Browse content similar to The Girl is Mine. Check below for episodes and series from the same categories and more!
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Hey, where are you headed? | 0:00:02 | 0:00:03 | |
-Um, make-up. You? -Make-up. You? | 0:00:03 | 0:00:07 | |
Haven't you been done already? | 0:00:07 | 0:00:08 | |
Shiny nose. Talk about Rudolph. Wait. | 0:00:08 | 0:00:11 | |
Haven't you already got make-up on? | 0:00:11 | 0:00:12 | |
I...like it. | 0:00:12 | 0:00:14 | |
And, I've got a greasy T-zone, so... | 0:00:14 | 0:00:17 | |
But you don't need make-up! | 0:00:17 | 0:00:19 | |
Well, neither do you! | 0:00:19 | 0:00:20 | |
-Hi, guys. -Hi, Sandy. | 0:00:30 | 0:00:33 | |
So...Sandy. | 0:01:05 | 0:01:08 | |
-I'm gonna ask her out. -What?! No - you can't ask her out. | 0:01:08 | 0:01:11 | |
That's not fair! I...really, really like her. | 0:01:11 | 0:01:15 | |
Well, so do I. | 0:01:15 | 0:01:16 | |
Maybe with one less "really". | 0:01:16 | 0:01:20 | |
In fact, I'm pretty much planning my moves as we speak. | 0:01:20 | 0:01:23 | |
-You've got moves? -I have many moves. | 0:01:23 | 0:01:26 | |
Yeah, well, I have many moves, too. | 0:01:26 | 0:01:32 | |
PUNCHING SOUNDS | 0:01:32 | 0:01:34 | |
BELL RINGS | 0:01:34 | 0:01:37 | |
Right, I'm not getting back up, am I? | 0:01:37 | 0:01:40 | |
Nope, you're pretty much kissing the canvas. | 0:01:40 | 0:01:44 | |
Are you sure you'll be OK without your dad and me for a few days? | 0:01:44 | 0:01:48 | |
Why is everyone looking at me? | 0:01:50 | 0:01:52 | |
Because of your grade eight cello exam? | 0:01:52 | 0:01:55 | |
So? | 0:01:55 | 0:01:56 | |
If it's anything like grade five and six, I'm going with Mum and Dad. | 0:01:56 | 0:02:00 | |
And if it's anything like grade seven, I'm not coming back! | 0:02:00 | 0:02:03 | |
Relax! I've got it under control. | 0:02:03 | 0:02:05 | |
I've got my practice timetable right there. Argh! | 0:02:05 | 0:02:09 | |
It's not there. | 0:02:09 | 0:02:11 | |
Where's it gone? I've lost my timetable! | 0:02:11 | 0:02:14 | |
It's OK. I've got it. | 0:02:14 | 0:02:18 | |
-Maybe we shouldn't go. -Mum... | 0:02:18 | 0:02:21 | |
You and Gary need to spend time alone and, you know, cement the bonds of your marriage and stuff. | 0:02:21 | 0:02:28 | |
You just want to perform without us on Friday. | 0:02:29 | 0:02:32 | |
Yeah, I know. It's gonna be so cool! | 0:02:32 | 0:02:35 | |
-But we'll miss you! -Hmm. | 0:02:35 | 0:02:38 | |
-OK, lotta plans! -I thought we agreed no plans? Just see where the road takes us? | 0:02:42 | 0:02:47 | |
Which will be the Museum of Musical Instruments on the B6347. | 0:02:47 | 0:02:52 | |
Whoa, party on! | 0:02:52 | 0:02:53 | |
OK, we just need the babysitter to get here and we can get off. | 0:02:53 | 0:02:57 | |
Ah. | 0:02:57 | 0:02:58 | |
Ladies and gentlemen, welcome The Babysitter! | 0:03:02 | 0:03:06 | |
-Grandad! -'Ello, kitchen! | 0:03:06 | 0:03:08 | |
Oh, whoa, whoa... Whoa, whoa... I'm gonna need a leg up here, leg up. | 0:03:12 | 0:03:17 | |
Whoa, whoa, whoa, whoa. Head-rush, head-rush. | 0:03:17 | 0:03:19 | |
-OK, Gran-dude? -Yes, and less of the gran, a bit more of the dude. | 0:03:19 | 0:03:23 | |
Dad's the babysitter?! | 0:03:23 | 0:03:25 | |
-Relax, I've done this before. -That's what I'm scared of. -What's the big deal? You always got home. | 0:03:25 | 0:03:30 | |
