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-Right, is everything ready? Are the audience in? -Check. | 0:00:02 | 0:00:05 | |
All the comedy acts booked? | 0:00:05 | 0:00:07 | |
-Check. -And our special star guest, the amazing comedian and slap-head | 0:00:07 | 0:00:11 | |
-extraordinaire, Steve Furst, on his way? -Check. -Oh and how are you paying him? | 0:00:11 | 0:00:16 | |
-Cheque. -Wahey! Very good. | 0:00:16 | 0:00:19 | |
-We're all good to go. -And not a moment too soon. | 0:00:19 | 0:00:21 | |
DOORBELL RINGS What's that? | 0:00:21 | 0:00:23 | |
That's weird. It smells of knitting and cat biscuits. | 0:00:27 | 0:00:31 | |
-What is it? -It's for you. | 0:00:31 | 0:00:34 | |
Give it here. | 0:00:34 | 0:00:35 | |
Oh, no! | 0:00:40 | 0:00:42 | |
Oh, no. No, no. No! | 0:00:42 | 0:00:44 | |
NOOOOOO! | 0:00:46 | 0:00:47 | |
-Good news? -No, it's the worst news ever. | 0:00:51 | 0:00:52 | |
-Me Nan's coming to stay. -What's so bad about that? -Well, she's very... | 0:00:52 | 0:00:58 | |
-Old-fashioned. And I suppose I've just told her a few lies along the way. -Like what? | 0:00:58 | 0:01:02 | |
-Well, you see that I'm... -Ill? -No that I'm... -Dead? | 0:01:02 | 0:01:06 | |
No, no, no, that I'm... | 0:01:06 | 0:01:09 | |
Married! | 0:01:09 | 0:01:11 | |
YEAH! | 0:01:15 | 0:01:16 | |
Great(!) | 0:01:20 | 0:01:22 | |
Ladies and gentlemen, on today's show - Idiots of Ance. | 0:01:41 | 0:01:46 | |
Thankless Child. | 0:01:47 | 0:01:50 | |
The Penny Dreadfuls. | 0:01:50 | 0:01:53 | |
Abandonman. | 0:01:53 | 0:01:55 | |
And our special guest star Steve Furst. | 0:01:55 | 0:02:01 | |
But now, please welcome to the stage your Funny Business hosts, | 0:02:01 | 0:02:05 | |
the one, the only Dick and Dom. | 0:02:05 | 0:02:10 | |
Hello ladies and gents, so good to have you back for another Dick and Dom's Funny Business. | 0:02:17 | 0:02:22 | |
CHEERING | 0:02:22 | 0:02:25 | |
Each week we guarantee - and by that we don't mean an actual guarantee - | 0:02:25 | 0:02:30 | |
to introduce you to literally the funniest comedians in the universe. | 0:02:30 | 0:02:34 | |
Hoy-ya! Whoa! | 0:02:34 | 0:02:36 | |
Ah. Right put that on. | 0:02:36 | 0:02:39 | |
No. | 0:02:39 | 0:02:40 | |
-I don't want to. -Go on. Give it a go. | 0:02:40 | 0:02:42 | |
Look stop it, I don't want to wear a stupid shiny '70s top hat. | 0:02:42 | 0:02:46 | |
I know what you're doing | 0:02:46 | 0:02:48 | |
-and it's not going to work. -So what am I trying to do? | 0:02:48 | 0:02:51 | |
You're trying to turn me into your old showbiz partner, Jeff Starlight. | 0:02:51 | 0:02:56 | |
You've got to let it go. He was a nice guy, but the act, it just didn't work, all right? | 0:02:56 | 0:03:01 | |
Well that's charming. A hard-working man gets cannonballed into | 0:03:01 | 0:03:04 | |
a tank full of sharks and you just stand there saying it didn't work. | 0:03:04 | 0:03:08 | |
It worked once, but he was never really the same after that, was he? | 0:03:08 | 0:03:12 | |
Not around water, no. | 0:03:12 | 0:03:13 | |
So you're better off with your sturdy little partner, Dom, eh? | 0:03:13 | 0:03:18 | |
I wouldn't change you for the world. | 0:03:18 | 0:03:20 | |
Now, tell me what have we got nestled in our hive of comedy delights for today? | 0:03:20 | 0:03:24 | |
The one and only Steve Furst, ladies and gentlemen. | 0:03:24 | 0:03:27 | |
Yes. He will there on this stage. | 0:03:31 | 0:03:33 | |
-For your delectation and delight. He's brilliant. You know who else is brilliant? -Who? | 0:03:33 | 0:03:36 | |
-It's our first fantastic act. Do you want to see them? -YES! | 0:03:36 | 0:03:40 | |
Good, because it's our first. | 0:03:40 | 0:03:42 | |
Please give it up for the masters of sketch comedy, the Idiots of Ance. | 0:03:42 | 0:03:46 | |
We got ourselves a treasure map and X marks the spot in Dead Man's Cove. | 0:03:55 | 0:04:02 | |
YEAH! | 0:04:02 | 0:04:03 | |
-It will be a treacherous quest, full of deadly enemies, slimly serpents, all in treacherous waters. -YEAH! | 0:04:03 | 0:04:11 | |
-Only the strong will return with fortune and glory. -YEAH! | 0:04:11 | 0:04:18 | |
And the rest of ye won't be coming back! | 0:04:18 | 0:04:22 | |
YEAH! | 0:04:22 | 0:04:24 | |
Sir? What exactly d'ye mean by won't be coming back? | 0:04:24 | 0:04:31 | |
-Some of ye may be lost at sea. -YEAH! | 0:04:31 | 0:04:36 | |
Lost at sea, what does that mean? | 0:04:36 | 0:04:38 | |
-Dead. -Dead! -Dead! | 0:04:38 | 0:04:41 | |
Well, we're not going then. | 0:04:45 | 0:04:46 | |
-No, not at all. -No, you're a crazy person. | 0:04:46 | 0:04:49 | |
-I can't believe we nearly did that. -I was so close to going with him. | 0:04:49 | 0:04:53 | |
He got us so excited about going on a boat trip. | 0:04:53 | 0:04:57 | |
Oh! | 0:04:57 | 0:04:59 | |
-What's wrong? -Ow...I was just imagining if we had gone and I did get lost at sea. | 0:04:59 | 0:05:06 | |
Who'd feed my pet parrot? | 0:05:06 | 0:05:09 | |
Well, you're not going. | 0:05:10 | 0:05:12 | |
No, we spotted his trick in time. | 0:05:12 | 0:05:15 | |
No, but what happens if next time we don't spot his trick in time? | 0:05:15 | 0:05:19 | |
I don't know what I'd do if any of you were lost at sea. | 0:05:19 | 0:05:23 | |
-Don't even say that. -I love you. | 0:05:23 | 0:05:26 | |
Shipmates, don't you all want to go after the treasure? | 0:05:26 | 0:05:31 | |
We don't need treasure. | 0:05:31 | 0:05:34 | |
We're comfortable. | 0:05:34 | 0:05:37 | |
And besides, we have already got treasure. | 0:05:37 | 0:05:40 | |
-Where? -The treasure in our hearts. | 0:05:40 | 0:05:44 | |
Ah! | 0:05:44 | 0:05:46 | |
-What? -What's my favourite kind of ship? | 0:05:46 | 0:05:51 | |
A friendship. | 0:05:51 | 0:05:52 | |
Come on, pirates, don't you want to fight? | 0:05:52 | 0:05:55 | |
No, I bruise like a peach. | 0:05:55 | 0:05:58 | |
Surely you want to kidnap. | 0:05:58 | 0:06:00 | |
Oh, you'll give pirates a bad name. | 0:06:00 | 0:06:02 | |
Surely you want to steal gold. | 0:06:02 | 0:06:04 | |
Stealing gold is all well and good | 0:06:04 | 0:06:08 | |
until you've been on the receiving end. | 0:06:08 | 0:06:12 | |
-What happened? -I was once given the incorrect change. | 0:06:12 | 0:06:17 | |
It's a horrible world! | 0:06:19 | 0:06:22 | |
-Cuddle? -Cuddle. | 0:06:22 | 0:06:26 | |
No, no, no, no pirates! | 0:06:26 | 0:06:28 | |
-What about the map? -Forget your map. | 0:06:28 | 0:06:31 | |
Let's just go to Spain. | 0:06:31 | 0:06:33 | |
I know a little beach. | 0:06:33 | 0:06:35 | |
It's a real sun trap and there's an ice-cream kiosk and donkey rides | 0:06:35 | 0:06:41 | |
and we can have hats that say, kiss-me-quick. | 0:06:41 | 0:06:44 | |
Oh, finally, an excuse to go on a boat ride. | 0:06:44 | 0:06:46 | |
I'll race you to the Jolly Roger! | 0:06:46 | 0:06:49 | |
Bagsy me a window cabin. | 0:06:49 | 0:06:51 | |
GO PIRATES! | 0:06:51 | 0:06:54 | |
-WHOO! -Wait for me. | 0:06:54 | 0:06:58 | |
Yes, yes. I understand, | 0:07:04 | 0:07:06 | |
but we can't really get the driver to drop you outside the door. | 0:07:06 | 0:07:12 | |
Because you're on a train. | 0:07:12 | 0:07:14 | |
Yeah, we can look into laying some more track. | 0:07:14 | 0:07:17 | |
But I just think a taxi might be a bit easier. | 0:07:17 | 0:07:20 | |
Yes, OK, goodbye. | 0:07:20 | 0:07:22 | |
Right, that's Mr Steve Furst on his way. How you getting on in there? | 0:07:22 | 0:07:26 | |
-How do you think? Do I have to do this? -Right, we've discussed this. | 0:07:26 | 0:07:30 | |
It's the only way to make my nan believe that I'm happily married. | 0:07:30 | 0:07:34 | |
-Come on, let's have a look. -No. | 0:07:34 | 0:07:36 | |
Come on, it can't be that bad. | 0:07:36 | 0:07:38 | |
Well? | 0:07:48 | 0:07:50 | |
-Yep, it's that bad. -I knew it. | 0:07:50 | 0:07:53 | |
What took you so long in there? | 0:07:53 | 0:07:56 | |
Girls take a long time to get ready, OK. I was... | 0:07:56 | 0:07:59 | |
