Browse content similar to Dirgelwch y Mabinogi. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-888 | 0:00:00 | 0:00:00 | |
-888 - -888 | 0:00:00 | 0:00:02 | |
-888 | 0:00:06 | 0:00:08 | |
-The Welsh have -an unique collection of stories. | 0:00:10 | 0:00:14 | |
-Stories which are rooted deep in -our nation's imagination and memory. | 0:00:15 | 0:00:20 | |
-Stories about places -we are familiar with today. | 0:00:25 | 0:00:28 | |
-But they deal with characters -from a long time ago. | 0:00:29 | 0:00:34 | |
-In these stories, -the other world meets this world. | 0:00:34 | 0:00:38 | |
-There is revenge, warfare -and terrible violence... | 0:00:38 | 0:00:41 | |
-..and events that seem almost -beyond imagination today. | 0:00:41 | 0:00:45 | |
-People are transformed -into birds and animals. | 0:00:45 | 0:00:49 | |
-These stories have been passed down -orally through the ages... | 0:00:50 | 0:00:54 | |
-..and recorded in manuscripts. | 0:00:54 | 0:00:56 | |
-They are still told today. | 0:00:58 | 0:01:00 | |
-They have inspired poets, -playwrights and film makers. | 0:01:01 | 0:01:04 | |
-This is the world of the -Four Branches of the Mabinogi. | 0:01:07 | 0:01:11 | |
-The First Branch of the Mabinogi -concerns Pwyll, Prince of Dyfed. | 0:01:15 | 0:01:20 | |
-It tells of Pwyll's -extraordinary experiences... | 0:01:20 | 0:01:23 | |
-..of a bridge between this world -and the Underworld... | 0:01:24 | 0:01:27 | |
-..of dishonour and making amends, -of transformation... | 0:01:28 | 0:01:31 | |
-..and the relationship -between Pwyll and Rhiannon. | 0:01:31 | 0:01:34 | |
-Pwyll is the Prince of Dyfed. | 0:01:34 | 0:01:37 | |
-Locations mentioned in the tale -have a strong element of mystery. | 0:01:37 | 0:01:41 | |
-But where are these locations? | 0:01:42 | 0:01:44 | |
-This is Narberth Castle -in Pembrokeshire. | 0:01:50 | 0:01:53 | |
-Could this have been the site -of Pwyll's court? | 0:01:54 | 0:01:57 | |
-The court is central to the events -in the First and Third Branches. | 0:01:58 | 0:02:03 | |
-Did the feasting, carousing -and discoursing take place here? | 0:02:03 | 0:02:08 | |
-The Throne of Narberth is mentioned -in the First Branch. | 0:02:28 | 0:02:32 | |
-Whoever sits on this Throne... | 0:02:32 | 0:02:35 | |
-..will either see wonders, -or receive an injury or a wound. | 0:02:35 | 0:02:40 | |
-Was Pwyll sitting -somewhere around here... | 0:02:40 | 0:02:43 | |
-..when he saw Rhiannon galloping -down the valley on her white horse? | 0:02:43 | 0:02:48 | |
-His manservant failed -to catch up with her... | 0:02:48 | 0:02:52 | |
-..so Pwyll himself called on her -to stop, which she did. | 0:02:52 | 0:02:57 | |
-There's a strong element -of enchantment in all the Branches. | 0:03:07 | 0:03:12 | |
-Very strange things happen. | 0:03:12 | 0:03:14 | |
-But people didn't say -that such things were impossible... | 0:03:14 | 0:03:18 | |
-..for the simple reason... | 0:03:19 | 0:03:20 | |
-..that enchantment in ages past, and -in the Middle Ages to some extent... | 0:03:21 | 0:03:27 | |
-..was a way of influencing -the course of events. | 0:03:27 | 0:03:31 | |
-Today, most of us believe -such things can't happen... | 0:03:31 | 0:03:35 | |
-..and that magical powers are, to -us, basically, a matter of science. | 0:03:35 | 0:03:40 | |
-Science is the thing -that can change the world. | 0:03:41 | 0:03:44 | |
-Narberth Castle may indeed have been -the location of Pwyll's court. | 0:03:51 | 0:03:56 | |
-But what about this place, Caerau -Gaer, two miles outside Narberth? | 0:03:57 | 0:04:03 | |
-There are remains -of an old fortress here. | 0:04:03 | 0:04:06 | |
-Who knows? Perhaps this was -where Pwyll stood... | 0:04:08 | 0:04:11 | |
-..when he suddenly saw Rhiannon -galloping across the landscape... | 0:04:12 | 0:04:16 | |
-..on her white horse. | 0:04:17 | 0:04:19 | |
-Glyn Cuch is one of the -first locations we encounter... | 0:04:24 | 0:04:28 | |
-..in the Four Branches. | 0:04:28 | 0:04:30 | |
-Glyn Cuch lies south -of Newcastle Emlyn... | 0:04:31 | 0:04:34 | |
-..on the boundary between -Pembrokeshire and Carmarthenshire. | 0:04:35 | 0:04:38 | |
-It also serves as a boundary between -this world and the Underworld. | 0:04:38 | 0:04:43 | |
-HOUNDS BARK, A HUNTING HORN SOUNDS | 0:04:44 | 0:04:46 | |
-Pwyll hunts deer here -with his hounds... | 0:04:53 | 0:04:56 | |
-..when he meets Arawn, -King of the Underworld. | 0:04:57 | 0:05:00 | |
-He insults Arawn, and so he must -change places with him for a year. | 0:05:01 | 0:05:06 | |
-The hunting theme is very important -in the Mabinogi. | 0:05:06 | 0:05:10 | |
-A white boar is hunted -in the Third Branch. | 0:05:10 | 0:05:14 | |
-Rhiannon herself is 'stalked' -when Pwyll follows her. | 0:05:14 | 0:05:18 | |
-The Four Branches of the Mabinogi, -more than any other legends... | 0:05:19 | 0:05:24 | |
-..are based on Celtic mythology. | 0:05:24 | 0:05:26 | |
-There are strong echoes -of Celtic mythology. | 0:05:27 | 0:05:30 | |
-There's a very strong link -between Rhiannon and horses. | 0:05:30 | 0:05:34 | |
-Rhiannon is forced -to act like a horse. | 0:05:34 | 0:05:37 | |
-She is punished by being forced -to carry people on her back. | 0:05:37 | 0:05:43 | |
-She first appears -on a magical white horse. | 0:05:43 | 0:05:46 | |
-Her son is discovered in a stable -where a foal has just been born. | 0:05:46 | 0:05:52 | |
-He is also linked with horses. | 0:05:53 | 0:05:55 | |
-Some say she is an echo of Epona, -the Celtic horse goddess. | 0:05:55 | 0:06:01 | |
-There's no doubt -that there are strong links... | 0:06:01 | 0:06:04 | |
-..between Rhiannon -and that particular animal. | 0:06:04 | 0:06:07 | |
-The Second Branch | 0:06:10 | 0:06:11 | |
-Bendigeidfran, son of Llyr, -is the crowned king of this island. | 0:06:12 | 0:06:16 | |
-Matholwch, King of Ireland, -comes to Wales... | 0:06:17 | 0:06:20 | |
-..to ask for the hand in marriage -of Branwen, Bendigeidfran's sister. | 0:06:20 | 0:06:25 | |
