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My name is Agent Olive. This is my partner, Agent Otto. | 0:00:02 | 0:00:05 | |
This is my lucky pencil. | 0:00:05 | 0:00:07 | |
But back to Otto and me. | 0:00:07 | 0:00:09 | |
We work for an organisation run by kids, | 0:00:09 | 0:00:12 | |
that investigates anything strange, weird, and especially odd. | 0:00:12 | 0:00:17 | |
Our job is to put things right again. | 0:00:17 | 0:00:18 | |
Who do we work for? | 0:00:25 | 0:00:27 | |
We work for Odd Squad. | 0:00:27 | 0:00:29 | |
Ms O, what are we doing here? We know Olive stole the museum, | 0:00:35 | 0:00:39 | |
so let's just kick her out and get on with it. | 0:00:39 | 0:00:42 | |
There's no way Olive did it, and Odd Todd hasn't proven a thing. | 0:00:42 | 0:00:46 | |
You're the one who can't prove where she was between 1.45 pm and 2pm. | 0:00:46 | 0:00:50 | |
Here, you can have the rest. | 0:00:51 | 0:00:53 | |
15 whole minutes. | 0:00:53 | 0:00:56 | |
That's a whole lot of time to shrink and steal the town museum. | 0:00:56 | 0:01:00 | |
If I were you, I'd take the deal. | 0:01:00 | 0:01:03 | |
What deal? | 0:01:03 | 0:01:04 | |
The deal is Olive gets kicked off Odd Squad, and I get a new car. | 0:01:04 | 0:01:09 | |
-A new car? -OK, make it a truck. Is that cool? Do people use trucks? | 0:01:09 | 0:01:14 | |
You know what? I'm going to switch back to car. | 0:01:14 | 0:01:16 | |
-I'm not getting you anything. -GAVEL BANGS | 0:01:16 | 0:01:18 | |
That's enough. The only person who's getting a car is me. | 0:01:18 | 0:01:22 | |
A purple one. Now, both of you, back to your tables. | 0:01:22 | 0:01:24 | |
I need you to think. | 0:01:29 | 0:01:31 | |
Where else were you on your lunch break? | 0:01:31 | 0:01:33 | |
Lunch break - I had lunch. | 0:01:33 | 0:01:35 | |
Your honour, I'd like to call upon our next witness - Agent Oscar. | 0:01:40 | 0:01:45 | |
Oh, I know him. | 0:01:45 | 0:01:48 | |
Please state your name for the court. | 0:01:49 | 0:01:52 | |
Daniel Berryman. | 0:01:52 | 0:01:54 | |
What? | 0:01:55 | 0:01:57 | |
I thought you said, "Please state your favourite name." | 0:01:57 | 0:01:59 | |
-No, I said, "State YOUR name." -Oh, er, Oscar. I'm Oscar. | 0:01:59 | 0:02:04 | |
Oscar, can you tell us where you were at 1.45? | 0:02:04 | 0:02:08 | |
Olive and I ate lunch at 1.45. I have a pizza stain to prove it. | 0:02:08 | 0:02:12 | |
I also have the one on my pan... The one on my shoe... | 0:02:12 | 0:02:15 | |
Oh, wait, the other shoe. | 0:02:16 | 0:02:18 | |
The point Oscar's trying to make is that Olive was busy eating lunch, | 0:02:18 | 0:02:22 | |
so she couldn't have stolen the town museum. | 0:02:22 | 0:02:26 | |
Case closed again. | 0:02:26 | 0:02:29 | |
Not so fast. | 0:02:29 | 0:02:31 | |
Oscar, buddy, where did you and Olive have lunch? | 0:02:33 | 0:02:36 | |
Er, at Delivery Debbie's Pizzeria. | 0:02:38 | 0:02:41 | |
I would like to submit into evidence... | 0:02:41 | 0:02:44 | |
..this menu, from Delivery Debbie's pizza place. | 0:02:46 | 0:02:50 | |
It's Pizzeria. | 0:02:50 | 0:02:53 | |
Please read to the court what it says on the bottom. | 0:02:53 | 0:02:56 | |
-"Printed in China." -No, not that low, a bit higher. | 0:02:58 | 0:03:02 | |
"Don't forget to tip your server." | 0:03:02 | 0:03:04 | |
That. That. | 0:03:06 | 0:03:07 | |
"Pizza delivered to your table in one minute or less." | 0:03:09 | 0:03:12 | |
"One minute or less." | 0:03:12 | 0:03:14 | |
So that means that the pizza must have come at 1.46. | 0:03:14 | 0:03:20 | |
Well, yeah, sure, but we still had to eat it. | 0:03:20 | 0:03:22 | |
Right. That must have taken a while. | 0:03:22 | 0:03:26 | |
And, what did you order, exactly? | 0:03:26 | 0:03:28 | |
Er, the der. | 0:03:28 | 0:03:31 | |
