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Get ready, because two of the biggest pop stars | 0:00:02 | 0:00:04 | |
in the universe are about to go into battle. | 0:00:04 | 0:00:06 | |
The feisty Charli XCX... | 0:00:06 | 0:00:09 | |
versus pop legends Take That. | 0:00:09 | 0:00:12 | |
There can only be one winner, so stay right here. | 0:00:12 | 0:00:15 | |
I'm Amberley Lobo and this is Pop Slam! | 0:00:15 | 0:00:18 | |
Going head to head, we've got... | 0:00:34 | 0:00:36 | |
# I don't wanna go to school I just wanna break the rules... # | 0:00:36 | 0:00:39 | |
..Charli XCX. | 0:00:39 | 0:00:42 | |
She's rebellious, edgy | 0:00:42 | 0:00:44 | |
and definitely knows how to write a great song. | 0:00:44 | 0:00:47 | |
# I don't wanna go to school I just wanna break the rules... # | 0:00:47 | 0:00:51 | |
She's super talented but how will she fare against | 0:00:53 | 0:00:56 | |
the pop phenomenon that is... | 0:00:56 | 0:00:58 | |
# Let in the sun | 0:00:58 | 0:01:02 | |
# Let in the sun... # | 0:01:02 | 0:01:04 | |
..Take That! | 0:01:04 | 0:01:05 | |
They're the chart-conquering boy band who became a man band. | 0:01:05 | 0:01:09 | |
This is going to be a monumental "Pop Slam!", | 0:01:13 | 0:01:16 | |
but whose team are YOU on? | 0:01:16 | 0:01:18 | |
Team Charli or Team Take That? | 0:01:18 | 0:01:20 | |
If you can't decide between these two then listen up | 0:01:20 | 0:01:23 | |
because I'm going to be delving into the lives of these megastars | 0:01:23 | 0:01:27 | |
to see who has what it takes to win the most coveted prize in pop, | 0:01:27 | 0:01:30 | |
the Ambo! | 0:01:30 | 0:01:32 | |
There's only one way to win the Ambo, | 0:01:32 | 0:01:34 | |
and that's by gaining as many of MY Ambo points as possible. | 0:01:34 | 0:01:38 | |
I'll be dishing them out over three slamming rounds of pop-ocity, | 0:01:38 | 0:01:42 | |
where I meet the people who knew the stars back in the day... | 0:01:42 | 0:01:45 | |
then I check out how hard they've been working | 0:01:45 | 0:01:49 | |
and finally, I scrutinise their style. | 0:01:49 | 0:01:52 | |
All before the big moment. | 0:01:52 | 0:01:54 | |
The winner of the Ambo is... | 0:01:54 | 0:01:57 | |
You may not agree with me and that's fine. | 0:01:57 | 0:01:59 | |
Head on over to the CBBC website and tell me whose team you're on. | 0:01:59 | 0:02:03 | |
I'm on Team Charli XCX because my name is Charli | 0:02:03 | 0:02:07 | |
and I love all of her songs. | 0:02:07 | 0:02:09 | |
She writes her own music, she sings with loads of other stars, | 0:02:09 | 0:02:12 | |
like Rita Ora and Iggy Azalea. | 0:02:12 | 0:02:15 | |
I like her voice and her songs and she is a really cool person. | 0:02:15 | 0:02:23 | |
I'm on Team Take That | 0:02:23 | 0:02:25 | |
because I love them and I'm going to see them in a bit | 0:02:25 | 0:02:28 | |
and they are just amazing. | 0:02:28 | 0:02:30 | |
They produce good music and I like their songs. | 0:02:30 | 0:02:34 | |
It's a tough one to call. | 0:02:34 | 0:02:36 | |
I mean, Charli is so effortlessly cool and talented. | 0:02:36 | 0:02:39 | |
But then there's Take That who are industry legends. | 0:02:39 | 0:02:42 | |
Who do you think is going to win? | 0:02:42 | 0:02:44 | |
Ooh, there's only one way to sort this. It's time for Pop Slam! | 0:02:44 | 0:02:48 | |
Round One - Pop Potential. | 0:02:52 | 0:02:55 | |
This is all about how our stars made it big. | 0:02:55 | 0:02:58 | |
First up, Miss XCX. | 0:02:58 | 0:03:01 | |
# Boom! Clap! The sound of my heart | 0:03:01 | 0:03:03 | |
# The beat goes on and on and on and on | 0:03:03 | 0:03:06 | |
# Boom! Clap! You make me feel good | 0:03:06 | 0:03:08 | |
# Come on to me Come on to me now... # | 0:03:08 | 0:03:11 | |
These days Charli XCX has megastars queuing up to work with her, | 0:03:11 | 0:03:16 | |
but before that, she was known as Charlotte Aitchison | 0:03:16 | 0:03:18 | |
and grew up right here in Bishop's Stortford! | 0:03:18 | 0:03:21 | |
Bishop's Stortford, seriously? | 0:03:21 | 0:03:24 | |
You guys have weird town names. | 0:03:24 | 0:03:26 | |
# Boom! Clap! You make me feel good | 0:03:26 | 0:03:29 | |
# Come on to me, come on to me now. # | 0:03:29 | 0:03:31 | |
This is the street that Charlotte grew up on. | 0:03:34 | 0:03:36 | |
Back then she used to absolutely love listening to Britney Spears | 0:03:36 | 0:03:40 | |
and the Spice Girls, and it's those guys who made her want to be | 0:03:40 | 0:03:43 | |
a pop star, but she wasn't going to be any old pop princess. | 0:03:43 | 0:03:47 | |
