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Prepare to witness magic underground. | 0:00:02 | 0:00:03 | |
A man without a pound. | 0:00:03 | 0:00:05 | |
And football fans left spellbound. | 0:00:05 | 0:00:08 | |
Welcome to Now You See It. | 0:00:08 | 0:00:10 | |
It's magic! | 0:00:10 | 0:00:12 | |
First up, Tumba Ping Pong with a trick that'll put a smile on | 0:00:25 | 0:00:28 | |
anyone's face. Especially if the banana gets knocked in sideways. | 0:00:28 | 0:00:31 | |
Oh, don't eat the skin! | 0:00:36 | 0:00:38 | |
Secondly, we have this gentleman. | 0:00:42 | 0:00:43 | |
He does like to put a lot of fruit into his kid's lunchbox, doesn't he? | 0:00:48 | 0:00:53 | |
Finally, for some reason, this chap wants rid of his bananas. | 0:00:53 | 0:00:56 | |
I think he's just invented a banana-rang. | 0:00:57 | 0:01:00 | |
Ah, here's the Phantom of the Opera. | 0:01:02 | 0:01:04 | |
Oh, my mistake. It's Jonathan Pendragon. | 0:01:04 | 0:01:06 | |
PHONE RINGS | 0:01:06 | 0:01:09 | |
I've got Simon Cowell on the phone. | 0:01:09 | 0:01:10 | |
He wants to know why you're wearing his trousers. | 0:01:10 | 0:01:13 | |
Oh, look, a cat in a box. | 0:01:13 | 0:01:15 | |
It's like a showbiz trip to the vet's. | 0:01:15 | 0:01:17 | |
Oh, oh, now it's a big white dog. | 0:01:23 | 0:01:25 | |
Or is it a tiny polar bear? | 0:01:25 | 0:01:27 | |
He didn't fight the cat, though. That's a bit magic too. | 0:01:27 | 0:01:30 | |
Oh, don't lie in there like that. | 0:01:37 | 0:01:39 | |
You don't know what the cat's done in there. | 0:01:39 | 0:01:42 | |
What's next? I'm thinking it's got to be a pony. | 0:01:42 | 0:01:44 | |
Oh, no, it's a woman! | 0:01:44 | 0:01:46 | |
And for an extra trick, the back half of her top's disappeared. | 0:01:46 | 0:01:50 | |
Here's something you don't see every day, | 0:01:54 | 0:01:56 | |
in an item we like to call You Don't See That Everyday. | 0:01:56 | 0:02:00 | |
While ordinary people would just pop bubble wrap, | 0:02:00 | 0:02:03 | |
illusionist Eric Buss just has to go one step further. | 0:02:03 | 0:02:06 | |
Being a magician can be stressful, | 0:02:06 | 0:02:09 | |
so here's the perfect invention to help them keep calm before a show. | 0:02:09 | 0:02:12 | |
Right, now, all you've got to do, Eric, is roll it back up again. | 0:02:14 | 0:02:18 | |
Now, that's real stress for you, Eric, isn't it? | 0:02:18 | 0:02:20 | |
Yeah! | 0:02:21 | 0:02:23 | |
Oh, look who it is! Drummond Money-Coutts, aka DMC. | 0:02:23 | 0:02:26 | |
Very, very simple. This is a very standard casino die | 0:02:26 | 0:02:29 | |
-and a hat. -Cool. | 0:02:29 | 0:02:31 | |
OK. I'm going to set the die to a number. | 0:02:31 | 0:02:33 | |
I'm going to do this under the hat. | 0:02:33 | 0:02:35 | |
And I want you to name a random number between one and six. | 0:02:35 | 0:02:40 | |
-What is your first number? -Five. | 0:02:40 | 0:02:41 | |
-Five? -Wouldn't it be great if she said four and a half? | 0:02:41 | 0:02:44 | |
Impressive, although for all we know, | 0:02:47 | 0:02:49 | |
he gets it wrong 5/6 of the time. | 0:02:49 | 0:02:51 | |
So I'm going to set it to a different number which... | 0:02:51 | 0:02:54 | |
Set it to that. So again, take a moment. | 0:02:54 | 0:02:58 | |
Think through. Number between one and six. | 0:02:58 | 0:03:00 | |
Or Pi. 3.14... | 0:03:00 | 0:03:02 | |
Four. | 0:03:02 | 0:03:04 | |
Four? | 0:03:04 | 0:03:05 | |
No way. How are you doing that? | 0:03:08 | 0:03:11 | |
I think it's called magic, Rachelle. | 0:03:11 | 0:03:13 | |
How are you doing that? | 0:03:13 | 0:03:16 | |
-It's magic. -That's what I said. | 0:03:16 | 0:03:18 | |
This is the big one. OK, so, Rachelle. | 0:03:18 | 0:03:22 | |
Final number. | 0:03:23 | 0:03:25 | |
Leave that there. | 0:03:25 | 0:03:27 | |
Any number, one to six. | 0:03:27 | 0:03:29 | |
-Three. -You want three? | 0:03:30 | 0:03:32 | |
The big one. | 0:03:36 | 0:03:38 | |