-But her half-brother, Efnisien, -is not happy. | 0:06:25 | 0:06:28 | |
-And so begins a series -of terrible and violent events. | 0:06:29 | 0:06:33 | |
-Horses are mutilated -and a young child is killed. | 0:06:33 | 0:06:37 | |
-Once again, very familiar locations -are mentioned. | 0:06:37 | 0:06:40 | |
-Bendigeidfran -has a court in Harlech. | 0:06:46 | 0:06:49 | |
-It's one of his important courts. | 0:06:49 | 0:06:52 | |
-The name Harlech means 'fair rock'. | 0:06:52 | 0:06:55 | |
-A castle was later -built on the site. | 0:06:55 | 0:06:58 | |
-A lot of these places have -extremely ancient associations. | 0:06:59 | 0:07:04 | |
-They are involved with rule, -they are castles. | 0:07:05 | 0:07:08 | |
-Or they are ruins -that people saw around them... | 0:07:08 | 0:07:12 | |
-..and brought into their legends... | 0:07:12 | 0:07:15 | |
-..because there were ancient -memories associated with them. | 0:07:15 | 0:07:18 | |
-Bendigeidfran walks through the sea. | 0:07:34 | 0:07:37 | |
-Here, the story may be hinting -at something very, very old... | 0:07:38 | 0:07:43 | |
-..that the sea between Wales and -Ireland was smaller at one time. | 0:07:43 | 0:07:48 | |
-And of course, a proverb -is formulated in this tale... | 0:07:51 | 0:07:55 | |
-.."He who would be a leader, -let him be a bridge." | 0:07:56 | 0:08:01 | |
-Bendigeidfran is a giant. | 0:08:01 | 0:08:03 | |
-When the Irish destroy a bridge... | 0:08:03 | 0:08:06 | |
-..he stretches his body -from bank to bank... | 0:08:06 | 0:08:09 | |
-..and allows his soldiers -to walk over him... | 0:08:10 | 0:08:13 | |
-..saying, "He who would be a leader, -let him be a bridge." | 0:08:13 | 0:08:18 | |
-There are many ancient Celtic -elements in this legend... | 0:08:33 | 0:08:37 | |
-..as there are in the others. | 0:08:37 | 0:08:40 | |
-One of them concerns a king's -special position in Celtic society. | 0:08:40 | 0:08:44 | |
-The Cauldron of Rebirth which brings -the dead to life is another element. | 0:08:45 | 0:08:50 | |
-This is the Cauldron of Rebirth. | 0:08:51 | 0:08:54 | |
-If dead men are placed -in the cauldron, they rise again... | 0:08:54 | 0:08:58 | |
-..but they are dumb. | 0:08:59 | 0:09:00 | |
-This cauldron is a boon to the Irish -when they fight the Welsh. | 0:09:01 | 0:09:06 | |
-A great many cauldrons from the -Celtic period have survived. | 0:09:06 | 0:09:11 | |
-One of the most prominent -is the Gundestrup Cauldron... | 0:09:12 | 0:09:16 | |
-..which was discovered -in Scandinavia. | 0:09:16 | 0:09:19 | |
-It's extremely interesting... | 0:09:19 | 0:09:21 | |
-..because there are figures -on the cauldron... | 0:09:21 | 0:09:24 | |
-..and one scene depicts men -being immersed in a cauldron. | 0:09:24 | 0:09:28 | |
-It recalls the description of the -cauldron in the Second Branch. | 0:09:29 | 0:09:33 | |
-Some argue -that the Gundestrup Cauldron... | 0:09:34 | 0:09:36 | |
-..illustrates the story of Branwen. | 0:09:37 | 0:09:39 | |
-In one of the strangest events -in this tale... | 0:09:41 | 0:09:45 | |
-..Bendigeidfran's head is cut off -but it does not die. | 0:09:45 | 0:09:50 | |
-That reflects a very ancient belief -among Celts... | 0:09:50 | 0:09:53 | |
-..that the soul resides -in the head, not the heart. | 0:09:54 | 0:09:59 | |
-The Celts cut off -their enemies' heads and kept them. | 0:09:59 | 0:10:03 | |
-They drew pictures of heads -and carved heads from stone. | 0:10:03 | 0:10:08 | |
-The human head -had great significance... | 0:10:08 | 0:10:11 | |
-..in the Celtic imagination. | 0:10:11 | 0:10:13 | |
-This mythology lived on -into the Middle Ages in Wales. | 0:10:14 | 0:10:18 | |
-Bendigeidfran's head played -an important part in the legend. | 0:10:20 | 0:10:24 | |
-Bendigeidfran's head is cut off... | 0:10:28 | 0:10:30 | |
-..but it continues -to behave like a king. | 0:10:30 | 0:10:34 | |
-Seven men bring it back to Wales -after the great battle in Ireland. | 0:10:34 | 0:10:39 | |
-They feast in Harlech -for seven years... | 0:10:39 | 0:10:42 | |
-..and then they travel to an island -off the Pembrokeshire coast. | 0:10:42 | 0:10:47 | |
-But their journey -does not end there. | 0:10:47 | 0:10:50 | |
-888 | 0:10:54 | 0:10:54 | |
-888 - -888 | 0:10:54 | 0:10:56 | |
-It's always been my ambition -to come here... | 0:11:13 | 0:11:16 | |
-..to the island of Gwales -off Pembrokeshire. | 0:11:16 | 0:11:19 | |
-Bendigeidfran's head -was brought here... | 0:11:19 | 0:11:22 | |
-..after the great battle in Ireland. | 0:11:22 | 0:11:25 | |
-Seven men brought the head here -and spent 80 years feasting. | 0:11:25 | 0:11:30 | |
-Today, as you can see, -only birds feast here. | 0:11:30 | 0:11:34 | |
-While they were here... | 0:11:34 | 0:11:36 | |
-..they forgot all the terrible -things that had happened. | 0:11:36 | 0:11:40 | |
-But one day, Heilyn, son of Gwyn, -opens the door that faced Cornwall. | 0:11:40 | 0:11:45 | |
-Memories come flooding back and they -set out to bury the head in London. | 0:11:46 | 0:11:52 | |
-The head is buried -on the White Mount in London... | 0:11:52 | 0:11:56 | |
-..looking out towards France. | 0:11:56 | 0:11:58 | |
-Bendigeidfran defends Britain -from external enemies... | 0:11:59 | 0:12:02 | |
-..so he looks to the Continent... | 0:12:04 | 0:12:07 | |
-..from where -the English originally came. | 0:12:07 | 0:12:11 | |
-King Arthur is blamed for moving -Bendigeidfran's head... | 0:12:11 | 0:12:14 | |
-..according to the Welsh Triads. | 0:12:14 | 0:12:17 | |
-They say he was arrogant... | 0:12:17 | 0:12:19 | |
-..and did not want to share the -credit for defending the island... | 0:12:19 | 0:12:24 | |
-..so he moved Bendigeidfran's head -and took all the credit himself. | 0:12:24 | 0:12:29 | |
-There are many islands -off the Welsh coast. | 0:12:34 | 0:12:37 | |
-Anglesey, where Branwen was buried. | 0:12:38 | 0:12:40 | |
-Her heart broke, and she was buried -on the banks of the River Alaw. | 0:12:40 | 0:12:46 | |
-Puffin Island, Holy Island. | 0:12:47 | 0:12:48 | |
