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This is Absolute Genius! | 0:00:02 | 0:00:03 | |
Dive into a world of action, adventure and explosions. | 0:00:03 | 0:00:08 | |
Each show, we'll introduce you to a different genius. | 0:00:09 | 0:00:13 | |
An amazing person, who had a genius idea which shaped the world. | 0:00:13 | 0:00:17 | |
And they will inspire us to come up | 0:00:17 | 0:00:19 | |
with our own genius idea at the end of each show. | 0:00:19 | 0:00:22 | |
-But, will it be any good? -Will it be any good?! | 0:00:22 | 0:00:25 | |
It'll be... | 0:00:25 | 0:00:27 | |
BOTH: Absolute Genius! | 0:00:27 | 0:00:29 | |
'On today's show, we'll be making things go round and round...' | 0:00:31 | 0:00:35 | |
Circular motion. | 0:00:35 | 0:00:36 | |
'Up and down, | 0:00:36 | 0:00:38 | |
'in and out. | 0:00:38 | 0:00:40 | |
'As we explore a mysterious engineering genius | 0:00:40 | 0:00:44 | |
'from centuries ago. | 0:00:44 | 0:00:45 | |
'We'll be entering a world of curious machines | 0:00:45 | 0:00:48 | |
'and fantastic robots.' | 0:00:48 | 0:00:50 | |
-This... -..is Absolute... -..Genius! | 0:00:50 | 0:00:52 | |
Today's genius was an extraordinary showman! | 0:01:26 | 0:01:29 | |
Yes, he built mind-blowing machines, | 0:01:29 | 0:01:31 | |
that were designed to entertain and impress everyone who saw them. | 0:01:31 | 0:01:34 | |
He lived more than 800 years ago, in a country | 0:01:34 | 0:01:37 | |
far, far, far-far-far, from here. | 0:01:37 | 0:01:39 | |
A brilliant mechanical engineer, craftsman, and an inventor. | 0:01:39 | 0:01:43 | |
Ladies and gentleman, we give you... Al Jazari! | 0:01:43 | 0:01:46 | |
Actually, boys, my full name is | 0:01:46 | 0:01:48 | |
Badi'al-Zaman Abu al-'Izz ibn Isma'il ibn al-Razaz Al Jazari. | 0:01:48 | 0:01:54 | |
-Finished? -But you can call me Al. | 0:01:54 | 0:01:57 | |
Later on in the show, inspired by his genius, | 0:01:57 | 0:01:59 | |
we'll be coming up with our own genius idea. | 0:01:59 | 0:02:02 | |
'Yes, we'll be getting out the power tools...' | 0:02:02 | 0:02:05 | |
Yes! | 0:02:05 | 0:02:06 | |
'Precision engineering a machine with just one purpose...' | 0:02:06 | 0:02:10 | |
BANGING | 0:02:10 | 0:02:12 | |
But now, let's find out more about this mysterious man. | 0:02:12 | 0:02:15 | |
Al Jazari was born in the year 1136 in the Middle East, | 0:02:18 | 0:02:21 | |
roughly where the country of Iraq is today. | 0:02:21 | 0:02:25 | |
He spoke the language of Arabic | 0:02:25 | 0:02:27 | |
and worked as the chief engineer for a Middle-Eastern king. | 0:02:27 | 0:02:31 | |
Al Jazari's genius was designing and building extraordinary machines! | 0:02:33 | 0:02:37 | |
We know about him because of a brilliant book he wrote called... | 0:02:37 | 0:02:41 | |
In it, he shows a great understanding of engineering ideas | 0:02:45 | 0:02:48 | |
that are still very important today. | 0:02:48 | 0:02:50 | |
And it's also packed with amazing designs of mechanical human figures, | 0:02:50 | 0:02:55 | |
machines that are some of the world's first ever robots. | 0:02:55 | 0:02:59 | |
Very few copies of Al Jazari's book have actually survived. | 0:03:03 | 0:03:07 | |
Which is why we've come here. | 0:03:07 | 0:03:09 | |
This building is the Bodleian Library in Oxford University. | 0:03:09 | 0:03:12 | |
And it holds some of the oldest and most valuable books in the world. | 0:03:12 | 0:03:17 | |
This amazing library contains 11 million books | 0:03:17 | 0:03:20 | |
and is more than 400 years old. | 0:03:20 | 0:03:24 | |
But the book we're going to see is even older than that. | 0:03:24 | 0:03:27 | |
Meet Professor Salim Al-Hassani, | 0:03:30 | 0:03:33 | |
an expert on the ideas and machines of Al Jazari. | 0:03:33 | 0:03:36 | |
So, Professor, what is this beautiful-looking book? | 0:03:36 | 0:03:39 | |
This is a copy of a book written by Al Jazari | 0:03:39 | 0:03:43 | |
entitled The Book Of Knowledge Of Ingenious Mechanical Devices. | 0:03:43 | 0:03:47 | |
-It's about 500 years old. -A 500-year-old copy! | 0:03:47 | 0:03:50 | |
What was the date of the original? | 0:03:50 | 0:03:53 | |
Something like 1206. | 0:03:53 | 0:03:55 | |
And what does it actually contain? What's it about? | 0:03:55 | 0:03:58 | |
It's about all sorts of machines and devices, | 0:03:58 | 0:04:01 | |
and robots, clocks, water-raising machines. | 0:04:01 | 0:04:04 | |
What kind of machines did Al Jazari invent? | 0:04:04 | 0:04:06 | |