How did you? And why is the dice bigger? | 0:03:44 | 0:03:46 | |
No! It grew, under the hat. | 0:03:46 | 0:03:48 | |
To be fair, it's the only thing growing under his hat. | 0:03:48 | 0:03:51 | |
There's nothing in here. There's not even a small dice. | 0:03:51 | 0:03:53 | |
Where did the small one go? | 0:03:53 | 0:03:55 | |
And now they're ready for a | 0:03:55 | 0:03:56 | |
terrifying game of giant snakes and ladders. | 0:03:56 | 0:03:59 | |
Hello. | 0:03:59 | 0:04:01 | |
Meanwhile, in a German TV shop, | 0:04:01 | 0:04:03 | |
a woman is asked to draw a picture on a blank card. | 0:04:03 | 0:04:06 | |
Nothing unusual about that. | 0:04:06 | 0:04:07 | |
HE SPEAKS GERMAN | 0:04:07 | 0:04:10 | |
And just two hours later, she's finished it. | 0:04:17 | 0:04:19 | |
It's not exactly Van Gogh, but it'll do. | 0:04:21 | 0:04:23 | |
HE SPEAKS GERMAN | 0:04:23 | 0:04:26 | |
Now, what's the world's weirdest TV | 0:04:29 | 0:04:31 | |
sales assistant going to do with that pile of cards? | 0:04:31 | 0:04:34 | |
Careful. You break it, you buy it, my friend. | 0:04:40 | 0:04:43 | |
Incredible. | 0:04:49 | 0:04:51 | |
The television was part of the trick! | 0:04:51 | 0:04:53 | |
Which reminds me. Chris in Doncaster, | 0:04:53 | 0:04:55 | |
the number you're thinking of is four. | 0:04:55 | 0:04:57 | |
Now, here's the very famous Derren Brown | 0:04:57 | 0:05:00 | |
actually talking to somebody on public transport. | 0:05:00 | 0:05:02 | |
No-one does that, surely. | 0:05:02 | 0:05:04 | |
Can I ask you what stop you're getting off at? | 0:05:04 | 0:05:06 | |
-Warren Street. -Warren Street. Excellent. | 0:05:06 | 0:05:09 | |
What stop are you getting off at? | 0:05:09 | 0:05:11 | |
-Houston. -Houston, excellent. | 0:05:11 | 0:05:13 | |
Yeah, the documentary is sort of | 0:05:13 | 0:05:14 | |
about how easily trains of thought can become confused. | 0:05:14 | 0:05:17 | |
-And you can... -Darren's using his | 0:05:17 | 0:05:19 | |
magic powers to make commuters forget their stop. | 0:05:19 | 0:05:22 | |
Sorry, what was the stop you were getting off at? | 0:05:24 | 0:05:26 | |
Look at me. What was the stop you were getting off at? | 0:05:28 | 0:05:30 | |
Is that it, up there? | 0:05:33 | 0:05:35 | |
What was it? | 0:05:37 | 0:05:39 | |
What stop, thinking about it now, what was it? | 0:05:39 | 0:05:42 | |
I can't remember. | 0:05:44 | 0:05:46 | |
-It's just gone. -What is it? | 0:05:46 | 0:05:47 | |
What was the stop? | 0:05:48 | 0:05:50 | |
He hasn't felt that confused on London underground since there were | 0:05:51 | 0:05:55 | |
planned engineering works at Cockfosters. | 0:05:55 | 0:05:58 | |
-Trevor, why are you going there? -To visit friends. | 0:05:58 | 0:06:01 | |
To visit a friend. And where is it? | 0:06:01 | 0:06:03 | |
What stop? | 0:06:03 | 0:06:04 | |
Don't know. Erm... | 0:06:06 | 0:06:08 | |
Just trying to find it at the moment. | 0:06:09 | 0:06:13 | |
I can't remember. | 0:06:13 | 0:06:15 | |
-Is that weird? -Yeah. | 0:06:15 | 0:06:17 | |
-There it is, what is it? -Houston. | 0:06:17 | 0:06:19 | |
-You got it, what is it? -Warren Street. | 0:06:19 | 0:06:21 | |
Warren Street. There you go. | 0:06:21 | 0:06:23 | |
-Archway. -Archway? | 0:06:23 | 0:06:25 | |
Oh, this is Archway now. You better get. | 0:06:25 | 0:06:27 | |
Oh, that would be a tough excuse to use. | 0:06:27 | 0:06:29 | |
"Sorry I'm late. Darren Brown hypnotized me." | 0:06:29 | 0:06:32 | |
Sorry, you missed that one. | 0:06:32 | 0:06:34 | |
Danny Cole now with the purse that holds the budget for this very show. | 0:06:35 | 0:06:38 | |
This is a coin purse with an invisible bag. | 0:06:39 | 0:06:43 | |
And anything I drop inside of it will turn invisible also. | 0:06:43 | 0:06:47 | |
There's an object in there now. Of course, you can't see it. | 0:06:47 | 0:06:51 | |
And even if you look down in there, you shouldn't be able to see it. | 0:06:51 | 0:06:55 | |