-SPEAKS IN A HIGH VOICE: -I was just getting into character. | 0:07:59 | 0:08:01 | |
Well, it hasn't worked. There's no way that my nan's going to believe that I am married to THAT! | 0:08:01 | 0:08:07 | |
-Huh! You look like a man in a dress. -You can be so hurtful. | 0:08:07 | 0:08:12 | |
-But you are a man in a dress. -You said it again. | 0:08:12 | 0:08:15 | |
Steve Furst is going to be here any minute. | 0:08:15 | 0:08:18 | |
Just go on and get out of that ridiculous outfit. | 0:08:18 | 0:08:21 | |
Dominic Wood! You insensitive brute, after all the effort I made. I accessorised and everything. | 0:08:21 | 0:08:27 | |
-We haven't got time for this. -There's always time to be a gentleman. | 0:08:27 | 0:08:30 | |
GENTLE PIANO MUSIC Look, look, I'm sorry. | 0:08:36 | 0:08:40 | |
Now, please go and get changed. | 0:08:40 | 0:08:43 | |
-Of course I will. -DOOR BELL RINGS | 0:08:43 | 0:08:45 | |
Right, if that's this week's special guest, Mr Steve Furst, | 0:08:45 | 0:08:50 | |
whatever you do, don't come out dressed as a woman. | 0:08:50 | 0:08:54 | |
-Got it. -Right. | 0:08:54 | 0:08:57 | |
OK. How exciting. | 0:08:57 | 0:09:00 | |
Ah, it's only this week's special guest, Mr Steve Furst. | 0:09:00 | 0:09:06 | |
Oh! | 0:09:06 | 0:09:07 | |
How are you. | 0:09:07 | 0:09:10 | |
Lovely to have you on the show. | 0:09:10 | 0:09:12 | |
Pleasure to be here. Is Dick not about? | 0:09:12 | 0:09:15 | |
-I think he's popped out for some milk or something. You'll catch up with him later. -All right, OK. | 0:09:15 | 0:09:20 | |
Hello! | 0:09:22 | 0:09:24 | |
Who is this? | 0:09:24 | 0:09:27 | |
Forgot me handbag. | 0:09:30 | 0:09:32 | |
-Hello there. -You all right? Argh! | 0:09:35 | 0:09:37 | |
Sorry, I didn't mean to surprise you. | 0:09:37 | 0:09:39 | |
No, it's fine. I mean... | 0:09:39 | 0:09:41 | |
HIGH-PITCHED VOICE No, it's fine. Not a problem. | 0:09:41 | 0:09:45 | |
I'm Steve Furst. | 0:09:45 | 0:09:47 | |
I know. We've met. | 0:09:47 | 0:09:50 | |
-We have? -I mean...I'm a huge fan, so, yes, it feels like we've met. | 0:09:50 | 0:09:55 | |
Oh, right, OK. | 0:09:55 | 0:09:57 | |
-And who are you? -Dick...si. Dixie. Yes, my name is Dixie. | 0:09:57 | 0:10:04 | |
Sorry Mr Furst, how incredibly rude of me. | 0:10:04 | 0:10:08 | |
This, let may I introduce to you is Dick's... | 0:10:08 | 0:10:11 | |
Um... | 0:10:11 | 0:10:13 | |
twin sister, Dixie. | 0:10:13 | 0:10:16 | |
I can actually see the resemblance. | 0:10:16 | 0:10:19 | |
I'm sorry but she was just leaving. | 0:10:19 | 0:10:22 | |
Changing. | 0:10:22 | 0:10:24 | |
-She was just changing. -Leaving. -She was just changing to leave. | 0:10:24 | 0:10:27 | |
That's right. Weren't you, Dick? Er Dixie? | 0:10:27 | 0:10:30 | |
Yes, I'll just go and get changed. | 0:10:30 | 0:10:34 | |
No, you're already changed. | 0:10:34 | 0:10:36 | |
-Oh yes, which means that I'm now... -Leaving. | 0:10:36 | 0:10:40 | |
-Come on. -What are you talking about? I'm not going out looking like this. | 0:10:40 | 0:10:43 | |
Why? I think you look lovely. | 0:10:43 | 0:10:46 | |
In fact, I think you might be the most beautiful woman I've ever seen. | 0:10:46 | 0:10:52 | |
HE THROWS UP | 0:11:03 | 0:11:06 | |
You're perfect. | 0:11:08 | 0:11:09 | |
Those eyes, that hair, that hint of womanly stubble. | 0:11:09 | 0:11:14 | |
Oh! | 0:11:14 | 0:11:15 | |
You see, not everyone thinks I look terrible. | 0:11:18 | 0:11:20 | |
Thank you, Steve, that's very kind of you, Mr Furst. | 0:11:20 | 0:11:23 | |
Not at all, Dixie. | 0:11:23 | 0:11:24 | |
-Stop it. -Oh! Hey! | 0:11:24 | 0:11:27 | |
Hey! Hey! | 0:11:27 | 0:11:29 | |
All right, lads, I mean you two. | 0:11:29 | 0:11:32 | |
-Why don't I show you to your dressing room? It's time, Mr Furst. -Is it? | 0:11:32 | 0:11:36 | |
LOUD CHIME | 0:11:36 | 0:11:38 | |
"Oh hello there, yes it is now time for this week's special guest to | 0:11:38 | 0:11:41 | |
"make ware way to their room, thank you." | 0:11:41 | 0:11:43 | |
See, told you. Come on, Mr Furst. | 0:11:43 | 0:11:45 | |
Come on through here. | 0:11:45 | 0:11:47 | |
-I'll catch you later, Dixie. -Only if you catch me. -Eh? | 0:11:47 | 0:11:51 | |
Never mind. See you in a bit. Bye-bye, Mr Furst. | 0:11:51 | 0:11:54 | |
Oh, boy! He doesn't seem to be the only gentleman around here, does he? | 0:11:54 | 0:11:58 | |
-Don't flatter yourself. -What? No, I'm mean you - you hairy-handed half-wit. | 0:11:58 | 0:12:03 | |
Get changed, we need to get back on stage. | 0:12:03 | 0:12:05 | |
Not until we have read some History of Funny Business. | 0:12:05 | 0:12:07 | |
What? Oh. All right. | 0:12:07 | 0:12:10 | |
Right. OK. | 0:12:16 | 0:12:18 | |
In your own time. | 0:12:25 | 0:12:27 | |
The construction site, a dangerous situation where safety should be paramount at all times. | 0:12:33 | 0:12:40 | |
So there is a rich comedic seam to be mined here. | 0:12:40 | 0:12:44 | |
Ah yes, the rake. | 0:12:44 | 0:12:46 | |
A simple tool normally used for clearing leaves or light weeding. | 0:12:46 | 0:12:51 | |
But watch what happens when it's placed on the ground like so. | 0:12:51 | 0:12:56 | |
Oh! See how the humble rake has been transformed into a magnificent comedy prop. | 0:12:56 | 0:13:03 | |
Carelessness on a construction site can be a treacherous thing. | 0:13:03 | 0:13:08 | |
But in a comedy routine it's just the ticket. | 0:13:08 | 0:13:11 | |
Oh, interesting helmet, Subject B. | 0:13:11 | 0:13:15 | |
Oh, dear. Oh, dear that's not going to help anything at all. Oh, hello. | 0:13:15 | 0:13:20 | |
Jolly good. | 0:13:20 | 0:13:21 | |
Let's ratchet up the comedy a tad. | 0:13:21 | 0:13:23 | |
What happens when we combine the previous examples together? | 0:13:23 | 0:13:29 | |
Oh good work, Subject A. | 0:13:29 | 0:13:31 | |
Oh delightful. | 0:13:39 | 0:13:41 | |
Subject A? Where are you going with that? | 0:13:41 | 0:13:44 | |
Text book. | 0:13:44 | 0:13:46 | |
Marvellous. Well done, chaps. | 0:13:49 | 0:13:52 | |
You've employed several wonderful slapstick routines into one tremendous comedy sequence. | 0:13:52 | 0:13:58 | |
And so there we have it, the perilous and | 0:13:58 | 0:14:03 | |
hilarious construction site gag. | 0:14:03 | 0:14:06 | |
I think we've all learnt something here today, boys. Safety first. | 0:14:06 | 0:14:10 | |
-How are you doing? You all right? -AUDIENCE: YES! | 0:14:25 | 0:14:28 | |
Jolly good. I'm glad you're feeling good, but what about you, little princess? | 0:14:28 | 0:14:32 | |
How are you feeling? Are you OK? | 0:14:32 | 0:14:34 | |
I'm feeling spot on, thank you me best mate in the whole world. | 0:14:34 | 0:14:38 | |
-Well, that's good. -Good. | 0:14:38 | 0:14:40 | |
-Yes. -Actually I've got a bit of a favour to ask you. | 0:14:40 | 0:14:43 | |
-A favour? -Yes. | 0:14:43 | 0:14:45 | |
Well, fire away. | 0:14:45 | 0:14:47 | |
Will you sponsor me? | 0:14:47 | 0:14:49 | |
Well, of course. Of course I will. Shall I sponsor him? Yes? | 0:14:49 | 0:14:54 | |
What are you doing? | 0:14:54 | 0:14:56 | |
Nothing. | 0:14:56 | 0:14:58 | |
Right. So how do you see that working? | 0:14:58 | 0:15:01 | |
Well, I've not really thought about it. | 0:15:01 | 0:15:04 | |
Cash maybe? Just lend us 20 quid or something. | 0:15:04 | 0:15:08 | |
Why should I give you 20 quid? | 0:15:08 | 0:15:12 | |
Hold on a minute. You misunderstand. | 0:15:12 | 0:15:14 | |
You don't have to GIVE the money to me. No, I want you to sponsor me it. | 0:15:14 | 0:15:18 | |
OK. Now listen closely. | 0:15:18 | 0:15:21 | |
Right, the deal is usually someone will undertake some sort | 0:15:21 | 0:15:25 | |
of challenge, usually a marathon or a bike ride and usually it's for a charity which forms | 0:15:25 | 0:15:31 | |
-the incentive for people to give you money. Got it? -Right. | 0:15:31 | 0:15:36 | |
So how about if the charity is that I need 20 quid and the challenge is that I buy a couple of new CDs? | 0:15:36 | 0:15:43 | |
