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Welcome to the world of epic, | 0:00:04 | 0:00:06 | |
the place where you can become a master at everything on the planet. | 0:00:06 | 0:00:11 | |
No matter what it is, this programme shows you how to do it. | 0:00:11 | 0:00:15 | |
So, sit back, strap yourself in, | 0:00:15 | 0:00:17 | |
and get ready to become epic at everything! | 0:00:17 | 0:00:22 | |
Welcome to your total random fix of a epicness. | 0:00:22 | 0:00:26 | |
We've got an amazing line-up of experts, hotshots, | 0:00:27 | 0:00:30 | |
and all-round dudes | 0:00:30 | 0:00:31 | |
with the low-down on how you can do what they can do. | 0:00:31 | 0:00:35 | |
In just 15 minutes, you'll know how to... | 0:00:35 | 0:00:38 | |
live with wolves, | 0:00:38 | 0:00:39 | |
do a beautiful curtsy, | 0:00:39 | 0:00:41 | |
catch a ball on the back of your neck, | 0:00:41 | 0:00:43 | |
build the perfect sand castle, | 0:00:43 | 0:00:45 | |
play air guitar, | 0:00:45 | 0:00:46 | |
and this kid will show you how to escape from Alcatraz. | 0:00:46 | 0:00:50 | |
But, before all of that, | 0:00:50 | 0:00:51 | |
it's time for our first stop on the Epic Express. | 0:00:51 | 0:00:53 | |
If you're going to throw a party, then this girl can help you out, | 0:00:53 | 0:00:57 | |
because you want people dancing, don't you? | 0:00:57 | 0:00:59 | |
And dancing all night long. | 0:00:59 | 0:01:01 | |
That means you two, too. | 0:01:01 | 0:01:03 | |
Lucky for you, we've got top DJ B. Traits | 0:01:03 | 0:01:05 | |
to show you how to get your party pumping. | 0:01:05 | 0:01:07 | |
Hey, I'm B.Traits, music producer, DJ, | 0:01:10 | 0:01:12 | |
and radio presenter here at the world-famous BBC Radio 1. | 0:01:12 | 0:01:16 | |
I've DJ-ed at festivals and clubs all over the world | 0:01:16 | 0:01:19 | |
and today I'm going to be telling you guys | 0:01:19 | 0:01:21 | |
a little bit about how to DJ the perfect party. | 0:01:21 | 0:01:24 | |
Whoo-hoo! Let's party! | 0:01:24 | 0:01:25 | |
You may think it's all about picking your favourite tunes, | 0:01:25 | 0:01:28 | |
but there's more to it than that. | 0:01:28 | 0:01:30 | |
The first thing you want to do is pick an intro track, | 0:01:30 | 0:01:33 | |
something that will grab your audience's attention. | 0:01:33 | 0:01:36 | |
This is the one I've picked. MUSIC | 0:01:36 | 0:01:38 | |
I was going to go for Tom Jones. This is probably cooler. | 0:01:38 | 0:01:41 | |
The most important thing for DJ-ing a party is to really enjoy the music. | 0:01:41 | 0:01:45 | |
You don't want to be a DJ who just stands there and looks bored. | 0:01:45 | 0:01:49 | |
You want to have a good time. Really enjoy the music that you pick. | 0:01:49 | 0:01:53 | |
OK, B.Traits, let's see you in action. | 0:01:53 | 0:01:55 | |
Rocking! | 0:01:58 | 0:01:59 | |
So, your finishing track is almost as important as your intro track. | 0:01:59 | 0:02:03 | |
For example, I like to end my DJ set on something like this. | 0:02:03 | 0:02:07 | |
MUSIC: "On A Ragga Tip" by SL2 | 0:02:07 | 0:02:09 | |
Everybody goes crazy to it, everybody sings along. | 0:02:09 | 0:02:11 | |
It's a perfect ending track. | 0:02:11 | 0:02:13 | |
