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Coming up... The stars of EastEnders become 12 again. | 0:00:02 | 0:00:06 | |
I could polish off two bags of chips and two cans of Coke by myself. | 0:00:06 | 0:00:10 | |
The idea of me doing ballet or tap, or something was, "Ooh, it's girly." | 0:00:10 | 0:00:13 | |
We're going to discover what life was like for them when they were 12. | 0:00:13 | 0:00:18 | |
Those feelings are so intense and so strong, | 0:00:18 | 0:00:20 | |
there's nothing puppyish about them. | 0:00:20 | 0:00:22 | |
As soon as you spot someone, you're "Pow!" | 0:00:22 | 0:00:24 | |
I get it now. | 0:00:24 | 0:00:26 | |
Oh... Do you know what? I didn't even get that! | 0:00:26 | 0:00:28 | |
Want to know more? Well... | 0:00:28 | 0:00:30 | |
Have you ever wondered what it would've been like | 0:00:30 | 0:00:34 | |
to be best mates with your favourite celebs when they were your age? | 0:00:34 | 0:00:38 | |
What did they get up to? What were their favourite songs? | 0:00:39 | 0:00:42 | |
And what TV shows did they watch? | 0:00:42 | 0:00:45 | |
Because, despite the glamorous lifestyles they now lead, | 0:00:45 | 0:00:48 | |
once they were a 12-year-old kid just like you. | 0:00:48 | 0:00:52 | |
This show lets go back in time with the stars of Albert Square | 0:00:52 | 0:00:55 | |
as they become 12 Again. | 0:00:55 | 0:00:58 | |
First up... | 0:01:01 | 0:01:02 | |
She's known as Tanya, Albert Square's beautician. | 0:01:02 | 0:01:06 | |
You said it. | 0:01:06 | 0:01:08 | |
So, back in 1989, were looks as important to Jo? | 0:01:08 | 0:01:11 | |
I was quite a frumpy country girl who was quite into horses. | 0:01:11 | 0:01:15 | |
She's Whitney, Walford's gobby girl with a troubled past. | 0:01:15 | 0:01:19 | |
Oh, that's all right. | 0:01:19 | 0:01:21 | |
But, back in 2003, Shona's own life was a lot more carefree. | 0:01:21 | 0:01:24 | |
I was really fun, really bubbly. | 0:01:24 | 0:01:28 | |
And very talkative. | 0:01:28 | 0:01:30 | |
Jay is the likeable and street-smart Walford kid, | 0:01:30 | 0:01:33 | |
who's struggled to stay on the straight and narrow. | 0:01:33 | 0:01:35 | |
That's right. | 0:01:35 | 0:01:36 | |
But, back in 2006, he was, well, actually pretty similar. | 0:01:36 | 0:01:40 | |
Don't get me wrong, I've done a bit of ducking and diving, as you do, | 0:01:40 | 0:01:43 | |
to get out of a few things. | 0:01:43 | 0:01:44 | |
But, on the whole, I thought I was a good lad. | 0:01:44 | 0:01:48 | |
Next up, Masood, the much-loved Albert Square postie, | 0:01:48 | 0:01:52 | |
who spends most of his time sorting out his family's dramas. | 0:01:52 | 0:01:55 | |
Yeah, well, life goes on. | 0:01:55 | 0:01:57 | |
But 12-year-old Nitin wasn't quite so confident. | 0:01:57 | 0:02:00 | |
I could joke around. | 0:02:00 | 0:02:01 | |
But, essentially, I was scared, and I was quite shy. | 0:02:01 | 0:02:05 | |
And finally, an actor who's played the good-humoured charmer | 0:02:05 | 0:02:09 | |
Patrick Truman since 2001. | 0:02:09 | 0:02:12 | |
Well, you know me. | 0:02:12 | 0:02:13 | |
And, back in 1951, | 0:02:13 | 0:02:15 | |
Rudolph's childhood was just as happy-go-lucky. | 0:02:15 | 0:02:18 | |
As a 12-year-old boy, | 0:02:18 | 0:02:20 | |
I just enjoyed life. | 0:02:20 | 0:02:23 | |
Today, they are massive soap stars. | 0:02:23 | 0:02:25 | |
But we're going to rewind and find out what they were like | 0:02:25 | 0:02:29 | |
back when they were 12. | 0:02:29 | 0:02:31 | |
When I was 12, I remember I had a real freckly nose. | 0:02:32 | 0:02:36 | |
Um, really fair hair, like, quite a little cheeky face. | 0:02:36 | 0:02:40 | |
When I was 12, I discovered a bit of mascara and hair dyes. | 0:02:40 | 0:02:45 | |
I was quite experimental. | 0:02:45 | 0:02:47 | |
I used to wear a baseball jacket with leather sleeves, | 0:02:47 | 0:02:50 | |
baggy dungarees, and builders' boots. In pink, of course. | 0:02:50 | 0:02:55 | |
I was quite a fatty when I was 12. | 0:02:55 | 0:02:58 | |
I mean, I could polish off two bags of chips | 0:02:58 | 0:03:01 | |
and two cans of Coke by myself, in about 20 minutes. | 0:03:01 | 0:03:05 | |
That doesn't sound very nutritious. | 0:03:05 | 0:03:09 | |
So now we know what our celebs were like as kids. | 0:03:09 | 0:03:11 | |
But what were they getting up to? | 0:03:11 | 0:03:14 | |
At the age of 12, I played cricket for the school. | 0:03:14 | 0:03:17 | |
The coach felt that I could have gone on | 0:03:17 | 0:03:20 | |
and played cricket for Trinidad. But I just treated it as fun. | 0:03:20 | 0:03:23 | |
