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My name is Agent Olive. This is my partner, Agent Otto. | 0:00:02 | 0:00:05 | |
This is my lucky pencil. | 0:00:05 | 0:00:07 | |
But back to Otto and me. | 0:00:07 | 0:00:09 | |
We work for an organisation run by kids that investigates anything | 0:00:09 | 0:00:13 | |
strange, weird and, especially, odd. | 0:00:13 | 0:00:17 | |
Our job is to put things right again. | 0:00:17 | 0:00:19 | |
NEIGHING | 0:00:22 | 0:00:23 | |
Who do we work for? | 0:00:25 | 0:00:27 | |
We work for Odd Squad. | 0:00:27 | 0:00:29 | |
-Thanks for coming, Odd Squad. -What seems to be the problem, sir? | 0:00:36 | 0:00:39 | |
Well, I really want to go swimming | 0:00:39 | 0:00:40 | |
but every time I try to go to the ocean this happens. | 0:00:40 | 0:00:43 | |
See? | 0:00:47 | 0:00:48 | |
A question. Did you say anything bad about the ocean recently? | 0:00:48 | 0:00:51 | |
-Well, I might have said it was cold. -Oh, no, no, no. | 0:00:51 | 0:00:54 | |
-You shouldn't have done that. -Really bad move. | 0:00:54 | 0:00:56 | |
-What? It is cold. -Don't say it again. | 0:00:56 | 0:00:59 | |
-The ocean is mad at you and it's keeping you out. -Well, what do I do? | 0:00:59 | 0:01:02 | |
-BOTH: -Apologise! | 0:01:02 | 0:01:03 | |
-To the ocean? -I don't see a lake around here. | 0:01:05 | 0:01:08 | |
OK, ocean, I'm sorry you're so sensitive. | 0:01:08 | 0:01:10 | |
-Ah, come on, do it for real, man. -OK. | 0:01:10 | 0:01:12 | |
-Ocean, I'm sorry I said those things about you. -A-A-A-And? | 0:01:14 | 0:01:18 | |
-And I really like how blue you are. -And? | 0:01:18 | 0:01:22 | |
And wavy and wet and splashy. | 0:01:23 | 0:01:25 | |
That should do it. | 0:01:25 | 0:01:27 | |
-It worked! Thanks, Odd Squad. -Have a good day, sir. | 0:01:30 | 0:01:34 | |
Let's get out of here. | 0:01:34 | 0:01:35 | |
This sand is hot. | 0:01:35 | 0:01:37 | |
Oh! | 0:01:37 | 0:01:38 | |
That's my bad. | 0:01:39 | 0:01:41 | |
For you, for you, | 0:01:42 | 0:01:45 | |
these are for you, I think. This is for that. | 0:01:45 | 0:01:48 | |
Otto, I've never seen you move so fast. | 0:01:48 | 0:01:51 | |
If I finish all my work I can leave early to see | 0:01:51 | 0:01:54 | |
-the Great Grinaldi at the theatre. -Wait, the what? -The theatre. | 0:01:54 | 0:01:58 | |
You know, where you go see shows? | 0:01:58 | 0:02:00 | |
-No, not that. Grinal...? -Grinaldi. | 0:02:00 | 0:02:05 | |
The greatest magician in the history of magic. | 0:02:05 | 0:02:07 | |
Here, let me show you. | 0:02:08 | 0:02:10 | |
Prepare to be dazzled, stupefied, thunderstruck! | 0:02:12 | 0:02:17 | |
Grinaldi's magic is so great it is everywhere. | 0:02:17 | 0:02:21 | |
Come, see my magic saw trick where I cut through everything - | 0:02:21 | 0:02:26 | |
including myself. | 0:02:26 | 0:02:28 | |
Oh, yes, it's happening. | 0:02:28 | 0:02:30 | |
Oh, yes! | 0:02:30 | 0:02:32 | |