TRACK CONTINUES | 0:02:13 | 0:02:16 | |
And that's how you DJ the perfect party. | 0:02:16 | 0:02:19 | |
Nice one, B.Traits. See you later. | 0:02:19 | 0:02:21 | |
That's one blast of epicness done, six more to go. | 0:02:22 | 0:02:25 | |
Ever wanted to wow your mates with a cool football trick? | 0:02:25 | 0:02:28 | |
Well, top freestyling legend John Farnworth is here to show you how. | 0:02:28 | 0:02:32 | |
-Hi there! -Hi, John. | 0:02:34 | 0:02:35 | |
I'm going to show you a football freestyling trick | 0:02:35 | 0:02:38 | |
called the neck stall. | 0:02:38 | 0:02:39 | |
Looks brutal! | 0:02:39 | 0:02:41 | |
-So, do you want to know how to do it? -Yes, please. | 0:02:41 | 0:02:44 | |
This involves catching the ball on the back of your neck and holding it. | 0:02:44 | 0:02:47 | |
It should be done from the feet, like this. | 0:02:47 | 0:02:50 | |
Yikes! | 0:02:51 | 0:02:52 | |
-While you're learning, it's best to start from hands. -Oh! | 0:02:52 | 0:02:56 | |
OK, John. Show us the skills. | 0:02:57 | 0:03:00 | |
Step one, throw the ball above the head straight in the air, | 0:03:00 | 0:03:03 | |
-but not too high. Around 30cm. -Easiest thing I've done all day! | 0:03:03 | 0:03:07 | |
Step two, position your body as if to head the ball, | 0:03:07 | 0:03:10 | |
but before the ball hits your head, | 0:03:10 | 0:03:12 | |
duck down and cushion it on the back of your neck. | 0:03:12 | 0:03:15 | |
You've got to be kidding! Help me out here, John. | 0:03:15 | 0:03:18 | |
A good tip to remember is to start in a standing position | 0:03:18 | 0:03:21 | |
and then bend over so your upper body is parallel to the floor, like this. | 0:03:21 | 0:03:26 | |
And it's also worth holding the ball in this position | 0:03:26 | 0:03:29 | |
so you can get used to the balance and the feel. | 0:03:29 | 0:03:31 | |
Maybe practise this bit in private! | 0:03:31 | 0:03:34 | |
Once you've mastered the technique, it's time to give this trick a go. | 0:03:34 | 0:03:38 | |
Start with the feet, flick it up nice and straight... | 0:03:38 | 0:03:41 | |
Cushion on the neck, keep your back straight, your head up, | 0:03:42 | 0:03:46 | |
and your arms can be back or stretched out to the side. | 0:03:46 | 0:03:49 | |
So, to do an epic next neck stall, | 0:03:50 | 0:03:52 | |
start by throwing the ball straight up, go to head the ball, | 0:03:52 | 0:03:56 | |
but at the last minute bend over to catch it on your neck. | 0:03:56 | 0:03:59 | |
Keep your shoulders back to balance the ball. | 0:03:59 | 0:04:02 | |
Once you get confident, you can even stick in a few new, cool moves. | 0:04:02 | 0:04:05 | |
Yep, totally useless in a game of football, but outrageously epic. | 0:04:07 | 0:04:11 | |
And that's how to be epic at the next stall. | 0:04:13 | 0:04:15 | |
Thank you, John. | 0:04:15 | 0:04:18 | |
We are taking this right from the H to the T - | 0:04:18 | 0:04:20 | |
that's head to the toe between me and you. | 0:04:20 | 0:04:23 | |
Grab your ballet shoes and get on your tippies. | 0:04:23 | 0:04:27 | |
Ballet is truly epic. | 0:04:27 | 0:04:29 | |
You get to stand on your toes, twirl around, and wear a tutu... | 0:04:29 | 0:04:33 | |
HE CLEARS THROAT | 0:04:33 | 0:04:34 | |
