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Coming up, three celebs become 12 again. | 0:00:02 | 0:00:04 | |
Everybody's, "What are you wearing? You look ridiculous." | 0:00:04 | 0:00:07 | |
I was not what you'd call a "little lady". | 0:00:07 | 0:00:09 | |
It was very kind of... you know, just quiffy. | 0:00:09 | 0:00:12 | |
Plus we catch up with the guys from Lawson | 0:00:12 | 0:00:14 | |
to find out what they were like at 12. | 0:00:14 | 0:00:18 | |
It's when you start getting interested in girls. | 0:00:18 | 0:00:20 | |
-Yeah! -That first little phase. -"Look at that girl over there." | 0:00:20 | 0:00:23 | |
Yeah, yeah! So do you want to find out more? | 0:00:23 | 0:00:27 | |
Well, | 0:00:27 | 0:00:28 | |
have you ever wondered what it would have been like being best mates | 0:00:28 | 0:00:31 | |
with your favourite celebs when they were your age? | 0:00:31 | 0:00:34 | |
What did they get up to? | 0:00:34 | 0:00:37 | |
What were their favourite songs? | 0:00:37 | 0:00:39 | |
And what TV shows did they watch? | 0:00:39 | 0:00:41 | |
Because despite the glamorous lifestyles they now lead, | 0:00:41 | 0:00:44 | |
once they were a kid, with their dream, just like you. | 0:00:44 | 0:00:48 | |
This show lets you look back in time with your favourite celebs | 0:00:48 | 0:00:52 | |
as they become 12 Again. | 0:00:52 | 0:00:55 | |
She's one of CBBC's favourite actresses | 0:01:01 | 0:01:03 | |
who you'll find in Hotel Trubble... | 0:01:03 | 0:01:05 | |
Hello, Hotel Trubble. | 0:01:05 | 0:01:07 | |
..and the almighty Horrible Histories. | 0:01:07 | 0:01:10 | |
But back in 1998, Dominique Moore's history was not quite horrible. | 0:01:10 | 0:01:15 | |
I was very driven, very fearless | 0:01:15 | 0:01:17 | |
and kind of had my own little way of doing things. | 0:01:17 | 0:01:20 | |
Sometimes I'd get into trouble and sometimes it would work in my favour. | 0:01:20 | 0:01:25 | |
# You'll never get this dance tonight! # | 0:01:25 | 0:01:27 | |
He's the super-cool front man the Lostprophets, | 0:01:27 | 0:01:30 | |
who have had such massive hits as Last Train Home... | 0:01:30 | 0:01:34 | |
# But we sing if we're going nowhere... # | 0:01:34 | 0:01:37 | |
..and Rooftops. | 0:01:37 | 0:01:39 | |
# Standing on the rooftops everybody scream your heart out! # | 0:01:39 | 0:01:42 | |
But back in 1989, Ian Watkins was more nerd than rock hero. | 0:01:44 | 0:01:49 | |
I was big into Games Workshop. | 0:01:49 | 0:01:51 | |
Painted models and, yeah, computer games. | 0:01:51 | 0:01:55 | |
I've always been a geek. | 0:01:55 | 0:01:56 | |
I suppose as far as I can remember. | 0:01:56 | 0:01:58 | |
She's the star of Rip-Off Britain | 0:01:58 | 0:02:01 | |
and has been on our TV sets since 1966, | 0:02:01 | 0:02:03 | |
and has even presented Top Gear, but not as you know it. | 0:02:03 | 0:02:07 | |
A lot of cars these days are fitted with anti-theft devices. | 0:02:07 | 0:02:10 | |
You have either a lock-on steering wheel or a buzzer... | 0:02:10 | 0:02:13 | |
But back in 1966, Angela Rippon was learning some valuable life lessons. | 0:02:13 | 0:02:18 | |
I grew up with the kind of family background | 0:02:18 | 0:02:21 | |
which basically said, "Go for it. Do it." | 0:02:21 | 0:02:25 | |
Let's do it then! We all know who they are now, | 0:02:25 | 0:02:27 | |
but what were they like back when they were still in their school uniforms? | 0:02:27 | 0:02:31 | |
Let's go back and meet their 12-year-old selves. | 0:02:31 | 0:02:34 | |
I was...very ambitious. | 0:02:34 | 0:02:37 | |
SHE LAUGHS | 0:02:37 | 0:02:39 | |
All my family agrees that I was the tomboy in the family. | 0:02:39 | 0:02:42 | |
I was not really what you'd call a "little lady". SHE LAUGHS | 0:02:42 | 0:02:46 | |
My hair was, like, a fully '80s quiff. | 0:02:46 | 0:02:49 | |
It was very kind of... yeah, just quiffy. | 0:02:49 | 0:02:53 | |
I always had my hair cut very, very short, | 0:02:53 | 0:02:55 | |
so I could get up in the morning, | 0:02:55 | 0:02:57 | |
get ready for school and just kind of do that and it was fine. | 0:02:57 | 0:03:00 | |
It doesn't do that now! | 0:03:00 | 0:03:02 | |
I used to make my own clothes. | 0:03:02 | 0:03:05 | |
I had these denim flares and I painted down one side, | 0:03:05 | 0:03:09 | |
like, "Soulful", or something, in bright yellow paint. | 0:03:09 | 0:03:12 | |
Clothes like baggy jeans, | 0:03:12 | 0:03:15 | |
like skateboard T-shirts. | 0:03:15 | 0:03:16 | |
I totally wanted to be like a kid growing up in an American suburb, | 0:03:16 | 0:03:20 | |
skateboarding. | 0:03:20 | 0:03:21 | |
Everybody's, "What are you wearing? | 0:03:21 | 0:03:24 | |
"You look ridiculous." | 0:03:24 | 0:03:25 | |
I was, "No, this is style." | 0:03:25 | 0:03:27 | |