Grinaldi is the one that inspired me to become a magician one day. | 0:02:33 | 0:02:37 | |
I thought you wanted to become an Olympic speed skater? | 0:02:37 | 0:02:39 | |
That was on Monday. | 0:02:39 | 0:02:41 | |
-What about tornado chaser? -That was on Tuesday. | 0:02:41 | 0:02:43 | |
Today's Wednesday. | 0:02:43 | 0:02:45 | |
Wait, oh, no! This show's already started. | 0:02:45 | 0:02:48 | |
I've got to get out of here before Ms O finds something else for me | 0:02:48 | 0:02:51 | |
-to do! -I have something for you to do. -How did you even get in there? | 0:02:51 | 0:02:54 | |
Because I'm everywhere. Now, you two go to the bakery now! | 0:02:54 | 0:02:58 | |
Ohh! | 0:02:58 | 0:02:59 | |
Oh, thanks for coming, Odd Squad. | 0:03:01 | 0:03:04 | |
It's my cakes. They're ruined. | 0:03:04 | 0:03:06 | |
A wedding is supposed to bring people together, | 0:03:11 | 0:03:13 | |
-not split them apart. -But who would want to steal cakes? | 0:03:13 | 0:03:17 | |
Hang on, partner. | 0:03:17 | 0:03:19 | |
No cakes are missing, the whole thing's still here, | 0:03:19 | 0:03:22 | |
they're just cut into pieces. Which means they're split in half. | 0:03:22 | 0:03:26 | |
But who would want to do something like this? | 0:03:26 | 0:03:30 | |
-BOTH: -Circle Sue. | 0:03:30 | 0:03:31 | |
-No, no, that doesn't sound right. -Oh, yeah. | 0:03:31 | 0:03:34 | |
-BOTH: -Halvsie Harriet. -Yes. Yeah, that sounds right. | 0:03:36 | 0:03:39 | |
No, no, no! I didn't do this. | 0:03:42 | 0:03:44 | |
Yes, I like splitting things in half but I always steal one half | 0:03:45 | 0:03:48 | |
and leave the other. See? | 0:03:48 | 0:03:50 | |
-Just did that. -Wait, so all these things are stolen? | 0:03:52 | 0:03:57 | |
I think you're getting away from the point. | 0:04:00 | 0:04:02 | |
Would you like some lemonade? | 0:04:02 | 0:04:05 | |
Um... | 0:04:05 | 0:04:07 | |
Er... Argh! | 0:04:07 | 0:04:08 | |
We're good. We're good. | 0:04:09 | 0:04:10 | |
Look, Harriet, can you please just confess | 0:04:11 | 0:04:14 | |
so we can close the case and I can go and see the Great Grinaldi. | 0:04:14 | 0:04:17 | |
But I'm innocent, I've been in my apartment all day | 0:04:17 | 0:04:20 | |
knitting this half sweater. | 0:04:20 | 0:04:22 | |
-Not half bad. -Thank you. -PHONE RINGS | 0:04:24 | 0:04:26 | |
Go for Olive. | 0:04:28 | 0:04:29 | |
I see. Things are falling apart at the library, too. | 0:04:30 | 0:04:34 | |
Aha! That proves that I didn't do it. I've been here with you two. | 0:04:34 | 0:04:39 | |
-You're right. We're sorry for bothering you. -That's all right. | 0:04:39 | 0:04:42 | |
Let me show you to the door. | 0:04:42 | 0:04:43 | |
-Bye. -See you soon. | 0:04:46 | 0:04:47 | |
I'm just going to lock up behind you. | 0:04:48 | 0:04:51 | |
-Let me guess, Mr Fonts, the books are splitting in half? -No! | 0:04:54 | 0:04:58 | |
It's much worse than that, look! | 0:04:58 | 0:04:59 | |
Hm? | 0:05:01 | 0:05:02 | |
