:19 | 0:13:21 | |
You can kind of perv on your favourite car using the internet. | 0:13:21 | 0:13:25 | |
-Right, yeah. -But that then, to find a car you really lusted after, | 0:13:25 | 0:13:28 | |
-you'd have to go and see it. -Yes. | 0:13:28 | 0:13:30 | |
-But are there still cruises then, do they still exist? -I think they do. | 0:13:30 | 0:13:34 | |
I think they're out there, | 0:13:34 | 0:13:35 | |
you just have to look really hard to find them. | 0:13:35 | 0:13:38 | |
-I know a guy who used to write for Max Power magazine. -Oh, yeah. | 0:13:38 | 0:13:41 | |
His name's Dan and he said that there was | 0:13:41 | 0:13:44 | |
a semblance of a cruise happening not too far from here, actually. | 0:13:44 | 0:13:48 | |
-So, if you want to go and check one out? -Yeah. -We can. -OK. | 0:13:48 | 0:13:51 | |
-I'm up for it. -Cool, let's go and check one out. | 0:13:51 | 0:13:54 | |
We're off to the Ace Cafe, which at the height of the cruise scene, | 0:13:55 | 0:13:59 | |
was the ultimate hang-out for car enthusiasts and boy racers. | 0:13:59 | 0:14:03 | |
I wonder what it's like today. | 0:14:05 | 0:14:06 | |
-Here we are. -Yep. -Where are all the Novas? | 0:14:13 | 0:14:16 | |
Everything's a bit less bright blue than I remember. | 0:14:18 | 0:14:21 | |
-Right, Dan, we're looking for Dan. -Let's go and find him. | 0:14:21 | 0:14:24 | |
Dan Anslow is a former feature writer and photographer | 0:14:31 | 0:14:35 | |
for car mag Max Power. | 0:14:35 | 0:14:36 | |
In its heyday, it was the go-to resource | 0:14:36 | 0:14:39 | |
for performance tuning and modification. | 0:14:39 | 0:14:41 | |
Dan himself was a boy racer who got himself up to all kinds of mischief. | 0:14:41 | 0:14:46 | |
Today, he's a little different. | 0:14:46 | 0:14:47 | |
All right, chaps? | 0:14:47 | 0:14:49 | |
-Dan. -Rory. -Hello, fella. Long time, no see. -I know, mate, too long. | 0:14:49 | 0:14:53 | |
-This is George. -Hi, Dan, good to meet you. -Nice to meet you. All right? | 0:14:53 | 0:14:56 | |
What are you rolling in today? A little Nissan? | 0:14:56 | 0:14:58 | |
-Popped down in the R32 GTR. -Nice, nice. | 0:14:58 | 0:15:01 | |
It's my weapon of choice tonight. | 0:15:01 | 0:15:02 | |
You've got a classic blue on gold colour scheme going on. | 0:15:02 | 0:15:05 | |
Yeah, she's nice, she's pretty. | 0:15:05 | 0:15:06 | |
But she's not that wild, bit like tonight, really. | 0:15:06 | 0:15:08 | |
Speaking of which, it's been 20-odd years since the cruise scene | 0:15:08 | 0:15:13 | |
was at its peak, and this is what it's become. | 0:15:13 | 0:15:16 | |
Yeah, well, I guess last time I was at the Ace Cafe | 0:15:16 | 0:15:19 | |
having a full-on cruise was about ten years ago. | 0:15:19 | 0:15:22 | |
Thousands of people here, cars everywhere, | 0:15:22 | 0:15:24 | |
smoke from burn-outs, doughnuts, flames out of exhausts. | 0:15:24 | 0:15:28 | |
It was wild, yeah, it was totally wild, it was the Wild West, | 0:15:28 | 0:15:30 | |
-it really was. -It all seems a bit tamer now, doesn't it? | 0:15:30 | 0:15:33 | |
Yeah, it's quiet tonight, it's sanctioned, it's nicely organised. | 0:15:33 | 0:15:37 | |
I quite like this, that it's nice and welcoming now. | 0:15:37 | 0:15:39 | |
It's like a family day out, you know what I mean? | 0:15:39 | 0:15:42 | |
I think the guys have got a really good selection of cars out. | 0:15:42 | 0:15:44 | |
You've got some real enthusiasts. | 0:15:44 | 0:15:46 | |
I saw something quite nice as I drove in, | 0:15:46 | 0:15:48 | |
it was a Sierra RS Cosworth over there. | 0:15:48 | 0:15:50 | |
Yeah, nice, a classic cruise-mobile, that is, mate. | 0:15:50 | 0:15:53 | |