When I was 12, all I ever did was draw. | 0:03:23 | 0:03:27 | |
It was an obsession of mine, and I didn't have a sketch pad. | 0:03:27 | 0:03:30 | |
But what would happen was that newspapers would come | 0:03:30 | 0:03:33 | |
wrapped in white paper, and my dad would cut the string. | 0:03:33 | 0:03:37 | |
I'd take the white paper, and that is what I would draw on. | 0:03:37 | 0:03:41 | |
I used to ride my bike a lot when I was 12. | 0:03:41 | 0:03:43 | |
Actually, this is quite embarrassing, | 0:03:43 | 0:03:45 | |
I'd put like a boom box, like a big cassette player, | 0:03:45 | 0:03:49 | |
I tied it with a shoelace, on to the front of my bike. | 0:03:49 | 0:03:52 | |
I used to ride down the road in front of my friends | 0:03:52 | 0:03:54 | |
and think I was really cool. | 0:03:54 | 0:03:56 | |
All my friends would go, "Oh, here's Shona, look, you can hear her." | 0:03:56 | 0:03:59 | |
-SHE LAUGHS -Quite embarrassing. | 0:03:59 | 0:04:03 | |
And that boom box would come in handy for Shona's other hobby. | 0:04:03 | 0:04:06 | |
# Check this out! # | 0:04:06 | 0:04:08 | |
We'd have a dance-off. | 0:04:09 | 0:04:11 | |
Dance-offs are competitions | 0:04:11 | 0:04:13 | |
where two or more people bust their best moves | 0:04:13 | 0:04:15 | |
until one is declared the winner. | 0:04:15 | 0:04:18 | |
You won't see it on Strictly. | 0:04:18 | 0:04:19 | |
We'd just be in a circle, | 0:04:19 | 0:04:21 | |
then, all of a sudden, two people would come into the middle. | 0:04:21 | 0:04:24 | |
Let battle commence! | 0:04:24 | 0:04:26 | |
So what shapes did Shona throw? | 0:04:29 | 0:04:31 | |
The kind of moves that were in were, like, the whole Beyonce one. | 0:04:31 | 0:04:35 | |
Yeah, brilliant, yeah. | 0:04:35 | 0:04:37 | |
The chicken. | 0:04:37 | 0:04:38 | |
I'm not familiar. | 0:04:38 | 0:04:39 | |
Oh, that's it, yeah. | 0:04:39 | 0:04:40 | |
SHE GIGGLES | 0:04:40 | 0:04:42 | |
Right. I don't fancy your chances against this lot, Shona. | 0:04:42 | 0:04:45 | |
That's what our celebs were up to, | 0:04:46 | 0:04:48 | |
but did they have any ambitions for future stardom? | 0:04:48 | 0:04:52 | |
When I was 12, acting had never come into any of this. | 0:04:52 | 0:04:57 | |
I was too shy to be an actor. | 0:04:57 | 0:04:59 | |
I was very shy. | 0:04:59 | 0:05:01 | |
But, put me on stage as a kid, and my whole personality changed. | 0:05:01 | 0:05:05 | |
Everything became large and exciting. | 0:05:05 | 0:05:08 | |
I didn't think about what I wanted to do. | 0:05:08 | 0:05:10 | |
You know when you're young, you plod through life | 0:05:10 | 0:05:12 | |
and you think everything will pan out all right. | 0:05:12 | 0:05:14 | |
So I never used to worry about things like that. | 0:05:14 | 0:05:17 | |
You don't, do you, when you're young. | 0:05:17 | 0:05:19 | |
Not true, Jamie. | 0:05:19 | 0:05:21 | |
Shona knew exactly what she wanted to do. | 0:05:21 | 0:05:23 | |
Anyone that told me I won't achieve anything, I always said, | 0:05:23 | 0:05:27 | |
"Well, I'm going to be an actress." | 0:05:27 | 0:05:29 | |
I just said it like that. | 0:05:29 | 0:05:30 | |
And that might have looked really arrogant of me, | 0:05:30 | 0:05:33 | |
but I genuinely believed that that's what I wanted to do. | 0:05:33 | 0:05:36 | |
I always wanted to be an actor, yeah. | 0:05:36 | 0:05:38 | |
If you could make a living out of the thing you loved doing most, | 0:05:38 | 0:05:41 | |
then you're the luckiest person alive, aren't you? | 0:05:41 | 0:05:44 | |
And so that's what I set out to do. | 0:05:44 | 0:05:47 | |
But it wasn't all dreams of stardom. | 0:05:49 | 0:05:50 | |
And, for 12-year-old Nitin, | 0:05:50 | 0:05:53 | |
the realities of everyday life could be tough. | 0:05:53 | 0:05:55 | |
Being an Indian kid growing up in a white neighbourhood, | 0:05:55 | 0:05:59 | |
racism was just always there. | 0:05:59 | 0:06:01 | |
You didn't know it was wrong, | 0:06:01 | 0:06:02 | |
you just know people were calling you these names | 0:06:02 | 0:06:05 | |
and picking on you because of the colour of your skin. | 0:06:05 | 0:06:07 | |
We came from a corner shop, which was targeted a lot. | 0:06:07 | 0:06:10 | |
So, they were quite shaky times for a small kid to grow up. | 0:06:10 | 0:06:15 | |
But life in Trinidad for 12-year-old Rudolph was much simpler. | 0:06:17 | 0:06:20 | |
I would get up at about five o'clock in the morning. | 0:06:20 | 0:06:23 | |
I had to walk a block with buckets, to fetch water. | 0:06:23 | 0:06:28 | |
Trinidad is the fifth-largest country in the West Indies, | 0:06:28 | 0:06:31 | |