I'm kidding. I'm kidding. Listen, don't worry about the kids, don't worry about the show. | 0:03:30 | 0:03:35 | |
-Have I ever let you down? -Well... | 0:03:35 | 0:03:38 | |
Come on, you ain't got all day. | 0:03:38 | 0:03:41 | |
Bye, kids! Have fun! | 0:03:41 | 0:03:43 | |
Try not to break anything. | 0:03:43 | 0:03:45 | |
ALL: We won't! | 0:03:45 | 0:03:46 | |
I was talking to Terry. | 0:03:46 | 0:03:49 | |
Swann family rulebook. | 0:03:49 | 0:03:50 | |
Cleaning rotas, bedtimes, dos and don'ts. Read it. Bye! | 0:03:50 | 0:03:55 | |
Bye! | 0:03:55 | 0:03:57 | |
Rules? Where we're going, we don't need any rules. | 0:03:59 | 0:04:04 | |
Hey! | 0:04:07 | 0:04:08 | |
C'mon, move it. This is our first show without the oldies and I wanna make the most of it. | 0:04:11 | 0:04:17 | |
We can do whatever we want! | 0:04:17 | 0:04:19 | |
How about we try something a little bit crazy, a little bit out there, a bit...baroque? | 0:04:19 | 0:04:26 | |
SHE PLAYS CLASSICAL STYLE MUSIC | 0:04:26 | 0:04:28 | |
-Grade eight-stylee. -OK, let me explain. | 0:04:31 | 0:04:34 | |
We can do whatever we want...that's not dorky. | 0:04:34 | 0:04:38 | |
So, I see a single spotlight, you guys in the shadows, and me doing this... | 0:04:38 | 0:04:44 | |
And then...hit it, Isaac! | 0:04:46 | 0:04:48 | |
THEY START TO PLAY | 0:04:48 | 0:04:50 | |
Hold up! Hold up! | 0:04:54 | 0:04:57 | |
I haven't missed anything, have I? Just give me a moment. | 0:04:57 | 0:05:00 | |
This baby's seen some action. | 0:05:02 | 0:05:05 | |
Sorry, Terry. | 0:05:05 | 0:05:07 | |
We're actually trying to rehearse at the moment, for the show. | 0:05:07 | 0:05:11 | |
Yeah. By ourselves. | 0:05:11 | 0:05:13 | |
That's why I'm here. I've been on the phone to your producer. | 0:05:13 | 0:05:16 | |
We're going to be doing one of my old numbers. | 0:05:16 | 0:05:19 | |
SHE LAUGHS HYSTERICALLY | 0:05:19 | 0:05:22 | |
You're serious? | 0:05:24 | 0:05:26 | |
I thought we'd do my classic, On The Road. | 0:05:26 | 0:05:28 | |
Follow me. This is how she goes... | 0:05:28 | 0:05:32 | |
# I'm on the road again | 0:05:35 | 0:05:38 | |
# That much is true | 0:05:38 | 0:05:41 | |
# I'm on the road again | 0:05:41 | 0:05:45 | |
# It's taking me away from you... # | 0:05:45 | 0:05:47 | |
Hadley, that's where you come in. | 0:05:47 | 0:05:50 | |
It's all right - I got it covered. It's all right. | 0:05:50 | 0:05:53 | |
Isaac, on the drums. Get some skins going. Bah dah boom bam bam... | 0:05:53 | 0:05:57 | |
Aretha, it's more like, "Aaaaah!" | 0:05:57 | 0:06:01 | |
# I'm on the road again | 0:06:01 | 0:06:03 | |
# That much is true | 0:06:03 | 0:06:06 | |
# I'm on the road again | 0:06:07 | 0:06:09 | |
# It's taking me away from you. # | 0:06:09 | 0:06:14 | |
I think we took a wrong turn. Are you sure this is the B6347? | 0:06:27 | 0:06:32 | |
I don't know, I thought we were just following the open road. | 0:06:32 | 0:06:36 | |
Would you please, for me, look at the map? | 0:06:36 | 0:06:40 | |
This isn't about the map, is it? | 0:06:42 | 0:06:44 | |
-You're mad at me for leaving your dad in charge of the kids. -No! | 0:06:44 | 0:06:49 | |
-Yes! -People change, Gary. | 0:06:49 | 0:06:53 | |
