Browse content similar to Matters of the Harp. Check below for episodes and series from the same categories and more!
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MUSIC: "Zadok The Priest by Handel | 0:00:08 | 0:00:14 | |
Oh, here. Allow me. | 0:00:17 | 0:00:19 | |
I'm so sorry. Oops. | 0:00:20 | 0:00:24 | |
Ah yes, you've spotted me, I am that guy off the telly. | 0:00:33 | 0:00:36 | |
No, you've got something on your... | 0:00:36 | 0:00:39 | |
Oh, er... | 0:00:39 | 0:00:42 | |
To be honest, I don't really watch TV. | 0:00:45 | 0:00:47 | |
Oh, no, me neither. TV... rubbish. | 0:00:47 | 0:00:51 | |
-Hmm, Batch. My favourite. -It's Bach. | 0:00:52 | 0:00:56 | |
Bach. Batch. | 0:00:57 | 0:01:00 | |
Whichever... All I know is I love his music. | 0:01:00 | 0:01:03 | |
Really. Do you play? | 0:01:03 | 0:01:04 | |
Yes. Electric guitar. | 0:01:04 | 0:01:06 | |
Gibson. It rocks. | 0:01:06 | 0:01:09 | |
I only really like classical. Well, nice meeting you. | 0:01:09 | 0:01:12 | |
No, no, no. Wait! I mean electric guitar, that's just work. | 0:01:12 | 0:01:16 | |
My real, real passion's erm... | 0:01:16 | 0:01:19 | |
Harps. Yeah, I play the harp. | 0:01:20 | 0:01:22 | |
Really? That's amazing. | 0:01:22 | 0:01:23 | |
Yeah. Well, I am pretty versatile. | 0:01:23 | 0:01:25 | |
No, I mean, I play the harp too. | 0:01:25 | 0:01:28 | |
Oh, we have so much in common. | 0:01:29 | 0:01:34 | |
-I'd love to hear you play sometime. -You're not the only one. | 0:01:34 | 0:01:39 | |
# Almost famous, and it's killing me | 0:01:39 | 0:01:43 | |
# I'm one step off from where I gotta be | 0:01:43 | 0:01:47 | |
# I want a million voices to sing back at me | 0:01:47 | 0:01:52 | |
# La la la, la la la, la la la | 0:01:52 | 0:01:53 | |
# La la la, la la la, la la la | 0:01:53 | 0:01:56 | |
# La la la, la la la, la la la | 0:01:56 | 0:01:58 | |
# La la la, la la la, la la la | 0:01:58 | 0:02:00 | |
# Whoo! | 0:02:00 | 0:02:01 | |
-What took you so long? -I had to wait for Hadley. | 0:02:12 | 0:02:15 | |
You know, some people would pay good money to help me carry my bags. | 0:02:15 | 0:02:19 | |
I told you, I met a girl. | 0:02:19 | 0:02:20 | |
-Oh, fine, don't tell me why you were late. -Focus guys! | 0:02:20 | 0:02:23 | |
There was an accident in the studio. | 0:02:23 | 0:02:25 | |
What happened? | 0:02:25 | 0:02:26 | |
A spotlight nearly fell on Martha. What?! She's OK. | 0:02:26 | 0:02:29 | |
Isaac pushed her out the way, saving her life. He's a hero! | 0:02:29 | 0:02:32 | |
Oh! If I hadn't been carrying your bags, I could have been a hero! | 0:02:32 | 0:02:37 | |
What happened? | 0:02:40 | 0:02:41 | |
-Are you OK? -Oh, yeah. Forgot to mention Dad broke his leg. | 0:02:42 | 0:02:46 | |
So glad to know you're thinking about me. | 0:02:46 | 0:02:48 | |
He fell. It was entirely Gary's fault. | 0:02:48 | 0:02:50 | |
A large lamp smashed on the stage. I tripped on it. | 0:02:50 | 0:02:54 | |
It's funny how things get out of hand with something like this. | 0:02:54 | 0:02:57 | |
Emotions can ride high, people can start using silly words like suit. | 0:02:57 | 0:03:01 | |
And law. Putting them together for no reason. | 0:03:01 | 0:03:03 | |
Oh, could I just get you to sign this card, it's a leaving card | 0:03:03 | 0:03:07 | |
for Jerry in lighting. And no, he wasn't sacked, he resigned. | 0:03:07 | 0:03:11 | |