-Many islands -off the Pembrokeshire coast... | 0:12:49 | 0:12:52 | |
-..are associated with enchantment. | 0:12:53 | 0:12:54 | |
-Some say that, not far from here, -an island swims beneath the surface. | 0:12:55 | 0:13:00 | |
-Every once in a while, the island -rises and we may touch it. | 0:13:01 | 0:13:06 | |
-The Third Branch of the Mabinogi, -Manawydan son of Llyr... | 0:13:18 | 0:13:23 | |
-..follows on from the Second Branch. | 0:13:23 | 0:13:25 | |
-Pwyll's son, Pryderi... | 0:13:26 | 0:13:27 | |
-..gives his mother, Rhiannon, -to Manawydan as a wife. | 0:13:27 | 0:13:31 | |
-All goes well, until, one day, an -enchanted mist descends over Dyfed. | 0:13:31 | 0:13:37 | |
-The mist covers the land -and everything disappears. | 0:13:38 | 0:13:42 | |
-Houses disappear, animals disappear, -the courtiers disappear. | 0:13:42 | 0:13:47 | |
-Everywhere becomes deserted. | 0:13:49 | 0:13:50 | |
-The Third Branch may be -the least familiar to people today. | 0:13:53 | 0:13:58 | |
-It begins with Manawydan... | 0:13:58 | 0:14:00 | |
-..and other characters who survive -from the Second Branch. | 0:14:00 | 0:14:04 | |
-Manawydan is the hero -of this Branch. | 0:14:04 | 0:14:07 | |
-He defeats the wizard, Llwyd, -who cast a spell on Dyfed. | 0:14:07 | 0:14:12 | |
-He does so after realising... | 0:14:14 | 0:14:16 | |
-..that one of the mice that plague -Manawydan's land and crops... | 0:14:16 | 0:14:21 | |
-..is Llwyd's wife. | 0:14:21 | 0:14:23 | |
-He forces Llwyd's hand, -and tricks him... | 0:14:23 | 0:14:26 | |
-..into confessing -that he cast the spell on Dyfed. | 0:14:28 | 0:14:31 | |
-Manawydan forces him -to lift the spell... | 0:14:32 | 0:14:35 | |
-..and promise -that he will not seek revenge. | 0:14:35 | 0:14:38 | |
-The Fourth Branch | 0:14:49 | 0:14:52 | |
-The Fourth Branch -is a branch and a half. | 0:14:52 | 0:14:56 | |
-Math son of Mathonwy -is the Lord of Gwynedd. | 0:14:56 | 0:15:00 | |
-When he isn't at war... | 0:15:00 | 0:15:02 | |
-..he must rest his feet on the lap -of a maiden called Goewin. | 0:15:02 | 0:15:08 | |
-His nephew, Gilfaethwy, -falls in love with Goewin. | 0:15:08 | 0:15:12 | |
-Gilfaethwy's brother, Gwydion, -organises a war... | 0:15:12 | 0:15:15 | |
-..so that Math must leave Goewin. | 0:15:15 | 0:15:18 | |
-Gwydion deceives Pryderi -into giving him his pigs. | 0:15:18 | 0:15:22 | |
-He travels through Wales with -the pigs and gives them to Math. | 0:15:22 | 0:15:27 | |
-When Pryderi -realises the deception... | 0:15:27 | 0:15:30 | |
-..war breaks out -between south and north. | 0:15:30 | 0:15:33 | |
-Math is the Lord of Gwynedd. | 0:15:34 | 0:15:37 | |
-Gwydion and Gilfaethwy travel south -to the court of Pryderi. | 0:15:37 | 0:15:41 | |
-So there is communication between -south and north in this Branch. | 0:15:42 | 0:15:46 | |
-As they drive the pigs -from the south to the north... | 0:15:46 | 0:15:51 | |
-..the places where they stop... | 0:15:51 | 0:15:53 | |
-..are given a name that includes -the word 'moch', such as Mochdre... | 0:15:53 | 0:15:58 | |
-..in memory of their passage. | 0:15:59 | 0:16:01 | |
-In the Mabinogi, -there is a strong association... | 0:16:02 | 0:16:06 | |
-..between the stories -and the actual geography of Wales. | 0:16:06 | 0:16:10 | |
-You can follow the stories on a map. | 0:16:10 | 0:16:13 | |
-The stories explain -the origin of place-names... | 0:16:14 | 0:16:17 | |
-..and this itself -bolsters the stories' status. | 0:16:17 | 0:16:20 | |
-It can be seen as independent -evidence of the story's truth. | 0:16:20 | 0:16:25 | |
-We call them onomastic stories. | 0:16:25 | 0:16:27 | |
-Onomastic stories explain -the origins of proper names. | 0:16:28 | 0:16:31 | |
-The Mabinogi is full of them. | 0:16:31 | 0:16:34 | |
-When Math returns from battle... | 0:16:40 | 0:16:42 | |
-..he discovers that his nephews, -Gilfaethwy and Gwydion... | 0:16:42 | 0:16:46 | |
-..were responsible for the strife... | 0:16:46 | 0:16:48 | |
-..the rape of the maiden, the death -of soldiers including Pryderi. | 0:16:48 | 0:16:53 | |
-They cannot make amends -for this dishonour... | 0:16:53 | 0:16:56 | |
-..except through punishment -and humiliation. | 0:16:56 | 0:16:59 | |
-Math's punishment is bestial. | 0:17:00 | 0:17:03 | |
-In the Fourth Branch, -in particular... | 0:17:06 | 0:17:10 | |
-..strange transformations -take place. | 0:17:11 | 0:17:13 | |
-Gwydion and Gilfaethwy -have raped Goewin. | 0:17:13 | 0:17:16 | |
-So Math strikes them -with his magic wand... | 0:17:16 | 0:17:20 | |
-..and three times he changes them -into different animals. | 0:17:20 | 0:17:24 | |
-One is male, the other is female. | 0:17:24 | 0:17:27 | |
-They copulate -and give birth to offspring. | 0:17:27 | 0:17:30 | |
-It's the ultimate humiliation. | 0:17:30 | 0:17:33 | |
-In Christian thought, which derives -from Judaic concepts... | 0:17:33 | 0:17:36 | |
-..there are levels of existence... | 0:17:38 | 0:17:40 | |
-..and man is above -the level of animals. | 0:17:40 | 0:17:43 | |
-So if you are turned into an animal, -you are degraded, brought down. | 0:17:44 | 0:17:50 | |
-First, they're turned into a stag -and a hind. | 0:17:52 | 0:17:57 | |
-Deer are very important -in the Mabinogi. | 0:17:57 | 0:18:00 | |
-They provide food and materials -for communities. | 0:18:00 | 0:18:03 | |
-So it's quite significant... | 0:18:04 | 0:18:06 | |
-..that they're transformed -into a stag and a hind first of all. | 0:18:06 | 0:18:11 | |
-Then, they're turned -into a boar and a sow... | 0:18:12 | 0:18:16 | |
-..and finally -into male and female wolves. | 0:18:17 | 0:18:20 | |
-All these animals - deer, -wild boar, wolves... | 0:18:20 | 0:18:23 | |
-..are animals that people -in the Middle Ages respected... | 0:18:23 | 0:18:27 | |
-..because they were dangerous -wild animals. | 0:18:27 | 0:18:31 | |
-It was a terrible punishment. | 0:18:32 | 0:18:34 | |
-But it was appropriate. | 0:18:34 | 0:18:36 | |