Your dad needs the space to grow his relationship with his grandchildren. | 0:06:53 | 0:06:58 | |
-Trust me, OK? -OK. | 0:06:58 | 0:07:00 | |
But the first thing I'm doing when I get home is counting the children. | 0:07:02 | 0:07:06 | |
Gary, why are we going right? I said the open road, honey. | 0:07:06 | 0:07:10 | |
Hey, Sandy! | 0:07:14 | 0:07:16 | |
Ah, just the man. | 0:07:16 | 0:07:17 | |
A little forward, but hey. | 0:07:17 | 0:07:21 | |
This isn't quite how I remembered it. | 0:07:24 | 0:07:26 | |
Testing a new lipstick. I've got loads of new colours. | 0:07:26 | 0:07:29 | |
So cool how you do that. | 0:07:32 | 0:07:33 | |
Well, I could give you lessons if you want. | 0:07:33 | 0:07:36 | |
That would be great. Cos you know I always wanted to grow up and be a professional drumstick twirler. | 0:07:36 | 0:07:42 | |
Really? Me too! | 0:07:42 | 0:07:44 | |
How about you come round my house tomorrow night I'll show you my whole drumstick collection? | 0:07:44 | 0:07:49 | |
Oh, yeah? That would be so much fun! | 0:07:49 | 0:07:52 | |
Great! It's a date. | 0:07:52 | 0:07:55 | |
So Sandy, what cocktails do you like? | 0:07:55 | 0:07:57 | |
GLASSES SMASH | 0:08:01 | 0:08:04 | |
Don't tell me. You asked Sandy out, didn't you? | 0:08:06 | 0:08:10 | |
How do you do that? | 0:08:10 | 0:08:13 | |
It's written all over your face... | 0:08:13 | 0:08:16 | |
in midnight pearl eyeshadow and twilight teaser lipstick, if I'm not mistaken. | 0:08:16 | 0:08:21 | |
Ah. | 0:08:22 | 0:08:24 | |
Pretty! | 0:08:24 | 0:08:27 | |
I kinda like it. | 0:08:27 | 0:08:29 | |
-Great, so you win and I'm the loser again. -Don't beat yourself up. | 0:08:29 | 0:08:34 | |
Sandy just couldn't help herself. | 0:08:34 | 0:08:37 | |
I'm irresistible. | 0:08:37 | 0:08:39 | |
-Do you feel better now? -Oh, much better. | 0:08:39 | 0:08:42 | |
Good. Cos I may have been born a babe-magnet but I don't want it to come between us. | 0:08:42 | 0:08:47 | |
LOUD GUITAR PLAYING DOWNSTAIRS | 0:09:12 | 0:09:14 | |
No! Arghh! | 0:09:14 | 0:09:16 | |
Ooh. | 0:09:22 | 0:09:24 | |
And that's how you ask a girl out. You can spin the guitar around your head of course, but that's optional. | 0:09:24 | 0:09:30 | |
OK... I mean, I might try and find a way of asking her | 0:09:30 | 0:09:34 | |
-out that isn't quite so bad for your posture, but thanks anyway. -Grandad? | 0:09:34 | 0:09:40 | |
Terry! | 0:09:42 | 0:09:44 | |
You're playing too loud! | 0:09:44 | 0:09:46 | |
You call that loud? THIS is loud. | 0:09:46 | 0:09:49 | |
Terry? It's off. | 0:09:56 | 0:09:59 | |
Yeah, well sometimes the music continues in my brain. | 0:09:59 | 0:10:02 | |
I'm scheduled to practice my cello and I need peace and quiet. | 0:10:02 | 0:10:07 | |
With a few amendments, I've made some time, you know, for you to practice and "rock." | 0:10:07 | 0:10:12 | |
See these red sections? They're you. | 0:10:12 | 0:10:14 | |
Oh, you're so kind. | 0:10:14 | 0:10:16 | |
Let me have a look. | 0:10:16 | 0:10:17 | |
You can't contain music in a schedule, you crazy chick. | 0:10:27 | 0:10:30 | |
Now, go and make some unscheduled music. | 0:10:30 | 0:10:34 | |
See, this is what following the road gets you. | 0:10:44 | 0:10:48 | |
The road wants us to meet that cow. | 0:10:48 | 0:10:51 | |
We're avoiding scenic cliche, Gary. | 0:10:51 | 0:10:54 | |