I mean tights. Yeah, it's dead manly. | 0:04:34 | 0:04:36 | |
Anyway, want to know how to do it like a pro? Watch this girl. | 0:04:36 | 0:04:40 | |
My name is Lizzie Gough | 0:04:40 | 0:04:41 | |
and I'm going to show you how to curtsy | 0:04:41 | 0:04:43 | |
like a prima ballerina. | 0:04:43 | 0:04:45 | |
Do what? Like who? | 0:04:45 | 0:04:47 | |
Ah! But how? | 0:04:48 | 0:04:51 | |
You're going to start off in a ballet position | 0:04:51 | 0:04:54 | |
which is known as first position, and it looks like this. | 0:04:54 | 0:04:57 | |
I'm a natural! | 0:04:57 | 0:04:58 | |
From here, you're going to point your foot to the side | 0:04:58 | 0:05:01 | |
and you're going to transfer your weight onto this foot | 0:05:01 | 0:05:04 | |
and open your arms out. | 0:05:04 | 0:05:06 | |
Got it! Next. | 0:05:06 | 0:05:07 | |
Then you're going to slide this foot backwards | 0:05:07 | 0:05:10 | |
and you're going to transfer your weight back up | 0:05:10 | 0:05:13 | |
and open your hands and point your front foot. | 0:05:13 | 0:05:16 | |
I thought this was going to be easy! | 0:05:16 | 0:05:19 | |
Then you're going to close it off back into first position. | 0:05:19 | 0:05:22 | |
-And, curtsy. -You're going to point your foot to the side. | 0:05:22 | 0:05:25 | |
-Oh, there's more! -You're going to transfer your weight onto this foot. | 0:05:25 | 0:05:29 | |
At the same time, you're going to bring the back foot behind | 0:05:29 | 0:05:33 | |
and bend forward and take your arm across. | 0:05:33 | 0:05:36 | |
Phew! Curtsying is complicated. | 0:05:36 | 0:05:39 | |
Once more for me. | 0:05:39 | 0:05:40 | |
So, to curtsy, you need to do this with your arms, | 0:05:40 | 0:05:43 | |
lots of pointing with your toes, the odd slide, | 0:05:43 | 0:05:47 | |
and, finally... Yeah, that! | 0:05:47 | 0:05:48 | |
APPLAUSE | 0:05:50 | 0:05:51 | |
And that's how you can be epic doing a curtsy. | 0:05:51 | 0:05:54 | |
Cool moves, Lizzie. I just need to learn how to dance now! | 0:05:54 | 0:05:57 | |
We're at the halfway point en route to ultimate epicness. | 0:05:57 | 0:06:01 | |
Get a load of what's still to come. | 0:06:01 | 0:06:03 | |
Our own king of uselessness shows you how to do this, | 0:06:03 | 0:06:07 | |
we learn the art of sand-castling, | 0:06:07 | 0:06:09 | |
and this guy tells us how to make friends with those. | 0:06:09 | 0:06:12 | |
First, do you want to know how to escape from Alcatraz? Course you do! | 0:06:12 | 0:06:17 | |
Alcatraz, it's the most epic prison ever. | 0:06:17 | 0:06:21 | |
In its time, 36 prisoners tried to escape. 33 failed. | 0:06:21 | 0:06:26 | |
It's now just a tourist attraction in San Francisco, | 0:06:26 | 0:06:29 | |
so it's unlikely that you'll ever need to know how to escape. | 0:06:29 | 0:06:32 | |
Or would you? | 0:06:32 | 0:06:34 | |
Picture the scene. | 0:06:34 | 0:06:36 | |
You're in class, it's hours to lunch so you decide to chew some gum. | 0:06:36 | 0:06:40 | |
But your teacher catches you and puts you in detention. | 0:06:40 | 0:06:44 | |
But it isn't the first time you've been in trouble, is it? | 0:06:44 | 0:06:47 | |
So this time you're sent to detention...in Alcatraz! | 0:06:47 | 0:06:51 | |
