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Good morning! | 0:00:21 | 0:00:27 | |
Welcome to Saturday Mash-Up! | 0:00:27 | 0:00:28 | |
JoJo Siwa and Camilla Cabello
are on the show later, and | 0:00:28 | 0:00:31 | |
the rest of our guests
are due any minute. | 0:00:31 | 0:00:33 | |
With all these big names on the show
today, we don't want | 0:00:33 | 0:00:36 | |
any riff raff getting in. | 0:00:36 | 0:00:37 | |
So I've got out my trusty
clipboard and made a list of | 0:00:37 | 0:00:40 | |
everyone who should be here. | 0:00:40 | 0:00:41 | |
If their name isn't down,
they're not coming in! | 0:00:41 | 0:00:47 | |
No siree! | 0:00:47 | 0:00:49 | |
Great idea, Hax! | 0:00:49 | 0:00:51 | |
We're Trevor and Isaac
from The Next Step. | 0:00:51 | 0:00:53 | |
We're appearing on the show today. | 0:00:53 | 0:00:54 | |
Hmm... | 0:00:54 | 0:00:55 | |
You're on the list! | 0:00:55 | 0:00:56 | |
In you go! | 0:00:56 | 0:00:57 | |
Enjoy! | 0:00:57 | 0:01:01 | |
Hi - we're The Vamps! | 0:01:01 | 0:01:04 | |
Hmm... | 0:01:04 | 0:01:10 | |
Connor, James, Brad
and the other one. | 0:01:10 | 0:01:11 | |
In you go! | 0:01:11 | 0:01:13 | |
I'm Holly H, here
for Saturday Mash-Up. | 0:01:13 | 0:01:16 | |
Hmm... | 0:01:16 | 0:01:17 | |
Yep! | 0:01:17 | 0:01:18 | |
Your name's on the list -
in you go! | 0:01:18 | 0:01:24 | |
Great, that's all our guests
present and correct. | 0:01:24 | 0:01:26 | |
Let's get on with the show! | 0:01:26 | 0:01:30 | |
Whoa... | 0:01:30 | 0:01:33 | |
Your name isn't down. | 0:01:33 | 0:01:36 | |
Your name isn't down either. | 0:01:36 | 0:01:38 | |
Never mind! | 0:01:38 | 0:01:48 | |
I can run this place alone. | 0:01:50 | 0:01:55 | |
I've got a foolproof plan! | 0:01:55 | 0:01:57 | |
We'll sneak in through
the side door. | 0:01:57 | 0:01:58 | |
I'll never spot us
entering round there! | 0:01:58 | 0:02:00 | |
Run the menu! | 0:02:00 | 0:02:04 | |
Mashed up for you in
the next two hours... | 0:02:04 | 0:02:07 | |
A cult of cats all hail Danger Mouse
in just a few minutes | 0:02:07 | 0:02:10 | |
time. | 0:02:10 | 0:02:13 | |
We've got another worldwide
exclusive of The Next Step. | 0:02:13 | 0:02:15 | |
Do not miss it! | 0:02:15 | 0:02:21 | |
Zig and Zag cause chaos
when they set out on a | 0:02:21 | 0:02:23 | |
money-making mission. | 0:02:23 | 0:02:27 | |
So, guys, I have been locked up to
answer some questions in stories | 0:02:27 | 0:02:30 | |
behind bars. I'm Camilla Cabello. | 0:02:30 | 0:02:34 | |
Hacker puts on his best bow
to put your questions to JoJo | 0:02:34 | 0:02:36 | |
Siwa! | 0:02:36 | 0:02:37 | |
And more trollies will be colliding
with the toilet roll in | 0:02:37 | 0:02:40 | |
Push Off! | 0:02:40 | 0:02:41 | |
Plus our Fan Club is live
and ready for action! | 0:02:41 | 0:02:44 | |
Head online now to get
involved in quizzes, | 0:02:44 | 0:02:46 | |
chats and games, and to
share your Halloween jokes. | 0:02:46 | 0:02:48 | |
And we're crammed full
of top celebrities today. | 0:02:48 | 0:02:53 | |
They're two legends
of The Next Step... | 0:02:53 | 0:02:54 | |
She's an lip-syncing megastar
with millions of fans... | 0:02:54 | 0:02:58 | |
And they're one of the UK's
biggest boybands... | 0:02:58 | 0:03:02 | |
Give a massive Mash-Up welcome
to Trevor and Isaac, Holly H, | 0:03:02 | 0:03:05 | |
and The Vamps! | 0:03:05 | 0:03:13 | |
CHEERING | 0:03:13 | 0:03:16 | |
We made it! | 0:03:16 | 0:03:17 | |
So did our guests -
welcome to the show, | 0:03:17 | 0:03:19 | |
everyone! | 0:03:19 | 0:03:22 | |
The chair wobbled a little bit. The
Vamps, thank you for joining us. | 0:03:22 | 0:03:28 | |
Thank you for having us. I've heard
that before a gig, you have a little | 0:03:28 | 0:03:34 | |
ritual that you do. It's different
from television to gigs. For dates, | 0:03:34 | 0:03:41 | |
we will rob our chains together. The
big question is why? Lets have a | 0:03:41 | 0:03:49 | |
look. I want to see it. What if just
two of you did it? Is it like that? | 0:03:49 | 0:03:59 | |
That's too close and personal. I bit
intimate at this time of the | 0:03:59 | 0:04:03 | |
morning. Holly H, I like to eat as
much as anyone else, but don't you | 0:04:03 | 0:04:13 | |
love a croissant? I love a
croissant. What is it you like about | 0:04:13 | 0:04:18 | |
them? They are great food and
substance. They are selling. You | 0:04:18 | 0:04:23 | |
like this is your lucky day! I have
prepared a whole platter for you to | 0:04:23 | 0:04:28 | |
munch on during the show. There you
go! Don't share them. Smells | 0:04:28 | 0:04:34 | |
delicious. Trevor and Isaac, thank
you for joining us on the Mash Clock | 0:04:34 | 0:04:43 | |
couch. Welcome back to the UK. How
have you enjoyed your time here? We | 0:04:43 | 0:04:48 | |
love the UK. We always have a great
time. Not homesick at all? Not at | 0:04:48 | 0:04:55 | |
all. Don't want to go back. We will
be catching up with some of your | 0:04:55 | 0:05:00 | |
mates from The Next Step. We have a
global exclusive anti-gay piper and | 0:05:00 | 0:05:05 | |
Amy, it gets a bit tense between
them. -- a global exclusive and two | 0:05:05 | 0:05:14 | |
day it gets a bit tense.
CHEERING | 0:05:14 | 0:05:23 | |
Very exciting indeed. You look great
this morning. Look at your queen | 0:05:23 | 0:05:30 | |
faces. Don't worry. It will not last
long. They will be up for going into | 0:05:30 | 0:05:36 | |
the gunge later. It is a The Next
Step gunge off. They look so | 0:05:36 | 0:05:44 | |
nervous. | 0:05:44 | 0:05:52 | |
Who do you want to see covered? | 0:05:52 | 0:05:54 | |
Will it be Trevor? | 0:05:54 | 0:05:57 | |
CHEERING | 0:05:57 | 0:06:01 | |
Or Isaac? | 0:06:01 | 0:06:04 | |
CHEERING | 0:06:04 | 0:06:06 | |
Get online now to vote. | 0:06:06 | 0:06:11 | |
You've got until 10.30 to decide
who gets covered in it! | 0:06:11 | 0:06:14 | |
One of them will get
gunged at the end | 0:06:14 | 0:06:16 | |
of the show. | 0:06:16 | 0:06:17 | |
How are you both feeling
about the prospect of being gunged? | 0:06:17 | 0:06:24 | |
Excited to see Trevor get put in the
gunge. | 0:06:24 | 0:06:29 | |
Hacker, how's your week been? | 0:06:29 | 0:06:30 | |
Tip top, thanks! | 0:06:30 | 0:06:31 | |
Unlike Gemma Collins
at the Teen Awards! | 0:06:31 | 0:06:33 | |
At least I'm far more careful
when I'm walking near the hole | 0:06:33 | 0:06:36 | |
that we've inexplicably
put in our stage. | 0:06:36 | 0:06:38 | |
Oh, look, a penny, it's so shiny! | 0:06:38 | 0:06:44 | |
Careful. I'll be fine. | 0:06:44 | 0:06:49 | |
Ouch! | 0:06:49 | 0:06:50 | |
It's time for Make Me Viral! | 0:06:50 | 0:06:53 | |
Previously on Make Me Viral... | 0:06:53 | 0:06:54 | |
When Freddie sent in the photo
of him and his rusty bird, I | 0:06:54 | 0:06:57 | |
couldn't believe it. | 0:06:57 | 0:06:58 | |
Ursula's tat photo with her
mum's old doll had me in | 0:06:58 | 0:07:01 | |
stitches. | 0:07:01 | 0:07:02 | |
Jeri and Kori throwing
their homework made me laugh out | 0:07:02 | 0:07:04 | |
loud. | 0:07:04 | 0:07:08 | |
What are you looking at? | 0:07:08 | 0:07:10 | |
But this week, with Halloween just
days away, we want you | 0:07:10 | 0:07:13 | |
to show us your very
best SCARY FACE! | 0:07:13 | 0:07:15 | |
Do a ghastly ghost face
or pull a petrifying scowl. | 0:07:15 | 0:07:18 | |
Use props if you like to create
the most fantastically | 0:07:18 | 0:07:21 | |
frightening face you can! | 0:07:21 | 0:07:23 | |
Then go to our website:
bbc.co.uk/cbbc and click on Saturday | 0:07:23 | 0:07:25 | |
Mash-Up: Make Me Viral to send
us your photographs. | 0:07:25 | 0:07:33 | |
Get your entries in. | 0:07:33 | 0:07:34 | |
I can't wait to see
you pulling your scary faces. | 0:07:34 | 0:07:37 | |
Aaaargh! | 0:07:37 | 0:07:38 | |
Don't make them that scary! | 0:07:38 | 0:07:39 | |
This is my normal face! | 0:07:39 | 0:07:43 | |
Oh, yeah! | 0:07:43 | 0:07:46 | |
Holly H... | 0:07:46 | 0:07:47 | |
You know about going viral. | 0:07:47 | 0:07:48 | |
Can you give us some inspiration? | 0:07:48 | 0:07:49 | |
Aaaargh! | 0:07:49 | 0:07:53 | |
This is my normal face. | 0:07:53 | 0:07:55 | |
Oh, yeah! | 0:07:55 | 0:07:58 | |
What tips would you give
to our viewers at home? | 0:07:58 | 0:08:01 | |
I would say be original, just try
and build the silliest face, and | 0:08:01 | 0:08:08 | |
don't care what anyone else thinks.
Just go like... Lovely advice. You | 0:08:08 | 0:08:16 | |
heard it here first. Get your
pictures in. The details are on our | 0:08:16 | 0:08:19 | |
website. By the way, where is the
toilet? | 0:08:19 | 0:08:26 | |
That way. | 0:08:26 | 0:08:27 | |
Aaaaargh! | 0:08:27 | 0:08:28 | |
Stop doing that scary face, OK?! | 0:08:28 | 0:08:35 | |
I'm over here, Hacker. Let's see
your scary faces. Oh, wow. How about | 0:08:35 | 0:08:41 | |
Trevor and Isaac? Your eyeball is
about to pop out. The Vamps? | 0:08:41 | 0:08:52 | |
Tristan? Wow. Everyone relax. When I
say relax, I mean get comfortable, | 0:08:52 | 0:09:01 | |
have a croissant. Are these fresh?
