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Prepare to enter a world of magic | 0:00:02 | 0:00:04 | |
where nothing is quite what it seems. | 0:00:04 | 0:00:07 | |
No! I say no. | 0:00:07 | 0:00:09 | |
I say no! | 0:00:09 | 0:00:10 | |
We've got a dancer standing tall... | 0:00:10 | 0:00:13 | |
You're going to hurt yourself. | 0:00:13 | 0:00:14 | |
..a bunny that falls... | 0:00:14 | 0:00:16 | |
and a father getting a dent in his... | 0:00:16 | 0:00:18 | |
pride. | 0:00:18 | 0:00:20 | |
Welcome to Now You See It. | 0:00:20 | 0:00:22 | |
First, Harry Potter and the boring old stick. | 0:00:33 | 0:00:35 | |
Avada Kedavra! | 0:00:35 | 0:00:38 | |
OK... | 0:00:38 | 0:00:40 | |
Meanwhile, in a toy shop far, far away... | 0:00:40 | 0:00:43 | |
Let's see you, buddy. | 0:00:43 | 0:00:44 | |
I don't care if you are a Jedi Knight - | 0:00:47 | 0:00:49 | |
all breakages must be paid for. | 0:00:49 | 0:00:51 | |
And in a galaxy far, far closer to home, | 0:00:51 | 0:00:54 | |
give the pinata a thwack and make sweets magically appear. | 0:00:54 | 0:00:57 | |
All right, go ahead. | 0:00:57 | 0:00:58 | |
Oh! | 0:01:00 | 0:01:02 | |
We would, of course, advise dads keep well away from pinatas. | 0:01:02 | 0:01:05 | |
Here's GloZell, with magician Chris Ballinger. | 0:01:07 | 0:01:09 | |
So, if you could do me a favour and just touch any one of the cards. | 0:01:11 | 0:01:15 | |
This one right here. Can you say it out loud for the camera? | 0:01:15 | 0:01:18 | |
This one right here. | 0:01:18 | 0:01:19 | |
-Is... -Is a jack of hearts. | 0:01:19 | 0:01:20 | |
-Jack of hearts. We'll leave it right where it is. -You know my card. | 0:01:20 | 0:01:23 | |
-OK, so you're seeing it live. -Yes. -They're seeing it on a screen. | 0:01:23 | 0:01:25 | |
Wouldn't it be a little more fair if you saw it through a screen? | 0:01:25 | 0:01:30 | |
-Wouldn't that be more fair? -I don't wear glasses. | 0:01:30 | 0:01:32 | |
But I've got a screen here, | 0:01:32 | 0:01:33 | |
a little piece of plastic and you can see the cards through it, | 0:01:33 | 0:01:36 | |
-right? -Can they see it? | 0:01:36 | 0:01:37 | |
They'll be able to see it. | 0:01:37 | 0:01:39 | |
-We're just going to put the little screen right here. -OK. | 0:01:39 | 0:01:42 | |
Just like this, so you can see the cards through the screen. | 0:01:42 | 0:01:45 | |
-Yeah. -OK, watch. | 0:01:45 | 0:01:48 | |
-Oh, my gosh, what's going to happen? -Watch... | 0:01:48 | 0:01:49 | |
No, it's going to explode. | 0:01:49 | 0:01:51 | |
Oh, no! | 0:01:52 | 0:01:53 | |
Imagine her reaction if it HAD exploded | 0:01:57 | 0:01:59 | |
rather than just changed to the colour green! | 0:01:59 | 0:02:01 | |
Although something tells me that green might be her favourite colour. | 0:02:03 | 0:02:06 | |
You're seeing it through the screen, | 0:02:06 | 0:02:08 | |
it'd be better if you didn't see it through the screen at all. | 0:02:08 | 0:02:11 | |
What in the world? | 0:02:11 | 0:02:12 | |
No... | 0:02:12 | 0:02:13 | |
-No! I say no! -Every single card. | 0:02:13 | 0:02:16 | |
-I say no! -Oh wait, I missed one. | 0:02:16 | 0:02:17 | |
I think she's saying no. | 0:02:17 | 0:02:19 | |
No, no, it's OK. I think this might be... | 0:02:19 | 0:02:21 | |
-What was your card? -It was the jack of hearts. | 0:02:21 | 0:02:23 | |
-No! Don't turn it over. No! -That's the jack of hearts. | 0:02:23 | 0:02:26 | |
No, I say! | 0:02:26 | 0:02:27 | |
All the other cards are green, except for the jack of hearts. | 0:02:27 | 0:02:31 | |
It's... | 0:02:32 | 0:02:33 | |
Giant pencil or tiny hands? | 0:02:37 | 0:02:39 | |
Hard to tell. | 0:02:39 | 0:02:42 | |
-Did you get it? -Not quite, try it again. | 0:02:45 | 0:02:47 | |