a series of islands in the Caribbean Sea | 0:06:31 | 0:06:34 | |
just off the northern coast of South America. | 0:06:34 | 0:06:37 | |
My home, growing up, in today's standard, it was a shack. | 0:06:37 | 0:06:42 | |
Literally, one bedroom in which my mother and three of us slept. | 0:06:42 | 0:06:48 | |
I came from, I suppose one can say, | 0:06:48 | 0:06:51 | |
a poor family, comparatively speaking. | 0:06:51 | 0:06:55 | |
In a nutshell, I came from a single-parent family. | 0:06:55 | 0:06:58 | |
In my days as a 12-year-old I got smacked. | 0:06:58 | 0:07:01 | |
There's no question about that. | 0:07:01 | 0:07:04 | |
But I have the greatest admiration for my mother as a single parent. | 0:07:04 | 0:07:10 | |
And, as a kid growing up, it was just beautiful. | 0:07:10 | 0:07:13 | |
Meanwhile, far, far away | 0:07:15 | 0:07:17 | |
in the slightly less tropical climate of deepest Oxfordshire, | 0:07:17 | 0:07:20 | |
12-year-old Jo was leading something of a double life. | 0:07:20 | 0:07:24 | |
I grew up in a very sleepy little village. | 0:07:24 | 0:07:27 | |
One minute I was wearing my wellies | 0:07:27 | 0:07:29 | |
and a big baggy jumper that belonged to my dad, with my scruffy hair. | 0:07:29 | 0:07:33 | |
And then I'd have this circle of friends at school | 0:07:33 | 0:07:35 | |
that were much more worldly-wise, who'd grown up in town, | 0:07:35 | 0:07:37 | |
who wore a lot of make-up and lots of mousse | 0:07:37 | 0:07:41 | |
and their hair piled up high, in pineapples. | 0:07:41 | 0:07:43 | |
And then I'd go back to the country. | 0:07:43 | 0:07:45 | |
I, kind of, had these two different lives. | 0:07:45 | 0:07:47 | |
And, while Jo was jumping from one group of friends to another, | 0:07:47 | 0:07:51 | |
Jamie was about to pirouette into a whole new world. | 0:07:51 | 0:07:56 | |
I came from just a normal school, | 0:07:56 | 0:08:01 | |
to go into this big, famous stage school. | 0:08:01 | 0:08:04 | |
I was not used to it. | 0:08:04 | 0:08:05 | |
The idea of me doing ballet or tap or something was like, | 0:08:05 | 0:08:08 | |
"Ugh, it's girly!" | 0:08:08 | 0:08:09 | |
Well, brace yourself. Jamie, things are about to get a whole lot worse. | 0:08:09 | 0:08:14 | |
I had to try out all the ballet stuff on, | 0:08:14 | 0:08:15 | |
and I remember being a bit nervous. | 0:08:15 | 0:08:18 | |
I remember actually crying. I looked in the mirror crying. | 0:08:18 | 0:08:20 | |
My dad was laughing at me. I was going, "Oh, shut up!" | 0:08:20 | 0:08:23 | |
I'm sure you looked lovely, Jamie. | 0:08:23 | 0:08:25 | |
Once you go and you start wearing them for a little while, | 0:08:25 | 0:08:28 | |
you, sort of, get used to it. It was all right, it was all right. | 0:08:28 | 0:08:31 | |
So, now we know what our celebs were getting up to at 12. | 0:08:31 | 0:08:34 | |
But what were they listening to? | 0:08:34 | 0:08:38 | |
At 12, I grew up with lots of different styles of music. | 0:08:38 | 0:08:40 | |
# You know that I loved you. # | 0:08:40 | 0:08:43 | |
We had Motown. | 0:08:43 | 0:08:45 | |
# Can't help myself | 0:08:45 | 0:08:47 | |
# Cos I love you, and nobody else. # | 0:08:47 | 0:08:51 | |
And disco. | 0:08:51 | 0:08:52 | |
# D-I-S-C-O | 0:08:52 | 0:08:56 | |
# D-I-S-C-O. # | 0:08:56 | 0:08:59 | |
At the same time, we had this new scene kicking off. | 0:08:59 | 0:09:04 | |
We'd gone from punk to Two Tone. | 0:09:04 | 0:09:07 | |
Two Tone was a new type of music created in the UK in the late '70s | 0:09:12 | 0:09:17 | |
by bands such as The Selecter. | 0:09:17 | 0:09:19 | |
It mixed elements of Jamaican music and '70s punk. | 0:09:19 | 0:09:24 | |
That music did move me in a different way to anything else. | 0:09:24 | 0:09:29 | |
It made me want to jump, it made me want to dance. | 0:09:29 | 0:09:31 | |
One of the most successful Two Tone bands were The Specials, | 0:09:33 | 0:09:37 | |
from Nitin's home town of Coventry. | 0:09:37 | 0:09:39 | |
And they didn't just play funky music, | 0:09:39 | 0:09:42 | |
they wrote songs that spoke about the problems | 0:09:42 | 0:09:44 | |
young people were facing growing up at that time. | 0:09:44 | 0:09:48 | |
They went on to write Ghost Town | 0:09:48 | 0:09:50 | |
which was about the unemployment in Coventry | 0:09:50 | 0:09:53 | |
and what it had turned this thriving city into - a Ghost Town. | 0:09:53 | 0:09:57 | |
# This town | 0:09:57 | 0:09:59 | |
# Is coming like a ghost town. # | 0:09:59 | 0:10:01 | |
It was just at the beginning of the last recession, | 0:10:01 | 0:10:04 | |
