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It's going to be a great show today, Dom. | 0:00:02 | 0:00:03 | |
Certainly is. We've got some brilliant sketches | 0:00:03 | 0:00:06 | |
from The Three Englishmen, Toby And Their Date With A Zombie, | 0:00:06 | 0:00:10 | |
and not forgetting the Rootin' Tootin' Cowboys. | 0:00:10 | 0:00:12 | |
Oh, yes. And who's this weeks special guest? | 0:00:12 | 0:00:15 | |
Oh, it's only Tracy-Ann Oberman. | 0:00:15 | 0:00:17 | |
Only? Tracy-Ann Oberman? | 0:00:17 | 0:00:19 | |
The star of EastEnders, Doctor Who and MI High? | 0:00:19 | 0:00:22 | |
-Yeah. -You seem very casual about it. -No! | 0:00:22 | 0:00:25 | |
Do you, er, do you, er... | 0:00:25 | 0:00:28 | |
Do I what? Oh, do I help the elderly at the weekend? | 0:00:28 | 0:00:32 | |
-Do you, er, do you... -Do I juice my own oranges? | 0:00:32 | 0:00:36 | |
Do you fancy Tracy-Ann Oberman, by any chance? | 0:00:38 | 0:00:41 | |
Do I fancy Tracy-Ann Oberman? | 0:00:41 | 0:00:43 | |
Yeah, course I do. She's hot stuff. | 0:00:43 | 0:00:45 | |
I even keep a picture of her in my sandwich toaster. | 0:00:45 | 0:00:49 | |
-Yes, now, that is hot. -Yes, certainly is. | 0:00:49 | 0:00:52 | |
Usually, around this time, the doorbell goes. | 0:00:52 | 0:00:54 | |
DOORBELL RINGS | 0:00:54 | 0:00:56 | |
Followed by post flying through the letterbox. | 0:00:56 | 0:00:59 | |
Well, one out of two's not bad. | 0:01:00 | 0:01:02 | |
What is it? | 0:01:03 | 0:01:04 | |
Oh, just some letters. | 0:01:04 | 0:01:07 | |
A letter from the gas people, electricity people... | 0:01:07 | 0:01:09 | |
-Yes? -Telephone people, water people... | 0:01:09 | 0:01:12 | |
-Yes? -Village People, M People... | 0:01:12 | 0:01:14 | |
Oh, look, a peephole. | 0:01:14 | 0:01:17 | |
But what does it say? | 0:01:17 | 0:01:19 | |
It says, "Dear Dick & Dom, | 0:01:23 | 0:01:25 | |
"we will cut off your phones, water, heating and electricity and stuff, | 0:01:25 | 0:01:30 | |
"and evict you | 0:01:30 | 0:01:31 | |
"if you do not pay us all the money you owe in the next 60 minutes. | 0:01:31 | 0:01:35 | |
-"Yours sincerely, etc, etc." -Give it to me in plain English, will you? | 0:01:35 | 0:01:38 | |
It basically means if we don't pay £53,150.29 for all these bills | 0:01:38 | 0:01:44 | |
within the next hour, | 0:01:44 | 0:01:45 | |
-our Funny Business will be closed down for good. -I see. | 0:01:45 | 0:01:49 | |
BOTH: Oh, great(!) | 0:01:49 | 0:01:51 | |
CHEERING AND APPLAUSE | 0:02:11 | 0:02:12 | |
Ladies and gentlemen, please welcome to the stage | 0:02:12 | 0:02:17 | |
your Funny Business hosts, | 0:02:17 | 0:02:19 | |
the one and only Dick and Dom! | 0:02:19 | 0:02:25 | |
Hello! And welcome to Dick And Dom's Funny Business! | 0:02:32 | 0:02:36 | |
CHEERING AND APPLAUSE | 0:02:36 | 0:02:38 | |
This is the show that delivers the cream | 0:02:38 | 0:02:40 | |
of the country's up and coming comedy talent | 0:02:40 | 0:02:43 | |
directly to your home. | 0:02:43 | 0:02:44 | |
A bit like a milkman that delivers comedy cream instead of real cream. | 0:02:44 | 0:02:48 | |
-Weird metaphor. -Yeah, I suppose so. | 0:02:48 | 0:02:50 | |
Coming up on today's show, we have Toby And Their Date With A Zombie. | 0:02:50 | 0:02:54 | |
-Ooh, where's she taking him? -No, it's the name of the comedy act. | 0:02:54 | 0:02:57 | |
-Oh, I understand. -And the Rootin' Tootin' Cowboys. | 0:02:57 | 0:03:01 | |
-What, with guns and everything?! -No, that's the name of the act. | 0:03:01 | 0:03:04 | |
Oh, I understand. | 0:03:04 | 0:03:05 | |
And don't forget our very special guest, | 0:03:05 | 0:03:08 | |
it is the beautiful Tracy-Ann Oberman. | 0:03:08 | 0:03:10 | |
CHEERING AND APPLAUSE | 0:03:10 | 0:03:13 | |
Now, I understand that one, | 0:03:13 | 0:03:14 | |
because Tracy-Ann Oberman is the star of EastEnders, MI High, | 0:03:14 | 0:03:17 | |
and of course, Dr Who. | 0:03:17 | 0:03:18 | |
Yes, the one and only Tracy-Ann Oberman is going to be here. | 0:03:18 | 0:03:22 | |
But time now for our first fantastic comedy act. | 0:03:22 | 0:03:24 | |
They've got a name, you know. They are the brilliant Three Englishmen. | 0:03:24 | 0:03:27 | |
It's strange, really. They're called the Three Englishmen, | 0:03:27 | 0:03:30 | |
but there's actually four of them. | 0:03:30 | 0:03:32 | |
-Yeah, one of them's Dutch. -Really? | 0:03:32 | 0:03:34 | |
No idea. Ladies and gentlemen, please welcome the amazing, | 0:03:34 | 0:03:37 | |
if numerically inaccurate, Three Englishmen. | 0:03:37 | 0:03:42 | |
CHEERING AND APPLAUSE | 0:03:42 | 0:03:45 | |
All right, class, settle down. | 0:03:45 | 0:03:48 | |
Settle down, 7B! | 0:03:48 | 0:03:50 | |
My name is Mr Gregory, and I'll be your supply teacher for today, | 0:03:50 | 0:03:55 | |
and we will be learning about chemistry. | 0:03:55 | 0:03:58 | |
-Who can tell me the chemical symbol for Argon? -Hello, 7B. | 0:03:58 | 0:04:02 | |
I'm very sorry I'm late. My name's Mr Pimms... | 0:04:02 | 0:04:04 | |
-Nobody knows the symbol for Argon? -Get out your copies of Macbeth. | 0:04:04 | 0:04:09 | |
-Act one, scene one, please. -No-one? | 0:04:09 | 0:04:12 | |
-Sorry, just one moment, 7B. -Just one moment, 7B. Hello. | 0:04:12 | 0:04:16 | |
Hi, there. The name's Pimms. | 0:04:16 | 0:04:18 | |
I'm taking 7B for English now. | 0:04:18 | 0:04:20 | |
Right, there's a small problem. | 0:04:20 | 0:04:21 | |
I'm Gregory, the supply teacher. I'm teaching chemistry. | 0:04:21 | 0:04:24 | |
Well, if you could just take your chemicals and potions and go away? | 0:04:24 | 0:04:29 | |
If you could take your literature books and toddle off, yes? | 0:04:29 | 0:04:33 | |
There's only one way to settle this, I'm afraid. | 0:04:33 | 0:04:36 | |
Fine, bring it on. | 0:04:36 | 0:04:39 | |
-You wanted to do this. -Sorry to have to do this, 7B. | 0:04:39 | 0:04:44 | |
Waste of my time and a waste of yours. | 0:04:44 | 0:04:46 | |
Here we are. Here we are again. | 0:04:46 | 0:04:48 | |
Quite frankly, I don't know why I bother. | 0:04:50 | 0:04:52 | |
-I'm sick of it as well. -All those years of training. | 0:04:52 | 0:04:56 | |
THEY YELL LIKE ANIMALS | 0:04:56 | 0:04:59 | |
-One thing for it, eh? -Bring it on. | 0:05:01 | 0:05:03 | |
You're going down. | 0:05:10 | 0:05:12 | |
Bring it on, little man. I can see that scared look in your eyes. | 0:05:12 | 0:05:16 | |
There is no such look. | 0:05:16 | 0:05:18 | |
# Bonkers | 0:05:22 | 0:05:23 | |
# I wake up Every day is a daydream | 0:05:38 | 0:05:40 | |
# Everything in my life ain't what it seems | 0:05:40 | 0:05:42 | |
# I wake up just to go back to sleep | 0:05:42 | 0:05:44 | |
# I act real shallow but I'm in too deep | 0:05:44 | 0:05:45 | |
# And all I care about is ... and ... | 0:05:45 | 0:05:47 | |
# A heavy bass line is my kind of silence | 0:05:47 | 0:05:49 | |
# Everybody says that I've got to get a grip | 0:05:49 | 0:05:51 | |
# But I let sanity give me the slip Bonkers | 0:05:51 | 0:05:53 | |
# Some people think I'm bonkers | 0:05:53 | 0:05:55 | |
# But I just think I'm free | 0:05:55 | 0:05:57 | |
# Man, I'm just living my life | 0:05:57 | 0:05:59 | |
# There's nothing crazy 'bout me | 0:05:59 | 0:06:01 | |
# Some people pay for thrills | 0:06:01 | 0:06:03 | |
# But I get mine for free | 0:06:03 | 0:06:05 | |
# Man, I'm just living my life | 0:06:05 | 0:06:07 | |
# There's nothing crazy 'bout me | 0:06:07 | 0:06:08 | |
# I wake up Every day is a daydream | 0:06:23 | 0:06:25 | |
-# Everything... # -PHONE RINGS | 0:06:25 | 0:06:28 | |
Hello? | 0:06:30 | 0:06:32 | |
What kind of time do you call this? | 0:06:32 | 0:06:35 | |
-Darling, I'm at work. -I fed your dinner to the dog. | 0:06:35 | 0:06:38 | |
Not tonight's dinner, no, I didn't bother to make that. | 0:06:38 | 0:06:40 | |
-What has happened to us, Richard? -Darling, you married a basketball. | 0:06:40 | 0:06:44 | |
Besides, I'm doing all this for you and the kid. | 0:06:44 | 0:06:47 | |
-What did I promise you? -A better life. | 0:06:47 | 0:06:49 | |
A better life, exactly. That's what you're going to get. | 0:06:49 | 0:06:52 | |
-You've got to believe me, I'm doing all this for you and the baby. -Baby? | 0:06:52 | 0:06:56 | |
The baby you never ask about. What was today, Richard? | 0:06:56 | 0:06:58 | |
Susie, I've been at work. | 0:06:58 | 0:07:00 | |
The appointment, the appointment at the hospital. | 0:07:00 | 0:07:04 | |
Susie, is it going to be all right? | 0:07:04 | 0:07:07 | |
They don't know. The doctors can't tell me anything. | 0:07:07 | 0:07:10 | |
All I know is he is hideous! | 0:07:10 | 0:07:13 | |
They can do all sorts nowadays. | 0:07:13 | 0:07:15 | |