No, no, she'd go on to become the worldwide songwriting phenomenon | 0:03:47 | 0:03:51 | |
that is Charli XCX. | 0:03:51 | 0:03:54 | |
# You, you lied | 0:03:54 | 0:03:58 | |
# Ha ha ha ha, I was right... # | 0:03:58 | 0:04:02 | |
Charlotte started playing music as young as eight years old | 0:04:02 | 0:04:05 | |
and by the time she was 14, she had enough songs to make an album! | 0:04:05 | 0:04:09 | |
So she persuaded her parents to lend her some money | 0:04:09 | 0:04:11 | |
to go to a recording studio. | 0:04:11 | 0:04:13 | |
# Ha ha ha ha! # | 0:04:17 | 0:04:19 | |
Check this out, | 0:04:19 | 0:04:20 | |
I've tracked down the man who helped Charli produce that very album, | 0:04:20 | 0:04:23 | |
and when I say tracked down, I mean I found him on the internet. | 0:04:23 | 0:04:26 | |
Supersleuth. | 0:04:26 | 0:04:28 | |
# Wanna fall into your super love | 0:04:28 | 0:04:30 | |
# Yeah, my heart never wants it to stop... # | 0:04:30 | 0:04:32 | |
That producer is Darren Bazzoni. | 0:04:32 | 0:04:35 | |
He's worked in the music industry for over 20 years. | 0:04:35 | 0:04:39 | |
Whassup?! | 0:04:39 | 0:04:41 | |
-Hey! -How are you? | 0:04:41 | 0:04:43 | |
-Are you well? -So good. Is this seat taken? | 0:04:43 | 0:04:46 | |
No, you can sit there, my dear. | 0:04:46 | 0:04:47 | |
I'm going to get comfy. Let's talk Charli. | 0:04:47 | 0:04:50 | |
What did a 14-year-old Charli sound like? | 0:04:50 | 0:04:53 | |
Originally, she brought an acoustic guitar in but I could sense | 0:04:53 | 0:04:56 | |
she wasn't all that comfortable with an acoustic guitar, | 0:04:56 | 0:05:00 | |
so we had a chat and she was into very similar stuff to me - | 0:05:00 | 0:05:04 | |
electro bass, hip-hop and stuff like that | 0:05:04 | 0:05:08 | |
and we sort of hit it off | 0:05:08 | 0:05:09 | |
and we started putting all these ideas together | 0:05:09 | 0:05:12 | |
and she knew exactly what she wanted. | 0:05:12 | 0:05:15 | |
The album Charli recorded back then was called 14 and this... | 0:05:16 | 0:05:20 | |
was one of the tracks from it. | 0:05:20 | 0:05:23 | |
# They love your skin They want your hair... # | 0:05:23 | 0:05:25 | |
The wonderful thing about it is that she was right in the middle... | 0:05:25 | 0:05:28 | |
I believe it was her GCSEs. | 0:05:28 | 0:05:30 | |
She was taking 'em very early | 0:05:30 | 0:05:32 | |
and in the middle of it, making her first album, | 0:05:32 | 0:05:34 | |
so she was, like, exam after exam after exam. | 0:05:34 | 0:05:37 | |
Album, exam, album, exam. | 0:05:37 | 0:05:39 | |
Just worked, absolutely worked herself. | 0:05:39 | 0:05:42 | |
And it was brilliant. | 0:05:42 | 0:05:44 | |
# In the nuclear season... # | 0:05:44 | 0:05:47 | |
That's some serious hard work - | 0:05:47 | 0:05:50 | |
writing your debut album whilst studying hard for your exams... | 0:05:50 | 0:05:53 | |
That gets you three Ambo points, Charli. | 0:05:53 | 0:05:56 | |
With the help of Darren, Charlotte recorded her first ever album, | 0:06:00 | 0:06:04 | |
but she needed a catchy name, so it was time for a rebrand. | 0:06:04 | 0:06:09 | |
Online, Charlotte called herself Charli XCX, which meant | 0:06:09 | 0:06:12 | |
"Kiss Charli Kiss", so she went with that and it's stuck ever since! | 0:06:12 | 0:06:17 | |
The year was 2008. | 0:06:21 | 0:06:22 | |
Charli had the name and the album, it was time to get it out there. | 0:06:22 | 0:06:26 | |
So she created her own record label | 0:06:26 | 0:06:28 | |
and, well, it didn't really do much, but it did get her | 0:06:28 | 0:06:32 | |
recognised by a local promoter who gave her her first ever gigs! | 0:06:32 | 0:06:36 | |
This was an amazing experience for a young Charli | 0:06:38 | 0:06:41 | |
and little did she know it, | 0:06:41 | 0:06:42 | |
but she was catching the attention of a record label. | 0:06:42 | 0:06:45 | |
The label loved what she was doing and in 2010 gave her a record deal. | 0:06:49 | 0:06:54 | |
Charli, have four Ambo points for getting signed. | 0:06:54 | 0:06:58 | |
Charli had made it, but she didn't release anything for over year. | 0:06:58 | 0:07:02 | |
She needed to find a sound she was truly happy with, | 0:07:02 | 0:07:05 | |
so she hooked up with a co-writer and in 2012 released | 0:07:05 | 0:07:09 | |
You're The One, which got put on the Radio One playlist. | 0:07:09 | 0:07:12 | |
You go, girl! | 0:07:12 | 0:07:13 | |
# You're the one who can make me stay | 0:07:13 | 0:07:16 | |
# You're the only one who makes me feel this way | 0:07:16 | 0:07:19 | |
# You're the one who's been stealing stars | 0:07:19 | 0:07:22 | |
# Your golden arrow went through my heart... # | 0:07:22 | 0:07:24 | |
She's everything a pop star should be. | 0:07:24 | 0:07:27 | |