unemployment was beginning to grow, | 0:10:04 | 0:10:06 | |
a lot of kids were being told there's no point having an education | 0:10:06 | 0:10:09 | |
because you're never going to get a job. | 0:10:09 | 0:10:10 | |
# This place is coming like a ghost town. # | 0:10:10 | 0:10:14 | |
Ghost Town brilliantly captured the mood of recession-hit Britain | 0:10:14 | 0:10:18 | |
and topped the UK singles charts for three whole weeks. | 0:10:18 | 0:10:22 | |
With that kind of music kicking off, it was a really good time to be 12. | 0:10:22 | 0:10:27 | |
So, from '70s ska... | 0:10:27 | 0:10:31 | |
into a noughties funk pop classic | 0:10:31 | 0:10:34 | |
that got Shona shimmying on to the dance floor. | 0:10:34 | 0:10:37 | |
-SHE SINGS -# Hey ya! # | 0:10:37 | 0:10:40 | |
From Outkast was my favourite song when I was 12. | 0:10:40 | 0:10:44 | |
Outkast are a hugely successful hip-hop act, | 0:10:45 | 0:10:49 | |
and Hey Ya was a worldwide smash in 2003, | 0:10:49 | 0:10:52 | |
partly due to this amazing video which saw band member Andre 3000, | 0:10:52 | 0:10:57 | |
his actual name, playing all eight members of a fictional group. | 0:10:57 | 0:11:02 | |
I remember the first time we saw it, and I just loved it. | 0:11:04 | 0:11:07 | |
For weeks after, at school, we'd be like, | 0:11:07 | 0:11:09 | |
# Shake it like a Polaroid picture... # | 0:11:09 | 0:11:13 | |
To be honest, I don't really know what a Polaroid picture is. | 0:11:16 | 0:11:19 | |
OK, quick lesson, Shona, Polaroids are instant photos | 0:11:19 | 0:11:22 | |
where the image begins to develop straight away. | 0:11:22 | 0:11:25 | |
Ah! The whole point is, I get it now. Oh... | 0:11:25 | 0:11:29 | |
Do you know what? I didn't even get that! | 0:11:30 | 0:11:34 | |
The whole point is that you shake them to dry them | 0:11:34 | 0:11:36 | |
and then they develop. Oh! | 0:11:36 | 0:11:38 | |
We got there, eventually. | 0:11:38 | 0:11:40 | |
And, while Shona loved a bit of shaking... | 0:11:40 | 0:11:44 | |
JIVE MUSIC | 0:11:44 | 0:11:46 | |
..Rudolph was more into jiving! | 0:11:46 | 0:11:49 | |
We youngsters, we loved the fast, jazzy music. | 0:11:50 | 0:11:54 | |
One of the big songs that I remember was In The Mood. | 0:11:54 | 0:11:58 | |
In The Mood was a song by legendary American big band leader | 0:11:58 | 0:12:02 | |
Glenn Miller, who enjoyed huge success | 0:12:02 | 0:12:05 | |
in the swing music era of the early 1940s. | 0:12:05 | 0:12:09 | |
As a kid, I love dancing. | 0:12:09 | 0:12:11 | |
Throwing the girls over our shoulders, | 0:12:11 | 0:12:14 | |
throwing them between our legs. It was fantastic. | 0:12:14 | 0:12:18 | |
Rudolph, calm yourself down! | 0:12:18 | 0:12:20 | |
So, Jamie, next, | 0:12:22 | 0:12:23 | |
and he raided his father's record collection for musical inspiration. | 0:12:23 | 0:12:27 | |
I think I used to enjoy the old stuff more because my dad enjoyed it more. | 0:12:27 | 0:12:31 | |
Really liked bands like The Police. | 0:12:31 | 0:12:34 | |
# Guess you'd call it cowardice... # | 0:12:34 | 0:12:36 | |
Formed in 1977, way before Jamie was even born, | 0:12:36 | 0:12:40 | |
blond beat merchants The Police, led by frontman Sting, were huge. | 0:12:40 | 0:12:45 | |
Can't Stand Losing You was their first top five hit. | 0:12:45 | 0:12:49 | |
# Can't stand losing you! # | 0:12:49 | 0:12:52 | |
But it was their biggest anthem that got Jamie's toes tapping. | 0:12:52 | 0:12:56 | |
Every Breath You Take is probably one of their most famous. | 0:12:56 | 0:12:59 | |
# Every breath you take. # | 0:12:59 | 0:13:03 | |
HE SINGS # Every move you make. # | 0:13:03 | 0:13:05 | |
Released in 1983, | 0:13:05 | 0:13:07 | |
Every Breath You Take was a global smash | 0:13:07 | 0:13:10 | |
and has since clocked up a staggering nine million radio plays. | 0:13:10 | 0:13:15 | |
Listening to that type of music at 12 just made me feel, | 0:13:15 | 0:13:19 | |
like, different from everyone else, which I like. | 0:13:19 | 0:13:22 | |
We like it too, Jamie. | 0:13:22 | 0:13:25 | |
Now, from '80s dad rock to a gang of funky feminine pharaohs. | 0:13:25 | 0:13:31 | |
The Bangles were just cool. | 0:13:33 | 0:13:35 | |
We loved the fact that they all played instruments. | 0:13:35 | 0:13:38 | |
We just wanted to be The Bangles. | 0:13:38 | 0:13:40 | |
The Bangles had previously charted | 0:13:40 | 0:13:42 | |
with up-tempo tunes like Walk Like An Egyptian. | 0:13:42 | 0:13:45 | |
# Walk like an Egyptian. # | 0:13:45 | 0:13:48 | |
But it was a slushy ballad that made the biggest impact | 0:13:48 | 0:13:51 | |