We're off the beaten track, ploughing our own furrow... | 0:10:54 | 0:10:57 | |
Look at that spectacular view! | 0:10:57 | 0:11:01 | |
She's actually pooing. | 0:11:01 | 0:11:03 | |
I'm thinking...fresh air, green fields... | 0:11:03 | 0:11:07 | |
BELLOWING | 0:11:07 | 0:11:09 | |
..massive bull! Argghh! | 0:11:09 | 0:11:12 | |
-Why did you take us off the beaten track? -Me?! | 0:11:12 | 0:11:15 | |
It's OK, darling. I forgive you. | 0:11:15 | 0:11:18 | |
Come on! | 0:11:19 | 0:11:21 | |
Oh! | 0:11:23 | 0:11:26 | |
Quickly! | 0:11:26 | 0:11:28 | |
I'm getting out the door. | 0:11:30 | 0:11:32 | |
Get us out of here! | 0:11:32 | 0:11:34 | |
LOUD CRASH, THEY BOTH SCREAM | 0:11:37 | 0:11:40 | |
-Ugh! -I felt bad about eating your timetable earlier. | 0:11:49 | 0:11:54 | |
And you can't be rehearsing on an empty stomach. | 0:11:54 | 0:11:57 | |
Now, this has got all the nutrients a musician needs. | 0:11:57 | 0:12:00 | |
Including extra chilli sauce. | 0:12:00 | 0:12:03 | |
Don't you like chilli sauce? | 0:12:05 | 0:12:07 | |
All right, all right. | 0:12:07 | 0:12:10 | |
Waste not, want not. | 0:12:17 | 0:12:21 | |
Hi, Hadley. | 0:12:31 | 0:12:34 | |
Hey, babe. You can call me "H." It stands for hot. | 0:12:34 | 0:12:40 | |
Tssssss! | 0:12:40 | 0:12:41 | |
HE RAPS # The H Man is here with a little inquiry | 0:12:41 | 0:12:43 | |
# You're free tonight, no need to check your diary | 0:12:43 | 0:12:46 | |
# I'll make it clear so there ain't no doubt | 0:12:46 | 0:12:47 | |
# You and me girl, we're going out | 0:12:47 | 0:12:50 | |
# It's what you want, don't try to fight it | 0:12:50 | 0:12:52 | |
# Your love could explode, let me ignite it | 0:12:52 | 0:12:54 | |
# The way you feel, there's no way to fake it | 0:12:54 | 0:12:56 | |
# I'm giving you the chance, I suggest you take it | 0:12:56 | 0:12:59 | |
# He is the Hadster | 0:12:59 | 0:13:02 | |
# The name is Hadley | 0:13:02 | 0:13:03 | |
# He is the badster | 0:13:03 | 0:13:06 | |
# And he wants to badly | 0:13:06 | 0:13:07 | |
# You're looking at the man of your dreams | 0:13:07 | 0:13:09 | |
# The one with the way-cool wicked rhyme schemes | 0:13:09 | 0:13:12 | |
# This is a chance not to be missed | 0:13:12 | 0:13:14 | |
# Prepare your lips, you're about to be...kissed. # | 0:13:14 | 0:13:17 | |
Hi, Hadley. | 0:13:17 | 0:13:19 | |
-Sandy! -Was there something you wanted to ask me? | 0:13:19 | 0:13:22 | |
No. | 0:13:22 | 0:13:24 | |
Ow! How am I supposed to get comfy in this? | 0:13:42 | 0:13:46 | |
How am I supposed to get to sleep with you complaining all the time? | 0:13:48 | 0:13:53 | |
Just relax, sit back and enjoy...oof! | 0:13:53 | 0:13:57 | |
HE CHUCKLES | 0:13:57 | 0:13:58 | |
Darling, are you OK? | 0:13:58 | 0:14:00 | |
# I'm going in the wrong direction | 0:14:01 | 0:14:03 | |
# From where I wanna be | 0:14:03 | 0:14:06 | |
# Sadness is my destiny | 0:14:06 | 0:14:09 | |
# Sadness is my destiny... # | 0:14:09 | 0:14:12 | |
-Arggghhh! -That's more like it. | 0:14:12 | 0:14:14 | |
I hate this song! And so does my voice! | 0:14:14 | 0:14:17 | |
A bad singer always blames the song. | 0:14:17 | 0:14:19 | |
It's not a song. It's a...howl-along for dogs. | 0:14:19 | 0:14:22 | |
Oh, really? Thanks(!) | 0:14:22 | 0:14:25 | |
We can't do this, OK?! | 0:14:25 | 0:14:26 | |