That was a unicorn for me. Shall we go and have a look? | 0:15:53 | 0:15:55 | |
-Yeah, let's go. -Let's do it, man. | 0:15:55 | 0:15:57 | |
Mick, Rory. Nice to meet you. | 0:16:05 | 0:16:07 | |
I remember back in the day rocking up to cruises in my Fiesta | 0:16:07 | 0:16:11 | |
or Astra and seeing these things, and these were the daddies, man. | 0:16:11 | 0:16:15 | |
Fair play. How long have you had this thing? | 0:16:15 | 0:16:17 | |
About seven years. Bought it off a friend. | 0:16:17 | 0:16:20 | |
Basically, he had five kids. | 0:16:20 | 0:16:22 | |
So it was time for the car to go. | 0:16:22 | 0:16:26 | |
What does he drive now? | 0:16:26 | 0:16:27 | |
A Land Rover. | 0:16:27 | 0:16:29 | |
It happens to us all, mate. | 0:16:31 | 0:16:33 | |
And do you think these things have changed quite a lot? | 0:16:33 | 0:16:35 | |
-Have cruises changed? -Definitely. | 0:16:35 | 0:16:37 | |
I used to come up especially. | 0:16:37 | 0:16:40 | |
People were going mad outside here with this many cars. | 0:16:40 | 0:16:43 | |
-There's not enough smoke, is there? -Well, this is it. | 0:16:43 | 0:16:46 | |
It's a slightly different affair today, | 0:16:48 | 0:16:50 | |
but it's nice to see the love of the mod hasn't changed. | 0:16:50 | 0:16:53 | |
Look, he's got the classic neons going on. | 0:16:53 | 0:16:56 | |
Yeah, this is what I remember, brightly coloured neon lights. | 0:16:56 | 0:17:00 | |
'It wouldn't be a cruise | 0:17:00 | 0:17:01 | |
'without a ridiculously over-the-top sound system. | 0:17:01 | 0:17:05 | |
'Now, this takes me back.' | 0:17:05 | 0:17:06 | |
-You've got one or two speakers in it now, I see. -I have 68. -68? -Yeah. | 0:17:06 | 0:17:11 | |
-I love the way you snuck in speakers in the footwell. -Yeah. | 0:17:11 | 0:17:14 | |
But there's literally nowhere in this car that hasn't got a speaker. | 0:17:14 | 0:17:18 | |
It looks the part, can we hear it? | 0:17:18 | 0:17:20 | |
-Of course, no problem. -All right, fire it up. -OK. | 0:17:20 | 0:17:23 | |
MUSIC BLARES | 0:17:23 | 0:17:26 | |
Yeah, quite loud, isn't it? | 0:17:29 | 0:17:31 | |
BASS THUMPS | 0:17:31 | 0:17:34 | |
We never got stuff like this back in the day, did we? | 0:17:35 | 0:17:38 | |
-No way, look at this thing. -Looks like it probably cost more than Fiesta. | 0:17:38 | 0:17:41 | |
Back in the day, I had a Vauxhall Nova, an old 1.2 P reg Nova, | 0:17:43 | 0:17:48 | |
and back then it was very different because you'd actually | 0:17:48 | 0:17:51 | |
have to work for it. You would modify things at home. | 0:17:51 | 0:17:53 | |
You'd get your friends to help you and it was a bit more communal, | 0:17:53 | 0:17:56 | |
whereas now people build stuff like this, | 0:17:56 | 0:17:59 | |
it's a completely different level. | 0:17:59 | 0:18:01 | |
Everything kind of rolls off the production line ready for you. | 0:18:01 | 0:18:05 | |
There's not much individuality any more. | 0:18:05 | 0:18:08 | |
It's a bit different now because manufacturers have changed things, | 0:18:08 | 0:18:11 | |
so everything's electronic, you can't necessarily put | 0:18:11 | 0:18:13 | |
a different engine from one car into another car. | 0:18:13 | 0:18:16 | |
It's very difficult to modify cars now. | 0:18:16 | 0:18:18 | |
I think a lot of people still want to do it, | 0:18:18 | 0:18:20 | |
but it's not organic like it used to be. | 0:18:20 | 0:18:22 | |
You know, it's not quite the same. | 0:18:22 | 0:18:24 | |
But I think the community is still the same. | 0:18:24 | 0:18:26 | |
Are cruises smaller now, just fewer people there? | 0:18:32 | 0:18:34 | |
Yeah, they're smaller, they're fragmented out. | 0:18:34 | 0:18:37 | |