I can show you one. Let's have a look. This is a model. | 0:04:06 | 0:04:09 | |
This model is battery-operated. | 0:04:09 | 0:04:11 | |
But the original machine would have been driven by animal power. | 0:04:11 | 0:04:15 | |
This is a water-raising machine, | 0:04:15 | 0:04:17 | |
which shows us a fantastic original principle | 0:04:17 | 0:04:21 | |
of how to convert rotary motion into a linear motion, | 0:04:21 | 0:04:24 | |
which you can find in so many machines today. | 0:04:24 | 0:04:28 | |
As the animal turns this round, it's converting the motion up and down. | 0:04:28 | 0:04:32 | |
Ah, so what's happening is that a circular motion | 0:04:32 | 0:04:36 | |
-is being turned into an up-and-down motion. -Yes. -Ah, very good. | 0:04:36 | 0:04:40 | |
Now, on Al Jazari's original water-raising machine, | 0:04:40 | 0:04:43 | |
there would have been a big spoon at the end of the rod | 0:04:43 | 0:04:47 | |
to scoop up the water. | 0:04:47 | 0:04:48 | |
This ingenious device uses what's known as | 0:04:48 | 0:04:51 | |
a crank-and-connecting-rod mechanism | 0:04:51 | 0:04:54 | |
and Al Jazari was a pioneer in using this system. | 0:04:54 | 0:04:59 | |
And that engineering principle of converting a circular movement | 0:04:59 | 0:05:03 | |
into a vertical or horizontal one, | 0:05:03 | 0:05:05 | |
is still used in lots of machines today. | 0:05:05 | 0:05:08 | |
-Could we see this in the modern day? -If you know where to look for it. | 0:05:08 | 0:05:12 | |
I think there's only one person who can find this for us. | 0:05:12 | 0:05:15 | |
-Fran. -Fran right. -Back in a moment. | 0:05:15 | 0:05:17 | |
Back in a minute. Don't go anywhere. | 0:05:17 | 0:05:19 | |
Our genius scientist Fran explains things in ways even | 0:05:19 | 0:05:22 | |
we can understand. | 0:05:22 | 0:05:24 | |
Best of all, she loves a good experiment. | 0:05:24 | 0:05:27 | |
And she's guaranteed to pop up just when you need her most. | 0:05:27 | 0:05:30 | |
-Where are we? -Well, by the looks of it, we're at a tractor dealership, | 0:05:34 | 0:05:38 | |
-somewhere near Walsall in the West Midlands. -Oh, yeah. Where's Fran? | 0:05:38 | 0:05:42 | |
Ah!! | 0:05:43 | 0:05:44 | |
-Ah, that's a first, isn't it?! -Isn't it just! | 0:05:44 | 0:05:47 | |
-Fran? -It's brilliant, isn't it! | 0:05:49 | 0:05:51 | |
It is brilliant. But why are you driving a tractor? | 0:05:51 | 0:05:54 | |
Well, inside a tractor is a bit of engineering | 0:05:54 | 0:05:56 | |
that Al Jazari would actually recognise. | 0:05:56 | 0:05:58 | |
-Can we take a look, then? -Yep. Come with me. | 0:05:58 | 0:06:02 | |
You know about the crank- and-connecting-rod mechanism? | 0:06:02 | 0:06:05 | |
OK, so that's the mechanism where one part goes round and round... | 0:06:05 | 0:06:09 | |
And the other bit goes up and down. | 0:06:09 | 0:06:10 | |
It can happen the other way round. | 0:06:10 | 0:06:12 | |
You can have one part of it going from side to side or up and down, | 0:06:12 | 0:06:15 | |
and that causes another part of the machine | 0:06:15 | 0:06:16 | |
to start rotating or turn around and around. | 0:06:16 | 0:06:19 | |
That is, basically, how tractors work. Let's take a look underneath. | 0:06:19 | 0:06:23 | |
Right, OK. | 0:06:23 | 0:06:24 | |
-OK. -It's very oily. | 0:06:26 | 0:06:28 | |
Can you see it? | 0:06:28 | 0:06:29 | |
-Yeah, yeah. -You see that thing going round and round? -Yeah. | 0:06:29 | 0:06:32 | |
That's the crankshaft, | 0:06:32 | 0:06:33 | |
-and that eventually turns the wheels of the tractor. -Yeah. | 0:06:33 | 0:06:36 | |
But connected to the crankshaft, are connecting rods | 0:06:36 | 0:06:40 | |
-and they're what make the crankshaft go round and round. -I see. | 0:06:40 | 0:06:43 | |
-They go up and down. -You can see them connected to the pistons. | 0:06:43 | 0:06:47 | |
Yep, if we go up, let's go up again... So, here are the pistons. | 0:06:47 | 0:06:50 | |
-And can you see them going up and down? -Yeah. | 0:06:50 | 0:06:53 | |
Now, these pistons are connected to the connecting rods. | 0:06:53 | 0:06:55 | |
That's why they're called "connecting rods". | 0:06:55 | 0:06:57 | |
They make the crankshaft turn around, | 0:06:57 | 0:06:59 | |
which makes the wheels of the tractor move. | 0:06:59 | 0:07:01 | |
Ah, that goes right back to Al Jazari then? | 0:07:01 | 0:07:02 | |
Yeah, and it's not just tractors that use this mechanism. | 0:07:02 | 0:07:05 | |