There is a big difference between charity cases and CD cases! | 0:15:43 | 0:15:48 | |
-All that for that. -All right, OK, introduce the next act - come on. | 0:15:50 | 0:15:54 | |
-I will I can barely wait. Do you want them? -YES! | 0:15:54 | 0:15:57 | |
If you like funny impressions, you'll love these girls. | 0:15:57 | 0:16:00 | |
Yeah please put your hands together for Thankless Child. | 0:16:00 | 0:16:05 | |
OK, who's this? You're fired! | 0:16:08 | 0:16:11 | |
Ooh-aah, from what? My job? | 0:16:11 | 0:16:13 | |
No, Rachel, it's an impression. You're fired! | 0:16:13 | 0:16:17 | |
Oh no, I'll have to get a new job. | 0:16:17 | 0:16:20 | |
No, it's an impression of Alan Sugar from The Apprentice. | 0:16:20 | 0:16:24 | |
It's that show where he fires people and when he does, he says, "You're fired!" | 0:16:24 | 0:16:29 | |
Oh, yes, I know the one, where he has the business people on. | 0:16:29 | 0:16:32 | |
-He gets rid of one each week. He says, "You're fired!" -Yeah. | 0:16:32 | 0:16:36 | |
No, I didn't get that. | 0:16:36 | 0:16:38 | |
It didn't sound like him. | 0:16:38 | 0:16:40 | |
-OK, I'll do another one. -Great. | 0:16:40 | 0:16:43 | |
Who's this? Um... OK. | 0:16:43 | 0:16:47 | |
My husband and I... | 0:16:47 | 0:16:49 | |
-That's not Alan again, is it? -No, it was the Queen. -Of? | 0:16:49 | 0:16:54 | |
-England! -Queen of England, gosh. No, I did not get that at all. | 0:16:54 | 0:16:59 | |
Go on, do another one. You're so good at them, Lucy. | 0:16:59 | 0:17:03 | |
-OK, I'll give you a really easy one. -OK. | 0:17:03 | 0:17:07 | |
Quack, quack, quack. | 0:17:09 | 0:17:13 | |
Quack, quack, quack? | 0:17:14 | 0:17:17 | |
Gosh, if you could just do it again. | 0:17:17 | 0:17:20 | |
Quack, quack, quack. | 0:17:20 | 0:17:22 | |
Quack, quack, quack? | 0:17:22 | 0:17:24 | |
No, I am getting it. | 0:17:24 | 0:17:26 | |
Just do it a couple more times. | 0:17:26 | 0:17:28 | |
Quack, quack. Quack, quack. Quack, quack. | 0:17:28 | 0:17:33 | |
Quack, quack, quack, quack... | 0:17:33 | 0:17:35 | |
-Fearne Cotton! -No, it's a duck! | 0:17:35 | 0:17:40 | |
It was a duck, you idiot. | 0:17:40 | 0:17:42 | |
How can you not tell? | 0:17:42 | 0:17:43 | |
That is fantastic. That is an impression of my Uncle Rob when he's really angry. | 0:17:43 | 0:17:46 | |
No, Rachel, this isn't the impression! | 0:17:46 | 0:17:49 | |
Yes, he does sound just like that, doesn't he? | 0:17:49 | 0:17:52 | |
-"No, Rachel, come away from there!" -This isn't an impression of your Uncle Rob. | 0:17:52 | 0:17:56 | |
No, I suppose he's more sort of throaty. | 0:17:56 | 0:17:59 | |
More sort of, "I'm Uncle Rob." | 0:17:59 | 0:18:02 | |
It's got nothing to do with your Uncle Rob. | 0:18:02 | 0:18:05 | |
Gosh, every time we play the impressions game you never get any of them. | 0:18:05 | 0:18:09 | |
-That was the easiest one I've ever done. -Sorry. | 0:18:09 | 0:18:14 | |
-Sorry. Sorry. -Fine. | 0:18:14 | 0:18:18 | |
I'll tell you what. | 0:18:18 | 0:18:21 | |
What about I do an impression? | 0:18:21 | 0:18:23 | |
OK, I've got a pretty good one. | 0:18:23 | 0:18:25 | |
Come on. OK, who is this? | 0:18:25 | 0:18:28 | |
Quack, um, quack, quack. | 0:18:30 | 0:18:34 | |
-It's a duck. -No, silly, it's you. | 0:18:34 | 0:18:37 | |
Oh, stop it! | 0:18:46 | 0:18:49 | |
-Here, you're a big one, aren't you? -Oh, Dixie, you're so funny. | 0:18:49 | 0:18:53 | |
-And pretty. -And pretty. -And witty. | 0:18:53 | 0:18:56 | |
-And witty. -And very good at astronomical metaphysics. | 0:18:56 | 0:19:00 | |
-We've got absolutely no evidence for that. -Who does? | 0:19:00 | 0:19:04 | |
See you later, yeah? | 0:19:06 | 0:19:09 | |
-Here you are. -No, look, I really wish she wouldn't talk to the acts dressed like that, you know. | 0:19:16 | 0:19:21 | |
And that. Here you are. | 0:19:21 | 0:19:24 | |
-Right, that's it. -What? | 0:19:24 | 0:19:26 | |
-I've had enough. -Eh? -When my nan turns up, you talk to her, be very polite, make your excuses and leave. | 0:19:26 | 0:19:32 | |
In the meantime, do not speak to Steve Furst. | 0:19:32 | 0:19:36 | |
Why? | 0:19:36 | 0:19:37 | |
-Because he prefers brunettes. -He does? | 0:19:37 | 0:19:40 | |
No, of course not! Cos he thinks you are Dixie, your own twin sister. | 0:19:40 | 0:19:46 | |
When he finds out he's been flirting with you | 0:19:46 | 0:19:49 | |
-he might walk off the show. -Oh. | 0:19:49 | 0:19:52 | |
DOORBELL | 0:19:52 | 0:19:55 | |
-Come on. -All right. | 0:19:55 | 0:19:57 | |
Hi, Dom. | 0:19:59 | 0:20:01 | |
It's only Kelly-Ann Manhattan, the gorgeous but slightly ditzy daughter of the owner of this theatre. | 0:20:01 | 0:20:06 | |
This girl has a real crush on me. | 0:20:06 | 0:20:08 | |
What? Are you sure? I mean, she always gets your name wrong. | 0:20:08 | 0:20:13 | |
-Oh yeah, that is a bit annoying, but I think it's pretty obvious, really. -Yeah, right. | 0:20:13 | 0:20:18 | |
-Tell you what, now seems like a very good time to find out. -Oh, yeah. | 0:20:18 | 0:20:24 | |
I'll go over there as Dixie, find out what she thinks of me... | 0:20:24 | 0:20:26 | |
-Yes. -Good one. | 0:20:26 | 0:20:28 | |
Good. | 0:20:28 | 0:20:30 | |
-Hi, Kelly-Ann. -Hi, Dom. | 0:20:32 | 0:20:35 | |
Oh, yes, yes. | 0:20:35 | 0:20:37 | |
-Hi, Da... Oh, where's Dan? -Dick. | 0:20:37 | 0:20:39 | |
No, I'm Kelly-Ann. And who might you be? | 0:20:39 | 0:20:43 | |
I love your hair. It's so pretty. | 0:20:43 | 0:20:46 | |
Where did you get it done? Wait, do not tell me. | 0:20:46 | 0:20:48 | |
Did you get it done at that new place on the Avenue? | 0:20:48 | 0:20:51 | |
I have so been wanting to go there. | 0:20:51 | 0:20:53 | |
-The last guy that I went to was a total HRD. -Hmm? | 0:20:53 | 0:20:56 | |
-Hair related disaster. -Oh. | 0:20:56 | 0:20:59 | |
Anyway, I'd really better go. But thank you so much for the tip, my SABFF. | 0:20:59 | 0:21:04 | |
-Salon-Advisory Best Friend Forever. -Oh, yes, yes. -We should do coffee. | 0:21:04 | 0:21:08 | |
Let's meet at Chico's tomorrow between two and five. | 0:21:08 | 0:21:11 | |
Oh, that was a little prickly. | 0:21:13 | 0:21:16 | |
Don't worry, I have some cream for that. I'll bring it tomorrow. | 0:21:16 | 0:21:19 | |
It was great to see you. | 0:21:19 | 0:21:21 | |
Wait, Kelly-Ann, you don't even know who this is. | 0:21:21 | 0:21:26 | |
Oh, silly me. Would you believe that happens to me a lot? | 0:21:26 | 0:21:28 | |
-Kelly-Ann Manhattan. -Oh. | 0:21:28 | 0:21:31 | |
So super-pleased to make your acquaintance. | 0:21:31 | 0:21:34 | |
Hi, Kelly-Ann Manhattan. Come over here for a girly chat. You know this Dick ... | 0:21:34 | 0:21:39 | |
I mean Dan? Do you think he's cute? | 0:21:39 | 0:21:43 | |
Depends what kind of cute you mean. | 0:21:43 | 0:21:44 | |
I guess he's cute in the way that Shrek's cute. | 0:21:44 | 0:21:48 | |
-Go on, you're in a rush. -Oh, you're so wise. Bye. | 0:21:48 | 0:21:52 | |
Kelly-Ann, aren't you forgetting something? | 0:21:52 | 0:21:56 | |
OMG, did you want to ask for my number or something, because that | 0:21:56 | 0:22:00 | |
would be totally OK, but no pressure. I'm cool with it. | 0:22:00 | 0:22:03 | |
No, no, I just wanted to know if you want to be in the finale? | 0:22:03 | 0:22:06 | |
Oh. | 0:22:06 | 0:22:08 | |
-Well, can I? -Yes. -Yay! Thanks. Bye. | 0:22:08 | 0:22:11 | |
You did have a good girly chat, didn't you? | 0:22:14 | 0:22:16 | |
Not really. She's not the chatty type. | 0:22:16 | 0:22:18 | |
Oh, yes, hello, Mr Furst. | 0:22:20 | 0:22:21 | |
Anything I can do for you? | 0:22:21 | 0:22:23 | |
I was wondering if I might speak to Dixie. | 0:22:23 | 0:22:27 | |
Yeah. | 0:22:27 | 0:22:29 | |
-I was wondering if you might like... -Spit it out! | 0:22:29 | 0:22:31 | |
I was wondering if maybe I could take you out for dinner. | 0:22:31 | 0:22:36 | |
No! I...I don't think that's a very good idea. | 0:22:36 | 0:22:41 | |
Why not? | 0:22:41 | 0:22:43 | |