-They were punished -because they had raped a maiden. | 0:18:36 | 0:18:40 | |
-The two brothers -had to make amends for that... | 0:18:40 | 0:18:44 | |
-..by having their own sexuality -and sexual identities transformed... | 0:18:44 | 0:18:49 | |
-..back and forth, year after year. | 0:18:49 | 0:18:52 | |
-Math needs another maiden, -because Goewin is now a wife. | 0:18:56 | 0:19:00 | |
-He forgives Gilfaethwy and Gwydion. | 0:19:01 | 0:19:03 | |
-Gwydion suggests his sister -Arianrhod, as the new maiden. | 0:19:03 | 0:19:07 | |
-Thus begins another series -of marvellous events. | 0:19:07 | 0:19:11 | |
-Arianrhod must prove -her virginity... | 0:19:12 | 0:19:14 | |
-..by stepping over -Math's magic wand. | 0:19:15 | 0:19:18 | |
-But a small child drops from her, -and something else. | 0:19:18 | 0:19:22 | |
-Gwydion picks up this other thing... | 0:19:23 | 0:19:26 | |
-..hides it in a chest -and looks after it. | 0:19:26 | 0:19:30 | |
-Arianrhod places a number of curses -on her child. | 0:19:31 | 0:19:34 | |
-He may not have a name, weapons, -or a wife of this world. | 0:19:35 | 0:19:40 | |
-Through magic, Gwydion -manages to overcome every curse. | 0:19:40 | 0:19:44 | |
-For the final curse, he and Math -combine their magical skills... | 0:19:44 | 0:19:49 | |
-..to create a wife out of flowers -for Lleu, Arianrhod's son. | 0:19:49 | 0:19:54 | |
-This is Blodeuwedd. | 0:19:54 | 0:19:55 | |
-This is one of the settings for the -Fourth Branch of the Mabinogi. | 0:20:14 | 0:20:20 | |
-It's a castle called Mur Castell, -in Ardudwy. | 0:20:20 | 0:20:23 | |
-After Math and Gwydion created -Blodeuwedd as a wife for Lleu... | 0:20:24 | 0:20:28 | |
-..the king gave them this castle -as a home. | 0:20:29 | 0:20:32 | |
-Mur Castell, or Tomen y Mur, -as it's now called. | 0:20:33 | 0:20:37 | |
-Lleu goes away, leaving Blodeuwedd -here with the servants. | 0:21:04 | 0:21:08 | |
-She is restless. | 0:21:09 | 0:21:11 | |
-Then suddenly she hears a hunting -horn and the sounds of a hunt. | 0:21:11 | 0:21:16 | |
-Over this ridge behind me -appears Gronw Pebyr from Lleyn. | 0:21:16 | 0:21:21 | |
-She invites him into the castle, -and they fall in love. | 0:21:21 | 0:21:26 | |
-Ultimately, they conspire -to kill Lleu. | 0:21:26 | 0:21:29 | |
-Many people have tried to interpret -the Branches. | 0:21:35 | 0:21:38 | |
-There are novels, -recent animations, plays. | 0:21:39 | 0:21:42 | |
-'Blodeuwedd' by Saunders Lewis must -be the most well-known of them all. | 0:21:43 | 0:21:48 | |
-I would argue that he's changed -quite a lot of the story... | 0:21:49 | 0:21:54 | |
-..though he says in the introduction -that he hasn't. | 0:21:54 | 0:21:58 | |
-He changes the emphasis. | 0:21:58 | 0:22:00 | |
-He was a Catholic... | 0:22:00 | 0:22:02 | |
-..and a man with patriarchal -attitudes towards life. | 0:22:02 | 0:22:05 | |
-Oh, heir to my fate, -listen to my secret. | 0:22:09 | 0:22:12 | |
-I have for you now an heir. | 0:22:13 | 0:22:16 | |
-Do you know for sure? | 0:22:17 | 0:22:18 | |
-Do you know for sure? - -As every wife knows. | 0:22:18 | 0:22:19 | |
-As every wife knows. | 0:22:19 | 0:22:20 | |
-Oh, my queen! | 0:22:21 | 0:22:22 | |
-Let fate decree it shall be a son. | 0:22:22 | 0:22:24 | |
-Let fate decree it shall be a son. - -It is a son. | 0:22:24 | 0:22:26 | |
-Let fate decree it shall be a son. | 0:22:26 | 0:22:26 | |
-I swear it. | 0:22:26 | 0:22:27 | |
-To him, family and succession -are important. | 0:22:28 | 0:22:31 | |
-He uses this - he adds this -to the original tale. | 0:22:31 | 0:22:36 | |
-When Lleu returns, -he finds Blodeuwedd full of joy. | 0:22:37 | 0:22:40 | |
-Of course, she's been sleeping -with Gronw Pebyr! | 0:22:41 | 0:22:44 | |
-But she suggests -that she has an heir for him. | 0:22:44 | 0:22:49 | |
-He's delighted, because his mother's -curses sought to deny him an heir. | 0:22:49 | 0:22:54 | |
-But her 'heir' is Gronw Pebyr, -not a baby at all. | 0:22:54 | 0:22:59 | |
-I can picture him now, -placing his lips upon my lips. | 0:22:59 | 0:23:04 | |
-He shall be a hunter. -His horn shall stir the deer. | 0:23:04 | 0:23:09 | |
-I shall teach him -his father's accomplishments. | 0:23:10 | 0:23:13 | |
-How to throw a spear and a needle? | 0:23:13 | 0:23:15 | |
-How to throw a spear and a needle? - -And row a boat... | 0:23:15 | 0:23:16 | |
-And row a boat... | 0:23:16 | 0:23:17 | |
-..and make shoes for his mother... | 0:23:18 | 0:23:20 | |
-..so that she shall not walk -barefooted through the dew. | 0:23:20 | 0:23:24 | |
-The name 'Lleu' in itself -suggests something. | 0:23:24 | 0:23:27 | |
-'Lleu' means 'light' - -he's a sun god. | 0:23:28 | 0:23:31 | |
-He still retains elements -of his former divinity. | 0:23:32 | 0:23:35 | |
-He's not easy to kill. | 0:23:38 | 0:23:40 | |
-He must be placed in an extremely -strange situation. | 0:23:41 | 0:23:44 | |
-He must stand on a river bank - -between water and land... | 0:23:46 | 0:23:50 | |
-..that 'between' element. | 0:23:51 | 0:23:52 | |
-He must place one foot on a trough, -or bath - cleanliness. | 0:23:53 | 0:23:58 | |
-And his other foot must rest on a -billy goat's back - uncleanliness. | 0:23:58 | 0:24:04 | |
-He wears trousers but no shirt. | 0:24:04 | 0:24:06 | |
-He's not within a building -but there's a roof above him. | 0:24:06 | 0:24:11 | |
-There's a series -of 'in-between' situations. | 0:24:11 | 0:24:15 | |
-And when all's said and done, -he doesn't get killed. | 0:24:16 | 0:24:20 | |
-He turns into an eagle. | 0:24:20 | 0:24:22 | |
-What happens there? | 0:24:22 | 0:24:24 | |
-He turns into another aspect -of himself. | 0:24:24 | 0:24:27 | |
-The eagle was a creature -sacred to the sun god. | 0:24:27 | 0:24:32 | |
-SCREAMS | 0:24:33 | 0:24:35 | |
-The eagle shelters -in an old oak tree. | 0:24:54 | 0:24:58 | |
-Trees had special significance -for the Celts. | 0:24:59 | 0:25:02 | |
-They had their own magical -and sacred qualities. | 0:25:03 | 0:25:06 | |