We'll be humiliated. | 0:14:26 | 0:14:28 | |
The vocal, the tune... if you can call it a tune... They're so past-it. | 0:14:28 | 0:14:33 | |
-You mean I'm past-it? -Yeah. | 0:14:33 | 0:14:35 | |
But in a good way. | 0:14:35 | 0:14:36 | |
Look, I know your "fans" | 0:14:36 | 0:14:39 | |
like this "music", | 0:14:39 | 0:14:41 | |
but most of them can't hear too good. | 0:14:41 | 0:14:44 | |
You should be taking it easy. | 0:14:44 | 0:14:46 | |
You know, get a yappy dog or, ooh, one of those cute little shopping buggies. | 0:14:46 | 0:14:51 | |
-Y'know, act your age? -I am. | 0:14:51 | 0:14:54 | |
Now listen, I may look like an old boiled chicken but in here...I'm 16. | 0:14:54 | 0:15:01 | |
No, in there you're really an old boiled chicken! | 0:15:01 | 0:15:05 | |
I can't believe I got a date with Sandy! | 0:15:08 | 0:15:10 | |
-You really like her, don't you? -No. | 0:15:10 | 0:15:14 | |
I really, really like her. | 0:15:14 | 0:15:17 | |
Well, look. I just like her. So why don't you go over there instead? | 0:15:17 | 0:15:21 | |
I'll let her down slowly and then you make your move. | 0:15:21 | 0:15:23 | |
-But do not think a move can involve no thought whatsoever. Here she comes. Hey, Sandy. -Hi, guys. | 0:15:23 | 0:15:29 | |
So, about you coming over to mine tonight to check out my drumsticks. | 0:15:29 | 0:15:33 | |
You were being serious about that? | 0:15:33 | 0:15:36 | |
Oh, I'm trying to get tickets for this Dire Straits tribute band on tonight. If there's one left. | 0:15:36 | 0:15:41 | |
-You like the Straits? Snap! -Snap! | 0:15:41 | 0:15:44 | |
We could go together, if you like? | 0:15:44 | 0:15:46 | |
-Oh, I'd love to. -Yeah, but you don't have any tickets. -It's OK. I...know people. | 0:15:46 | 0:15:50 | |
I am the bad boy of rock, after all. | 0:15:50 | 0:15:52 | |
That's funny. | 0:15:52 | 0:15:54 | |
I'll see you guys later. | 0:15:54 | 0:15:56 | |
-You made a move. -I made... | 0:15:58 | 0:16:01 | |
I made a move! | 0:16:01 | 0:16:03 | |
And you didn't even break out in a sweat. | 0:16:03 | 0:16:06 | |
What do you mean, you've sold out? | 0:16:11 | 0:16:13 | |
Would it make any difference if I told you this was Hadley Swann calling? | 0:16:13 | 0:16:16 | |
Yeah right, very funny. Er... | 0:16:16 | 0:16:19 | |
We'd actually like to do a feature on the band on the Annabelle Show. | 0:16:19 | 0:16:22 | |
Oh, so you do have tickets! Great! Courier them to me at the studio? | 0:16:22 | 0:16:26 | |
Brilliant. Thanks! Yes! | 0:16:26 | 0:16:30 | |
CELLO PLAYING FALTERINGLY | 0:16:30 | 0:16:33 | |
Argghhh! | 0:16:38 | 0:16:40 | |
I don't understand. I've been practising for hours! | 0:16:43 | 0:16:47 | |
There's too many semi-quavers! | 0:16:47 | 0:16:49 | |
Oh, no! Arghh! | 0:16:56 | 0:16:58 | |
Argh! You! | 0:16:58 | 0:17:01 | |
I can feel a lecture coming on. | 0:17:01 | 0:17:04 | |
Quelle surprise. | 0:17:04 | 0:17:05 | |
Oh, no. And it's in French. | 0:17:05 | 0:17:08 | |
I have just spent hours learning notes that don't even exist! | 0:17:08 | 0:17:13 | |
I used to do that all the time when I was on tour in the '70s. | 0:17:13 | 0:17:15 | |
Well, you're not on tour now, are you? | 0:17:15 | 0:17:18 | |
This isn't Wembley Stadium, and you are not some timelord | 0:17:18 | 0:17:22 | |
who's travelled back to the '70s, when you used to "wah wah wah" | 0:17:22 | 0:17:25 | |
