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Five billion kilometres of roads network the planet. | 0:00:01 | 0:00:04 | |
Everywhere, new routes are being forged | 0:00:06 | 0:00:09 | |
through increasingly difficult terrain. | 0:00:09 | 0:00:11 | |
Ooh! | 0:00:11 | 0:00:13 | |
Across arctic wilderness... | 0:00:13 | 0:00:14 | |
That was a game of chicken right there. | 0:00:14 | 0:00:17 | |
..over high mountain passes... | 0:00:17 | 0:00:19 | |
That's as big a drop as we've seen so far. | 0:00:19 | 0:00:22 | |
..and through dense jungles. | 0:00:22 | 0:00:24 | |
Good work, very good work. | 0:00:24 | 0:00:26 | |
These roads may be a testament to man's ingenuity, | 0:00:26 | 0:00:30 | |
but driving on them requires skill... | 0:00:30 | 0:00:32 | |
I'm going to get out the car. I can't bear it. | 0:00:32 | 0:00:34 | |
..stamina... | 0:00:34 | 0:00:36 | |
Andy! | 0:00:36 | 0:00:37 | |
..and a steady nerve. | 0:00:37 | 0:00:39 | |
This programme contains some strong language | 0:00:39 | 0:00:44 | |
Comedian and broadcaster Sue Perkins | 0:00:44 | 0:00:46 | |
is teaming up with the actress and presenter Liza Tarbuck | 0:00:46 | 0:00:50 | |
to take on the Ho Chi Minh Trail, | 0:00:50 | 0:00:52 | |
a road that became famous during the Vietnam War. | 0:00:52 | 0:00:54 | |
Jesus Christ! | 0:00:56 | 0:00:57 | |
Whoa! | 0:00:58 | 0:01:00 | |
Still littered with unexploded bombs, | 0:01:01 | 0:01:04 | |
they'll tackle the most remote and inaccessible parts of the trail. | 0:01:04 | 0:01:08 | |
I'm aware of UXB-ing, so, you know what I mean? Yep. | 0:01:08 | 0:01:12 | |
Round that way, darling. | 0:01:14 | 0:01:17 | |
The road will take them on rough jungle tracks... | 0:01:18 | 0:01:22 | |
A sign there said Death Falls this way. | 0:01:23 | 0:01:25 | |
..across raging rivers... You all right? Yup. | 0:01:25 | 0:01:28 | |
Just need to get right to the river. | 0:01:28 | 0:01:30 | |
..and through swampy, sticky mud. | 0:01:30 | 0:01:33 | |
Every mile hemmed in by tons of lethal explosives. | 0:01:35 | 0:01:40 | |
THEY SHOUT | 0:01:41 | 0:01:43 | |
1,300km along one of the most infamous | 0:01:43 | 0:01:45 | |
and perilous roads in the world. | 0:01:45 | 0:01:48 | |
This is dangerous, actually. The bombs are very near the road here. | 0:01:48 | 0:01:53 | |
Liza and Sue know each other socially, | 0:02:06 | 0:02:09 | |
but they've never been in such close proximity as they will be over the next ten days. | 0:02:09 | 0:02:13 | |
They begin their journey in Vinh, | 0:02:14 | 0:02:16 | |
a city that was completely obliterated by American bombing. | 0:02:16 | 0:02:19 | |
I guess what I really know about this area | 0:02:22 | 0:02:24 | |
is what I've seen on television | 0:02:24 | 0:02:26 | |
and possibly represented by Hollywood films. | 0:02:26 | 0:02:29 | |
I first met Liza in Holloway Prison for Naughty Ladies, | 0:02:30 | 0:02:33 | |
we were both doing a six-year stretch and she, yeah, she ruled the roost. | 0:02:33 | 0:02:36 | |
Hi! | 0:02:38 | 0:02:39 | |
Welcome to our home! | 0:02:43 | 0:02:45 | |
Am I intimidated by it? No, I don't think I am, actually. | 0:02:45 | 0:02:48 | |
You know, neither Sue nor I are idiots. | 0:02:48 | 0:02:51 | |
I think it'll be a lot of fun, | 0:02:54 | 0:02:56 | |
and she has the best breasts in show business. | 0:02:56 | 0:02:58 | |
Amazing, even better than Chris Moyles. Best breasts. | 0:02:58 | 0:03:01 | |
Let's just do it. Let's get on the trail. | 0:03:01 | 0:03:04 | |
I was really hoping she was going to drive. | 0:03:04 | 0:03:07 | |
Their first hurdle is Vinh's rush-hour traffic. | 0:03:11 | 0:03:16 | |
Go, go, go. | 0:03:16 | 0:03:18 | |
Bit of UK intent for you, right there. | 0:03:18 | 0:03:20 | |
Now get behind this bike. He's going a nice, steady pace. | 0:03:20 | 0:03:24 | |
Vietnam has a population of 80 million people | 0:03:24 | 0:03:28 | |
and 40 million motorbikes. | 0:03:28 | 0:03:30 | |
The result is traffic chaos and 30 road deaths every day. | 0:03:30 | 0:03:35 | |
Not a fact that seems to faze the girls. | 0:03:35 | 0:03:38 | |
Good horn work. Here comes Susan. | 0:03:38 | 0:03:41 | |
Back off, pink hat. | 0:03:41 | 0:03:43 | |
# King of the road | 0:03:43 | 0:03:45 | |
# Trailer for sale... # | 0:03:45 | 0:03:48 | |
Sue and Liza begin their journey in Vietnam | 0:03:53 | 0:03:55 | |
before following the Ho Chi Minh Trail into Laos. | 0:03:55 | 0:03:59 | |
They'll continue driving south, | 0:03:59 | 0:04:00 | |
but the further they go, the worse the road conditions will become. | 0:04:00 | 0:04:04 | |
The last stage of their journey will take them back over the border | 0:04:04 | 0:04:09 | |
into Vietnam to finish on the beaches of the South China Sea. | 0:04:09 | 0:04:12 | |
It's weird, being just sort of five minutes out of the city | 0:04:16 | 0:04:19 | |
and there's just paddy fields. | 0:04:19 | 0:04:22 | |
I did that too fast and I actually ate my own breasts for a second. | 0:04:26 | 0:04:31 | |
Vietnam is one of the world's biggest exporters of rice. | 0:04:34 | 0:04:37 | |
Every year, over $10 million worth goes to the USA. | 0:04:37 | 0:04:42 | |
How do they feel about America? | 0:04:44 | 0:04:46 | |
Have you got a bit of a clue on that? | 0:04:46 | 0:04:48 | |
Is there a general feeling? | 0:04:48 | 0:04:51 | |
I mean, you know, you wouldn't feel great. | 0:04:51 | 0:04:54 | |
You know what, I don't think I would, if, 40 years ago, | 0:04:54 | 0:04:57 | |
someone had napalmed London or any part of the UK. | 0:04:57 | 0:05:00 | |
Well, we're still in living memory. HORN HONKS | 0:05:00 | 0:05:04 | |
Well handled. That was interesting. Yes, wasn't it? | 0:05:07 | 0:05:10 | |
The Vietnam War between the communist North Vietnamese | 0:05:14 | 0:05:17 | |
and the American-backed South Vietnamese lasted 19 years. | 0:05:17 | 0:05:21 | |
It ended in 1975 with over 2 million dead, | 0:05:22 | 0:05:26 | |
victory for the communist North and defeat for the Americans. | 0:05:26 | 0:05:31 | |
Two hours down the road, | 0:05:34 | 0:05:35 | |
Sue and Lisa are approaching Dong Loc, | 0:05:35 | 0:05:39 | |
one of the main junctions on the Ho Chi Minh Trail. | 0:05:39 | 0:05:41 | |
During the war, this was a target for American bombers. | 0:05:41 | 0:05:45 | |
Today it's a place of national pride and mourning. | 0:05:45 | 0:05:48 | |
Look at that lovely, lovely temple. | 0:05:48 | 0:05:51 | |
He was going at a lick, wasn't he? This is a shrine, not a motorway. | 0:05:58 | 0:06:03 | |
A roadside stall is selling offerings for the remembered dead. | 0:06:03 | 0:06:07 | |
Please may I have one of these or do I take two of these? | 0:06:07 | 0:06:11 | |
We take two, we want one each and burn them. | 0:06:11 | 0:06:13 | |
A couple of these. Do you want to burn a mobile phone? | 0:06:13 | 0:06:15 | |
No, not particularly. I'd sooner do that | 0:06:15 | 0:06:17 | |
in a sort of what-I-know kind of level, | 0:06:17 | 0:06:20 | |
and perhaps some chrysanthemums. | 0:06:20 | 0:06:22 | |
So, I guess this is where we burn our sparklers. | 0:06:23 | 0:06:25 | |
Hello. Do you speak English? | 0:06:27 | 0:06:29 | |
Yes. Hi, there. | 0:06:29 | 0:06:31 | |
We were wondering what we should do with all these things to be respectful. | 0:06:31 | 0:06:35 | |
So, you pray and then you burn everything. Yeah. OK. OK. | 0:06:37 | 0:06:40 | |
Everything on top? Yeah. The incense smells amazing. | 0:06:48 | 0:06:53 | |
This one, the flowers, you put on here. | 0:06:53 | 0:06:55 | |