-It's not by accident -that the eagle shelters in an oak. | 0:25:08 | 0:25:12 | |
-He is in a sacred space -until he is taken from there. | 0:25:13 | 0:25:18 | |
-SCREAMS | 0:25:25 | 0:25:27 | |
-Llech Gronw - 'Gronw's Stone'. | 0:25:43 | 0:25:45 | |
-Lleu and Gronw -stand on the river bank. | 0:25:46 | 0:25:49 | |
-Lleu holds a spear, -and Gronw stands here. | 0:25:49 | 0:25:53 | |
-And Gronw says, "Because I was -deceived by Blodeuwedd's wiles... | 0:25:53 | 0:25:58 | |
-"..let me place this stone -that we see beside the river... | 0:26:00 | 0:26:04 | |
-"..between me and the spear." | 0:26:05 | 0:26:07 | |
-Lleu agrees. He throws his spear, -which goes through the stone... | 0:26:07 | 0:26:12 | |
-..and breaks Gronw's spine. | 0:26:12 | 0:26:14 | |
-He's killed instantly. | 0:26:14 | 0:26:16 | |
-There's lots of conjecture -concerning locations and so on. | 0:26:17 | 0:26:20 | |
-But here, there's a stone with -a hole through it, beside a river. | 0:26:21 | 0:26:26 | |
-What more could you expect? | 0:26:26 | 0:26:29 | |
-HE GRUNTS | 0:26:30 | 0:26:31 | |
-As film makers... | 0:26:45 | 0:26:47 | |
-..we sometimes have to change or -adapt aspects of the original text. | 0:26:47 | 0:26:52 | |
-Perhaps those who told these stories -did the same. | 0:26:53 | 0:26:57 | |
-I like to believe we're simply -perpetuating that tradition. | 0:26:57 | 0:27:01 | |
-One prominent example -is when Lleu, at the end... | 0:27:01 | 0:27:05 | |
-..gets his chance -to take revenge on Gronw. | 0:27:05 | 0:27:09 | |
-In the original text, he throws -the spear and that's that. | 0:27:09 | 0:27:13 | |
-But in our story, -he lifts the spear to throw it... | 0:27:13 | 0:27:18 | |
-..and then he decides -to be merciful to Gronw. | 0:27:18 | 0:27:22 | |
-He turns away, but Gronw -throws a knife at him. | 0:27:23 | 0:27:27 | |
-Lleu has to defend himself, -and that's how he kills Gronw. | 0:27:27 | 0:27:32 | |
-At the end... | 0:27:49 | 0:27:51 | |
-..Blodeuwedd is transformed -into an owl by Gwydion. | 0:27:51 | 0:27:55 | |
-That's very interesting. | 0:27:56 | 0:27:57 | |
-The author says it's in an owl's -nature to avoid daylight... | 0:27:58 | 0:28:02 | |
-..and that other birds -instinctively attack owls. | 0:28:03 | 0:28:07 | |
-Gwydion!! | 0:28:11 | 0:28:13 | |
-The punishment is appropriate... | 0:28:22 | 0:28:25 | |
-..because Blodeuwedd is originally -a creature of the sun... | 0:28:25 | 0:28:28 | |
-..created from flowers. | 0:28:29 | 0:28:30 | |
-She was created to be beautiful, -but she's turned into an owl... | 0:28:31 | 0:28:36 | |
-..a bird of the night, -which doesn't show its face... | 0:28:36 | 0:28:40 | |
-..and which has no beauty. | 0:28:40 | 0:28:42 | |
-Blodeuwedd loses everything she has. | 0:28:43 | 0:28:45 | |
-Again, the owl happens to have -strong associations... | 0:28:46 | 0:28:49 | |
-..in the Celtic imagination. | 0:28:49 | 0:28:52 | |
-The Celts regarded the owl -as a bird of the night... | 0:28:53 | 0:28:58 | |
-..associated with darkness -and misfortune. | 0:28:58 | 0:29:01 | |
-There are a great many superstitions -concerning owls... | 0:29:01 | 0:29:05 | |
-..harbingers of death, and so on. | 0:29:05 | 0:29:08 | |
-The final Branch finishes unhappily. | 0:29:15 | 0:29:17 | |
-There is no future. -Lleu is all alone. | 0:29:17 | 0:29:21 | |
-He has no hope of getting a wife -because of his mother's curse... | 0:29:21 | 0:29:26 | |
-..and no hope of an heir. | 0:29:27 | 0:29:29 | |
-It's not like the other Branches. | 0:29:29 | 0:29:32 | |
-It shows what can happen... | 0:29:32 | 0:29:34 | |
-..if people, especially the sexes, -fail to respect each other. | 0:29:34 | 0:29:39 | |
-888 | 0:29:51 | 0:29:51 | |
-888 - -888 | 0:29:51 | 0:29:53 | |
-Every year in Wales, people gather -for a special pilgrimage. | 0:29:55 | 0:29:59 | |
-It's an attempt... | 0:29:59 | 0:30:01 | |
-..to keep the mediaeval oral -storytelling tradition alive. | 0:30:01 | 0:30:05 | |
-But where did these legends -originate? Who was their author? | 0:30:05 | 0:30:10 | |
-We don't know who wrote -the Four Branches of the Mabinogi. | 0:30:10 | 0:30:15 | |
-It's problematic when you're dealing -with an oral tradition. | 0:30:15 | 0:30:19 | |
-Stories are passed on and everyone -makes little changes to them. | 0:30:20 | 0:30:24 | |
-Many people have tried to suggest -authors for the Four Branches. | 0:30:30 | 0:30:34 | |
-If we could discover an author, -it would seem to confer status. | 0:30:35 | 0:30:40 | |
-Some have suggested Sulien, -Bishop of St David's. | 0:30:40 | 0:30:43 | |
-Sulien and his son -were literary people. | 0:30:44 | 0:30:47 | |
-Sulien spent time in Ireland... | 0:30:47 | 0:30:49 | |
-..and of course, Ireland is involved -in the Second Branch. | 0:30:49 | 0:30:54 | |
-His son, Rhygyfarch, wrote the -Latin version of 'Buchedd Dewi'... | 0:30:54 | 0:30:58 | |
-..about the life of St David. | 0:30:58 | 0:31:01 | |
-We know he wrote. | 0:31:01 | 0:31:03 | |
-But that doesn't mean -they wrote the Four Branches. | 0:31:03 | 0:31:07 | |
-When you start talking -about copying... | 0:31:07 | 0:31:10 | |
-..you run into -a very difficult problem. | 0:31:10 | 0:31:14 | |
-Say, for example, -that a storyteller tells a story... | 0:31:15 | 0:31:19 | |
-..and someone tries -to write down this story. | 0:31:19 | 0:31:22 | |
-He'd have to stop the storyteller -in order to catch up. | 0:31:22 | 0:31:27 | |
-That would destroy the story. | 0:31:27 | 0:31:30 | |
-Did the author have to learn -the story and then write it down? | 0:31:32 | 0:31:37 | |
-Or had a storyteller -learned how to write? | 0:31:38 | 0:31:41 | |
-I would think there'd be differences -between the story told orally... | 0:31:42 | 0:31:47 | |
-..and the written version. | 0:31:48 | 0:31:50 | |
-Writing is a very slow -and laborious process. | 0:31:51 | 0:31:54 | |
-Ultimately, it would interfere -with the words being spoken. | 0:31:55 | 0:32:00 | |
-I believe that it was only -in the written form... | 0:32:02 | 0:32:06 | |