"This is fashion." | 0:03:27 | 0:03:29 | |
I thought I was a trend-setter. | 0:03:29 | 0:03:31 | |
Now I realise I just looked really silly. | 0:03:31 | 0:03:34 | |
SHE LAUGHS | 0:03:34 | 0:03:36 | |
So apart from being trend-setters in their own...unique way, | 0:03:36 | 0:03:39 | |
what else was going on in our three celebs' lives back then? | 0:03:39 | 0:03:42 | |
I always loved music. You know, fully loved it. | 0:03:42 | 0:03:45 | |
You know, I used to, like, record the countdown, | 0:03:45 | 0:03:49 | |
the charts, and then pause it. | 0:03:49 | 0:03:51 | |
But I'd also, like, have two tape decks and do mixes together. | 0:03:51 | 0:03:55 | |
I'd record a little bit of a song and put another song next to it. | 0:03:55 | 0:03:58 | |
I was always intrigued by the way things were created, | 0:03:58 | 0:04:02 | |
um... you know, just musically. | 0:04:02 | 0:04:04 | |
Whilst Ian was being a tape deck DJ, | 0:04:06 | 0:04:08 | |
in the 1950s, Britain was recovering from World War Two, | 0:04:08 | 0:04:11 | |
and, in Plymouth, along with many others, | 0:04:11 | 0:04:13 | |
Angela's family had found themselves without a home | 0:04:13 | 0:04:16 | |
and living with relatives. | 0:04:16 | 0:04:17 | |
They'd bombed the whole of the city of Plymouth. | 0:04:17 | 0:04:20 | |
A lot of housing was destroyed, shops, businesses, everything went. | 0:04:20 | 0:04:24 | |
But the population needed to be housed, | 0:04:24 | 0:04:26 | |
and one of the easy ways was this wonderful thing called the prefab, | 0:04:26 | 0:04:31 | |
a prefabricated building. | 0:04:31 | 0:04:33 | |
And estates of these sprang up all over the country | 0:04:35 | 0:04:38 | |
because they were quick, easy and cheap. | 0:04:38 | 0:04:40 | |
Prefabricated houses | 0:04:40 | 0:04:42 | |
were homes that were delivered in large pieces | 0:04:42 | 0:04:46 | |
and put together a bit like a giant jigsaw you could live in. | 0:04:46 | 0:04:49 | |
They were meant to be a temporary solution while more permanent houses were built, | 0:04:49 | 0:04:53 | |
but many people loved them so much, there's still some around today. | 0:04:53 | 0:05:00 | |
I have to tell you, it was wonderful, | 0:05:00 | 0:05:02 | |
because I'd been living with my grandparents up until then. | 0:05:02 | 0:05:06 | |
We had an outside toilet at the bottom of the garden. | 0:05:06 | 0:05:08 | |
There was no bathroom in the house, so we had to go to the public baths once a week for a bath. | 0:05:08 | 0:05:13 | |
And suddenly my parents were offered this prefab on an estate, | 0:05:13 | 0:05:17 | |
which had a fully fitted bathroom. | 0:05:17 | 0:05:19 | |
The kitchen was fully fitted. | 0:05:19 | 0:05:23 | |
It was luxury beyond imagination. | 0:05:23 | 0:05:26 | |
So whilst Angela was enjoying her brand new prefab, | 0:05:32 | 0:05:34 | |
back in London, Dominique was getting the dreaded school report. | 0:05:34 | 0:05:38 | |
I was a bit of a clown at school. | 0:05:38 | 0:05:41 | |
I was always talking in class. | 0:05:41 | 0:05:42 | |
I was always distracting other people in class, | 0:05:42 | 0:05:46 | |
because I got bored really easily. | 0:05:46 | 0:05:48 | |
I went back and found my old school report when I was 12, | 0:05:48 | 0:05:51 | |
and apparently I was very talkative. | 0:05:51 | 0:05:53 | |
Um... | 0:05:53 | 0:05:55 | |
"Needs to maintain a higher level of concentration." | 0:05:55 | 0:05:57 | |
"Dominique started off being one of my top scientists..." | 0:05:58 | 0:06:02 | |
SHE GIGGLES | 0:06:02 | 0:06:03 | |
It's my ballet one. | 0:06:03 | 0:06:04 | |
"She has a difficult body for ballet, but manages to work through it." | 0:06:04 | 0:06:09 | |
"She has her own way of doing things." | 0:06:09 | 0:06:12 | |
"It took me months to convince her | 0:06:12 | 0:06:14 | |
"that I knew what I was talking about." SHE LAUGHS | 0:06:14 | 0:06:17 | |
I'm really sorry to all of the teachers | 0:06:17 | 0:06:20 | |
who've ever had to put up with me and this. | 0:06:20 | 0:06:23 | |
I apologise for my 12-year-old self. | 0:06:23 | 0:06:26 | |
And so you should! | 0:06:26 | 0:06:28 | |
So, if we can get Dominique to stop being naughty for two minutes, | 0:06:28 | 0:06:31 | |
let's see what our celebs were listening to. | 0:06:31 | 0:06:34 | |
When I was 12, the music I was listening to, | 0:06:34 | 0:06:36 | |
strangely, looking back, was a lot of hip hop stuff. | 0:06:36 | 0:06:39 | |
# Whoo! Yeah! # | 0:06:39 | 0:06:41 | |
The first record I ever bought with my own pocket money | 0:06:41 | 0:06:44 | |
was Neneh Cherry. | 0:06:44 | 0:06:45 | |
# DJ! # | 0:06:45 | 0:06:46 | |
Raw Like Sushi. | 0:06:46 | 0:06:48 | |
# No moneyman can win my love | 0:06:48 | 0:06:52 | |
# It's sweetness that I'm thinking of... # | 0:06:52 | 0:06:57 | |
Which then led me on to stuff like Bomb The Bass. | 0:06:57 | 0:06:59 | |