You've got guys who love performance, | 0:18:37 | 0:18:39 | |
you got guys that love just styling only, | 0:18:39 | 0:18:41 | |
you've got guys who love Japanese cars, European cars, and I think | 0:18:41 | 0:18:44 | |
what they've done is more split out into their own little scenes. | 0:18:44 | 0:18:47 | |
They don't do anything crazy, but they just get together, | 0:18:47 | 0:18:49 | |
have a cup of tea and talk about their cars. | 0:18:49 | 0:18:51 | |
But there's none of the associated madness. | 0:18:51 | 0:18:53 | |
-It's a lot less dangerous now then. -Yeah, it's a lot less chance | 0:18:53 | 0:18:56 | |
of getting run over now than there was back in the day. | 0:18:56 | 0:19:00 | |
Do you know what this is missing, lads? | 0:19:01 | 0:19:03 | |
I reckon we should find an old car park and do handbrake turns. | 0:19:03 | 0:19:07 | |
-I'm well up for that. -Yeah? | 0:19:07 | 0:19:09 | |
Er, yeah, it's 9.30pm, though, we've got work in the morning, so... | 0:19:09 | 0:19:12 | |
Yeah, come on. | 0:19:12 | 0:19:14 | |
APPLAUSE | 0:19:14 | 0:19:18 | |
That was fun. | 0:19:18 | 0:19:20 | |
I mean, I wasn't worried about getting arrested this time | 0:19:20 | 0:19:23 | |
and we were back home in bed by 10pm. | 0:19:23 | 0:19:26 | |
Not together! | 0:19:26 | 0:19:28 | |
Yeah, yeah. | 0:19:28 | 0:19:29 | |
Chris, you are a more distinguished gentleman than me and Rory. | 0:19:29 | 0:19:34 | |
I mean you're a little bit older. | 0:19:34 | 0:19:36 | |
Were you ever into modding your cars, ever had a flaming exhaust? | 0:19:36 | 0:19:41 | |
Yeah, I think anyone who loves cars tweaks them and plays with them. | 0:19:41 | 0:19:45 | |
And when you start out, you have to. | 0:19:45 | 0:19:47 | |
So everything I owned for the first five or six years was, yeah, | 0:19:47 | 0:19:51 | |
played with and mostly ruined. | 0:19:51 | 0:19:53 | |
-What was your first car? -Mini. 998 Mini. Yeah, it had to be. | 0:19:53 | 0:19:55 | |
1.5in SU, Janspeed exhaust, took the interior out | 0:19:55 | 0:19:58 | |
and drove it like an absolute knob. | 0:19:58 | 0:20:01 | |
Yes. I expect no less. | 0:20:01 | 0:20:03 | |
It's been a good night for the hatchback. | 0:20:03 | 0:20:06 | |
Rory, we saw you in the GTI Club Sport S | 0:20:06 | 0:20:10 | |
-on the Nurburgring with Sabine. -Oh, yeah. | 0:20:10 | 0:20:13 | |
That's a worrying combination. | 0:20:13 | 0:20:16 | |
And you are a very brave man. | 0:20:16 | 0:20:18 | |
OK, OK. | 0:20:18 | 0:20:21 | |
OK, now I'm scared. | 0:20:21 | 0:20:23 | |
Aaaargh! | 0:20:23 | 0:20:26 | |
-Oh, my...! -Don't worry. | 0:20:26 | 0:20:28 | |
Aaargh! | 0:20:29 | 0:20:30 | |
OK... | 0:20:31 | 0:20:33 | |
I'm not OK. | 0:20:33 | 0:20:34 | |
APPLAUSE | 0:20:34 | 0:20:36 | |
I said "very brave". | 0:20:36 | 0:20:38 | |
-Bravish. -Yeah, yeah. | 0:20:38 | 0:20:40 | |
Well, now, let's bring out the woman | 0:20:40 | 0:20:43 | |
who is responsible for Rory's night terrors. | 0:20:43 | 0:20:45 | |
It's Sabine. | 0:20:45 | 0:20:46 | |
There, there. | 0:20:54 | 0:20:55 | |
Right, take a seat. | 0:20:55 | 0:20:58 | |
Sabine, that looked like it was a very fun day for you and Rory. | 0:20:59 | 0:21:02 | |
-Mainly you. -I enjoyed it quite much. I don't know. You? | 0:21:02 | 0:21:07 | |
I'm alive, so I enjoyed it. | 0:21:07 | 0:21:10 | |
-This was Rory's first time on the Ring. -Yeah, imagine. | 0:21:11 | 0:21:14 | |
How did it feel when he arrived? Did he looked nervous? | 0:21:14 | 0:21:18 | |
Not at all. I thought maybe he did some practice, | 0:21:18 | 0:21:21 | |
you know, on a computer game or whatever. | 0:21:21 | 0:21:24 | |
Literally, it was my first-ever time going around the Nurburgring | 0:21:25 | 0:21:29 | |