Kind of fresh. But your feet up, | 0:09:01 | 0:09:12 | |
relax. | 0:09:12 | 0:09:14 | |
Time for our first cartoon! | 0:09:14 | 0:09:19 | |
# He's the greatest | 0:09:28 | 0:09:29 | |
# He's fantastic | 0:09:29 | 0:09:31 | |
# Wherever there's danger he'll be
there | 0:09:31 | 0:09:34 | |
# He's the ace | 0:09:34 | 0:09:35 | |
# He's amazing | 0:09:35 | 0:09:37 | |
# He's the strongest
He's the quickest, he's the best | 0:09:37 | 0:09:39 | |
# Danger Mouse | 0:09:41 | 0:09:43 | |
# Danger Mouse | 0:09:43 | 0:09:46 | |
# Danger Mouse! # | 0:09:46 | 0:09:52 | |
Global tension,
a planet steaming towards oblivion, | 0:09:57 | 0:10:01 | |
and, at the helm, that
rudest of villains, Bert Bad Boy. | 0:10:01 | 0:10:06 | |
He's rewired the translation system
at the UN to emit nothing but... | 0:10:06 | 0:10:10 | |
BLOWS A RASPBERRY | 0:10:10 | 0:10:11 | |
And worse, DM, | 0:10:11 | 0:10:12 | |
once the ambassadors start
wutsnaming each other, | 0:10:12 | 0:10:15 | |
we'll be facing a global war. | 0:10:15 | 0:10:17 | |
Fear not, Colonel. The world's
number one agent is on the case. | 0:10:17 | 0:10:21 | |
Ooh, is Jeopardy coming? | 0:10:21 | 0:10:23 | |
PENFOLD SCREAMS | 0:10:25 | 0:10:26 | |
OK, you posh, bogey-flicking
phonies! Prepare for chaos! | 0:10:30 | 0:10:36 | |
That was easier than I expected. | 0:10:42 | 0:10:44 | |
Hey, hey. | 0:10:44 | 0:10:45 | |
SHE BLOWS A RASPBERRY | 0:10:44 | 0:10:45 | |
Knickers. Up your shnozzle, Granny. | 0:10:45 | 0:10:49 | |
Crumbs, chief, we're too late. | 0:10:49 | 0:10:51 | |
Poor blighter's already speaking
like a naughty six-year-old. | 0:10:51 | 0:10:54 | |
Nonsense. | 0:10:54 | 0:10:55 | |
That happens to be how we speak
in the Democratic Republic of... | 0:10:55 | 0:10:59 | |
HE BLOWS A RASPBERRY | 0:10:59 | 0:11:00 | |
..Trumpet. | 0:10:59 | 0:11:00 | |
Translated, it means, "Lookout!
He has a fanatical army of cats!" | 0:11:02 | 0:11:06 | |
Roughly. | 0:11:06 | 0:11:08 | |
I think I can handle a few... ARGH! | 0:11:08 | 0:11:09 | |
They assaulted the Master!
Destroy the unbelievers! | 0:11:13 | 0:11:18 | |
You again. Oh, don't tell me
you're following Bad Boy now? | 0:11:18 | 0:11:21 | |
Speaking of Bad Boy,
I think he's run off, chief. | 0:11:21 | 0:11:25 | |
Taxi! | 0:11:25 | 0:11:26 | |
Beat it, ya freak. | 0:11:26 | 0:11:28 | |
Of course, normally I'd encourage
behaviour like that. | 0:11:30 | 0:11:33 | |
Cats, Bad Boy. Feeble-brained,
impressionable cats. | 0:11:33 | 0:11:37 | |
How could you lead them astray? | 0:11:37 | 0:11:39 | |
PENFOLD SCREAMS | 0:11:39 | 0:11:41 | |
Hmm? Ca-a-a-a-a-ats! | 0:11:39 | 0:11:41 | |
Argh! | 0:11:43 | 0:11:44 | |
MEOWING | 0:11:44 | 0:11:47 | |
Ha-ha! | 0:11:47 | 0:11:48 | |
W-w-why are they attacking, chief? | 0:11:54 | 0:11:57 | |
The Chosen One has been defeated.
How can it be? | 0:11:57 | 0:12:00 | |
Unless, he was a FALSE Chosen One.
Yes! All hail the TRUE Chosen One! | 0:12:00 | 0:12:06 | |
Huh. We dedicate ourselves to
living by your word. | 0:12:11 | 0:12:14 | |
The Chosen One, you say? Chief... | 0:12:15 | 0:12:18 | |
Don't listen to them.
Penfold, shush. | 0:12:18 | 0:12:20 | |
Grown-ups talking. Do go on. | 0:12:20 | 0:12:22 | |
PENFOLD MUTTERS IN HIS SLEEP | 0:12:24 | 0:12:26 | |
..two tickets for the jam
roller-coaster, please... | 0:12:26 | 0:12:29 | |
MEOW | 0:12:29 | 0:12:30 | |
Aaaah! | 0:12:33 | 0:12:34 | |
He's awake! The Chosen One's Special
One is awake! What's going on? | 0:12:34 | 0:12:40 | |
Why are you...? Aaah! | 0:12:40 | 0:12:42 | |
The Chosen One says,
"Danger makes everything more fun!" | 0:12:44 | 0:12:48 | |
Well, I'm going to have a few chosen
words with the Chosen One. | 0:12:48 | 0:12:53 | |
In the mission where you saved
reality, | 0:12:53 | 0:12:56 | |
you said, "I'm stuck in a
quiche." | 0:12:56 | 0:12:58 | |
What did you mean by that? | 0:12:58 | 0:13:00 | |
I suppose what I was saying was, | 0:13:00 | 0:13:01 | |
"Isn't life a bit like being
stuck in a quiche?" | 0:13:01 | 0:13:04 | |
Ooh! | 0:13:04 | 0:13:06 | |
We WERE stuck in a quiche! | 0:13:06 | 0:13:08 | |
That's why you said we were stuck in
a quiche! Because of the quiche! | 0:13:08 | 0:13:12 | |
Heretic. | 0:13:14 | 0:13:16 | |
Now, calm down. Don't forget, this
is the Chosen One's Special One. | 0:13:16 | 0:13:20 | |
Don't encourage them, chief.
Where's the harm, Penfold? | 0:13:20 | 0:13:23 | |
Better they follow me than Bad Boy. | 0:13:23 | 0:13:25 | |
Listen to me, cats.
You don't have to follow anyone. | 0:13:25 | 0:13:29 | |
You could make up your own minds. | 0:13:29 | 0:13:31 | |
That's not what the Chosen One said. | 0:13:31 | 0:13:34 | |
I'm only thinking of them, Penfold. | 0:13:34 | 0:13:36 | |
Deadly doings, DM. | 0:13:39 | 0:13:41 | |
Tutenkhamoo is attempting to steal
the Magical Amulet of Cowapatra. | 0:13:41 | 0:13:47 | |
Stop him. With that much power,
he could conquer the world - | 0:13:47 | 0:13:50 | |
and perhaps even Britain, too. | 0:13:50 | 0:13:52 | |
MEOW | 0:13:52 | 0:13:55 | |
The Master can create people
out of thin air! | 0:13:55 | 0:13:58 | |
Kneel in his praise. | 0:13:59 | 0:14:01 | |
Ow! Ah... My first commandment -
don't do that again. | 0:14:03 | 0:14:07 | |
Hmm. The brakes aren't working. | 0:14:13 | 0:14:15 | |
We removed them, Master, to make it
more dangerous, like you said. | 0:14:15 | 0:14:19 | |
Aaah! | 0:14:20 | 0:14:22 | |
They're jeopardising the mission,
Master. I mean, chief! | 0:14:26 | 0:14:30 | |
Relax, it's only the brakes. Aah!
And the steering wheel. | 0:14:30 | 0:14:34 | |
Hey-hey! Nothing I can't handle.
Watch and learn, my feline faithful. | 0:14:36 | 0:14:40 | |
Ha-ha! | 0:14:43 | 0:14:44 | |
We got here in the nick of time,
which is, of course, | 0:14:49 | 0:14:51 | |
the perfect time to arrive. | 0:14:51 | 0:14:53 | |
Shouldn't we wait for an audience? | 0:14:53 | 0:14:55 | |
Remember, as the Master says, | 0:14:55 | 0:14:58 | |
"What's the point in doing anything
if no-one's looking?" | 0:14:58 | 0:15:01 | |
Like you said you taught
your disciple, Jeopardy Mouse? | 0:15:01 | 0:15:04 | |
Disciple? Cor! Don't let her hear
you calling her that! | 0:15:04 | 0:15:09 | |
Give us more words of inspiration,
oh, Chosen One. | 0:15:09 | 0:15:14 | |
Um, right. | 0:15:14 | 0:15:16 | |
You can catch more flies with honey
than you can with your fingers. | 0:15:16 | 0:15:19 | |
The pen is mightier than the sword, | 0:15:19 | 0:15:22 | |
although the Dangerzuka is
mightier than both. | 0:15:22 | 0:15:25 | |
Chief, we don't have time for this! | 0:15:25 | 0:15:28 | |
With this amulet's power,
I will destroy civilisation | 0:15:28 | 0:15:32 | |
and build it anew - | 0:15:32 | 0:15:34 | |
only with more pyramids. | 0:15:34 | 0:15:35 | |
We'll see about that. Watch and
learn. This is how... Aaah! | 0:15:35 | 0:15:40 | |
MEOWING | 0:15:40 | 0:15:42 | |
Lord Danger Mouse, the Chosen One. | 0:15:42 | 0:15:45 | |
OK, second commandment, the Chosen
One shalt do all the fighting. | 0:15:45 | 0:15:49 | |
Master, accept the amulet of power, | 0:15:50 | 0:15:53 | |
for who better than the bravest and
humblest of us to rule the world? | 0:15:53 | 0:15:59 | |
Hard to argue with that.
Hmm. King, eh? | 0:15:59 | 0:16:02 | |
Do I get Saturdays off? Ha-ha!
King?! That's a terrible idea. | 0:16:02 | 0:16:07 | |
THEY GASP | 0:16:07 | 0:16:09 | |
Er, Your Majesty. | 0:16:09 | 0:16:11 | |
Chief,
imagine a world where everything | 0:16:11 | 0:16:13 | |
happened at the last second,
where everything was more dangerous, | 0:16:13 | 0:16:16 | |
where nothing happened
without an audience. | 0:16:16 | 0:16:18 | |
It'd be a disaster. | 0:16:18 | 0:16:20 | |
Her-e-tic! | 0:16:20 | 0:16:23 | |
Aaah! | 0:16:23 | 0:16:24 | |
Penfold! | 0:16:24 | 0:16:26 | |
Don't worry, Master.
We'll destroy the unbeliever. | 0:16:26 | 0:16:30 | |
You've got a world to run. | 0:16:30 | 0:16:32 | |
OK, this has got a little
bit out of hand. | 0:16:32 | 0:16:35 | |
You know,
maybe you shouldn't be following me. | 0:16:35 | 0:16:38 | |
But you're the greatest.