Keep the frequency clear. | 0:06:59 | 0:07:00 | |
It sounds really cool now. | 0:07:02 | 0:07:03 | |
And if it sounds really cool now, | 0:07:03 | 0:07:06 | |
back in the late '80s, it was absolutely groundbreaking. | 0:07:06 | 0:07:10 | |
For a lot of people, this is the first dance music they'd ever heard. | 0:07:14 | 0:07:17 | |
These early records featured loads of samples. | 0:07:17 | 0:07:21 | |
# Get-Get-Get I get-I get down to the funky beat... # | 0:07:21 | 0:07:24 | |
Which would be taken from old songs, radio broadcasts | 0:07:24 | 0:07:27 | |
or...anything, really. | 0:07:27 | 0:07:29 | |
All that early, like, sample tracks intrigued me. | 0:07:29 | 0:07:32 | |
Like, I loved stuff like M/A/R/R/S Pump Up The Volume. | 0:07:32 | 0:07:36 | |
# Pump up the volume Dance! Dance! # | 0:07:36 | 0:07:38 | |
Pump Up The Volume became the first ever dance track | 0:07:40 | 0:07:44 | |
to get to number one in the charts, in 1987. | 0:07:44 | 0:07:47 | |
But there's one song that really makes Ian feel 12 again. | 0:07:49 | 0:07:53 | |
# Tank fly boss walk jam nitty gritty You're listening to the boy | 0:07:53 | 0:07:57 | |
# From the big bad city This is jam hot... # | 0:07:57 | 0:07:59 | |
# This is jam hot... # | 0:07:59 | 0:08:01 | |
Dub Be Good To Me, | 0:08:03 | 0:08:05 | |
by Beats International, | 0:08:05 | 0:08:07 | |
takes me back...like that. | 0:08:07 | 0:08:09 | |
# Friends... | 0:08:09 | 0:08:11 | |
# Tell me I am crazy... # | 0:08:11 | 0:08:14 | |
As a kid, building, like, Games Workshop, | 0:08:14 | 0:08:18 | |
Battle Terrain, | 0:08:18 | 0:08:20 | |
with papier mache in my bedroom, | 0:08:20 | 0:08:22 | |
sun coming through the windows... | 0:08:22 | 0:08:24 | |
yeah, in my own world. | 0:08:24 | 0:08:26 | |
So let's leave Ian with his Games Workshop | 0:08:27 | 0:08:29 | |
and find out what was happening in Dominique's world of music in 1998. | 0:08:29 | 0:08:33 | |
When I was 12, | 0:08:33 | 0:08:35 | |
I did Annie, in the West End, and Jay-Z came to watch the show | 0:08:35 | 0:08:40 | |
cos he had Hard Knock Life out at the time. | 0:08:40 | 0:08:42 | |
# From standin' on the corners boppin' | 0:08:42 | 0:08:44 | |
# To drivin' some of the hottest cars New York has ever seen... # | 0:08:44 | 0:08:47 | |
Just in case you didn't know, | 0:08:47 | 0:08:49 | |
Hard Knock Life is a song from the musical Annie, that Jay-Z sampled. | 0:08:49 | 0:08:52 | |
And this song was HUGE! | 0:08:52 | 0:08:55 | |
# It's the hard knock life for us... # | 0:08:55 | 0:08:58 | |
But what was a rap megastar | 0:08:58 | 0:09:00 | |
doing watching Dominique perform at a theatre? | 0:09:00 | 0:09:03 | |
He wanted us to go on to Top Of The Pops and perform with him. | 0:09:03 | 0:09:06 | |
That is amazing. | 0:09:06 | 0:09:08 | |
Being handpicked by hip-hop legend Jay-Z | 0:09:08 | 0:09:11 | |
to perform on TV must have been the best thing EVER. | 0:09:11 | 0:09:15 | |
The day before, they said, "We're really sorry, you won't be able to go on Top Of The Pops." | 0:09:15 | 0:09:20 | |
MUSIC WINDS DOWN | 0:09:20 | 0:09:21 | |
Oh. | 0:09:21 | 0:09:23 | |
And we've got a "sorry" letter from Jay-Z, which is pretty cool. | 0:09:23 | 0:09:27 | |
I suppose that's pretty cool, | 0:09:27 | 0:09:28 | |
but to be honest I'd rather be on TV with Jay-Z. | 0:09:28 | 0:09:31 | |
But you've got your letter, don't you, so... | 0:09:31 | 0:09:35 | |
# It's a hard knock life... # | 0:09:35 | 0:09:36 | |
So as Dominique was missing out on a starring role | 0:09:38 | 0:09:41 | |
with hip-hop royalty of the '90s, | 0:09:41 | 0:09:43 | |
Angela was listening to a very new kind of music in the '50s. | 0:09:43 | 0:09:46 | |
Musically, I was much more aware | 0:09:46 | 0:09:49 | |
of classical music than I was of pop music, | 0:09:49 | 0:09:53 | |
as we would think of it today. | 0:09:53 | 0:09:54 | |
Simply because that's what I was hearing all the time when I was at ballet class. | 0:09:54 | 0:09:59 | |
The pianist played ballet music and we were dancing to Tchaikovsky. | 0:09:59 | 0:10:02 | |
But whilst Angela was doing pirouettes to classical music, | 0:10:02 | 0:10:05 | |
a huge musical movement was just beginning, | 0:10:05 | 0:10:08 | |
and about to change and influence music as we know it for ever. | 0:10:08 | 0:10:14 | |
Suddenly, there was rock'n'roll. | 0:10:14 | 0:10:16 | |
# Get your glad rags on... # | 0:10:16 | 0:10:17 | |
The advent of Bill Haley and the Comets | 0:10:17 | 0:10:20 | |
and those American rock'n'roll bands, | 0:10:20 | 0:10:23 | |
I think was really quite important for a lot of people of my age | 0:10:23 | 0:10:27 | |
around the 1956, 1957 era. | 0:10:27 | 0:10:30 | |