It's too late for that, Richard. I'm putting him up for adoption. | 0:07:15 | 0:07:19 | |
WINDOW SMASHES | 0:07:19 | 0:07:20 | |
Oh, Susie, Susie, Susie, Susie! | 0:07:20 | 0:07:25 | |
-That hasn't solved anything. -Sorry, 7B. -Apologies about that. | 0:07:25 | 0:07:29 | |
-Colossal waste of time, I'm afraid. -Same old story, nothing changes. | 0:07:29 | 0:07:33 | |
Personally, I think it's the scheduling's fault. | 0:07:33 | 0:07:35 | |
What on earth are we going to do? | 0:07:35 | 0:07:38 | |
Cup of tea in the staff room? | 0:07:38 | 0:07:40 | |
-Class dismissed. -Off you go. -Come on! | 0:07:42 | 0:07:46 | |
CHEERING AND APPLAUSE | 0:07:46 | 0:07:48 | |
So, Dom, are you sure you read that letter right? | 0:07:51 | 0:07:55 | |
OK, it's possible I made a couple of mistakes | 0:07:55 | 0:07:58 | |
whilst reading that letter 642 times! But, yes, I've read the letter right. | 0:07:58 | 0:08:02 | |
If we don't pay, they're going to start cutting off everything. | 0:08:02 | 0:08:05 | |
Everything? They can't do that. They can't cut off my fingers. | 0:08:05 | 0:08:11 | |
I've just had a manicure! | 0:08:11 | 0:08:14 | |
No, I mean everything as in the bills, | 0:08:14 | 0:08:16 | |
electricity, gas, heating, you know? | 0:08:16 | 0:08:18 | |
Oh, great. He's in a manicure trance. | 0:08:20 | 0:08:23 | |
AIR HORN BLARES | 0:08:24 | 0:08:28 | |
CYMBALS CLAP | 0:08:30 | 0:08:32 | |
Aaagh! | 0:08:35 | 0:08:36 | |
Anyway, sounds like we're in real trouble with all these bills. | 0:08:36 | 0:08:39 | |
I know. There must be some kind of mistake, cos you took the money | 0:08:39 | 0:08:43 | |
we saved to the bank and you paid all the bills, right? Didn't you? | 0:08:43 | 0:08:50 | |
Are you doing that thing | 0:08:50 | 0:08:52 | |
where you ignore a situation and hopefully it goes away? | 0:08:52 | 0:08:55 | |
It's not working, is it? | 0:08:55 | 0:08:57 | |
No, it's not! | 0:08:57 | 0:08:59 | |
Just tell me that you used the money to pay the bills. | 0:08:59 | 0:09:02 | |
-I used the money to pay the bills. -You didn't, did you? | 0:09:02 | 0:09:04 | |
No. I was going to. It's just that when I was walking down the road, | 0:09:04 | 0:09:08 | |
I saw a few things in the shop windows that I'd like to buy... | 0:09:08 | 0:09:11 | |
What? Without your window blinkers? | 0:09:11 | 0:09:13 | |
You should always wear your window blinkers! | 0:09:13 | 0:09:15 | |
Remember when you walked past that ballet costume shop? | 0:09:15 | 0:09:18 | |
Oh, yes, I forgot. | 0:09:18 | 0:09:19 | |
You just walk past and buy anything! How much did you spend? Hit me. | 0:09:19 | 0:09:23 | |
Thanks. Go on, then, how much? | 0:09:26 | 0:09:27 | |
-Well, sort of, almost, nearly, precisely all of it. -Oh, no. | 0:09:27 | 0:09:33 | |
-But I did get some fantastic props for the end of the show. -Props? | 0:09:33 | 0:09:37 | |
You got some props? Oh, brilliant(!) | 0:09:37 | 0:09:40 | |
Go on, then, hit me. What did you get? | 0:09:40 | 0:09:42 | |
I'd rather show them to you, because if I read them out | 0:09:43 | 0:09:46 | |
they sounds like a load of rubbish. I've got them just over here. | 0:09:46 | 0:09:50 | |
I'll show you what I've got. | 0:09:50 | 0:09:51 | |
I've got a scale model of the Blackpool Tower! | 0:09:51 | 0:09:54 | |
Got this stag's head! | 0:09:58 | 0:10:00 | |
I've got this prawn costume! | 0:10:03 | 0:10:06 | |
And this six-foot cotton bud! | 0:10:09 | 0:10:12 | |
How are you feeling? | 0:10:14 | 0:10:15 | |
Sad? Mad? | 0:10:15 | 0:10:18 | |
It's hard to tell right now. | 0:10:18 | 0:10:21 | |
Dom, come on, you know I hate it | 0:10:21 | 0:10:23 | |
when you hide your emotions from me. Tell me how you're feeling. | 0:10:23 | 0:10:27 | |
You're happy, aren't you? Yes, I can tell. | 0:10:27 | 0:10:29 | |
Oh! All right, guys! | 0:10:29 | 0:10:31 | |
Yeah. Good, thanks. What's that you've got there? | 0:10:31 | 0:10:34 | |
Oh, this is a six-foot cotton bud. | 0:10:34 | 0:10:37 | |
That's, er, nice. | 0:10:37 | 0:10:39 | |
And it's mine. | 0:10:39 | 0:10:40 | |
Yeah, when he says it's his, just ignore him, it means it's a prop. | 0:10:40 | 0:10:44 | |
-Oh, cool. Let's have a look. -No, no, no! | 0:10:44 | 0:10:46 | |
If you just go into your dressing rooms, that'll be great. | 0:10:46 | 0:10:49 | |
Lovely show, well done. Lovely heads. Off you go. Bye-bye. | 0:10:49 | 0:10:53 | |
-What is wrong with you? -Diagnosed or suspected? -No! | 0:10:55 | 0:10:58 | |
You've spent all of this money that's meant to be ours to pay the bills! | 0:10:58 | 0:11:01 | |
-Where did you get all this rubbish? -Calm down, Princess! | 0:11:01 | 0:11:04 | |
There's this fabulous little boutique round the corner | 0:11:04 | 0:11:07 | |
that sells lots of unrelated bits and bobs. | 0:11:07 | 0:11:09 | |
Oh, yes. The kind of shop that goes bankrupt because it sells | 0:11:09 | 0:11:13 | |
-overpriced stuff that nobody actually wants? -Yes. | 0:11:13 | 0:11:15 | |
It's called Le Tutt. It's Italian, very exclusive. | 0:11:15 | 0:11:19 | |
I bet it's exclusive, cos you're their only customer. | 0:11:19 | 0:11:23 | |
Take all this stuff back to the shop. | 0:11:23 | 0:11:25 | |
-I can't. -Why? | 0:11:25 | 0:11:27 | |
-The shop closed down. -What? -After I left, | 0:11:27 | 0:11:29 | |
the owners went running off cheering like they'd won the lottery. | 0:11:29 | 0:11:32 | |
I bet they did! What are we supposed to do now? | 0:11:32 | 0:11:35 | |
We can't pay any of our bills. | 0:11:35 | 0:11:36 | |
Hang on. The money for the acts? | 0:11:36 | 0:11:39 | |
-You didn't spend that in Le Tutt, did you? -No, don't be silly. | 0:11:39 | 0:11:42 | |
-I used that to pay my parking fines. -What? You don't even drive! | 0:11:42 | 0:11:45 | |
That's why my car's got so many fines. | 0:11:45 | 0:11:47 | |
It's been sitting there for three years. | 0:11:47 | 0:11:49 | |
At least the money for this week's special guest is safe, right? | 0:11:49 | 0:11:53 | |
-Not exactly. -Not exactly... Not exactly?! | 0:11:53 | 0:11:56 | |
Let's just say I invested it on the sock market. | 0:11:56 | 0:11:59 | |
Oh, the stock market... | 0:11:59 | 0:12:00 | |
No, the sock market. I went to the market and bought loads of socks. | 0:12:00 | 0:12:04 | |
Patterns on and everything. | 0:12:04 | 0:12:05 | |
We can't pay this week's special guest! | 0:12:05 | 0:12:08 | |
We can't even pay Tracy-Ann Oberman! | 0:12:08 | 0:12:10 | |
Look, look, look! I wouldn't worry, mate. She won't be here for ages. | 0:12:10 | 0:12:14 | |
DOORBELL RINGS | 0:12:14 | 0:12:15 | |
That'll be her! Hang on a minute. | 0:12:15 | 0:12:17 | |
-Lovely. -What is that smell? | 0:12:19 | 0:12:21 | |
Aftershave. | 0:12:21 | 0:12:22 | |
-Smells like Ann Widdecombe's... -DOORBELL RINGS | 0:12:22 | 0:12:25 | |
Right. I'll get the door, you stay here. | 0:12:25 | 0:12:27 | |
Do not mention the money! OK? | 0:12:27 | 0:12:30 | |
Yeah. | 0:12:30 | 0:12:31 | |
Hello, boys! | 0:12:34 | 0:12:35 | |
It's only this week's special guest, Tracy-Ann Oberman! | 0:12:35 | 0:12:39 | |
-Hi, Tracy! -Hi, Dick, hi, Dom. | 0:12:39 | 0:12:43 | |
Sorry I'm late. I just saw the gas man tinkering with your meter. | 0:12:43 | 0:12:47 | |
There's not a problem, is there? | 0:12:47 | 0:12:48 | |
-Funny you should say that... -No, no, no. | 0:12:48 | 0:12:51 | |
Everything's cool. | 0:12:51 | 0:12:53 | |
Why don't you come and sit down? | 0:12:53 | 0:12:55 | |
It's going to get very cool in a minute. I don't mean to be a diva, | 0:12:55 | 0:12:59 | |
but I can't work in such cold conditions, and it's... Oh! | 0:12:59 | 0:13:04 | |
If I just hold you like this, I can maybe keep you warm, | 0:13:04 | 0:13:08 | |
until the heating comes back on. | 0:13:08 | 0:13:10 | |
-Or I can just put my coat on. -Yes, get off. | 0:13:10 | 0:13:14 | |
-Just keep your coat on. -Yes, that's what I'll do. | 0:13:14 | 0:13:16 | |
I'm going to wait in my dressing room till it warms up a bit. | 0:13:16 | 0:13:20 | |
Call me out and we can discuss the finale. | 0:13:20 | 0:13:22 | |
Yes. Will do, Tracy. | 0:13:22 | 0:13:23 | |
-It smells like Ann Widdecombe's... -PHONE RINGS | 0:13:23 | 0:13:26 | |
Hello? | 0:13:28 | 0:13:30 | |
Smooth, mate. | 0:13:33 | 0:13:34 | |
I was just trying keep her warm. | 0:13:34 | 0:13:36 | |
-Course you were. -I don't see you coming up with any bright ideas. | 0:13:36 | 0:13:40 | |
This place will be like a freezer by the time we get to the finale. | 0:13:40 | 0:13:43 | |
Look, do not worry. I caused this problem in the first place, | 0:13:43 | 0:13:46 | |
and I absolutely will not rest until I've sorted it all out | 0:13:46 | 0:13:49 | |
and paid all the bills off. | 0:13:49 | 0:13:51 | |