Because, um... Because she eats like a pig. | 0:22:43 | 0:22:46 | |
Yes, a big, fat bloated pig. | 0:22:46 | 0:22:50 | |
You watch it! | 0:22:50 | 0:22:51 | |
Sorry. | 0:22:51 | 0:22:54 | |
Would you like to go out for dinner? | 0:22:54 | 0:22:57 | |
-You paying? -Of course. | 0:22:57 | 0:22:59 | |
Then, yeah, why not? | 0:23:01 | 0:23:03 | |
Wonderful. | 0:23:03 | 0:23:05 | |
Isn't she just. I'll see you later, Dixie. | 0:23:05 | 0:23:08 | |
-Not if you see me first. -Oh boy! | 0:23:08 | 0:23:13 | |
"Emergency! Emergency! Dick and Dom to the stage immediately!" | 0:23:13 | 0:23:17 | |
Right, trousers down. | 0:23:17 | 0:23:19 | |
I mean, roll the trousers down. | 0:23:19 | 0:23:22 | |
Looks like Barry Houdini's in trouble again. | 0:23:22 | 0:23:23 | |
-Take the dress off. -OK. -Get on stage. | 0:23:23 | 0:23:26 | |
BOOING | 0:23:28 | 0:23:31 | |
What are you doing? | 0:23:36 | 0:23:38 | |
You've mucked it up again. Barry Houdini. | 0:23:38 | 0:23:42 | |
I tell you what, seriously, he needs to get out of that game. | 0:23:42 | 0:23:45 | |
I know, well, you can't knock him through lack of trying though, can you? | 0:23:45 | 0:23:48 | |
-Do you think this might be the right time to call an impromptu interval? -Yes. -Right, let's do it. | 0:23:48 | 0:23:53 | |
JAZZY MUSIC PLAYS | 0:23:53 | 0:23:56 | |
There will now be a short inter-val. | 0:23:58 | 0:24:02 | |
Why not try your hand at a craft you've never tried before, such as | 0:24:02 | 0:24:06 | |
underwater pottery or extreme crochet? | 0:24:06 | 0:24:09 | |
Shall we box step, yes? | 0:24:09 | 0:24:12 | |
Very good. Out of sync. | 0:24:14 | 0:24:16 | |
Right, or maybe you're in the mood for a nice hot spoonful of cat's milk? Mmm! | 0:24:16 | 0:24:23 | |
You could even attempt to speed read a complete set of encyclopaedias wearing your nan's favourite hat. | 0:24:23 | 0:24:29 | |
However you choose to unwind, be sure you return to your seat before the show resumes. | 0:24:29 | 0:24:35 | |
Otherwise you're not having a birthday present, all right, and that's that! | 0:24:35 | 0:24:37 | |
Oh, and remember, our usherettes Betty and Betty are always there to help. | 0:24:37 | 0:24:41 | |
See you in a moment. | 0:24:41 | 0:24:43 | |
Sorry I'm late, Betty, love. Please don't tell me off. | 0:24:47 | 0:24:50 | |
Me alarm didn't go off, I missed my bus. | 0:24:50 | 0:24:52 | |
Don't worry about it, Betty. | 0:24:52 | 0:24:54 | |
-You seem happy. -Well, I am. I'm in a good mood. | 0:24:57 | 0:25:00 | |
I've got some very good news. | 0:25:00 | 0:25:03 | |
Oh, I knew it. I thought you were looking fatter than usual. When's the baby due? | 0:25:03 | 0:25:08 | |
Don't be cheeky! I'm not having a baby. | 0:25:08 | 0:25:12 | |
I'm to be married. | 0:25:12 | 0:25:15 | |
-Who to? -To that Robert Pattinson from Twilight. | 0:25:15 | 0:25:20 | |
Robert Pattinson, ooh! | 0:25:20 | 0:25:22 | |
-But I thought you were already married to your Barry. -I dumped Barry. | 0:25:22 | 0:25:26 | |
-It's R-Patz all the way for me now. -Never. | 0:25:26 | 0:25:29 | |
Oi, you, kid! | 0:25:29 | 0:25:32 | |
Get your sticky fingers off the polished surfaces. | 0:25:32 | 0:25:35 | |
-I've only just had them ragged down this morning! -SMASH | 0:25:35 | 0:25:39 | |
Oh, I love kids, me. | 0:25:39 | 0:25:42 | |
So, where are you planning on having this glamorous wedding? | 0:25:42 | 0:25:45 | |
Well, this time, Betty, we're talking big, Betty. | 0:25:45 | 0:25:50 | |
-What, like Hollywood big? -No, community centre big. | 0:25:50 | 0:25:54 | |
Yeah, even this week's special guest is trying to wangle a ticket out of me. | 0:25:56 | 0:26:02 | |
I tell you what, as the guests arrive, they are going to be greeted by 150 pink flamingos. | 0:26:02 | 0:26:08 | |
Oh, I love pink, me. | 0:26:08 | 0:26:11 | |
Oh, well I'm going to paint them blue then to go with my lovely uniform. | 0:26:11 | 0:26:16 | |
Oh, getting married in uniform. Just like royalty, that is. | 0:26:16 | 0:26:19 | |
Very like royalty. | 0:26:19 | 0:26:21 | |
We're even going to have thrones. | 0:26:21 | 0:26:23 | |
-Ooh, fancy! -Yeah, R-Patz's brother is a bathroom fitter. | 0:26:23 | 0:26:27 | |
He's going to chuck in a couple of second-hand bogs and put some velvet over t'top. | 0:26:27 | 0:26:31 | |
Very classy and practical. | 0:26:31 | 0:26:34 | |
All this talk of bogs and velvet's making me hungry, Betty. | 0:26:34 | 0:26:38 | |
Choc drop, choc drop, choc drop, choc drop, choc drop, choc drop! | 0:26:38 | 0:26:42 | |
Very tasty. | 0:26:44 | 0:26:45 | |
-TEXT ALERT -Oh, hang on. | 0:26:45 | 0:26:49 | |
Oh, it's a text message from R-Patz. | 0:26:49 | 0:26:51 | |
-Ooh. -With bad news. | 0:26:51 | 0:26:54 | |
He says the wedding's off. | 0:26:56 | 0:26:58 | |
Oh, Betty, no, that is bad news. | 0:26:58 | 0:27:01 | |
Oh, brace yourself, love. | 0:27:03 | 0:27:06 | |
Batten down the hatches. Here they come. | 0:27:06 | 0:27:08 | |
-Quick, check my cheeks, would you, please, love? -Let me just get that for you. | 0:27:08 | 0:27:12 | |
Very nouveau. | 0:27:15 | 0:27:17 | |
-Thanks, Betty, love. -No problem. | 0:27:19 | 0:27:22 | |
Choc-ice! Lollies! R-Patz! | 0:27:22 | 0:27:24 | |
-Did you all have a good interval? -YES! | 0:27:32 | 0:27:35 | |
I tell you what, that is me refreshed and ready to rock. | 0:27:35 | 0:27:39 | |
-Anyway, shall we do the notices? -Not the notices. | 0:27:39 | 0:27:42 | |
-We've got to do the notices. -But it's so boring. -We're going to do the notices. | 0:27:42 | 0:27:46 | |
Listen up and then we can carry on with the next fantastic act. | 0:27:46 | 0:27:49 | |
OK, let's have a look. Please don't run through any slippy puddles that you may find in the theatre. | 0:27:49 | 0:27:55 | |
-Yes, obvious. -Same old stuff. | 0:27:55 | 0:27:56 | |
Please refrain from barking like a dog during the acts. | 0:27:56 | 0:28:00 | |
No live chickens permitted during the filming. | 0:28:00 | 0:28:03 | |
You know who you are. | 0:28:03 | 0:28:06 | |
-Is there a Ricardo Rio in the audience? -Yes. | 0:28:06 | 0:28:09 | |
We've just had this little note in the interval saying that | 0:28:09 | 0:28:13 | |
your wife-to-be has called and she has said the wedding is off because she's just run off with your brother. | 0:28:13 | 0:28:19 | |
Well, that's the formalities. | 0:28:21 | 0:28:23 | |
-Anything else on there, Dick? -Nothing else, really. | 0:28:23 | 0:28:27 | |
-There's only one teaspoon left in the drawer. -What?! | 0:28:27 | 0:28:31 | |
Right, shall we carry on? Ladies and gentlemen, | 0:28:32 | 0:28:34 | |
please remain calm whilst we try and locate the rest of the spoons. | 0:28:34 | 0:28:38 | |
Allow yourselves to become overwhelmed by delight as we | 0:28:38 | 0:28:42 | |
welcome to the stage the excellent Penny Dreadfuls! | 0:28:42 | 0:28:46 | |
Try not to speak, sir. | 0:28:56 | 0:28:57 | |
I'm going to look for a surgeon. | 0:28:57 | 0:29:00 | |
I'll be back soon. | 0:29:00 | 0:29:03 | |
-Private, look after this man with your life. -Yes, sir. | 0:29:03 | 0:29:07 | |
What's your name, private? | 0:29:10 | 0:29:12 | |
-It's Piper, sir. -Your first name, boy, your first name. | 0:29:12 | 0:29:15 | |
Johnny, sir. | 0:29:15 | 0:29:18 | |
Oh, Johnny. | 0:29:18 | 0:29:19 | |
Johnny, Johnny, Johnny. | 0:29:19 | 0:29:23 | |
-I'm a dead man, Johnny. -Don't say that, sir. | 0:29:23 | 0:29:26 | |
No, it's game over for me. | 0:29:26 | 0:29:29 | |
-Promise me something, Johnny. -Yes, sir, anything. | 0:29:29 | 0:29:32 | |
Promise me you'll find my wife. | 0:29:32 | 0:29:35 | |
-Yes, sir. -Promise me. | 0:29:35 | 0:29:38 | |
I promise. I promise. NONSENSICAL SHOUTING | 0:29:38 | 0:29:41 | |
Find her and tell her to think back to that day in Somerset when we were both young, | 0:29:41 | 0:29:49 | |
and the world brimmed over with myriad wonders. | 0:29:49 | 0:29:52 | |
Our lives ahead to sample them all. | 0:29:52 | 0:29:56 | |