She's a little bit rebellious, she is mega cute | 0:07:27 | 0:07:29 | |
and, most importantly, she writes her own music. | 0:07:29 | 0:07:32 | |
And that is so impressive. And everything she writes I just love. | 0:07:32 | 0:07:35 | |
Charli had announced her arrival on the pop scene | 0:07:39 | 0:07:42 | |
but this track was just the start | 0:07:42 | 0:07:44 | |
and soon she would be going stratospheric. | 0:07:44 | 0:07:47 | |
Take a seat Miss XCX, | 0:07:47 | 0:07:49 | |
it's time to see what those Take That boys have got for us. | 0:07:49 | 0:07:53 | |
# Tonight We're gonna live for | 0:07:53 | 0:07:57 | |
# We're gonna live for these days... # | 0:07:57 | 0:08:00 | |
THESE DAYS they are the ultimate UK man band, | 0:08:00 | 0:08:03 | |
who've been topping the charts for decades. | 0:08:03 | 0:08:06 | |
But before that, they were just five northern lads right here | 0:08:06 | 0:08:10 | |
in Manchester! | 0:08:10 | 0:08:12 | |
Welcome to Manchester, and in 1990, | 0:08:15 | 0:08:19 | |
this place was the heart of the UK music scene. | 0:08:19 | 0:08:22 | |
It was more known for its indie bands than pop, | 0:08:22 | 0:08:25 | |
but five lads were about to make history | 0:08:25 | 0:08:27 | |
and become the biggest boy band the country had ever known. | 0:08:27 | 0:08:29 | |
Here's how it happened. | 0:08:29 | 0:08:31 | |
# Sometimes I see your face | 0:08:31 | 0:08:35 | |
# Looking at me | 0:08:35 | 0:08:37 | |
# All your love and grace... # | 0:08:37 | 0:08:41 | |
To find out how Take That became pop legends | 0:08:41 | 0:08:44 | |
we need to rewind nearly 30 years and head back to the 1980s. | 0:08:44 | 0:08:48 | |
The story starts with a young singer by the name of Gary Barlow. | 0:08:53 | 0:08:59 | |
# And bells call high and low... # | 0:08:59 | 0:09:03 | |
From a very young age, | 0:09:03 | 0:09:04 | |
Gary was determined to be a pop star, and in 1986 | 0:09:04 | 0:09:08 | |
when he was just 15, he reached the semifinals of a BBC song competition | 0:09:08 | 0:09:14 | |
with this festive little number... | 0:09:14 | 0:09:17 | |
# We are told... # | 0:09:17 | 0:09:20 | |
Gazza, you can have two Ambo points | 0:09:20 | 0:09:23 | |
for getting on the telly at just 15. | 0:09:23 | 0:09:25 | |
But how did Gary hook up | 0:09:25 | 0:09:27 | |
with the other lads in Take That? | 0:09:27 | 0:09:29 | |
# Relight my fire | 0:09:29 | 0:09:33 | |
# Your love is my only desire... # | 0:09:33 | 0:09:36 | |
To find out I've arranged to meet | 0:09:36 | 0:09:38 | |
the man who put the legendary band together. Excited! | 0:09:38 | 0:09:42 | |
Nigel! | 0:09:42 | 0:09:43 | |
-Hello! -How's it going? | 0:09:43 | 0:09:46 | |
-I wasn't ready for that! -'Maybe a bit too excited. | 0:09:46 | 0:09:49 | |
'This is Nigel Martin-Smith | 0:09:49 | 0:09:51 | |
'and back in 1990 he had a dream to create a world famous boy band. | 0:09:51 | 0:09:55 | |
'Spoiler - it totally came true.' | 0:09:55 | 0:09:58 | |
We are standing in the very place | 0:09:58 | 0:10:00 | |
where the boys first auditioned and you put them together. | 0:10:00 | 0:10:04 | |
How did it all go and what was it like? | 0:10:04 | 0:10:06 | |
Gary was the first member of the band, really. | 0:10:06 | 0:10:08 | |
Gary came in to see me, and he gave me this tape, | 0:10:08 | 0:10:11 | |
and after he left I put this cassette tape on, | 0:10:11 | 0:10:14 | |
and this song came on called A Million Love Songs. | 0:10:14 | 0:10:17 | |
So I rang him up. So I said, | 0:10:17 | 0:10:18 | |
"There's a track called A Million Love Songs. You didn't write that." | 0:10:18 | 0:10:22 | |
And he went, "Yeah, yeah, I wrote that in my bedroom." | 0:10:22 | 0:10:24 | |
I said, "Can you come back straight away?" | 0:10:24 | 0:10:26 | |
You know, "You've got to come back now." | 0:10:26 | 0:10:28 | |
I'm thinking, "This lad is so talented." | 0:10:28 | 0:10:31 | |
And so he came back and that was the start of it. | 0:10:31 | 0:10:33 | |
# A million love songs later... # | 0:10:33 | 0:10:37 | |
'Pop fact - A Million Love Songs would later become | 0:10:40 | 0:10:43 | |
'a Top Ten hit for Take That.' | 0:10:43 | 0:10:45 | |
# A million love songs later... # | 0:10:46 | 0:10:51 | |
'Gazza, have another two Ambo points for getting that massive | 0:10:53 | 0:10:56 | |
'talent of yours noticed.' | 0:10:56 | 0:10:58 | |
# Here I am... # | 0:10:58 | 0:10:59 | |
If Gary was this great, what gave you the idea, then, | 0:10:59 | 0:11:03 | |