Now, shall we put the telly on? | 0:13:51 | 0:13:53 | |
Hang on. I've got a better idea. | 0:13:53 | 0:13:55 | |
Why don't we read the History Of Funny Business? | 0:13:55 | 0:13:57 | |
Not only is it entertaining, but great research for our show. | 0:13:57 | 0:14:01 | |
All right. | 0:14:01 | 0:14:02 | |
Aaagh! | 0:14:13 | 0:14:15 | |
Oh! Aah! Aah! | 0:14:15 | 0:14:18 | |
In your own time, mate! | 0:14:18 | 0:14:19 | |
Ah, here we are. Lovely. | 0:14:25 | 0:14:27 | |
Ah, yes. | 0:14:29 | 0:14:30 | |
Until now, it was thought that only men and infants | 0:14:35 | 0:14:38 | |
were capable of laughing, | 0:14:38 | 0:14:40 | |
though new research suggests that women and indeed dentists | 0:14:40 | 0:14:44 | |
may too be able to enjoy this emotional response. | 0:14:44 | 0:14:46 | |
They say laughter is the best form of medicine, | 0:14:46 | 0:14:49 | |
and in the right circumstances, | 0:14:49 | 0:14:51 | |
slapstick comedy can be just what the doctor ordered. | 0:14:51 | 0:14:53 | |
Historically speaking, the banana is not as fashionable as say, | 0:14:53 | 0:14:58 | |
the papaya or the trendy melon, | 0:14:58 | 0:15:01 | |
but it remains the fruit of choice for the slapstick comedian. | 0:15:01 | 0:15:05 | |
The banana's naturally mischievous skin | 0:15:06 | 0:15:09 | |
is the ideal folly for any unsuspecting fool | 0:15:09 | 0:15:12 | |
who may tread on it. | 0:15:12 | 0:15:15 | |
Remember - the power of the joke | 0:15:17 | 0:15:19 | |
is relative to the situation. | 0:15:19 | 0:15:20 | |
A slip when walking in the park isn't half as effective as a slip | 0:15:22 | 0:15:25 | |
whilst carrying a bowl of piping hot soup. | 0:15:25 | 0:15:28 | |
Let's have a look, shall we? | 0:15:28 | 0:15:30 | |
Don't forget to TRIP your waiter, hey? Ha-ha! Top stuff. | 0:15:35 | 0:15:39 | |
How about THIS, though...? | 0:15:41 | 0:15:43 | |
GORILLA ROARS | 0:15:57 | 0:15:58 | |
Oh, dear - it seems mountain gorillas don't find banana wastage | 0:15:58 | 0:16:02 | |
quite as funny as we humans. | 0:16:02 | 0:16:04 | |
It will be hours before he tires himself out. | 0:16:04 | 0:16:06 | |
It looks like you've got the banana business down to a T. | 0:16:07 | 0:16:11 | |
Why not mix things up a little? | 0:16:11 | 0:16:14 | |
Oh, my! | 0:16:34 | 0:16:36 | |
Now, that's a hoot. Poor subject B! | 0:16:36 | 0:16:39 | |
I don't think this is what he had in mind | 0:16:39 | 0:16:42 | |
when they told him to "break a leg". | 0:16:42 | 0:16:44 | |
Good work, chaps. You've demonstrated the premise | 0:16:45 | 0:16:48 | |
of the banana slip in fine fashion. | 0:16:48 | 0:16:51 | |
I think we are done for today. | 0:16:51 | 0:16:54 | |
Oh, dear - someone still smells of bananas. | 0:16:54 | 0:16:57 | |
CHEERING AND APPLAUSE | 0:17:10 | 0:17:11 | |
DOM SHIVERS Oh... | 0:17:16 | 0:17:18 | |
Phwoar! I've er... | 0:17:18 | 0:17:20 | |
j-j-just been to ch-check on this week's special guest, | 0:17:20 | 0:17:23 | |
Tracy-Ann Oberman. | 0:17:23 | 0:17:24 | |
-Oh, yeah? How is she? -How is she? | 0:17:24 | 0:17:27 | |
Gorgeous. Sophisticated. Intelligent... | 0:17:27 | 0:17:29 | |
No, I mean - how's she getting on with the cold? | 0:17:29 | 0:17:31 | |
Oh. Not so great since the heating was turned off. It's freezing. | 0:17:31 | 0:17:35 | |
I know, I know. But at least those socks I bought | 0:17:35 | 0:17:39 | |
are coming in right handy... and left handy. | 0:17:39 | 0:17:42 | |
What would be more handy is if we had the money you SPENT on them. | 0:17:42 | 0:17:45 | |
Seriously - if we don't pay all those bills that we owe, | 0:17:45 | 0:17:48 | |
we'll be in serious trouble. | 0:17:48 | 0:17:50 | |
Yes - we will be chucked out of the theatre, | 0:17:50 | 0:17:52 | |
and this show will be cancelled forever. | 0:17:52 | 0:17:55 | |
AUDIENCE: Awww! | 0:17:55 | 0:17:56 | |
Blimey. I hope Tracy-Ann's OK. | 0:17:56 | 0:17:58 | |
I'm just going to go and check on her. | 0:17:58 | 0:18:00 | |
Leave her alone for two minutes. Anyone would think you fancy her. | 0:18:00 | 0:18:04 | |
Ha-ha-ha(!) | 0:18:04 | 0:18:05 | |
Imagine that though, eh? Imagine that. | 0:18:05 | 0:18:08 | |
DOORBELL RINGS | 0:18:08 | 0:18:09 | |
-Who's that? -Probably someone that wants paying. | 0:18:09 | 0:18:11 | |
I'll get it. | 0:18:11 | 0:18:13 | |
Hi, guys! | 0:18:17 | 0:18:18 | |
CHEERING AND APPLAUSE | 0:18:18 | 0:18:20 | |
It's Kelly-Anne Manhattan, | 0:18:21 | 0:18:23 | |
the gorgeous but ditzy daughter of the owner of the theatre! | 0:18:23 | 0:18:26 | |
(She's got the hots for me, it's a nightmare.) | 0:18:26 | 0:18:29 | |
Hi, Dom! Hi, Dan. | 0:18:29 | 0:18:31 | |
-It's Dick. -No, I'm Kelly-Anne, silly! Remember? | 0:18:31 | 0:18:34 | |
Would you guys help me out of my winter coat and | 0:18:34 | 0:18:36 | |
-matching accessories? -BOTH: Yeah. | 0:18:36 | 0:18:38 | |
Oh, thank you, that's so sweet of you. | 0:18:38 | 0:18:40 | |
I'm wearing mittens, and my fingers are numb from the cold. | 0:18:40 | 0:18:43 | |
So even if I got my mittens off, | 0:18:43 | 0:18:45 | |
my hands would need five or ten minutes to warm up | 0:18:45 | 0:18:47 | |
until I had enough feeling in them. | 0:18:47 | 0:18:50 | |
Although I'm sure if I was watching this show | 0:18:50 | 0:18:52 | |
I'd be clapping quite a lot, so my hands would warm up. | 0:18:52 | 0:18:55 | |
But I didn't buy a ticket. | 0:18:55 | 0:18:56 | |
Not that I wouldn't buy a ticket! I love you guys, and your show - | 0:18:56 | 0:18:59 | |
I think you're amazing and so funny. But you know what they say... | 0:18:59 | 0:19:04 | |
-About what? -I have no idea. -Right! | 0:19:04 | 0:19:07 | |
Would you help me put my winter coat and matching accessories back on? | 0:19:07 | 0:19:11 | |
-It's so cold in here! -Oh... -Yes... | 0:19:11 | 0:19:13 | |
Thank you. I really appreciate that, it's so sweet. | 0:19:13 | 0:19:16 | |
-I'd do it myself - but... -I know, yes, yes, yes - | 0:19:16 | 0:19:18 | |
your hands are numb from the cold. | 0:19:18 | 0:19:20 | |
Yes, that's exactly right! How did you know that? | 0:19:20 | 0:19:23 | |
Thank you so much, I really appreciate it. | 0:19:23 | 0:19:26 | |
Okey-dokey - it was so nice to see you guys. We'll catch up soon! | 0:19:26 | 0:19:30 | |
-Wait! Kelly-Anne... -Yes? | 0:19:30 | 0:19:33 | |
Did you actually want anything? | 0:19:33 | 0:19:35 | |
Er... | 0:19:35 | 0:19:37 | |
Oh, yeah! Silly me! Please, | 0:19:37 | 0:19:38 | |
oh, please, oh, PLEASE...can I be in the finale at the end of the show? | 0:19:38 | 0:19:42 | |
If we say yes, will you go away? | 0:19:42 | 0:19:45 | |
-Of course! -BOTH: Yes! | 0:19:45 | 0:19:47 | |
Oh, thank you so much! You'll not regret this at all. | 0:19:47 | 0:19:50 | |
-I'll see you later. -Bye. -Bye, Dom. Bye, Dan. | 0:19:50 | 0:19:52 | |
-It's Dick... -Oh - I just remembered what they say! | 0:19:52 | 0:19:56 | |
-What?! -Cold hands, warm heart. See ya! | 0:19:56 | 0:19:59 | |
Yeah, bye! Oh... | 0:19:59 | 0:20:01 | |
She does my flippin' head in! | 0:20:01 | 0:20:03 | |
She's so into me, it's embarrassing. | 0:20:03 | 0:20:05 | |
COMPUTER BEEPS | 0:20:05 | 0:20:06 | |
-Oh - we've got an email. -What is it? | 0:20:06 | 0:20:09 | |
It's a letter that's sent through the computer. | 0:20:09 | 0:20:11 | |
Yeah, yeah, OK - who's it from? | 0:20:11 | 0:20:13 | |
Have a look. Press that... | 0:20:13 | 0:20:16 | |
Oh! It's from them wannabe wrestlers, the Devastation Brothers. | 0:20:17 | 0:20:20 | |
The guys who want to rip out our spleen and trample on our faces? | 0:20:20 | 0:20:23 | |
-That's the ones. -Yeah. Lovely guys! | 0:20:23 | 0:20:27 | |
-BOTH: -The Devastation Brothers! | 0:20:27 | 0:20:31 | |
I...am Butch "The Rage" Hardcastle. | 0:20:33 | 0:20:35 | |
And I'm Randy Hammerhead, formerly known as Ian. | 0:20:35 | 0:20:39 | |
-BOTH: -The Devastation Brothers! | 0:20:39 | 0:20:41 | |
THEY SNARL VICIOUSLY | 0:20:43 | 0:20:45 | |
Finally, we get to prove to the world that it is us and | 0:20:49 | 0:20:53 | |
not Dick and Dom who are the world's greatest double act. | 0:20:53 | 0:20:56 | |
Although they are very, very funny. | 0:20:56 | 0:20:59 | |
Sshh, Ian. So straight after we've made this | 0:20:59 | 0:21:01 | |
video and Mum's put the camera down, she's driving us to the airport. | 0:21:01 | 0:21:06 | |
Bagsy first seat! | 0:21:06 | 0:21:07 | |
You always get first seat! | 0:21:07 | 0:21:09 | |
That's cos I'm Mum's favourite. | 0:21:09 | 0:21:12 | |
So watch out, Dick and Dom. | 0:21:12 | 0:21:14 | |
Cos we're really coming for you! | 0:21:14 | 0:21:16 | |
Yeah! It's really happening! | 0:21:16 | 0:21:18 | |
We're going to do it! We're coming to London! | 0:21:18 | 0:21:20 | |
-We're coming! -Devastation! | 0:21:20 | 0:21:23 | |