Laughing and falling between vanity and youth, basking in the glory of the love we shared. | 0:29:56 | 0:30:03 | |
A bond the Herculean Sampson could not rend asunder. | 0:30:03 | 0:30:07 | |
Nor blossoms rival in its delicacy. | 0:30:07 | 0:30:09 | |
Tell her that on that day, and that day alone, the world made perfect sense to me. | 0:30:09 | 0:30:17 | |
Now say it back to me. | 0:30:20 | 0:30:22 | |
-Erm... -So I know she'll hear it right! | 0:30:25 | 0:30:29 | |
-Tell her to think back to that day in Somerset... -Yes. | 0:30:29 | 0:30:34 | |
-..when you were young... -Both young! -..both young... -Both young! | 0:30:34 | 0:30:37 | |
..both young... | 0:30:37 | 0:30:39 | |
-and the world, er, felt... -Brimmed over! -..brimmed over... | 0:30:39 | 0:30:43 | |
The world brimmed over. | 0:30:43 | 0:30:45 | |
..and the world brimmed over. | 0:30:45 | 0:30:47 | |
-With myriad wonders! -I've found the surgeon. | 0:30:47 | 0:30:50 | |
-Don't worry, he'll be here any second, sir. -Oh, thank goodness! | 0:30:50 | 0:30:53 | |
Remember, Johnny... | 0:30:53 | 0:30:55 | |
Oh, no! Sir! | 0:31:00 | 0:31:02 | |
GUNSHOT | 0:31:02 | 0:31:05 | |
What's your name, Private? | 0:31:05 | 0:31:07 | |
SpongeBob, isn't it? | 0:31:07 | 0:31:09 | |
-It's Johnny, sir. -Ah, Johnny. | 0:31:09 | 0:31:11 | |
Johnny, Johnny. | 0:31:11 | 0:31:13 | |
I'm a dead man, Johnny. | 0:31:13 | 0:31:16 | |
-Don't say that, sir. -Promise me you'll find my wife, Johnny. | 0:31:16 | 0:31:21 | |
-Yes, sir, that's fine. -Find my wife... -Yes. -Tell her I hate her. | 0:31:21 | 0:31:26 | |
-What? -I've written a poem I think best expresses it. | 0:31:26 | 0:31:31 | |
Susan! S is for Susan, for that is your name | 0:31:31 | 0:31:37 | |
U is for ugly, stupid and lame | 0:31:37 | 0:31:41 | |
S is for Susan again and also stupid | 0:31:41 | 0:31:45 | |
And why do your gums all... | 0:31:45 | 0:31:49 | |
That's not a poem! | 0:31:49 | 0:31:51 | |
Did somebody call for a surgeon? | 0:31:51 | 0:31:53 | |
I'm sorry I'm late. I couldn't find my trousers. | 0:31:53 | 0:31:57 | |
I've found them, now, though, so no problem. | 0:31:57 | 0:32:01 | |
-GUNSHOT -Ahh! Ahh! | 0:32:01 | 0:32:04 | |
No, er... Argh! | 0:32:04 | 0:32:07 | |
What's your name, Private? Tracy Beaker, isn't it? | 0:32:16 | 0:32:20 | |
-No, it's Johnny, sir. -Listen to me, Tracy. | 0:32:20 | 0:32:22 | |
I'm not long for this world. | 0:32:22 | 0:32:24 | |
I'm a dead man, Tracy. | 0:32:24 | 0:32:26 | |
Promise me something. Promise me you'll learn medicine so you can heal me. | 0:32:26 | 0:32:31 | |
-I can't read! -I'll teach you. | 0:32:31 | 0:32:34 | |
A is for apple. Say after me. | 0:32:34 | 0:32:37 | |
-A is for apple. -B is for... | 0:32:37 | 0:32:41 | |
-She should be here by now. -Who? | 0:32:51 | 0:32:54 | |
What do you mean, "Who?"? My nan! | 0:32:54 | 0:32:56 | |
I wish she'd hurry. The sooner you can stop pretending | 0:32:56 | 0:32:59 | |
to be my nonexistent wife, the better. | 0:32:59 | 0:33:01 | |
I wish she'd hurry up, too - it's nerve-racking meeting the family. | 0:33:01 | 0:33:05 | |
You do know this isn't a real marriage, don't you? | 0:33:06 | 0:33:09 | |
You're telling me! When did you last buy me flowers? | 0:33:09 | 0:33:12 | |
I've never bought you flowers. | 0:33:12 | 0:33:15 | |
Exactly. | 0:33:15 | 0:33:16 | |
Why can't I quit you? | 0:33:18 | 0:33:22 | |
Oh, hi. | 0:33:22 | 0:33:23 | |
Women! | 0:33:26 | 0:33:27 | |
Stop being so ridiculous. And keep that wig of my fake wife on, right? | 0:33:28 | 0:33:33 | |
-(HIGH-PITCHED) The magic's gone! -PHONE RINGS | 0:33:33 | 0:33:37 | |
That'll be me nan now. Right. | 0:33:37 | 0:33:40 | |
I'll get it. It's good to make a good first impression. | 0:33:40 | 0:33:45 | |
Hello, Dixie speaking. Outgoing yet also kind and homely. | 0:33:45 | 0:33:50 | |
Hi, Dixie. It's me, Steve. | 0:33:50 | 0:33:52 | |
What? Oh, yes, hello, Steve! | 0:33:52 | 0:33:56 | |
I hoped you'd answer. | 0:33:56 | 0:33:57 | |
It's so hard to talk with that Dom getting in the way. | 0:33:57 | 0:34:00 | |
He does get under one's feet, doesn't he? He's only small. | 0:34:00 | 0:34:03 | |
It's not his fault. | 0:34:03 | 0:34:05 | |
-Get off! -'Dixie?' | 0:34:05 | 0:34:07 | |
-Dixie? Are you there? Is somebody else there? -No. | 0:34:07 | 0:34:10 | |
No, no, no, it's just me. Er, I just broke a nail picking my nose. Yeah. | 0:34:10 | 0:34:16 | |
Oh. OK. Well, you seemed a little bit off earlier with me, | 0:34:16 | 0:34:20 | |
and I wondered if I'd done something to upset you. | 0:34:20 | 0:34:23 | |
It wasn't you, it was that heartless Dom. | 0:34:23 | 0:34:25 | |
I caught the tiny little scamp wearing me bra again. | 0:34:25 | 0:34:28 | |
I was furious! Get off, you... | 0:34:28 | 0:34:30 | |
'There IS somebody there!' | 0:34:30 | 0:34:32 | |
Who is it, Dixie? I just heard them tell me to get lost. | 0:34:32 | 0:34:35 | |
-Erm, yes, yes, er, there is someone else here. Mm. -'Who?' | 0:34:35 | 0:34:39 | |
Eh? Er, it's my brother. | 0:34:39 | 0:34:42 | |
-Yes, Dick. -Oh! Oh. | 0:34:42 | 0:34:44 | |
Right, well, put him on, please. | 0:34:44 | 0:34:46 | |
OK... | 0:34:46 | 0:34:49 | |
He wants to speak to Dick. | 0:34:49 | 0:34:51 | |
-You're Dick. -Oh, yeah. | 0:34:51 | 0:34:53 | |
-Hello, Dick speaking. -Dick, hi, it's Steve Furst. | 0:34:57 | 0:35:00 | |
-What's up? -Look, I know you're only being protective of your sister, | 0:35:00 | 0:35:05 | |
but I think she's a really nice girl. | 0:35:05 | 0:35:08 | |
I only wanted to take her out for a chicken bhuna. | 0:35:08 | 0:35:10 | |
Mm, no, I don't like spicy food. Gives me the runs. | 0:35:10 | 0:35:14 | |
Well, I didn't think you were coming. | 0:35:14 | 0:35:16 | |
-Er, I'm not. -No! No, no, that's OK, I understand. | 0:35:16 | 0:35:20 | |
-You want to chaperone. -A chaper-what? -A chaperone. | 0:35:20 | 0:35:25 | |
You want to come along to the meal to make sure I'm a gentleman. | 0:35:25 | 0:35:28 | |
I totally understand. | 0:35:28 | 0:35:30 | |
Look, I'd be happy for you to accompany Dixie and me. | 0:35:30 | 0:35:33 | |
'Do you like fish and chips?' | 0:35:35 | 0:35:37 | |
Er, no, I do not like fish and chips. | 0:35:37 | 0:35:42 | |
Ah! I LOVE fish and chips! | 0:35:42 | 0:35:44 | |
Great! That's settled. After the show, | 0:35:46 | 0:35:49 | |
I'll take me, you and your sister out for fish and chips. | 0:35:49 | 0:35:52 | |
Great. See you then, then. Bye! | 0:35:52 | 0:35:54 | |
Cheers, mate! Oh, give Dixie a kiss from me. | 0:35:54 | 0:35:59 | |
A kiss. Yes. Er... | 0:35:59 | 0:36:01 | |
Mm, I'll try. Cheers, Steve. Bye. | 0:36:01 | 0:36:04 | |
-What a perfect gentleman he is. -What? No, no, no! But you... | 0:36:04 | 0:36:08 | |
I mean, he and the she... | 0:36:08 | 0:36:10 | |
-And then all three of you... -No, no. Calm down, princess. | 0:36:10 | 0:36:13 | |
If Steve wants to take my sister Dixie and me out to... | 0:36:13 | 0:36:16 | |
-Dom? -Yes? -Have I just agreed to go on a date as myself | 0:36:16 | 0:36:22 | |
and my imaginary sister with this week's special guest, Mr Furst? | 0:36:22 | 0:36:28 | |
Oh! | 0:36:29 | 0:36:31 | |
WHOOSH | 0:36:31 | 0:36:33 | |
Oh, an e-mail. | 0:36:33 | 0:36:35 | |
I wonder who it's from. | 0:36:35 | 0:36:38 | |
It's from them wannabe wrestlers the Devastation Brothers, | 0:36:38 | 0:36:41 | |
the ones that want to rip us from limb to limb. | 0:36:41 | 0:36:43 | |
So, Dick and Dom, the time has come. | 0:36:50 | 0:36:52 | |
Lunchtime! Ma, can I have Alphabetti Spaghetti, please? Now! | 0:36:52 | 0:36:58 | |
No, Randy, you just had Alphabetti Spaghetti. | 0:36:58 | 0:37:01 | |
Not lunchtime, I'm saying the time has come | 0:37:01 | 0:37:04 | |
for us to go to the UK and destroy Dick and Dom! | 0:37:04 | 0:37:07 | |
I love Alphabetti Spaghetti. | 0:37:07 | 0:37:10 | |
It's not only delicious, but I can spell my favourite words with it, | 0:37:10 | 0:37:15 | |
like POOP | 0:37:15 | 0:37:16 | |