We learned everything from you, | 0:16:38 | 0:16:41 | |
apart from the meanings of the words
guilt, fear and doubt, | 0:16:41 | 0:16:44 | |
which you don't know yourself. | 0:16:44 | 0:16:45 | |
Honestly, I don't think
they're real words. | 0:16:45 | 0:16:47 | |
It's clear that the
world would be better | 0:16:47 | 0:16:49 | |
if we forced everyone to
live by your words. | 0:16:49 | 0:16:52 | |
Nice of you to say
but that might not be a good idea. | 0:16:52 | 0:16:54 | |
You see, I may not always
think before I speak. | 0:16:54 | 0:16:58 | |
Is this a test? Tell us how to pass
this test, oh, King Chosen One. | 0:16:58 | 0:17:05 | |
Look, the truth is, | 0:17:05 | 0:17:06 | |
I'm just a completely normal person
with impeccable dress sense, | 0:17:06 | 0:17:10 | |
extraordinary skills and the
cheekiest wink on the planet. | 0:17:10 | 0:17:14 | |
But I'm not the Chosen One. | 0:17:14 | 0:17:15 | |
Penfold, there's a small chance you
were right about this cat business. | 0:17:18 | 0:17:22 | |
MEOWING AND HISSING | 0:17:24 | 0:17:26 | |
Destroy Danger Mouse,
in the name of Danger Mouse. | 0:17:26 | 0:17:29 | |
Sorry I can't help, DM. | 0:17:31 | 0:17:32 | |
I'd never get there in time.
But good luck. Oh! | 0:17:32 | 0:17:36 | |
I seem to have sent my actual
self by accident | 0:17:37 | 0:17:40 | |
and left my hologram in the office. | 0:17:40 | 0:17:43 | |
Friends, this is all my fault.
BOTH: Yes, it is. | 0:17:43 | 0:17:46 | |
Oh, well. Glad we sorted that out. | 0:17:46 | 0:17:49 | |
Don't worry, chief, those cats will
never get through our defences. | 0:17:49 | 0:17:53 | |
MEOWING | 0:17:53 | 0:17:54 | |
Crumbs! | 0:17:54 | 0:17:56 | |
Attack, brothers and sisters,
for we are the true Danger Mice. | 0:17:59 | 0:18:03 | |
Ha-ha-ha-ha! | 0:18:04 | 0:18:06 | |
Proud to go down fighting
with you both. | 0:18:06 | 0:18:09 | |
They'll sing songs about us,
the three heroes - K, DM and... | 0:18:09 | 0:18:15 | |
I want to say Pipsqueak. | 0:18:15 | 0:18:19 | |
It's... Ah, call me what you like.
Here they come! | 0:18:19 | 0:18:22 | |
Don't worry,
they'll be no match for my skills. | 0:18:24 | 0:18:27 | |
Hee-yah. Mouse fu. | 0:18:28 | 0:18:30 | |
Right, yes, I may have trained them
all to be deadly fighters. | 0:18:30 | 0:18:36 | |
Hee-yah! Hooh! Ow! | 0:18:37 | 0:18:39 | |
Ha-ha-ha-ha! Huh? | 0:18:44 | 0:18:46 | |
What just happened? | 0:18:46 | 0:18:48 | |
Ha! The Chosen One has chosen to
shut you down. | 0:18:51 | 0:18:56 | |
No-o-o-o-o-o-o! | 0:18:56 | 0:18:59 | |
SIZZLING | 0:18:59 | 0:19:00 | |
Probably not the best time to cook
sausages, Colonel. | 0:19:02 | 0:19:05 | |
Never a bad moment for sausages,
Panhandle. | 0:19:07 | 0:19:10 | |
Well, I hope you
learned your lesson. Meow. We have. | 0:19:11 | 0:19:15 | |
Only the True Master could
win such a battle. | 0:19:15 | 0:19:18 | |
Forgive us for doubting you,
oh, Chosen One. Oh, not again! | 0:19:18 | 0:19:24 | |
Thank you
but I can't take the credit. | 0:19:24 | 0:19:26 | |
It was all the work of our brilliant
leader, the genius Colonel K. | 0:19:26 | 0:19:31 | |
Sir, we will follow you always.
Aww. How nice of you to say so. | 0:19:31 | 0:19:36 | |
The Master has a Master! | 0:19:36 | 0:19:38 | |
We must dedicate ourselves
to following HIS teachings. | 0:19:38 | 0:19:41 | |
Hail the new Chosen One! | 0:19:41 | 0:19:45 | |
We're going to need more sausages. | 0:19:45 | 0:19:48 | |
And so it came to pass that the
world was safe once more | 0:19:48 | 0:19:51 | |
and the narrator went forth
and spake unto the viewers, | 0:19:51 | 0:19:54 | |
saying, "See you next
time for more Danger Mouse!" | 0:19:54 | 0:19:58 | |
# He's the greatest | 0:20:00 | 0:20:02 | |
# He's fantastic | 0:20:02 | 0:20:04 | |
# Wherever there is danger
he'll be there | 0:20:04 | 0:20:06 | |
# Danger Mouse | 0:20:06 | 0:20:09 | |
# Danger Mouse | 0:20:09 | 0:20:11 | |
# Danger Mouse! # | 0:20:11 | 0:20:16 | |
Stay with us, because there's
an epic battle ahead next as | 0:20:20 | 0:20:21 | |
Ah, DM, you're definitely
our chosen one! | 0:20:22 | 0:20:24 | |
Stay with us, because there's
an epic battle ahead next as | 0:20:24 | 0:20:27 | |
The Next Step's Trevor takes
on Holly H in Push Off. | 0:20:27 | 0:20:29 | |
There can only be one winner! | 0:20:29 | 0:20:31 | |
Find out who it will be next! | 0:20:31 | 0:20:33 | |
Saturday Mash-up - are you up for
it? Isaac is there, ready, The Vamps | 0:20:33 | 0:20:42 | |
are there ready. First, before we
meet our contestants for Push-off, | 0:20:42 | 0:20:55 | |
we need a steward's enquiry. Yeah,
because last week Mark topped the | 0:20:55 | 0:21:04 | |
leaderboard. Yes, he did. With an
impressive 94. Did he? | 0:21:04 | 0:21:18 | |
89, 90, 91... He's got 82 to 89.
Jonny, Jonny, Jonny, what have you | 0:21:21 | 0:21:31 | |
got to say for yourself? It is six
of one and half a dozen of the | 0:21:31 | 0:21:36 | |
other. You got it wrong. I'm sorry.
Stand in the corner and face the | 0:21:36 | 0:21:41 | |
wall. You need to think about what
you've done. Literally, for the rest | 0:21:41 | 0:21:48 | |
of the... ? Shush. It is time to
meet our contestants playing | 0:21:48 | 0:21:57 | |
Push-off today. We have Trevor and
Holly! They have definitely been | 0:21:57 | 0:22:01 | |
behind there for a good few minutes.
How might you feeling about Push-off | 0:22:01 | 0:22:05 | |
today? I'm ready to push... Off. You
are pumped. Holly? Ready to destroy. | 0:22:05 | 0:22:15 | |
Fighting talk. Jonny, I think we can
allow you to redeem yourself now. | 0:22:15 | 0:22:23 | |
Stay there, but please tell Holly
and Trevor what they are going to | 0:22:23 | 0:22:30 | |
do. Holly and Trevor must push of
down the aisle until they get to | 0:22:30 | 0:22:36 | |
that line. Start looking! You have
to propel the trolley down the aisle | 0:22:36 | 0:22:45 | |
to the manager's special. It is a
pile of toilet rolls. Then you need | 0:22:45 | 0:22:51 | |
to get as many toilet rolls in your
basket as possible. For every role, | 0:22:51 | 0:22:56 | |
you get one point. If you do get the
golden roll... You get ten points. | 0:22:56 | 0:23:02 | |
If you get the brown one, it's -5
points. The first trolley is the | 0:23:02 | 0:23:13 | |
smashing pumpkin. She has had plenty
of trips down the aisle, but can you | 0:23:13 | 0:23:20 | |
handle her? This trolley now roams
the aisles in the dead of night and | 0:23:20 | 0:23:26 | |
looks for customers to halt. And the
third one is Spooky Stanley. He has | 0:23:26 | 0:23:32 | |
had such a haunted life. -- looking
for customers to haunt. Holly, you | 0:23:32 | 0:23:44 | |
are up first. You can choose your
trolley. You have the duration of | 0:23:44 | 0:23:51 | |
the music to think about it.
MUSIC PLAYS | 0:23:51 | 0:24:00 | |
The Vamps are going for it. Jonny!
Jonny, no! What trolley have you | 0:24:00 | 0:24:06 | |
gone for? I am going to go for
Smashing Pumpkin. Is good for | 0:24:06 | 0:24:14 | |
Halloween. Feeling good? Yeah.
Standing by. Look at that. Added | 0:24:14 | 0:24:22 | |
prop. Don't worry about it. Let's do
it, in three, two, one... The | 0:24:22 | 0:24:32 | |
trolley hurtles like a viral video.
Let's see it in slow motion. Lovely | 0:24:32 | 0:24:44 | |
absorbent toilet roll there. | 0:24:44 | 0:24:55 | |
88 keeps me at the top unbelievable.
Ellerton, 12, 13, 14... 28, 29, | 0:24:58 | 0:25:13 | |
30... 43, 44, 45... 55, 56, 57,
58... 67, 68, 69, 70... 400, 401... | 0:25:13 | 0:25:40 | |
Only joking! 77, 79, 80, 81... And
the brown toilet roll. You go back | 0:25:40 | 0:25:55 | |
to 80. And the golden toilet roll!
You've done it, yes! Top of the | 0:25:55 | 0:26:03 | |
leaderboard for Holly H. All the way
up there. Can Trevor do any better? | 0:26:03 | 0:26:15 | |
Now, I'm just saying, I feel like
there might be another steward's | 0:26:15 | 0:26:19 | |
enquiry next week. Just saying!
Let's get into it. Move back, | 0:26:19 | 0:26:24 | |
everyone. Here we go, thank you very
much. Trevor, which trolley would | 0:26:24 | 0:26:29 | |
you like? No expense spared. Do we
have a tactic? Good luck to The | 0:26:29 | 0:26:49 | |
Vamps. Do we have a tactic? I'm
going to bring it from the legs. | 0:26:49 | 0:26:56 | |
Lovely. I've got better said an hit
it! -- I've got a better one -... | 0:26:56 | 0:27:12 | |
Not yet! Get back here. You didn't
pay attention. It's fine, whatever. | 0:27:12 | 0:27:17 | |
We will count you in. Standing by,
everyone. In three, two, one, | 0:27:17 | 0:27:28 | |
Push-off! Trevor is having his
actual term. There it goes... Lovely | 0:27:28 | 0:27:32 | |
work! Let's see it in slow motion.