-Randy, calm down. -Devastation! -Randy. | 0:21:23 | 0:21:25 | |
Calm down. | 0:21:25 | 0:21:27 | |
Devastation! Devastation! | 0:21:27 | 0:21:29 | |
Mum? | 0:21:33 | 0:21:36 | |
Randy, you knocked out Mum. How will we get to the airport? | 0:21:36 | 0:21:39 | |
-It's OK, I've got an idea. -What are you doing? | 0:21:39 | 0:21:43 | |
I'm just borrowing some money from Mum's purse. | 0:21:43 | 0:21:45 | |
-We can get a taxi to the airport. -Why are you taking her lipstick? | 0:21:45 | 0:21:48 | |
No reason. | 0:21:48 | 0:21:50 | |
Let's do it! Devastation! | 0:21:51 | 0:21:53 | |
Devastation! Bye, Mum. | 0:21:53 | 0:21:57 | |
See you, Mum. | 0:21:57 | 0:22:00 | |
By the way, it was Randy who wet the bed, not me. Cut. | 0:22:00 | 0:22:04 | |
Whatever. | 0:22:04 | 0:22:06 | |
Is everyone having a good time? | 0:22:14 | 0:22:16 | |
I think that's a "yes". Well, not for long. Finley Mclintock? | 0:22:16 | 0:22:19 | |
-Yep, that's me. -Hello! | 0:22:19 | 0:22:22 | |
-Hello! -Your mum's just called in and apparently your dog's dead. | 0:22:22 | 0:22:27 | |
Sorry to be the bearers of bad news but we won't harp on about it. | 0:22:27 | 0:22:32 | |
-Trapped under a car, it says here. -That's probably enough detail, | 0:22:32 | 0:22:35 | |
-Dom. -Shall we mention the bit about the lawnmower? | 0:22:35 | 0:22:37 | |
Probably not. It's horrible. | 0:22:37 | 0:22:39 | |
But hopefully everybody else is | 0:22:39 | 0:22:41 | |
still having a good time, so let's keep going! | 0:22:41 | 0:22:43 | |
Enough about dead dogs! Let's crack on with an actual dead person! | 0:22:43 | 0:22:47 | |
Please put your hands together, ideally more than once, | 0:22:47 | 0:22:49 | |
for the fantastic Toby and their Date With A Zombie. | 0:22:49 | 0:22:53 | |
Well, what a lovely place! | 0:22:59 | 0:23:02 | |
I'd have never have found it, but then I don't | 0:23:02 | 0:23:04 | |
normally come to the graveyard. | 0:23:04 | 0:23:06 | |
Oh, thank you. | 0:23:08 | 0:23:10 | |
Are they...roses...? | 0:23:12 | 0:23:14 | |
Oh yes, my favourite. | 0:23:14 | 0:23:17 | |
You know, I do get terribly nervous about coming on these blind dates. | 0:23:17 | 0:23:21 | |
You never know who's going to turn up. | 0:23:21 | 0:23:23 | |
Shall we order? | 0:23:25 | 0:23:26 | |
Oh, I can't quite read this... | 0:23:29 | 0:23:32 | |
It appears to be written in blood. | 0:23:32 | 0:23:34 | |
Eurggghhhh. | 0:23:34 | 0:23:37 | |
Yes, I'll have what he's having. | 0:23:38 | 0:23:41 | |
So tell me about yourself. | 0:23:45 | 0:23:46 | |
What do you like? | 0:23:46 | 0:23:48 | |
Music? Cooking? | 0:23:48 | 0:23:53 | |
Seen any good films recently? | 0:23:53 | 0:23:55 | |
-Eurrrgghhh. -Yeah, there's not much on at the moment, is there. | 0:23:55 | 0:23:59 | |
My last date took me to a horror | 0:23:59 | 0:24:01 | |
film but I must admit, I'm not much of a fan. | 0:24:01 | 0:24:04 | |
Oh, you've dropped something. | 0:24:07 | 0:24:09 | |
I've got it. | 0:24:09 | 0:24:12 | |
I knew you had your eye on me. | 0:24:16 | 0:24:19 | |
Oh. This looks...delicious. | 0:24:26 | 0:24:30 | |
I'd love to dance. | 0:24:53 | 0:24:55 | |
Oh my goodness! I'm so sorry! I'm so clumsy. | 0:25:10 | 0:25:12 | |
I've probably got a plaster in my bag. | 0:25:12 | 0:25:15 | |
Oh goodness, sorry. On my goodness. | 0:25:15 | 0:25:18 | |
Would you mind holding that? It's at the bottom. Oh, dear. | 0:25:18 | 0:25:21 | |
Goodness. Sorry! Sorry! | 0:25:21 | 0:25:25 | |
Hold that a minute... Oh, dear. | 0:25:25 | 0:25:29 | |
Sorry. Sorry. | 0:25:29 | 0:25:31 | |
-Goodness... -Argh! | 0:25:33 | 0:25:35 | |
Was it something I said? | 0:25:39 | 0:25:40 | |
Absolutely fantastic. Still to come, the Rootin' Tootin' Cowboys and our | 0:25:47 | 0:25:51 | |
very beautiful special guest, Miss Tracy-Ann Oberman. | 0:25:51 | 0:25:56 | |
And if you fancy an ice-cream, our lovely usherettes, Betty and | 0:25:56 | 0:25:59 | |
Betty, can be found in the foyer. | 0:25:59 | 0:26:00 | |
We'll see you after the interval. | 0:26:00 | 0:26:02 | |
Oh, look to, here they are. | 0:26:09 | 0:26:11 | |
Oh, it's hot in here today. I tell you what, I'm burning up. | 0:26:11 | 0:26:14 | |
But you, Betty, you look | 0:26:14 | 0:26:15 | |
like an Eskimo that's given you the cold shoulder. What's your secret? | 0:26:15 | 0:26:18 | |
Well, I keep a couple of these in my armpits. | 0:26:18 | 0:26:21 | |
Oh, they've melted, eugh... | 0:26:21 | 0:26:23 | |
Yeah, it's all right. Don't worry. I'll sell them as milkshakes. | 0:26:23 | 0:26:27 | |
Oh, and I tell you what, I've got a secret too. About Bob. | 0:26:27 | 0:26:31 | |
-Yeah? -Well, between us girls, you know, I don't want that | 0:26:31 | 0:26:34 | |
Tracy-Ann Oberman overhearing us. | 0:26:34 | 0:26:36 | |
-Yeah? -You'll never guess what. | 0:26:36 | 0:26:38 | |
What? You haven't! | 0:26:38 | 0:26:39 | |
-I might have. -You haven't! -I have. -What, you kissed Bob? -I have, yeah. | 0:26:39 | 0:26:43 | |
-Muscles like a racehorse. -He hasn't! -He has. -He hasn't! -He has. | 0:26:43 | 0:26:46 | |
-He hasn't. -Yeah. -He hasn't. -He has. -He hasn't. -He has. -He hasn't. -He has. | 0:26:46 | 0:26:48 | |
-He hasn't. -He has. -He hasn't. | 0:26:48 | 0:26:50 | |
He has, he won the 5.15 at Ascot with a jockey on his back. | 0:26:50 | 0:26:54 | |
-I remember romance. -Oh, when you met your Barry. | 0:26:56 | 0:26:59 | |
Picture the scene. It were Barnsley town square. | 0:26:59 | 0:27:02 | |
Our eyes met across a smoke-filled chippy. | 0:27:02 | 0:27:05 | |
He looked at me with his one good eye | 0:27:05 | 0:27:07 | |
and he winked. Or it could have been a blink. Could have been either. | 0:27:07 | 0:27:11 | |
We glided towards each other, across the floor. | 0:27:11 | 0:27:14 | |
It were like Torvill and Dean, on t'dripping. | 0:27:14 | 0:27:17 | |
He slipped and burnt his hand on me rissole. | 0:27:17 | 0:27:20 | |
I knew love would never be the same again. | 0:27:20 | 0:27:22 | |
-I told you not to marry him. -But I love him. | 0:27:22 | 0:27:25 | |
-I know you do, Betty. -Oi, you! | 0:27:25 | 0:27:28 | |
You horrible little monster! Get your hand off them curtains | 0:27:28 | 0:27:32 | |
or I'll drag you outside by the winkles | 0:27:32 | 0:27:34 | |
and put you by the bins with the rats! | 0:27:34 | 0:27:37 | |
Oh, love kids, me. | 0:27:40 | 0:27:42 | |
Cheeky little monkeys! | 0:27:42 | 0:27:44 | |
Eh-up, here they come, the great unwashed. | 0:27:44 | 0:27:47 | |
Oh, me lippy! Check me lippy, love! | 0:27:47 | 0:27:49 | |
Yeah, you have missed a bit there. | 0:27:49 | 0:27:51 | |
Very discreet. | 0:27:51 | 0:27:54 | |
Thanks, Betty, love. | 0:27:54 | 0:27:55 | |
Choc-ice! Lollies! Handbags! | 0:27:57 | 0:28:01 | |
Where is Dom when I need him? Dom? Dom? | 0:28:08 | 0:28:11 | |
Ah, there you are. | 0:28:11 | 0:28:12 | |
Jeez, what is that on your arm? | 0:28:12 | 0:28:15 | |
Dom? Dom? | 0:28:15 | 0:28:17 | |
Dom? Dom? | 0:28:17 | 0:28:20 | |
-Dom? -Dom? Dom? | 0:28:20 | 0:28:25 | |
You are absolutely hilarious. | 0:28:25 | 0:28:27 | |
I must tell you, last night, I had the most fantastic dream. | 0:28:29 | 0:28:33 | |
Go on. | 0:28:33 | 0:28:34 | |
I dreamt I met the man of my dreams. | 0:28:34 | 0:28:38 | |
Well, I mean, thing is, technically, you were dreaming, | 0:28:38 | 0:28:41 | |
-so any man that was in your dreams is going to be the man... -Shut up. | 0:28:41 | 0:28:44 | |
Go on, what was he like? | 0:28:44 | 0:28:46 | |
Well, he wasn't tall. | 0:28:46 | 0:28:49 | |
But he was very cute. | 0:28:49 | 0:28:51 | |
Cute? I'll take that one. | 0:28:51 | 0:28:53 | |
-He was a brilliant presenter. -Brilliant presenter? I bet he was. | 0:28:53 | 0:28:57 | |
He was part of an award-winning double act. | 0:28:57 | 0:29:00 | |
Double Bafta award-winning. | 0:29:00 | 0:29:02 | |
-What was his name? -Oh, I can't. It's just too embarrassing. | 0:29:02 | 0:29:06 | |
Oh, go on, Tracy-Ann, you can tell me. What's his name? | 0:29:06 | 0:29:10 | |
Well, it was... Dick. | 0:29:10 | 0:29:12 | |
What?! | 0:29:12 | 0:29:14 | |
-I... I was hoping that you could, like, introduce us? -No. | 0:29:14 | 0:29:18 | |
No. NO-O-O-O! | 0:29:18 | 0:29:23 | |
You can't have him! | 0:29:23 | 0:29:25 | |
Look, you were dreaming. | 0:29:25 | 0:29:27 | |
Yes. Yes, I was, wasn't I? | 0:29:27 | 0:29:30 | |
Look, where have you been, and what is that on your arm? | 0:29:30 | 0:29:34 | |
Oh, this? Oh... | 0:29:34 | 0:29:36 | |
I thought seeing as we're skint, I'd get a job down the farm. | 0:29:36 | 0:29:39 | |
-Doing what? -You don't want to know. | 0:29:39 | 0:29:42 | |
Anyway, I've got an idea about the bills. | 0:29:42 | 0:29:45 | |