on romantic young Jo. | 0:13:51 | 0:13:54 | |
We loved Eternal Flame. | 0:13:54 | 0:13:55 | |
# Close your eyes Give me your hand, darling. # | 0:13:55 | 0:14:00 | |
This lovey-dovey smash hit | 0:14:00 | 0:14:02 | |
topped the UK charts for four weeks in 1989. | 0:14:02 | 0:14:07 | |
Eternal Flame was a brilliant song | 0:14:07 | 0:14:09 | |
for all the people you were falling with in love with at the age of 12. | 0:14:09 | 0:14:12 | |
Because there was somebody different every week that you had a crush on. | 0:14:12 | 0:14:15 | |
# Is this burning an eternal flame? # | 0:14:15 | 0:14:21 | |
It was all about, "Is this the one?" | 0:14:22 | 0:14:25 | |
# It's meant to be, darling. # | 0:14:25 | 0:14:28 | |
Your feelings are so raw and so real when you're 12. | 0:14:28 | 0:14:31 | |
That first falling for somebody is massive, | 0:14:31 | 0:14:35 | |
and I hate it when, now, actually, people say it's puppy love | 0:14:35 | 0:14:39 | |
because those feelings are so intense and so strong, | 0:14:39 | 0:14:42 | |
there's nothing puppyish about them, you know. | 0:14:42 | 0:14:44 | |
They're really quite fierce. | 0:14:44 | 0:14:46 | |
We hear you, girlfriend, we hear you. | 0:14:46 | 0:14:50 | |
-Still to come... -MORPH GIGGLES | 0:14:51 | 0:14:53 | |
Shona remembers a little legend. | 0:14:53 | 0:14:57 | |
Morph was strong. He'd carry Sellotape, no problem. | 0:14:57 | 0:15:00 | |
Nitin recalls a now-controversial '70s sit com. | 0:15:00 | 0:15:04 | |
The way it was written was that the Indians were the clever ones | 0:15:04 | 0:15:08 | |
and it was the soldiers that were the idiots. | 0:15:08 | 0:15:10 | |
You are too kind. | 0:15:10 | 0:15:11 | |
And Rudolph? | 0:15:11 | 0:15:12 | |
Well, Rudolph didn't have a TV, he just went to the cinema. | 0:15:12 | 0:15:15 | |
It had real excitement. It had the goodies and baddies. | 0:15:15 | 0:15:19 | |
But first, let's see which stories hit the headlines | 0:15:19 | 0:15:22 | |
when our East End stars were kids. | 0:15:22 | 0:15:25 | |
-NEWSREEL: -It's now 14 hours since John Lennon was shot here, | 0:15:25 | 0:15:28 | |
at the entrance of the Dakota building on West 72nd Street, | 0:15:28 | 0:15:32 | |
in the centre of New York. | 0:15:32 | 0:15:34 | |
I remember watching on the news, | 0:15:34 | 0:15:35 | |
my brother came in and switched the TV on. | 0:15:35 | 0:15:38 | |
And said, really choked up, he said, "John Lennon's dead." | 0:15:38 | 0:15:42 | |
There has been a crowd here standing in more or less silent vigil, | 0:15:42 | 0:15:46 | |
and the flowers have been piling up at the gate. | 0:15:46 | 0:15:49 | |
# Love, love, love. # | 0:15:49 | 0:15:52 | |
John Lennon was a founding member of The Beatles, | 0:15:52 | 0:15:54 | |
one of the most important bands in history, | 0:15:54 | 0:15:57 | |
making him an icon and a hero to millions. | 0:15:57 | 0:16:00 | |
At 12, I liked their music, I listened to it. | 0:16:00 | 0:16:03 | |
But, of course, | 0:16:03 | 0:16:05 | |
I didn't know the impact that The Beatles had had on the world. | 0:16:05 | 0:16:10 | |
I did know that they had changed the music scene. | 0:16:10 | 0:16:12 | |
I didn't know what an inspiration John Lennon was. | 0:16:12 | 0:16:16 | |
After The Beatles split in 1970, | 0:16:16 | 0:16:19 | |
John Lennon continued as a solo artist. | 0:16:19 | 0:16:22 | |
He campaigned for peace and, in his most famous song Imagine, | 0:16:22 | 0:16:26 | |
he expressed his hopes for a better world. | 0:16:26 | 0:16:29 | |
# Imagine all the people | 0:16:29 | 0:16:34 | |
# Living life in peace. # | 0:16:34 | 0:16:40 | |
After he died, I was wondering why my brother was so upset. | 0:16:40 | 0:16:43 | |
Wondering why other people were so upset. | 0:16:43 | 0:16:45 | |
So I'm, kind of, going, this guy must be important. | 0:16:45 | 0:16:49 | |
# But I'm not the only one. # | 0:16:49 | 0:16:51 | |
The song was re-released in 1980 to commemorate his death, | 0:16:51 | 0:16:55 | |
staying at the top of the charts for four whole weeks. | 0:16:55 | 0:16:58 | |
Those words really did move me, in a very strange way, | 0:16:58 | 0:17:02 | |
because it was the first time I connected emotionally to him dying. | 0:17:02 | 0:17:06 | |
# Imagine no possessions... # | 0:17:07 | 0:17:10 | |
Imagine became Lennon's best-selling solo single, | 0:17:10 | 0:17:14 | |
and its thought-provoking lyrics continue to have an impact today. | 0:17:14 | 0:17:17 | |
John Lennon's songs and words have become much, much more powerful now, | 0:17:17 | 0:17:23 | |