So, what does it say up there, please? | 0:06:55 | 0:06:58 | |
Thousands of bombs were dropped on the road, | 0:07:06 | 0:07:08 | |
but 30% of them failed to explode. | 0:07:08 | 0:07:10 | |
It was the job of women to mark the unexploded bombs with flags, | 0:07:11 | 0:07:16 | |
and in 1968, ten young women were tragically killed here | 0:07:16 | 0:07:19 | |
while trying to keep the road open. | 0:07:19 | 0:07:22 | |
So, to Westerners it's quite odd that some of the things you burn | 0:07:24 | 0:07:28 | |
are mobile phones and sunglasses, | 0:07:28 | 0:07:31 | |
this is all because in the next life... | 0:07:31 | 0:07:33 | |
I genuinely didn't know how to feel about that. | 0:07:55 | 0:07:57 | |
It seems very, very alien. | 0:07:57 | 0:07:59 | |
I felt like I didn't know what to do. | 0:07:59 | 0:08:01 | |
And in that situation I feel really disrespectful | 0:08:01 | 0:08:03 | |
because I don't want to be seen to be mocking it, and I'm not. | 0:08:03 | 0:08:06 | |
It's culturally so kind of confusing | 0:08:06 | 0:08:08 | |
to take up these stacks of fake money, | 0:08:08 | 0:08:10 | |
and I didn't know the form. | 0:08:10 | 0:08:11 | |
That's why all worship is a bit confusing if it's not your thing. | 0:08:11 | 0:08:16 | |
HORN HONKS | 0:08:21 | 0:08:25 | |
Sorry, I cannot... Oh, man. | 0:08:25 | 0:08:27 | |
You all right? Well done. | 0:08:27 | 0:08:29 | |
RSPCA that! | 0:08:29 | 0:08:33 | |
Think that was a slight education for all of us, including the pup. | 0:08:33 | 0:08:36 | |
It's good, though, driving here, your brain is fully left and right activated. | 0:08:36 | 0:08:40 | |
Yeah. | 0:08:40 | 0:08:41 | |
It's just things come out from the jungle either side. | 0:08:41 | 0:08:43 | |
Different concentration. | 0:08:43 | 0:08:45 | |
Buffalo, cats, dogs, farmers, all sorts. | 0:08:45 | 0:08:48 | |
The most remote and challenging sections of the road | 0:08:52 | 0:08:55 | |
lie across the border in neighbouring Laos, | 0:08:55 | 0:08:58 | |
and that is where Sue and Liza are now heading. | 0:08:58 | 0:09:02 | |
This is just heaven. | 0:09:02 | 0:09:04 | |
It's magic, it really is magic. | 0:09:04 | 0:09:07 | |
So, these plugs of limestone have popped up, | 0:09:10 | 0:09:15 | |
and then what's fallen away in between them? | 0:09:15 | 0:09:18 | |
So, limestone, you've got these fissures, | 0:09:18 | 0:09:20 | |
so the rain gets in and it breaks it away in these sort of sheer faces. | 0:09:20 | 0:09:25 | |
The Truong Son mountain range | 0:09:27 | 0:09:28 | |
forms a natural boundary between the two countries, | 0:09:28 | 0:09:31 | |
and they have to climb up through heavily forested mountains | 0:09:31 | 0:09:35 | |
to reach the border. | 0:09:35 | 0:09:36 | |
Amazing that we've just gone one mountain in, | 0:09:38 | 0:09:40 | |
and it's already so visually different. | 0:09:40 | 0:09:43 | |
Yeah. You get a sense of what Laos' going to be like now. | 0:09:43 | 0:09:47 | |
During the war, | 0:09:48 | 0:09:49 | |
the road was extended by the North Vietnamese into Laos. | 0:09:49 | 0:09:53 | |
It became a vital route for arms and ammunition going south. | 0:09:53 | 0:09:56 | |
So, this is the Laos border, | 0:10:02 | 0:10:04 | |
and I'm officially, by about six, seven feet, in another country. | 0:10:04 | 0:10:08 | |
We left Vietnam, we had to change cars, | 0:10:11 | 0:10:12 | |
because you can't take those cars into this country. | 0:10:12 | 0:10:15 | |
We'll use these until we get back down to the Vietnam border | 0:10:15 | 0:10:18 | |
later on in the journey. | 0:10:18 | 0:10:20 | |
I don't know what to expect for the next few days, | 0:10:20 | 0:10:22 | |
but nobody said it's going to be easy. | 0:10:22 | 0:10:24 | |
Laos is a far poorer country than Vietnam, | 0:10:24 | 0:10:28 | |
and it's immediately obvious from the condition of the roads. | 0:10:28 | 0:10:31 | |
It's just gone from nice highway to red, dusty track, hasn't it? | 0:10:31 | 0:10:37 | |
As soon as you go over the border, it changes. | 0:10:37 | 0:10:39 | |
I guess there isn't the money for it, is there? | 0:10:39 | 0:10:42 | |
At the border, the road is forced through a narrow gap | 0:10:46 | 0:10:49 | |
in the mountains called the Mu Gia Pass. | 0:10:49 | 0:10:51 | |
The road became so effective during the war that it was here in 1966 | 0:10:58 | 0:11:01 | |
that the US launched the biggest bombing mission since World War II. | 0:11:01 | 0:11:04 | |
You can see all the blast marks in the rock up there. | 0:11:14 | 0:11:17 | |
This feels properly like an adventure now. | 0:11:20 | 0:11:23 | |
I'm sort of so bewildered by the landscape. | 0:11:26 | 0:11:28 | |
It's so beautiful, it's hard to concentrate on the road, | 0:11:28 | 0:11:30 | |
but the beauty is so undercut by sadness all the time. | 0:11:30 | 0:11:34 | |
It's so peaceful. | 0:11:35 | 0:11:36 | |
You just hear the frogs and the crickets and the birds, nothing else. | 0:11:36 | 0:11:40 | |
And just sitting in this landscape now, you'd have no clue | 0:11:40 | 0:11:43 | |
that just a few decades ago this was the most bombed place on earth. | 0:11:43 | 0:11:47 | |
That it was just a channel | 0:11:47 | 0:11:48 | |
through which endless fighter planes dropped ordnance | 0:11:48 | 0:11:52 | |
that smashed into the rocks, | 0:11:52 | 0:11:54 | |
that burnt all the foliage to nothing. | 0:11:54 | 0:11:56 | |
They even thought about nuking the whole place. | 0:11:56 | 0:11:58 | |
Just a basin of horror, | 0:11:58 | 0:12:00 | |
and the reason they were doing all this | 0:12:00 | 0:12:02 | |
and the reason they flew through this landscape | 0:12:02 | 0:12:06 | |
is because of that aperture you can see in the distance. | 0:12:06 | 0:12:09 | |
All the trucks, all the soldiers, | 0:12:09 | 0:12:10 | |
everything had to go through that pass. | 0:12:10 | 0:12:12 | |
Morning rush hour on the Ho Chi Minh Trail. | 0:12:24 | 0:12:28 | |
Sue and Liza are now in a Buddhist country, | 0:12:28 | 0:12:31 | |
and getting a blessing from a local monk | 0:12:31 | 0:12:33 | |
is meant to ensure their safety on the road ahead. | 0:12:33 | 0:12:36 | |
MONK CHANTS RITUALLY | 0:12:36 | 0:12:38 | |
OK, welcome to Laos. | 0:12:54 | 0:12:57 | |
Got the soggiest pants in Southeast Asia right now. It's like we're on a ship. | 0:12:57 | 0:13:00 | |
CHANTING RESUMES | 0:13:00 | 0:13:03 | |
Do you know, I feel really honoured about that. | 0:13:16 | 0:13:19 | |
That was really lovely. | 0:13:19 | 0:13:21 | |
I just didn't bank on getting quite as wet as I have. | 0:13:21 | 0:13:24 | |
HORN BLARES | 0:13:25 | 0:13:27 | |
In the coming days, they'll need all the help they can get. | 0:13:31 | 0:13:36 | |
The Ho Chi Minh Trail has hundreds of river crossings, | 0:13:45 | 0:13:47 | |
and Sue and Liza are about to confront their first big one. | 0:13:47 | 0:13:52 | |
Right, Sue, this looks like it might be quite fierce. | 0:13:54 | 0:13:57 | |
I've never crossed a river in a car. This is going to be excellent. | 0:13:57 | 0:14:01 | |
A sort of a mini-Niagara going on. | 0:14:01 | 0:14:03 | |
What's making me laugh is this is the shallow pool and then you've got the deep pool | 0:14:06 | 0:14:10 | |
where the grown-ups are, | 0:14:10 | 0:14:12 | |
unless the water buffalo have suddenly got this small. | 0:14:12 | 0:14:16 | |
Right. I think we can do it, no problem. | 0:14:16 | 0:14:18 | |
This fella, look, he's doing it on the bike. | 0:14:23 | 0:14:26 | |
They're doing it on a boat, look! | 0:14:26 | 0:14:27 | |