Jill, this seems to be a legal waiver. | 0:03:12 | 0:03:14 | |
Oh, how did that get in there? | 0:03:14 | 0:03:18 | |
I've gotta rush. Wishing you better already. Ciao! | 0:03:18 | 0:03:20 | |
Who's Verity? | 0:03:24 | 0:03:26 | |
Only the girl I'm going to marry! | 0:03:27 | 0:03:30 | |
Not now, obviously. | 0:03:30 | 0:03:32 | |
2013. | 0:03:32 | 0:03:34 | |
May. | 0:03:34 | 0:03:36 | |
24th. | 0:03:36 | 0:03:38 | |
-1.30... -OK. | 0:03:38 | 0:03:40 | |
-..ish. -Who are we talking here? Random model off a billboard? | 0:03:40 | 0:03:43 | |
No, a girl! A real live girl, | 0:03:43 | 0:03:46 | |
who I have a date with. Is that so hard to believe? | 0:03:46 | 0:03:48 | |
-Well... -Er... | 0:03:48 | 0:03:50 | |
Aretha, where did you get the money to buy all of these? | 0:03:56 | 0:04:01 | |
I saved it? | 0:04:01 | 0:04:03 | |
Start talking! | 0:04:03 | 0:04:04 | |
OK! I did an advert. | 0:04:05 | 0:04:07 | |
I'm the voice of the Yappy Nappy puppy. | 0:04:07 | 0:04:10 | |
I didn't ask permission because I knew you guys would say no. | 0:04:10 | 0:04:13 | |
-Not necessarily. -So you'd say yes? | 0:04:13 | 0:04:15 | |
No! You can't go behind our backs. | 0:04:15 | 0:04:17 | |
The least you could have done is shown me the contract. | 0:04:17 | 0:04:20 | |
Contract was a breeze. I sign on the dotted line, | 0:04:20 | 0:04:23 | |
they gave me loads of money and Aretha goes shopping. | 0:04:23 | 0:04:27 | |
Please tell me you read the contract. | 0:04:27 | 0:04:29 | |
Yes! | 0:04:29 | 0:04:30 | |
Some of it. The part where they pay me the loads of money. | 0:04:30 | 0:04:34 | |
Which you have already spent! | 0:04:34 | 0:04:37 | |
Look at these! How could you be so irresponsible? | 0:04:37 | 0:04:40 | |
Those are for you, Mom. | 0:04:40 | 0:04:41 | |
For me? | 0:04:41 | 0:04:44 | |
Oh, that's so thoughtful. They're divine. | 0:04:44 | 0:04:50 | |
You can't get around me that easily. | 0:04:50 | 0:04:53 | |
Maybe I should just see if they fit. | 0:04:55 | 0:04:58 | |
-Shalondra! -Yeah, you're right, this calls for action. | 0:04:58 | 0:05:03 | |
Although they would look so great with my... | 0:05:03 | 0:05:05 | |
No, action. | 0:05:05 | 0:05:08 | |
This really isn't necessary. | 0:05:17 | 0:05:18 | |
Will you stop saying that. It's embarrassing! | 0:05:23 | 0:05:27 | |
She just wants to show you how grateful she is. | 0:05:29 | 0:05:31 | |
Yes, but I don't need to be waited on. | 0:05:31 | 0:05:33 | |
Wow! | 0:05:36 | 0:05:37 | |
Maybe if you stop looking, the book will just turn up? | 0:05:47 | 0:05:51 | |
-Ow! -Sorry... | 0:05:51 | 0:05:52 | |
We can't wait for it to just turn up. Aretha went behind our backs! | 0:05:52 | 0:05:57 | |
Dr Abigail would have some excellent advice on this. | 0:05:57 | 0:06:00 | |
You don't need Dr Abigail. | 0:06:00 | 0:06:02 | |
Last I heard, she got her doctorate off the internet. | 0:06:02 | 0:06:04 | |
That was never proved! | 0:06:04 | 0:06:07 | |
We should trust our instincts. | 0:06:07 | 0:06:09 | |
We need to teach Aretha a lesson. | 0:06:09 | 0:06:12 | |
You know what, that actually sounds quite sensible. | 0:06:14 | 0:06:17 | |
Aretha needs to learn the importance of reading the small print. | 0:06:17 | 0:06:22 | |
Of course, Gary. | 0:06:22 | 0:06:24 | |
That is an excellent idea. | 0:06:24 | 0:06:26 | |