because that's what people desire more than anything else now. | 0:17:23 | 0:17:27 | |
And a quite different type of hero was making the news | 0:17:27 | 0:17:31 | |
when Shona was 12. | 0:17:31 | 0:17:33 | |
A campaigner for fathers' rights | 0:17:34 | 0:17:36 | |
has managed to get past security at Buckingham Palace. | 0:17:36 | 0:17:39 | |
Dressed as Batman, he has been staging a demonstration. | 0:17:39 | 0:17:43 | |
I remember Fathers 4 Justice, watching it on the news. | 0:17:43 | 0:17:45 | |
I wanted to know what was going on. | 0:17:45 | 0:17:47 | |
"Mum, why are they on this building? Why are they dress like that?" | 0:17:47 | 0:17:52 | |
Fathers 4 Justice was formed in 2001 by dads who'd found | 0:17:52 | 0:17:55 | |
they had little or no access to their children after divorce. | 0:17:55 | 0:17:59 | |
Members of the group often dressed up as superheroes | 0:18:00 | 0:18:03 | |
and staged protests in famous locations | 0:18:03 | 0:18:07 | |
to put pressure on the government to change the law. | 0:18:07 | 0:18:09 | |
-TV: -Never has anyone dressed in a cape, mask and tights | 0:18:09 | 0:18:13 | |
got so close to the royal apartments. | 0:18:13 | 0:18:16 | |
What captured my imagination was the fact that | 0:18:16 | 0:18:18 | |
they were in superhero outfits. | 0:18:18 | 0:18:20 | |
My mum explained it to me. | 0:18:20 | 0:18:22 | |
And she said, "It's because children look up to their dads as heroes." | 0:18:22 | 0:18:29 | |
And I thought, yeah, I do. I thought, they're clever to do that | 0:18:29 | 0:18:32 | |
because I related to that a lot. | 0:18:32 | 0:18:34 | |
And, while dads protesting made a big impact on Shona... | 0:18:34 | 0:18:38 | |
..12-year-old Jamie was worried about a deadly virus. | 0:18:40 | 0:18:43 | |
First today, worries about bird flu. | 0:18:43 | 0:18:46 | |
as politicians here have admitted | 0:18:46 | 0:18:48 | |
it's now more likely to turn up in the UK. | 0:18:48 | 0:18:51 | |
When I was 12, I remember bird flu. | 0:18:51 | 0:18:53 | |
I used to think about it, worry about it, a lot. | 0:18:53 | 0:18:55 | |
But the government is also saying, don't get in a flap, | 0:18:55 | 0:18:59 | |
and British farmers insist they're ready for any outbreak. | 0:18:59 | 0:19:02 | |
We heard about bird flu in 2003, | 0:19:02 | 0:19:05 | |
when outbreaks were reported in south-east Asia. | 0:19:05 | 0:19:08 | |
We were all on edge. | 0:19:10 | 0:19:11 | |
"It's in China now, when is it going to come to Britain?" | 0:19:11 | 0:19:15 | |
The virus kills birds and can prove fatal to humans. | 0:19:15 | 0:19:20 | |
I was terrified. Honestly, I was so scared. | 0:19:20 | 0:19:22 | |
I always used to think, how can it contract from bird to human? | 0:19:22 | 0:19:27 | |
Like, who would run up and kiss a bird, in their right mind? | 0:19:27 | 0:19:31 | |
Nobody, Jamie. Nobody's kissing birds. | 0:19:31 | 0:19:35 | |
But the bird flu virus can be transmitted to humans | 0:19:35 | 0:19:38 | |
who have close contact with live infected birds, like farmers. | 0:19:38 | 0:19:43 | |
And strict measures were introduced to stop the virus spreading. | 0:19:43 | 0:19:46 | |
-TV: -A three-kilometre protection zone has been set up at the farm. | 0:19:46 | 0:19:51 | |
Birds inside will have to be tested and kept indoors. | 0:19:51 | 0:19:55 | |
And, while bird flu remains a threat, | 0:19:55 | 0:19:57 | |
the chances of people in the UK catching it | 0:19:57 | 0:20:00 | |
are thankfully extremely small. | 0:20:00 | 0:20:02 | |
And, while Jamie was fretting about our feathered friends, | 0:20:03 | 0:20:06 | |
when Jo was 12, epic changes were happening in eastern Europe. | 0:20:06 | 0:20:11 | |
Hello, again. A special Newsround today, | 0:20:11 | 0:20:13 | |
here from one of the new gaps in the Berlin Wall. | 0:20:13 | 0:20:16 | |
When I was 12, the big story, | 0:20:16 | 0:20:18 | |
the big news story, was the fall of the Berlin Wall. | 0:20:18 | 0:20:21 | |
1989 will always be remembered for what happened here. | 0:20:21 | 0:20:25 | |
The year when the barriers between east and west Europe | 0:20:25 | 0:20:28 | |
finally started opening up. | 0:20:28 | 0:20:31 | |
After the Second World War, | 0:20:31 | 0:20:32 | |
East Germany was separated from the west and became Communist. | 0:20:32 | 0:20:36 | |
The Berlin Wall was the biggest symbol of Communism. | 0:20:36 | 0:20:40 | |
Communism is a political system | 0:20:40 | 0:20:43 | |
in which the government controls the economy | 0:20:43 | 0:20:46 | |
and runs things like shops, factories and farms. | 0:20:46 | 0:20:48 | |