to put him with a whole bunch of other guys? | 0:11:03 | 0:11:05 | |
Well, Gary was great, but he was like...he was 19 going on 50. | 0:11:05 | 0:11:09 | |
Before he went on stage, he would be in his dressing room | 0:11:09 | 0:11:11 | |
shuffling around in his little slippers... | 0:11:11 | 0:11:13 | |
-Having a cup of tea. -..with his cardigan on, literally. | 0:11:13 | 0:11:16 | |
He was really sweet but he was like someone's uncle, so I wanted | 0:11:16 | 0:11:19 | |
to put some young lads round him who'd make him look a bit more hip. | 0:11:19 | 0:11:23 | |
'Those lads ended up being | 0:11:24 | 0:11:27 | |
'double glazing salesman Robbie Williams, | 0:11:27 | 0:11:29 | |
'vehicle painter Howard Donald, | 0:11:29 | 0:11:31 | |
'decorator Jason Orange, | 0:11:31 | 0:11:33 | |
'and bank worker Mark Owen.' | 0:11:33 | 0:11:35 | |
'Take That had arrived, | 0:11:38 | 0:11:40 | |
'but things didn't start well. | 0:11:40 | 0:11:43 | |
'Their debut single was released in 1991 | 0:11:43 | 0:11:46 | |
'and was a massive flop.' | 0:11:46 | 0:11:47 | |
We were all round at my house on the Sunday to listen to the charts, | 0:11:49 | 0:11:52 | |
and when it didn't go in the charts, I can remember them all going, | 0:11:52 | 0:11:55 | |
"Oh, we're looking stupid now, shall we just call it a day?" | 0:11:55 | 0:11:57 | |
And I'm like, "What?!" I couldn't believe it. | 0:11:57 | 0:12:00 | |
# We are not just friends because I love you... # | 0:12:00 | 0:12:04 | |
'Nigel and the boys were determined to make it, | 0:12:04 | 0:12:07 | |
'but getting heard in the early '90s wasn't so easy. | 0:12:07 | 0:12:10 | |
'So Nigel had a plan involving some good old-fashioned hard work.' | 0:12:10 | 0:12:14 | |
Don't forget - there was no internet then. | 0:12:15 | 0:12:19 | |
25 years ago it wasn't that easy to get a band off the ground. | 0:12:19 | 0:12:22 | |
All the doors closed to them, | 0:12:22 | 0:12:24 | |
no-one took them seriously at the beginning, | 0:12:24 | 0:12:26 | |
and the radio stations wouldn't play them. | 0:12:26 | 0:12:29 | |
I mean, I had them doing everything. | 0:12:29 | 0:12:31 | |
I was taking the band round schools, | 0:12:31 | 0:12:33 | |
I was taking them into under-18s clubs. | 0:12:33 | 0:12:35 | |
They had to go everywhere. | 0:12:35 | 0:12:37 | |
I always knew, if I could just get people to hear the band | 0:12:37 | 0:12:41 | |
and to see them, it would work. | 0:12:41 | 0:12:43 | |
# Your promises have never been | 0:12:43 | 0:12:45 | |
# Anything you've made them seem | 0:12:45 | 0:12:47 | |
# So what you going to promise me this time? # | 0:12:47 | 0:12:50 | |
'All the work paid off when their second single, Promises, | 0:12:51 | 0:12:55 | |
'smashed its way into the charts in November 1991. | 0:12:55 | 0:12:58 | |
'And when I say smashed, I mean it gently nudged its way to number 38. | 0:12:58 | 0:13:02 | |
'But...' | 0:13:02 | 0:13:03 | |
This kicked off a chain of singles | 0:13:03 | 0:13:05 | |
that would see the boys climb the charts, | 0:13:05 | 0:13:08 | |
and it was with this song... | 0:13:08 | 0:13:10 | |
-SHE SINGS OFF-KEY -# It only takes a minute, girl! # | 0:13:10 | 0:13:12 | |
..that the boys cracked the Top Ten. | 0:13:12 | 0:13:15 | |
The cheeky Manc lads were here to stay. | 0:13:15 | 0:13:17 | |
# It only takes a minute, girl | 0:13:17 | 0:13:19 | |
# It only takes a minute, girl | 0:13:19 | 0:13:21 | |
# To fall in love | 0:13:21 | 0:13:22 | |
-# To fall in love -To fall in love... # | 0:13:22 | 0:13:24 | |
'All my friends loved Take That.' | 0:13:24 | 0:13:26 | |
Everyone had posters, they had the calendar, | 0:13:26 | 0:13:29 | |
we were all swapping the tapes, listening to the tunes... | 0:13:29 | 0:13:32 | |
We were crazy for them. | 0:13:32 | 0:13:34 | |
-# That's one minute for ya -To fall in love... # | 0:13:34 | 0:13:37 | |
'Take That, take four Ambo points for some serious pop perseverance.' | 0:13:37 | 0:13:41 | |
-# Just one minute for ya -To fall in love... # | 0:13:42 | 0:13:45 | |
'And that brings us to the end of Round One. | 0:13:45 | 0:13:47 | |
'Let's have a look at the scores.' | 0:13:47 | 0:13:49 | |
'Both Take That and Miss XCX have shown some great pop potential, | 0:13:51 | 0:13:55 | |
'but it's the boys who take an early lead in this battle.' | 0:13:55 | 0:13:59 | |
We've seen how our stars got famous | 0:13:59 | 0:14:01 | |
but how hard have they been working? | 0:14:01 | 0:14:03 | |
Who's ready for Round Two? | 0:14:03 | 0:14:05 | |
'Round Two - Pop Success. | 0:14:09 | 0:14:11 | |