Into first, that's it. | 0:14:30 | 0:14:32 | |
Right, good luck. | 0:14:32 | 0:14:34 | |
Really strong current. | 0:14:40 | 0:14:42 | |
Yeah, you can do it, I know you can do it. | 0:14:42 | 0:14:45 | |
Oooh! | 0:14:52 | 0:14:54 | |
It knocked my bloody... | 0:14:57 | 0:14:59 | |
I'm cured, I'm cured! | 0:15:02 | 0:15:04 | |
My god, it's knocked some sense into me. | 0:15:11 | 0:15:14 | |
I feel alive again! | 0:15:14 | 0:15:16 | |
THEY LAUGH | 0:15:16 | 0:15:18 | |
I'm starving and I think I've probably got a bit of sunstroke. | 0:15:26 | 0:15:32 | |
I've got away with it, apart from the tops of my ears. | 0:15:32 | 0:15:35 | |
I, actually, am rocking quite a good look, | 0:15:35 | 0:15:38 | |
I don't think I've ever looked this good. | 0:15:38 | 0:15:41 | |
H-O-T doesn't even cover it. | 0:15:41 | 0:15:43 | |
Hot doesn't even cover it. | 0:15:43 | 0:15:46 | |
Look at those two, they look fabulous, don't they? | 0:15:48 | 0:15:50 | |
Marvellous. | 0:15:52 | 0:15:54 | |
Well, I like the look of this village. | 0:15:54 | 0:15:56 | |
These villages once bore the brunt of heavy bombing, | 0:15:58 | 0:16:01 | |
and it's left them with some challenging recycling. | 0:16:01 | 0:16:04 | |
To be honest, if I came across a load of bombs, | 0:16:06 | 0:16:09 | |
I'd either run like a girl and/or wee myself. | 0:16:09 | 0:16:11 | |
I wouldn't think, "Here's an interior design opportunity," | 0:16:11 | 0:16:14 | |
which is what the people of Laos seem to have done. | 0:16:14 | 0:16:16 | |
It's Grand Designs in a military vein. | 0:16:16 | 0:16:19 | |
Because what they've done is they've taken all the ordnance | 0:16:19 | 0:16:21 | |
they could find, once it's been defused, | 0:16:21 | 0:16:24 | |
and they've just adapted it to improve their living conditions. | 0:16:24 | 0:16:26 | |
So you've got cluster bombs here, which are providing shade. | 0:16:26 | 0:16:29 | |
I've also seen cluster bombs which have been used as stilts, | 0:16:29 | 0:16:32 | |
so are supporting the building. | 0:16:32 | 0:16:34 | |
But everywhere you go, there's invention. | 0:16:34 | 0:16:36 | |
See the old use with things like this for your pig? | 0:16:38 | 0:16:42 | |
You've got the feed for the pig, this big old boy here. I've got nothing for you, mate. | 0:16:46 | 0:16:49 | |
I'm sorry. | 0:16:49 | 0:16:51 | |
He's lovely looking, isn't he? Very handsome. | 0:16:52 | 0:16:54 | |
And then up there, you've got some growing out of an old bomb. | 0:16:55 | 0:16:58 | |
The war ended nearly four decades ago, | 0:17:00 | 0:17:04 | |
but there are still people in these villages that lived through it. | 0:17:04 | 0:17:07 | |
Mr Pong, lovely to meet you, sir. | 0:17:07 | 0:17:09 | |
Do you remember when you were a boy when they started to use, | 0:17:10 | 0:17:14 | |
the Vietnamese started to use the Ho Chi Minh Trail? | 0:17:14 | 0:17:17 | |
And how did the geography change? | 0:17:33 | 0:17:34 | |
For example, we've got the mountains in the background, | 0:17:34 | 0:17:37 | |
and I imagine that they were all changed with the bombing, too? | 0:17:37 | 0:17:40 | |
There's very little land that's safe to farm, | 0:18:05 | 0:18:07 | |
so people here risk collecting ordnance for scrap. | 0:18:07 | 0:18:11 | |
Some even hoard live bombs beneath their homes. | 0:18:12 | 0:18:15 | |
Since the war ended, 20,000 people in Laos | 0:18:22 | 0:18:25 | |
have been killed by unexploded bombs. | 0:18:25 | 0:18:28 | |
Even now, between 200 and 400 people, | 0:18:28 | 0:18:33 | |
most of them children, lose their lives to UXBs every year. | 0:18:33 | 0:18:38 | |
The roadside accommodation is proving to be interesting. | 0:18:49 | 0:18:52 | |
It seems it's not just bed and breakfast on offer. | 0:18:52 | 0:18:56 | |
That looks like a brothel to me. | 0:18:56 | 0:18:59 | |
Yeah, it's a Christmas-themed brothel. | 0:18:59 | 0:19:02 | |
It's a grotto brothel. | 0:19:02 | 0:19:03 | |
Yeah, Santa's own whorehouse. | 0:19:03 | 0:19:05 | |
Oh, look at that, come on in. | 0:19:05 | 0:19:08 | |
The fairy lights are up, the grog's on the go, | 0:19:08 | 0:19:12 | |
the rice wine with the deer hoof is ready. | 0:19:12 | 0:19:14 | |
Come and brothel it up in here. | 0:19:14 | 0:19:16 | |
This part of Laos had no roads | 0:19:24 | 0:19:26 | |
connecting the villages before the Ho Chi Minh Trail was built. | 0:19:26 | 0:19:29 | |
Now the road is central to village life. | 0:19:29 | 0:19:33 | |
Just days into their journey, | 0:19:36 | 0:19:39 | |
Sue and Liza seem to have settled into their respective roles. | 0:19:39 | 0:19:42 | |
Darling, I've done your washing. | 0:19:44 | 0:19:46 | |
Would you like me to hang it out in the back of the car? | 0:19:46 | 0:19:49 | |
If you could. OK. I'm just doing some basic car mechanics. | 0:19:49 | 0:19:52 | |
And then what I thought I'd do is I'd sort of mitre off some wood. | 0:19:52 | 0:19:56 | |
OK. And create a nice bench seat for us. | 0:19:56 | 0:19:59 | |
I have a herb rack. Have you? | 0:19:59 | 0:20:01 | |
I'll be right back. | 0:20:01 | 0:20:02 | |
Take care. It really doesn't work like that. | 0:20:04 | 0:20:08 | |
Right, for those people who don't know much about a car engine, | 0:20:08 | 0:20:11 | |
you've got your brake snake there, | 0:20:11 | 0:20:15 | |
you've got a couple of litres of cola there. | 0:20:15 | 0:20:18 | |
That's wi-fi there. Liza's drying her smalls in that. | 0:20:18 | 0:20:24 | |
Clearing Laos' unexploded bombs didn't start until the 1990s, | 0:20:46 | 0:20:50 | |
and today only a tiny fraction of its land has been made safe. | 0:20:50 | 0:20:54 | |
Markers by the roadside are used to signify the level of risk, | 0:20:57 | 0:21:00 | |
and red means danger. | 0:21:00 | 0:21:03 | |
This is dangerous, actually. The bombs are very near the road here, | 0:21:06 | 0:21:13 | |
which, of course, was the point, wasn't it? | 0:21:13 | 0:21:16 | |
Jesus Christ! | 0:21:24 | 0:21:25 | |
Please stay in the middle. | 0:21:27 | 0:21:30 | |
In the middle. | 0:21:30 | 0:21:32 | |
Four decades later, some of the very people who tried to destroy | 0:21:35 | 0:21:39 | |
the Ho Chi Minh Trail are returning to it. | 0:21:39 | 0:21:43 | |
Interesting that they've come back, actually, | 0:21:43 | 0:21:45 | |
so there's obviously something within them. Well, we'll find out, I guess. | 0:21:45 | 0:21:48 | |
Well, wouldn't you want to come back, though? I would. Yeah. | 0:21:48 | 0:21:50 | |
Do they come back because they feel guilty? | 0:21:50 | 0:21:52 | |
Do they come back because they want to connect to their past? | 0:21:52 | 0:21:55 | |
Because it makes it all right for them? | 0:21:55 | 0:21:57 | |
In the East they do pilgrimages, don't they? | 0:21:57 | 0:22:00 | |
And I think it's about that. | 0:22:00 | 0:22:01 | |
That they need to put some things to bed | 0:22:01 | 0:22:05 | |
and learn some things along the journey and honour their chums. | 0:22:05 | 0:22:10 | |
Sue and Liza have heard of two American veterans | 0:22:10 | 0:22:13 | |
here to meet up with their old enemies. | 0:22:13 | 0:22:15 | |
Roger Van Dyken and George Buchkowski were part of the top-secret Misty squadron. | 0:22:15 | 0:22:20 | |
Dedicated to disrupting supplies coming down the trail, | 0:22:20 | 0:22:23 | |
they would fly low and fast to identify enemy targets. | 0:22:23 | 0:22:27 | |
Almost a third of Misty pilots were shot down. | 0:22:27 | 0:22:29 | |
It's hard to use the term "beauty" when dealing with war, | 0:22:29 | 0:22:33 | |
but it's been one of the, I can say joys, of now getting together | 0:22:33 | 0:22:38 | |