-Hadley? -Imagine, tonight Verity and I share the same moon. | 0:06:32 | 0:06:38 | |
I wonder what she's doing right now. | 0:06:38 | 0:06:40 | |
Probably trying to get to sleep like the rest of us. | 0:06:40 | 0:06:42 | |
Wait till you meet her. | 0:06:42 | 0:06:45 | |
She's witty, she's intelligent, she's... | 0:06:45 | 0:06:47 | |
And you got a date with her. How did you pull that off? | 0:06:47 | 0:06:51 | |
It was easy. | 0:06:51 | 0:06:53 | |
We've got so much in common, it's uncanny. | 0:06:53 | 0:06:57 | |
Yeah | 0:07:01 | 0:07:03 | |
# We've got so much in common | 0:07:04 | 0:07:06 | |
# The list is so long I don't know where to begin it | 0:07:06 | 0:07:10 | |
# We've got so much in common | 0:07:10 | 0:07:12 | |
# It's on the tip of my tongue Just give me a minute | 0:07:12 | 0:07:15 | |
# So much in common | 0:07:15 | 0:07:20 | |
# We've both got teeth We've both got hair | 0:07:20 | 0:07:23 | |
# Man, are we are the perfect pair? | 0:07:23 | 0:07:25 | |
# We both breathe in We both breathe out | 0:07:25 | 0:07:28 | |
# Our compatibility is not in doubt | 0:07:28 | 0:07:32 | |
-# So much in common -In a pod, two peas | 0:07:32 | 0:07:36 | |
-# So much in common -Like similar kinds of cheese | 0:07:36 | 0:07:41 | |
# We've got so much in common | 0:07:41 | 0:07:44 | |
# The clincher was saying I played the harp | 0:07:44 | 0:07:47 | |
# It isn't strictly true | 0:07:47 | 0:07:49 | |
# So best if we brush that under the carpet. # | 0:07:49 | 0:07:53 | |
-You lied? -Yes! And I got a date with her! | 0:07:54 | 0:07:57 | |
Maybe this is where I've been going wrong with girls. | 0:07:57 | 0:08:00 | |
What? Not enough lying? | 0:08:00 | 0:08:02 | |
PHONE VIBRATES | 0:08:02 | 0:08:04 | |
It's Verity! | 0:08:05 | 0:08:08 | |
Hello, Johann Sebastian speaking. | 0:08:08 | 0:08:11 | |
May I call you Bach? | 0:08:11 | 0:08:13 | |
I thought maybe we could hang out together tomorrow. | 0:08:16 | 0:08:19 | |
I could come to yours? | 0:08:19 | 0:08:21 | |
Er, yeah, great! | 0:08:21 | 0:08:22 | |
No, I've got rehearsals with the family band. | 0:08:22 | 0:08:25 | |
That's OK. I can watch. | 0:08:25 | 0:08:28 | |
I'd love to hear you play the harp. Gotta go, my mum's coming. Night! | 0:08:28 | 0:08:32 | |
OK. Bye. | 0:08:32 | 0:08:34 | |
She's gone. | 0:08:34 | 0:08:35 | |
She's coming round tomorrow. | 0:08:36 | 0:08:38 | |
To hear me play. | 0:08:39 | 0:08:41 | |
The harp. | 0:08:43 | 0:08:44 | |
What are you going to do? | 0:08:44 | 0:08:46 | |
Panic. | 0:08:46 | 0:08:48 | |
Can I help you? | 0:09:08 | 0:09:10 | |
Muesli pizza | 0:09:17 | 0:09:19 | |
and coke? Cool. | 0:09:19 | 0:09:22 | |
It's Diet. | 0:09:26 | 0:09:28 | |
Shalondra? Shalondra, have you done it? | 0:09:31 | 0:09:34 | |
-All set. -What's all set? | 0:09:34 | 0:09:36 | |
Never you mind, young lady. | 0:09:36 | 0:09:38 | |
Mum, grandad still has an old harp in the garage, right? | 0:09:38 | 0:09:42 | |
Right. Why? | 0:09:42 | 0:09:44 | |
What are you two talking about? | 0:09:44 | 0:09:46 | |
Verity plays the harp. | 0:09:46 | 0:09:47 | |
I was going to give it a go. | 0:09:47 | 0:09:50 | |
Hey! Maybe I could play at the rehearsal today. | 0:09:50 | 0:09:53 | |
I play the guitar. | 0:09:53 | 0:09:54 | |
The guitar has strings. | 0:09:54 | 0:09:57 | |
The harp has strings. Do you see where I'm going? | 0:09:57 | 0:09:59 | |
Completely insane? | 0:09:59 | 0:10:01 | |