Lovely work. Two ply toilet roll | 0:27:32 | 0:27:44 | |
into the trolley. | 0:27:44 | 0:27:46 | |
It dropped out. Lets start. Ten, 11,
12, 13... 24, 25, 26... 38, 39, 40, | 0:27:54 | 0:28:16 | |
41,... 57, 58, 59, 60, 61... Did
that get thrown back in? Oh, no! | 0:28:16 | 0:28:39 | |
That is 66, not a bad score by any
account. Not bad at all, actually. | 0:28:39 | 0:28:45 | |
The other night I'm going to put
this on the board there. We have a | 0:28:45 | 0:28:50 | |
winner today. Congratulations, Holly
H. | 0:28:50 | 0:28:53 | |
APPLAUSE
With every winner, there is in fact | 0:28:53 | 0:29:00 | |
a loser. Which means a pie in the
face. That was fun. That was good to | 0:29:00 | 0:29:10 | |
do. Glorious. You might need one of
these. More Push-off next week. | 0:29:10 | 0:29:17 | |
Let's find out what Camilla Cabello
had to say in Stars Behind Bars. | 0:29:17 | 0:29:25 | |
Camilla Cabello, you have been
sentenced to 100 seconds of tough | 0:29:32 | 0:29:35 | |
questioning. Answer the questions
honestly and you will be released. | 0:29:35 | 0:29:41 | |
What will 2018 bring? Happiness,
hopefully love, and more travelling. | 0:29:41 | 0:29:48 | |
What advice would you give to young
singers? Don't ever take no for an | 0:29:48 | 0:29:55 | |
answer. As is key. Can you show us
your vocal warm up? I can't stand | 0:29:55 | 0:30:05 | |
it. NASAL SOUNDS | 0:30:05 | 0:30:17 | |
Pizza or pineapple? I like pizza.
You miss the most? Can you sing the | 0:30:28 | 0:30:37 | |
chorus of Havana?
# I had to go # oh, no, no... | 0:30:37 | 0:30:49 | |
. # You have earned early release.
Yes, yes, I'm getting some Peter! -- | 0:30:49 | 0:31:01 | |
pizza. Coming up later, brand-new
The Next Step, exclusive to Saturday | 0:31:01 | 0:31:10 | |
Mash-Up!.
CHEERING | 0:31:10 | 0:31:15 | |
Very, very exciting. The Next Step
is only half an hour away, but now | 0:31:15 | 0:31:20 | |
it is competition time. Here is last
week's winner from Coventry. He is | 0:31:20 | 0:31:26 | |
enjoying his presence. You will not
believe it. While! Obviously, that | 0:31:26 | 0:31:37 | |
is my house in Barbados. No, the
ball does not need a clean. It is | 0:31:37 | 0:31:45 | |
very fresh and clean. Leave it
alone. Here is what you can win. | 0:31:45 | 0:31:51 | |
Lovely. Look at that. And our guests
will be adding to it today as well. | 0:31:51 | 0:32:00 | |
Holly H. What have you got? I have a
giant, white, fluffy bear. Trevor | 0:32:00 | 0:32:12 | |
and Isaac, what do you have? You
have something there, love. Well, we | 0:32:12 | 0:32:23 | |
have some exclusive signed vests and
a very exclusive The Next Step photo | 0:32:23 | 0:32:29 | |
signed by the one and only Trevor.
Look at that. Love that. Moving | 0:32:29 | 0:32:34 | |
round. The Vamps, what have you got?
We have one of the best albums. It | 0:32:34 | 0:32:44 | |
is ours. Thanks, guys. Love it.
Thank you very much. I have | 0:32:44 | 0:32:53 | |
something to chuck in. This
fantastic pumpkin from Halloween. | 0:32:53 | 0:32:58 | |
2014. No, it stinks. Do you want to
have a go? Sniff it. No, no. Thank | 0:32:58 | 0:33:12 | |
you very much, Hacker, you keep it.
If you want to be a better chance of | 0:33:12 | 0:33:18 | |
winning today, all you need to is
hope mine to answer this question. | 0:33:18 | 0:33:23 | |
Which singer co-presented last week
and's BBC Radio one team awards? -- | 0:33:23 | 0:33:34 | |
Teen Awards. We will forward the
winner live on the show. Stop doing | 0:33:34 | 0:33:45 | |
that, Trevor! You're covered in
stuff. Guys, please excuse me | 0:33:45 | 0:33:50 | |
because I have a royal engagement
with our Mash-Up Monarch. Real sound | 0:33:50 | 0:34:00 | |
effects there. I have received a
royal decree about our new Mash-Up | 0:34:00 | 0:34:06 | |
Monarch. I can reveal she loves
eating Margherita pizza. She is good | 0:34:06 | 0:34:13 | |
at winning competitions and she has
a pet chicken called Jane Seymour. | 0:34:13 | 0:34:22 | |
Everyone gave a round of applause
for our Mash-Up Monarch Florence | 0:34:22 | 0:34:26 | |
from Banbury. Here she is! Hi,
Florence. How are you? I'm great. | 0:34:26 | 0:34:37 | |
I'm glad to hear it. So first,
staring competition! | 0:34:37 | 0:34:55 | |
I had dry eyes there, Florence. Well
done. You are very good indeed. It | 0:34:56 | 0:35:02 | |
is time to prove to us just how
royal you are because you are the | 0:35:02 | 0:35:05 | |
Mash-Up Monarch so I feel like all
royals make a royal announcement to | 0:35:05 | 0:35:11 | |
their subjects. So take a little
trip to your front door or any door | 0:35:11 | 0:35:16 | |
to address your subjects with a big
royal announcement. That Crown fits | 0:35:16 | 0:35:21 | |
perfectly on top of your head,
Florence. What a lovely daughter! | 0:35:21 | 0:35:26 | |
Make an announcement. Or just look
outside. Either way. With all my | 0:35:26 | 0:35:38 | |
royal power, I now pronounce
Saturday Mash-Up! The best programme | 0:35:38 | 0:35:42 | |
on TV!
CHEERING | 0:35:42 | 0:35:45 | |
That is perfect. And accurate, most
importantly. Now, royals love a | 0:35:45 | 0:35:53 | |
royal fly past. Could you get your
parents or any passers-by to throw a | 0:35:53 | 0:35:57 | |
royal paper aeroplane over your
head? Love that. You wouldn't think | 0:35:57 | 0:36:06 | |
they could fit an engine on a plane
so small. So, Florence, it is time | 0:36:06 | 0:36:14 | |
for your first ruling. Halloween is
coming up and we love | 0:36:14 | 0:36:17 | |
trick-or-treating. Jonny likes to go
trick-or-treating. Oh, yeah, I do. I | 0:36:17 | 0:36:26 | |
forgot about this in rehearsal. So
we have a treat which is a toffee | 0:36:26 | 0:36:32 | |
apple. Thank you very much. Perfect.
Or a trick. And the trick is... And | 0:36:32 | 0:36:45 | |
edible bog. -- bug. Which one,
Florence? Trick. OK. Oh, gosh. OK, | 0:36:45 | 0:37:09 | |
that's a bug. That is an edible
birdie-mac. Take a big bite. Don't | 0:37:09 | 0:37:17 | |
talk with your mouth full. Eat it.
Eugh! Oh, it smells so bad! It's | 0:37:17 | 0:37:40 | |
fine. There a drink somewhere. If
you would like to be our Mash-Up | 0:37:40 | 0:37:44 | |
Monarch later on in this series, all
you need to do is hope online right | 0:37:44 | 0:37:48 | |
now. Gosh, gosh, gosh. Get involved.
Lovely. I wanted to apply to be the | 0:37:48 | 0:38:00 | |
Mash-Up Monarch, but apparently I am
too old. I am only 100 million. I | 0:38:00 | 0:38:04 | |
don't know what the problem is. I am
still beautiful, though. Here is a | 0:38:04 | 0:38:09 | |
song about the beauty within every
one of those. | 0:38:09 | 0:38:15 | |
# we are beautiful no matter what
they say # words would bring us | 0:38:15 | 0:38:28 | |
down...
# words can't bring us down so what | 0:38:28 | 0:38:41 | |
you bring us down today. # I'm
having a right time of it! Though, | 0:38:41 | 0:38:54 | |
the things you do for money. Dear
me, Muriel. You have a beautiful | 0:38:54 | 0:38:59 | |
voice. Now it is time for this game.
Yes, it's that time of the week. We | 0:38:59 | 0:39:16 | |
ask how many things in at them. Last
week, it was 98 sombreros in a shed. | 0:39:16 | 0:39:22 | |
Well done. But what is the burning
question, I hear you ask? I can | 0:39:22 | 0:39:27 | |
reveal this week we want to know how
many ghosts are in a greenhouse? | 0:39:27 | 0:39:37 | |
There we go. I will pop that one
back. We have some big ones and we | 0:39:37 | 0:39:43 | |
have some little ones. I have given
myself a static shock. That was fun. | 0:39:43 | 0:39:49 | |
E-mail is to answer. Give us your
name and your phone number but | 0:39:49 | 0:39:52 | |
please do ask permission from your
parent or guardian. Five callers | 0:39:52 | 0:39:56 | |
will get a chance to play live later
in the show, but let's go to our | 0:39:56 | 0:40:01 | |
team-mates, Zig and Zag. | 0:40:01 | 0:40:05 | |
# Five, four, three, two
Five, four, three, two, one... | 0:40:08 | 0:40:11 | |
# Hey! Hey! Hey! Hey! | 0:40:11 | 0:40:14 | |
# Well, come along for the ride | 0:40:14 | 0:40:16 | |
# You and me and Zig and Zag | 0:40:16 | 0:40:18 | |
# When our weird worlds collide | 0:40:18 | 0:40:20 | |
# It may seem a little mad | 0:40:20 | 0:40:22 | |
# But you can't close your eyes
or you'll miss it | 0:40:22 | 0:40:25 | |
# Hold on tight
No-one's drive, drive, driving | 0:40:25 | 0:40:29 | |
# It's time to get on with it,
not too late | 0:40:29 | 0:40:33 | |
# Start counting,
are your engines on? We can't wait | 0:40:33 | 0:40:36 | |
# Count down it's Zig and Zag time | 0:40:36 | 0:40:39 | |
# Five, four, three, two, | 0:40:39 | 0:40:41 | |
# Time for Zig and Zag! # | 0:40:41 | 0:40:44 | |
..the shopping centre.
I want to see all the shops. | 0:40:45 | 0:40:48 | |
POW POW POW | 0:40:49 | 0:40:51 | |
Oh, no! I've broken
the shopping centre. | 0:40:51 | 0:40:55 | |
Ooh. | 0:40:55 | 0:40:57 | |
Hey, Zag,
it's that man off the telly! | 0:40:57 | 0:40:59 | |
Hi, I'm that man off the telly
and congratulations, | 0:40:59 | 0:41:03 | |
you are our 1,000,000th customers! | 0:41:03 | 0:41:06 | |
I'm shaking! He-he-he! Strong. | 0:41:06 | 0:41:08 | |
Here's a big money prize for you
to spend in our wonderful | 0:41:08 | 0:41:11 | |
shopping centre. | 0:41:11 | 0:41:12 | |
Coo-el, a fan. | 0:41:12 | 0:41:16 | |
Zig, that's not just a fan -
it's fan-tastic! | 0:41:16 | 0:41:19 | |
With this money, we can have huge
smiley faces | 0:41:19 | 0:41:22 | |
just like those humans,
from buying lots of stuff. | 0:41:22 | 0:41:25 | |
# Me got da money,
Me want-a de stuff. # | 0:41:25 | 0:41:29 | |
He-he! | 0:41:29 | 0:41:30 | |
SNORING | 0:41:30 | 0:41:32 | |
ALARM CLOCK BUZZES | 0:41:32 | 0:41:34 | |
Buying lots of stuff, like
earthlings do, is so much fun. | 0:41:34 | 0:41:38 | |
Ahh. Hey, now we're awake,
let's go buy more stuff | 0:41:38 | 0:41:42 | |
we don't actually need but just...