with our former enemies, because we can both identify with the conflict | 0:22:38 | 0:22:43 | |
and nobody can quite understand like we understand one another. | 0:22:43 | 0:22:47 | |
Even though we were on opposite sides, | 0:22:47 | 0:22:51 | |
there's a common camaraderie that occurs quite quickly. | 0:22:51 | 0:22:56 | |
Because you're trained to take orders | 0:22:56 | 0:22:58 | |
and you don't question them and you do, | 0:22:58 | 0:23:00 | |
there's a sense of national pride. | 0:23:00 | 0:23:02 | |
There's nothing personal. That shows that both sides have gone | 0:23:02 | 0:23:06 | |
a long way to forgive the hostilities that we had back then, | 0:23:06 | 0:23:10 | |
and I feel like we've bonded with several of these people | 0:23:10 | 0:23:14 | |
that we've talked to. It's just absolutely amazing. | 0:23:14 | 0:23:17 | |
So, if nothing else, we've made some progress here, | 0:23:17 | 0:23:20 | |
it's certainly helped me. | 0:23:20 | 0:23:22 | |
Just one example of that, down the road here, | 0:23:22 | 0:23:25 | |
a US airman was shot down. | 0:23:25 | 0:23:28 | |
We met last night with the head of that nine-gun crew that shot him down. | 0:23:28 | 0:23:35 | |
One member of that crew | 0:23:35 | 0:23:38 | |
went to visit his son in the United States, | 0:23:38 | 0:23:40 | |
and while he was there | 0:23:40 | 0:23:42 | |
he went to Arlington National Cemetery | 0:23:42 | 0:23:45 | |
and prayed at the grave of the person he shot down. | 0:23:45 | 0:23:50 | |
And you met last night and you can all talk about it. Yup. | 0:23:50 | 0:23:53 | |
So, you feel for your own loss, you feel for their loss and that's reciprocated. | 0:23:53 | 0:23:58 | |
Exactly. That's why "slowly" is a key word. | 0:23:58 | 0:24:01 | |
You have to process that and come around | 0:24:01 | 0:24:03 | |
to acknowledge we did terrible things to one another | 0:24:03 | 0:24:06 | |
and at times we were terrible people in a terrible conflict, | 0:24:06 | 0:24:12 | |
but now is a time to forgive one another and move on. | 0:24:12 | 0:24:18 | |
It was lovely to meet you both. Thank you so much. A real pleasure. | 0:24:18 | 0:24:21 | |
Thank you. Thank you. | 0:24:21 | 0:24:22 | |
I did find it very emotional. | 0:24:26 | 0:24:28 | |
Yes. I found his insight really profound. | 0:24:28 | 0:24:33 | |
They were just kids when they were flying over here, | 0:24:33 | 0:24:36 | |
and the whole of their adult life's been spent | 0:24:36 | 0:24:38 | |
dealing with what they did as kids. | 0:24:38 | 0:24:41 | |
When I think of when I was their sort of age, I was just... | 0:24:41 | 0:24:43 | |
Were you not doing the same but different? | 0:24:43 | 0:24:45 | |
I was drinking two litres of cider at the top of a car park | 0:24:45 | 0:24:48 | |
crying about a boy called Richard. | 0:24:48 | 0:24:50 | |
They were flying...you know...planes over Vietnamese mountains | 0:24:50 | 0:24:57 | |
and rescuing their comrades. | 0:24:57 | 0:25:00 | |
I mean, I haven't got over Richard, on some level, | 0:25:00 | 0:25:02 | |
and they've managed to get over, you know, | 0:25:02 | 0:25:05 | |
they've managed to get over... | 0:25:05 | 0:25:07 | |
..sort of, one of the worst conflicts of the 20th century. | 0:25:08 | 0:25:11 | |
Look at the butterflies, Sue! | 0:25:23 | 0:25:25 | |
It's just amazing! | 0:25:25 | 0:25:27 | |
Look at these guys, we're being followed by a line of them. | 0:25:27 | 0:25:31 | |
Butterflies, woo-hoo! | 0:25:31 | 0:25:33 | |
There are hardly any other cars on the road, but mini tractors | 0:25:38 | 0:25:40 | |
called tok-toks are used to work the land and get people around. | 0:25:40 | 0:25:47 | |
It's like Wacky Races. | 0:25:47 | 0:25:49 | |
Thank you. | 0:25:49 | 0:25:50 | |
Sue and Liza have been on the road for nearly a week now, | 0:25:56 | 0:25:59 | |
but they're not even halfway yet. | 0:25:59 | 0:26:02 | |
Stop annoying me, stop really annoying me. | 0:26:02 | 0:26:05 | |
Stop doing the spider on my knee. | 0:26:05 | 0:26:08 | |
Well, what's a shame is that they've got two women in a car and all they've done is bicker. | 0:26:08 | 0:26:13 | |
You know I'm ticklish on my knee, | 0:26:13 | 0:26:14 | |
and all you're doing is the spider on the kneecap. | 0:26:14 | 0:26:17 | |
I'm trying to put it into fourth. | 0:26:17 | 0:26:19 | |
What, by doing that? Who changes gear doing that? | 0:26:19 | 0:26:22 | |
Weirdo. | 0:26:22 | 0:26:24 | |
Wow, this is a bit of a viewpoint, I think. | 0:26:29 | 0:26:33 | |
Look at the colour of that! | 0:26:33 | 0:26:34 | |
BOTH: Whoa! | 0:26:36 | 0:26:39 | |
What the hell was that? | 0:26:39 | 0:26:40 | |
This powdery road, it's like driving on cocoa powder. | 0:26:46 | 0:26:50 | |
Now we have another little turn. | 0:26:50 | 0:26:52 | |
Do you think it's down and round or straight on? | 0:26:52 | 0:26:55 | |
That's very powdery there, whereas that looks more compacted. | 0:26:55 | 0:26:58 | |
There's a few cobbles there, so there you go. | 0:26:58 | 0:27:01 | |
Good work, Perky. | 0:27:01 | 0:27:03 | |
Are there cobbles there? Yeah. | 0:27:06 | 0:27:08 | |
I think, yeah, 12-point turn here, | 0:27:15 | 0:27:18 | |
you'll be able to do it. | 0:27:18 | 0:27:19 | |
If you have to turn the car around on this road, there is no margin for error. | 0:27:25 | 0:27:30 | |
Sue, very uncomfortable. | 0:27:34 | 0:27:37 | |
With what? With these turns. | 0:27:37 | 0:27:39 | |
What, because of UXBs? | 0:27:39 | 0:27:41 | |
Well, yeah, actually, because, | 0:27:41 | 0:27:42 | |
I think there's a level of slack comes in as you get used to it. | 0:27:42 | 0:27:48 | |
And all the trees round here have got red lines on them saying, | 0:27:48 | 0:27:52 | |
"Don't come in!" | 0:27:52 | 0:27:53 | |
I realise... There's just nowhere to turn. | 0:27:53 | 0:27:56 | |
I know, what can you do? | 0:27:56 | 0:27:59 | |
Fuck it, I tell you what, they're really draining to do when it's this hot. | 0:27:59 | 0:28:03 | |
Oh, look, they're looking for mines. | 0:28:18 | 0:28:21 | |
She's got her faithful little dog with her. | 0:28:25 | 0:28:28 | |
What's intriguing me there is... | 0:28:28 | 0:28:31 | |
It's woman's work. | 0:28:31 | 0:28:32 | |
No, it's a little bit near the bleedin' road. | 0:28:32 | 0:28:35 | |
Yeah. And there's no markers. | 0:28:35 | 0:28:37 | |
Sabadee! Sabadee! | 0:28:39 | 0:28:41 | |
The average wage in Laos is just $3 a day, | 0:28:42 | 0:28:46 | |
so some people risk searching through danger zones | 0:28:46 | 0:28:49 | |
with metal detectors to make a living. | 0:28:49 | 0:28:51 | |
And this is a metal detector. | 0:28:54 | 0:28:57 | |
Are you looking for explosives | 0:28:57 | 0:28:59 | |
and bombs are or you just looking or metal? | 0:28:59 | 0:29:02 | |
Do you worry that this work is very dangerous? | 0:29:05 | 0:29:08 | |
Have you heard of people being injured doing your work | 0:29:12 | 0:29:16 | |
and hurt and killed? | 0:29:16 | 0:29:18 | |
Could we look in your basket and see what you've managed to find today? | 0:29:25 | 0:29:29 | |
Thank you! | 0:29:33 | 0:29:34 | |
Steady, Sue, there. | 0:29:34 | 0:29:36 | |
Yeah, interesting. We've got this kind of thing here. | 0:29:36 | 0:29:40 | |
This is the fin of a cluster bomb... | 0:29:40 | 0:29:42 | |
..which they jokingly call a pineapple. | 0:29:43 | 0:29:47 | |
When you start to dig, how do you know whether it's a bit of old motorcycle or whether it's a bomb? | 0:29:47 | 0:29:53 | |