If you can master the harp by rehearsal I'll let you to play, | 0:10:01 | 0:10:04 | |
and give you double pocket money! | 0:10:04 | 0:10:06 | |
-Aretha. -Yes, I'm wearing new clothes, get over it! | 0:10:12 | 0:10:15 | |
No, I was just gonna say your tag is showing. | 0:10:15 | 0:10:20 | |
And have you noticed that you have mail? | 0:10:20 | 0:10:22 | |
Cool, my CD arrived! | 0:10:22 | 0:10:24 | |
Such a huge parcel for just a CD. | 0:10:24 | 0:10:26 | |
Hey, huge talent. | 0:10:26 | 0:10:29 | |
I know you guys are mad I went behind your backs, blah blah blah, | 0:10:30 | 0:10:34 | |
-but who wants to hear my song from the advert? -Me! | 0:10:34 | 0:10:37 | |
(MIMES: # Yappy Nappy! # | 0:10:40 | 0:10:42 | |
No more nappy rash blues. | 0:10:42 | 0:10:44 | |
BARKING | 0:10:44 | 0:10:46 | |
# Yappy Nappy! # | 0:10:46 | 0:10:47 | |
It's number one for number twos! | 0:10:47 | 0:10:51 | |
I knew you were desperate to have a number one, | 0:10:51 | 0:10:53 | |
but you really didn't need to sing about it. | 0:10:53 | 0:10:56 | |
What's the problem? | 0:10:56 | 0:10:57 | |
-No-one will know it's me singing. -Have you read this? | 0:10:57 | 0:11:01 | |
They want you to perform live in certain shopping centres. | 0:11:01 | 0:11:05 | |
Dressed as Archie, the Yappy Nappy puppy? | 0:11:08 | 0:11:12 | |
And you'll be billed as Aretha from We're In Perfect Harmony. | 0:11:12 | 0:11:16 | |
What does your contract say about things like this? | 0:11:18 | 0:11:24 | |
Look, I can do this! | 0:11:34 | 0:11:36 | |
What else can you do? | 0:11:43 | 0:11:46 | |
Verity's coming around to hear me play harp | 0:11:51 | 0:11:54 | |
and I can't even find middle C! You have to help me! | 0:11:54 | 0:11:56 | |
OK, I'll help you. | 0:11:56 | 0:11:58 | |
Tell the truth. | 0:11:58 | 0:11:59 | |
Just be straight with her. | 0:11:59 | 0:12:01 | |
I can't. She'll dump me. | 0:12:01 | 0:12:03 | |
If she does, then it wasn't meant to be. | 0:12:03 | 0:12:06 | |
You're right. | 0:12:06 | 0:12:07 | |
I should come clean. What sort of relationship is based on lies? | 0:12:07 | 0:12:12 | |
That's the spirit! | 0:12:12 | 0:12:14 | |
No, our relationship goes much deeper than that. | 0:12:14 | 0:12:17 | |
DOORBELL RINGS | 0:12:17 | 0:12:20 | |
That'll be her! | 0:12:20 | 0:12:22 | |
What are you doing? | 0:12:24 | 0:12:26 | |
Plan B. | 0:12:28 | 0:12:31 | |
Verity, hi! | 0:12:35 | 0:12:37 | |
Hi! | 0:12:37 | 0:12:40 | |
How are you? | 0:12:40 | 0:12:41 | |
Totally excited. I can't wait to hear you on the harp! | 0:12:41 | 0:12:44 | |
Hi! I'm Toyah. Don't believe everything Hadley's said about me. | 0:12:44 | 0:12:48 | |
-He hasn't mentioned me? -You haven't come up. | 0:12:50 | 0:12:52 | |
Well, I would've thought with our classical music connection. | 0:12:52 | 0:12:56 | |
-You like classical too? -I love it! | 0:12:56 | 0:13:00 | |
Beethoven's like an inspiration. | 0:13:00 | 0:13:02 | |
I find his work quite infantile and pedestrian. | 0:13:02 | 0:13:06 | |
Oh! Well, we're always using his work as inspiration, you know, | 0:13:06 | 0:13:10 | |
try to get a bit of classical into pop. | 0:13:10 | 0:13:12 | |
You like pop? | 0:13:12 | 0:13:14 | |
I know it sounds bizarre but it's a great way | 0:13:14 | 0:13:16 | |
to get the audience to appreciate classical composers. | 0:13:16 | 0:13:19 | |