The books started off whole but now they're in four equal pieces. | 0:05:05 | 0:05:09 | |
So, the books split into fourths. | 0:05:09 | 0:05:12 | |
I know who did this - Fourthsie Fourriet. | 0:05:12 | 0:05:14 | |
No such person. But nice try. | 0:05:14 | 0:05:17 | |
Well, whoever's doing it is making the books very difficult to read. | 0:05:17 | 0:05:21 | |
And poor Dustin is having a horrible time shelving, look! | 0:05:21 | 0:05:24 | |
I'm trying so hard! | 0:05:25 | 0:05:26 | |
PHONE RINGS | 0:05:29 | 0:05:31 | |
-Go for Olive. -How come they always call you? | 0:05:33 | 0:05:35 | |
Agents, there's been another development. I'm sending video. | 0:05:35 | 0:05:38 | |
-I don't see anything. -It's in Otto's jacket. | 0:05:40 | 0:05:43 | |
Ooh, yeah. | 0:05:45 | 0:05:46 | |
One, two, three, four, five, six, seven, eight. Eight pieces. | 0:05:48 | 0:05:54 | |
I need you to find out who's cutting all these things into pieces. | 0:05:54 | 0:05:58 | |
Stat. As in ASAP. | 0:05:58 | 0:06:01 | |
As in as soon as possible. As in NOW! | 0:06:01 | 0:06:04 | |
You know, I've got an idea. | 0:06:06 | 0:06:08 | |
Let's take a break, go see the Great Grinaldi | 0:06:08 | 0:06:11 | |
and come back to the case with fresh eyes. | 0:06:11 | 0:06:13 | |
Better idea. We're going to the Math Room. | 0:06:13 | 0:06:15 | |
Oh, this is just... | 0:06:20 | 0:06:22 | |
I'm going to have my apple break. Oh, no! | 0:06:22 | 0:06:24 | |
-My apple's in fourths. -HE SOBS | 0:06:25 | 0:06:28 | |
Oh, that's better, actually. | 0:06:29 | 0:06:31 | |
-Greetings, agents. -Hi, Math Room. | 0:06:34 | 0:06:37 | |
OK. | 0:06:37 | 0:06:39 | |
Let's look over the evidence so far. | 0:06:39 | 0:06:41 | |
First, the cakes at the bakery split into two equal pieces - halves. | 0:06:41 | 0:06:45 | |
But, then, the books split into four equal pieces - fourths. | 0:06:47 | 0:06:51 | |
And the bridge split into eight equal pieces - eighths. | 0:06:51 | 0:06:54 | |
But why halves, then fourths, then eighths? | 0:06:54 | 0:06:58 | |
The Great Grinaldi. | 0:06:58 | 0:07:00 | |
-Otto, can you forget about Grinaldi for a minute?! -No. | 0:07:00 | 0:07:03 | |
Math Room, bring up a picture of Grinaldi in his magic box. | 0:07:04 | 0:07:08 | |
Generating images. | 0:07:08 | 0:07:09 | |
Other magicians saw themselves in half once. | 0:07:10 | 0:07:13 | |
But Grinaldi wants to be better, | 0:07:13 | 0:07:15 | |
so he saws himself in half three times. | 0:07:15 | 0:07:18 | |
And when you split something once | 0:07:18 | 0:07:20 | |
you have one, two equal pieces - halves. | 0:07:20 | 0:07:24 | |
And if you split each of those equal halves in half, | 0:07:24 | 0:07:28 | |
you have one, two, three, four equal pieces - fourths. | 0:07:28 | 0:07:33 | |
And splitting each of those four equal pieces in half again gives you, | 0:07:33 | 0:07:38 | |
one, two, three, four, five, six, seven, eight equal pieces - eighths. | 0:07:38 | 0:07:44 | |