How much money do you make to do this job? | 0:29:59 | 0:30:02 | |
Do you mind telling us how old you are? | 0:30:05 | 0:30:07 | |
Do you know how old you are? | 0:30:09 | 0:30:10 | |
I wish you all the safety, be very careful. | 0:30:14 | 0:30:16 | |
Thank you very much. And thank you. | 0:30:16 | 0:30:18 | |
It's really good to speak to you, thank you. | 0:30:18 | 0:30:21 | |
I was astounded they didn't know how old they were, | 0:30:28 | 0:30:31 | |
because, of course, that's not really that relevant. | 0:30:31 | 0:30:34 | |
It's, sort of, surplus to requirements, birthdays and all that, | 0:30:34 | 0:30:38 | |
just crack on, get on with it. | 0:30:38 | 0:30:40 | |
There's more important things to do | 0:30:40 | 0:30:41 | |
like finding where the next meal's coming from. | 0:30:41 | 0:30:44 | |
Oh, what's this? | 0:30:45 | 0:30:47 | |
Nana foot. Oh, my goodness, | 0:30:48 | 0:30:49 | |
that's a bloomin' interesting bridge, isn't it? | 0:30:49 | 0:30:51 | |
It's great. | 0:30:51 | 0:30:53 | |
That's fantastic. | 0:30:53 | 0:30:55 | |
Just bits of timber piled up. | 0:30:55 | 0:30:57 | |
That's impressive, isn't it? | 0:30:57 | 0:31:00 | |
And look, it looks like there was a bridge there but it's collapsed! | 0:31:00 | 0:31:04 | |
THEY LAUGH | 0:31:04 | 0:31:05 | |
I love it! | 0:31:09 | 0:31:11 | |
God, I tell you what's interesting as well, | 0:31:11 | 0:31:13 | |
doing it in a 4x4, with modern-day suspension, allegedly, | 0:31:13 | 0:31:17 | |
that we've probably knackered, | 0:31:17 | 0:31:19 | |
but if you were in trucks, army trucks, bikes or on foot, | 0:31:19 | 0:31:23 | |
and still you're managing to get everything where it's meant to be. | 0:31:23 | 0:31:27 | |
And it's a nice road. | 0:31:36 | 0:31:37 | |
Very. So, we're near the mine. | 0:31:37 | 0:31:40 | |
Yes, I'd have thought. | 0:31:40 | 0:31:42 | |
This is money. There's money in this road. | 0:31:42 | 0:31:44 | |
This is the yellow brick road. There's gold in them there hills! | 0:31:44 | 0:31:46 | |
Sue and Liza are approaching the Sepon gold and copper mine. | 0:31:51 | 0:31:55 | |
The existing road can't cope | 0:31:55 | 0:31:57 | |
with the number of huge lorries accessing the mine. | 0:31:57 | 0:32:00 | |
But before any work can begin to widen the road, | 0:32:00 | 0:32:03 | |
the land must be cleared of unexploded bombs. | 0:32:03 | 0:32:06 | |
Magnus Ahlstrom and his team have been called in. | 0:32:06 | 0:32:10 | |
You want us to follow you into a site where there are possible | 0:32:10 | 0:32:14 | |
unexploded ordnance now? | 0:32:14 | 0:32:17 | |
You will walk on cleared area, all the time, but the surroundings, | 0:32:18 | 0:32:22 | |
there can be UXOs. | 0:32:22 | 0:32:24 | |
So, we basically stick to the path, follow you guys. Yes. Do not deviate. | 0:32:24 | 0:32:28 | |
No. Otherwise trouble. | 0:32:28 | 0:32:30 | |
Do we get to wear a hat? Yeah, sure. | 0:32:30 | 0:32:33 | |
I won't be going to have a look at the danger UXB. | 0:32:38 | 0:32:42 | |
It's a funny old thing, and call me a wuss if you want to, | 0:32:42 | 0:32:49 | |
but as we were coming through the pass, it's the first time we had | 0:32:49 | 0:32:52 | |
any juice on our phones, and suddenly a waft of texts etc came through. | 0:32:52 | 0:32:56 | |
I got 11, three or four of which all said to me, from different mates, | 0:32:56 | 0:33:01 | |
"I hope you're not taking any unnecessary risks." | 0:33:01 | 0:33:04 | |
And then I've been presented with one, | 0:33:04 | 0:33:06 | |
which, because we're on a roll, and we're on a big story, | 0:33:06 | 0:33:09 | |
and we've been going, "War, war, war!" | 0:33:09 | 0:33:11 | |
this is a magnificent thing to follow up, | 0:33:11 | 0:33:14 | |
and how wonderful that people are doing it. | 0:33:14 | 0:33:16 | |
I'm a pansy blooming presenter-broadcaster from England. | 0:33:16 | 0:33:20 | |
I'm not Ross Kemp. | 0:33:20 | 0:33:22 | |
We were going through the safety chat, | 0:33:24 | 0:33:25 | |
and I was a bit gung-ho, because I thought, "Ooh, steel cap boots | 0:33:25 | 0:33:28 | |
"and hi-vis jackets, and, ooh, all that sort of stuff." | 0:33:28 | 0:33:31 | |
Got me, you know, quite pumped up, | 0:33:31 | 0:33:33 | |
and then Magnus, off camera, just pointed out | 0:33:33 | 0:33:35 | |
that there are two unexploded 750lb bombs within 100 metres of here, | 0:33:35 | 0:33:39 | |
and suddenly the bravado has really gone | 0:33:39 | 0:33:41 | |
and I just look like somebody who auditioned for the Village People | 0:33:41 | 0:33:45 | |
and didn't quite make the grade. | 0:33:45 | 0:33:47 | |
So, yeah, genuinely really queasy, plus the fact that, you know, | 0:33:47 | 0:33:54 | |
Liza's very perceptive and when she says, "This is dangerous," | 0:33:54 | 0:33:58 | |
you know, I kind of hear it and part of me thinks, "Why am I doing it?" | 0:33:58 | 0:34:01 | |
What am I trying to prove to myself or to everybody else? | 0:34:01 | 0:34:04 | |
And yet here I am. So, we'll see, I guess. | 0:34:04 | 0:34:08 | |
Please hold on to the fence. | 0:34:11 | 0:34:13 | |
Yeah, no, I'm not going to mess around. | 0:34:13 | 0:34:15 | |
Not overly convinced by the construction of that fence. | 0:34:19 | 0:34:22 | |
Stay away from the edge. | 0:34:29 | 0:34:31 | |
So, how many pounds is this one? | 0:34:33 | 0:34:35 | |
750. | 0:34:35 | 0:34:37 | |
When you're working with a bomb, what kind of safety equipment do you have? | 0:34:37 | 0:34:40 | |
None. Helmet and boots. | 0:34:40 | 0:34:43 | |
Because there's no equipment in the world that would stop... Nah, won't help you. | 0:34:43 | 0:34:47 | |
You'd vaporise, presumably. | 0:34:47 | 0:34:50 | |
Yeah, you're going to become dust. | 0:34:50 | 0:34:52 | |
So, ironically, your hat and boots would be all that remain. | 0:34:52 | 0:34:55 | |
No, not even that. | 0:34:55 | 0:34:57 | |
So, it would vaporise rubber and steel toecaps, everything. | 0:34:57 | 0:35:01 | |
So, say, you have to do a controlled explosion, | 0:35:01 | 0:35:04 | |
what's the procedure for that? | 0:35:04 | 0:35:06 | |
Yeah, we have to move all living creatures | 0:35:06 | 0:35:08 | |
surrounding about 1,000 metres away from here and block roads. | 0:35:08 | 0:35:14 | |
I have to direct the blast, because the pressure's going out somewhere, | 0:35:14 | 0:35:17 | |
probably go in the bush here and down to the river, | 0:35:17 | 0:35:21 | |
need to seal off the river here, so there's not going to be boats or anything. | 0:35:21 | 0:35:26 | |
Airplanes. God. | 0:35:26 | 0:35:28 | |
I go over there and put some C4 on it, | 0:35:28 | 0:35:31 | |
and a cable, we move away. | 0:35:31 | 0:35:32 | |
And then... Bang. | 0:35:32 | 0:35:34 | |
And you will hear if it goes bang. | 0:35:34 | 0:35:38 | |
You've worked all round the world, all the major trouble spots of the world, | 0:35:38 | 0:35:42 | |
have you found that this has been the most...? | 0:35:42 | 0:35:44 | |
Yeah, this is the most bombed place on the planet. | 0:35:44 | 0:35:48 | |
And how long do you estimate it would take to clear Laos? | 0:35:48 | 0:35:52 | |
You'd probably need like a million people or something. | 0:35:52 | 0:35:55 | |
And how long would a million people take. Oh, man! | 0:35:55 | 0:35:58 | |
A lifetime? Yeah. | 0:35:58 | 0:36:00 | |
So, why do you think this particular point on the Ho Chi Minh Trail took so much ordnance? | 0:36:00 | 0:36:05 | |
Just here is because there's a river crossing. | 0:36:05 | 0:36:07 | |
OK. | 0:36:07 | 0:36:08 | |
You smash the bridges. | 0:36:08 | 0:36:10 | |