Hold up one sec. | 0:02:50 | 0:02:51 | |
All right. | 0:02:53 | 0:02:56 | |
-Ow! -LAUGHTER | 0:02:56 | 0:02:57 | |
Quick, draw an ambulance! | 0:02:57 | 0:02:59 | |
Time now for our beginner's guide to magic. | 0:03:03 | 0:03:06 | |
A great magic trick requires speed and dexterity. | 0:03:06 | 0:03:10 | |
Or, at the very least, the ability to unfold a sheet. | 0:03:10 | 0:03:13 | |
It's important to build up a sense of anticipation. | 0:03:16 | 0:03:19 | |
But try and get round to doing the trick at some point. | 0:03:21 | 0:03:24 | |
Seamless. The sheet, not the performance. | 0:03:28 | 0:03:31 | |
Now, in my best, not very good, American accent, it's time to say... | 0:03:31 | 0:03:34 | |
Magician Mat Ricardo spent years perfecting this skill, | 0:03:38 | 0:03:41 | |
only to discover there's absolutely no call for it whatsoever. | 0:03:41 | 0:03:44 | |
Master the fiendishly difficult art of yo-yo, | 0:03:47 | 0:03:50 | |
and you could end up on stage. | 0:03:50 | 0:03:52 | |
Bit of an up and down sort of career, though, | 0:03:52 | 0:03:54 | |
and not always in the way you'd think. | 0:03:54 | 0:03:56 | |
But it is important to keep practising | 0:04:01 | 0:04:02 | |
if you want to keep your hand in... | 0:04:02 | 0:04:04 | |
..and your nose out. | 0:04:07 | 0:04:08 | |
Here's men in coats. | 0:04:11 | 0:04:13 | |
I wondered what Noel and Liam were doing these days. | 0:04:13 | 0:04:15 | |
That's an Oasis reference, kids. | 0:04:15 | 0:04:17 | |
Oh, hang on - Liam's got something in his eye. | 0:04:18 | 0:04:20 | |
They've got more tricks than you could shake | 0:04:22 | 0:04:24 | |
a carefully concealed massive stick at. | 0:04:24 | 0:04:26 | |
APPLAUSE | 0:04:33 | 0:04:35 | |
Moving on now to some levitation. | 0:04:46 | 0:04:49 | |
Is there nothing these guys can't do? | 0:04:49 | 0:04:51 | |
Ah, yes... | 0:04:59 | 0:05:00 | |
..levitation. | 0:05:01 | 0:05:02 | |
Shall we take a look at some... GROWLS | 0:05:07 | 0:05:09 | |
We've all heard of flying carpets, | 0:05:12 | 0:05:14 | |
but here's a cat test-driving the world's first flying doormat. | 0:05:14 | 0:05:17 | |
Lovely outfit, by the way. | 0:05:20 | 0:05:21 | |
Here's a hedgehog that really wants to be a magician's rabbit. | 0:05:27 | 0:05:30 | |
One day, if he keeps practising, | 0:05:34 | 0:05:36 | |
he'll get the hang of popping out of a hat. | 0:05:36 | 0:05:38 | |
One day. | 0:05:38 | 0:05:39 | |
But not today. | 0:05:42 | 0:05:43 | |
Meanwhile, this rabbit's thinking, | 0:05:43 | 0:05:45 | |
"That hedgehog's pinched my hat again." So he does his | 0:05:45 | 0:05:48 | |
rabbit-vanishing-off-bed trick instead. | 0:05:48 | 0:05:50 | |
You're going to hurt yourself. OK. | 0:05:50 | 0:05:53 | |
Now, let's take a peek behind closed trapdoors, as we ask... | 0:05:58 | 0:06:02 | |
No, that's not Michael Ball performing Phantom of the Opera | 0:06:05 | 0:06:07 | |
in a shopping centre. | 0:06:07 | 0:06:09 | |
Although that's not to say he doesn't do that. | 0:06:09 | 0:06:11 | |
It's from Japanese channel NHK, | 0:06:12 | 0:06:15 | |
and this masked magician... | 0:06:15 | 0:06:17 | |
Oh, he's a little bit creepy, isn't he? | 0:06:17 | 0:06:19 | |
This masked magician is about to produce something spectacular | 0:06:19 | 0:06:23 | |
from behind his dining room curtain. | 0:06:23 | 0:06:25 | |
A ballerina's appeared out of thin air. | 0:06:28 | 0:06:30 | |
Or is it a thin ballerina appearing out of air? | 0:06:30 | 0:06:32 | |
Anyway, the question is - how did they do that? | 0:06:32 | 0:06:35 | |
Well, brilliantly, we can see exactly how that was done. | 0:06:35 | 0:06:38 | |
First, she cleverly concealed herself behind the cameraman, | 0:06:39 | 0:06:41 | |