BOTH: ..gotta have. | 0:41:42 | 0:41:45 | |
Ha. One mill... One?! | 0:41:45 | 0:41:47 | |
THEY GASP
Oh, no. We've only one note left. | 0:41:47 | 0:41:50 | |
Don't fret, Frankie Fretfrace. | 0:41:50 | 0:41:52 | |
One is all we need. Huh? | 0:41:52 | 0:41:55 | |
We'll just copy this one,
using the Multiplier 3,000. | 0:41:55 | 0:42:00 | |
All right, what did you copy? | 0:42:00 | 0:42:02 | |
12 doughnuts is never
enough for a growing alien, | 0:42:02 | 0:42:05 | |
or 12 multiplied by 2, which is
twelvety...twelvety... | 0:42:05 | 0:42:09 | |
Ugh, 24, 24! 2 x 12 is 24. | 0:42:09 | 0:42:12 | |
That's what I said. | 0:42:12 | 0:42:13 | |
Well, you overloaded it and now
it's broken and how many times have | 0:42:13 | 0:42:17 | |
I told you not to put your hands
in it until it's finished?! Sorry... | 0:42:17 | 0:42:22 | |
Now, how are we going to get more
of this money stuff? Mmm... | 0:42:22 | 0:42:26 | |
A-ha! I'll just go and walk in
and out of the shopping centre | 0:42:26 | 0:42:30 | |
until I'm the 2,000,000th
customer. Ha! | 0:42:30 | 0:42:33 | |
Hmm, not a bad idea. | 0:42:33 | 0:42:35 | |
But there must be another way
to get Earth money | 0:42:35 | 0:42:37 | |
and we've got to get to the
bottom of it. | 0:42:37 | 0:42:40 | |
"Bottom". | 0:42:40 | 0:42:42 | |
HE HUMS | 0:42:42 | 0:42:43 | |
Ah, good morning, Mr Jones. | 0:42:43 | 0:42:45 | |
We're the aliens from across
the street and we were wondering | 0:42:45 | 0:42:48 | |
if you could help us
with an Earth-type problem. | 0:42:48 | 0:42:51 | |
I don't have time for you two
right now. I'm running late. | 0:42:51 | 0:42:54 | |
How do you get money when your
Multiplier 3,000 is broken? | 0:42:54 | 0:42:57 | |
Your what?!
We want to buy more stuff. | 0:42:57 | 0:42:59 | |
Well, get a job, then. | 0:42:59 | 0:43:01 | |
A "job", eh? Yes. | 0:43:01 | 0:43:03 | |
You need a job to get money
and if I don't get a move on, | 0:43:03 | 0:43:06 | |
I won't have a job to go to. | 0:43:06 | 0:43:08 | |
And where would we get
one of these mysterious "j-obs"? | 0:43:08 | 0:43:12 | |
Down at the job centre,
of course. | 0:43:12 | 0:43:15 | |
Ah, yes, the Centre of Jobs. | 0:43:15 | 0:43:17 | |
Now, if you don't mind, Mr Jones, | 0:43:17 | 0:43:19 | |
we can't hang around here chatting
all morning, we've got j-obs to get. | 0:43:19 | 0:43:23 | |
Yeah, Mr Jones. Bye! | 0:43:26 | 0:43:28 | |
So, Ziggy boy, if we get
one of these jobbie whatsits, | 0:43:28 | 0:43:31 | |
we get paid in money | 0:43:31 | 0:43:32 | |
and money means
we can buy more stuff. | 0:43:32 | 0:43:35 | |
Let's scoot. | 0:43:35 | 0:43:36 | |
He-he-he. Too fast. Too... | 0:43:38 | 0:43:40 | |
HE WHIMPERS | 0:43:40 | 0:43:42 | |
Sorry, I'm late, Honey. I had to
fire my housekeeper. Another one? | 0:43:45 | 0:43:49 | |
Yes, I found this speck of dust on
the coffee table. Outrageous, sir. | 0:43:49 | 0:43:53 | |
Now, what's the latest on the
alien slime? | 0:43:53 | 0:43:56 | |
From what I could hear, Agent A
Gent, they are looking for a job. | 0:43:56 | 0:43:59 | |
Textbook alien invasion stuff. | 0:43:59 | 0:44:01 | |
They start off small with
an ordinary job and they work their | 0:44:01 | 0:44:04 | |
way up until they get the biggest
job of all, President of the World! | 0:44:04 | 0:44:09 | |
Ah. But that's not going to happen,
Honey. | 0:44:09 | 0:44:12 | |
But how can we stop
the aliens from getting a job? | 0:44:12 | 0:44:15 | |
By giving the aliens a job. | 0:44:15 | 0:44:17 | |
I don't think PANTS - Prevention
of Alien Network Takeover Squad - | 0:44:17 | 0:44:21 | |
would be too happy
having actual aliens working for us. | 0:44:21 | 0:44:24 | |
They won't be working in PANTS. | 0:44:24 | 0:44:26 | |
I'll give the extraterrestrial
terrors a job | 0:44:26 | 0:44:29 | |
so we can watch their every
sneaky move. | 0:44:29 | 0:44:33 | |
HE CACKLES | 0:44:33 | 0:44:37 | |
Ow! | 0:44:37 | 0:44:39 | |
So, let me get this straight, | 0:44:39 | 0:44:42 | |
you claim you're aliens
from outer space | 0:44:42 | 0:44:44 | |
who've crash-landed in Burb Street,
but just decided to stay | 0:44:44 | 0:44:47 | |
because Earth is - and I quote - | 0:44:47 | 0:44:49 | |
"like totally the coolest planet
like ever, girlfriend, innit"? | 0:44:49 | 0:44:53 | |
Yeah, innit! | 0:44:53 | 0:44:54 | |
You've absolutely no
Earth qualifications, whatsoever. | 0:44:54 | 0:44:57 | |
However, on planet Zog,
YOU were a model? | 0:44:57 | 0:45:00 | |
Supermodel. | 0:45:00 | 0:45:01 | |
And you claim to have had a number
one hit song in the iZog Charts. | 0:45:03 | 0:45:07 | |
# I'll take a ring from
planet Neptune | 0:45:07 | 0:45:10 | |
# And I'll put it on your finger. # | 0:45:10 | 0:45:14 | |
And you're looking for a job that
pays 1,000,000 a week where | 0:45:16 | 0:45:18 | |
you only actually work between
the hours of 11 and 11.05am? | 0:45:18 | 0:45:22 | |
And 3 and 3.30pm? | 0:45:22 | 0:45:24 | |
I can't miss my soaps. | 0:45:24 | 0:45:26 | |
And, finally,
you want complementary donkey rides? | 0:45:26 | 0:45:29 | |
Yep, that about covers it.
So, er...what you got for us, lady? | 0:45:29 | 0:45:33 | |
We can be flexible on the hours! | 0:45:33 | 0:45:35 | |
But the complementary donkey rides
are a deal-breaker. | 0:45:35 | 0:45:38 | |
Ha-ha. Well, that went well. | 0:45:38 | 0:45:40 | |
Yes, but, surprisingly,
she didn't give us a job. | 0:45:40 | 0:45:42 | |
And no job equals no money,
and no money equals no stuff. | 0:45:42 | 0:45:45 | |
Yeah, and no stuff equals no...
er, stuff. | 0:45:45 | 0:45:49 | |
Hey, why are you humans dressed up
like aliens? | 0:45:49 | 0:45:53 | |
Because there's this
really cool job going | 0:45:53 | 0:45:56 | |
for two genuine aliens from
outer space to do housekeeping | 0:45:56 | 0:46:02 | |
but, er, they saw through our
pathetic disguises. | 0:46:02 | 0:46:06 | |
Er, yes, if only there were
a pair of genuine aliens | 0:46:06 | 0:46:11 | |
looking for a job,
they'd be so lucky. | 0:46:11 | 0:46:14 | |
Oh. | 0:46:14 | 0:46:17 | |
Whoa! A complementary
donkey ride is included. | 0:46:17 | 0:46:20 | |
Are you thinking what I'm thinking? | 0:46:20 | 0:46:22 | |
Yeah, we should SO get a puppy. | 0:46:22 | 0:46:24 | |
No, that job - it's perfect for us!
Oh, yeah! | 0:46:24 | 0:46:28 | |
BOTH: Zogplan! | 0:46:28 | 0:46:31 | |
Thanks for the tip,
silly men in bad...costumes. | 0:46:40 | 0:46:42 | |
Hey, does my bum look big in this?
Best behaviour, Zigmund. | 0:46:44 | 0:46:47 | |
As long as the alien invaders
are working for us, | 0:46:47 | 0:46:50 | |
we can keep an eye on them. | 0:46:50 | 0:46:52 | |
So, they won't make their way
up the job ladder, | 0:46:52 | 0:46:55 | |
become President of the World
and then take over the planet. | 0:46:55 | 0:46:58 | |
Got it. And, not only that,
I get the enemy to clean my house. | 0:46:58 | 0:47:03 | |
HE CACKLES | 0:47:03 | 0:47:04 | |
It's the perfect plan, sir. | 0:47:04 | 0:47:06 | |
Ah, hello, Martian menaces. | 0:47:06 | 0:47:08 | |
You must be here to take
over the world. | 0:47:08 | 0:47:10 | |
Erm...I mean...you must be here
for the housekeeping job. | 0:47:10 | 0:47:14 | |
I'm Mr Mister and, er,
this is Mr Sister. | 0:47:14 | 0:47:20 | |
Ooh, tres moderne. | 0:47:20 | 0:47:22 | |
Well, come in
and we'll get you started. | 0:47:22 | 0:47:25 | |
I'm Zag and this is my brother Zig
and we're here for the job money. | 0:47:25 | 0:47:29 | |
Cash upfront. Hmmph. Kerching! | 0:47:29 | 0:47:32 | |
Wow, this is just like a house
you'd see on TV. | 0:47:32 | 0:47:35 | |
Yeah, it's so nice and clean. | 0:47:35 | 0:47:37 | |
Well, except for the foul-smelling
footprints | 0:47:37 | 0:47:39 | |
across this very posh rug. Ew! | 0:47:39 | 0:47:42 | |
HE GASPS | 0:47:42 | 0:47:46 | |
My precious rug! Oops. | 0:47:42 | 0:47:46 | |
Cleaning, that's going to cost you.