You're not kidding, Angela! | 0:10:30 | 0:10:32 | |
There were loads of rock'n'roll stars | 0:10:32 | 0:10:35 | |
like Bill Haley and Eddie Cochrane, | 0:10:35 | 0:10:37 | |
who helped create rock music as we know it today. | 0:10:37 | 0:10:39 | |
# ..Then your sister will Whoo! C'mon, everybody! #" | 0:10:39 | 0:10:43 | |
Kids finally could sit down, clap | 0:10:43 | 0:10:45 | |
and chew gum along to their favourite hits. | 0:10:45 | 0:10:48 | |
Well, everyone apart from that kid there. What's he playing at? | 0:10:48 | 0:10:52 | |
# Lay off of them shoes | 0:10:52 | 0:10:53 | |
# And don't you step on my blue suede shoes... # | 0:10:53 | 0:10:55 | |
But for Angela, it was all about the dancing. | 0:10:55 | 0:10:59 | |
It was suddenly this physical freedom of expression to music, | 0:10:59 | 0:11:03 | |
that was quite wild. | 0:11:03 | 0:11:05 | |
I could actually do the twirls | 0:11:05 | 0:11:08 | |
and the twists and the whole thing. | 0:11:08 | 0:11:10 | |
It was fantastic! | 0:11:10 | 0:11:11 | |
I...loved it. | 0:11:11 | 0:11:13 | |
Still to come, | 0:11:13 | 0:11:15 | |
we catch up super-catchy pop band, Lawson, | 0:11:15 | 0:11:18 | |
and find out what they got up to when they were 12. | 0:11:18 | 0:11:21 | |
-I just cried my eyes out. -You cried? -Yeah, I cried, yeah. | 0:11:21 | 0:11:25 | |
And we find out what TV shows had our celebs glues to the telly box. | 0:11:25 | 0:11:28 | |
Thinking about it now, it kills me. | 0:11:28 | 0:11:31 | |
I was like, "See, Mum, it's real!" | 0:11:31 | 0:11:33 | |
Brilliant, brilliant television. | 0:11:33 | 0:11:36 | |
But first let's see what big news stories | 0:11:36 | 0:11:39 | |
had an impact on our celebrities when they were kids. | 0:11:39 | 0:11:43 | |
One of the big news stories when I was 12 was the Strangeways riot. | 0:11:43 | 0:11:47 | |
The headlines this evening: prisoners riot at a Manchester jail. | 0:11:49 | 0:11:52 | |
A hundred protest on the roof. | 0:11:52 | 0:11:54 | |
Others take over the main cell block. | 0:11:54 | 0:11:57 | |
Strangeways Prison was originally built | 0:11:58 | 0:12:00 | |
to house just over 1,000 prisoners, | 0:12:00 | 0:12:02 | |
but in 1990, around 1,600 inmates had been locked up. | 0:12:02 | 0:12:07 | |
Prisoners weren't getting enough exercise, | 0:12:07 | 0:12:10 | |
cells had become overcrowded, | 0:12:10 | 0:12:11 | |
and often had buckets instead of toilets. | 0:12:11 | 0:12:15 | |
To protest, the prisoners started rioting | 0:12:17 | 0:12:20 | |
and then worked their way onto the roof of the prison. | 0:12:20 | 0:12:23 | |
I always remember the images of all the prisoners on the roof | 0:12:23 | 0:12:26 | |
complaining about the conditions | 0:12:26 | 0:12:29 | |
and holding up banners. | 0:12:29 | 0:12:30 | |
Finally, after 25 days, the siege came to an end. | 0:12:32 | 0:12:35 | |
..insurrection at Strangeways jail in Manchester, | 0:12:35 | 0:12:38 | |
by far the longest prison siege on record. | 0:12:38 | 0:12:42 | |
The prison had been damaged so badly, | 0:12:42 | 0:12:44 | |
it cost £55 million to rebuild. | 0:12:44 | 0:12:47 | |
As the riots left two men dead and 194 injured, | 0:12:47 | 0:12:50 | |
a public inquiry was held, | 0:12:50 | 0:12:53 | |
that decided that conditions in the prison had been terrible. | 0:12:53 | 0:12:56 | |
This then led to a major reform of the prison system | 0:12:56 | 0:12:59 | |
and living conditions for prisoners were improved. | 0:12:59 | 0:13:02 | |
I always watched Newsround when I got home from school. | 0:13:05 | 0:13:07 | |
One of the stories I remember from when I was 12 | 0:13:07 | 0:13:10 | |
was the Good Friday Agreement, | 0:13:10 | 0:13:12 | |
and that was put in place to resolve all of the tension and disputes | 0:13:12 | 0:13:17 | |
between Britain, Ireland and Northern Ireland. | 0:13:17 | 0:13:20 | |
For over 30 years there had been violent clashes | 0:13:20 | 0:13:23 | |
between Protestant and Catholic communities, | 0:13:23 | 0:13:25 | |
who had different beliefs over whether Northern Ireland | 0:13:25 | 0:13:28 | |
should belong to the UK or the Republic of Ireland. | 0:13:28 | 0:13:31 | |
The process to get all political parties to come together | 0:13:31 | 0:13:34 | |
in agreement was not an easy task and took a long time to happen. | 0:13:34 | 0:13:38 | |
Reports of hope, optimism, then stalemate, even failure, | 0:13:38 | 0:13:41 | |
and then back to breakthrough. | 0:13:41 | 0:13:43 | |
No-one yet knows if it will be deal of deadlock. | 0:13:43 | 0:13:47 | |
I do remember this story because it was a positive one | 0:13:47 | 0:13:50 | |
and it was about bringing an end to all of the terrorism. | 0:13:50 | 0:13:55 | |
Finally, in April 1998, | 0:13:55 | 0:13:57 | |