Every single modern car makes its wheels turn in this way. | 0:07:05 | 0:07:09 | |
Cheers, Fran, we best go because we have got a professor waiting for us. | 0:07:09 | 0:07:12 | |
-Cheers. -Bye. | 0:07:12 | 0:07:14 | |
Ah, right good. Now, we understand that. Thank you. | 0:07:15 | 0:07:18 | |
-What other machines did Al Jazari invent? -I'll show you one. | 0:07:18 | 0:07:22 | |
It's an ingenious one. It's called the Elephant Clock. | 0:07:22 | 0:07:25 | |
-Wow. -That's a clock? -That can tell the time? -Indeed. | 0:07:25 | 0:07:28 | |
That is a beautiful, beautiful illustration. | 0:07:28 | 0:07:31 | |
-What's going on here then? -This is an elephant. | 0:07:31 | 0:07:33 | |
And on top of the elephant there is a sort of castle. | 0:07:33 | 0:07:36 | |
And the way it tells the time is a sequence of events, | 0:07:36 | 0:07:40 | |
motion that is triggered from inside the elephant. | 0:07:40 | 0:07:43 | |
It's not a real elephant, it's a machine. | 0:07:43 | 0:07:47 | |
Inside the elephant, a leaky bowl sinks in a tank of water. | 0:07:47 | 0:07:52 | |
Strings attached to the bowl trigger a series of clever mechanisms. | 0:07:52 | 0:07:56 | |
You can't put it on your wrist, but it does actually tell the time! | 0:07:56 | 0:08:00 | |
The Elephant Clock is Al Jazari's most famous invention, | 0:08:00 | 0:08:05 | |
and like lots of his machines, | 0:08:05 | 0:08:06 | |
it was designed to be both impressive to watch | 0:08:06 | 0:08:09 | |
and almost too complicated to understand. | 0:08:09 | 0:08:12 | |
The way that he had built them, | 0:08:14 | 0:08:16 | |
and the colours that he used, they are meant to impress people. | 0:08:16 | 0:08:19 | |
So, whilst he was a master craftsman, | 0:08:19 | 0:08:21 | |
he was also a bit of a showman. | 0:08:21 | 0:08:22 | |
He liked extravagance within his creations. | 0:08:22 | 0:08:25 | |
Indeed, that's why they are called "ingenious devices". | 0:08:25 | 0:08:28 | |
I see! One thing I've noticed with a lot of his designs, | 0:08:28 | 0:08:31 | |
-is that they have little figures on them. -Are they actual people? | 0:08:31 | 0:08:35 | |
They're actually what we call today "robots". | 0:08:35 | 0:08:37 | |
But we refer to them as "automaton". | 0:08:37 | 0:08:40 | |
Al Jazari's automatons were mechanical models | 0:08:40 | 0:08:43 | |
of human beings and animals. | 0:08:43 | 0:08:45 | |
They're one of the earliest examples of what we now call robots. | 0:08:46 | 0:08:50 | |
Automatons. Are there any around in existence today? | 0:08:50 | 0:08:53 | |
There are none but there are people who can make similar automatons. | 0:08:53 | 0:08:58 | |
Now, THIS we should go and see. | 0:08:58 | 0:09:01 | |
Later on, we'll be playing with an incredibly talented robot. | 0:09:01 | 0:09:05 | |
But now, here are some other brilliant ideas | 0:09:05 | 0:09:07 | |
and discoveries from the Middle East. | 0:09:07 | 0:09:09 | |
It's the Genius Top Five! Five - blood circulation. | 0:09:10 | 0:09:13 | |
How our bodies pump blood between the heart and lungs | 0:09:13 | 0:09:17 | |
was first understood in the 13th century | 0:09:17 | 0:09:19 | |
by a man called Ibn al-Nafis in Damascus. | 0:09:19 | 0:09:23 | |
Four - algebra. | 0:09:23 | 0:09:25 | |
Not those clever ancient Greek mathematicians, | 0:09:25 | 0:09:27 | |
but al-Khwarizmi, a brilliant bloke from Baghdad. | 0:09:27 | 0:09:30 | |
I'm clever, squared! | 0:09:30 | 0:09:31 | |
Three - staying in to wash my hair. | 0:09:31 | 0:09:35 | |
Yes, shampooing was first practised | 0:09:35 | 0:09:37 | |
-by a Sake Mahomed from Patna in India. -Bathroom's clear! | 0:09:37 | 0:09:40 | |
Two - coffee. | 0:09:40 | 0:09:42 | |
Discovered 1,200 years ago by Kaldi, a goat herder, | 0:09:42 | 0:09:45 | |
who noticed his animals getting excitable | 0:09:45 | 0:09:48 | |
after eating some strange red berries. | 0:09:48 | 0:09:50 | |
One - the hospital. | 0:09:53 | 0:09:54 | |
The first organised hospital with free medical treatment | 0:09:54 | 0:09:57 | |
was built in Cairo in the year 872 AD. | 0:09:57 | 0:10:00 | |
Oi, no goats! | 0:10:00 | 0:10:01 | |
Back to our genius. | 0:10:03 | 0:10:05 | |
Now, none of the original machines made by Al Jazari exist today. | 0:10:05 | 0:10:10 | |
But the kind of automatons he made can be found - | 0:10:10 | 0:10:14 | |
if you know where to look. | 0:10:14 | 0:10:15 | |
Here in the middle of Kimberley Park in Falmouth, Cornwall | 0:10:15 | 0:10:18 | |
is a great example. | 0:10:18 | 0:10:20 | |