I'm sorry, I don't think our stenographer can hear you. | 0:03:31 | 0:03:34 | |
Olive was in a rush, so we had bite-sized pizzas. | 0:03:35 | 0:03:39 | |
Oh, really? | 0:03:39 | 0:03:40 | |
You mean like this one here? | 0:03:40 | 0:03:42 | |
Er, yes. | 0:03:42 | 0:03:44 | |
If it would please the babies, I would like to see how long | 0:03:44 | 0:03:48 | |
it takes you to eat that bite-sized pizza. | 0:03:48 | 0:03:50 | |
I'm so sorry, Olive. | 0:03:51 | 0:03:52 | |
LOUD CHEWING | 0:03:52 | 0:03:55 | |
One minute to order, and mere seconds to eat. | 0:03:55 | 0:03:59 | |
But, you know what? I'll give you four minutes. | 0:03:59 | 0:04:01 | |
Cos I'm just such a great guy. | 0:04:01 | 0:04:03 | |
One minute plus four minutes is only five minutes. | 0:04:03 | 0:04:08 | |
One, two, three, four, five. | 0:04:08 | 0:04:11 | |
Which brings us to 1.50. | 0:04:13 | 0:04:16 | |
Um, I don't seem to have one of those things with the five on it. | 0:04:18 | 0:04:23 | |
Anyways, the long and short of it is, | 0:04:25 | 0:04:27 | |
Olive still had 10 minutes to steal the town museum. | 0:04:27 | 0:04:31 | |
Oscar, you're dismissed. | 0:04:31 | 0:04:32 | |
Your honour, so what if Olive can't explain where she was? | 0:04:32 | 0:04:36 | |
There's still no real evidence linking her to the town museum. | 0:04:36 | 0:04:39 | |
Nothing. | 0:04:39 | 0:04:40 | |
What do you call this, then? | 0:04:40 | 0:04:42 | |
I, Agent Olive, have shrunk the town museum, and I'm taking it. | 0:04:46 | 0:04:53 | |
Oh, by the way, I don't like babies. | 0:04:53 | 0:04:55 | |
BABIES CRY | 0:04:55 | 0:04:57 | |
-Your honour, I'd like to call a recess. -I think that's a great idea. | 0:04:57 | 0:05:01 | |
Single file line, everyone. | 0:05:02 | 0:05:04 | |
-Olive, what's going on? -I did not do it. | 0:05:05 | 0:05:07 | |
-But that was you in the video. -Or someone who looked like me. | 0:05:07 | 0:05:11 | |
-Maybe Odd Todd's working with the Shapeshifter. -It makes sense. | 0:05:11 | 0:05:15 | |
The Shapeshifter can make herself look like anyone, | 0:05:15 | 0:05:19 | |
so maybe she shifted into you, and she and Odd Todd made that video. | 0:05:19 | 0:05:23 | |
But we still have to prove it. | 0:05:23 | 0:05:24 | |
Let's start with what you were doing from 1.50 to 2.00. | 0:05:24 | 0:05:28 | |
Uh, nothing. I walked back to headquarters. | 0:05:28 | 0:05:30 | |
You always take the tubes. | 0:05:30 | 0:05:32 | |
Where were you? | 0:05:33 | 0:05:35 | |
If I tell you, it'll change everything between us. | 0:05:35 | 0:05:38 | |
Olive, we're not just partners. We're friends. | 0:05:38 | 0:05:42 | |
Nothing will ever change that. | 0:05:42 | 0:05:44 | |
Whoa! That changes everything! | 0:05:51 | 0:05:54 | |
BELL RINGS | 0:05:54 | 0:05:55 | |
Recess is over. Everyone inside. | 0:05:55 | 0:05:57 | |
And here is a freckle on my elbow that kind of looks like a shark. | 0:06:05 | 0:06:11 | |
Your honour, this is the ninth freckle that he's shown us. | 0:06:11 | 0:06:14 | |
-He's clearly stalling. -I'm actually going somewhere with this. -Where? | 0:06:14 | 0:06:19 | |
Where could you possibly be going with this? | 0:06:19 | 0:06:21 | |
Babies of the jury, I present to you an audio recording of bird noises. | 0:06:21 | 0:06:26 | |
BIRDS CHIRPING | 0:06:26 | 0:06:28 | |
This has less and less to do with anything as you go on. | 0:06:28 | 0:06:31 | |
Then how do you explain this? | 0:06:31 | 0:06:34 | |
-LOUDER BIRD CALLS -More birds?! You're stalling! | 0:06:34 | 0:06:37 | |
Otto, he's here. | 0:06:37 | 0:06:39 | |
Ha! The joke's on you, Odd Todd, because I WAS stalling. | 0:06:39 | 0:06:44 | |
I just said you were stalling. | 0:06:44 | 0:06:46 | |
For I have a final surprise witness - | 0:06:46 | 0:06:50 | |
Danny T from Soundcheck. | 0:06:50 | 0:06:54 | |
Hey, yo, to the hizz-ou. | 0:06:54 | 0:06:56 | |