Northern Ireland seemed to have peace at last. | 0:13:57 | 0:14:00 | |
-TONY BLAIR: -Doing what we have done today, | 0:14:00 | 0:14:02 | |
we have carried out what I believe to be the will | 0:14:02 | 0:14:05 | |
of the overwhelming majority of people here in Northern Ireland. | 0:14:05 | 0:14:08 | |
The chance to live in peace. | 0:14:09 | 0:14:11 | |
The chance to raise children out of the shadow of fear. | 0:14:11 | 0:14:15 | |
But not everyone was happy that an agreement had been made. | 0:14:17 | 0:14:21 | |
Good evening. As many as 12 people are thought to have been killed | 0:14:26 | 0:14:29 | |
in a serious bomb attack at Omagh in Northern Ireland. | 0:14:29 | 0:14:33 | |
A group called the Real IRA carried out the attack. | 0:14:33 | 0:14:36 | |
They believed Ireland should be one country | 0:14:36 | 0:14:39 | |
and opposed the Good Friday Agreement. | 0:14:39 | 0:14:41 | |
29 people died in the attack. | 0:14:41 | 0:14:43 | |
By the time the rain began falling on Omagh this morning, | 0:14:43 | 0:14:47 | |
the scale of the tragedy was apparent. | 0:14:47 | 0:14:50 | |
Due to the bombing and other political problems, the Good Friday Agreement was put on hold | 0:14:50 | 0:14:54 | |
until 2007, | 0:14:54 | 0:14:55 | |
when the Northern Ireland Assembly began to work together again. | 0:14:55 | 0:14:59 | |
The restoration of political institutions | 0:14:59 | 0:15:03 | |
marks the beginning of a new era of politics on this island. | 0:15:03 | 0:15:07 | |
This is a binding resolution. | 0:15:07 | 0:15:11 | |
Today, all political parties are working together | 0:15:11 | 0:15:14 | |
to make the country a peaceful place for everyone. | 0:15:14 | 0:15:17 | |
The big story was | 0:15:20 | 0:15:23 | |
the huge fight that black people in America were having | 0:15:23 | 0:15:28 | |
for basic human rights and equality. | 0:15:28 | 0:15:31 | |
In some parts of America, | 0:15:33 | 0:15:35 | |
when Angela was a kid, black people were seen as second-class citizens | 0:15:35 | 0:15:38 | |
and suffered terrible discrimination. | 0:15:38 | 0:15:41 | |
They were separated from white people in many areas | 0:15:41 | 0:15:44 | |
and life was made very, very hard for them. | 0:15:44 | 0:15:49 | |
The Ku Klux Klan were out in force. | 0:15:49 | 0:15:51 | |
The white supremacists | 0:15:51 | 0:15:52 | |
were battling against people who believed | 0:15:52 | 0:15:55 | |
in humanity! | 0:15:55 | 0:15:57 | |
The Ku Klux Klan were an organisation in America | 0:15:57 | 0:16:00 | |
who believed only white people should live in the USA. | 0:16:00 | 0:16:04 | |
They wore white robes and masks | 0:16:04 | 0:16:06 | |
and often brutally attacked and terrorised black communities. | 0:16:06 | 0:16:09 | |
But the actions of one woman were about to have a massive effect on an entire nation. | 0:16:09 | 0:16:14 | |
I distinctly remember Rosa Parks, | 0:16:14 | 0:16:18 | |
that incredibly brave American black woman, who decided enough was enough. | 0:16:18 | 0:16:24 | |
It had a huge impression on me. | 0:16:24 | 0:16:26 | |
In Montgomery, Alabama, | 0:16:26 | 0:16:28 | |
Rosa Parks was arrested when she refused to give up her seat on a bus | 0:16:28 | 0:16:32 | |
to let a white passenger sit down, which was against the law. | 0:16:32 | 0:16:36 | |
As a result of her arrest, | 0:16:36 | 0:16:38 | |
most of Montgomery's 40,000 black workers | 0:16:38 | 0:16:40 | |
refused to ride the bus to work. | 0:16:40 | 0:16:43 | |
The buses became almost empty. | 0:16:43 | 0:16:45 | |
The protest went on for 381 days | 0:16:45 | 0:16:49 | |
and their actions forced the bus companies to stop segregation on their buses. | 0:16:49 | 0:16:53 | |
There was still segregation elsewhere, | 0:16:53 | 0:16:55 | |
but it was a step towards equality and freedom for African Americans. | 0:16:55 | 0:16:59 | |
As a 12-year-old, | 0:16:59 | 0:17:01 | |
to have been brought up in a family where... | 0:17:01 | 0:17:04 | |
colour and creed didn't matter, whose attitude was, | 0:17:04 | 0:17:08 | |
let people get on with their lives. | 0:17:08 | 0:17:10 | |
The actions of Rosa Parks | 0:17:10 | 0:17:12 | |
turned her into a hero of the civil rights movement | 0:17:12 | 0:17:15 | |
and she became an icon and an inspiration for thousands of people. | 0:17:15 | 0:17:19 | |
Yeah, those stories stayed with me for the rest of my life. | 0:17:21 | 0:17:24 | |
Still to come, we ask that all-important question - | 0:17:27 | 0:17:30 | |
what would our celebs do if they were 12 again? | 0:17:30 | 0:17:32 | |
Stop talking so much! | 0:17:32 | 0:17:34 | |
Who I was at 12 has helped to shape me as the person that I am now. | 0:17:34 | 0:17:38 | |
Looking back, 12 was amazing. | 0:17:38 | 0:17:41 | |