You need to know how to escape. | 0:06:51 | 0:06:53 | |
Only three people have ever managed it. | 0:06:53 | 0:06:56 | |
Here's Hollywood actor and history fan Stephen Graham | 0:06:56 | 0:06:59 | |
to tell you how to escape this hellhole. | 0:06:59 | 0:07:02 | |
What do we need, Stephen? | 0:07:02 | 0:07:03 | |
-Firstly, you need a spoon. -A spoon? | 0:07:03 | 0:07:06 | |
You wouldn't have access to any other tools, | 0:07:06 | 0:07:09 | |
but a spoon you could easily get from the canteen. | 0:07:09 | 0:07:12 | |
Then, you would have to slowly chip away at the concrete | 0:07:12 | 0:07:16 | |
in a ventilation grille night after night after night. | 0:07:16 | 0:07:20 | |
-You still want to do this? -Er... No. | 0:07:22 | 0:07:25 | |
Once you go through that, | 0:07:25 | 0:07:27 | |
it'll take you to the roof, | 0:07:27 | 0:07:29 | |
where you can start to build your boat. | 0:07:29 | 0:07:31 | |
Legend has it that the three men that escaped | 0:07:31 | 0:07:34 | |
used prison raincoats for their raft. | 0:07:34 | 0:07:36 | |
So, best get your sewing skills up to scratch. | 0:07:36 | 0:07:39 | |
Now, where's my thimble? | 0:07:39 | 0:07:40 | |
When you're raft was ready, | 0:07:42 | 0:07:43 | |
all you had to do was make the perfect dummy | 0:07:43 | 0:07:46 | |
which looked exactly like you. | 0:07:46 | 0:07:48 | |
-So you could leave it in your bed to fool the guards. -OK. Now what? | 0:07:48 | 0:07:54 | |
Simply escape through your covered hole, | 0:07:54 | 0:07:56 | |
climb the water pipes to the roof, collect your raft, | 0:07:56 | 0:08:00 | |
climb 50 metres down to the ground, | 0:08:00 | 0:08:03 | |
inflate your raft with a stolen accordion... | 0:08:03 | 0:08:06 | |
Accordion? What? | 0:08:06 | 0:08:08 | |
And then, set sail. | 0:08:08 | 0:08:10 | |
You'd have to paddle like crazy until you see daylight. | 0:08:10 | 0:08:14 | |
Then, it's time to see where you ended up. | 0:08:14 | 0:08:18 | |
Hurray! Tenerife! | 0:08:18 | 0:08:21 | |
Oh, no. It's Alcatraz. | 0:08:21 | 0:08:23 | |
-That is how to escape from Alcatraz. -Thank you, Stephen. | 0:08:23 | 0:08:27 | |
From prisons to castles - of the sand variety. Ever made one? | 0:08:28 | 0:08:32 | |
Of course you have. Was it epic? Probably not. | 0:08:32 | 0:08:35 | |
So, you're ashamed of your sand castles? Desperate to do better? | 0:08:37 | 0:08:40 | |
There is only one man you need to call. | 0:08:40 | 0:08:42 | |
Expert in all things seasidey, | 0:08:42 | 0:08:45 | |
he's a marine biologist and he's epic. | 0:08:45 | 0:08:47 | |
Hi, I'm Blowfish. | 0:08:47 | 0:08:48 | |
Anyone can build a sand castle, | 0:08:48 | 0:08:50 | |
but if you follow my instructions, | 0:08:50 | 0:08:52 | |
-you're going to build an epic one. -Epic! | 0:08:52 | 0:08:55 | |
This is the most important part, so listen up. | 0:08:55 | 0:08:58 | |
You need to get the perfect mixture. Here's a Blowfish top tip. | 0:08:58 | 0:09:03 | |
I use one part water to eight parts sand | 0:09:03 | 0:09:06 | |
and I get some cracking results. | 0:09:06 | 0:09:09 | |
-A level, flattened base always works best. -Done! What's next? | 0:09:09 | 0:09:13 | |
-Carve the sound using the best tool you have. -A spade. | 0:09:13 | 0:09:17 | |