Hmmph. Kerching! | 0:47:46 | 0:47:50 | |
Don't worry, I'll sort it. | 0:47:50 | 0:47:51 | |
Remember, sir, as long as they're
working for us, the Earth is safe. | 0:47:51 | 0:47:57 | |
Weird. The vacuum cleaner
was in the garden shed. | 0:47:57 | 0:48:00 | |
Argh! That's not the vacuum cleaner, | 0:48:00 | 0:48:04 | |
that's the leaf blower! | 0:48:04 | 0:48:06 | |
Wooah! Woo! | 0:48:07 | 0:48:10 | |
Ha! This chandelier isn't going to
fix itself. That'll be extra. Argh! | 0:48:17 | 0:48:21 | |
Kerching! | 0:48:21 | 0:48:23 | |
Argh! Kerching! | 0:48:27 | 0:48:30 | |
AGENT A GENT SIGHS | 0:48:34 | 0:48:37 | |
Kerching! | 0:48:34 | 0:48:37 | |
That's not the washing machine! | 0:48:37 | 0:48:40 | |
Grr... | 0:48:40 | 0:48:41 | |
Oh, Honey, we need a plan B. | 0:48:42 | 0:48:45 | |
Well, I do have an idea, sir, | 0:48:45 | 0:48:47 | |
but I'm not sure
you're going to like it. | 0:48:47 | 0:48:51 | |
And how, exactly, is this
going to work? | 0:48:51 | 0:48:54 | |
Well, this way, at least
they can't break anything else | 0:48:54 | 0:48:57 | |
and we still get to keep
an eye on them. | 0:48:57 | 0:48:58 | |
Here's your triple chocolate, banana
and bacon smoothie. | 0:49:03 | 0:49:07 | |
And your vanilla, chocolate
and fish finger... Oh, thanks, boss. | 0:49:07 | 0:49:12 | |
Now, I don't mean to be
an annoying ninny, | 0:49:12 | 0:49:15 | |
but I did say triple chocolate
and this is clearly double, | 0:49:15 | 0:49:18 | |
but don't worry,
I'll fix it myself. | 0:49:18 | 0:49:20 | |
No, no, no! Your new job is to
just sit there and do nothing - | 0:49:20 | 0:49:24 | |
nothing at all -
where you can't do any more damage. | 0:49:24 | 0:49:28 | |
And we still get paid? | 0:49:28 | 0:49:29 | |
Yes. Kerching! | 0:49:29 | 0:49:32 | |
Oi! Check this out. | 0:49:32 | 0:49:35 | |
Woohoo! Wayhay! | 0:49:35 | 0:49:37 | |
Aw, 8.5? Perfect closed pike
but a little heavy on the entry. | 0:49:42 | 0:49:47 | |
OUT! | 0:49:47 | 0:49:48 | |
But, sir, what about our plan
to keep an eye on the aliens? | 0:49:49 | 0:49:52 | |
I don't care if they take over
the whole universe - | 0:49:52 | 0:49:55 | |
it's them taking over my house
I can't stand for a moment longer! | 0:49:55 | 0:50:00 | |
I'll have that back. Hmmph! | 0:50:00 | 0:50:03 | |
ZIG AND ZAG: Aaaaaaaaaah! | 0:50:03 | 0:50:06 | |
Hey! | 0:50:06 | 0:50:07 | |
Does that mean
we don't have a job any more? Och. | 0:50:07 | 0:50:10 | |
I think that's what earthlings
call "being fired". | 0:50:11 | 0:50:14 | |
And no money equals no... | 0:50:14 | 0:50:17 | |
Stuff. | 0:50:17 | 0:50:19 | |
But not to worry, Ziggy boy, | 0:50:20 | 0:50:21 | |
we've still got something that money
can't buy. Each other? | 0:50:21 | 0:50:25 | |
No, a complementary donkey ride. | 0:50:25 | 0:50:28 | |
Yeeeah! | 0:50:28 | 0:50:30 | |
Yee-ha! | 0:50:30 | 0:50:33 | |
Ha-ha-ha! I've a wonky donkey. | 0:50:33 | 0:50:36 | |
PARP
Ooh! And it's got a puncture. | 0:50:36 | 0:50:39 | |
THEY CHUCKLE | 0:50:39 | 0:50:42 | |
# Five, four, three, two... | 0:50:46 | 0:50:47 | |
# Hey! Hey! Hey! | 0:50:47 | 0:50:50 | |
# Hey! Hey! Hey! | 0:50:50 | 0:50:54 | |
# Hey! Hey! Hey! | 0:50:54 | 0:50:57 | |
# Five, four, three, two, | 0:50:57 | 0:50:59 | |
# That was Zig and Zag! # | 0:50:59 | 0:51:01 | |
million years. | 0:51:05 | 0:51:05 | |
I wouldn't employ those
two in a million years. | 0:51:11 | 0:51:19 | |
Coming up: Brand knew their next
step. -- brand-new The Next Step. | 0:51:19 | 0:51:35 | |
Don't go anywhere. Don't go
anywhere, because that episode will | 0:51:35 | 0:51:39 | |
be in 15 minutes. The Vamps,
everyone! Now, please, let's bow and | 0:51:39 | 0:51:47 | |
curtsy before her Highness, Florence
the Mono. How are you doing? Great. | 0:51:47 | 0:51:57 | |
Doubts sweeten her up. It will be
Halloween soon, and you guys need a | 0:51:57 | 0:52:03 | |
Halloween costume. Florence, you
will help me make a decision, OK? | 0:52:03 | 0:52:07 | |
OK. We have got to choose one member
of Jojo -- The Vamps. Who will it | 0:52:07 | 0:52:20 | |
be, Florence? Will it be James,
Connor, Tristan or Brad? She has | 0:52:20 | 0:52:30 | |
written it down. It's time to modify
him for Halloween. Spin round, spin | 0:52:30 | 0:52:39 | |
round. -- mummify.
# You spin me right round, baby, | 0:52:39 | 0:52:52 | |
right round... #.
Plenty of celebrities are coming to | 0:52:52 | 0:53:00 | |
visit us in the next few weeks. Take
a look. He's a singer, songwriter | 0:53:00 | 0:53:08 | |
and social media phenomenon on. It's
Harvey. His channel has over 11 | 0:53:08 | 0:53:14 | |
billion views and 16 million
subscribers, it's Dan TDM. And pixie | 0:53:14 | 0:53:22 | |
lot. Pixie will be in the studio in
just a week's time. For today's Make | 0:53:22 | 0:53:35 | |
Me Viral challenge we asked you to
send in pictures of your scary | 0:53:35 | 0:53:38 | |
faces. Let's take that. We have had
some beauties. Sally and from | 0:53:38 | 0:53:46 | |
Hastings. Fantastic use of cheeks.
She has put them right out - well | 0:53:46 | 0:53:57 | |
frightening. And lovely gums! We
have Joshua from Dagenham. He is | 0:53:57 | 0:54:05 | |
flaring those nostrils like a good
one, and he is doing this... I love | 0:54:05 | 0:54:13 | |
that Magnolia door. I've got those
in the kennel. It feels like the | 0:54:13 | 0:54:17 | |
weather, this. Let's check out paper
from Burnley. She looks like a | 0:54:17 | 0:54:24 | |
witch, but she is so lovely,
backlit. She is thinking, what will | 0:54:24 | 0:54:29 | |
I do with this mouse I have
photographed against its will? We | 0:54:29 | 0:54:33 | |
will show some more later in the
programme, and you will get an | 0:54:33 | 0:54:38 | |
opportunity maybe to go viral
yourself. Yasmin, what else have we | 0:54:38 | 0:54:42 | |
got? I got Isaac and Trevor. Our
Mash-up mob are cheering for you. | 0:54:42 | 0:54:51 | |
Welcome to the couch, on the other
side this time. Are you enjoying | 0:54:51 | 0:54:58 | |
your Mash-up morning so far? Yeah.
How was the pie? Not my favourite | 0:54:58 | 0:55:06 | |
moment but I'm getting to it. You
are glowing. The Next Step, we | 0:55:06 | 0:55:12 | |
absolutely love it. We have heard
from The Vamps that they prepare | 0:55:12 | 0:55:16 | |
before they go on stage, so how do
you guys prepare before you go one | 0:55:16 | 0:55:23 | |
set? I like to prepare for
everything by eating. Before I go to | 0:55:23 | 0:55:26 | |
bed, I like to eat, before I go one
stage, I like to eat. I need to be | 0:55:26 | 0:55:32 | |
well fed. You have been a part of
The Next Step since the first | 0:55:32 | 0:55:36 | |
series, which was, what, four years
ago? Five. We have a clip to see how | 0:55:36 | 0:55:43 | |
you've changed. | 0:55:43 | 0:55:48 | |
What talent! And also freshfaced,
quite young. I mean, still | 0:56:04 | 0:56:10 | |
freshfaced! Not only is The Next
Step is huge in Canada but across | 0:56:10 | 0:56:17 | |
the world. Do you get recognised
everywhere you go? Like, there's | 0:56:17 | 0:56:22 | |
enough of the world where we are,
like, having to watch out, but every | 0:56:22 | 0:56:27 | |
now and then, we get our sidewalk
moments. Some places are heavier | 0:56:27 | 0:56:35 | |
than others. It's cool. I've heard,
Trevor, that you cause a little bit | 0:56:35 | 0:56:44 | |
of a ruckus onset. A little bit too
much. He broke a chandelier once. I | 0:56:44 | 0:56:51 | |
don't know what you're talking
about. We do, because we got a clip. | 0:56:51 | 0:57:01 | |
I mean, so calm, and yet just
smashing a chandelier. I didn't | 0:57:01 | 0:57:08 | |
realise it would explode like that.
If you watch the clip, it actually | 0:57:08 | 0:57:11 | |
explodes. Thankfully, nothing like
that would happen around here. | 0:57:11 | 0:57:19 | |
Sorry, cockers, I used that moment
to put up our fantastic chandelier. | 0:57:19 | 0:57:26 | |
Hacker! Thank you very much. You
will stick around for Ask Me | 0:57:26 | 0:57:32 | |
Anything later, so get your
questions in now. Send your phone | 0:57:32 | 0:57:38 | |
number, make sure you get permission
and you can ask these guys questions | 0:57:38 | 0:57:41 | |
later on. Or anyone - Holly H, The
Vamps, they are all involved. Thank | 0:57:41 | 0:57:48 | |
you. Hacker has been asking your
questions to Jojo Siwa. What a week, | 0:57:48 | 0:58:02 | |
cockers. I'm here in Blackpool and I
have backstage VIP access. This | 0:58:02 | 0:58:07 | |
place is full of tiptop celebrities
and I am about to meet one of them, | 0:58:07 | 0:58:11 | |
Jojo Siwa. Time to dress the part,
cockers. Accessories... This is | 0:58:11 | 0:58:22 | |
Slime Fest. Who is -- oh, slimy!
Look who it is, everyone, it's Jojo | 0:58:22 | 0:58:35 | |
Siwa, the megastar. All right? Yes.
You are famous for your hair bows - | 0:58:35 | 0:58:46 | |
do you like what I've done? I love
it. Have you had a standout moment | 0:58:46 | 0:58:52 | |
apart from meeting the? It has been
really fun. I have done a few | 0:58:52 | 0:58:57 | |
performances already. I think they
liked it, they were screaming my | 0:58:57 | 0:59:01 | |
name. Did they go, Jojo! Jojo! Jojo?
Were they doing that? Yes, they did | 0:59:01 | 0:59:13 | |
exactly that. You were on Dans Mums.