Oh, no, your wrist, what happened? | 0:13:27 | 0:13:29 | |
Oh, yeah, sprained it. | 0:13:29 | 0:13:31 | |
Must have been practising too hard. | 0:13:31 | 0:13:33 | |
You know how dangerous plucking those strings can be. I can hardly move it. | 0:13:33 | 0:13:37 | |
It's pretty, pretty ouchy. | 0:13:37 | 0:13:40 | |
I'm not allowed to play the harp. | 0:13:40 | 0:13:42 | |
Doctor's orders. | 0:13:42 | 0:13:43 | |
You can still come and hear the band. | 0:13:43 | 0:13:45 | |
I just won't be playing. | 0:13:45 | 0:13:49 | |
Let's go up. Here, I'll take that for you. | 0:13:49 | 0:13:52 | |
Oof, this weighs a tonne, what have you got in there? | 0:13:52 | 0:13:54 | |
Just some... Your wrist? | 0:13:54 | 0:13:57 | |
My... | 0:13:57 | 0:13:59 | |
Oh...yay... | 0:14:01 | 0:14:04 | |
it's a miracle! | 0:14:04 | 0:14:06 | |
-I don't care. I'm not doing it. -Then you'll be in breach of contract. | 0:14:06 | 0:14:09 | |
And you'll have to give back all their money. | 0:14:09 | 0:14:12 | |
I can't give back all their money. | 0:14:12 | 0:14:14 | |
I'm wearing all their money! | 0:14:14 | 0:14:15 | |
Everyone, this is Verity. | 0:14:15 | 0:14:18 | |
She's just here to say hi. | 0:14:18 | 0:14:21 | |
I know you all hate it when someone watches you rehearse, | 0:14:21 | 0:14:25 | |
so she'll make herself scarce. | 0:14:25 | 0:14:27 | |
No, don't be silly. We don't mind if Verity sits in. Right, guys? | 0:14:27 | 0:14:30 | |
You'd be very welcome. | 0:14:30 | 0:14:33 | |
Er, right. Brilliant. | 0:14:35 | 0:14:37 | |
I had hoped you were going to play your harp? | 0:14:37 | 0:14:41 | |
Of course. Silly me! | 0:14:42 | 0:14:45 | |
OK, let's take it from the top. | 0:14:56 | 0:14:58 | |
PLAYS OUT OF TUNE | 0:15:06 | 0:15:08 | |
You lied. | 0:15:25 | 0:15:26 | |
If by "lied" | 0:15:28 | 0:15:30 | |
you mean I told you I could play the harp, | 0:15:30 | 0:15:33 | |
when in fact I couldn't play the harp, then yes, yes, I did lie. | 0:15:33 | 0:15:39 | |
It's all off! | 0:15:41 | 0:15:42 | |
I'm Archie and I'm a cheeky chappy, | 0:15:53 | 0:15:56 | |
I'm here to tell you all about my nappy. | 0:15:56 | 0:15:58 | |
I'm so excited I can't hide it. | 0:15:58 | 0:16:00 | |
This nappy is great - I should know, I've tried it! | 0:16:00 | 0:16:03 | |
# My career will soon be over | 0:16:07 | 0:16:09 | |
# The minute I'm seen dressed as Rover | 0:16:09 | 0:16:11 | |
# Hello utter humiliation | 0:16:11 | 0:16:14 | |
# Thanks to contractual obligation | 0:16:14 | 0:16:17 | |
# Goodbye fame | 0:16:17 | 0:16:19 | |
# I had it all to lose | 0:16:19 | 0:16:21 | |
# And all I got was a nice pair of Jimmy Choos. # | 0:16:21 | 0:16:27 | |
It's the choice of mums and dads | 0:16:28 | 0:16:30 | |
Thanks to its super absorbent pad | 0:16:30 | 0:16:32 | |
What's done is done so don't take the chance | 0:16:32 | 0:16:34 | |
We guarantee these are leak-free pants | 0:16:34 | 0:16:38 | |
# Only did it cos I was so skint | 0:16:40 | 0:16:43 | |
# Should have really read the small print | 0:16:43 | 0:16:45 | |
# Didn't think signing on the dotted line | 0:16:45 | 0:16:47 | |
# Would mean I'd have to dress as a cuddly canine | 0:16:47 | 0:16:50 | |
# Goodbye fame, hello desperation | 0:16:50 | 0:16:54 | |
# Whoever heard of a diva dressed as a Dalmatian? # | 0:16:55 | 0:17:00 | |
I could call the company call and ask if there's any wiggle room. | 0:17:03 | 0:17:09 | |