I don't think I had much of a concept, at 12, of Communism. | 0:20:49 | 0:20:54 | |
In one way, I, kind of, respected and understood, | 0:20:54 | 0:20:56 | |
in a kind of hippyish way, in terms of a country girl, | 0:20:56 | 0:20:59 | |
you were all ploughing the same field | 0:20:59 | 0:21:01 | |
And then you all shared the corn, right? | 0:21:01 | 0:21:04 | |
That was my simple understanding of it. | 0:21:04 | 0:21:06 | |
But whilst West Germany became rich, Communist East Germany stayed poor | 0:21:06 | 0:21:10 | |
and the regime imprisoned anyone who disagreed with the system. | 0:21:10 | 0:21:14 | |
Once you, kind of, looked into it, it was more of a regime. | 0:21:14 | 0:21:18 | |
And far more oppressive than I had realised. | 0:21:18 | 0:21:23 | |
Thousands tried to escape | 0:21:23 | 0:21:25 | |
and the Berlin Wall was built by the Communists to keep people in. | 0:21:25 | 0:21:29 | |
By the late '80s, people living in eastern Europe demanded freedom | 0:21:30 | 0:21:34 | |
and an end to Communism. | 0:21:34 | 0:21:35 | |
And, in 1989, when the East German government opened the border, | 0:21:35 | 0:21:39 | |
the people celebrated and tore down the wall. | 0:21:39 | 0:21:43 | |
Wonderful, what we have been waiting for. | 0:21:43 | 0:21:45 | |
My friend had a German pen pal. | 0:21:45 | 0:21:46 | |
She went over there when they were tearing the wall down, | 0:21:46 | 0:21:49 | |
and she brought me back a bit of the Berlin Wall. | 0:21:49 | 0:21:52 | |
So Jo had a little piece of history. | 0:21:52 | 0:21:55 | |
And people in eastern Europe had the freedom to travel where they wanted. | 0:21:56 | 0:22:00 | |
Still to come, we ask the all-important question... | 0:22:01 | 0:22:05 | |
What would our EastEnders do if they were 12 again? | 0:22:05 | 0:22:08 | |
I wouldn't change a thing about being 12. No. | 0:22:08 | 0:22:11 | |
You're young, and you've got your whole life ahead of you. | 0:22:11 | 0:22:14 | |
And you are in the midst of everything. | 0:22:14 | 0:22:17 | |
Go to the park, have a dance-off. | 0:22:17 | 0:22:19 | |
Do your things. Ride your bike. | 0:22:19 | 0:22:21 | |
Maybe learn to swim. HE LAUGHS | 0:22:21 | 0:22:25 | |
OK, back to business. | 0:22:25 | 0:22:27 | |
Let's find out what top TV shows our soap stars tuned into | 0:22:27 | 0:22:31 | |
when they were kids. | 0:22:31 | 0:22:33 | |
My favourite kids' show was Smart. | 0:22:33 | 0:22:37 | |
Smart was a kids' TV art show that ran from 1994 to 2009. | 0:22:37 | 0:22:43 | |
I think my favourite part of the Smart show | 0:22:43 | 0:22:45 | |
had to be my little friend Morph. | 0:22:45 | 0:22:48 | |
Morph was a little Plasticene fella | 0:22:48 | 0:22:51 | |
who talked gobbledegook with his friend Chas. | 0:22:51 | 0:22:54 | |
MORPH SPEAKS GOBBLEDEGOOK | 0:22:54 | 0:22:56 | |
You can, sort of, understand it, if you listen very carefully. | 0:22:56 | 0:22:59 | |
By bay. | 0:22:59 | 0:23:01 | |
"My plates." | 0:23:01 | 0:23:02 | |
Die dan faw. | 0:23:02 | 0:23:03 | |
"Knife and fork." | 0:23:03 | 0:23:05 | |
-Dad-ol. -Candles. | 0:23:05 | 0:23:07 | |
By bay. | 0:23:07 | 0:23:09 | |
"My cake." | 0:23:09 | 0:23:10 | |
-CHAS LAUGHS -Dat dot fuddy! | 0:23:10 | 0:23:13 | |
Well, Chas thought it was. Oh! | 0:23:13 | 0:23:16 | |
Morph was strong. | 0:23:16 | 0:23:18 | |
He carried Sellotape, no problem. | 0:23:18 | 0:23:20 | |
In every episode, Smart would show you | 0:23:20 | 0:23:23 | |
how to turn everyday household items into works of art. | 0:23:23 | 0:23:26 | |
I've got some kitchen roll here. | 0:23:26 | 0:23:28 | |
Now, this is what I've done with the inside of my kitchen roll. | 0:23:28 | 0:23:32 | |
I'd say, "Mum, have we any toilet roll?" She would be like, "Yes." | 0:23:32 | 0:23:35 | |
I'd be like, "The cardboard bit." | 0:23:35 | 0:23:37 | |
She'd say, "We can't use all the toilet roll for the cardboard bit." | 0:23:37 | 0:23:40 | |
"Oh, please, Mum, I've got to make this!" | 0:23:40 | 0:23:42 | |
What you need do is push them into each other, just like that. | 0:23:42 | 0:23:46 | |
She was very good, my mum. She'd be like that... | 0:23:46 | 0:23:48 | |
"All right, it's coming." | 0:23:49 | 0:23:51 | |
Just again push them into each other. | 0:23:51 | 0:23:53 | |
"Hurry up. They're doing it!" | 0:23:53 | 0:23:55 | |
Don't panic, Shona's mum! All that paper wouldn't go to waste. | 0:23:55 | 0:24:00 | |
This is what I'm going to be using, the outside of the kitchen roll. | 0:24:00 | 0:24:04 | |
I've watered down some PVA. | 0:24:04 | 0:24:06 | |