-Your hands. -Really? | 0:09:17 | 0:09:20 | |
They'll allow you to sculpt the sand | 0:09:20 | 0:09:22 | |
and compact it without affecting its structural integrity. | 0:09:22 | 0:09:27 | |
Inner what? | 0:09:27 | 0:09:28 | |
When you've finished, take a stake step back | 0:09:28 | 0:09:31 | |
and admire your awesome work. | 0:09:31 | 0:09:33 | |
That's how to build an epic sand castle. | 0:09:33 | 0:09:36 | |
Or a mound of sand with "epic" written in it. Thanks, Fish. | 0:09:36 | 0:09:39 | |
From our resident Metallica-loving marine biologist | 0:09:40 | 0:09:43 | |
to our rock-righteous king of all things brilliantly useless. | 0:09:43 | 0:09:46 | |
Today, he is off the chart. | 0:09:46 | 0:09:48 | |
He's the Prince of Pointlessness, the Emperor of the Absurd, | 0:09:50 | 0:09:53 | |
the Saint of Silliness. | 0:09:53 | 0:09:55 | |
He's Max Byrne, and he's always got a trick | 0:09:55 | 0:09:57 | |
that's totally useless but brilliant! | 0:09:57 | 0:10:00 | |
WAH! | 0:10:00 | 0:10:01 | |
This time, you'll need an invisible guitar. | 0:10:01 | 0:10:04 | |
-The best thing about air guitar is that there's no rules. -Whoo-hoo! | 0:10:04 | 0:10:09 | |
-Apart from these three. -Oh. | 0:10:09 | 0:10:11 | |
One is technical. That's your basic strum. | 0:10:13 | 0:10:16 | |
To your lick. | 0:10:18 | 0:10:19 | |
MUSIC | 0:10:20 | 0:10:22 | |
Strum, lick. Got it! | 0:10:22 | 0:10:24 | |
Two, is stage presence. I'm better than you. | 0:10:24 | 0:10:27 | |
How's it going? Yes, I am. Ah! | 0:10:27 | 0:10:32 | |
Go, Max! Go! | 0:10:32 | 0:10:33 | |
And, three, is my elastic guitar. | 0:10:34 | 0:10:37 | |
This better be good. | 0:10:37 | 0:10:39 | |
ELECTRIC GUITAR SCREECHES | 0:10:39 | 0:10:41 | |
And, it is! Max Byrne, Rock God. | 0:10:41 | 0:10:43 | |
-Put them all together. This is what you get. -Rocktastic! | 0:10:45 | 0:10:49 | |
-How's it going? -I'm all right, thank you. | 0:10:49 | 0:10:52 | |
Thanks, Max. | 0:10:55 | 0:10:57 | |
Today's dose of epicness is almost over. | 0:10:57 | 0:11:00 | |
But chill out and get your chin up, there's still time for one more hit. | 0:11:00 | 0:11:03 | |
And this one's a howler. | 0:11:03 | 0:11:06 | |
Wolves are epic. | 0:11:06 | 0:11:09 | |
They have their own TV show. | 0:11:09 | 0:11:11 | |
They run and eat lettuce. | 0:11:11 | 0:11:13 | |
I mean, raw meat. | 0:11:13 | 0:11:15 | |
Wolves can snarl, howl, | 0:11:15 | 0:11:17 | |
and even ride quad bikes. | 0:11:17 | 0:11:19 | |
Oh, no, sorry, that's Shaun Ellis. | 0:11:19 | 0:11:22 | |
He's not a wolf but a wolfman, the only human ever - I think - | 0:11:22 | 0:11:26 | |
to become part of a wolf pack, | 0:11:26 | 0:11:28 | |
and now he's going to teach you how you can do it. | 0:11:28 | 0:11:30 | |
But please don't try it. Seriously. | 0:11:30 | 0:11:33 | |
HE HOWLS | 0:11:33 | 0:11:38 | |
Hi, my name's Shaun Ellis, and I'm going to teach you | 0:11:38 | 0:11:41 | |
how to be part of a wolf pack. | 0:11:41 | 0:11:42 | |
What? Nooooo! | 0:11:42 | 0:11:44 | |
As you can imagine, it's never easy to become part of a wolf family. | 0:11:44 | 0:11:47 | |
You can take the animal from the wild, | 0:11:47 | 0:11:49 | |
but you can never take the wild from the animal. | 0:11:49 | 0:11:51 | |