Yes, look, a mechanical goat! | 0:10:20 | 0:10:22 | |
-It's just what every kid wants in their playground! -Ah. | 0:10:22 | 0:10:25 | |
And not only does it move but... Keep turning it, keep turning it! | 0:10:25 | 0:10:28 | |
-I'm doing it. -It makes a sound. Are you ready for the big noise? | 0:10:28 | 0:10:34 | |
Come on! | 0:10:34 | 0:10:35 | |
PARP! Ooh! | 0:10:37 | 0:10:39 | |
BOTH LAUGH I wonder who made this? | 0:10:39 | 0:10:42 | |
That gaseous goat is the kind of automaton that Al Jazari | 0:10:43 | 0:10:47 | |
would have put on his machines hundreds of years ago. | 0:10:47 | 0:10:51 | |
But we used camels in those days. | 0:10:51 | 0:10:54 | |
We've come to meet a modern day Al Jazari | 0:10:55 | 0:10:57 | |
in this remote village in Cornwall... | 0:10:57 | 0:11:00 | |
This is master automata-maker, Paul Spooner. | 0:11:03 | 0:11:06 | |
Paul, you're the man behind the goat that we've just seen in the park? | 0:11:08 | 0:11:12 | |
-It is fantastic! -But it's not all about goats, is it? | 0:11:12 | 0:11:15 | |
What does an automata-maker like you do? | 0:11:15 | 0:11:18 | |
My plan is to use machinery to tell a story or a joke. | 0:11:18 | 0:11:22 | |
-Make people laugh, mostly. -So, very much like Al Jazari? | 0:11:22 | 0:11:25 | |
-To impress people and entertain people. -It's entertaining, yeah. | 0:11:25 | 0:11:28 | |
Have you got a lot in common with Al Jazari and his work? | 0:11:28 | 0:11:31 | |
All people who make mechanical things have something in common. | 0:11:31 | 0:11:35 | |
All of this stuff, with cranks and gears and cams, | 0:11:35 | 0:11:37 | |
it really is just one thing pushing another thing... | 0:11:37 | 0:11:39 | |
But I'm just astonished | 0:11:39 | 0:11:41 | |
at how somebody COULD have made the things that he did. | 0:11:41 | 0:11:44 | |
I mean, they were made with enormous precision. | 0:11:44 | 0:11:46 | |
You know, I've got things like this gauge here | 0:11:46 | 0:11:49 | |
that I can use to tell you that this screwdriver | 0:11:49 | 0:11:51 | |
-is 5.91 millimetres in diameter. -He didn't have one of them! | 0:11:51 | 0:11:54 | |
He wouldn't have one of those, no! | 0:11:54 | 0:11:57 | |
We're dying to have a look at some of your amazing work. | 0:11:57 | 0:11:59 | |
-Can we have a look? -Yes. -We promise to be careful. | 0:11:59 | 0:12:02 | |
-This is called an Allegory Of Love. -Oh, yes, very good. | 0:12:02 | 0:12:05 | |
Look at all the workings inside! | 0:12:05 | 0:12:07 | |
However hard he tries, he's never going to get that nail in. | 0:12:07 | 0:12:11 | |
-Poisoned Milk. -Poisoned Milk. | 0:12:11 | 0:12:14 | |
Oh, right, licking at the splat of milk. | 0:12:14 | 0:12:17 | |
There you go. | 0:12:17 | 0:12:18 | |
Poisoned milk! | 0:12:18 | 0:12:19 | |
It was poisoned. | 0:12:19 | 0:12:21 | |
-All in one turning motion. -It's great! | 0:12:21 | 0:12:23 | |
I don't quite know what's happening on this one. Let's have a look. | 0:12:23 | 0:12:27 | |
SQUEAKING | 0:12:27 | 0:12:29 | |
But they're all using the same principle. | 0:12:29 | 0:12:31 | |
This mechanism that Al Jazari came up with hundreds of years ago. | 0:12:31 | 0:12:35 | |
-Yes, yes... -The Science Of Conversation. | 0:12:35 | 0:12:37 | |
The king's talking, he's chattering quite a lot, but... | 0:12:37 | 0:12:41 | |
Oh! His brain's come out! | 0:12:41 | 0:12:44 | |
-They share a brain, you see? -Ah, wow! -And then, she can talk. | 0:12:44 | 0:12:48 | |
Paul, that is absolutely mind-blowing! | 0:12:48 | 0:12:52 | |
I love your work, Paul. | 0:12:52 | 0:12:54 | |
Playtime over. Now, with Paul's help, | 0:12:56 | 0:12:58 | |
we're going to make our very own Al Jazari-inspired game. | 0:12:58 | 0:13:02 | |
It's got bits of wood. | 0:13:02 | 0:13:04 | |
Exactly the same length. See? | 0:13:04 | 0:13:06 | |
About right, anyway. | 0:13:06 | 0:13:07 | |
It's got currant buns. | 0:13:07 | 0:13:09 | |
It's even got an elephant automaton. | 0:13:13 | 0:13:16 | |
I can't wait to play this! | 0:13:17 | 0:13:20 | |
Ah, look, there it is. Our very own crank-and-connecting rod. | 0:13:21 | 0:13:25 | |
If you remember Al Jazari's water-raising machine, | 0:13:25 | 0:13:28 | |
this is all the same principles. | 0:13:28 | 0:13:30 | |
It's got circular motion, which makes an up-and-down motion. | 0:13:30 | 0:13:33 | |
Up, down, circular, up and down. | 0:13:33 | 0:13:36 | |
-Here it is. -Piece de resistance. | 0:13:38 | 0:13:40 | |