'This is all about what our stars have been up to to make sure | 0:14:11 | 0:14:14 | |
'they stay at the top of the charts. | 0:14:14 | 0:14:17 | |
'First up, Charli XCX.' | 0:14:17 | 0:14:19 | |
Charli has some massive pop tunes to her name, but did you know | 0:14:19 | 0:14:23 | |
she's actually co-written every track she's ever released? | 0:14:23 | 0:14:27 | |
And, not only that, she's also written hits for other people too. | 0:14:27 | 0:14:30 | |
-SHE SINGS -# I love it! # | 0:14:30 | 0:14:32 | |
# I don't care... # | 0:14:32 | 0:14:35 | |
'Charli co-wrote the 2013 monster hit I Love It | 0:14:35 | 0:14:39 | |
'for Swedish duo Icona Pop, | 0:14:39 | 0:14:41 | |
'and it hit the top spot in the UK charts.' | 0:14:41 | 0:14:45 | |
# I'm so fancy | 0:14:45 | 0:14:48 | |
# You already know... # | 0:14:48 | 0:14:50 | |
'Charli also wrote and performed the chorus on Iggy Azalea's Fancy, | 0:14:50 | 0:14:54 | |
'which was a mega global smash too.' | 0:14:54 | 0:14:57 | |
# Can't you taste this gold? # | 0:14:58 | 0:15:00 | |
'And it doesn't stop there - | 0:15:00 | 0:15:02 | |
'she's written tunes for Gwen Stefani, James Blunt, Neon Jungle, | 0:15:02 | 0:15:07 | |
'and her childhood hero, Britney Spears.' | 0:15:07 | 0:15:10 | |
# I'm in the fast lane | 0:15:10 | 0:15:13 | |
# From LA to Tokyo... # | 0:15:13 | 0:15:15 | |
'Miss XCX, have two Ambo points | 0:15:15 | 0:15:18 | |
'for sharing the love with your fellow artists. | 0:15:18 | 0:15:21 | |
'And, of course, Charli keeps some of the gold for herself.' | 0:15:21 | 0:15:24 | |
# Boom! Clap! The sound of my heart | 0:15:24 | 0:15:26 | |
# The beat goes on and on and on and on and... # | 0:15:26 | 0:15:29 | |
'Boom Clap was Charli's first UK Top Ten hit in 2014, | 0:15:29 | 0:15:34 | |
'and it didn't stop there - | 0:15:34 | 0:15:36 | |
'the track rocketed to the top of the charts in the US of A | 0:15:36 | 0:15:39 | |
'and went platinum worldwide.' | 0:15:39 | 0:15:42 | |
# Come on to me, come on to me now. # | 0:15:42 | 0:15:45 | |
'Charli, have three Ambo points for writing a killer global tune.' | 0:15:46 | 0:15:51 | |
# No silver or no gold... # | 0:15:51 | 0:15:52 | |
'Boom Clap was huge everywhere, and Charli even recorded | 0:15:52 | 0:15:56 | |
'a Japanese version where she actually sings in Japanese.' | 0:15:56 | 0:16:00 | |
JAPANESE VERSION OF "BOOM CLAP" PLAYS | 0:16:00 | 0:16:03 | |
'You can have two multi-language | 0:16:08 | 0:16:10 | |
'Ambo points for that one, Charli.' | 0:16:10 | 0:16:12 | |
JAPANESE VERSION CONTINUES | 0:16:12 | 0:16:15 | |
'Beat that, Take That!' | 0:16:17 | 0:16:19 | |
# Although no-one understood | 0:16:19 | 0:16:22 | |
# We were holding back the flood | 0:16:22 | 0:16:24 | |
# Learning how to dance the rain... # | 0:16:24 | 0:16:28 | |
'When it comes to number one hits, not many can match Take That. | 0:16:28 | 0:16:32 | |
'Between 1993 and 1995, | 0:16:32 | 0:16:35 | |
'the boys had seven of them.' | 0:16:35 | 0:16:38 | |
Don't think I can name them? | 0:16:38 | 0:16:40 | |
-Puh-lease! -SHE TAKES A DEEP BREATH | 0:16:40 | 0:16:42 | |
'Pray, Babe, Sure, Relight My Fire, | 0:16:42 | 0:16:44 | |
'Everything Changes, Back For Good and Never Forget.' | 0:16:44 | 0:16:47 | |
Boom, gimme some! | 0:16:47 | 0:16:48 | |
# Whatever I said, whatever I did | 0:16:48 | 0:16:50 | |
# I didn't mean it | 0:16:50 | 0:16:52 | |
# I just want you back for good... # | 0:16:52 | 0:16:55 | |
'Boys, you can have four Ambo points | 0:16:55 | 0:16:57 | |
'for being one huge hit-making machine.' | 0:16:57 | 0:17:00 | |
In the early '90s, Take That were doing unbelievably well, | 0:17:00 | 0:17:03 | |
so nothing could stop them, right? Wrong! | 0:17:03 | 0:17:06 | |
In '95, disaster struck when Robbie left the band. | 0:17:06 | 0:17:10 | |
NO-O-O-O-O-O-O-O-O! | 0:17:10 | 0:17:13 | |
'It was devastating to Take That fans, | 0:17:15 | 0:17:18 | |
'and the bad news didn't stop there | 0:17:18 | 0:17:20 | |
'because, in 1996, this happened.' | 0:17:20 | 0:17:23 | |
We've decided that the time is right. | 0:17:23 | 0:17:25 | |
We've done all we can do as Take That. | 0:17:25 | 0:17:27 | |
And from today... | 0:17:27 | 0:17:30 | |
it's no more. | 0:17:30 | 0:17:32 | |
Take That were over - | 0:17:32 | 0:17:33 | |
and that was that. | 0:17:33 | 0:17:35 | |
JOKES! | 0:17:36 | 0:17:38 | |
In 2006, a decade after the lads had broken up, | 0:17:38 | 0:17:41 | |
they were back together, | 0:17:41 | 0:17:42 | |
and the boy band had become a man band! | 0:17:42 | 0:17:46 | |