OK, wild animals are dangerous but, hypothetically, | 0:11:51 | 0:11:54 | |
here's how to go about living with wolves. Step one. | 0:11:54 | 0:11:58 | |
The first thing you have to remember | 0:11:58 | 0:12:00 | |
when you come and join a pack of wolves is | 0:12:00 | 0:12:02 | |
you have to smell like them. | 0:12:02 | 0:12:03 | |
-You can't smell like a human. -Done. | 0:12:03 | 0:12:05 | |
A good tip for this is not to have a wash, | 0:12:05 | 0:12:08 | |
not to wear strong perfumes or aftershaves. | 0:12:08 | 0:12:10 | |
Smell of them and the environment they live in. | 0:12:10 | 0:12:13 | |
OK, I'm stinky. Step two, how do we approach these furry beasts? | 0:12:13 | 0:12:17 | |
Wolves can hear your heart rate from some five to ten metres away, | 0:12:17 | 0:12:20 | |
so if you're nervous or upset or even angry with them, | 0:12:20 | 0:12:22 | |
-they pick that up very, very quickly. -Uh-oh! | 0:12:22 | 0:12:25 | |
Each wolf has its own individual howl. | 0:12:25 | 0:12:27 | |
I have mine, they have theirs, | 0:12:27 | 0:12:29 | |
so it's important that you perfect yours. | 0:12:29 | 0:12:32 | |
HE HOWLS | 0:12:32 | 0:12:34 | |
THEY HOWL | 0:12:34 | 0:12:36 | |
NARRATOR HOWLS THEN COUGHS | 0:12:36 | 0:12:39 | |
I'll keep practising. Step three - meal time. | 0:12:39 | 0:12:43 | |
In order to live with wolves, you have to eat with wolves, | 0:12:43 | 0:12:45 | |
and this can be a little bit of a messy business. | 0:12:45 | 0:12:48 | |
You should try eating round my mum's! | 0:12:48 | 0:12:51 | |
Don't be rude, Shaun, who's your family? | 0:12:51 | 0:12:53 | |
The individual pack members we've got here is Nata, | 0:12:53 | 0:12:56 | |
the dominant male, the decision-making male. | 0:12:56 | 0:12:59 | |
Cheyenne, our dominant female. | 0:12:59 | 0:13:00 | |
She would make decisions on what to provide for the pack, | 0:13:00 | 0:13:03 | |
which in the wild would include this meal. | 0:13:03 | 0:13:06 | |
We then have Teejas, the black wolf over here. | 0:13:06 | 0:13:08 | |
He's the minder, the muscle in the pack, | 0:13:08 | 0:13:10 | |
and it's his job to look after these guys and me. And in the wild, | 0:13:10 | 0:13:14 | |
he would lay down his own life to make sure that these guys survive. | 0:13:14 | 0:13:17 | |
Fair play. Now, what's for dinner? | 0:13:17 | 0:13:20 | |
You can see I'm not actually eating... | 0:13:20 | 0:13:22 | |
-HE GROWLS -Temper, temper. | 0:13:22 | 0:13:24 | |
..any of this meal. But I do have to be prepared to defend | 0:13:24 | 0:13:27 | |
what I would be eating normally. | 0:13:27 | 0:13:28 | |
It's a bit tense. | 0:13:32 | 0:13:33 | |
And that's how to be part of a wolf pack. | 0:13:37 | 0:13:39 | |
Thank you, Shaun. Has anyone ever told you you've got a lovely smile? | 0:13:39 | 0:13:43 | |
Right, that brings us to the end of 15 minutes of total random epicness. | 0:13:46 | 0:13:51 | |
You should now be able to try this... | 0:13:51 | 0:13:54 | |
And this... | 0:13:54 | 0:13:55 | |
That... | 0:13:55 | 0:13:57 | |
And that... This... | 0:13:57 | 0:13:59 | |
This... And even that. | 0:13:59 | 0:14:02 | |
Now, go forth and be epic at everything! | 0:14:02 | 0:14:06 |