You'll recognise this from Al Jazari's book. The elephant. | 0:13:40 | 0:13:44 | |
-And finally the elephant's tail. Finished. -Brilliant! | 0:13:47 | 0:13:51 | |
-How does it work? -Right, well, as the ball comes up. | 0:13:51 | 0:13:53 | |
-That's the Al Jazari bit. -That is a very Al Jazari bit. | 0:13:53 | 0:13:56 | |
So, it trickles down the nails. | 0:13:56 | 0:13:58 | |
-NAILS TINKLE -Nice tune. | 0:13:58 | 0:14:00 | |
Goes in one of the gutters. | 0:14:00 | 0:14:01 | |
Ah, you don't know which side it's going to go. | 0:14:01 | 0:14:03 | |
You don't know which side. | 0:14:03 | 0:14:05 | |
And it flips a string and it triggers the elephant's bottom | 0:14:05 | 0:14:09 | |
or the elephant's trunk. | 0:14:09 | 0:14:11 | |
It's either bum or bun! | 0:14:11 | 0:14:13 | |
That's the kind of game. | 0:14:13 | 0:14:14 | |
Precisely, yes. That was my concept. | 0:14:14 | 0:14:16 | |
-Either a bun comes out of the trunk or it poos into a bowl! -Very good. | 0:14:16 | 0:14:19 | |
Bun or bum. Bun or bum. Bun or bum... | 0:14:21 | 0:14:23 | |
I'm afraid it's going to be... | 0:14:23 | 0:14:25 | |
Bum! | 0:14:25 | 0:14:26 | |
No, no. | 0:14:30 | 0:14:31 | |
-Tilt! -Bum for you! -Absolutely determined. | 0:14:35 | 0:14:38 | |
Three bums! | 0:14:38 | 0:14:40 | |
-Here we go, go on. -We've got one this time. -Yeah. Watch the trunk. | 0:14:40 | 0:14:43 | |
There's one of our lovely painted currant buns. | 0:14:45 | 0:14:48 | |
# Bum, bum, bum, bum, bum | 0:14:48 | 0:14:49 | |
# Bum-bum-bum-bum-bum bum-bum-bum, bum | 0:14:49 | 0:14:51 | |
# Bum-bum-bum, bum, bum, bum-bum. # | 0:14:51 | 0:14:53 | |
Now, THAT was inspiring! | 0:14:53 | 0:14:56 | |
Yeah, but what we haven't found yet is an example of a modern-day robot | 0:14:56 | 0:14:59 | |
with a touch of Al Jazari about it. | 0:14:59 | 0:15:02 | |
Ah, Paul's given us a tip-off. | 0:15:02 | 0:15:03 | |
He knows someone who can make exactly what we're after ... | 0:15:03 | 0:15:06 | |
'We've seen that Al Jazari built machines to impress. | 0:15:08 | 0:15:11 | |
'And that his genius engineering can be still be found today. | 0:15:11 | 0:15:17 | |
'Coming up, we unleash the power tools.' | 0:15:17 | 0:15:19 | |
-It's going to cause some damage that, innit? -'But first... | 0:15:19 | 0:15:22 | |
'This humble industrial estate in Penryn, Cornwall, is home | 0:15:22 | 0:15:25 | |
'to some of the most sophisticated humanoid robots in the world.' | 0:15:25 | 0:15:29 | |
Look at these! | 0:15:32 | 0:15:33 | |
Hello, pleased to meet you. | 0:15:34 | 0:15:36 | |
Hello, boys! Welcome, welcome! | 0:15:36 | 0:15:40 | |
-Delighted to meet you. -Delighted to meet you, too. | 0:15:40 | 0:15:42 | |
Now, which one is Ant, and which one is Dec? | 0:15:42 | 0:15:45 | |
-Charming(!) -I can never remember. | 0:15:45 | 0:15:48 | |
-I'll rip your batteries out. -I'm only joking! | 0:15:48 | 0:15:51 | |
I'm actually a big fan. Hey, Dick, what's that on the end of your nose? | 0:15:51 | 0:15:56 | |
Is it a bogey? A bogey! | 0:15:56 | 0:15:58 | |
Oh, a sense of humour, as well! | 0:15:58 | 0:16:00 | |
Well, that's because I'm not just any old robot. | 0:16:00 | 0:16:03 | |
-Oh, he likes you. -I'm Robothespian. | 0:16:03 | 0:16:07 | |
What's Robothespian? What do you do? | 0:16:07 | 0:16:10 | |
I am fully programmable interactive humanoid robot | 0:16:10 | 0:16:13 | |
designed to inspire, communicate, interact, and entertain. | 0:16:13 | 0:16:18 | |
But, like you, gentlemen, I am, at heart, a performer! | 0:16:18 | 0:16:21 | |
Well, yes, we can see that. | 0:16:21 | 0:16:23 | |
But have you heard of this genius engineer, Al Jazari, | 0:16:23 | 0:16:25 | |
who invented an early kind of robot hundreds of years ago? | 0:16:25 | 0:16:29 | |
Ah, yes, the great Al Jazari. | 0:16:29 | 0:16:31 | |
He's responsible for some of my distant ancestors. | 0:16:31 | 0:16:35 | |
Of course, robotics has come a long way since those days. | 0:16:36 | 0:16:40 | |
Yeah, but what we want to know is, who invented YOU? | 0:16:40 | 0:16:42 | |
Ah, now, that was Will. | 0:16:42 | 0:16:45 | |
-Ah... -Will! | 0:16:45 | 0:16:47 | |
This is Will Jackson... | 0:16:50 | 0:16:51 | |
# I'm singing in the rain... # | 0:16:53 | 0:16:55 | |
He invented the very first Robothespian | 0:16:55 | 0:16:58 | |
and has been building robots since he was 13 years old. | 0:16:58 | 0:17:02 | |
Will, Robothespian is quite mind-blowing. | 0:17:04 | 0:17:08 | |
But how does it actually work? | 0:17:08 | 0:17:10 | |