# Up, down, left, right I'm gonna move my feet tonight | 0:06:56 | 0:07:00 | |
# I'm gonna show my funky side like nobody's watching. # | 0:07:00 | 0:07:04 | |
What does Soundcheck have to do with anything? | 0:07:04 | 0:07:06 | |
I don't know, but I'm a big Soundcheck fan, | 0:07:06 | 0:07:09 | |
-so I'll allow it. -Hey, yeah! | 0:07:09 | 0:07:11 | |
-Danny T, tell us about your surprise concert. -Fo sho. | 0:07:11 | 0:07:14 | |
It started at exactly 1.30 at the mall. | 0:07:14 | 0:07:17 | |
Now, sadly, I couldn't go, | 0:07:17 | 0:07:19 | |
but I'm glad someone could go in my place, and that someone... | 0:07:19 | 0:07:23 | |
-..was Agent Olive. -GASPS | 0:07:25 | 0:07:27 | |
Olive doesn't even like Soundcheck! | 0:07:27 | 0:07:29 | |
I tried not to like them, but I just couldn't resist | 0:07:29 | 0:07:32 | |
their manufactured sound and meaningless lyrics. | 0:07:32 | 0:07:35 | |
That's what we do best, dawg. | 0:07:35 | 0:07:37 | |
Now, Danny T, according to your set list, | 0:07:37 | 0:07:40 | |
you started playing the song Never Give Up at exactly 1.50. | 0:07:40 | 0:07:45 | |
-How long is that song? -Three minutes, yo. | 0:07:45 | 0:07:47 | |
Three minutes? So that means one, two, three minutes. | 0:07:47 | 0:07:53 | |
Now, it's 1.53. Seven minutes left until 2.00. | 0:07:53 | 0:07:59 | |
You then started playing the song Shake It Like A Blender. | 0:07:59 | 0:08:02 | |
How long is that, Danny? | 0:08:02 | 0:08:03 | |
-Uh, that's a long one. Six minutes, yo. -Six minutes. | 0:08:03 | 0:08:07 | |
One, two, three, four, five, six. | 0:08:07 | 0:08:13 | |
Now it's 1.59, one minute till 2.00. | 0:08:13 | 0:08:18 | |
There's still one minute left! | 0:08:18 | 0:08:21 | |
She could have snuck away and stole the museum in that time! | 0:08:21 | 0:08:23 | |
-Not possible. -Yeah, because we also sang an encore. | 0:08:23 | 0:08:27 | |
A brand-new song called A Work Of Heart. | 0:08:27 | 0:08:30 | |
Well, if it's brand-new, you have no way of telling us how long it is. | 0:08:30 | 0:08:34 | |
I can think of one way in my brain place, yo. | 0:08:34 | 0:08:36 | |
Olive. | 0:08:38 | 0:08:39 | |
SLOW MELANCHOLY MUSIC | 0:08:39 | 0:08:41 | |
# Whoa, whoa, whoa | 0:08:43 | 0:08:47 | |
# Listen Is that really Soundcheck? | 0:08:47 | 0:08:53 | |
# Could there be one more song? | 0:08:55 | 0:09:03 | |
# Well, maybe someone dropped a drumstick | 0:09:06 | 0:09:12 | |
-# Oh! -Actually... -I think I see... -Danny T. -That's him! | 0:09:14 | 0:09:21 | |
-# No way. -It's very dark | 0:09:22 | 0:09:25 | |
# He'll light up the stage again | 0:09:25 | 0:09:30 | |
# And play one to take us home | 0:09:30 | 0:09:34 | |
-# We just did. # -Goodnight! | 0:09:34 | 0:09:39 | |
-WATCH BLEEPS -Exactly one minute. | 0:09:40 | 0:09:42 | |
Which brings us to two o'clock. | 0:09:42 | 0:09:46 | |
Which explains where I was for the whole hour. | 0:09:46 | 0:09:49 | |
What say ye, jury? | 0:09:49 | 0:09:51 | |
BABIES GURGLE | 0:09:51 | 0:09:53 | |
Well, you heard 'em. Olive is innocent. | 0:09:53 | 0:09:56 | |
-Woohoo! -Yeah! | 0:09:56 | 0:09:58 | |
Grr! Waah! | 0:09:58 | 0:09:59 | |
Oh, man. We almost got away with it. Here's the tiny museum. | 0:10:00 | 0:10:05 | |
I told you not to shapeshift until we got in the car! | 0:10:05 | 0:10:08 | |
I couldn't hear you, I was a briefcase! | 0:10:08 | 0:10:10 | |
Catch them! | 0:10:11 | 0:10:13 | |
What do you want to catch? Me, or the museum? | 0:10:13 | 0:10:16 | |
So long, Odd Squad! | 0:10:22 | 0:10:24 | |
I'm a jet pack. I'm a jet pack! Ha-ha-ha-ha-ha-ha! | 0:10:24 | 0:10:28 | |
Great job, Agent Olive. | 0:10:30 | 0:10:33 | |
You cleared your name, and saved the town museum. | 0:10:33 | 0:10:35 | |
ALL: Yeah! | 0:10:35 | 0:10:37 | |
Soundcheck! | 0:10:55 | 0:10:58 |