and FARTS! | 0:37:16 | 0:37:18 | |
-Farts, poop, farts. -Randy, enough of the spaghetti spelling. | 0:37:18 | 0:37:21 | |
We are masters of disaster, not masters of pasta. | 0:37:21 | 0:37:25 | |
So look out, Dick and Dom, because the Devastation Brothers... | 0:37:25 | 0:37:30 | |
..the Devastation Brothers are coming for you. | 0:37:35 | 0:37:39 | |
Unfortunately, we haven't got money for tickets | 0:37:39 | 0:37:42 | |
to get to the UK at the moment, but very soon it is Randy's birthday day. | 0:37:42 | 0:37:46 | |
Hey! I love my birthday day! | 0:37:46 | 0:37:50 | |
I want a party, I want a new teddy bear | 0:37:50 | 0:37:53 | |
and I want enough Alphabetti Spaghetti to spell... | 0:37:53 | 0:37:58 | |
..antidisestablishmentarianism. | 0:37:58 | 0:38:00 | |
No, Randy, what you want is for Mom to give you money so that | 0:38:00 | 0:38:06 | |
we can buy tickets to go to the UK and kick Dick and Dom's butts! | 0:38:06 | 0:38:10 | |
Oh, yeah! What he said. | 0:38:10 | 0:38:13 | |
Yeah! But can I still get some Alphabetti Spaghetti | 0:38:13 | 0:38:16 | |
spaghetti spaghetti, please? | 0:38:16 | 0:38:18 | |
If we get those tickets, Randy, | 0:38:18 | 0:38:20 | |
you can have all the Alphabetti Spaghetti in the world. | 0:38:20 | 0:38:23 | |
Yay! Spaghetti! Spaghetti devastation! | 0:38:23 | 0:38:27 | |
-Calm down... -Devastation. | 0:38:27 | 0:38:29 | |
Calm down, Randy. | 0:38:29 | 0:38:31 | |
Spaghetti devastation! | 0:38:31 | 0:38:33 | |
Hey, Ma, look, Butch has got "poo" on his face. Again! | 0:38:35 | 0:38:42 | |
Yes, yes, Nanny. Yes, I'll clean in-between me tootsies. | 0:38:46 | 0:38:50 | |
Yeah, I'm wearing the thermal knickers you sent me at Christmas. | 0:38:50 | 0:38:54 | |
I'm not. | 0:38:54 | 0:38:56 | |
Yes, OK, yeah. | 0:38:56 | 0:38:58 | |
Here, look, she's moaning about me granddad. | 0:38:58 | 0:39:01 | |
Apparently, his concentration's going. | 0:39:01 | 0:39:03 | |
He keep switching himself on and off all the time. | 0:39:03 | 0:39:06 | |
A bit like that TV we've got that turns itself on at random. | 0:39:06 | 0:39:10 | |
So, back in the kitchen, and Mike is finishing his stew, | 0:39:20 | 0:39:24 | |
which he's cleverly named Mike's Stew. | 0:39:24 | 0:39:26 | |
They'll be talking about this all evening. | 0:39:26 | 0:39:29 | |
Yeah, I bet they will. | 0:39:29 | 0:39:31 | |
Meanwhile, back in the dining room, Mike's guests are getting fidgety. | 0:39:31 | 0:39:36 | |
Where's the bloomin' food? | 0:39:36 | 0:39:37 | |
-I'm starvin'. -Need you raise your voice like that? | 0:39:37 | 0:39:40 | |
-I'll raise it any way I like. -Hey, please let's not argue. | 0:39:40 | 0:39:44 | |
I must say, I do find Belinda a little bit - what's the word? | 0:39:44 | 0:39:47 | |
Hateful. | 0:39:47 | 0:39:48 | |
Belinda is always calling me an idiot. | 0:39:48 | 0:39:51 | |
Although, thinking about it, everyone calls me an idiot. | 0:39:51 | 0:39:54 | |
We don't all call you that, Peter, you idiot. | 0:39:54 | 0:39:58 | |
Oh! | 0:39:58 | 0:39:59 | |
Looks like Mike's main dish has finally arrived. | 0:39:59 | 0:40:02 | |
There we are. Don't grab it all at once. | 0:40:02 | 0:40:04 | |
I don't think they will, Mike. | 0:40:04 | 0:40:06 | |
Mm! It's quite nice, actually. | 0:40:09 | 0:40:11 | |
Yes. I guess looks can be deceiving. | 0:40:11 | 0:40:14 | |
Yours aren't, love. | 0:40:14 | 0:40:15 | |
-It's lovely. What's in it, Mike? -Secret ingredient. | 0:40:15 | 0:40:19 | |
Agh! What's that bloomin' thing? | 0:40:19 | 0:40:22 | |
Ah, no, he's escaped. He can probably smell his brother. | 0:40:22 | 0:40:25 | |
Smell his brother? | 0:40:25 | 0:40:27 | |
Mike, please don't tell me you've made tortoise stew. | 0:40:27 | 0:40:31 | |
I'm sorry, everybody, I have. | 0:40:31 | 0:40:33 | |
I have made tortoise stew. | 0:40:33 | 0:40:34 | |
But it tastes so nice... | 0:40:37 | 0:40:40 | |
I didn't know what else to cook. | 0:40:42 | 0:40:44 | |
Well, looks like Mike certainly came out of his shell tonight. | 0:40:48 | 0:40:52 | |
As did his tortoise. But has he done enough to win? | 0:40:52 | 0:40:56 | |
Well, the food made us all very sick, | 0:40:56 | 0:40:58 | |
but I did like Mike's joke about the Queen. Six out of ten. | 0:40:58 | 0:41:01 | |
Absolutely awful. Two. | 0:41:01 | 0:41:05 | |
I really enjoyed myself. | 0:41:05 | 0:41:06 | |
Nine out of ten. | 0:41:08 | 0:41:10 | |
Next time on Come Dine With Teddy... | 0:41:15 | 0:41:17 | |
"Where's the gravy?"?! Here's the gravy! | 0:41:17 | 0:41:20 | |
Oh... | 0:41:23 | 0:41:25 | |
Meet the Nelsons, Phil and Julie. | 0:41:30 | 0:41:33 | |
Since their children have grown up, their lives have become mayhem, | 0:41:33 | 0:41:37 | |
as they have slowly but surely | 0:41:37 | 0:41:38 | |
lost control of Daisy, their 83-year-old mother. | 0:41:38 | 0:41:43 | |
-I'll have you! -No! | 0:41:43 | 0:41:45 | |
The family have been pushed to the limit - | 0:41:48 | 0:41:50 | |
there's only one person to turn to. | 0:41:50 | 0:41:53 | |
This is some of the worst footage I have ever seen. | 0:41:53 | 0:41:56 | |
This is Jan Stone, the Super Granny Nanny. | 0:41:56 | 0:42:03 | |
Daisy is an OAP with the tantrums of a teenager | 0:42:03 | 0:42:07 | |
who simply refuses to grow up. | 0:42:07 | 0:42:10 | |
Jan Stone is coming to the end of her stay with the Nelsons. | 0:42:10 | 0:42:13 | |
But so far, she's been as effective as a leg on a snake. | 0:42:13 | 0:42:18 | |
But she hasn't given up. | 0:42:18 | 0:42:21 | |
What you doing, B-Dog? How's it hanging? | 0:42:21 | 0:42:23 | |
I've gathered you to communicate. | 0:42:23 | 0:42:25 | |
Communication equals family salvation. | 0:42:25 | 0:42:28 | |
-Daisy, what are you doing? -I'm communicating on me mobile. | 0:42:28 | 0:42:32 | |
Sorry, fishface wants me. Peace out. | 0:42:32 | 0:42:36 | |
This is exactly the problem. She doesn't listen. | 0:42:36 | 0:42:38 | |
And I'm sick of her calling me names, like Smalleyes and Harry Snotter. | 0:42:38 | 0:42:43 | |
-Don't forget Sheriff of Nerdsville. -Sheriff of Nerdsville. | 0:42:43 | 0:42:46 | |
Chubby Funster. Smelly Eddie. | 0:42:46 | 0:42:48 | |
Gap Teeth. Hook Nose. Mr Borin'. | 0:42:48 | 0:42:51 | |
-Big Chin. Bum Face. -She never called me Bum Face. | 0:42:51 | 0:42:56 | |
Didn't she? | 0:42:56 | 0:42:57 | |
Anyway, she just always acts like a teenager. | 0:42:59 | 0:43:02 | |
I've listened to the problems, | 0:43:02 | 0:43:04 | |
and I think it's time for me to turn Daisy from a testy teenage OAP | 0:43:04 | 0:43:09 | |
into a dignified granny. | 0:43:09 | 0:43:11 | |
It's a complete granny make-over. | 0:43:11 | 0:43:13 | |
Daisy! | 0:43:13 | 0:43:15 | |
Oh, yes! That is more like it! | 0:43:15 | 0:43:17 | |
Super Granny Nanny's last-ditch attempt to avoid abject failure | 0:43:17 | 0:43:21 | |
seems to impress. | 0:43:21 | 0:43:22 | |
-She's knitted you a jumper. -For me? | 0:43:22 | 0:43:24 | |
-That's lovely, that is. -But will it work? | 0:43:24 | 0:43:27 | |
It's like a real gran! How do I look? | 0:43:27 | 0:43:30 | |
Oh... | 0:43:30 | 0:43:32 | |
Are you going to let her get away with it? | 0:43:34 | 0:43:36 | |
You cannot let her continue to walk all over you. | 0:43:36 | 0:43:39 | |
What's it to be, give up or man up? | 0:43:39 | 0:43:42 | |
I can't believe he'd just get up and leave. | 0:43:48 | 0:43:51 | |
I'm disappointed. It shows weakness. | 0:43:51 | 0:43:54 | |
So you want me to do more things a normal granny | 0:43:54 | 0:43:57 | |
would do for you, do you? | 0:43:57 | 0:43:59 | |
You've got a dirty face. | 0:43:59 | 0:44:01 | |
This time, Daisy is going in for the kill. | 0:44:01 | 0:44:05 | |
There goes Super Granny Nanny, pride in tatters | 0:44:18 | 0:44:21 | |
and covered in grannyflob, | 0:44:21 | 0:44:23 | |
Daisy's free to carry on acting like a teenager with her daughter Julie. | 0:44:23 | 0:44:27 | |
Are you coming, then? | 0:44:33 | 0:44:35 | |