He's a big collection of motors, and muscles and wiring. | 0:17:10 | 0:17:14 | |
But you can control the whole thing from this touch screen. | 0:17:14 | 0:17:17 | |
Let's try one... | 0:17:17 | 0:17:19 | |
# Ah, ah, ah, ah staying alive, staying alive | 0:17:19 | 0:17:22 | |
# You can tell by the way I use my walk, I'm a woman's man | 0:17:22 | 0:17:25 | |
# No time to talk. # | 0:17:25 | 0:17:27 | |
Fair enough... Clever stuff. What else can it do, Will? | 0:17:27 | 0:17:29 | |
Here's another impression that Robothespian can do. | 0:17:29 | 0:17:32 | |
'Oh, yes, Master Luke. | 0:17:32 | 0:17:34 | |
Remember that I am fluent in over six million forms of communication. | 0:17:34 | 0:17:38 | |
I beg your pardon, General Solo, but that just wouldn't be proper. | 0:17:38 | 0:17:41 | |
It's against my programming to impersonate a deity. | 0:17:41 | 0:17:44 | |
-C3PO from Star Wars! -That's great! | 0:17:44 | 0:17:46 | |
You've got a robot doing an impression of a robot? | 0:17:46 | 0:17:49 | |
It's amazing. It's like he's almost human. | 0:17:49 | 0:17:52 | |
Yes, we really have tried to design Robothespian | 0:17:52 | 0:17:55 | |
to be just like a human. | 0:17:55 | 0:17:56 | |
-If you feel his arms there, they're quite soft and bouncy. -Oh, yeah! | 0:17:56 | 0:18:00 | |
It's not like an industrial robot that's a very rigid machine. | 0:18:00 | 0:18:03 | |
We want him to be flexible. | 0:18:03 | 0:18:05 | |
The way the hands move is totally human-like. | 0:18:05 | 0:18:08 | |
One really important thing is the robot must make eye contact. | 0:18:08 | 0:18:11 | |
He's looking around. He's watching me. | 0:18:11 | 0:18:13 | |
He's trying to guess your age. | 0:18:13 | 0:18:15 | |
Oh, this is what he's watching, right now. | 0:18:15 | 0:18:17 | |
Go and stand round there and see if he can guess your age. Age 25. | 0:18:17 | 0:18:22 | |
It's cos I'm short! | 0:18:22 | 0:18:24 | |
27! It's taken ten years off me! | 0:18:24 | 0:18:27 | |
So, this is great, because you can see a clear camera image of us. | 0:18:27 | 0:18:31 | |
But what's this next to it? | 0:18:31 | 0:18:33 | |
Here, he's trying to guess where your bones are basically. | 0:18:33 | 0:18:37 | |
-What kind of pose you're in. -That's mad! | 0:18:37 | 0:18:40 | |
'Robothespian can be programmed to do lots of other brilliant stuff.' | 0:18:40 | 0:18:44 | |
OK, so we can write anything? 'Anyone can write a script for it.' | 0:18:44 | 0:18:48 | |
-Press this one? -Yep. -Absolute Genius. | 0:18:48 | 0:18:50 | |
'And it can speak 30 different languages!' | 0:18:50 | 0:18:53 | |
Absolute Genius. | 0:18:53 | 0:18:55 | |
Absolute Genius. | 0:18:55 | 0:18:57 | |
But does it speak Arabic? | 0:18:57 | 0:18:59 | |
IT SAYS "ABSOLUTE GENIUS" IN ARABIC | 0:18:59 | 0:19:01 | |
Very good. | 0:19:01 | 0:19:02 | |
'And it knows talent when it sees it.' | 0:19:02 | 0:19:06 | |
I love Dick. He is the best one. | 0:19:06 | 0:19:10 | |
The other one is too small and hairy. | 0:19:10 | 0:19:13 | |
And the engineering Will and his team are using | 0:19:14 | 0:19:17 | |
is making not just one Robothespian, | 0:19:17 | 0:19:20 | |
but lots of Robothespians! | 0:19:20 | 0:19:22 | |
This is a robot production line. | 0:19:24 | 0:19:26 | |
Will, being here has been a fantastic experience. | 0:19:38 | 0:19:40 | |
but Robothespian is a long way | 0:19:40 | 0:19:42 | |
from the original automaton that Al Jazari created. | 0:19:42 | 0:19:45 | |
Does he have anything in common with them? | 0:19:45 | 0:19:47 | |
You can find some things that go all the way back to Al Jazari's designs. | 0:19:47 | 0:19:51 | |
If we have a look at this jaw mechanism here, | 0:19:51 | 0:19:53 | |
we'll see the little disc driving a lever here, | 0:19:53 | 0:19:56 | |
converting a circular motion into an up-and-down motion for his jaw. | 0:19:56 | 0:20:00 | |
Which was part of his genius, wasn't it? Circular motion | 0:20:00 | 0:20:02 | |
-turning into an up-and-down motion? -Yeah. | 0:20:02 | 0:20:04 | |
You see, boys. Some ideas are so good they're still used today. | 0:20:04 | 0:20:09 | |
Robothespian is an incredible piece of machinery. It really is! | 0:20:09 | 0:20:14 | |
So brilliant that it's inspired us to come up with | 0:20:14 | 0:20:17 | |
our own genius robot idea. | 0:20:17 | 0:20:19 | |
This is great because Robothespian can speak different languages. | 0:20:19 | 0:20:22 | |
It can do impressions. It can sing. | 0:20:22 | 0:20:25 | |