-..that all these episodes -were brought together. | 0:32:06 | 0:32:09 | |
-I feel, with regard to models -in other countries... | 0:32:10 | 0:32:14 | |
-..that it was the episodes -that were important, orally. | 0:32:14 | 0:32:18 | |
-The story of Pwyll -visiting the Underworld... | 0:32:18 | 0:32:21 | |
-..the story of Pwyll wooing -and marrying Rhiannon. | 0:32:21 | 0:32:24 | |
-I feel the author was the first -to bring them all together. | 0:32:25 | 0:32:29 | |
-The Branches have been recorded -in manuscripts. | 0:32:31 | 0:32:34 | |
-Thus they have been handed down -and interpreted throughout the ages. | 0:32:35 | 0:32:39 | |
-Now begins another important episode -in our story. | 0:32:40 | 0:32:43 | |
-The manuscripts are a vital part -of the Branches' history. | 0:32:43 | 0:32:47 | |
-The earliest volume containing -all Four Branches of the Mabinogi... | 0:32:48 | 0:32:52 | |
-..is the White Book of Rhydderch... | 0:32:53 | 0:32:55 | |
-..which is kept in the -National Library in Aberystwyth. | 0:32:55 | 0:32:59 | |
-It dates back -to the mid 14th century. | 0:32:59 | 0:33:03 | |
-This manuscript was copied -for a man called Rhydderch... | 0:33:03 | 0:33:07 | |
-..who lived in Llangeitho. | 0:33:07 | 0:33:09 | |
-It was probably copied... | 0:33:09 | 0:33:11 | |
-..at the Cistercian abbey -of Strata Florida... | 0:33:11 | 0:33:14 | |
-..15 to 18 miles -east of Aberystwyth. | 0:33:14 | 0:33:17 | |
-The second volume -containing the complete version... | 0:33:18 | 0:33:21 | |
-..is the Red Book of Hergest... | 0:33:21 | 0:33:23 | |
-..which is owned -by Jesus College, Oxford. | 0:33:24 | 0:33:27 | |
-It's kept at the Bodleian Library -in Oxford. | 0:33:27 | 0:33:30 | |
-The White Book -is a very important volume... | 0:33:30 | 0:33:34 | |
-..but it's not the earliest record -of the Four Branches. | 0:33:34 | 0:33:38 | |
-A manuscript dating -from the late 13th century... | 0:33:38 | 0:33:42 | |
-..contains two small fragments... | 0:33:42 | 0:33:44 | |
-..concerning the story of Branwen -and the story of Manawydan. | 0:33:44 | 0:33:48 | |
-Just a page each remain of these. | 0:33:49 | 0:33:52 | |
-But they demonstrate a written -tradition for the Mabinogi... | 0:33:52 | 0:33:56 | |
-..that is much earlier -than the White Book. | 0:33:56 | 0:33:59 | |
-Today, we have Four Branches -of the Mabinogi... | 0:34:01 | 0:34:05 | |
-..but was it three branches, -originally? | 0:34:05 | 0:34:07 | |
-The boundary between the Second -and Third Branches is indistinct. | 0:34:08 | 0:34:12 | |
-The author seems to have difficulty -separating these two Branches... | 0:34:12 | 0:34:16 | |
-..and, of course, three -was an important, magical number... | 0:34:16 | 0:34:20 | |
-..in the mediaeval period. | 0:34:20 | 0:34:22 | |
-The Three Branches -of the Mabinogi, perhaps? | 0:34:22 | 0:34:25 | |
-Or there may be branches missing. | 0:34:25 | 0:34:28 | |
-In both the White Book -and the Red Book... | 0:34:28 | 0:34:32 | |
-..the copyist doesn't say, -"And so ends the Mabinogi." | 0:34:32 | 0:34:36 | |
-With other stories... | 0:34:36 | 0:34:38 | |
-..you get, "And so ends the tale -of the Lady of the Fountain." | 0:34:38 | 0:34:43 | |
-But there is no, "And so end -the Four Branches of the Mabinogi." | 0:34:44 | 0:34:49 | |
-So I sometimes wonder whether there -are fifth, sixth, seventh branches. | 0:34:49 | 0:34:54 | |
-Festivals throughout Wales... | 0:34:56 | 0:34:57 | |
-..perpetuate one of the nation's -most precious traditions... | 0:34:57 | 0:35:01 | |
-..storytelling. | 0:35:01 | 0:35:03 | |
-A short story to begin with. | 0:35:03 | 0:35:06 | |
-You have a choice - a story about -a giant, or one about an old woman. | 0:35:06 | 0:35:11 | |
-This is the second Dyffryn Conwy -Storytelling Festival. | 0:35:12 | 0:35:16 | |
-It's a chance for everyone... | 0:35:16 | 0:35:18 | |
-..to hear all kinds of stories. | 0:35:18 | 0:35:20 | |
-"Oi! I want beer! I want wine! | 0:35:21 | 0:35:24 | |
-"I want bread! I want meat!" | 0:35:24 | 0:35:27 | |
-The people of Pontypridd looked out -of their windows and saw this giant. | 0:35:27 | 0:35:33 | |
-"No! Go away, you great, big, -hairy, ugly giant! | 0:35:33 | 0:35:37 | |
-If the audience showed great -interest in some particular part... | 0:35:38 | 0:35:42 | |
-..they would elaborate -on that part of the story. | 0:35:43 | 0:35:46 | |
-And if the audience -showed no interest... | 0:35:47 | 0:35:50 | |
-..the story would be condensed. | 0:35:50 | 0:35:52 | |
-I would think that's what happened. | 0:35:52 | 0:35:55 | |
-The storyteller would react to his -audience as he told the story. | 0:35:55 | 0:35:59 | |
-He was angry, he was furious, -he wanted to kill these people. | 0:36:00 | 0:36:05 | |
-We're a group -of professional storytellers. | 0:36:05 | 0:36:08 | |
-There's a link between us -and the storytellers of past ages. | 0:36:08 | 0:36:13 | |
-There was just one bird left - -the owl. | 0:36:13 | 0:36:17 | |
-In this festival, -we tell stories, of course. | 0:36:17 | 0:36:20 | |
-There are trips along the river -and through woodlands. | 0:36:21 | 0:36:24 | |
-People can learn the art -of storytelling. | 0:36:25 | 0:36:29 | |
-The other birds -were so cross with the owl... | 0:36:29 | 0:36:33 | |
-..they said, "Owl, -you are banished to the night!" | 0:36:33 | 0:36:37 | |
-When these tales -were translated into English... | 0:36:37 | 0:36:40 | |
-..in the 19th century... | 0:36:41 | 0:36:43 | |
-..not just the Four Branches -but other mediaeval legends too... | 0:36:43 | 0:36:47 | |
-..eleven of them in all, -they needed a title. | 0:36:47 | 0:36:51 | |
-'-ion' is a plural suffix in Welsh. | 0:36:51 | 0:36:55 | |
-'Dyn' - 'Dynion'. -'Marchog' - 'Marchogion'. | 0:36:56 | 0:36:58 | |
-So the title 'Mabinogion' -was adopted as a label. | 0:36:58 | 0:37:03 | |
-In the manuscripts, it's practically -always written as 'Mabinogi'. | 0:37:03 | 0:37:07 | |
-Only in one instance -does 'Mabinogion' appear. | 0:37:08 | 0:37:11 | |