Oh, right, yeah, you're going to Auntie Alan's instead? | 0:44:35 | 0:44:38 | |
-"Auntie Alan"? -Yes, of course I don't mind. Yes. | 0:44:38 | 0:44:41 | |
You'll have far more fun at Auntie Alan's, yes. | 0:44:41 | 0:44:43 | |
No, no, no, here's a bit boring | 0:44:43 | 0:44:45 | |
Just a load of boring, happily-married stuff here. | 0:44:45 | 0:44:48 | |
Oh yes, yes. I know, I'm hilarious. | 0:44:49 | 0:44:54 | |
You think the show's hilarious too? Thank you. What? | 0:44:54 | 0:44:57 | |
You watch it on TV all the time? | 0:44:57 | 0:44:59 | |
You're watching now? | 0:45:00 | 0:45:03 | |
So you know we're not really married then? | 0:45:03 | 0:45:07 | |
Yes, and I'm glad you find it so funny. What? | 0:45:07 | 0:45:11 | |
You want me to give Dixie a kiss from you? | 0:45:13 | 0:45:15 | |
All right. OK. | 0:45:17 | 0:45:19 | |
You're joking. Come on, get it over with. | 0:45:19 | 0:45:23 | |
You smell of mothballs. | 0:45:23 | 0:45:26 | |
No, not you. Right, OK, love you, bye. | 0:45:26 | 0:45:29 | |
Thank goodness for that. | 0:45:29 | 0:45:31 | |
Does that mean I don't have to be your wife any more, then? | 0:45:31 | 0:45:34 | |
Hi, Dom. Hi, Dixie. What happened to your hair? | 0:45:45 | 0:45:49 | |
I thought I'd try something different, you know. | 0:45:49 | 0:45:52 | |
Yes, we all make mistakes. | 0:45:52 | 0:45:54 | |
-Lovely, Dixie. Now, is Dick about? -NO! | 0:45:54 | 0:45:58 | |
I am really looking forward to taking you and Dick out for fish and chips. | 0:45:58 | 0:46:02 | |
About that... | 0:46:03 | 0:46:06 | |
Hi, Dom. | 0:46:06 | 0:46:08 | |
Hi, Dixie. Where's Dan? | 0:46:10 | 0:46:12 | |
For the last time, my name is not Dan. | 0:46:12 | 0:46:16 | |
It's Dick, all right? | 0:46:16 | 0:46:18 | |
-My name is Dick. -Dixie? | 0:46:18 | 0:46:23 | |
I suppose it's too late to put the wig back on? | 0:46:25 | 0:46:28 | |
I don't understand. | 0:46:28 | 0:46:30 | |
OMG. | 0:46:30 | 0:46:32 | |
Dixie is Dan! | 0:46:32 | 0:46:36 | |
Dick! I am Dick! | 0:46:36 | 0:46:39 | |
I don't believe it. | 0:46:39 | 0:46:43 | |
Hold on. Steven Furst, is that you? | 0:46:43 | 0:46:47 | |
Kelly-Anne Manhattan! OMG. SLF. My BFF. | 0:46:47 | 0:46:50 | |
I thought you were in Hollywood. | 0:46:50 | 0:46:52 | |
-I am not. -I have missed you. | 0:46:52 | 0:46:54 | |
I missed you too. | 0:46:54 | 0:46:57 | |
Wait. Wait, wait, wait, wait! | 0:46:57 | 0:46:59 | |
-Do you guys know each other? -Duh! | 0:46:59 | 0:47:02 | |
-Does that mean we'll be in the finale together? -Yes, it does. | 0:47:02 | 0:47:07 | |
And as for you two... | 0:47:07 | 0:47:11 | |
Are we ready to go for the finale? | 0:47:13 | 0:47:14 | |
-Eh? -What? -You're not in a bad mood with us | 0:47:14 | 0:47:17 | |
-about the whole Dick and Dixie thing? -You should be. | 0:47:17 | 0:47:21 | |
No, no. | 0:47:21 | 0:47:23 | |
I knew it was a joke. | 0:47:23 | 0:47:25 | |
I've been playing along with you. | 0:47:25 | 0:47:28 | |
Brilliant, really brilliant. | 0:47:28 | 0:47:30 | |
Look, look, we're going to be late for the finale. | 0:47:30 | 0:47:34 | |
Let's get to the stage. | 0:47:34 | 0:47:37 | |
Ha-ha-ha. | 0:47:37 | 0:47:38 | |
-I'll be there in a sec. -All right. | 0:47:38 | 0:47:41 | |
See you on stage in a minute. | 0:47:41 | 0:47:43 | |
You'll like the band, they're great. | 0:47:43 | 0:47:45 | |
SAD VIOLIN MUSIC PLAYS | 0:47:45 | 0:47:48 | |
I'm coming. | 0:48:12 | 0:48:15 | |
Here's an easy question. | 0:48:18 | 0:48:20 | |
-Have you all enjoyed the show? -Yes! | 0:48:20 | 0:48:23 | |
I have got to be honest, I have loved every single minute | 0:48:23 | 0:48:26 | |
of today's show. I have loved it. | 0:48:26 | 0:48:28 | |
Good, I'm glad you enjoyed it. | 0:48:28 | 0:48:30 | |
I've got some bad news. It's the last time you'll see | 0:48:30 | 0:48:33 | |
my sorry butt around these parts. | 0:48:33 | 0:48:35 | |
What are you talking about? | 0:48:35 | 0:48:36 | |
I don't know how to tell you this, but I'm off to Hollywood. | 0:48:36 | 0:48:41 | |
Yes, I've got a part in a movie. | 0:48:41 | 0:48:43 | |
-AUDIENCE CHEERS -Thank you. | 0:48:43 | 0:48:45 | |
-I'm leaving you, Dom. -What? We're a team. | 0:48:45 | 0:48:48 | |
We've grown up together. Well, you have. | 0:48:48 | 0:48:50 | |
-What's the part in the movie, fancy pants? -OK, I'll tell you all. | 0:48:50 | 0:48:55 | |
I'm going to be playing... | 0:48:55 | 0:48:57 | |
a weakling who can't get a stain out of the carpet. | 0:48:57 | 0:49:00 | |
You jammy little sausage. | 0:49:00 | 0:49:03 | |
Who got you that part? | 0:49:03 | 0:49:05 | |
The person who got me the part was our special guest. | 0:49:05 | 0:49:08 | |
Ladies and gentlemen, please welcome - | 0:49:08 | 0:49:10 | |
you know him as Mannitol from The Legend of Dick and Dom - | 0:49:10 | 0:49:13 | |
-it's Steve Furst. -CHEERING AND APPLAUSE | 0:49:13 | 0:49:16 | |
Oh, yes. Is it true? | 0:49:16 | 0:49:18 | |
You got him a part in a film? | 0:49:18 | 0:49:21 | |
Let's just say I pulled some strings. | 0:49:21 | 0:49:24 | |
Told you. I hope you're not too jealous, my little friend. | 0:49:24 | 0:49:27 | |
I guess people just move on, you know. | 0:49:27 | 0:49:29 | |
No, no, no. I think it's great. | 0:49:29 | 0:49:32 | |
I think you deserve it. I'm not jealous at all. | 0:49:32 | 0:49:36 | |
AUDIENCE: Aww! | 0:49:36 | 0:49:37 | |
AUDIENCE: AWWWW! | 0:49:39 | 0:49:41 | |
-Hang on a minute. How big is this part, Fursty? -Big? | 0:49:41 | 0:49:46 | |
Oh, yes, he's the only person in it. | 0:49:46 | 0:49:50 | |
Hear that? This is the big time. | 0:49:50 | 0:49:53 | |
Hang on a minute. The only person in a film that is about a weakling | 0:49:53 | 0:49:56 | |
who can't get a stain out of a carpet? | 0:49:56 | 0:49:59 | |
That's right. Deep, deep. | 0:49:59 | 0:50:01 | |
Well, it's deep...cleaning, technically. | 0:50:01 | 0:50:04 | |
Here. How long is it? | 0:50:05 | 0:50:08 | |
Just turn it in, mate. You're going to blow the part for me. | 0:50:08 | 0:50:11 | |
-It's 30 seconds, maybe even about 20 seconds. -Is it? | 0:50:11 | 0:50:15 | |
That seems quite brief. | 0:50:15 | 0:50:17 | |
You see, you can't give all this up for that. | 0:50:17 | 0:50:21 | |
-Please, take me back. -Get up, you bozo. | 0:50:21 | 0:50:24 | |
I can't bear to hear any more of these low-rent showbiz dealings. | 0:50:24 | 0:50:28 | |
Yeah, save it, Mr Furst. | 0:50:28 | 0:50:30 | |
Save it for the lyrical quick-footed hip-hop genius | 0:50:30 | 0:50:34 | |
of Abandoman. | 0:50:34 | 0:50:35 | |
CHEERING AND APPLAUSE | 0:50:35 | 0:50:39 | |
Here they are again, | 0:50:39 | 0:50:40 | |
it is improvisational rap extraordinaires, Abandoman. | 0:50:40 | 0:50:44 | |
James on the guitar and Rob spitting out the lyrics on the mike. | 0:50:44 | 0:50:47 | |
And when you give them words, | 0:50:47 | 0:50:49 | |
subject or phrases, they will magically include them in their rap. | 0:50:49 | 0:50:53 | |
Yes, but Steve "comedy man" Furst, who does silly dances, | 0:50:53 | 0:50:57 | |
this rap is going to be all about, and serenading, your good self. | 0:50:57 | 0:51:03 | |
Great to meet you. | 0:51:03 | 0:51:04 | |
Steve was in an amazing act we watched for years at the cinema | 0:51:04 | 0:51:07 | |
where Steve plays one of many producers | 0:51:07 | 0:51:09 | |
who gives out money so movies can be made. | 0:51:09 | 0:51:12 | |
Today with your help, we'll try to get a new movie made. | 0:51:12 | 0:51:15 | |
We'll get a few suggestions from you and from Steve. | 0:51:15 | 0:51:18 | |
They will go on cards, all the words have to be used in the song. | 0:51:18 | 0:51:22 | |
Our question is this. | 0:51:22 | 0:51:23 | |
Can you give us the name of a movie character? | 0:51:23 | 0:51:26 | |
Maybe a hero like Simba, a villain like Jaws. Any name. | 0:51:26 | 0:51:31 | |
Dick will go up there and get some names. | 0:51:31 | 0:51:33 | |
We'll put them down on a piece of card. | 0:51:33 | 0:51:35 | |