But first we got two minutes to catch up | 0:17:41 | 0:17:43 | |
with the super-cool boy band Lawson | 0:17:43 | 0:17:46 | |
to find out they were like when they were kids. | 0:17:46 | 0:17:49 | |
# Oooh... | 0:17:49 | 0:17:50 | |
# Taking over me... # | 0:17:50 | 0:17:53 | |
Lawson are not just a boy band, | 0:17:56 | 0:17:58 | |
they play guitars and everything! | 0:17:58 | 0:18:00 | |
But what did Andy, Ryan, Adam, and Joel get up to when they were 12? | 0:18:00 | 0:18:05 | |
When I was 12 years old, I was... | 0:18:05 | 0:18:07 | |
a little loner guy | 0:18:07 | 0:18:09 | |
that used to hang around in the music room every dinner time and break time, | 0:18:09 | 0:18:13 | |
and that's pretty much my life in school from start to finish. | 0:18:13 | 0:18:16 | |
# My heart is racing | 0:18:16 | 0:18:17 | |
# She puts her hands in mine # | 0:18:17 | 0:18:20 | |
I'd just started to get braces and stuff, | 0:18:20 | 0:18:22 | |
so I'd got this horrific brace that had, like, four big blocks like, | 0:18:22 | 0:18:26 | |
so every time I talked I had a lisp | 0:18:26 | 0:18:29 | |
-Joel has got a great smile, to be fair. -Smile, Joe? | 0:18:29 | 0:18:32 | |
THEY LAUGH | 0:18:32 | 0:18:33 | |
Oh, great smile... But what was school like? | 0:18:34 | 0:18:37 | |
There were elements I enjoyed, which were break times and dinner times, | 0:18:37 | 0:18:41 | |
and there were elements I hated, which were lessons. | 0:18:41 | 0:18:44 | |
# Taking over me # | 0:18:44 | 0:18:46 | |
I got sent out of history. | 0:18:46 | 0:18:47 | |
I got sent out of most classes cos I was a loudmouth. | 0:18:47 | 0:18:50 | |
I was standing outside the class and our headmaster, when he shouted, | 0:18:50 | 0:18:54 | |
had that white bit that stuck to his lip and it stuck. | 0:18:54 | 0:18:56 | |
-And coffee breath. -And he came up to me and just shouted | 0:18:56 | 0:18:58 | |
about an inch away from my face. I was like... I just cried my eyes out. It was horrible. | 0:18:58 | 0:19:04 | |
-You cried? -I cried, yeah. -Oooh! -I was only 12. | 0:19:04 | 0:19:07 | |
We've all cried, brother, we've all cried. | 0:19:07 | 0:19:11 | |
But what kind of music did you like? | 0:19:11 | 0:19:13 | |
-Avril Lavigne, Complicated, or something. -I was going to say Avril Lavigne. | 0:19:13 | 0:19:16 | |
# Tell me why'd you have to go make things so complicated? | 0:19:16 | 0:19:21 | |
When I was 12, that was the time I bought my first ever album. | 0:19:21 | 0:19:25 | |
And I bought a Limp Biscuit album. | 0:19:25 | 0:19:28 | |
# Keep rollin' rollin' rollin... # | 0:19:28 | 0:19:31 | |
# Rollin' rollin' rollin... # | 0:19:31 | 0:19:32 | |
That literally reminds me of being 12 | 0:19:32 | 0:19:35 | |
playing air guitar on my sofa. | 0:19:35 | 0:19:37 | |
Going, "I want to play that riff one day." And now I can. | 0:19:37 | 0:19:40 | |
# Rollin' rollin' rollin'... # | 0:19:40 | 0:19:42 | |
# When she was mine | 0:19:43 | 0:19:46 | |
# Everything was easy # | 0:19:46 | 0:19:48 | |
So for Lawson what was the most important thing about being 12? | 0:19:48 | 0:19:51 | |
I'll give you a clue - it's girls. | 0:19:51 | 0:19:53 | |
When you're 12 is when you kind of start secondary school, | 0:19:53 | 0:19:56 | |
-so... -It's when you start getting interested in girls. -I was going to say that! | 0:19:56 | 0:19:59 | |
200 girls to meet. | 0:19:59 | 0:20:02 | |
But you still don't want to talk to them, you know what I mean? | 0:20:02 | 0:20:05 | |
You've not got your confidence yet. | 0:20:05 | 0:20:08 | |
I've still not! It's a nightmare. | 0:20:08 | 0:20:11 | |
Obviously confidence with girls is not a problem for me. I'm, er super-smooth. | 0:20:11 | 0:20:15 | |
Just got to send a text my girlfriend. "You're dumped. LOL." | 0:20:15 | 0:20:18 | |
Send... | 0:20:18 | 0:20:20 | |
Right, moving on. Time to get back to our three celebs | 0:20:21 | 0:20:24 | |
and find out what Dominique, Ian and Angela were watching when they were 12. | 0:20:24 | 0:20:28 | |
I loved cartoons. I still do. | 0:20:29 | 0:20:31 | |
Like Dogtanian. | 0:20:31 | 0:20:33 | |
Belle and Sebastian. | 0:20:33 | 0:20:34 | |
Voltron. | 0:20:34 | 0:20:35 | |
The Weird Warriors. | 0:20:35 | 0:20:37 | |
Battle of the Planets. | 0:20:37 | 0:20:38 | |
Dungeons and Dragons, the cartoon. | 0:20:38 | 0:20:40 | |
He-Man was another one. It's all coming back. | 0:20:40 | 0:20:43 | |
OK, we get it - you like cartoons! | 0:20:43 | 0:20:45 | |
Oh, there's more! | 0:20:45 | 0:20:47 | |
Ulysses. | 0:20:47 | 0:20:48 | |
Was it Ulysses 2032? | 0:20:48 | 0:20:50 | |
Actually it was Ulysses 31, but never mind. Any more? | 0:20:50 | 0:20:54 | |
HE HUMS | 0:20:54 | 0:20:55 | |
# Wishing we could find the cities of gold # | 0:20:55 | 0:21:00 | |
Yeah, that's quite enough of that. | 0:21:00 | 0:21:02 | |