Really close to the road. | 0:36:10 | 0:36:11 | |
That sort of gives me pause for thought, | 0:36:11 | 0:36:13 | |
because we're driving that road. | 0:36:13 | 0:36:15 | |
There's this huge bomb just yay far from it. | 0:36:15 | 0:36:17 | |
It's easy when you're doing long distances | 0:36:17 | 0:36:19 | |
to be quite cavalier and not think it's dangerous. Yeah. | 0:36:19 | 0:36:22 | |
Because it's hidden, everything is hidden. | 0:36:22 | 0:36:24 | |
They're just everywhere. Expect the unexpected. | 0:36:24 | 0:36:27 | |
Thank you, Magnus. Right, much as it's been an education, | 0:36:28 | 0:36:32 | |
it's not my natural habitat, so I'm going to, I don't know, | 0:36:32 | 0:36:36 | |
go and go somewhere a bit more ladylike. Yeah. | 0:36:36 | 0:36:39 | |
Is this a good way, or that way? | 0:36:39 | 0:36:40 | |
No, don't go in there, follow the road down here. | 0:36:40 | 0:36:44 | |
I've never been on a trip that's made me feel so conflicted | 0:36:46 | 0:36:49 | |
and so brain-fugged, because half of me, it's all about, | 0:36:49 | 0:36:52 | |
my mind is filled with war and destruction and fear and disbelief | 0:36:52 | 0:36:58 | |
that this beautiful landscape, superficially, | 0:36:58 | 0:37:02 | |
kind of draws you in with its gorgeousness, | 0:37:02 | 0:37:04 | |
but it's just rotten with toxins and shrapnel and ordnance underneath, | 0:37:04 | 0:37:09 | |
and the other part of me is trying to be a bit more Southeast Asian | 0:37:09 | 0:37:12 | |
and a little less me, actually, and trying to say, | 0:37:12 | 0:37:15 | |
well, you can dwell on that, | 0:37:15 | 0:37:16 | |
or you can just look at what the guys are doing here, piece by piece, | 0:37:16 | 0:37:20 | |
you know, clod of clay by clod of clay, trying to make it better. | 0:37:20 | 0:37:24 | |
So, Magnus was quite the sex bomb, | 0:37:28 | 0:37:31 | |
everyone within 100 metres of his blast radius | 0:37:31 | 0:37:35 | |
was pretty much sucked in. | 0:37:35 | 0:37:36 | |
Were you sucked in, Sue? I was a bit in the sense, | 0:37:36 | 0:37:39 | |
and I'm ashamed to say this to you, | 0:37:39 | 0:37:40 | |
but thought, "I just want to lie my head next to you, | 0:37:40 | 0:37:43 | |
"just for an evening, because I'd feel safe there." | 0:37:43 | 0:37:45 | |
Look at that! | 0:37:51 | 0:37:52 | |
Let's just enjoy that. | 0:37:52 | 0:37:54 | |
That is beautiful. | 0:37:54 | 0:37:55 | |
Let's just look at the scenery | 0:37:55 | 0:37:57 | |
and think this is the most beautiful place. | 0:37:57 | 0:38:00 | |
This is a beautiful, ladylike country, buggered by war. | 0:38:00 | 0:38:04 | |
Sue and Liza now face | 0:38:24 | 0:38:26 | |
one of the most challenging sections of the road, | 0:38:26 | 0:38:29 | |
400km of jungle, dirt tracks and river crossings | 0:38:29 | 0:38:33 | |
from the Sepon mine down to the Vietnam border. | 0:38:33 | 0:38:37 | |
But first, they have a big river to cross. | 0:38:39 | 0:38:43 | |
The thing is with this river crossing is that if it all goes | 0:38:43 | 0:38:45 | |
horribly wrong, at least we'll be spared another night in a brothel. | 0:38:45 | 0:38:49 | |
Oh, there is that. | 0:38:49 | 0:38:50 | |
There's a part of me that'd rather be washed downstream | 0:38:50 | 0:38:53 | |
than have another night's accommodation like last night's. | 0:38:53 | 0:38:56 | |
Oh, yeah, that's doable. | 0:39:01 | 0:39:03 | |
They've been told that vehicles do cross the river here, | 0:39:03 | 0:39:06 | |
but they need to take a closer look before risking it. | 0:39:06 | 0:39:10 | |
Because once you've negotiated the fallen trees, UXOs, rocks, | 0:39:10 | 0:39:16 | |
I don't think there's going to be much of a problem. | 0:39:16 | 0:39:19 | |
This is shite. | 0:39:26 | 0:39:28 | |
It's what? | 0:39:28 | 0:39:30 | |
And then it gets really deep there. | 0:39:30 | 0:39:32 | |
Oh, god, yeah. | 0:39:32 | 0:39:34 | |
Really deep there. | 0:39:34 | 0:39:36 | |
There is no way we'll get over there without stalling. | 0:39:36 | 0:39:39 | |
The thing is not knowing what's in the middle of it. Yeah, exactly. | 0:39:39 | 0:39:42 | |
So, I'm going to go human dipstick and see how deep it is. Lovely. | 0:39:42 | 0:39:46 | |
It's nice. | 0:39:46 | 0:39:48 | |
Oh, man, there are some very odd rocks here. | 0:39:50 | 0:39:53 | |
That's good! LIZA LAUGHS | 0:39:56 | 0:39:58 | |
This was in my contract. I said, "Whatever you do, | 0:39:58 | 0:40:01 | |
"make sure there's a calendar opportunity." | 0:40:01 | 0:40:03 | |
This is Sue, she's April. | 0:40:03 | 0:40:06 | |
She's 42. These are her own breasts, as you can tell from the natural sag. | 0:40:06 | 0:40:11 | |
What's the depth like? | 0:40:11 | 0:40:13 | |
What do you think it's like?! I'm a dipstick, it's up to here. | 0:40:13 | 0:40:16 | |
Like I'm going to drive it! I'm not. Why do you think I've gone in here? | 0:40:16 | 0:40:20 | |
Despite the bravado, they girls have to consider another option. | 0:40:20 | 0:40:24 | |
Failing to get across here could mean losing the car | 0:40:24 | 0:40:27 | |
and risking the whole trip. | 0:40:27 | 0:40:29 | |
I understand we're in a 4x4, but I'm slipping all over the shop | 0:40:29 | 0:40:32 | |
and there's this huge patch where there's just nothing, | 0:40:32 | 0:40:34 | |
and however exciting it might be for a millisecond, | 0:40:34 | 0:40:37 | |
the idea of the car actually filling with water... | 0:40:37 | 0:40:39 | |
It's not exciting. | 0:40:39 | 0:40:40 | |
We should check out this other river crossing. | 0:40:40 | 0:40:43 | |
There's a sign back there that says "Death Falls this way," | 0:40:49 | 0:40:52 | |
so I suppose we're going to the right spot. Of course we are. | 0:40:52 | 0:40:55 | |
There's the river. Doesn't look as bad as the other one, does it? | 0:40:58 | 0:41:02 | |
No. | 0:41:02 | 0:41:04 | |
Let's start this! | 0:41:07 | 0:41:08 | |
Nicely done, nicely done. | 0:41:13 | 0:41:15 | |
You all right? Yeah. I'm just keeping it right up the river. | 0:41:26 | 0:41:29 | |
Straight, straight, straight. | 0:41:41 | 0:41:44 | |
You've done something wonderful there, Miss Perkins, | 0:41:44 | 0:41:47 | |
something wonderful. | 0:41:47 | 0:41:50 | |
Do you know what? I'm going to cross the Thames like that. | 0:41:58 | 0:42:00 | |
I've had enough of the Underground. We want to go north to south, we'll go that way. | 0:42:00 | 0:42:04 | |
Let's not even discuss the fact that we're probably leaking quite a lot of fuel. | 0:42:04 | 0:42:07 | |
Ooh, this is a bit tricky, actually. | 0:42:13 | 0:42:16 | |
Yeah. | 0:42:16 | 0:42:17 | |
This is a bit tricky. Stop, let me have a look. | 0:42:17 | 0:42:20 | |
Go down further to the left. Wait a minute, madam. | 0:42:20 | 0:42:23 | |
MOUTHS WORDS SILENTLY | 0:42:23 | 0:42:25 | |
Deffo left-ish. | 0:42:29 | 0:42:30 | |
Oh, I've left my effing brolly. | 0:42:32 | 0:42:34 | |
Yeah, I want you... | 0:42:36 | 0:42:39 | |
Whoa, whoa, right up. | 0:42:41 | 0:42:44 | |
Bit more. That's looking pretty good, | 0:42:45 | 0:42:48 | |
just come forward a bit so you've cleared that. | 0:42:48 | 0:42:51 | |
Spot on, and then it's a... | 0:42:51 | 0:42:52 | |
We're probably going to have to go up on that boulder, though, | 0:42:58 | 0:43:00 | |
because I think it's too high for us to... | 0:43:00 | 0:43:03 | |
No, no you'll just make it, you just need to skirt that. | 0:43:03 | 0:43:06 | |
There is enough room. Can you do it, are you all right? Yeah, yeah, I'm fine to do it. | 0:43:06 | 0:43:10 | |