Martha? | 0:17:11 | 0:17:12 | |
Tell you what, | 0:17:13 | 0:17:15 | |
I could murder for a salami sandwich. | 0:17:15 | 0:17:17 | |
But Martha, I'm hungry! I'll let you make me one of your specials! | 0:17:19 | 0:17:26 | |
But Martha, I'm the guy who saved your life. | 0:17:29 | 0:17:33 | |
Thank you. | 0:17:36 | 0:17:37 | |
PHONE RINGS | 0:17:39 | 0:17:42 | |
Do you mind? It's private. | 0:17:42 | 0:17:44 | |
But I'm a hero! | 0:17:44 | 0:17:45 | |
You'll be an even more of a hero if you let me take this call. | 0:17:45 | 0:17:48 | |
The thing is, my daughter signed that contract without my knowledge. | 0:17:53 | 0:17:57 | |
She's learnt her lesson. She won't be signing blindly again, | 0:17:57 | 0:18:00 | |
so thank you and no, thanks. | 0:18:00 | 0:18:02 | |
Stick to the plan, Shalondra! We can't back down now. | 0:18:02 | 0:18:05 | |
But surely the cornerstone in a relationship is flexibility? | 0:18:05 | 0:18:09 | |
You've got to let go of Dr Abigail! | 0:18:09 | 0:18:11 | |
You're talking now to Dr Gary. | 0:18:11 | 0:18:14 | |
You know what, you are so right. | 0:18:14 | 0:18:18 | |
She'll be there first thing in the morning. | 0:18:18 | 0:18:22 | |
I'm sorry, baby. If you don't show up tomorrow dressed as the puppy | 0:18:22 | 0:18:26 | |
not only will you have to pay back all money, | 0:18:26 | 0:18:28 | |
you'll be sued for breach of contract. | 0:18:28 | 0:18:30 | |
-You'll have to pay damages. -What?! -You heard me, baby, I tried my best. | 0:18:30 | 0:18:36 | |
Oh! | 0:18:36 | 0:18:39 | |
There, there. | 0:18:39 | 0:18:40 | |
There, there, | 0:18:43 | 0:18:45 | |
baby, it's such a shame, | 0:18:45 | 0:18:47 | |
I know. | 0:18:47 | 0:18:50 | |
KNOCK ON DOOR | 0:18:59 | 0:19:00 | |
Go away. | 0:19:00 | 0:19:02 | |
Oh. OK then. | 0:19:02 | 0:19:04 | |
No, Verity! Come in! Please, sit down. | 0:19:04 | 0:19:08 | |
Love Poems For Broken Hearts? | 0:19:14 | 0:19:16 | |
That's not mine. | 0:19:16 | 0:19:19 | |
What am I doing? Lying is what got me into this mess. | 0:19:19 | 0:19:23 | |
I've read nothing else since we split up. | 0:19:23 | 0:19:26 | |
That was lunchtime. | 0:19:26 | 0:19:28 | |
Yes, and it's been the worse afternoon of my life. | 0:19:28 | 0:19:31 | |
I am so sorry I lied. Please give me another chance. | 0:19:31 | 0:19:35 | |
I want to. But how do I know if I can trust you? | 0:19:35 | 0:19:38 | |
I shouldn't have lied. | 0:19:38 | 0:19:40 | |
But it's just so rare to find anyone who likes me purely for being me! | 0:19:40 | 0:19:44 | |
I guess that's the downside to fame. | 0:19:44 | 0:19:46 | |
I had no idea you were so famous. | 0:19:46 | 0:19:50 | |
My friend says you're in magazines, and everything! | 0:19:50 | 0:19:53 | |
I can only dream about having so many people listen to my music. | 0:19:53 | 0:19:58 | |
Why don't I ask if you can play on the show? | 0:19:58 | 0:20:01 | |
-Oh, really? Would you do that? -Yeah, course. | 0:20:01 | 0:20:05 | |
I couldn't perform all by myself though. I'd be too scared. | 0:20:05 | 0:20:09 | |
I suffer from the most terrible stage fright. | 0:20:09 | 0:20:12 | |
I usually...before I perform. | 0:20:12 | 0:20:16 | |
It would really help me if you were standing there next to me. | 0:20:16 | 0:20:20 | |
We could duet. Me on guitar, you on harp. | 0:20:20 | 0:20:23 | |
Sounds perfect. So you'll speak to Annabelle? | 0:20:23 | 0:20:26 | |