I've just remembered, my Uncle Monty is a multi-billionaire. | 0:29:45 | 0:29:49 | |
I'll give him a call and he will pay all the bills off | 0:29:49 | 0:29:52 | |
-without even blinking. -Brilliant idea. | 0:29:52 | 0:29:54 | |
Hello? Hello? | 0:29:54 | 0:29:58 | |
Hello? Hello? | 0:29:58 | 0:30:00 | |
-Oh, I don't believe it! -Good news? -No, they've cut all the phones off. | 0:30:00 | 0:30:05 | |
-Bad news. -Yeah. | 0:30:05 | 0:30:06 | |
'Will all patrons please return to their seats. | 0:30:06 | 0:30:11 | |
'Part two of today's show is about to commence.' | 0:30:11 | 0:30:14 | |
Come on, it's time to start part two. | 0:30:14 | 0:30:16 | |
Now then, ladies and gentlemen, do we have a treat for you! | 0:30:24 | 0:30:27 | |
What are you asking them for? Read your script. | 0:30:27 | 0:30:30 | |
Yes, yes. Very good. | 0:30:30 | 0:30:31 | |
Ah, yes, excellent. It turns out | 0:30:35 | 0:30:37 | |
we have got a treat for you, which must come as quite a relief. | 0:30:37 | 0:30:40 | |
Yes, and what a treat it is. After all, who doesn't love a cowboy? | 0:30:40 | 0:30:44 | |
-Native Americans? -Good point. | 0:30:44 | 0:30:48 | |
Way to kill the mood. | 0:30:50 | 0:30:52 | |
-Sorry. -Ladies and gentlemen, please welcome the Rootin' Tootin' Cowboys. | 0:30:52 | 0:30:56 | |
-Say there, Bud. -What's that there, Bud? | 0:31:04 | 0:31:07 | |
Sure does get rootin' tootin', cotton pickin' lonesome out here | 0:31:07 | 0:31:12 | |
on the plain. | 0:31:12 | 0:31:14 | |
Sure does get rootin' tootin', cotton pickin', high-falutin, | 0:31:14 | 0:31:19 | |
gut bustin' lonesome out here on the plain. | 0:31:19 | 0:31:23 | |
Sure does. Say, why don't you play us a rootin' tootin', | 0:31:23 | 0:31:26 | |
cotton pickin', high-falutin, foot tappin', upliftin', smile-inducin' | 0:31:26 | 0:31:33 | |
cowboy song on the guitar there, just to lift our spirits? | 0:31:33 | 0:31:38 | |
Well, being as you put it like that, I will! Yee-ha! | 0:31:38 | 0:31:44 | |
# Woah, woah! | 0:31:48 | 0:31:53 | |
# Woah-oh! | 0:31:53 | 0:31:55 | |
# Woah-oh! | 0:31:55 | 0:32:00 | |
# You say you love me... # | 0:32:00 | 0:32:02 | |
Woah! Woah! Woah! Hold it, hold it! | 0:32:02 | 0:32:07 | |
-What's that there, Bud? -What in the name of Jim Jam Johnny's | 0:32:07 | 0:32:12 | |
underpants was that rootin' tootin', cotton pickin', | 0:32:12 | 0:32:17 | |
high-falutin, ear-bustin', high pitchin', girly-soundin' | 0:32:17 | 0:32:21 | |
tune you just played on the guitar? Boy, that ain't no cowboy music. | 0:32:21 | 0:32:29 | |
Well, that there's a tune I done picked up from a friend of mine, | 0:32:29 | 0:32:34 | |
a fella who rides by the name of Justin Bieber. | 0:32:34 | 0:32:40 | |
-Justin Bieber? -The very same. | 0:32:42 | 0:32:46 | |
-The swoopy haired teenage pop sensation? -That's the fella. | 0:32:46 | 0:32:51 | |
He's a close personal friend of yours? | 0:32:51 | 0:32:53 | |
He sure is the King of the Pops. | 0:32:53 | 0:32:54 | |
Well, it's only my opinion, but I think there's only two kinds | 0:32:54 | 0:32:59 | |
of music, and that's country and western. | 0:32:59 | 0:33:02 | |
And that weren't country nor western, so I don't like it. | 0:33:02 | 0:33:05 | |
Well, how would you describe, then, country and western? | 0:33:05 | 0:33:11 | |
Country and western music, how would I describe it? Easy. Here goes. | 0:33:11 | 0:33:16 | |
Country and western music, in my opinion, is rootin' tootin', | 0:33:16 | 0:33:20 | |
cotton pickin', high-falutin, foot-tappin', square dancin', | 0:33:20 | 0:33:24 | |
do-si-do-in', thigh-slappin', heel-clickin', | 0:33:24 | 0:33:29 | |
cattle rustlin', rodeo ridin', hoedown-in', Johnny Cash-in', | 0:33:29 | 0:33:35 | |
clip clipitty clop of a horsey-in', mountain roamin', cattle herdin', | 0:33:35 | 0:33:43 | |
Stetson stonkin', fireside fartin', | 0:33:43 | 0:33:48 | |
slide guitarin', finger pickin', spittoon ringin'... | 0:33:48 | 0:33:53 | |
DING! ..ding-dingin' kind of sound | 0:33:54 | 0:33:56 | |
that I like. Yee-ha! | 0:33:56 | 0:34:00 | |
That's the only kind of music a cowboy should be listening to. | 0:34:00 | 0:34:04 | |
What do you have to say about that? | 0:34:04 | 0:34:06 | |
Well, that sure is a mighty fine | 0:34:06 | 0:34:09 | |
-string of adjectives you done strung together. -Well, thank you very much. | 0:34:09 | 0:34:13 | |
-Complete with sound effects and all. -Liked that sound effect, did you? | 0:34:13 | 0:34:17 | |
-I sure do. -Why don't you give it a try? -May I? | 0:34:17 | 0:34:22 | |
You can try. | 0:34:22 | 0:34:24 | |
-Give it a go, see what happens. -Well, I will. | 0:34:24 | 0:34:26 | |
Not as easy as it looks, is it? | 0:34:30 | 0:34:32 | |
No. | 0:34:32 | 0:34:34 | |
-Well, getting back to Justin Bieber. -Yup? | 0:34:34 | 0:34:38 | |
-I would describe... -DING! | 0:34:38 | 0:34:40 | |
I would describe Justin Bieber | 0:34:40 | 0:34:44 | |
as one rootin' tootin', cotton pickin', high-falutin, | 0:34:44 | 0:34:48 | |
internet stormin', Baby Baby-in', First Love bemoanin', | 0:34:48 | 0:34:54 | |
Usher impressin', house wreckin', Ludakris-featurin', | 0:34:54 | 0:34:59 | |
one time, one time, one time-in', never say never sayin', | 0:34:59 | 0:35:04 | |
Karate Kid theme tune singin', instrumentalisin', slick dancin', | 0:35:04 | 0:35:09 | |
groovin', movin', eenie meenie minie mo-in', mini-golf aggressin', | 0:35:09 | 0:35:16 | |
anti-bully campaignin', concert cancellin', platinum-sellin', | 0:35:16 | 0:35:21 | |
memoir publishin', First Step To Forever-isin', R'n'B wobblin', | 0:35:21 | 0:35:27 | |
X Factor dazzlin', Cheryl Cole courtin', teenage King of the Pops. | 0:35:27 | 0:35:33 | |
Thank you very much. | 0:35:33 | 0:35:35 | |
Well, Sam, diggity-doo dong day do! | 0:35:37 | 0:35:40 | |
Seeing as how you describe him | 0:35:40 | 0:35:42 | |
like that, I might just be coming round to the freaky little fella. | 0:35:42 | 0:35:46 | |
-Play on, Bud, play on. -I will! | 0:35:46 | 0:35:49 | |
# Oh, woah! | 0:35:49 | 0:35:52 | |
-# You say you want me -You say you want me | 0:35:52 | 0:35:55 | |
-# You know you care -You know you care... -Yee-ha! | 0:35:55 | 0:35:58 | |
Justin Bieber, who'd have thunk it? | 0:35:58 | 0:36:01 | |
What is going on? I mean, I'm absolutely freezing, | 0:36:11 | 0:36:14 | |
the water doesn't work in my room and what is that on your hand? | 0:36:14 | 0:36:18 | |
-He got himself a part-time job. -Doing what? -You don't want to know. | 0:36:18 | 0:36:23 | |
I tried to turn the shower on in my room. | 0:36:23 | 0:36:26 | |
The water didn't come out. Is there a problem? | 0:36:26 | 0:36:28 | |
-Oh, no, they've turned the water off as well. -What? | 0:36:28 | 0:36:31 | |
-Nothing. It's, um, an eco thing. -What? | 0:36:31 | 0:36:35 | |
Our way of doing our bit for the environment by not having | 0:36:35 | 0:36:38 | |
any heating or hot water throughout the day. | 0:36:38 | 0:36:41 | |
But you're practically freezing to death. | 0:36:41 | 0:36:43 | |
And going by your odour, Dom, you haven't washed in days. | 0:36:43 | 0:36:46 | |
-Oh, no, that's his aftershave. -It's not! We're both filthy and frozen. | 0:36:46 | 0:36:50 | |
But now, we have got a smaller carbon footprint. | 0:36:50 | 0:36:55 | |
Somewhere... in the distant forest... | 0:36:55 | 0:36:58 | |
a tiny baby panda bear is sitting in a tree saying, | 0:36:58 | 0:37:02 | |
"Thanks, Dick and Dom, your selfless behaviour has really saved my bacon." | 0:37:02 | 0:37:07 | |
-Bamboo. They don't eat bacon. -Bamboo. | 0:37:10 | 0:37:16 | |
We're just doing our bit, Tracy. | 0:37:16 | 0:37:18 | |
Do we really need the heating on when several thermal layers | 0:37:18 | 0:37:21 | |
and 90 pairs of socks will suffice? | 0:37:21 | 0:37:24 | |
Do we really need another hot shower? | 0:37:24 | 0:37:26 | |
Can we not just live without a little luxury for the sake | 0:37:26 | 0:37:30 | |
of the baby panda bears?! | 0:37:30 | 0:37:33 | |
No, I suppose we can. | 0:37:33 | 0:37:34 | |
Do you know, caring for the environment | 0:37:34 | 0:37:37 | |
-is an incredibly attractive quality in a man. -It is? | 0:37:37 | 0:37:41 | |
Oh, just a shame about the smell. | 0:37:41 | 0:37:44 | |
-I'm going to be in my dressing room. -Yes. OK. | 0:37:44 | 0:37:47 | |
Good work, little fella. I suppose we are doing our bit | 0:37:50 | 0:37:52 | |
-for the environment after all. -Yes. | 0:37:52 | 0:37:54 | |
And we'll be doing our bit for street theatre | 0:37:54 | 0:37:57 | |
if we don't pay any bills in the next 15 minutes. | 0:37:57 | 0:37:59 | |
Oh, yes. This is almost as bad as that time | 0:37:59 | 0:38:01 | |
we bought that television that randomly turns itself on. | 0:38:01 | 0:38:05 | |