So, I'm going either side of it, you mean? No. | 0:43:10 | 0:43:12 | |
Now I'm going this way, to the right of the boulder. | 0:43:12 | 0:43:14 | |
Don't go too right, because you don't want... | 0:43:14 | 0:43:17 | |
That's when your steering will flip out of your control. | 0:43:17 | 0:43:19 | |
Right the steering wheel. That's it, right the steering wheel, | 0:43:19 | 0:43:24 | |
keep the steering wheel straight, and now... | 0:43:24 | 0:43:26 | |
Round that way, darling. | 0:43:28 | 0:43:29 | |
Oh, right, god, sorry, | 0:43:29 | 0:43:31 | |
couldn't see where the road was, sorry. | 0:43:31 | 0:43:32 | |
I thought we were going up there cos I'm a fucking idiot. Get back a bit. | 0:43:32 | 0:43:36 | |
That's good, that's OK. | 0:43:41 | 0:43:44 | |
Good work, very good work. | 0:43:48 | 0:43:49 | |
Even on this mud track, | 0:43:52 | 0:43:54 | |
any deviation carries a huge risk. | 0:43:54 | 0:43:57 | |
Along this remote part of the trail, | 0:43:57 | 0:43:58 | |
only a tiny fraction of the surrounding land | 0:43:58 | 0:44:01 | |
has been cleared of unexploded bombs. | 0:44:01 | 0:44:03 | |
Not that track, please. | 0:44:06 | 0:44:07 | |
No, no, no, I'm just, you know... | 0:44:07 | 0:44:10 | |
No, no, I'm aware of UXB-ing, so, you know what I mean? | 0:44:10 | 0:44:13 | |
It's what I'm good at. | 0:44:13 | 0:44:15 | |
So am I. I'm not going to try and kill you. | 0:44:15 | 0:44:19 | |
After six hours picking her way across some of the trail's toughest sections, | 0:44:20 | 0:44:24 | |
Sue's had enough. | 0:44:24 | 0:44:25 | |
OK, do you want to swap driving? Yep. | 0:44:28 | 0:44:30 | |
Sue and Liza are on the most remote part of the trail. | 0:44:43 | 0:44:46 | |
Very few people come this way, and westerners are a real rarity. | 0:44:46 | 0:44:51 | |
It's been a hard slog, and the girls decide to take a quick break. | 0:44:58 | 0:45:03 | |
We might chomp on a few hot nuts. | 0:45:03 | 0:45:06 | |
Uh-oh. What? Act normal. | 0:45:08 | 0:45:12 | |
Oh, hello. | 0:45:12 | 0:45:14 | |
Hello, boys. Hello, darling. | 0:45:18 | 0:45:20 | |
Sabadee. Sabadee. | 0:45:22 | 0:45:24 | |
Sabadee. Sabadee. Sabadee. Sabadee. Sabadee. | 0:45:25 | 0:45:30 | |
Do you want some nuts? Any news? | 0:45:31 | 0:45:33 | |
Quite scared by your massive knife, | 0:45:33 | 0:45:35 | |
but I'm going to give you some peanuts and hope you won't use it. | 0:45:35 | 0:45:38 | |
Yeah, he's put it away. | 0:45:38 | 0:45:40 | |
There you go, sweetheart. That's great. | 0:45:40 | 0:45:42 | |
Love the look of you. | 0:45:42 | 0:45:43 | |
I know a few people who would kill for a chest like... | 0:45:43 | 0:45:46 | |
Lovely, lovely chest. lovely musculature. Very pretty. | 0:45:46 | 0:45:49 | |
I see you ogling my jugs, as well. | 0:45:49 | 0:45:51 | |
Yeah, he's having a right good look at yours. | 0:45:51 | 0:45:54 | |
What's in there? Can I have a look in there? | 0:45:54 | 0:45:58 | |
In here? | 0:45:58 | 0:45:59 | |
It's basically intestines, isn't it, so do I think? | 0:46:00 | 0:46:03 | |
Actually, that might be chicken. | 0:46:03 | 0:46:05 | |
Is it? SHE CLUCKS | 0:46:05 | 0:46:08 | |
Yeah? Is that a yes? Yeah. Which could mean... | 0:46:08 | 0:46:11 | |
Yeah, they're mental. | 0:46:11 | 0:46:12 | |
See you later, then, lads. | 0:46:12 | 0:46:14 | |
Bye, then. Bye. | 0:46:17 | 0:46:20 | |
They were both really beautiful. | 0:46:20 | 0:46:23 | |
Whoa, there goes the bottom of this poor thing. | 0:46:34 | 0:46:37 | |
I look like an expendable crew member in Star Trek. | 0:46:37 | 0:46:40 | |
I just ate the ceiling of the car. | 0:46:42 | 0:46:44 | |
It's not over yet, Susan. | 0:46:44 | 0:46:46 | |
Yeah, they've requested at the funeral | 0:46:48 | 0:46:50 | |
that Slip Sliding Away be played. | 0:46:50 | 0:46:52 | |
# You know the nearer your destination | 0:46:54 | 0:46:56 | |
# The more you slip sliding away | 0:46:56 | 0:47:02 | |
# I know a woman... # | 0:47:02 | 0:47:04 | |
Oh, that's a bit annoying. | 0:47:04 | 0:47:05 | |
Are you stuck? Yeah. | 0:47:05 | 0:47:07 | |
I'll go and push. | 0:47:12 | 0:47:14 | |
Right. | 0:47:19 | 0:47:20 | |
Britain's weakest woman is on push duty. | 0:47:22 | 0:47:25 | |
I'm gonna reverse. | 0:47:30 | 0:47:32 | |
That really smells bad. | 0:47:38 | 0:47:40 | |
This is the only occasion where I've ever thought we might need Jeremy Clarkson. | 0:47:40 | 0:47:46 | |
Why have you mentioned him? | 0:47:46 | 0:47:49 | |
Problem we've got is there's no grip in the tyres, | 0:47:49 | 0:47:52 | |
they're all absolutely ram packed full of the clay. | 0:47:52 | 0:47:55 | |
Yeah. | 0:47:55 | 0:47:57 | |
Even on the road, there is real danger. | 0:47:57 | 0:48:00 | |
Churning up mud on the track can be lethal, | 0:48:00 | 0:48:02 | |
as bombs are only cleared down to a depth of 50cm. | 0:48:02 | 0:48:05 | |
You see, I don't want to touch anything from the side | 0:48:07 | 0:48:10 | |
in case 500 bombies fall down. | 0:48:10 | 0:48:12 | |
Rev, rev, rev. | 0:48:12 | 0:48:15 | |
It'll be dark in less than an hour. | 0:48:17 | 0:48:19 | |
If they don't want to spend the night in the jungle, | 0:48:19 | 0:48:22 | |
they must get moving. | 0:48:22 | 0:48:24 | |
We're getting more traction. | 0:48:24 | 0:48:26 | |
Yeah, we're going to be all right. Just... | 0:48:30 | 0:48:33 | |
Here we go. You can do it. You can do it. | 0:48:36 | 0:48:38 | |
That's flat out on the accelerator, that. | 0:48:48 | 0:48:51 | |
BOTH: Whoa! | 0:48:53 | 0:48:56 | |
There we go. | 0:48:57 | 0:48:58 | |
I tell you, it just makes a mockery of all the lovely ladies | 0:49:00 | 0:49:05 | |
taking their kids to school in a 4x4. | 0:49:05 | 0:49:08 | |
All rich people driving Chelsea tractors | 0:49:08 | 0:49:09 | |
should be made to do the Ho Chi Minh Trail before they're allowed... | 0:49:09 | 0:49:13 | |
Before they're even allowed. | 0:49:13 | 0:49:15 | |
All those precious yummy mummies. | 0:49:15 | 0:49:17 | |
Delightful people all. | 0:49:17 | 0:49:20 | |
Where did they come from? | 0:49:20 | 0:49:23 | |
Brilliant kids. | 0:49:23 | 0:49:25 | |
Look at them legging it! | 0:49:25 | 0:49:27 | |
Sabadee! BOTH: Sabadee! | 0:49:27 | 0:49:30 | |
Sabadee! Sabadee! | 0:49:30 | 0:49:33 | |
Eventually, they make it through | 0:49:39 | 0:49:41 | |
and link up with one of Laos' brand new highways. | 0:49:41 | 0:49:44 | |
This is one of several massive road-building projects | 0:49:45 | 0:49:50 | |
that connects Laos with Thailand, Cambodia and Vietnam. | 0:49:50 | 0:49:54 | |
On the final leg of Sue and Liza's journey, | 0:49:54 | 0:49:57 | |
they hope to make it out of Laos and back over the border into Vietnam. | 0:49:57 | 0:50:01 | |
Da Nang and the beaches of the South China Sea | 0:50:01 | 0:50:04 | |
will mark the end of their journey. | 0:50:04 | 0:50:05 | |
The girls are determined to make it in one day, so they're up early. | 0:50:07 | 0:50:13 | |
At the moment, it's looking like we'll have to go to the beach. | 0:50:13 | 0:50:17 | |
FUNKY MUSIC PLAYS | 0:50:17 | 0:50:19 | |
We love that one. | 0:50:32 | 0:50:35 | |
We nearly there yet? | 0:50:35 | 0:50:36 | |
The first part of today's journey | 0:50:38 | 0:50:40 | |
takes them through a part of Laos that was once dense forest. | 0:50:40 | 0:50:43 | |
Look at these big boys. | 0:50:43 | 0:50:46 | |
Logging, logging, logging. | 0:50:46 | 0:50:50 | |
Now, that's interesting, boys. | 0:50:50 | 0:50:53 | |
Those beautiful trees. | 0:50:56 | 0:50:58 | |
To get to the border, they're going to have to compete | 0:51:00 | 0:51:03 | |