I'd have to speak to Annabelle. | 0:20:26 | 0:20:28 | |
If you don't have any influence, just say. | 0:20:28 | 0:20:30 | |
Oh, Haddykins! How did you know I needed you? | 0:20:43 | 0:20:47 | |
What d'you think, this eyelash, or this eyelash? | 0:20:47 | 0:20:51 | |
Er... | 0:20:51 | 0:20:53 | |
-that one? -I knew it, you truly are my soul mate! | 0:20:53 | 0:20:58 | |
OK. My turn. I've got a favour to ask. | 0:20:58 | 0:21:00 | |
Anything for you, my little wine gum. | 0:21:00 | 0:21:04 | |
So I've started this new band. | 0:21:04 | 0:21:07 | |
Baroque and Roll. Me on the guitar and this harpist I've met. | 0:21:07 | 0:21:11 | |
A harpist? That's what I like about you, Hadley. | 0:21:11 | 0:21:14 | |
You get along with anyone, even a dorky guy with a harp. | 0:21:14 | 0:21:17 | |
You are such a geek! | 0:21:17 | 0:21:20 | |
Let me guess, he's always had a crush on me | 0:21:20 | 0:21:22 | |
and he's dying to harp on the show to impress me? | 0:21:22 | 0:21:25 | |
Yeah, something like that. | 0:21:25 | 0:21:29 | |
Sure, you and your friend can duet. | 0:21:30 | 0:21:32 | |
Thanks, Annabelle. I owe you one. | 0:21:32 | 0:21:35 | |
Well, now you come to mention it, there is something you could do. | 0:21:35 | 0:21:41 | |
-Yes? -Come to my pool party at the weekend. | 0:21:43 | 0:21:47 | |
What are you doing? | 0:22:01 | 0:22:02 | |
What happened to the cobwebs over my bed? | 0:22:07 | 0:22:09 | |
But they were homes! | 0:22:11 | 0:22:13 | |
My drum kit, | 0:22:13 | 0:22:15 | |
what have you done? | 0:22:15 | 0:22:17 | |
Yeah, there's a reason we don't do that. | 0:22:22 | 0:22:24 | |
Look, I get it. I've been an idiot. | 0:22:27 | 0:22:28 | |
How can I make it up to you? | 0:22:30 | 0:22:32 | |
Oh, you look so cute! All dressed up like a big dork. | 0:22:48 | 0:22:53 | |
I can't wait to meet your harp friend. Where is he? | 0:22:53 | 0:22:56 | |
I can't believe this is actually happening. | 0:23:00 | 0:23:03 | |
I'm gonna harp on national TV! How exciting is that? | 0:23:03 | 0:23:05 | |
-That's him? -Annabelle, thank you so much for letting us duet. | 0:23:05 | 0:23:09 | |
You'd better get to hair and make-up. | 0:23:09 | 0:23:11 | |
I've already been. | 0:23:11 | 0:23:13 | |
I think you should go again. | 0:23:13 | 0:23:14 | |
Oh, look, we've ended up with too much material for the show. | 0:23:18 | 0:23:22 | |
Annabelle, please don't cut Verity! I'm begging you. | 0:23:22 | 0:23:25 | |
The fact is, we have one musical slot. | 0:23:25 | 0:23:28 | |
So you decide... We're In Perfect Harmony or Baroque And Roll. | 0:23:28 | 0:23:31 | |
-You're asking me to choose between my family or Verity? -Make it snappy. | 0:23:31 | 0:23:36 | |
You've got ten minutes. And then people start turning into pumpkins. | 0:23:36 | 0:23:40 | |
Can you do that one again? It's got a chip. | 0:23:45 | 0:23:48 | |
Hi. Can I talk to you, from one intelligent person to another? | 0:23:49 | 0:23:53 | |
It's about Hadley. You've got to make him realise. | 0:23:53 | 0:23:56 | |
Everyone knows that family is the most important thing. | 0:23:56 | 0:23:59 | |
If that's true he'll choose you. | 0:23:59 | 0:24:01 | |
Oooh, kabuki brush! | 0:24:01 | 0:24:03 | |
He's confused. He thinks he's in love. | 0:24:03 | 0:24:06 | |
Do you know how exciting it'll be | 0:24:06 | 0:24:07 | |