There it goes again, look. | 0:38:05 | 0:38:06 | |
Oh, what lovely thick hair you've got. | 0:38:06 | 0:38:10 | |
-Thank you. -It's in such good condition. -Thank you, thank you. | 0:38:10 | 0:38:15 | |
That feels good, yeah. | 0:38:15 | 0:38:17 | |
It's so thick and plush and lustrous and silky. Runs through your fingers. | 0:38:17 | 0:38:23 | |
No knots. It's fierce. I tell you what, there's hardly any point | 0:38:23 | 0:38:27 | |
-in conditioning it, but I'm going to. -Oh, thank you. You go on, do. | 0:38:27 | 0:38:31 | |
-It's like a well groomed Afghan hound. -Am I worth it? | 0:38:31 | 0:38:33 | |
You're definitely worth it. | 0:38:33 | 0:38:35 | |
I tell you what, it's like a forest. A meadow in the height of spring. | 0:38:35 | 0:38:40 | |
A deep forest of kelp, all wavy in the ocean swirl. | 0:38:40 | 0:38:44 | |
What are you going to have done | 0:38:44 | 0:38:46 | |
to this thick and lustrous head of hair today? | 0:38:46 | 0:38:49 | |
Well, I'm thinking of having it cut in, just to add a bit of volume. | 0:38:49 | 0:38:53 | |
-Yeah. -And then layered. | 0:38:53 | 0:38:56 | |
And maybe feathered. | 0:38:56 | 0:38:58 | |
Oh, well, that's you done. | 0:38:58 | 0:39:00 | |
-There you go. -Thank you, thank you. | 0:39:00 | 0:39:04 | |
Oh, what a lovely thick head of hair you've got. | 0:39:04 | 0:39:08 | |
So thick and full of body. | 0:39:08 | 0:39:10 | |
It's like a lamb's fleece, right in the spring, | 0:39:10 | 0:39:13 | |
just towards the end of autumn, when it's at its most fluffy. | 0:39:13 | 0:39:16 | |
It's like a lion's mane. | 0:39:16 | 0:39:18 | |
I've never seen or felt such thick and rich and voluminous... | 0:39:18 | 0:39:23 | |
PHONE RINGING | 0:39:23 | 0:39:26 | |
Hello, Baldilocks, hairdressers for the bald? | 0:39:26 | 0:39:29 | |
Nicky, Terry Wogan for Wednesday? | 0:39:29 | 0:39:31 | |
Now then, settle down. | 0:39:38 | 0:39:40 | |
As you know, this is one of the most difficult badges to get. | 0:39:40 | 0:39:44 | |
So, on to the all-important taste test. | 0:39:44 | 0:39:47 | |
Good luck, Hawkins. | 0:39:47 | 0:39:49 | |
Oh, dear, Hawkins. | 0:39:52 | 0:39:54 | |
A little on the weak side. | 0:39:54 | 0:39:58 | |
-Oh. -I'm afraid I'm going to have to hold back | 0:39:58 | 0:40:01 | |
-your "making my tea" badge. -Oh! | 0:40:01 | 0:40:04 | |
It's not so bad, Hawkins. | 0:40:04 | 0:40:06 | |
You've got your "making me a coffee" badge. You're nearly there. | 0:40:06 | 0:40:10 | |
But am I? Surely this is enough badges to become a Scout? | 0:40:10 | 0:40:13 | |
I am 40 after all, sir. I was talking to my wife recently, and... | 0:40:13 | 0:40:17 | |
A boy of your age, Hawkins, has no need for a wife. | 0:40:17 | 0:40:21 | |
She thinks I'll never become a Scout. | 0:40:21 | 0:40:23 | |
You can't leave the Cubs. You haven't got your raft-building badge. | 0:40:23 | 0:40:26 | |
You mean that raft I built for you, that's moored in San Tropez, sir? | 0:40:26 | 0:40:30 | |
What about your music badge? You can't leave without your music badge. | 0:40:30 | 0:40:34 | |
Remember, I recorded you that album that went double platinum. | 0:40:34 | 0:40:37 | |
Anyway, it's not just that. | 0:40:37 | 0:40:39 | |
My wife, she says I'm easily led. | 0:40:39 | 0:40:41 | |
-Follow me. -Yes, sir. | 0:40:41 | 0:40:43 | |
What about your temporary shelter building badge? | 0:40:45 | 0:40:48 | |
You can't leave the Cub Scouts without that, Hawkins. | 0:40:48 | 0:40:51 | |
Yes, you live in it now, sir. It's your house. | 0:40:51 | 0:40:55 | |
-Yes. -Don't you remember, just after that, | 0:40:55 | 0:40:57 | |
I got my building your conservatory badge, sir? | 0:40:57 | 0:40:59 | |
And your rocket science badge, Hawkins. | 0:40:59 | 0:41:02 | |
-You can't leave the Cubs without that. -Yes, sir. | 0:41:02 | 0:41:05 | |
Cripes, Hawkins! | 0:41:05 | 0:41:08 | |
You said if I got my rocket science badge, sir, then | 0:41:08 | 0:41:11 | |
maybe I could forgo some of the other badges, like tea-making, sir. | 0:41:11 | 0:41:14 | |
Yes, yes. Well. | 0:41:14 | 0:41:16 | |
Seems there's only one thing for it. To award you your one final badge, | 0:41:16 | 0:41:20 | |
-rocket science. -Oh, thank you, Akela! | 0:41:20 | 0:41:23 | |
Once we see that this rocket of yours, or should I say mine, works. | 0:41:23 | 0:41:26 | |
Oh, it will, sir. | 0:41:26 | 0:41:28 | |
What I want you to do, Hawkins, is fly to the moon of Pandora, | 0:41:28 | 0:41:31 | |
out in the Alpha Centauri system. | 0:41:31 | 0:41:34 | |
There, I want you to set up an unobtainium mine. | 0:41:34 | 0:41:37 | |
Make sure the mine legally belongs to me. | 0:41:37 | 0:41:39 | |
Then, when you return to Earth, and I rule the universe, Hawkins, | 0:41:39 | 0:41:43 | |
then and only then, you shall have your final badge. | 0:41:43 | 0:41:47 | |
-But, sir... -You do want your rocket science badge, don't you, Hawkins? | 0:41:47 | 0:41:53 | |
-Yes, sir. -I thought so. | 0:41:53 | 0:41:55 | |
Off you pop then, Hawkins. | 0:41:55 | 0:41:57 | |
Go on, boy. | 0:41:58 | 0:42:00 | |
Good boy. | 0:42:04 | 0:42:05 | |
Dick, Dom, what's going on? | 0:42:19 | 0:42:23 | |
They're not even here. Is there a problem? | 0:42:23 | 0:42:27 | |
What is this? | 0:42:27 | 0:42:29 | |
It says, "Dear Dick and Dom, we'll cut off all your phones, water, | 0:42:29 | 0:42:34 | |
"heating and electricity and stuff and evict you, | 0:42:34 | 0:42:37 | |
"if you do not pay us all the money you owe in the next 60 minutes. | 0:42:37 | 0:42:41 | |
"Yours sincerely, etc, etc." | 0:42:41 | 0:42:44 | |
No, I'm sorry, I don't care, it'll make a rubbish film. | 0:42:44 | 0:42:47 | |
Look, it'll be great. A giant prawn attacks Blackpool Tower | 0:42:47 | 0:42:51 | |
with a six-foot cotton bud. It'll be a big hit | 0:42:51 | 0:42:53 | |
and we'll get the money to pay the bills. | 0:42:53 | 0:42:55 | |
Oh, hi, Tracy. | 0:42:55 | 0:42:56 | |
Just getting some props together for the end of the show, you know. | 0:42:56 | 0:43:00 | |
It's going to be a great film. | 0:43:00 | 0:43:03 | |
It's called The Prawn Identity. | 0:43:03 | 0:43:06 | |
How dare you let all these wonderful acts on your show when you know | 0:43:08 | 0:43:11 | |
that you can't even afford to pay them? | 0:43:11 | 0:43:14 | |
No, no, no. That's not true... | 0:43:14 | 0:43:15 | |
ALL TALK OVER ONE ANOTHER | 0:43:15 | 0:43:18 | |
SHOUTS: Will you just shut up? | 0:43:20 | 0:43:22 | |
We're trying to find a way of paying you, OK? | 0:43:22 | 0:43:27 | |
Now get out. | 0:43:27 | 0:43:28 | |
THEY MUTTER | 0:43:28 | 0:43:30 | |
-It's terrible. -Calm down, Princess. | 0:43:31 | 0:43:34 | |
And you, Dom. Yes, you. I'm really disappointed in you. | 0:43:34 | 0:43:38 | |
All that caring talk about the environment. | 0:43:38 | 0:43:41 | |
I was actually starting to find you quite enticing. | 0:43:41 | 0:43:44 | |
-Really? -No. But I was really looking forward to doing | 0:43:44 | 0:43:47 | |
the finale, whereas now, I'm leaving. | 0:43:47 | 0:43:50 | |
BOTH GASP | 0:43:50 | 0:43:51 | |
Tracy-Ann Oberman! | 0:43:51 | 0:43:52 | |
Kelly-Ann! oh, is it you? | 0:43:52 | 0:43:56 | |
OMG! My BFF! | 0:43:56 | 0:43:58 | |
I thought you were on Broadway. | 0:43:58 | 0:44:00 | |
-I'm not. -So I see. -So I see. | 0:44:00 | 0:44:02 | |
BOTH SQUEAL | 0:44:02 | 0:44:03 | |
Wait, hold on. Do you know each other? | 0:44:03 | 0:44:06 | |
Uh... Duh! | 0:44:06 | 0:44:07 | |
Does this mean you'll be in this week's finale? That is so exciting. | 0:44:07 | 0:44:11 | |
No, Kelly-Ann, I'm afraid I'm going to be leaving. | 0:44:11 | 0:44:14 | |
You'll be doing the finale on your own. | 0:44:14 | 0:44:16 | |
DOORBELL RINGS | 0:44:16 | 0:44:18 | |
It's more bad news, I'm afraid. | 0:44:27 | 0:44:29 | |
There's not going to be a finale. | 0:44:29 | 0:44:31 | |
"Free bottle of cola with every large pizza." That's not bad! | 0:44:31 | 0:44:35 | |
Not that! This. | 0:44:35 | 0:44:37 | |
"You are evicted. Get out now." Oh, yeah, that is bad news. | 0:44:37 | 0:44:41 | |
What's that? But don't tell me, because I already know. | 0:44:41 | 0:44:43 | |
It is Le Grand Tower by little-known sculptor and eater of terrible things | 0:44:43 | 0:44:48 | |
other people in Europe would never eat, Frenchman, Patrice Latisse. | 0:44:48 | 0:44:52 | |
I'll tell you what, you can have it. Let's go. | 0:44:52 | 0:44:54 | |
No, I couldn't accept such a gift. It's worth a fortune. | 0:44:54 | 0:44:57 | |
I want to accept it, | 0:44:57 | 0:44:58 | |
more than I wanted to eat a fourth bowl of trifle this morning - | 0:44:58 | 0:45:01 | |
I wanted it so badly I had to slam my tongue in the fridge door | 0:45:01 | 0:45:05 | |