making them look like they're forming the world's shortest | 0:06:41 | 0:06:44 | |
conga line. | 0:06:44 | 0:06:45 | |
Then, as the masked man shoves his face into the camera and brandishes | 0:06:45 | 0:06:48 | |
a bit of curtain, she stands directly behind him. | 0:06:48 | 0:06:50 | |
At the right moment, she runs forward, | 0:06:50 | 0:06:52 | |
skids delicately between his legs and voila - instant lady. | 0:06:52 | 0:06:56 | |
And now to magical Hertfordshire, with well-dressed wizard DMC, | 0:06:57 | 0:07:00 | |
for our big finish. | 0:07:00 | 0:07:02 | |
Joining DMC, it's Belinda Challis, a top motorsport professional. | 0:07:04 | 0:07:08 | |
You'll see at the far end of the runway we have two paper screens, | 0:07:08 | 0:07:12 | |
one with the cross and one with the circle. | 0:07:12 | 0:07:15 | |
In a moment, I'm going to have you get inside your car, | 0:07:15 | 0:07:18 | |
I'm going to have you look at both symbols, | 0:07:18 | 0:07:20 | |
and I'm going to have you think of one of the symbols, | 0:07:20 | 0:07:23 | |
just in your head, OK? | 0:07:23 | 0:07:25 | |
When you've done that, I'm going to ask you to drive... | 0:07:25 | 0:07:28 | |
..through that screen. | 0:07:30 | 0:07:31 | |
There is one thing you need to know. | 0:07:31 | 0:07:34 | |
You won't know which one, | 0:07:34 | 0:07:37 | |
but I'm going to go and stand behind... | 0:07:37 | 0:07:40 | |
-..one of the two screens. -Right. | 0:07:41 | 0:07:43 | |
Oh, good - no pressure then, Belinda. | 0:07:43 | 0:07:45 | |
-I'm going to go and get ready. -Good luck. | 0:07:45 | 0:07:47 | |
Yeah, good luck. Hope I don't run you over! | 0:07:48 | 0:07:51 | |
If we could please put the screen into position. | 0:07:51 | 0:07:53 | |
I've said it before and I'll say it again, | 0:07:53 | 0:07:54 | |
don't try anything like this | 0:07:54 | 0:07:56 | |
unless you are international illusionist DMC. | 0:07:56 | 0:07:59 | |
Actually, I've never said that before, but it's true. | 0:07:59 | 0:08:03 | |
And Belinda you have no idea which of the two screens | 0:08:03 | 0:08:06 | |
I'm standing behind, correct? | 0:08:06 | 0:08:07 | |
Nope, I haven't got a clue. | 0:08:07 | 0:08:09 | |
No more contact. | 0:08:09 | 0:08:10 | |
Three, two, one. | 0:08:14 | 0:08:18 | |
Oh, and Belinda, if you want to change your mind, | 0:08:18 | 0:08:20 | |
once you've set off, you can. | 0:08:20 | 0:08:22 | |
Go. | 0:08:28 | 0:08:29 | |
I'm sorry, I can't resist saying it. | 0:08:38 | 0:08:39 | |
When else am I going to get the chance? | 0:08:39 | 0:08:41 | |
Run, DMC! | 0:08:41 | 0:08:42 | |
Phew! | 0:08:44 | 0:08:45 | |
Nice that DMC checks his suit's unblemished. | 0:08:47 | 0:08:50 | |
The first thing we'd all do. | 0:08:50 | 0:08:51 | |
He should check round the back as well, though. | 0:08:51 | 0:08:54 | |
Thank God! Good choice. | 0:08:55 | 0:08:56 | |
Amazing trick, but here's an almighty twist. | 0:08:56 | 0:08:59 | |
Belinda, let me-let me show you something. | 0:08:59 | 0:09:02 | |
Behind this screen we have a ten foot, five tonne | 0:09:02 | 0:09:08 | |
concrete wall. | 0:09:08 | 0:09:09 | |
Come and have a look, come and have a look. | 0:09:09 | 0:09:13 | |
-You could have driven into that, Belinda! -Whoa... | 0:09:13 | 0:09:16 | |
Quite. | 0:09:16 | 0:09:17 | |
That's all we've got time for. | 0:09:19 | 0:09:21 | |
No! I say no! | 0:09:21 | 0:09:23 | |
Well, I'm afraid, GloZell, I have to say yes. | 0:09:23 | 0:09:25 | |
But join us next time on Now You See It | 0:09:25 | 0:09:27 | |
and until then, watch out - | 0:09:27 | 0:09:29 | |
magicians are everywhere. | 0:09:29 | 0:09:30 | |
Although, to be fair, some are easier to spot than others. | 0:09:30 | 0:09:34 |