It's not until I pour it out | 0:06:55 | 0:06:58 | |
that it becomes visible. | 0:06:58 | 0:07:00 | |
Now, when I | 0:07:00 | 0:07:02 | |
drop objects inside the purse, as long as I'm holding onto it, | 0:07:02 | 0:07:06 | |
you're going to be able to see it, OK? | 0:07:06 | 0:07:08 | |
But as soon as I let go... | 0:07:08 | 0:07:10 | |
Yeah, one of my friends has this problem. | 0:07:10 | 0:07:12 | |
Whenever we go out for lunch, her purse becomes invisible too. | 0:07:12 | 0:07:16 | |
Now brace yourselves, football fans, for a very sporting big finish. | 0:07:16 | 0:07:20 | |
I didn't want to do a trick of an actual football. | 0:07:21 | 0:07:23 | |
That'd be too obvious. | 0:07:23 | 0:07:24 | |
-Rude. -Got a football sticker album from the shop. | 0:07:24 | 0:07:27 | |
Not all filled up yet, as if we just bought it. | 0:07:27 | 0:07:29 | |
OK, can you hold out your hand for me? | 0:07:29 | 0:07:31 | |
Put your hand on top, just like that. | 0:07:31 | 0:07:33 | |
Now come back to that in a second. | 0:07:33 | 0:07:35 | |
So I've not stuck the stickers in yet. I've got them right here. | 0:07:35 | 0:07:38 | |
You've seen that they are completely legit. Now, Ben, say stop. | 0:07:38 | 0:07:41 | |
-Stop. -There. Cool. | 0:07:41 | 0:07:43 | |
Take the sticker. Have a look at it. | 0:07:43 | 0:07:45 | |
Oh, that'll be former Scotland and Kilmarnock player Barry Nicholson. | 0:07:45 | 0:07:49 | |
And can you just push it somewhere in the middle? | 0:07:49 | 0:07:51 | |
Yeah, Barry Nicholson always goes midfield. | 0:07:51 | 0:07:54 | |
Can you hold out both your hands for me? | 0:07:54 | 0:07:56 | |
Perfect. OK, now we need to start sticking these in. | 0:07:56 | 0:08:00 | |
If we do this one at a time, we're going to be here all day. | 0:08:00 | 0:08:03 | |
OK? So I'm going to take the book. | 0:08:03 | 0:08:05 | |
So, it is empty, yeah? | 0:08:05 | 0:08:07 | |
-Empty. -Ben, what we're going to just try and do is just watch. | 0:08:07 | 0:08:10 | |
If I do it like this. And just start filling the sticker book up. | 0:08:10 | 0:08:13 | |
-OK. -Just like that. | 0:08:13 | 0:08:15 | |
Hey, wow. | 0:08:15 | 0:08:17 | |
Which means in your hands, the backs have gone completely blank. | 0:08:17 | 0:08:21 | |
Check them out. | 0:08:21 | 0:08:22 | |
Agreed. | 0:08:25 | 0:08:27 | |
-They're all gone. -And that is | 0:08:27 | 0:08:29 | |
the sticker book completely filled up. | 0:08:29 | 0:08:32 | |
Oh, wait, I've missed one. | 0:08:32 | 0:08:34 | |
-That's Barry Nicholson. -Oh, it's Barry Nicholson. | 0:08:35 | 0:08:39 | |
Just check that again to make sure... | 0:08:39 | 0:08:41 | |
Oh, wait. Was this the player you picked? | 0:08:41 | 0:08:43 | |
-Definitely was. -Show it to the camera. | 0:08:43 | 0:08:46 | |
-Barry Nicholson. -You can put the sticker in your pocket. | 0:08:46 | 0:08:48 | |
-That's yours to keep. -Alongside your 27 other Barry Nicholson spares. | 0:08:48 | 0:08:52 | |
Bring it up just like this. Bring it up in front of your face. | 0:08:52 | 0:08:54 | |
And concentrate on Barry Nicholson. | 0:08:54 | 0:08:56 | |
-OK. -Say the name Barry Nicholson out loud, | 0:08:56 | 0:08:59 | |
keep saying it until you hear me say the word stop. | 0:08:59 | 0:09:01 | |
-OK? -OK. Barry Nicholson. | 0:09:01 | 0:09:04 | |
-Barry Nicholson. -This reminds me of that horror film, | 0:09:04 | 0:09:07 | |
but with Barry Nicholson. | 0:09:07 | 0:09:08 | |
-Barry Nicholson. Barry Nicholson. -Stop. | 0:09:08 | 0:09:11 | |
Oh, my word, it's the real Barry Nicholson. | 0:09:11 | 0:09:15 | |
The best football magic trick since Wayne Rooney's hair re-appeared. | 0:09:15 | 0:09:19 | |
Thanks, Damien. And thanks, Barry Nicholson. | 0:09:19 | 0:09:21 | |
Join us soon for more Now You See It. | 0:09:23 | 0:09:25 | |
I'm off for a kick about with Barry Nicholson. | 0:09:25 | 0:09:27 | |
Although, I think our goalie's stuck somewhere on the Northern line. Ha! | 0:09:27 | 0:09:31 |