your Gibson. You're just a fully grown man who still relies on three very basic, loud, discordant chords. | 0:17:25 | 0:17:32 | |
-You're Grandad. -It's Terry. -No, Grandad. It's Grandad. | 0:17:32 | 0:17:36 | |
And we are your grandchildren, and we need a grown-up to look after us, | 0:17:36 | 0:17:40 | |
and not just constantly try to be us! | 0:17:40 | 0:17:43 | |
Jill? | 0:17:55 | 0:17:56 | |
Jill! | 0:17:58 | 0:17:59 | |
-Jill! -OK, yes, I can hear you. | 0:17:59 | 0:18:01 | |
It's about Terry! | 0:18:01 | 0:18:04 | |
-I'm listening. -You cannot let him play on the show with us. | 0:18:14 | 0:18:17 | |
OK, let me rephrase that. | 0:18:17 | 0:18:19 | |
He wants to sing On The Road. It's more like On The Roadkill! | 0:18:19 | 0:18:22 | |
-He's going to do On The Road? On my show? -Well, Annabelle's show. | 0:18:22 | 0:18:26 | |
Potato, potahto. I don't believe it. | 0:18:26 | 0:18:29 | |
SHE SCREAMS | 0:18:29 | 0:18:30 | |
You need me to call the paramedics? | 0:18:30 | 0:18:31 | |
Track three, side two, Darkness Over Moon Rising. | 0:18:31 | 0:18:34 | |
Stop spouting random words! | 0:18:34 | 0:18:35 | |
He has never played On The Road live before. | 0:18:35 | 0:18:38 | |
Even when I went to see him on his 19...hm tour, he refused to play it. | 0:18:38 | 0:18:42 | |
You saw Terry on his 19...hm tour? Why? | 0:18:42 | 0:18:46 | |
Publicity will go crazy when they hear he's going to play On The Road. | 0:18:46 | 0:18:50 | |
I must call them. We might even nudge the seven million barrier. | 0:18:50 | 0:18:53 | |
Seven million viewers? | 0:18:55 | 0:18:58 | |
To see me?! | 0:18:58 | 0:18:59 | |
Oh, and Terry. | 0:18:59 | 0:19:01 | |
SHE SCREAMS | 0:19:01 | 0:19:03 | |
TERRY PLAYS HIS GUITAR | 0:19:09 | 0:19:11 | |
Martha! | 0:19:31 | 0:19:33 | |
This isn't helping me practise my double stop scale in sixth in C major. | 0:19:33 | 0:19:38 | |
Yeah, and me neither! | 0:19:38 | 0:19:40 | |
Without the geeky part. | 0:19:40 | 0:19:42 | |
Nothing. | 0:19:51 | 0:19:53 | |
# Maybe, just maybe I came on a bit strong | 0:20:00 | 0:20:03 | |
# Told him there's no way I'd sing his so-called song | 0:20:03 | 0:20:08 | |
# Maybe, just maybe I have some small regrets | 0:20:08 | 0:20:12 | |
# Told him his music was only audible to pets | 0:20:12 | 0:20:16 | |
# May have told a rock star he should grow up | 0:20:16 | 0:20:19 | |
# And told him his song made me throw up | 0:20:19 | 0:20:20 | |
# May have told my grandad to act his age | 0:20:20 | 0:20:22 | |
# Rather eat my cello than appear on stage with him | 0:20:22 | 0:20:27 | |
# Maybe, just maybe it's something that we said... | 0:20:27 | 0:20:30 | |
Oh, what are we going to do? | 0:20:36 | 0:20:38 | |
This is all our fault. | 0:20:38 | 0:20:40 | |
-Well, I wouldn't say I... -Er... | 0:20:40 | 0:20:43 | |
OK. This is our fault. | 0:20:43 | 0:20:45 | |
Where is Shalondra when you need good wholesome psychobabble advice? | 0:20:45 | 0:20:51 | |
Ooh, I know, role-play! You be Mom. | 0:20:51 | 0:20:54 | |
Why can't you be Shalondra? | 0:20:54 | 0:20:57 | |
Do you want me to end up in therapy? | 0:20:57 | 0:20:59 | |
PHONE RINGS | 0:21:01 | 0:21:03 | |
Hi. I've had some tickets delivered. Dire Straits, actually. | 0:21:03 | 0:21:06 | |