Would you do a dance for sandwiches, | 0:59:13 | 0:59:24 | |
like, IMAP I get? I'm a turkey
sandwich? Lah lah lah, I'm a ham | 0:59:24 | 0:59:31 | |
sandwich. Could you answer some
questions sent in by our lovely | 0:59:31 | 0:59:40 | |
viewers? I would love to. Hello Jojo
Siwa, what is your hidden talent? I | 0:59:40 | 0:59:49 | |
guess I can tell you. I can Fat with
nine parts of my body. Really? Which | 0:59:49 | 0:59:54 | |
parts? -- fart. I have to take my
earring out. I can only do that with | 0:59:54 | 1:00:09 | |
one part of my body, the usual areas
which we will not discuss because we | 1:00:09 | 1:00:13 | |
are on television. How many how many
have both do you take when you | 1:00:13 | 1:00:23 | |
travel? I would say about 100. So
you take them every day? About one | 1:00:23 | 1:00:33 | |
tenth of them. What is your biggest
fear? I don't know. Probably | 1:00:33 | 1:00:39 | |
spiders. Spiders? I don't like them.
Stop it! They're horrible. There are | 1:00:39 | 1:00:50 | |
dirty. Thanks for your questions.
You've been fantastic. Have you | 1:00:50 | 1:00:54 | |
enjoyed it? I have loved it. This is
my favourite interview that I've | 1:00:54 | 1:01:00 | |
ever done. What a success that was
and JoJo has inspired me to make | 1:01:00 | 1:01:05 | |
some bold fashion choices too. We my
new humongous carabao! It is duty to | 1:01:05 | 1:01:12 | |
balance, though. -- hair bow. I
think I will leave this to JoJo. | 1:01:12 | 1:01:27 | |
Still to come on this week's
Mash-Up. Amy is put in a difficult | 1:01:27 | 1:01:32 | |
position in The Next Step just a
couple of minutes away. Find out how | 1:01:32 | 1:01:37 | |
many ghosts are in the greenhouses
in today's spooky how many things | 1:01:37 | 1:01:41 | |
anything. Internet superstar Holly H
pops in to join Hacker in his | 1:01:41 | 1:01:47 | |
kennel. The Vamps will be performing
their new single, Personal, in the | 1:01:47 | 1:01:54 | |
studio. And we will see who gets put
in the gunge. Don't go anywhere. | 1:01:54 | 1:02:02 | |
There's so much going on in the
show. We're only a little bit of the | 1:02:02 | 1:02:08 | |
way through. Plenty more right here
in the studio. And right now we have | 1:02:08 | 1:02:13 | |
plenty of The Vamps fans around. Why
don't you say hello to some of your | 1:02:13 | 1:02:18 | |
fans? We will say hello to Ice
cream. Hello to think Acrobat 44. | 1:02:18 | 1:02:34 | |
Hello to sparkly emerald silk worm.
I hope you're having a great day. | 1:02:34 | 1:02:40 | |
Hello to Charlotte with three
kisses. Others kisses from Charlotte | 1:02:40 | 1:02:45 | |
are you? Who knows. There is so much
going on including that very | 1:02:45 | 1:02:51 | |
important gunge zone. So who do you
want to go in the gunge? That will | 1:02:51 | 1:03:00 | |
happen live at the end of the show.
How are you feeling about that? I'm | 1:03:00 | 1:03:06 | |
feeling great about Trevor getting
put in the gunge. OK, someone who | 1:03:06 | 1:03:13 | |
has cast their boat is our royal
monarch. Florence, hello. As our | 1:03:13 | 1:03:22 | |
monarch, you have some privileges
which is to be able to ask a | 1:03:22 | 1:03:25 | |
question to any of our guests before
your royal subjects do. I believe | 1:03:25 | 1:03:29 | |
you have a question. What is your
favourite pizza topping? Very good | 1:03:29 | 1:03:36 | |
question. I think we're all
different. I like an egg on pizza. | 1:03:36 | 1:03:46 | |
Just a Hawaiian. Pineapple and ham.
Yet, pineapple. You just jumping on | 1:03:46 | 1:03:56 | |
his answer? Chicken and bacon. A
meat feast. Superb. Thank you very | 1:03:56 | 1:04:06 | |
much. Now we will have some
questions later on. First, I think | 1:04:06 | 1:04:11 | |
we have waited long enough. Here is
the first part of the next! | 1:04:11 | 1:04:15 | |
CHEERING | 1:04:15 | 1:04:18 | |
Previously... | 1:04:20 | 1:04:22 | |
Your team is disqualified.
My team is going to beat yours. | 1:04:22 | 1:04:25 | |
You don't have the power
to disqualify me! | 1:04:25 | 1:04:27 | |
I know exactly who should be going
to regionals - nobody! | 1:04:27 | 1:04:30 | |
This drama between Michelle
and Emily just doesn't stop. | 1:04:30 | 1:04:33 | |
You want to go behind Michelle and
Emily's back, choreograph a secret | 1:04:33 | 1:04:36 | |
dance, and if we fail, we'll all get
kicked out of the studio forever? | 1:04:36 | 1:04:39 | |
I'm in. | 1:04:41 | 1:04:42 | |
I was able to get you
an audition at Gemini. What? | 1:04:42 | 1:04:46 | |
I worked so hard to unite
east and west. | 1:04:46 | 1:04:49 | |
I don't know what
I'm going to do now. | 1:04:49 | 1:04:51 | |
Wait, did you say Emily
broke her ankle? | 1:04:58 | 1:05:00 | |
Yeah, you're going to have
to take her to emergency. | 1:05:00 | 1:05:02 | |
'I need to figure out
what's going on.' | 1:05:02 | 1:05:04 | |
I can't believe this is happening! | 1:05:04 | 1:05:05 | |
Emily...!
What are you doing here? | 1:05:05 | 1:05:07 | |
I'm very busy, you have to leave. | 1:05:07 | 1:05:09 | |
Your ankle isn't broken. | 1:05:09 | 1:05:10 | |
No, what are you talking about? | 1:05:10 | 1:05:12 | |
Ozzy said that... Ozzy? | 1:05:12 | 1:05:13 | |
Wait, what did you do?
What are you doing? Open the door! | 1:05:13 | 1:05:17 | |
'We dancers have some big plans,
and we can't have' | 1:05:17 | 1:05:19 | |
Michelle and Emily interfering. | 1:05:19 | 1:05:21 | |
Why are you doing that? Ozzy! | 1:05:21 | 1:05:23 | |
Ozzy is in big trouble right now.
I can't believe he would do this! | 1:05:23 | 1:05:27 | |
Come back! | 1:05:27 | 1:05:28 | |
THEY SHOUT | 1:05:30 | 1:05:31 | |
Being locked in this office
with Michelle actually | 1:05:31 | 1:05:33 | |
feels like one of my worst
nightmares. | 1:05:33 | 1:05:35 | |
I cannot see how we will
both make it out of this unscathed. | 1:05:35 | 1:05:40 | |
# We... | 1:05:40 | 1:05:42 | |
# We are going to show the world | 1:05:42 | 1:05:46 | |
# Everything we're made of | 1:05:46 | 1:05:50 | |
# We're going to tear the roof off | 1:05:50 | 1:05:52 | |
# This place... | 1:05:52 | 1:05:59 | |
# Stand up! # | 1:06:02 | 1:06:04 | |
ALL SPEAK AT ONCE | 1:06:19 | 1:06:21 | |
Right now we are just
waiting for Amy to arrive | 1:06:24 | 1:06:26 | |
so we can start our
first rehearsal as a march team. | 1:06:26 | 1:06:29 | |
Uniting east and west? | 1:06:31 | 1:06:32 | |
I don't know if we can
pull this off, but I hope so. | 1:06:32 | 1:06:36 | |
If we want to convince Miss Kate
we deserve to go to regionals, | 1:06:36 | 1:06:39 | |
we have a lot of work to do. | 1:06:39 | 1:06:42 | |
Has Amy texted you yet?
Have you heard anything? | 1:06:42 | 1:06:44 | |
I texted her earlier,
I'll go check. Please. | 1:06:44 | 1:06:47 | |
It was Amy and I that came up
with this whole idea, | 1:06:47 | 1:06:50 | |
and I want her to be here, | 1:06:50 | 1:06:51 | |
but I don't know where she is. | 1:06:51 | 1:06:54 | |
Hey, you can't
bring your phone to the studio! | 1:06:54 | 1:06:56 | |
Of course I can,
it's Studio A, not Studio One. | 1:06:56 | 1:06:59 | |
Get used to it, buddy,
your whole world's about to change. | 1:06:59 | 1:07:02 | |
I can't go to regionals
because of my brother's hockey, | 1:07:02 | 1:07:04 | |
but I'm going to do everything
I can to help the teams merge. | 1:07:04 | 1:07:07 | |
Did she text you back? No, I texted
her and she hasn't answered back. | 1:07:07 | 1:07:11 | |
So, what about we just start
and she'll just join in after? | 1:07:11 | 1:07:13 | |
Guys, who's going to run
the rehearsal today? | 1:07:13 | 1:07:16 | |
Well, now that we're merging
east and west, I think | 1:07:16 | 1:07:18 | |
the dance captain should
lead the rehearsal. | 1:07:18 | 1:07:21 | |
What do you think, Richelle? | 1:07:21 | 1:07:23 | |
Since Amy still isn't here,
I guess as dance captains Piper | 1:07:23 | 1:07:27 | |
and I should start this rehearsal. | 1:07:27 | 1:07:29 | |
OK! | 1:07:29 | 1:07:30 | |
I feel really good
about the collaboration, | 1:07:30 | 1:07:32 | |
but Amy's not here,
and I don't know where she is. | 1:07:32 | 1:07:35 | |
Look, until someone rescues me
from this awful situation, | 1:07:37 | 1:07:42 | |
I'm going to divide the room. | 1:07:42 | 1:07:43 | |
So you will stay on your side. | 1:07:43 | 1:07:47 | |
I will stay on mine. | 1:07:47 | 1:07:50 | |
You're not serious, are you? Tape? | 1:07:50 | 1:07:53 | |
'Emily has completely
lost her mind.' | 1:07:53 | 1:07:55 | |
Dividing the room?