# Cos I | 0:17:46 | 0:17:52 | |
# Need time... # | 0:17:52 | 0:17:57 | |
'Take That were back, and so were the number one singles, albums, | 0:17:57 | 0:18:01 | |
'and the record breaking stadium tours. | 0:18:01 | 0:18:04 | |
'In fact, they were bigger than ever.' | 0:18:04 | 0:18:08 | |
# And have a little patience, yeah... # | 0:18:08 | 0:18:12 | |
'Chaps, have five Ambo points for the comeback of all comebacks.' | 0:18:12 | 0:18:16 | |
# When you dream of a dream | 0:18:17 | 0:18:19 | |
# And you live in the world... # | 0:18:19 | 0:18:21 | |
'Take That have enjoyed three decades of constant pop success, | 0:18:21 | 0:18:25 | |
'but one thing that has seen plenty of change | 0:18:25 | 0:18:28 | |
'is the group's line-up. | 0:18:28 | 0:18:29 | |
'They've been a five-piece... | 0:18:29 | 0:18:32 | |
'..a four-piece... | 0:18:32 | 0:18:33 | |
'..a five-piece again... | 0:18:33 | 0:18:35 | |
'..back to a four-piece... | 0:18:35 | 0:18:37 | |
'..and are now down to just three. | 0:18:37 | 0:18:40 | |
'Take That might be as popular as ever | 0:18:40 | 0:18:42 | |
'but can their fans call them whenever they want? | 0:18:42 | 0:18:45 | |
'Surely no pop star would agree to that?' | 0:18:45 | 0:18:48 | |
# You say you love me | 0:18:48 | 0:18:50 | |
# I say what | 0:18:50 | 0:18:52 | |
# You say you love me | 0:18:52 | 0:18:54 | |
# OK, let's rock... # | 0:18:54 | 0:18:56 | |
Charli has some big hits, | 0:18:56 | 0:18:57 | |
and with big hits come big fans. | 0:18:57 | 0:19:01 | |
She calls them her "Angels," | 0:19:01 | 0:19:02 | |
as in Charlie's Angels. | 0:19:02 | 0:19:04 | |
Genius. | 0:19:04 | 0:19:05 | |
And she has what she calls an "Angel Phone," and she gave | 0:19:05 | 0:19:08 | |
the number out to her fans so they could call and text her. | 0:19:08 | 0:19:10 | |
How awesome is that? | 0:19:10 | 0:19:12 | |
Thanks for calling my Angel Phone. | 0:19:12 | 0:19:14 | |
Hi, is this Mark? | 0:19:14 | 0:19:16 | |
'Yeah.' | 0:19:16 | 0:19:17 | |
Hey, this is Charli XCX. | 0:19:17 | 0:19:18 | |
I think it's great that Charli's got the Angel Phone. | 0:19:18 | 0:19:21 | |
I think it's really nice to see that she's not afraid of her fans, | 0:19:21 | 0:19:24 | |
cos, you know, sometimes pop stars can get to a level | 0:19:24 | 0:19:26 | |
where they're just like, | 0:19:26 | 0:19:27 | |
"OK, you've made me, but now I don't need to talk to you." | 0:19:27 | 0:19:30 | |
But she's not like that. | 0:19:30 | 0:19:31 | |
Thanks, dude. What's your name? | 0:19:31 | 0:19:33 | |
She may regret giving out that phone number, cos I'm sure that's | 0:19:33 | 0:19:36 | |
going to be a lot of voicemails that she's got to get back to. | 0:19:36 | 0:19:39 | |
This phone is just, like, continuously going right now. | 0:19:39 | 0:19:42 | |
'Charli, have three Ambo points for working hard to keep in touch | 0:19:45 | 0:19:49 | |
'with your fans.' | 0:19:49 | 0:19:50 | |
'Loads of people love Charli, and some of them are big-time VIPs.' | 0:19:53 | 0:19:57 | |
Let me tell you this - Charli has some pretty famous fans. | 0:20:00 | 0:20:04 | |
She got invited by the First Lady herself, Michelle Obama, | 0:20:04 | 0:20:07 | |
for a tour of the White House. | 0:20:07 | 0:20:09 | |
Now, I wasn't there at the time... Or was I? | 0:20:09 | 0:20:11 | |
No, definitely wasn't! | 0:20:11 | 0:20:13 | |
But I imagine it went a little something like this. | 0:20:13 | 0:20:16 | |
Urgh! Just put that there. OK, just... | 0:20:16 | 0:20:20 | |
-AS MICHELLE OBAMA: -Right this way, Charli. | 0:20:20 | 0:20:22 | |
OK, this right here is the Oval Office, | 0:20:22 | 0:20:25 | |
where my husband, the President of the United States, works. | 0:20:25 | 0:20:28 | |
No biggie. OK, let's keep this thing moving, we don't have all day. | 0:20:28 | 0:20:31 | |
-AS CHARLI: -Oh, I'm so hungry. If I could... | 0:20:31 | 0:20:33 | |
Oh, no way, there's an apple! | 0:20:33 | 0:20:34 | |
No, Charli, come on, think of your manners. | 0:20:34 | 0:20:37 | |
This is not you. You're not that person. | 0:20:37 | 0:20:38 | |
-AS CHARLI: -Who am I kidding? I'm Charli XCX, | 0:20:38 | 0:20:40 | |
I don't wanna go to school, I wanna break the rules. | 0:20:40 | 0:20:43 | |
Gimme that apple! No-one will know, just a little bite... | 0:20:43 | 0:20:46 | |
-AS MICHELLE OBAMA: -Charli? | 0:20:46 | 0:20:47 | |
-AS CHARLI: -Oh, no, she's coming! Um-um-um-um-um! | 0:20:47 | 0:20:50 | |
Mmm! What were you saying about the Oval Office? | 0:20:50 | 0:20:54 | |
-AS MICHELLE OBAMA: -Did you...? Come this way, Charli. | 0:20:54 | 0:20:57 | |
Come on, we're running late. | 0:20:57 | 0:20:58 | |