-Well, a tribute band, but pretty cool. -Yeah, they've gone. -What? | 0:21:06 | 0:21:09 | |
They said Hadley and Annabelle on the envelope, so I gave them to her. | 0:21:09 | 0:21:13 | |
Oh! I can't believe you got us tickets to a concert! | 0:21:17 | 0:21:20 | |
-Hadley, you know what this means, don't you? -Er, no. | 0:21:20 | 0:21:23 | |
It's our first proper date! What time are you picking me up? | 0:21:23 | 0:21:27 | |
Bearing in mind I'm going to be fashionably late. | 0:21:27 | 0:21:29 | |
Er, right, OK. There's been a teeny mistake | 0:21:29 | 0:21:32 | |
and you are going to find this hilarious, but... | 0:21:32 | 0:21:35 | |
What's the phrase? "Those tickets aren't for you?" | 0:21:35 | 0:21:40 | |
What?! | 0:21:41 | 0:21:43 | |
-Yeah. -You mean...we're not going on our first proper date? | 0:21:43 | 0:21:47 | |
-Er... -Why?! Why aren't we going on our first proper date?! | 0:21:47 | 0:21:50 | |
Who are you taking to the concert instead? | 0:21:50 | 0:21:53 | |
-I want her name! Now! -Isaac. | 0:21:53 | 0:21:55 | |
Yep. Isaac. Yeah, he's a really big Dire Straits fan. | 0:21:55 | 0:22:01 | |
Huge. Massive. Gigantic. | 0:22:01 | 0:22:04 | |
OK! I get that he's a fan! | 0:22:04 | 0:22:06 | |
So...tickets? | 0:22:06 | 0:22:09 | |
Only if you promise to go on a date with me first. | 0:22:10 | 0:22:13 | |
Er... Yeah. Sure. Some day. | 0:22:13 | 0:22:16 | |
There you go, falling at my feet again. | 0:22:21 | 0:22:25 | |
-It's Terry. -There's a man with a whole lotta catsuits. -Mom! | 0:22:25 | 0:22:30 | |
-Sorry. -We kinda said some mean things about acting his age | 0:22:30 | 0:22:35 | |
and now he's acting his age. | 0:22:35 | 0:22:37 | |
Well, what d'you expect, sweetie? | 0:22:37 | 0:22:41 | |
People aren't just entombed Egyptian mummies | 0:22:41 | 0:22:44 | |
with ancient shells and disintegrated internal voids. | 0:22:44 | 0:22:48 | |
You don't say. | 0:22:48 | 0:22:50 | |
So what should we do? | 0:22:50 | 0:22:52 | |
Find out what's in his tomb. | 0:22:54 | 0:22:57 | |
OK, you're just making this up now. | 0:23:00 | 0:23:03 | |
Terry keeps all his stuff in here. | 0:23:03 | 0:23:06 | |
Maybe there's something in here that will get him interested again. | 0:23:07 | 0:23:11 | |
What, other than the pirate gold? | 0:23:11 | 0:23:14 | |
Look! | 0:23:16 | 0:23:17 | |
Dark Over Moon Rising, side 2, track 3, On The Road. | 0:23:17 | 0:23:22 | |
Suddenly she's a Glamasaurus aficionado. | 0:23:22 | 0:23:25 | |
Dark Over Moon Rising tour list. | 0:23:25 | 0:23:27 | |
Jill was right - they played every other song but not On The Road. | 0:23:27 | 0:23:30 | |
OK, now you're just showing off. | 0:23:30 | 0:23:32 | |
Hey, listen to this. | 0:23:34 | 0:23:36 | |
"The dawning of a brand-new day doesn't warm my soul. | 0:23:36 | 0:23:40 | |
"The distant son..." | 0:23:40 | 0:23:42 | |
I just realised. The distant son. | 0:23:42 | 0:23:45 | |
-That's my dad! -Let's see. | 0:23:45 | 0:23:48 | |
"The distant son is too far away, and I don't feel whole." | 0:23:48 | 0:23:52 | |
Gary, it was a classic father-son abandonment dream you had last night. | 0:23:54 | 0:23:58 | |
Pterodactyl?! Hello! | 0:23:58 | 0:23:59 | |
If you don't get a wiggle on, we won't catch the show. | 0:23:59 | 0:24:01 | |
So, you're my competition, are you? | 0:24:03 | 0:24:07 | |