-That might have been a misprint. | 0:37:12 | 0:37:14 | |
-In the manuscript, another word -appears just before 'Mabinogion'... | 0:37:14 | 0:37:18 | |
-..the word 'dyledogion'. | 0:37:18 | 0:37:20 | |
-The misprint may have arisen because -of confusion between the two words. | 0:37:20 | 0:37:25 | |
-The '-ion' may have jumped down -to 'Mabinogion'. | 0:37:25 | 0:37:29 | |
-But the term 'Mabinogion', -though it may be incorrect... | 0:37:29 | 0:37:33 | |
-..has become very useful. | 0:37:33 | 0:37:35 | |
-It's used to cover the Four Branches -and the other legends... | 0:37:35 | 0:37:40 | |
-..'Culhwch and Olwen,' 'The Dream -of Macsen,' 'The Three Romances'. | 0:37:40 | 0:37:44 | |
-They all come under the title -'Mabinogion'. | 0:37:44 | 0:37:47 | |
-Charlotte Guest was the first -to popularise the term. | 0:37:48 | 0:37:52 | |
-She used it for her own translation -of the 'Mabinogion'... | 0:37:52 | 0:37:56 | |
-..in the mid 19th century. | 0:37:56 | 0:37:58 | |
-She belonged to that period... | 0:37:59 | 0:38:02 | |
-..when people rediscovered Arthur -and the Middle Ages. | 0:38:02 | 0:38:06 | |
-She was an Englishwoman... | 0:38:07 | 0:38:08 | |
-..who came to Wales when she married -John Guest, the Dowlais ironmaster. | 0:38:09 | 0:38:14 | |
-From the 1830s onwards, -she published her version... | 0:38:14 | 0:38:18 | |
-..of the Four Branches, -and other translations. | 0:38:18 | 0:38:21 | |
-People have doubted how much of the -work she actually did herself. | 0:38:21 | 0:38:26 | |
-Did she receive help from people -like John Jones ('Tegid')? | 0:38:26 | 0:38:31 | |
-But, today, -people appreciate what she did. | 0:38:31 | 0:38:34 | |
-Her texts are of a high standard. | 0:38:34 | 0:38:37 | |
-Scholarly notes accompany them. | 0:38:37 | 0:38:39 | |
-Her translations became popular -and improved these texts' status... | 0:38:39 | 0:38:44 | |
-..and the Welsh texts -consequently became popular. | 0:38:44 | 0:38:47 | |
-Wales rediscovered them -through Charlotte Guest. | 0:38:47 | 0:38:49 | |
-Very few titles were used -in the Middle Ages. | 0:38:50 | 0:38:54 | |
-The opening words of a story -were normally used as a label. | 0:38:54 | 0:38:59 | |
-We call the First Branch -'Pwyll Pendefig Dyfed'... | 0:38:59 | 0:39:03 | |
-..because they're the first words. | 0:39:03 | 0:39:05 | |
-But the Second Branch -opens with the words... | 0:39:05 | 0:39:09 | |
-.."Bendigeidfran, son of Llyr, was -the crowned king of this island." | 0:39:09 | 0:39:14 | |
-But in Lady Charlotte Guest's -translation... | 0:39:14 | 0:39:17 | |
-..the Second Branch is entitled -'Branwen, daughter of Llyr'. | 0:39:17 | 0:39:21 | |
-I wonder whether she sympathised -with Branwen. | 0:39:21 | 0:39:24 | |
-Like Branwen, she had left -her own country. | 0:39:25 | 0:39:29 | |
-There's an entry in her diary... | 0:39:30 | 0:39:32 | |
-..where she mentions a house -the family owned in Sully. | 0:39:32 | 0:39:37 | |
-He diary records her -looking out to sea in Sully... | 0:39:39 | 0:39:43 | |
-..and seeing someone -putting furniture in a boat... | 0:39:43 | 0:39:47 | |
-..and setting sail for England. | 0:39:48 | 0:39:50 | |
-"And I sometimes wish -I were going with him." | 0:39:51 | 0:39:54 | |
-There's a touch of -homesickness there. | 0:39:55 | 0:39:58 | |
-A few years before Charlotte Guest -started work on the Mabinogi... | 0:40:00 | 0:40:04 | |
-..an important archaeological -discovery was made in Anglesey. | 0:40:05 | 0:40:08 | |
-A decision was made to excavate a -place reputed to be Branwen's grave. | 0:40:08 | 0:40:13 | |
-And indeed, traces of cremated bones -were discovered there. | 0:40:14 | 0:40:18 | |
-This news appeared in the press. | 0:40:18 | 0:40:21 | |
-It's evident from her work that -Charlotte Guest knew about this. | 0:40:22 | 0:40:26 | |
-The name Branwen -became quite well-known. | 0:40:26 | 0:40:29 | |
-It must be one more reason... | 0:40:30 | 0:40:32 | |
-..why Charlotte Guest chose the name -Branwen for the Second Branch. | 0:40:32 | 0:40:37 | |
-888 | 0:40:45 | 0:40:45 | |
-888 - -888 | 0:40:45 | 0:40:46 | |
-Despite their antiquity... | 0:40:46 | 0:40:47 | |
-..the Mabinogi have fired the -imaginations of people of all ages. | 0:40:47 | 0:40:52 | |
-The are very popular -among children and young people. | 0:40:52 | 0:40:55 | |
-Bendigeidfran told the boy... | 0:40:56 | 0:40:58 | |
-.."Go and talk to your uncle." | 0:40:58 | 0:41:01 | |
-And Gwern walked towards Efnisien, -and Efnisien bent down. | 0:41:02 | 0:41:06 | |
-And everyone else thought... | 0:41:06 | 0:41:08 | |
-..that Efnisien was going to whisper -into the boy's ear. | 0:41:08 | 0:41:12 | |
-But he bent down -and grabbed the boy's feet... | 0:41:13 | 0:41:17 | |
-..lifted him, whirled him around, -and threw him into the fire. | 0:41:17 | 0:41:22 | |
-It's one thing for a child -to read a story himself. | 0:41:23 | 0:41:27 | |
-But a story -told by a good storyteller... | 0:41:27 | 0:41:31 | |
-..can make it much more vivid -for a child. | 0:41:31 | 0:41:35 | |
-It's an oral thing. | 0:41:35 | 0:41:37 | |
-The task with the Mabinogi... | 0:41:37 | 0:41:39 | |
-..is to preserve the glory -of the oral recitation. | 0:41:39 | 0:41:43 | |
-Ships raising their sails and -setting out over the sea to Ireland. | 0:41:44 | 0:41:49 | |
-Unfortunately, we know little about -how these tales were performed. | 0:41:51 | 0:41:55 | |
-After all, everyone told stories. | 0:41:58 | 0:42:00 | |
-In the Second Branch, Matholwch -accepts the Cauldron of Rebirth... | 0:42:01 | 0:42:05 | |
-..as compensation -from Bendigeidfran. | 0:42:06 | 0:42:08 | |
-And Matholwch tells Bendigeidfran -a story... | 0:42:09 | 0:42:12 | |
-..about how he himself received -the Cauldron in the first place. | 0:42:12 | 0:42:17 | |
-He says, "Once upon a time, -I was out hunting." | 0:42:17 | 0:42:22 | |
-That's a traditional formula -for beginning a story. | 0:42:22 | 0:42:25 | |