That's right, apparently while Charli was on tour, | 0:20:58 | 0:21:01 | |
she got a little bit hungry and might have stolen an apple. | 0:21:01 | 0:21:04 | |
Tut-tut. | 0:21:04 | 0:21:05 | |
'Miss XCX, | 0:21:07 | 0:21:09 | |
'have three Ambo points for having the First Lady of America as a BFF.' | 0:21:09 | 0:21:12 | |
'And I know you like to break the rules, | 0:21:14 | 0:21:16 | |
'but I'm afraid I'm taking one back for pinching presidential fruit. | 0:21:16 | 0:21:20 | |
'Tut-tut!' | 0:21:20 | 0:21:21 | |
'But when it comes to mega powerful fans, | 0:21:24 | 0:21:27 | |
'Take That have Charli beat.' | 0:21:27 | 0:21:30 | |
# Sing it louder, sing it clearer | 0:21:30 | 0:21:33 | |
# Knowing everyone will hear you | 0:21:33 | 0:21:36 | |
# Make some noise Find your voice... # | 0:21:36 | 0:21:39 | |
'In 2012, Gary Barlow was asked to plan a party for none other than | 0:21:39 | 0:21:44 | |
'Her Majesty the Queen.' | 0:21:44 | 0:21:45 | |
'Gary organised the Queen's Diamond Jubilee concert, | 0:21:48 | 0:21:51 | |
'putting together a star-studded line-up that included | 0:21:51 | 0:21:54 | |
'the likes of will.i.am, Jessie J and Ed Sheeran. | 0:21:54 | 0:21:58 | |
'And not only that, 10,000 tickets were given away for free. | 0:21:58 | 0:22:03 | |
'Gazza, have three Ambo points for working your socks off | 0:22:03 | 0:22:07 | |
'and putting on the ultimate royal party. | 0:22:07 | 0:22:10 | |
'And that brings us to the end of Round Two.' | 0:22:10 | 0:22:12 | |
'Both Charli and Take That are no strangers to some serious success, | 0:22:15 | 0:22:19 | |
'but the decades of hits have edged the boys into the lead. | 0:22:19 | 0:22:23 | |
'If you don't agree, you know what to do. | 0:22:23 | 0:22:25 | |
'Hit the CBBC website and have your say.' | 0:22:25 | 0:22:28 | |
We've found out how our pop royalty made it big, | 0:22:28 | 0:22:31 | |
and how successful they've been. | 0:22:31 | 0:22:33 | |
It's now time to see how glam they've become in Round Three. | 0:22:33 | 0:22:37 | |
'Round Three - Pop Style. | 0:22:41 | 0:22:43 | |
'This is all about our celebrities' lives, clothes, cars, pets, | 0:22:43 | 0:22:47 | |
'or whatever else they choose to splash their cash on. | 0:22:47 | 0:22:50 | |
'First up, it's Charli.' | 0:22:50 | 0:22:52 | |
# Bored on Friday night | 0:22:52 | 0:22:54 | |
# Spinning round just like I'm hypnotised | 0:22:54 | 0:22:57 | |
# Oh... # | 0:22:57 | 0:22:58 | |
'Charli has style - | 0:22:58 | 0:23:00 | |
'I mean, this girl looks seriously cool without even trying. | 0:23:00 | 0:23:03 | |
'But how does she do it? | 0:23:03 | 0:23:05 | |
'No, seriously, I need to know. | 0:23:05 | 0:23:07 | |
'So, I'm catching up with fashion expert | 0:23:07 | 0:23:09 | |
'and stylist to the stars, Frank Strachan.' | 0:23:09 | 0:23:11 | |
Now, Frank, you're a top stylist. Let's talk Charli XCX. | 0:23:13 | 0:23:16 | |
I think she looks like she has such a good time, | 0:23:16 | 0:23:19 | |
it just looks so much fun. | 0:23:19 | 0:23:20 | |
She dresses up, but not in like a Lady Gaga way where everything | 0:23:20 | 0:23:24 | |
feels like it's pre-planned. | 0:23:24 | 0:23:25 | |
It feels a little bit like Charli's just decided to throw that on | 0:23:25 | 0:23:29 | |
that day because she just feels like it. | 0:23:29 | 0:23:31 | |
They don't look like crazy expensive fashion pieces. | 0:23:31 | 0:23:34 | |
They're more like things that she's kind of... Picked something up | 0:23:34 | 0:23:38 | |
from a thrift shop or from a fancy dress store. | 0:23:38 | 0:23:41 | |
I love it, I think it creates this really nice sort of energy | 0:23:41 | 0:23:44 | |
and vibe around the music. | 0:23:44 | 0:23:46 | |
# Just like we're famous... # | 0:23:46 | 0:23:49 | |
'Charli, your super-cool fashion sense gets you four Ambo points. | 0:23:49 | 0:23:54 | |
'But the XCX isn't the only one who's 100% on it | 0:23:54 | 0:23:57 | |
'when it comes to her style.' | 0:23:57 | 0:23:59 | |
# Get ready for it | 0:23:59 | 0:24:01 | |
# Oh-whoa | 0:24:01 | 0:24:04 | |
-# Oh-whoa -Get ready for it... # | 0:24:04 | 0:24:08 | |
'The Take That three know how to wear a tailored suit | 0:24:08 | 0:24:11 | |
'better than anyone.' | 0:24:11 | 0:24:13 | |
# Whoa-oh | 0:24:13 | 0:24:16 | |
# Get ready for it | 0:24:16 | 0:24:17 | |
# Whoa-oh... # | 0:24:17 | 0:24:19 | |
'Fellas, have three Ambo points for your super-classy style.' | 0:24:19 | 0:24:23 | |
'Take That may be a smart bunch offstage, | 0:24:24 | 0:24:27 | |
'but their live shows aren't quite so serious.' | 0:24:27 | 0:24:30 | |