And there was me thinking he could have done so much better for himself. | 0:24:07 | 0:24:11 | |
Are you talking into a Bluetooth or something? | 0:24:11 | 0:24:14 | |
-I know about Hadley and the Dire Straits concert. -Ah, he got tickets? | 0:24:14 | 0:24:18 | |
Obviously. For your little boy date. | 0:24:18 | 0:24:21 | |
I know he's taking you. | 0:24:21 | 0:24:23 | |
Why would he take me if Sandy's the big fan? | 0:24:23 | 0:24:26 | |
SHE SCREAMS | 0:24:29 | 0:24:31 | |
DOORBELL RINGS I want you back by ten, no later. | 0:24:35 | 0:24:38 | |
Cheers, bro. | 0:24:38 | 0:24:40 | |
Hi, Haddikins, you ready to go? | 0:24:40 | 0:24:43 | |
Annabelle, what are you doing here? | 0:24:44 | 0:24:46 | |
Oh, Isaac told me about your little date with the make-up artist. Or should I say ex-make-up artist? | 0:24:46 | 0:24:52 | |
-What have you done?! -I did not say anything! I... | 0:24:52 | 0:24:56 | |
Except when I did say something in the corridor. | 0:24:56 | 0:24:59 | |
I thought you were happy for me! | 0:24:59 | 0:25:01 | |
I was! I mean, I am. | 0:25:01 | 0:25:03 | |
Oh, I bet you are. You stitched me up. | 0:25:03 | 0:25:05 | |
OK, if we could have less of the EastEnders episode and more focus on me, please! | 0:25:05 | 0:25:09 | |
-If this was a different century I would challenge you to a dual. -Oh, yeah? | 0:25:09 | 0:25:13 | |
You and whose merry men? | 0:25:13 | 0:25:16 | |
Oh, you wanna play rough, do you? | 0:25:16 | 0:25:18 | |
Hadley! | 0:25:24 | 0:25:26 | |
Get off me! My back's not touching the floor, it's arched! | 0:25:26 | 0:25:30 | |
Hadley! If you don't stop this right now and take me to the concert, the tickets get it! | 0:25:30 | 0:25:35 | |
I'm warning you. | 0:25:35 | 0:25:36 | |
Right! | 0:25:36 | 0:25:37 | |
Weird! | 0:25:54 | 0:25:56 | |
Oh, we've got something to play you. | 0:26:05 | 0:26:07 | |
# I'm on the road again | 0:26:15 | 0:26:18 | |
# That much is true | 0:26:19 | 0:26:23 | |
# I'm on the road again | 0:26:23 | 0:26:26 | |
# It's taking me away from you. # | 0:26:28 | 0:26:31 | |
That's lovely girls, that's really beautiful. | 0:26:34 | 0:26:37 | |
Well, what we're trying to say, Terry, is... | 0:26:37 | 0:26:39 | |
We'd be really proud if you'd perform on the show with us. | 0:26:39 | 0:26:43 | |
Oh, I called you Terry then, Grandad! | 0:26:43 | 0:26:45 | |
Uh, sorry. | 0:26:45 | 0:26:46 | |
I'd love to, girls. | 0:26:47 | 0:26:49 | |
But your version of the song is gonna need just one or two tweaks. | 0:26:49 | 0:26:54 | |
Yeah! | 0:27:00 | 0:27:02 | |
# I'm on the road again | 0:27:06 | 0:27:09 | |
# That much is true | 0:27:09 | 0:27:11 | |
# I'm on the road again | 0:27:13 | 0:27:15 | |
# It's taking me away from you | 0:27:15 | 0:27:18 | |
# I'm heading in the wrong direction | 0:27:19 | 0:27:21 | |
# From where I wanna be | 0:27:23 | 0:27:24 | |
# So this is my destiny | 0:27:24 | 0:27:27 | |
# The dawning of a brand-new day | 0:27:32 | 0:27:35 | |
# Doesn't warm my soul | 0:27:35 | 0:27:37 | |
# The distant son's too far away | 0:27:38 | 0:27:41 | |
# And I don't feel whole | 0:27:41 | 0:27:43 | |
# I'm on the road again. # | 0:27:44 | 0:27:46 | |
APPLAUSE | 0:27:49 | 0:27:51 | |
Subtitles by Red Bee Media Ltd | 0:28:00 | 0:28:01 | |
E-mail [email protected] | 0:28:01 | 0:28:04 |