Ian's obsession with watching TV didn't stop with cartoons. | 0:21:02 | 0:21:06 | |
Along with his best mate and lead guitarist from the Lostprophets, | 0:21:06 | 0:21:10 | |
they were glued to Saturday morning TV | 0:21:10 | 0:21:12 | |
as one comedy duo entertained the nation. | 0:21:12 | 0:21:15 | |
Lee and I were obsessed with Trevor and Simon. | 0:21:17 | 0:21:19 | |
Obsessed. We watched them religiously. | 0:21:19 | 0:21:22 | |
Trevor and Simon started out on Going Live. | 0:21:24 | 0:21:27 | |
Hello! | 0:21:27 | 0:21:28 | |
And became comedy legends for thousands of kids across the country. | 0:21:28 | 0:21:32 | |
Blimey, that's good! | 0:21:32 | 0:21:33 | |
And the fact that they cracked up Sarah Greene and Philip Schofield | 0:21:33 | 0:21:38 | |
all the time. | 0:21:38 | 0:21:39 | |
We found out that, um... | 0:21:39 | 0:21:41 | |
They came up with different characters every week. | 0:21:41 | 0:21:45 | |
Mostly it was the Swing Your Pants one. | 0:21:45 | 0:21:46 | |
-Join in, swing your pants. -Join in! | 0:21:46 | 0:21:48 | |
# Too many broken hearts in the world | 0:21:48 | 0:21:52 | |
# There are too many la la la la la la # | 0:21:52 | 0:21:56 | |
Lee called me up on a Saturday morning saying, | 0:21:56 | 0:21:59 | |
"You need to watch Going Live right now." | 0:21:59 | 0:22:02 | |
"They've got new characters. | 0:22:02 | 0:22:03 | |
Mick McMax, the man with the mix. | 0:22:03 | 0:22:05 | |
And Moon Monkey. | 0:22:07 | 0:22:08 | |
Make some noise, kids! | 0:22:08 | 0:22:10 | |
KIDS YELL | 0:22:10 | 0:22:12 | |
I turned it on and it was Mick McMax, the man with the mix, | 0:22:12 | 0:22:16 | |
who was a DJ, and Moon Monkey was his dancer. | 0:22:16 | 0:22:18 | |
Kids, smell your cheese! | 0:22:18 | 0:22:20 | |
Make some noise! | 0:22:20 | 0:22:23 | |
In a head-to-toe, skin-tight, like, leotard. | 0:22:23 | 0:22:27 | |
The only thing exposed was his face. | 0:22:27 | 0:22:29 | |
Everything else was just green. | 0:22:29 | 0:22:31 | |
Thinking about it now, it just kills me. | 0:22:32 | 0:22:35 | |
It was just brilliant. | 0:22:35 | 0:22:37 | |
YELLING AND GIBBERING | 0:22:37 | 0:22:39 | |
Right let's fast forward to the mid '90s, | 0:22:48 | 0:22:50 | |
and just before Dominique was 12 | 0:22:50 | 0:22:52 | |
there was one show that had a huge effect on her. | 0:22:52 | 0:22:55 | |
I used to love the show called The Biz. | 0:22:55 | 0:22:58 | |
The theme tune was, # If we want it bad enough there's nothing we won't do # | 0:23:00 | 0:23:04 | |
-# The sky's the limit -We know it's tough | 0:23:04 | 0:23:07 | |
# But it all depends on you # | 0:23:07 | 0:23:09 | |
It was basically all these children who went to a theatre school. | 0:23:09 | 0:23:12 | |
So for me, wanted to be an actress, I was glued. | 0:23:12 | 0:23:16 | |
I've got an audition and I don't know what to say. I don't even know what to wear. | 0:23:16 | 0:23:20 | |
"See, Mum, it's real! You can go to a school and study performing." | 0:23:20 | 0:23:24 | |
-The show was full of over-the-top acting... -Rrrrraaahhhh! | 0:23:27 | 0:23:30 | |
..and drama queens. | 0:23:30 | 0:23:31 | |
I've got a big budget drama going on in there! | 0:23:31 | 0:23:35 | |
But it did launch the career of Holby City star Paul Nichols | 0:23:35 | 0:23:40 | |
and his ever so dreamy hair. Just make sure you don't touch it! | 0:23:40 | 0:23:43 | |
I'm sorry... | 0:23:44 | 0:23:45 | |
It's not your fault, he just doesn't like it ruffled. | 0:23:45 | 0:23:48 | |
TV has a big influence on you when you're young, cos you think it's real. | 0:23:48 | 0:23:51 | |
And Dominique was about to make it real, by auditioning for a real-life drama school. | 0:23:51 | 0:23:57 | |
Dominique? | 0:23:57 | 0:23:59 | |
-Hello. -Hiya, Dominique. | 0:23:59 | 0:24:00 | |
And she had to do it in front of the entire nation | 0:24:00 | 0:24:03 | |
on a TV documentary called Paddington Green. | 0:24:03 | 0:24:06 | |
Didn't faze me. I had a film crew following me. | 0:24:06 | 0:24:09 | |
I was just determined to do my best and get into the school. | 0:24:09 | 0:24:12 | |
# There's a hero | 0:24:12 | 0:24:16 | |
# If you look inside your heart # | 0:24:16 | 0:24:20 | |
Did she get into drama school? | 0:24:20 | 0:24:22 | |
YESSSS! | 0:24:22 | 0:24:23 | |
I'll take that as a yes. | 0:24:23 | 0:24:26 | |
Let's go back to the 1950s, | 0:24:26 | 0:24:28 | |
where one TV show managed to thrill the entire nation. | 0:24:28 | 0:24:32 | |
The Panorama film on spaghetti farming was just so funny. | 0:24:32 | 0:24:36 | |
First of all you had the voice of Dimbleby. | 0:24:36 | 0:24:38 | |
It isn't only in Britain | 0:24:38 | 0:24:40 | |
that spring this year has taken everyone by surprise. | 0:24:40 | 0:24:43 | |