# Come on, come on, come on, come on | 0:24:30 | 0:24:32 | |
# Take that and party | 0:24:32 | 0:24:34 | |
# Come on, come on, come on, come on | 0:24:34 | 0:24:36 | |
# Take that... # | 0:24:36 | 0:24:37 | |
'Yep, the TT chaps love to brighten up live performances | 0:24:38 | 0:24:42 | |
'with a spot of fancy dress, | 0:24:42 | 0:24:44 | |
'as they showed on their ridiculously popular Circus Tour | 0:24:44 | 0:24:47 | |
'in 2009.' | 0:24:47 | 0:24:49 | |
-# Oh-whoa -Come on, come on, come on, come on | 0:24:49 | 0:24:51 | |
# Take that and party | 0:24:51 | 0:24:53 | |
# Come on, come on, come on, come on Take that... # | 0:24:53 | 0:24:57 | |
'Take That, take another two Ambo points for clowning around | 0:24:57 | 0:25:00 | |
'and not taking yourselves too seriously.' | 0:25:00 | 0:25:02 | |
# We're staying all night | 0:25:06 | 0:25:08 | |
# We never slow down | 0:25:08 | 0:25:10 | |
# I think we better do it like we're doing it | 0:25:10 | 0:25:13 | |
# Do it like we're doing it now... # | 0:25:13 | 0:25:17 | |
Charli has so much style that she actually sees colours | 0:25:17 | 0:25:20 | |
when she hears music. | 0:25:20 | 0:25:22 | |
I'm not even joking. | 0:25:22 | 0:25:23 | |
# Do it like we're doing it | 0:25:23 | 0:25:25 | |
# Waited so long just to be here | 0:25:25 | 0:25:28 | |
# Now we're bringing this back to life... # | 0:25:28 | 0:25:30 | |
'There's a condition called synaesthesia. | 0:25:30 | 0:25:32 | |
'People that have it can hear music and associate it with a colour. | 0:25:32 | 0:25:37 | |
'Pretty cool, huh? | 0:25:37 | 0:25:38 | |
'Charli sees music that she loves as either pink, purple or red. | 0:25:38 | 0:25:43 | |
'But music that she hates appears as green.' | 0:25:43 | 0:25:46 | |
Hey, Charli, what colour's this? | 0:25:46 | 0:25:48 | |
-SHE SINGS -# Oh-a-a-a-a-a-ah! # | 0:25:48 | 0:25:51 | |
# We're staying all night... # | 0:25:51 | 0:25:54 | |
'That was probably a green, eh, Charli?' | 0:25:54 | 0:25:56 | |
# I think we'd better do it like we're doing it now... # | 0:25:56 | 0:25:59 | |
'Miss XCX, take one Ambo point | 0:25:59 | 0:26:01 | |
'for your colourful way of seeing the world.' | 0:26:01 | 0:26:04 | |
# So, come on, let's keep doing it like we're doing it | 0:26:04 | 0:26:08 | |
# Doing it like we're doing it now. # | 0:26:08 | 0:26:12 | |
'When Take That aren't topping the charts, | 0:26:12 | 0:26:14 | |
'they love to show some caring style.' | 0:26:14 | 0:26:16 | |
'In Gary's spare time he likes to surprise Take That mega-fans | 0:26:18 | 0:26:21 | |
'by rocking up at their weddings and singing them a song!' | 0:26:21 | 0:26:24 | |
# A million love songs later | 0:26:24 | 0:26:28 | |
# And here I am trying to tell you... # | 0:26:30 | 0:26:34 | |
'I'm awarding you two Ambo points for adding some showbiz style | 0:26:34 | 0:26:38 | |
'to your fans' special day. | 0:26:38 | 0:26:40 | |
'And that brings us to the end of Round Three.' | 0:26:40 | 0:26:43 | |
This "Pop Slam!" has been epic but it's time to get serious. | 0:26:47 | 0:26:51 | |
Pipe down, Mark. | 0:26:51 | 0:26:52 | |
We're about to find out who has won the Ambo. | 0:26:52 | 0:26:55 | |
But after we take a look back at what we've learned. | 0:26:57 | 0:26:59 | |
'Pop Slams don't get closer than this. | 0:27:02 | 0:27:04 | |
'Charli XCX is a stylish girl with mega superstar songwriting skills. | 0:27:04 | 0:27:09 | |
'But those Take That boys have been at the top for decades, | 0:27:09 | 0:27:12 | |
'and when it comes to performing live, | 0:27:12 | 0:27:14 | |
'they bring the house down every time. | 0:27:14 | 0:27:17 | |
'This "Pop Slam!" is just too close!' | 0:27:17 | 0:27:19 | |
Ladies and gentlemen, it's the moment we've all been waiting for. | 0:27:19 | 0:27:24 | |
The Ambo points have been counted and independently verified... | 0:27:24 | 0:27:28 | |
by me. | 0:27:28 | 0:27:29 | |
And the winner of the Ambo is... | 0:27:29 | 0:27:33 | |
Oh, no way! It's Take That! | 0:27:39 | 0:27:41 | |
Charli, get out of here! | 0:27:41 | 0:27:43 | |
Take That, take THIS. | 0:27:43 | 0:27:44 | |
You guys must be stoked! Let's take a look at you in action. | 0:27:44 | 0:27:47 | |
# Let in the sun | 0:27:47 | 0:27:51 | |
# Let in the sun... # | 0:27:51 | 0:27:54 | |
'How good was THAT?! Oh! | 0:27:54 | 0:27:56 | |
'There's plenty more where that came from. | 0:27:56 | 0:27:59 | |
'Make double sure you guys tune in next time to see | 0:27:59 | 0:28:01 | |
'more of your favourite pop stars battle it out to win the Ambo!' | 0:28:01 | 0:28:05 | |
# Let in the sun. # | 0:28:07 | 0:28:10 |