-Telling tales was commonplace. | 0:42:26 | 0:42:28 | |
-Is it a true story? | 0:42:29 | 0:42:31 | |
-That's a great question. -Is it a true story? | 0:42:32 | 0:42:36 | |
-There are three possibilities... | 0:42:36 | 0:42:38 | |
-..that it's totally false, totally -true, or somewhere in between. | 0:42:38 | 0:42:42 | |
-Who thinks -it's somewhere in between? | 0:42:43 | 0:42:45 | |
-Interesting. | 0:42:46 | 0:42:48 | |
-There are some terribly violent -episodes in the Mabinogi. | 0:42:48 | 0:42:52 | |
-But they are not unsuitable -for children. | 0:42:52 | 0:42:55 | |
-Some elements of violence -arouse our curiosity. | 0:42:55 | 0:42:58 | |
-Why does Efnisien -do these awful things? | 0:42:58 | 0:43:01 | |
-Go to your Uncle Efnisien. | 0:43:02 | 0:43:04 | |
-Despicable child -of a shameful union. | 0:43:05 | 0:43:08 | |
-You shall be the first Irishman -to burn. | 0:43:09 | 0:43:12 | |
-This will settle your father, -once and for all! | 0:43:13 | 0:43:17 | |
-SHOUTS AND SCREAMS | 0:43:17 | 0:43:19 | |
-No! Not the fire! | 0:43:25 | 0:43:27 | |
-Efnisien! | 0:43:28 | 0:43:29 | |
-Efnisien is an interesting character -with a very dark side to him. | 0:43:31 | 0:43:36 | |
-He's the story's catalyst - -he mutilates Matholwch's horses. | 0:43:36 | 0:43:40 | |
-He kills his little nephew and -we can't see much reason for this. | 0:43:40 | 0:43:45 | |
-But he turns out to be a hero -in the end. | 0:43:45 | 0:43:50 | |
-He shatters the Cauldron -which is so dangerous to the Welsh. | 0:43:50 | 0:43:55 | |
-For sake of the Isle of the Mighty! | 0:44:00 | 0:44:03 | |
-Efnisien, a half-brother, is half -in the family and half outside it. | 0:44:12 | 0:44:17 | |
-He's on the boundary, not quite in -or out, and so he's dangerous. | 0:44:17 | 0:44:22 | |
-In the Four Branches, people try -to work out the right way to act... | 0:44:23 | 0:44:29 | |
-..while facing terrible calamities -or wonderful enchantments. | 0:44:29 | 0:44:33 | |
-We can compare the stories -in the Mabinogi... | 0:44:34 | 0:44:37 | |
-..with the soap operas -we see on television today. | 0:44:37 | 0:44:41 | |
-The old Celts obviously needed -a little spice in their lives... | 0:44:41 | 0:44:46 | |
-..during long, cold evenings. | 0:44:46 | 0:44:48 | |
-They wanted to hear stories -about people behaving abominably. | 0:44:49 | 0:44:54 | |
-Love, hate, unfaithfulness, -who was sleeping with who... | 0:44:54 | 0:44:57 | |
-..who takes revenge on who. | 0:44:57 | 0:45:00 | |
-That's what people enjoy, -even today. | 0:45:00 | 0:45:03 | |
-# SONG IN GAELIC # | 0:45:03 | 0:45:05 | |
-The stories deal with things -that are strange and wondrous. | 0:45:21 | 0:45:26 | |
-The strange and the wondrous still -appeal very strongly to people. | 0:45:28 | 0:45:33 | |
-Though they are strange and -wondrous, they involve real people. | 0:45:35 | 0:45:39 | |
-It's a combination -that's never out of fashion. | 0:45:41 | 0:45:45 | |
-It has a cohesion -that belongs to true art. | 0:45:46 | 0:45:49 | |
-# SONG IN GAELIC # | 0:45:50 | 0:45:52 | |
-Animation is an excellent medium -for presenting the fantastic. | 0:45:58 | 0:46:02 | |
-It's possible to show Bendigeidfran -as a huge man... | 0:46:02 | 0:46:06 | |
-..and when he gets angry, -he grows even bigger... | 0:46:07 | 0:46:11 | |
-..he becomes a giant who can walk -through the sea to Ireland. | 0:46:11 | 0:46:17 | |
-We can create Blodeuwedd. | 0:46:20 | 0:46:21 | |
-We can show the process -by which Blodeuwedd is created... | 0:46:22 | 0:46:26 | |
-..which isn't possible -in a stage play. | 0:46:27 | 0:46:30 | |
-The Four Branches receive -a new lease of life and survival... | 0:46:33 | 0:46:38 | |
-..with this new animated film. | 0:46:38 | 0:46:40 | |
-People will watch it -and react to it. | 0:46:41 | 0:46:44 | |
-The Four Branches will also survive -so long as storytelling survives... | 0:46:44 | 0:46:49 | |
-..people tell these tales... | 0:46:50 | 0:46:51 | |
-..and as long as anyone reads them. | 0:46:52 | 0:46:55 | |
-I've been working -on a new translation... | 0:47:00 | 0:47:03 | |
-..of the 11 tales of the Mabinogion, -and I'm really enjoying it. | 0:47:03 | 0:47:08 | |
-I compare the way other people -have translated them... | 0:47:08 | 0:47:12 | |
-..Charlotte Guest, for example. | 0:47:12 | 0:47:14 | |
-I'm trying to bring an oral feel -to this new translation. | 0:47:14 | 0:47:19 | |
-These stories were originally -written in order to be read aloud. | 0:47:20 | 0:47:24 | |
-They say that Tolkien -was inspired by the Mabinogi... | 0:47:30 | 0:47:34 | |
-..when he wrote -'The Lord of the Rings'. | 0:47:34 | 0:47:37 | |
-This material belongs to the nation -and it will always inspire. | 0:47:37 | 0:47:42 | |
-These tales... | 0:47:42 | 0:47:45 | |
-..also appeal -to an ancient memory, possibly... | 0:47:46 | 0:47:49 | |
-..that is within us Welsh people. | 0:47:49 | 0:47:52 | |
-Especially if you live in a place -associated with these legends. | 0:47:52 | 0:47:57 | |
-Something very special -develops in such places. | 0:47:58 | 0:48:01 | |
-You create a link between the -present and a wondrous old world. | 0:48:01 | 0:48:06 | |
-Some of that wonder -comes through from that past... | 0:48:07 | 0:48:11 | |
-..via memory and imagination... | 0:48:11 | 0:48:12 | |
-..into the lives of people today. | 0:48:13 | 0:48:15 | |
-The Four Branches of the Mabinogi... | 0:48:18 | 0:48:20 | |
-..are rooted in our landscape -and in our history. | 0:48:21 | 0:48:24 | |
-They are an integral part -of our nation's mythology. | 0:48:24 | 0:48:28 | |
-And what is a nation... | 0:48:30 | 0:48:32 | |
-..but the fruit of its people's -history and mythology? | 0:48:32 | 0:48:36 | |
-This is what -secures our existence... | 0:48:38 | 0:48:41 | |
-..as children of the Welsh nation. | 0:48:41 | 0:48:43 | |
-This is our heritage. | 0:48:47 | 0:48:49 | |
-This is the foundation -for our future. | 0:48:50 | 0:48:53 | |
-S4C subtitles by -TROSOL Cyf. | 0:49:12 | 0:49:15 | |
0:49:15 | 0:49:17 |