But one thing that it can't do, yet, is travel. | 0:20:25 | 0:20:28 | |
Hmm, yes. So, we should make a robot that can move, and move fast. | 0:20:28 | 0:20:32 | |
It's going to be our tribute to Al Jazari | 0:20:32 | 0:20:34 | |
but with some of our own unique ideas thrown in. | 0:20:34 | 0:20:37 | |
A robot that can stand up for itself when the going gets tough. | 0:20:37 | 0:20:41 | |
A robot that can go into battle! | 0:20:41 | 0:20:43 | |
Before we build our genius robot... | 0:20:46 | 0:20:48 | |
It's time for the Not So Genius Idea! | 0:20:48 | 0:20:51 | |
Not all robots are clever. | 0:20:51 | 0:20:53 | |
In fact, to enter the International Stupid Robot Championships, | 0:20:53 | 0:20:57 | |
a robot has to be both useless and funny. | 0:20:57 | 0:21:00 | |
Recent entries include... | 0:21:00 | 0:21:02 | |
a hula-hooping robot powered by an electric drill. | 0:21:02 | 0:21:06 | |
A pair of shivering robots that live in a fridge. | 0:21:06 | 0:21:08 | |
And the Binbot, a mechanical wheelie-bin that follows flies! | 0:21:08 | 0:21:13 | |
That's just rubbish! | 0:21:13 | 0:21:14 | |
WEAK LAUGHTER | 0:21:14 | 0:21:16 | |
Another day, another robot workshop. | 0:21:18 | 0:21:21 | |
Welcome back genius engineer Grant Cooper. | 0:21:24 | 0:21:27 | |
He's helped us before on Absolute Genius, | 0:21:27 | 0:21:29 | |
and building robots is his speciality. | 0:21:29 | 0:21:31 | |
-All right, Grant? How are you doing? -OK, there, guys? -What's that? | 0:21:33 | 0:21:36 | |
ROBOT GROWLS | 0:21:36 | 0:21:38 | |
-Stop! -I thought we were mates! | 0:21:38 | 0:21:41 | |
'This is one of Grant's latest creations. | 0:21:41 | 0:21:45 | |
'It's called Attacknid, a kind of robotic giant spider. | 0:21:45 | 0:21:49 | |
'And it's just given birth!' | 0:21:49 | 0:21:51 | |
BOTH GROAN | 0:21:51 | 0:21:53 | |
Ooh! | 0:21:53 | 0:21:55 | |
'Let's just watch that again.' | 0:21:55 | 0:21:57 | |
Ooh! | 0:21:57 | 0:21:59 | |
Grant, over the past few days, | 0:21:59 | 0:22:00 | |
we've been massively inspired by the great Al Jazari. | 0:22:00 | 0:22:03 | |
Yeah, he made an early kind of robot. | 0:22:03 | 0:22:05 | |
And we want to make our own robot. | 0:22:05 | 0:22:07 | |
What sort of robot is it you want to create? | 0:22:07 | 0:22:09 | |
You're king of robots, right? You make the best robots. | 0:22:09 | 0:22:12 | |
We don't necessarily need anything that's sophisticated | 0:22:12 | 0:22:14 | |
or beautiful to look at. | 0:22:14 | 0:22:16 | |
But something that's tough, strong, and can go into battle. | 0:22:16 | 0:22:19 | |
Something like a combat, fighting robot, cos that's our forte. | 0:22:19 | 0:22:22 | |
That's what you do best. Yeah, yeah, absolutely. | 0:22:22 | 0:22:24 | |
It's got to have engineering that dates back to Al Jazari's machines. | 0:22:24 | 0:22:28 | |
-I'm sure we can sort something out. -Good stuff. Let's get to work. | 0:22:28 | 0:22:31 | |
Our Genius idea - to build our own fighting robot from scratch! | 0:22:32 | 0:22:36 | |
The challenge - to include clever engineering gizmos | 0:22:36 | 0:22:39 | |
that the great Al Jazari would recognise. | 0:22:39 | 0:22:42 | |
Very good. | 0:22:42 | 0:22:43 | |
But where his machines impressed with their looks, | 0:22:43 | 0:22:46 | |
ours will be all about the action! | 0:22:46 | 0:22:48 | |
The problem - if our robot's not good enough, | 0:22:48 | 0:22:51 | |
it could get smashed to pieces! | 0:22:51 | 0:22:53 | |
Smashed to pieces! | 0:22:53 | 0:22:55 | |
'There's loads to do!' | 0:22:56 | 0:22:57 | |
SPARKS CRACKLE | 0:22:57 | 0:23:00 | |
'Welding!' | 0:23:00 | 0:23:01 | |
Now, I've messed that up, what do we have to do? | 0:23:01 | 0:23:04 | |
We'll need to grind that off. Start again. I'll go and get the grinder. | 0:23:04 | 0:23:07 | |
'Angle-grinding!' | 0:23:10 | 0:23:12 | |
Ahhhhhh! | 0:23:12 | 0:23:14 | |
'And let's not forget... | 0:23:15 | 0:23:17 | |
'the precision metal-cutting.' | 0:23:17 | 0:23:19 | |
ELEGANT WALTZ PLAYS | 0:23:19 | 0:23:22 | |
-This is the weapon. -Look at that. | 0:23:22 | 0:23:24 | |
Powering our weapon is this big DC motor. That's three horsepower. | 0:23:24 | 0:23:28 | |
-Three horsepower, OK. -Beauty. | 0:23:28 | 0:23:29 | |
-So, Al Jazari would recognise that mechanism? -Yes, exactly. | 0:23:29 | 0:23:32 | |
It's used in a different way, but on exactly the same principles. | 0:23:32 | 0:23:36 | |
It's going to cause some damage, that! | 0:23:36 | 0:23:39 | |