-You. What's your name? -Finlay. | 0:51:35 | 0:51:38 | |
-Which movie star? -Batman. | 0:51:38 | 0:51:41 | |
Batman, great movie character. Who else has got one? | 0:51:41 | 0:51:44 | |
You. Standy uppy. What's your name? | 0:51:46 | 0:51:49 | |
-Hannah. -Hannah, and which movie star? -Robin Hood. -Robin Hood. | 0:51:49 | 0:51:53 | |
A brilliant movie character, absolutely. Who else has got | 0:51:53 | 0:51:57 | |
-a movie character? -What is your name? | 0:51:57 | 0:52:00 | |
-Sian. -And which movie-star? | 0:52:00 | 0:52:03 | |
Indiana Jones. | 0:52:03 | 0:52:04 | |
Very nice. | 0:52:04 | 0:52:06 | |
Three more. | 0:52:06 | 0:52:09 | |
-What is your name? -Trudy. | 0:52:09 | 0:52:11 | |
-And which movie character would it be? -Nemo. | 0:52:11 | 0:52:14 | |
Nemo from Finding Nemo, lovely. | 0:52:14 | 0:52:16 | |
Yes, hello. What is your name? | 0:52:16 | 0:52:19 | |
-Rebecca. -Tell Rob. | 0:52:19 | 0:52:21 | |
-Rebecca. -No, I know, you've told him your name. | 0:52:21 | 0:52:24 | |
-Tell him your movie character. -Kate Winslet. | 0:52:24 | 0:52:27 | |
Who is a movie character in the show Extras | 0:52:27 | 0:52:29 | |
where she plays herself. Very well done. | 0:52:29 | 0:52:32 | |
-Last one. -Yes, please. What is your name? | 0:52:34 | 0:52:37 | |
-Carys. -OK, tell Rob. | 0:52:37 | 0:52:39 | |
Spider-Man. | 0:52:39 | 0:52:40 | |
Spider-Man. Of course. | 0:52:40 | 0:52:42 | |
Now, we are going to ask one last person, Mr Steve Furst. | 0:52:42 | 0:52:47 | |
You have got a gold card over there, we'd like you to write down | 0:52:47 | 0:52:51 | |
a movie character that you like, a hero or villain. | 0:52:51 | 0:52:53 | |
We are not going to take a look at it but it will be used in the song. | 0:52:53 | 0:52:57 | |
James is a huge fan of Snow White And the Seven Dwarfs. | 0:52:57 | 0:53:01 | |
In 1937, they made a Disney movie about it. | 0:53:01 | 0:53:04 | |
We want to try and remake that movie and make it better with your help, | 0:53:04 | 0:53:09 | |
we'll pitch a new movie to Steve | 0:53:09 | 0:53:11 | |
and hopefully he'll give us the money to make it. | 0:53:11 | 0:53:14 | |
Ladies and gentlemen, we are ready to go. | 0:53:14 | 0:53:16 | |
Before we go any further, welcome to the stage, Kelly-Anne Manhattan. | 0:53:16 | 0:53:20 | |
CHEERING AND APPLAUSE | 0:53:20 | 0:53:23 | |
There she is, Kelly-Anne Manhattan. You usually end the show every week | 0:53:23 | 0:53:28 | |
by performing a musical interlude on an instrument. | 0:53:28 | 0:53:32 | |
-And today... -I've got it. | 0:53:32 | 0:53:35 | |
It is a trumpet. | 0:53:35 | 0:53:36 | |
So, blow into that when we've all finished. OK, Rob take it way, mate. | 0:53:36 | 0:53:42 | |
Ladies and gentlemen, this is the musical movie pitch, | 0:53:42 | 0:53:46 | |
this is for Steve Furst. | 0:53:46 | 0:53:47 | |
Ladies and gentlemen, please make some noise. | 0:53:47 | 0:53:50 | |
CHEERING | 0:53:50 | 0:53:51 | |
# We are going to make a movie like you haven't seen before | 0:53:51 | 0:53:56 | |
# It's gonna be a remake of Snow White and the Seven Dwarves. | 0:53:56 | 0:54:01 | |
# We're gonna make a movie. # | 0:54:01 | 0:54:02 | |
(RAPS) Yes, sir, you see I've a plan | 0:54:02 | 0:54:04 | |
I really want to cast Mr Spider-Man | 0:54:04 | 0:54:06 | |
That's right, you know now, man, you see me | 0:54:06 | 0:54:08 | |
I want him to play the character Sleepy | 0:54:08 | 0:54:11 | |
I know that it's hard but he's going to play one of the dwarves | 0:54:11 | 0:54:14 | |
That's just the start, I've scoured the world, I've scoured the planet | 0:54:14 | 0:54:18 | |
Now I'm gonna cast the girl from the Titanic | 0:54:18 | 0:54:21 | |
That's why you know Yes, man, you know me | 0:54:21 | 0:54:22 | |
Kate Winslet will play the part of Dopey | 0:54:22 | 0:54:25 | |
You know right now See my heart blow | 0:54:25 | 0:54:28 | |
This time she's away from Leonardo | 0:54:28 | 0:54:30 | |
The next one, I promise you This will be hot | 0:54:30 | 0:54:32 | |
The next dwarf I believe his name is Doc | 0:54:32 | 0:54:35 | |
And you know who we're going Yes, folks, we know | 0:54:35 | 0:54:37 | |
It's going to be a fish We're going to find Nemo | 0:54:37 | 0:54:40 | |
That's right, that's a handful, but the next one, I believe is Bashful | 0:54:40 | 0:54:44 | |
And you know, we're so into soul | 0:54:44 | 0:54:46 | |
We want an action Bashful Indiana Jones | 0:54:46 | 0:54:49 | |
That's right, yes man, I see you | 0:54:49 | 0:54:51 | |
Picking who'll direct it I'm going for Spielberg | 0:54:51 | 0:54:54 | |
But right now, yes, you see me | 0:54:54 | 0:54:56 | |
I'm trying to cast the character that will be Sneezy | 0:54:56 | 0:54:59 | |
We've got folks that are often good | 0:54:59 | 0:55:01 | |
But one person we don't have - Robin Hood | 0:55:01 | 0:55:04 | |
He wasn't the greatest person we've come across, kids | 0:55:04 | 0:55:06 | |
We can set this in Sherwood forest | 0:55:06 | 0:55:08 | |
Last one, yes, I met him last week | 0:55:08 | 0:55:10 | |
I thought, I'm going to cast him as Happy | 0:55:10 | 0:55:13 | |
You know they said that it is a mad plan | 0:55:13 | 0:55:15 | |
But I'm going to cast Mr Batman | 0:55:15 | 0:55:17 | |
That's right, they say that it's too insane | 0:55:17 | 0:55:19 | |
He can't play Happy Yes, he can, he's Bruce Wayne | 0:55:19 | 0:55:23 | |
Last one, you know This one will be lovely | 0:55:23 | 0:55:25 | |
The last character will play Mr Grumpy | 0:55:25 | 0:55:28 | |
Yes, sir, yes, sir you've guessed | 0:55:28 | 0:55:30 | |
Make some noise He'll be played by Shrek | 0:55:30 | 0:55:31 | |
You know it's good You know it's a scene | 0:55:31 | 0:55:34 | |
At least one character must be green | 0:55:34 | 0:55:37 | |
-Can we make this movie? -Yes we can! -Can we make this movie? -Yes we can! | 0:55:37 | 0:55:41 | |
-Can we make this movie? -Yes we can. | 0:55:41 | 0:55:44 | |
Thank you very much, we're Aban-do-man. | 0:55:44 | 0:55:48 | |
CHEERING AND APPLAUSE | 0:55:48 | 0:55:52 | |
BREATHY NOTE | 0:55:53 | 0:55:55 | |
CHEERING AND APPLAUSE | 0:55:55 | 0:55:58 | |
Put your hands together one more time for James and Rob, Abandoman! | 0:55:58 | 0:56:01 | |
CHEERING AND APPLAUSE | 0:56:01 | 0:56:05 | |
That's all the funny business that we've got time for, | 0:56:05 | 0:56:08 | |
so please would you thank the amazing cast? | 0:56:08 | 0:56:11 | |
-Let's thank... -The Idiots of Ants. -CHEERING AND APPLAUSE | 0:56:11 | 0:56:16 | |
Keep it going for Thankless Child. | 0:56:16 | 0:56:19 | |
And the Penny Dreadfuls have been here. | 0:56:22 | 0:56:25 | |
The Hornblower herself, Kelly-Anne Manhattan. | 0:56:28 | 0:56:32 | |
Not forgetting this week's special guest, the amazing Steve Furst. | 0:56:34 | 0:56:38 | |
That's all we've got time for, join us next week for more Funny Business. | 0:56:41 | 0:56:45 | |
-Bye! -Bye! | 0:56:45 | 0:56:47 | |
Subtitles by Red Bee Media Ltd | 0:56:50 | 0:56:53 | |
E-mail [email protected] | 0:56:53 | 0:56:55 | |
-You know what's weird? And don't say me. -Most of today? | 0:57:10 | 0:57:14 | |
No, no. I really miss Dixie. | 0:57:14 | 0:57:17 | |
-Really? -See, I never had a sister. | 0:57:17 | 0:57:19 | |
And my brother, he was really funny about dressing up. | 0:57:19 | 0:57:22 | |
Ain't that the truth. | 0:57:22 | 0:57:23 | |
All right, look. Just wait here. | 0:57:24 | 0:57:28 | |
Special treat. | 0:57:28 | 0:57:31 | |
Just wait there | 0:57:31 | 0:57:32 | |
-(HIGH-PITCHED) Look who's come to visit. -Who? | 0:57:34 | 0:57:38 | |
Your long-lost sister. Dometta. | 0:57:40 | 0:57:43 | |
-It's so lovely to see you. -It's lovely to see you too. | 0:57:43 | 0:57:49 | |
(LOW-PITCHED) But it is for one day only, all right? | 0:57:49 | 0:57:53 | |
-(HIGH) Fancy getting some fish and chips? -I would love to. | 0:57:53 | 0:57:56 | |
Oh, shall we bring Dom? | 0:57:58 | 0:58:00 | |
What is it about this that you don't get? | 0:58:00 | 0:58:03 |