with heavily loaded logging trucks hauling hardwood into Vietnam. | 0:51:03 | 0:51:08 | |
That lorry could topple over there. | 0:51:09 | 0:51:13 | |
God, I don't want to see that, thank you. | 0:51:13 | 0:51:15 | |
We're going to be in a log sandwich in a minute. | 0:51:15 | 0:51:18 | |
OK, burn this. | 0:51:19 | 0:51:22 | |
Do it. | 0:51:26 | 0:51:27 | |
God we've just hit the logging trail. | 0:51:29 | 0:51:31 | |
Oh, hello, our bloke's showing us how it's done, on a blind bend. | 0:51:33 | 0:51:38 | |
Good god. Oh, my god. | 0:51:46 | 0:51:48 | |
That doesn't look good at all. | 0:51:48 | 0:51:50 | |
And it's right next to a slightly smoky... Oh, god! | 0:51:50 | 0:51:54 | |
That looked like a fatality to me. | 0:51:54 | 0:51:57 | |
Just when you get blase, | 0:51:57 | 0:51:58 | |
you get a sobering reminder like that upturned logging truck. | 0:51:58 | 0:52:02 | |
Just... It's not worth pushing it. | 0:52:02 | 0:52:06 | |
Look at its magnificence. | 0:52:09 | 0:52:11 | |
Rolling forests just so gladden the eye. | 0:52:11 | 0:52:14 | |
Beautiful. | 0:52:14 | 0:52:16 | |
I'm going to have the best wee ever at the border. | 0:52:21 | 0:52:25 | |
Not right on the border, though, as they tend to take offence at that. | 0:52:25 | 0:52:28 | |
I think that was one of the dos and don'ts, wasn't it, don't urinate at the border? | 0:52:28 | 0:52:32 | |
The girls are forced to stop at the border, | 0:52:34 | 0:52:36 | |
but they are both keen to get moving | 0:52:36 | 0:52:38 | |
if they're going to make it to the coast today. | 0:52:38 | 0:52:41 | |
It's going to be faster and noisier once we're on the road there. | 0:52:41 | 0:52:44 | |
I'm going to get horny. As soon as I pass that, | 0:52:44 | 0:52:47 | |
I'm bipping that thing. | 0:52:47 | 0:52:49 | |
Anything coming at me, | 0:52:49 | 0:52:50 | |
whether it be livestock or a massive great logging truck, | 0:52:50 | 0:52:53 | |
I'm going to horn the hell out of it. | 0:52:53 | 0:52:54 | |
This is ridiculous, isn't it? | 0:53:00 | 0:53:03 | |
It's just deserted. This is like the M25 but with nobody on it. | 0:53:03 | 0:53:05 | |
And nobody on it for miles as far as the eye can see. | 0:53:05 | 0:53:10 | |
So, who's it for? is it just to go, "We're communists, hear us roar?!" | 0:53:10 | 0:53:14 | |
This is the new Ho Chi Minh Highway, built on top of the original trail. | 0:53:18 | 0:53:23 | |
Just 15 years ago, this area was also pristine forest, | 0:53:23 | 0:53:27 | |
but it's been stripped of its timber, | 0:53:27 | 0:53:29 | |
and now coffee, tea and rubber grow here. | 0:53:29 | 0:53:33 | |
Do you think I'm a bad driver? | 0:53:35 | 0:53:36 | |
No, because I wouldn't have done this with you, you fruit. | 0:53:38 | 0:53:41 | |
Who you calling a fruit? | 0:53:41 | 0:53:44 | |
You bloody fruit. Who are you calling a fruit? | 0:53:44 | 0:53:46 | |
I could have you. I could take you to a tribunal. Take me. | 0:53:46 | 0:53:49 | |
That's what you want, isn't it? | 0:53:49 | 0:53:51 | |
You're just trying to get me into your lair. | 0:53:51 | 0:53:53 | |
# Sue me, sue me | 0:53:53 | 0:53:55 | |
# What can you do me? | 0:53:55 | 0:53:56 | |
# I love you. # | 0:53:56 | 0:53:59 | |
That's on camera now. | 0:54:00 | 0:54:03 | |
It's a song from a film! | 0:54:03 | 0:54:05 | |
Come on, mate. What are you doing? | 0:54:17 | 0:54:19 | |
This guy is absolutely stupid as all hell. | 0:54:19 | 0:54:24 | |
Get right up the side of him. I'm going to open the blimmin' door on him if he keeps it up. | 0:54:24 | 0:54:28 | |
I've got a Vietnamese driving license, have you? | 0:54:30 | 0:54:33 | |
That'll show him(!) | 0:54:33 | 0:54:35 | |
Susan, your blood's up, isn't it? | 0:54:35 | 0:54:38 | |
I was hoping for a bit of... Do you know what I mean, | 0:54:38 | 0:54:41 | |
you think it'll be all easy now, a nice little run into the beach. | 0:54:41 | 0:54:45 | |
Don't be silly. Have we, heck! | 0:54:45 | 0:54:47 | |
As the light fades, Sue and Liza | 0:54:48 | 0:54:51 | |
are still miles from the beach, their hotel | 0:54:51 | 0:54:54 | |
and the end of their journey. | 0:54:54 | 0:54:55 | |
Not another bus. Oh! | 0:54:58 | 0:55:01 | |
THEY SCREAM PLAYFULLY | 0:55:06 | 0:55:09 | |
150,000 miles an hour. | 0:55:09 | 0:55:12 | |
We've both taken an absolute pounding. | 0:55:12 | 0:55:14 | |
It's like a game of pinball, | 0:55:14 | 0:55:17 | |
with cars and livestock and buses just randomly fired in all kinds of directions, | 0:55:17 | 0:55:23 | |
and you have to try and weave your way. | 0:55:23 | 0:55:25 | |
Just when you think, "Surely I've reached the next level," no, you haven't. | 0:55:25 | 0:55:30 | |
Who's this with full beams on? | 0:55:32 | 0:55:34 | |
Christ almighty, they are willing you to fail | 0:55:34 | 0:55:39 | |
at all times, drivers here, aren't they? | 0:55:39 | 0:55:43 | |
Oi-oi-oi-oi. My god! | 0:55:43 | 0:55:45 | |
Single file, darling, and your buffalo. | 0:55:47 | 0:55:50 | |
Oh, baby, baby, baby, careful. Oh! | 0:55:51 | 0:55:55 | |
It doesn't really become about preserving your own life, | 0:55:57 | 0:56:00 | |
it becomes desperate tension about not wanting to kill anything else. | 0:56:00 | 0:56:04 | |
Is he drunk? Has he got a kid on the back? | 0:56:04 | 0:56:08 | |
Oh, Jesus. What are you doing? | 0:56:08 | 0:56:10 | |
There's three kids just... | 0:56:10 | 0:56:14 | |
Oh, my god, the eldest is, what, 14, driving that bike? | 0:56:14 | 0:56:17 | |
Finally, after ten gruelling days, Sue and Liza reach sanctuary, | 0:56:26 | 0:56:32 | |
and the end of their Ho Chi Minh adventure. | 0:56:32 | 0:56:35 | |
We've gone from dirt tracks and indigenous peoples, | 0:56:43 | 0:56:45 | |
from scantily-clad men with machetes and baskets of chicken guts | 0:56:45 | 0:56:50 | |
staring at our boobs | 0:56:50 | 0:56:52 | |
to mellow surroundings where everyone's dressed in pastels asking if you're OK | 0:56:52 | 0:56:55 | |
and would you like a shiatsu? | 0:56:55 | 0:56:57 | |
Come on, Perkins. | 0:57:00 | 0:57:02 | |
I've absolutely loved it, | 0:57:02 | 0:57:04 | |
and I think every single bit of it has been important, | 0:57:04 | 0:57:10 | |
the good and bad. | 0:57:10 | 0:57:11 | |
We actually journeyed through history, | 0:57:13 | 0:57:16 | |
we got to bump along the same tracks that trucks bumped along 40 years ago. | 0:57:16 | 0:57:22 | |
Got very tired about talking about the war | 0:57:23 | 0:57:26 | |
because it was sort of contradictory | 0:57:26 | 0:57:29 | |
to what we were actually witnessing, which is an extraordinary recovery | 0:57:29 | 0:57:33 | |
by extraordinary people, be it in Vietnam or be it in Laos. | 0:57:33 | 0:57:37 | |
Liza drove me utterly, utterly insane. | 0:57:40 | 0:57:44 | |
We had a real laugh. | 0:57:44 | 0:57:46 | |
And I couldn't have wished for a better person to do it with. | 0:57:46 | 0:57:49 | |
Well done. | 0:57:49 | 0:57:52 | |
Sue is fabulous and I drove her potty. | 0:57:52 | 0:57:55 | |
I told her, "I'm going to drive you mad. | 0:57:55 | 0:57:58 | |
"I don't know how or when or for how long, but I will drive you mad." | 0:57:58 | 0:58:01 | |
I had a wonderful time. | 0:58:05 | 0:58:06 | |
It wasn't the wonderful time I thought I'd have, | 0:58:06 | 0:58:08 | |
but it so far exceeded that | 0:58:08 | 0:58:10 | |
with its depth and its range and its character and its memories | 0:58:10 | 0:58:14 | |
that I feel really blessed, actually. Really, truly, blessed. | 0:58:14 | 0:58:17 | |
Subtitles by Red Bee Media Ltd | 0:58:47 | 0:58:50 |