Oh, perfect fit! Round, round, round, circular motion, | 0:23:39 | 0:23:42 | |
which causes this to go up and down. | 0:23:42 | 0:23:45 | |
-Nice! All finished. -Love it when a plan comes together. | 0:23:52 | 0:23:55 | |
-If you wiggle those sticks. -Just like a remote-control car? | 0:23:55 | 0:23:57 | |
Exactly, yeah. | 0:23:57 | 0:23:59 | |
-MOTOR WHIRS -Ahh. Nice! | 0:23:59 | 0:24:00 | |
That's the remote control for the car part of it, | 0:24:00 | 0:24:03 | |
but what about the Al Jazari magic? | 0:24:03 | 0:24:05 | |
You'll have a joystick here. Forwards to fire it. | 0:24:05 | 0:24:09 | |
'So, there'll be two joysticks. One to control driving our robot. | 0:24:09 | 0:24:14 | |
'The other to operate its weapon! | 0:24:14 | 0:24:16 | |
-Right, time to go into battle! -Battle! | 0:24:16 | 0:24:19 | |
Come on, then, let's go into battle. | 0:24:23 | 0:24:25 | |
To battle, boys! | 0:24:26 | 0:24:28 | |
Here's our robot opponent, Beauty 2! | 0:24:29 | 0:24:33 | |
Operating it are fighting-robot veterans John Lear and Kane Aston. | 0:24:33 | 0:24:37 | |
Like taking candy off a baby! | 0:24:38 | 0:24:40 | |
Like that, is it?! | 0:24:41 | 0:24:42 | |
Well, um... Pppbbbt! | 0:24:42 | 0:24:45 | |
We're going to have ya! | 0:24:45 | 0:24:47 | |
I fart in your general direction! | 0:24:47 | 0:24:49 | |
'Our fighting robot is named Stingray. | 0:24:49 | 0:24:52 | |
'It's just itching to give Beauty 2 a battering!' | 0:24:52 | 0:24:54 | |
OK, guys. | 0:24:57 | 0:24:58 | |
Three, two, one. | 0:24:58 | 0:25:01 | |
Battle! | 0:25:01 | 0:25:02 | |
Stingray gets in an early hit, but then Beauty 2 flips him. | 0:25:08 | 0:25:13 | |
Yes, go, go! | 0:25:15 | 0:25:18 | |
YELLING | 0:25:21 | 0:25:23 | |
'Flipped again. He's making pancakes! | 0:25:23 | 0:25:26 | |
'The crowd are loving this.' | 0:25:26 | 0:25:28 | |
Ah, ha, ha, ha! Yes! | 0:25:28 | 0:25:31 | |
'Flipped again! But Stingray's fighting back!' | 0:25:35 | 0:25:39 | |
Forward! Don't let him flip you! | 0:25:40 | 0:25:42 | |
Oh! Ohhh! | 0:25:45 | 0:25:47 | |
-He's weighing you up! Why's he gone all quiet...? -No! | 0:25:50 | 0:25:53 | |
He flipped him! | 0:25:53 | 0:25:55 | |
You pigs! | 0:25:56 | 0:25:58 | |
No, get out the way! | 0:25:58 | 0:26:00 | |
'Stingray's hammer just keeps missing!' | 0:26:02 | 0:26:04 | |
Agh! | 0:26:11 | 0:26:12 | |
Oh, getting a mashing! | 0:26:12 | 0:26:15 | |
Oh, no! | 0:26:15 | 0:26:17 | |
No... | 0:26:17 | 0:26:18 | |
-No, we're not moving. -What do you mean we're not moving? | 0:26:22 | 0:26:25 | |
'Another hit from Stingray, but something seems to be wrong.' | 0:26:25 | 0:26:28 | |
I think it's stalled. Why's it not moving, Grant? | 0:26:28 | 0:26:32 | |
It looks like the amount of flips and hits you've taken from Beauty 2 | 0:26:32 | 0:26:35 | |
has bent your wheels in. So, sadly, you're out. | 0:26:35 | 0:26:38 | |
-They've literally smashed us. -Yeah, you're out. | 0:26:38 | 0:26:41 | |
We did some damage, though not enough. | 0:26:41 | 0:26:43 | |
It's a good bit of kit that, though, Grant. | 0:26:43 | 0:26:45 | |
A mighty machine! Old Stingray. | 0:26:45 | 0:26:47 | |
It has been the best experience exploring the genius of Al Jazari. | 0:26:51 | 0:26:55 | |
From cranks and connecting rods to elephant automatons, | 0:26:55 | 0:26:59 | |
we've seen how his ideas are still being used today | 0:26:59 | 0:27:01 | |
to make machines that are clever and entertaining. | 0:27:01 | 0:27:05 | |
And how his influence can be found | 0:27:05 | 0:27:07 | |
in one of the most impressive robots in the world. | 0:27:07 | 0:27:11 | |
-Absolute Genius. -Absolute Genius. | 0:27:11 | 0:27:14 | |
Well, I think it's quite clear that after these incredible few days | 0:27:14 | 0:27:18 | |
learning about Al Jazari, | 0:27:18 | 0:27:20 | |
that we now officially LOVE robots! Mwah! | 0:27:20 | 0:27:23 | |
And it all goes back to Al Jazari. | 0:27:23 | 0:27:26 | |
Thank you, Al. You are an absolute genius! | 0:27:26 | 0:27:28 | |
Oh, you're so kind. | 0:27:28 | 0:27:31 | |
YELLING | 0:27:35 | 0:27:37 | |
Ah! It smacked me in the face! | 0:27:38 | 0:27:40 | |
Oh, no! | 0:27:40 | 0:27:43 | |
What are you doing?! | 0:27:43 | 0:27:45 | |
Let me get it straight! | 0:27:45 | 0:27:48 | |
Ooh! | 0:27:48 | 0:27:49 | |
What's all that black stuff? | 0:27:49 | 0:27:51 | |
BOTH LAUGH | 0:27:51 | 0:27:53 | |
SPLASHING | 0:27:56 | 0:27:57 | |
LAUGHTER | 0:27:57 | 0:27:59 |