The world trusted Dimbleby. If he said it, it was true. | 0:24:43 | 0:24:47 | |
And they set it up so beautifully. | 0:24:47 | 0:24:50 | |
The crops and the early spring, | 0:24:50 | 0:24:52 | |
and then you see the spaghetti hanging off the trees. | 0:24:52 | 0:24:55 | |
The last two weeks of March are an anxious time for the spaghetti farmer. | 0:24:55 | 0:24:59 | |
There's always the chance of a late frost which, | 0:24:59 | 0:25:02 | |
while not entirely ruining the crop, generally impairs the flavour. | 0:25:02 | 0:25:06 | |
But I do remember sitting there thinking, | 0:25:06 | 0:25:08 | |
"You don't grow spaghetti! I don't think that's quite right." | 0:25:08 | 0:25:12 | |
SHE CHUCKLES | 0:25:12 | 0:25:14 | |
Of course it's not. It was in fact an April Fool's joke that | 0:25:14 | 0:25:17 | |
super-serious BBC news programme Panorama played on Britain. | 0:25:17 | 0:25:21 | |
'In the 1950s, spaghetti' | 0:25:21 | 0:25:25 | |
was a very exotic, foreign dish. | 0:25:25 | 0:25:28 | |
I don't think I'D eaten spaghetti. | 0:25:28 | 0:25:31 | |
'So it was easy to pull the wool over your eyes | 0:25:31 | 0:25:33 | |
'and pretend that it was grown on trees.' | 0:25:33 | 0:25:35 | |
You wouldn't get away with that now. | 0:25:35 | 0:25:38 | |
'Another reason why this may be a bumper year | 0:25:38 | 0:25:40 | |
'lies in the virtual disappearance of the spaghetti weevil, | 0:25:40 | 0:25:44 | |
'the tiny creature | 0:25:44 | 0:25:45 | |
'whose depredations have caused much concern in the past.' | 0:25:45 | 0:25:48 | |
This is one of the most notorious TV hoaxes ever. | 0:25:48 | 0:25:52 | |
It was so convincing that hundreds of people called the BBC, | 0:25:52 | 0:25:57 | |
asking where you could buy your own spaghetti tree. | 0:25:57 | 0:26:00 | |
'And now, the harvest is marked by a traditional meal. | 0:26:00 | 0:26:04 | |
'Toasts to the new crop are drunk in these boccalinos.' | 0:26:04 | 0:26:08 | |
'Brilliant.' | 0:26:08 | 0:26:09 | |
Brilliant, brilliant television. | 0:26:09 | 0:26:12 | |
'For those who love this dish, | 0:26:12 | 0:26:14 | |
'there's nothing like real, home-grown spaghetti.' | 0:26:14 | 0:26:17 | |
So those are the TV memories of our three celebs. | 0:26:20 | 0:26:22 | |
But what do they remember most about being 12? | 0:26:22 | 0:26:26 | |
Looking back, 12 was amazing. | 0:26:26 | 0:26:28 | |
Yeah. | 0:26:28 | 0:26:30 | |
I don't really remember having any, or many bad times as a kid. | 0:26:30 | 0:26:34 | |
When I think back, it's with fond memories, definitely. | 0:26:34 | 0:26:37 | |
At 12, I was beginning to get the feeling | 0:26:37 | 0:26:42 | |
as a human being, of what it is to be an individual, | 0:26:42 | 0:26:46 | |
and take a responsibility for who you are and what you are in life. | 0:26:46 | 0:26:49 | |
Best thing about being 12... | 0:26:49 | 0:26:52 | |
that naivete, | 0:26:52 | 0:26:54 | |
just living for the moment, you know. | 0:26:54 | 0:26:56 | |
Before the weight of the world is really on your shoulders, | 0:26:56 | 0:27:01 | |
before you understand the gravity of everything around. | 0:27:01 | 0:27:05 | |
The best thing about being 12 was 110% getting into theatre school. | 0:27:05 | 0:27:10 | |
Cos that's probably the one thing in my whole life | 0:27:10 | 0:27:14 | |
that will affect what I do with the rest of my life, | 0:27:14 | 0:27:17 | |
so it's the best thing that's EVER happened to me. | 0:27:17 | 0:27:20 | |
SHE CHUCKLES | 0:27:20 | 0:27:21 | |
If I could be 12 again, | 0:27:21 | 0:27:24 | |
I don't know if there's anything I'd do differently, you know. | 0:27:24 | 0:27:27 | |
Everything happens for a reason. | 0:27:27 | 0:27:29 | |
Who I was at 12 is what's helped to shape me | 0:27:29 | 0:27:33 | |
as the person that I am now | 0:27:33 | 0:27:35 | |
in my 60s. | 0:27:35 | 0:27:36 | |
If I could go back and speak to Dominique aged 12, | 0:27:36 | 0:27:40 | |
I'd say, "I like that you're ambitious | 0:27:40 | 0:27:42 | |
"and I like that you're driven and I like that you're very confident. | 0:27:42 | 0:27:46 | |
"But stop talking so much!" | 0:27:46 | 0:27:49 | |
So, what have we learned then? | 0:27:51 | 0:27:53 | |
Funnily enough, drama set in drama schools can feature | 0:27:53 | 0:27:57 | |
some very bad drama. | 0:27:57 | 0:27:59 | |
Rarr! | 0:27:59 | 0:28:00 | |
I'm sorry! | 0:28:00 | 0:28:01 | |
I've got a big-budget drama going on in there! | 0:28:01 | 0:28:05 | |
When listening to rock'n'roll, chew gum. | 0:28:05 | 0:28:08 | |
And spaghetti definitely doesn't grow on trees. | 0:28:08 | 0:28:12 | |
'There's nothing like real home-grown spaghetti.' | 0:28:12 | 0:28:15 | |
I think. | 0:28:15 | 0:28:18 | |
Subtitles by Red Bee Media Ltd | 0:28:18 | 0:28:20 |