until it went numb so I couldn't taste that delicious cream... | 0:45:05 | 0:45:08 | |
Hold on a minute. Did you say all this lot's worth a fortune? | 0:45:08 | 0:45:11 | |
Oh, sure. But not as much as that antique stag head | 0:45:11 | 0:45:15 | |
I saw you with and that giant cotton bud by Damien Hirst. | 0:45:15 | 0:45:18 | |
You guys have so much nice stuff. | 0:45:18 | 0:45:19 | |
-But how much is it worth? -Well, let me see. | 0:45:19 | 0:45:24 | |
14,000, plus 51, plus 40, carry my one and that equals... | 0:45:24 | 0:45:30 | |
-We're saved. -If only the people in the banks accepted all these | 0:45:30 | 0:45:33 | |
-props as currency. -What? | 0:45:33 | 0:45:36 | |
-No. We sell the stuff, then pay the banks. -Oh, yes, we're saved! | 0:45:36 | 0:45:39 | |
Well, Dom. It looks like you've landed on your feet. | 0:45:39 | 0:45:43 | |
How about you sweeping me off mine? | 0:45:43 | 0:45:46 | |
I'd love to but it's time for this week's finale. | 0:45:46 | 0:45:49 | |
But what is this week's finale? | 0:45:49 | 0:45:51 | |
We don't know. | 0:45:51 | 0:45:52 | |
Come on, everyone out, come on, let's go. | 0:45:52 | 0:45:55 | |
Right, you stupid prawn. | 0:45:55 | 0:45:57 | |
Through here. | 0:45:57 | 0:45:59 | |
CHEERING AND APPLAUSE | 0:46:01 | 0:46:05 | |
-Thank you. -Thank you very much. Well, my old friend, | 0:46:05 | 0:46:08 | |
I think it's time to draw the curtain on another fantastic show. | 0:46:08 | 0:46:12 | |
-It's already drawn, so what's the point? -OK. | 0:46:12 | 0:46:14 | |
It's time to watch another show sail into the showbiz sunset. | 0:46:14 | 0:46:17 | |
I'm not doing the cruise ships again. | 0:46:17 | 0:46:19 | |
-You know what happened last time. -OK. | 0:46:19 | 0:46:22 | |
It's the end of the show. I'm trying to be professional! | 0:46:22 | 0:46:25 | |
In that case, can you please put your hands together | 0:46:25 | 0:46:28 | |
and repeat the process, as we welcome back | 0:46:28 | 0:46:30 | |
this week's special guest star, | 0:46:30 | 0:46:32 | |
showbusiness' very own Tracy-Ann Oberman. | 0:46:32 | 0:46:35 | |
CHEERING AND APPLAUSE | 0:46:35 | 0:46:37 | |
Oi! | 0:46:37 | 0:46:39 | |
Oh, she's over there. Tracy, thank you very much. | 0:46:39 | 0:46:42 | |
It's an honour to have you here. | 0:46:42 | 0:46:44 | |
It's a pleasure to be here. Thank you. | 0:46:44 | 0:46:47 | |
Lovely. You're in two of my favourite TV programmes - | 0:46:47 | 0:46:49 | |
Doctor Who, EastEnders. Do you pick these shows | 0:46:49 | 0:46:52 | |
-because the theme tunes are cool? -What? -What? | 0:46:52 | 0:46:54 | |
You know, Doctor Who and EastEnders, both great theme tunes. | 0:46:54 | 0:46:58 | |
Doctor Who goes... | 0:46:58 | 0:46:59 | |
-# Squiddly-do, squiddly-do... # -Ooh, eeh-ooh! # | 0:46:59 | 0:47:03 | |
-Stop! -And EastEnders is... # Ra-da da-da da-da da-da... # | 0:47:03 | 0:47:07 | |
I think you're doing the wrong theme. | 0:47:07 | 0:47:09 | |
That's I'm A Celebrity, Get Me Out Of Here. | 0:47:09 | 0:47:11 | |
Were you in that? I think I remember. Christopher Biggins. | 0:47:11 | 0:47:16 | |
No, the other one! Who ate the kangaroo's...you know... | 0:47:16 | 0:47:20 | |
No, I mean the theme tune. I mean you're doing the wrong theme tune. | 0:47:20 | 0:47:24 | |
The theme to I'm A Celebrity goes... | 0:47:24 | 0:47:26 | |
# Duh-da-duh... # | 0:47:26 | 0:47:27 | |
-Doesn't it? -Oh, yeah. -Whereas EastEnders goes... | 0:47:27 | 0:47:31 | |
# Doof, doof, doof Da-da-da-da doof... # | 0:47:31 | 0:47:33 | |
-Yeah! -Is there no end to her talents? | 0:47:33 | 0:47:36 | |
-Fantastic. -I get it now. It's very complicated. | 0:47:36 | 0:47:38 | |
There is no end to your talents, Tracy-Ann Oberman, but... | 0:47:38 | 0:47:42 | |
we'll find out more because the show must go on. | 0:47:42 | 0:47:45 | |
Fine by me. What's the plan? | 0:47:45 | 0:47:46 | |
Good job you asked. There is no plan. | 0:47:46 | 0:47:49 | |
It's all made up. Better still, it's all about you. | 0:47:49 | 0:47:52 | |
Yeah, so please give a huge Tracy-Ann Oberman-shaped welcome | 0:47:52 | 0:47:55 | |
to our house band, straight out of Dublin. It's Abandoman. | 0:47:55 | 0:47:59 | |
Hello! Hello, hello. | 0:48:02 | 0:48:04 | |
Yes, this is improvisational rap extraordinaires Abandoman. | 0:48:04 | 0:48:07 | |
We have James on the guitar and this is Rob on the mic. | 0:48:07 | 0:48:10 | |
When you give them words, subjects or phrases, they'll magically | 0:48:10 | 0:48:13 | |
-include them in their rap. -Yeah, it's great. | 0:48:13 | 0:48:16 | |
-Tracy-Ann, today's big finale rap is all about you. -Wow! | 0:48:16 | 0:48:21 | |
-What do we do first? -We're going to ask Tracy-Ann a simple question. | 0:48:21 | 0:48:26 | |
Tracy-Ann, you starred in MI High, a brilliant show about spies. | 0:48:26 | 0:48:30 | |
In the show there is a character called Frank London. | 0:48:30 | 0:48:33 | |
He was known for making inventions like the Enormosizer, | 0:48:33 | 0:48:36 | |
which made things huge. | 0:48:36 | 0:48:38 | |
What I'd like you to do is to tell us, if you were to create | 0:48:38 | 0:48:41 | |
an invention, what would it be? | 0:48:41 | 0:48:43 | |
Something ridiculous. Something like a hat that allows you | 0:48:43 | 0:48:47 | |
to read people's thoughts. | 0:48:47 | 0:48:48 | |
Or rockets on your shoes to allow yourself to propel | 0:48:48 | 0:48:51 | |
through the city. What would you create? | 0:48:51 | 0:48:53 | |
I would create a mirror so that when you looked into it, you would have a | 0:48:53 | 0:48:57 | |
-complete makeover, exactly as you imagined in your head. -Excellent. | 0:48:57 | 0:49:01 | |
OK, do we like this suggestion? | 0:49:01 | 0:49:04 | |
CHEERING | 0:49:04 | 0:49:06 | |
OK, very nice. A makeover so you could look like anything. | 0:49:06 | 0:49:09 | |
Frankenstein, like a vampire, like a celebrity that you like. | 0:49:09 | 0:49:12 | |
Absolutely brilliant. | 0:49:12 | 0:49:14 | |
We're going to use this for our song, but before we do, | 0:49:14 | 0:49:17 | |
we're going to ask you, the lovely people here, for some words | 0:49:17 | 0:49:20 | |
that we have to use in this song. | 0:49:20 | 0:49:24 | |
Dick is going to wander up here and collect words from you. | 0:49:24 | 0:49:28 | |
If you have got a word - not a short word like cat - a long word | 0:49:28 | 0:49:31 | |
like encyclopaedia or antelope. | 0:49:31 | 0:49:33 | |
If you've got a word, put your hand in the air. Lovely. | 0:49:33 | 0:49:35 | |
OK, let's get the first word, and Tracy-Ann is going to write it down. | 0:49:35 | 0:49:41 | |
-Go ahead. -Stand up. | 0:49:41 | 0:49:42 | |
-What's your name? -Jake. -And what's your word? | 0:49:43 | 0:49:46 | |
-Anti-disestablishmentarianism. -Anti-disestablishmentarianism. | 0:49:46 | 0:49:51 | |
Jake, may I say that is the greatest word we have ever had. | 0:49:51 | 0:49:54 | |
Give Jake a round of applause. | 0:49:54 | 0:49:56 | |
-Who, may I ask, are you? -Ian. -What's your word? -Cosmetic. | 0:50:00 | 0:50:03 | |
Cosmetic, brilliant, lovely. Let's get another. | 0:50:03 | 0:50:06 | |
You, stand up. What's your name? | 0:50:07 | 0:50:09 | |
-David. -David. What's your word? -Milk. -Milk. | 0:50:09 | 0:50:13 | |
Well done, David. One more and then we'll get a few more questions. | 0:50:13 | 0:50:18 | |
Specific questions. | 0:50:18 | 0:50:20 | |
We'll go here. You'll do. You look good. What's your name? | 0:50:20 | 0:50:22 | |
-Aiden. -What's your word? | 0:50:22 | 0:50:24 | |
-Monkey. -Monkey, brilliant. | 0:50:24 | 0:50:26 | |
We've got some random words. Brilliant. | 0:50:26 | 0:50:28 | |
Now we'll get some words that are specific to the wonderful Tracy-Ann. | 0:50:28 | 0:50:32 | |
Tracy-Ann starred in Doctor Who | 0:50:32 | 0:50:33 | |
about a man who travels through time. | 0:50:33 | 0:50:35 | |
If you were to travel into the past, | 0:50:35 | 0:50:37 | |
who's someone you'd like to meet, like Cleopatra or Julius Caesar? | 0:50:37 | 0:50:41 | |
What's your word, what's your famous character? | 0:50:41 | 0:50:43 | |
-Anne Boleyn. -Anne Boleyn, absolutely beautiful. | 0:50:43 | 0:50:46 | |
Now, Tracy-Ann also starred in MI High, a show about spies. | 0:50:46 | 0:50:50 | |
If you've got an idea of something a spy would bring with them | 0:50:50 | 0:50:54 | |
when they go on holidays, put your hand in the air and tell us. | 0:50:54 | 0:50:56 | |
-What's your name? -Matthew. | 0:50:56 | 0:50:58 | |
-Something a spy would bring with them? -A penknife. | 0:50:58 | 0:51:02 | |
Absolutely brilliant. Last one. | 0:51:02 | 0:51:04 | |
Tracy-Ann starred in EastEnders, a show that was set in the East End | 0:51:04 | 0:51:08 | |