Math Room, show us a map of the theatre | 0:07:45 | 0:07:47 | |
-where Grinaldi was performing. -Generating images. | 0:07:47 | 0:07:50 | |
It's close to the bakery, the library and the bridge. | 0:07:52 | 0:07:56 | |
Grinaldi did say his magic is so great it's everywhere. | 0:07:56 | 0:08:01 | |
So, it must have leaked outside of the theatre. | 0:08:01 | 0:08:03 | |
We've got to get to Grinaldi's show. | 0:08:03 | 0:08:05 | |
That's what I've been trying to say all day! | 0:08:05 | 0:08:07 | |
Now all eight eighths of the Great Grinaldi shall disappear. | 0:08:09 | 0:08:15 | |
-BOTH: -Odd Squad, Odd Squad! Stop right there, Grinaldi. | 0:08:15 | 0:08:19 | |
-Oh. BOTH: -Hey, people. | 0:08:19 | 0:08:20 | |
What?! What's going on? What...? | 0:08:20 | 0:08:23 | |
Actually, it'll be faster if I just read your minds. | 0:08:23 | 0:08:27 | |
Oh, no, the cake? | 0:08:27 | 0:08:29 | |
And the books? And the bridge? | 0:08:29 | 0:08:31 | |
Oh, I'm so sorry I've caused so much trouble. | 0:08:31 | 0:08:33 | |
And, yes, Otto, you can have my autograph. | 0:08:33 | 0:08:37 | |
Yes! | 0:08:37 | 0:08:38 | |
-Mr Grinaldi, can you fix it? -Yes. | 0:08:39 | 0:08:42 | |
But Grinaldi cannot reverse the spell with his head alone. | 0:08:42 | 0:08:46 | |
-I will need an assistant. -I'll do it! -Excellent. | 0:08:46 | 0:08:50 | |
No. No way. | 0:08:50 | 0:08:52 | |
No way am I going to let you do this... | 0:08:52 | 0:08:53 | |
..looking like that. | 0:08:56 | 0:08:57 | |
APPLAUSE | 0:09:01 | 0:09:03 | |
-Go get 'em, partner. -Thanks, partner. | 0:09:03 | 0:09:05 | |
Now, assistant, your first job is to put the eight pieces | 0:09:07 | 0:09:12 | |
of the Great Grinaldi back together. | 0:09:12 | 0:09:14 | |
Ta-dah! | 0:09:27 | 0:09:28 | |
GROANING AND MUTTERING | 0:09:28 | 0:09:30 | |
-Er, not it. -Oh. | 0:09:30 | 0:09:32 | |
Ta-dah! | 0:09:41 | 0:09:42 | |
GROANING AND MUTTERING | 0:09:42 | 0:09:43 | |
Still not it. | 0:09:43 | 0:09:45 | |
-Are you sure? You look pretty good to me. -Otto. -OK. | 0:09:45 | 0:09:48 | |
Ta-dah. | 0:09:57 | 0:09:58 | |
Ta-dah, indeed. | 0:10:00 | 0:10:01 | |
APPLAUSE AND CHEERING | 0:10:01 | 0:10:02 | |
-And now I shall make myself disappear. -Wait! | 0:10:05 | 0:10:10 | |
-You need to fix the other stuff. -Ah. | 0:10:10 | 0:10:13 | |
Right. | 0:10:14 | 0:10:15 | |
Alakazam, bing-bang-a-role! | 0:10:15 | 0:10:18 | |
Fractions come together and make one whole. | 0:10:18 | 0:10:21 | |
THEY WHINE | 0:10:31 | 0:10:33 | |
THEY CHEER | 0:10:34 | 0:10:36 | |
APPLAUSE | 0:10:36 | 0:10:38 | |
Well done, agents. Here's your new assignment. | 0:10:40 | 0:10:43 | |
Never fear, the Amazing Otto is on the case. | 0:10:43 | 0:10:46 | |
THEY COUGH | 0:10:49 | 0:10:50 | |
How long am I going to have to put up with this? | 0:10:50 | 0:10:53 | |
He should be over it by...Friday. | 0:10:53 | 0:10:56 | |
What does he use in that? | 0:10:58 | 0:10:59 |