for all those people to listen to my music? | 0:24:07 | 0:24:10 | |
I'll never look down my nose at Britain's Got Talent again! | 0:24:10 | 0:24:14 | |
Last call for the harp freak! | 0:24:14 | 0:24:18 | |
Oh, that's me! | 0:24:18 | 0:24:21 | |
Costume! | 0:24:21 | 0:24:23 | |
This is one of those life lessons, Hadley. | 0:24:27 | 0:24:29 | |
You can make the right choice, or you can make the wrong choice. | 0:24:29 | 0:24:32 | |
Have you made your choice? | 0:24:32 | 0:24:33 | |
-Yes. -Good. -I picked Verity! -But that's the wrong choice! | 0:24:33 | 0:24:36 | |
Sorry, but she wants to spread her music across the world. | 0:24:36 | 0:24:39 | |
But she gets too bad stage fright and she's too shy to do it without me. | 0:24:39 | 0:24:43 | |
What are you wearing? I thought we were wearing baroque. | 0:24:48 | 0:24:51 | |
I thought I'd move it on a century or three. I'm gonna knock 'em dead! | 0:24:51 | 0:24:55 | |
-Yeah, really shy. -Move people! | 0:24:55 | 0:24:59 | |
This crew is already working on overtime! | 0:24:59 | 0:25:02 | |
And now, ladies and gentlemen, a very special performance. | 0:25:05 | 0:25:09 | |
Tell the harp freak to stop waving at the camera! | 0:25:09 | 0:25:14 | |
Our very own Hadley with a brand-new harp ensemble, | 0:25:15 | 0:25:18 | |
Baroque And Roll! | 0:25:18 | 0:25:20 | |
Excuse me? That camera is zoomed in on my harp. | 0:25:20 | 0:25:23 | |
Go wide and get my face. It's really important that you get my face. | 0:25:23 | 0:25:26 | |
Thank you. | 0:25:26 | 0:25:28 | |
Do you like me? | 0:25:35 | 0:25:37 | |
I like you when you play your guitar. | 0:25:37 | 0:25:39 | |
Cos if you don't like me, then I can't do this. | 0:25:45 | 0:25:47 | |
I'm never going to see you again after this, am I? | 0:25:48 | 0:25:51 | |
Cut! | 0:25:53 | 0:25:54 | |
No! Keep rolling! I'll still play! | 0:25:54 | 0:25:56 | |
I knew you'd make the right decision. | 0:26:10 | 0:26:13 | |
Yeah. But why do I feel so bad? | 0:26:13 | 0:26:15 | |
Your heart will mend over time. | 0:26:15 | 0:26:18 | |
-Dr Gary? -No, he's been struck off. | 0:26:18 | 0:26:21 | |
Just Dad. Come on. | 0:26:21 | 0:26:24 | |
Mum, before I go I want to apologise. | 0:26:31 | 0:26:33 | |
I'm going to accept the consequences with my head held high. | 0:26:33 | 0:26:38 | |
I am so proud of you, Aretha. | 0:26:44 | 0:26:47 | |
I deserve to be humiliated. | 0:26:48 | 0:26:50 | |
-Oh, sweetie. -It won't be that bad, maybe. | 0:26:50 | 0:26:53 | |
You've got presence. | 0:26:53 | 0:26:55 | |
Please, don't sugar-coat it. | 0:26:55 | 0:26:58 | |
I thought the plan was we come clean before she leaves the house? | 0:27:05 | 0:27:08 | |
She's messing with us. There's no way she accepts the consequences. | 0:27:08 | 0:27:12 | |
Give her five seconds and she'll be back. | 0:27:12 | 0:27:14 | |
OK, I was wrong. | 0:27:19 | 0:27:20 | |
Let's stop her before she humiliates herself in public! | 0:27:20 | 0:27:24 | |
Ow! | 0:27:36 | 0:27:37 | |
Dr Abigail? What is that doing there? | 0:27:40 | 0:27:42 | |
# Almost famous, and it's killing me | 0:27:54 | 0:27:58 | |
# I'm one step off from where I gotta be | 0:27:58 | 0:28:03 | |
# La la la, la la la, la la la | 0:28:03 | 0:28:05 | |
# La la la, la la la, la la la | 0:28:05 | 0:28:07 | |
# La la la, la la la, la la la | 0:28:07 | 0:28:09 | |
# La la la la la. # | 0:28:09 | 0:28:11 |