and then you get in the car with her, | 0:21:29 | 0:21:30 | |
-it's the most terrifying thing, I promise you. -He loved it. | 0:21:30 | 0:21:33 | |
Cos you're watching it as a driver in your own head thinking, | 0:21:33 | 0:21:36 | |
I should brake there, but she brakes 50 yards further down the road. | 0:21:36 | 0:21:39 | |
You think, you can't possibly accelerate round this bend, | 0:21:39 | 0:21:42 | |
but she's got her foot to the floor, she is the queen of the Nurburgring | 0:21:42 | 0:21:46 | |
and she is quite frankly one of the best drivers | 0:21:46 | 0:21:48 | |
I've sat next to a car, she's unbelievable. | 0:21:48 | 0:21:50 | |
You did have that nervous laugh - I'm about to die! | 0:21:50 | 0:21:53 | |
Listen, that's all genuine, I had actual nightmares after that. | 0:21:53 | 0:21:58 | |
You must have your own specific bits of the track | 0:21:58 | 0:22:01 | |
that are your favourites? | 0:22:01 | 0:22:03 | |
-Oh, I like the fast parts. -OK. | 0:22:03 | 0:22:06 | |
That's all of them. | 0:22:07 | 0:22:08 | |
Yeah! There are some tiny corners. | 0:22:08 | 0:22:12 | |
But I don't like the tiny ones, | 0:22:12 | 0:22:14 | |
I like to have a good settled car on that really high-speed area. | 0:22:14 | 0:22:18 | |
-With bumps and jumps and so on. -Yeah. | 0:22:18 | 0:22:21 | |
I have to say, dude, you're a very brave man | 0:22:21 | 0:22:24 | |
because if I had to write down on a piece of paper | 0:22:24 | 0:22:26 | |
the worst way to be introduced to that circuit, | 0:22:26 | 0:22:29 | |
it involved her, a quiet track, a hatchback that you know | 0:22:29 | 0:22:33 | |
she's going to get on top of in about two seconds flat | 0:22:33 | 0:22:36 | |
and drive really, really fast and have massive confidence in. | 0:22:36 | 0:22:39 | |
-Yeah, I feel for you. -I think we're making progress here. | 0:22:39 | 0:22:42 | |
Hug? Nah! | 0:22:42 | 0:22:43 | |
So, the Golf is obviously a hatchback, | 0:22:43 | 0:22:45 | |
but the Club Sport S is pretty much a sports car. | 0:22:45 | 0:22:48 | |
Interesting geek fact for you. | 0:22:48 | 0:22:50 | |
The guy that worked on the chassis and suspension for the 997 GT3 RS | 0:22:50 | 0:22:55 | |
left Porsche and went to Volkswagen. | 0:22:55 | 0:22:57 | |
And his next job was to do that car. | 0:22:57 | 0:23:00 | |
-So their DNA is linked, basically. -Oh, OK. | 0:23:00 | 0:23:02 | |
But this car has some serious engineering in it. | 0:23:02 | 0:23:05 | |
The only thing is, when you exit a corner, | 0:23:05 | 0:23:08 | |
the inside wheel is spinning a lot, | 0:23:08 | 0:23:11 | |
so you could really make a big improvement on the time | 0:23:11 | 0:23:14 | |
when this wouldn't happen. | 0:23:14 | 0:23:16 | |
-So you think that could be faster if they change a few things? -Yeah. | 0:23:16 | 0:23:19 | |
They have done some great work though. | 0:23:19 | 0:23:21 | |
It doesn't understeer at all. | 0:23:21 | 0:23:23 | |
You were throwing it into corners at stupid speeds. Just hanging on. | 0:23:23 | 0:23:27 | |
It's a work of art, that thing. | 0:23:27 | 0:23:28 | |
Well, that's all we have time for. | 0:23:28 | 0:23:30 | |
So, can we have a round of applause, please, for Sabine? | 0:23:30 | 0:23:33 | |
CHEERING AND APPLAUSE | 0:23:33 | 0:23:36 | |
Rory, what have we got coming up next week? | 0:23:39 | 0:23:41 | |
We'll get the inside track on the astonishing new Bugatti Chiron | 0:23:41 | 0:23:45 | |
and if you've ever wondered how to build a life-size arcade game, | 0:23:45 | 0:23:48 | |
make sure you tune in. | 0:23:48 | 0:23:50 | |
We'll see you next week for more Extra Gear. Goodnight. | 0:23:50 | 0:23:53 |