of London. Where is somewhere unusual to have a soap opera? | 0:51:08 | 0:51:11 | |
Somewhere like a spaceship, or a badger's burrow, or a hat. | 0:51:11 | 0:51:16 | |
I like your top at the back. Stand up. Lovely. | 0:51:16 | 0:51:18 | |
-Zebra. What's your name? -Lucy. | 0:51:18 | 0:51:20 | |
-Somewhere unusual for a soap opera? -A field. | 0:51:22 | 0:51:24 | |
Brilliant. Give Lucy a round of applause. | 0:51:24 | 0:51:27 | |
CHEERING AND APPLAUSE | 0:51:27 | 0:51:29 | |
Now, may I say, you have been absolutely brilliant. | 0:51:29 | 0:51:32 | |
However, there is one bonus question. | 0:51:32 | 0:51:34 | |
Tracy-Ann, you will answer this. Only you can answer this. | 0:51:34 | 0:51:38 | |
We are not going to see it. It's on a special gold card. | 0:51:38 | 0:51:41 | |
Tracy-Ann, if you were to name your special makeover mirror, | 0:51:41 | 0:51:45 | |
what would it be called? She's going to write it down there. | 0:51:45 | 0:51:48 | |
Now, we're going to perform a song. | 0:51:48 | 0:51:50 | |
We have to use every one of your words. | 0:51:50 | 0:51:53 | |
When we use one of the words, you give us a cheer | 0:51:53 | 0:51:55 | |
like this. One, two, three... | 0:51:55 | 0:51:57 | |
CHEERING | 0:51:57 | 0:51:59 | |
Absolutely lovely. | 0:51:59 | 0:52:01 | |
-I think we are ready to do this song. -Not quite. Sorry, Rob. | 0:52:01 | 0:52:04 | |
We promised Kelly-Ann, the glamorous and ditsy daughter of the owner | 0:52:04 | 0:52:08 | |
owner of this establishment, a part in the finale. | 0:52:08 | 0:52:10 | |
-The more the merrier. -Lovely. Kelly-Ann. | 0:52:10 | 0:52:13 | |
CHEERING | 0:52:13 | 0:52:15 | |
-Kelly-Ann, are you musical? -I think so, but I'm not | 0:52:17 | 0:52:20 | |
entirely sure because... | 0:52:20 | 0:52:21 | |
We'll take that as a no. That's why we're giving you | 0:52:21 | 0:52:24 | |
something special to finish this week's show in your own special way. | 0:52:24 | 0:52:28 | |
Yes, absolutely. This week, your special musical instrument | 0:52:28 | 0:52:31 | |
-to play at the end of the show is... a cheap toy xylophone. -I love it. | 0:52:31 | 0:52:35 | |
Good. Of course. I'm going to be holding the whole thing | 0:52:35 | 0:52:38 | |
together in the rhythm section over there on my drum kit. | 0:52:38 | 0:52:42 | |
Very nice. Ladies and gentlemen, this is an improvised song. | 0:52:42 | 0:52:46 | |
We have to use the words that you have given us. | 0:52:46 | 0:52:48 | |
It is about the suggestion from the wonderful Tracy-Ann - | 0:52:48 | 0:52:51 | |
a mirror that when you look into it gives you any makeover | 0:52:51 | 0:52:54 | |
you would like. Ladies and gentlemen, can we get a whoop? | 0:52:54 | 0:52:58 | |
Can we get cheer? | 0:52:58 | 0:53:00 | |
CHEERING | 0:53:00 | 0:53:02 | |
Ladies and gentlemen, this is a song about the makeover mirror. | 0:53:02 | 0:53:05 | |
Please make some noise, make some noise. | 0:53:05 | 0:53:08 | |
Every word has to go in the rhyme. | 0:53:08 | 0:53:11 | |
Every word has to go in the rhyme. | 0:53:11 | 0:53:13 | |
# Magic mirror See reflections of your face | 0:53:13 | 0:53:19 | |
# Magic mirror You can watch it change | 0:53:22 | 0:53:28 | |
RAPS: # OK, OK, OK, listen now, here it goes | 0:53:28 | 0:53:32 | |
# You see, you put on the make-up, it's game over | 0:53:32 | 0:53:34 | |
# Everybody's saying, how do I get a makeover? | 0:53:34 | 0:53:37 | |
# How can my face possibly look better? | 0:53:37 | 0:53:40 | |
# What I'm saying is you need a magical mirror | 0:53:40 | 0:53:42 | |
# Listen, I'm saying that this is real | 0:53:42 | 0:53:45 | |
# You can buy it anywhere Even in a field... | 0:53:45 | 0:53:47 | |
CHEERING | 0:53:47 | 0:53:48 | |
# That's right, when you look in You will see | 0:53:48 | 0:53:50 | |
# Something that is Yep, a new beauty | 0:53:50 | 0:53:52 | |
# You know, I'm saying that would be so nice | 0:53:52 | 0:53:55 | |
# It'll be the opposite of using a penknife... | 0:53:55 | 0:53:57 | |
CHEERING | 0:53:57 | 0:53:58 | |
# It'll be better than that You know you will be famous | 0:53:58 | 0:54:01 | |
# Think of it It comes in make-up | 0:54:01 | 0:54:03 | |
# You know, listen Take it on the chin | 0:54:03 | 0:54:05 | |
# You look beautiful like, I don't know, Anne Boleyn... | 0:54:05 | 0:54:07 | |
CHEERING | 0:54:07 | 0:54:09 | |
# That's how we do That's what we see | 0:54:09 | 0:54:11 | |
# With this mirror You're going to get beauty | 0:54:11 | 0:54:13 | |
# I'm saying that you can look lovely | 0:54:13 | 0:54:14 | |
# It's Halloween Just think about it | 0:54:14 | 0:54:16 | |
-# You can become a monkey That's right... -CHEERING | 0:54:16 | 0:54:19 | |
# You're a bit of an imp but when you look into the mirror | 0:54:19 | 0:54:21 | |
# You're a bit of a chimp | 0:54:21 | 0:54:22 | |
# I'm saying with this that I'm skilled | 0:54:22 | 0:54:24 | |
# You can be something ridiculous like a carton of milk | 0:54:24 | 0:54:27 | |
CHEERING | 0:54:27 | 0:54:28 | |
# Anything you like Just think about it | 0:54:28 | 0:54:30 | |
# And you'll transform No doubt about it | 0:54:30 | 0:54:32 | |
# It's a mirror from Tracy-Ann You've got to get it | 0:54:32 | 0:54:34 | |
-# It does stuff with your face that is cosmetic -CHEERING | 0:54:34 | 0:54:38 | |
# That's how we play You know that it's crazy | 0:54:38 | 0:54:39 | |
# Sold every day, see, by Tracy | 0:54:39 | 0:54:42 | |
# You know, I'm saying, listen, it's a vision | 0:54:42 | 0:54:44 | |
# Of anti-disestablishmentarianism | 0:54:44 | 0:54:47 | |
CHEERING | 0:54:47 | 0:54:48 | |
# That's right, you know it's happened then | 0:54:48 | 0:54:50 | |
# It's anti-disestablishment | 0:54:50 | 0:54:52 | |
# I'm saying that it's going to be clean | 0:54:52 | 0:54:54 | |
# It's basically a mirror that's starting to Rage Against the Machine | 0:54:54 | 0:54:57 | |
# But I'm saying that's right This one will be better | 0:54:57 | 0:55:00 | |
# It's simply called Magi-your-mirror | 0:55:00 | 0:55:02 | |
# Magi-your-mirror | 0:55:02 | 0:55:04 | |
# Magi-your-mirror | 0:55:04 | 0:55:06 | |
# Oh, Magi-your-mirror | 0:55:06 | 0:55:08 | |
# Yes, it's called Magi-your-mirror | 0:55:08 | 0:55:11 | |
-# Magi-your-mirror -Everyone! | 0:55:11 | 0:55:13 | |
-# Magi-your-mirror -Sing it back! | 0:55:13 | 0:55:16 | |
# Magi-your-mirror | 0:55:16 | 0:55:18 | |
# It's called Magi-your-mirror. # | 0:55:18 | 0:55:20 | |
Yes! | 0:55:22 | 0:55:23 | |
Very nice. Ladies and gentlemen, will you please | 0:55:30 | 0:55:32 | |
put your hands together for James and Rob - they are Abandoman. | 0:55:32 | 0:55:36 | |
Fantastic. That's all the funny business | 0:55:36 | 0:55:39 | |
we've got time for, so please thank this week's amazing cast. | 0:55:39 | 0:55:42 | |
The Three Englishmen! | 0:55:42 | 0:55:44 | |
CHEERING AND APPLAUSE | 0:55:44 | 0:55:45 | |
Toby! | 0:55:47 | 0:55:48 | |
CHEERING AND APPLAUSE | 0:55:48 | 0:55:50 | |
The Rootin' Tootin' Cowboys! | 0:55:52 | 0:55:55 | |
CHEERING AND APPLAUSE | 0:55:55 | 0:55:57 | |
The fantastic and gorgeous and slightly ditzy Kelly-Ann Manhattan. | 0:55:58 | 0:56:02 | |
CHEERING AND APPLAUSE | 0:56:02 | 0:56:04 | |
And this week's special guest star, the amazing Tracy-Ann Oberman. | 0:56:04 | 0:56:09 | |
CHEERING AND APPLAUSE | 0:56:09 | 0:56:11 | |
-We've been Dick and Dom. -And this has been our Funny Business. | 0:56:11 | 0:56:15 | |
See you next time. Bye-bye. | 0:56:15 | 0:56:16 | |
Subtitles by Red Bee Media Ltd | 0:56:31 | 0:56:34 | |
E-mail [email protected] | 0:56:34 | 0:56:37 | |
How come it's still cold? | 0:56:38 | 0:56:39 | |
I turned the heating off, for the environment and all that. | 0:56:39 | 0:56:43 | |
Oh, yeah. What a great show, eh? | 0:56:43 | 0:56:47 | |
Oh, yes. We had the Three Englishmen, | 0:56:47 | 0:56:49 | |
the Rootin' Tootin' Cowboys, Toby in A Date With A Zombie. Brilliant. | 0:56:49 | 0:56:53 | |
Hey, Tracy-Ann Oberman has to be one of my favourite guests so far. | 0:56:53 | 0:56:56 | |
-You always say that. -Yeah, well. I think we did a good job, considering | 0:56:56 | 0:57:00 | |
-we nearly got shut down. -Yes. And look at the wonga we made | 0:57:00 | 0:57:03 | |
from that priceless junk I sold. | 0:57:03 | 0:57:04 | |
You can get that handbag you wanted. | 0:57:04 | 0:57:06 | |
What? Shut up! | 0:57:06 | 0:57:08 | |
Wait a minute. What's this? | 0:57:08 | 0:57:10 | |
Scented. | 0:57:12 | 0:57:13 | |
Smells of feet. | 0:57:13 | 0:57:14 | |
Oh. From Tracy-Ann Oberman. | 0:57:19 | 0:57:21 | |
Good news? | 0:57:21 | 0:57:22 | |
Dear Dick and Dom... | 0:57:22 | 0:57:25 | |
It's her bill! | 0:57:25 | 0:57:26 | |
BOTH: Oh, great(!) | 0:57:27 | 0:57:29 |