As if you're going to have PVA glue in your house. | 0:24:06 | 0:24:09 | |
I had a Pritt stick, that's about it. | 0:24:09 | 0:24:10 | |
And, while Shona was busy trying to stick bits of loo roll together, | 0:24:10 | 0:24:15 | |
12-year-old Nitin was glued to a now-controversial '70s sitcom. | 0:24:15 | 0:24:20 | |
We had It Ain't Half Hot, Mum, which was a big hit in an Asian household. | 0:24:20 | 0:24:25 | |
It Ain't Half Hot, Mum was a comedy about an army entertainment troupe | 0:24:25 | 0:24:29 | |
posted in India, who put on shows to entertain the soldiers. | 0:24:29 | 0:24:34 | |
There was a character, a lead Indian character, who was brilliant. | 0:24:34 | 0:24:40 | |
And left me shocked to the core to find out he was white. | 0:24:42 | 0:24:46 | |
How dare you! Who do you think you are talking to? | 0:24:46 | 0:24:50 | |
I am bearer to concert party which is top-hole job. | 0:24:50 | 0:24:54 | |
Michael Bates was the actor who played Rangi Ram. | 0:24:54 | 0:24:57 | |
He was actually born in India and spoke Hindi | 0:24:57 | 0:25:00 | |
but was white and, on the show, he wore make-up to look Indian. | 0:25:00 | 0:25:04 | |
His characterisation of an Indian was superb. | 0:25:04 | 0:25:08 | |
You are too kind. | 0:25:08 | 0:25:09 | |
Many families enjoyed watching the show on TV back the '70s, | 0:25:09 | 0:25:13 | |
but these kind of racial stereotypes wouldn't be OK nowadays. | 0:25:13 | 0:25:17 | |
You wait here, saab. I will report to Sergeant Major-saab. | 0:25:17 | 0:25:21 | |
We never saw it as racist, at all. | 0:25:21 | 0:25:24 | |
Wait outside! | 0:25:24 | 0:25:26 | |
The way it was written was that the Indians were the clever ones, | 0:25:26 | 0:25:29 | |
and it was the soldiers that were the idiots. | 0:25:29 | 0:25:32 | |
Sergeant Major-saab kindly ask you to wait. | 0:25:32 | 0:25:35 | |
In fact, we were in admiration of the detail of performance. | 0:25:35 | 0:25:39 | |
It seems hard to believe now, | 0:25:39 | 0:25:41 | |
but there was a time, not that long ago, when no-one had a telly. | 0:25:41 | 0:25:46 | |
In those days, television just wasn't in existence. | 0:25:46 | 0:25:49 | |
The only form of entertainment was going to the cinema. | 0:25:49 | 0:25:53 | |
And Rudolph was especially fond of Western movies. | 0:25:53 | 0:25:57 | |
Watching cowboys and Indians, it appealed to us as kids | 0:25:59 | 0:26:03 | |
because it was adventurous. | 0:26:03 | 0:26:05 | |
It had real excitement, it had the goodies and baddies. | 0:26:07 | 0:26:11 | |
And young cowboy Rudolph didn't just watch the films, he lived them! | 0:26:11 | 0:26:15 | |
We created our own form of cowboys and Indians. | 0:26:15 | 0:26:19 | |
We made our guns and we would hide behind trees. | 0:26:19 | 0:26:23 | |
And, as soon as you spotted somebody, you'd go, "Pow!" | 0:26:23 | 0:26:26 | |
Ugh, you got me! | 0:26:26 | 0:26:28 | |
So, those were the TV memories of our EastEnders stars. | 0:26:28 | 0:26:32 | |
But what advice would they give to their 12-year-old selves? | 0:26:32 | 0:26:35 | |
If I was 12 again, I wouldn't eat those two bags of chips | 0:26:35 | 0:26:39 | |
and those two cans of Coke. | 0:26:39 | 0:26:42 | |
I wouldn't change a thing about being 12, no. | 0:26:42 | 0:26:45 | |
-Maybe learn to swim. -HE LAUGHS | 0:26:45 | 0:26:49 | |
I would say to my 12-year-old self, be happy, | 0:26:49 | 0:26:51 | |
go to the park, have a dance-off. | 0:26:51 | 0:26:54 | |
Do your thing, ride your bike. Be fearless. | 0:26:54 | 0:26:58 | |
Enjoy life. Be polite to your mum and dad. | 0:26:58 | 0:27:01 | |
It's a great time to enjoy | 0:27:01 | 0:27:02 | |
because you've got the rest of your life to be serious and sensible. | 0:27:02 | 0:27:05 | |
You're young, and you've got your whole life ahead of you. | 0:27:05 | 0:27:08 | |
And you're in the midst of everything. | 0:27:08 | 0:27:11 | |
It's a glorious time. | 0:27:11 | 0:27:13 | |
So, what have we learnt then? | 0:27:13 | 0:27:16 | |
Those East Germans know how to party! | 0:27:16 | 0:27:20 | |
Wonderful. It's what we've waited for. | 0:27:20 | 0:27:22 | |
Dod-day. | 0:27:22 | 0:27:23 | |
Don't ever invite Morph over for dinner. | 0:27:23 | 0:27:25 | |
He's a mucky pup. | 0:27:25 | 0:27:28 | |
CHAS LAUGHS | 0:27:28 | 0:27:29 | |
And, if you're ever playing cowboys and Indians with Rudolph, duck! | 0:27:32 | 0:27:36 | |
We would hide behind trees, | 0:27:36 | 0:27:37 | |
and as soon as you'd spot someone, you'd go, "Pow!" | 0:27:37 | 0:27:40 | |
Subtitles by Red Bee Media Ltd | 0:27:40 | 0:27:43 |