I'm not five years old! | 1:07:55 | 1:07:58 | |
You really can't trust me
to stay on my side of the room? | 1:07:58 | 1:08:00 | |
You're ridiculous! You're the reason
we're in this entire situation. | 1:08:00 | 1:08:04 | |
Here we go again, everything's
my fault, isn't it? Everything! | 1:08:04 | 1:08:07 | |
Well, if you hadn't...! | 1:08:07 | 1:08:08 | |
If you hadn't started
your own studio, | 1:08:08 | 1:08:11 | |
Miss Kate would have never
had to cancel regionals, | 1:08:11 | 1:08:13 | |
and we wouldn't be locked
in this office together! | 1:08:13 | 1:08:15 | |
If you hadn't cut
some of the most amazing dancers, | 1:08:15 | 1:08:17 | |
I would not have had
to start my own team, | 1:08:17 | 1:08:19 | |
Miss Kate would have never
cancelled regionals | 1:08:19 | 1:08:21 | |
and we would not be
in this situation! | 1:08:21 | 1:08:23 | |
That's a bit of a stretch. | 1:08:25 | 1:08:27 | |
Just pass me my tea, please. This? | 1:08:30 | 1:08:32 | |
It's on my side of the room. | 1:08:35 | 1:08:36 | |
Sorry. | 1:08:36 | 1:08:38 | |
'I don't know how I am going
to make it through this day.' | 1:08:38 | 1:08:41 | |
It's for your mouth. Let me know
if you need a bigger piece. | 1:08:48 | 1:08:50 | |
Five, six, seven, eight, go! | 1:09:00 | 1:09:02 | |
One, two, three and four,
and five, six... | 1:09:02 | 1:09:04 | |
Right now, Richelle is taking us
through some of the choreography, | 1:09:04 | 1:09:07 | |
and doing it over and over
and over again, | 1:09:07 | 1:09:09 | |
to make sure it's crispy clear. | 1:09:09 | 1:09:11 | |
I mean, at first it was hard to
kind of include all of the groovy | 1:09:11 | 1:09:15 | |
and then more of the technique,
but now we're kind of mixing in | 1:09:15 | 1:09:19 | |
and it's becoming pretty
awesome actually. | 1:09:19 | 1:09:21 | |
It feels amazing to be
rehearsing again, | 1:09:21 | 1:09:23 | |
and this troupe is insane. | 1:09:23 | 1:09:25 | |
The TNS West dancers bring
a really fun vibe to our team. | 1:09:25 | 1:09:28 | |
Just the contrast of contemporary
and hip-hop works well together. | 1:09:28 | 1:09:31 | |
I love working with TNS East
because they're technical dancers, | 1:09:31 | 1:09:34 | |
and having this combined group
of different unique dancers | 1:09:34 | 1:09:38 | |
is just incredible. | 1:09:38 | 1:09:39 | |
..seven, eight! Good, is our arm
going to come up before shh, or...? | 1:09:39 | 1:09:43 | |
No. No... Straight there. | 1:09:43 | 1:09:45 | |
I think the merged troupe
is going really well. | 1:09:45 | 1:09:48 | |
But I've got something
that'll make the dance better. | 1:09:48 | 1:09:51 | |
You know what? Erm...
Guys, guys, I have a brilliant idea. | 1:09:51 | 1:09:55 | |
You might want to prepare
yourselves for this. | 1:09:55 | 1:09:57 | |
Ozzy has something to say? | 1:09:57 | 1:09:59 | |
We don't have time for jokes right
now. It has to be 100% serious. | 1:09:59 | 1:10:03 | |
I think we should create a human
chain so we can lock it down. | 1:10:03 | 1:10:07 | |
OK, just... Chain style!
Locking it down chain style? | 1:10:07 | 1:10:11 | |
What does that even mean? | 1:10:11 | 1:10:12 | |
Ozzy's idea of linking arms?
That's amazing. | 1:10:12 | 1:10:16 | |
This move will show that both teams
are coming together as one. | 1:10:16 | 1:10:20 | |
'No-one's listening to him, though.' | 1:10:20 | 1:10:21 | |
OK, OK, hang on, hang on. | 1:10:21 | 1:10:23 | |
So if we all get into a line, right,
and then we all just... | 1:10:23 | 1:10:25 | |
Ba, ba, ba! | 1:10:25 | 1:10:28 | |
It would look so sick
if we got that, oh, yeah. | 1:10:28 | 1:10:30 | |
That's such a good idea. | 1:10:30 | 1:10:32 | |
Hold on, Josh is saying the exact
same idea I had - and they love it. | 1:10:32 | 1:10:37 | |
What's up with that? | 1:10:37 | 1:10:39 | |
I feel for Ozzy. | 1:10:39 | 1:10:40 | |
I mean, he's trying,
but no-one's taking him seriously. | 1:10:40 | 1:10:43 | |
OK, guys, get back to your spaces. | 1:10:43 | 1:10:46 | |
Amy's not here,
why is there a space there? | 1:10:46 | 1:10:48 | |
We need to put a dancer in her spot. | 1:10:48 | 1:10:51 | |
Look, Richelle, I hate to admit it, | 1:10:51 | 1:10:53 | |
but I think we need
to re-choreograph. | 1:10:53 | 1:10:55 | |
We need to have a backup, so we need
to change some choreo and spacing. | 1:10:55 | 1:10:59 | |
Emily and Michelle could come out of
Studio One any second. | 1:10:59 | 1:11:02 | |
If we start to change this dance,
it could become a mess. | 1:11:02 | 1:11:05 | |
I don't think we should risk it. | 1:11:05 | 1:11:06 | |
There's your girl. OK. Hey!
She's here. OK, from the top. | 1:11:09 | 1:11:13 | |
Where have you been? | 1:11:13 | 1:11:15 | |
I think I had food poisoning
or something this morning. | 1:11:15 | 1:11:18 | |
I'm better now. | 1:11:18 | 1:11:19 | |
OK, well, there's a spot
open for you, so get practising. | 1:11:19 | 1:11:23 | |
I'm really worried. | 1:11:24 | 1:11:26 | |
I just finished my audition at the
Geminis and it went really well. | 1:11:26 | 1:11:30 | |
If I get in, my mum will definitely
make me leave The Next Step. | 1:11:30 | 1:11:34 | |
Jeez... | 1:11:45 | 1:11:46 | |
HE MUTTERS UNDER HIS BREATH | 1:11:46 | 1:11:49 | |
'I'm going to check up on
Ozzy right now | 1:11:49 | 1:11:51 | |
'because it seems like
something's up.' | 1:11:51 | 1:11:53 | |
When we were in rehearsal,
he actually gave a really good idea | 1:11:53 | 1:11:56 | |
and nobody seemed to really
listen to him. | 1:11:56 | 1:11:58 | |
You all good, bro? | 1:11:58 | 1:12:00 | |
Noah, how come no-one
takes me seriously? | 1:12:01 | 1:12:03 | |
Yeah, I noticed that. | 1:12:04 | 1:12:06 | |
How come when Josh pitches an idea,
everybody thinks it's great, | 1:12:06 | 1:12:09 | |
But when I say the exact same
thing, everybody thinks it's a joke? | 1:12:09 | 1:12:12 | |
Well, sometimes you come across
a little bit silly. | 1:12:14 | 1:12:17 | |
I can't help it,
that's just the way I am. | 1:12:17 | 1:12:19 | |
I get it, but if you're silly | 1:12:19 | 1:12:21 | |
and joking around all the time,
nobody will ever take you seriously. | 1:12:21 | 1:12:25 | |
I feel for Ozzy,
cos when I was in J-Troupe, | 1:12:25 | 1:12:27 | |
I mean, I was young and no-one
really listened to me, | 1:12:27 | 1:12:30 | |
but he's got to know that
things will get better. | 1:12:30 | 1:12:33 | |
He's just got to keep trying. | 1:12:33 | 1:12:35 | |
They want serious,
I'll give them serious. | 1:12:35 | 1:12:38 | |
Thanks, man. Hey, any time, bro. | 1:12:38 | 1:12:40 | |
TNS East has a nice locker room. | 1:12:42 | 1:12:44 | |
Maybe if the merge works out,
I can get one of these lockers. | 1:12:44 | 1:12:48 | |
I guarantee it. You know what? | 1:12:48 | 1:12:50 | |
Let's get back in there
and you show 'em what you got. | 1:12:50 | 1:12:53 | |
All right, let's go.
Let's do it, pal. | 1:12:53 | 1:12:55 | |
I'm so hungry,
I need to eat something. | 1:13:05 | 1:13:08 | |
Well, I have this plate of crackers.
Can I have one? No. | 1:13:09 | 1:13:13 | |
They're on my side of the room. | 1:13:13 | 1:13:14 | |
'It looks like Emily isn't going
to try to make nice.' | 1:13:17 | 1:13:20 | |
So I guess it's up to me. | 1:13:20 | 1:13:22 | |
Emily, remember when
we won regionals? | 1:13:22 | 1:13:25 | |
That was such a huge moment for
The Next Step, | 1:13:25 | 1:13:27 | |
that's like where it all began. | 1:13:27 | 1:13:29 | |
That's the day Eldon told me
he wanted to be with you | 1:13:29 | 1:13:32 | |
instead of me, so I actually danced
that routine with a broken heart. | 1:13:32 | 1:13:35 | |
OK... | 1:13:37 | 1:13:39 | |
Have we ever had any good moments
with each other... | 1:13:39 | 1:13:42 | |
..in this friendship? | 1:13:42 | 1:13:44 | |
Friendship? | 1:13:44 | 1:13:45 | |
We're not friends. | 1:13:45 | 1:13:46 | |
You know, my life was pretty great
before you walked into Studio A. | 1:13:48 | 1:13:51 | |
That's because
you decided to hate me | 1:13:51 | 1:13:53 | |
the moment I walked into Studio A! | 1:13:53 | 1:13:54 | |
I just knew you were trouble
the second I saw you. | 1:13:54 | 1:13:57 | |
Seriously, why have you always
had it out for me? | 1:13:57 | 1:13:59 | |
I've done nothing to you! | 1:13:59 | 1:14:01 | |
I'm upset with Michelle
because she ruins everything | 1:14:01 | 1:14:07 | |
and then doesn't even feel
the need to apologise. | 1:14:07 | 1:14:09 | |
You know,
your life comes so easy to you. | 1:14:11 | 1:14:14 | |
I worked really hard to make it from
J-Troupe to B-Troupe to A-Troupe, | 1:14:14 | 1:14:18 | |
and you just waltzed in, barely
auditioned, and made the team. | 1:14:18 | 1:14:22 | |
You wanted a team,
so Miss Kate gave you a team. | 1:14:23 | 1:14:26 | |
Do you even know how many hoops
I had to jump through | 1:14:28 | 1:14:30 | |
to become studio head? | 1:14:30 | 1:14:31 | |
I've worked really hard... | 1:14:33 | 1:14:36 | |
..for everything I had. | 1:14:36 | 1:14:37 | |
So, can you imagine
if you had a YOU in your life? | 1:14:39 | 1:14:43 | |
'Michelle just doesn't get it. | 1:14:43 | 1:14:46 | |
'And the thing is, she never will,' | 1:14:46 | 1:14:48 | |
because she's always
going to be Michelle. | 1:14:48 | 1:14:50 | |
Even that stupid mug ended up
on your side of the room. | 1:14:52 | 1:14:55 | |
In my own office! | 1:14:55 | 1:14:57 | |
'I never really thought of it
from Emily's perspective.' | 1:14:59 | 1:15:02 | |
But if I were to put myself
in Emily's shoes, | 1:15:02 | 1:15:05 | |
I guess I now see where
she's coming from. | 1:15:05 | 1:15:08 | |
Now it all makes sense. | 1:15:08 | 1:15:09 | |
Here... | 1:15:14 | 1:15:16 | |
MICHELLE SIGHS | 1:15:21 | 1:15:23 | |
It's cold. | 1:15:23 | 1:15:24 | |
What happens next? Find out later
this morning, early on Saturday | 1:15:41 | 1:15:46 | |
Mash-up. Part two of the NextTech
days later. Stick around, because we | 1:15:46 | 1:15:56 | |
have a sneak peek at the new show
starting next week. If you don't | 1:15:56 | 1:16:01 | |
like scary surprises, grab a pillow
and hide behind it. | 1:16:01 | 1:16:04 | |
They say he collects strange tales,
and if you ever hear his whistle, | 1:16:12 | 1:16:17 | |
you know something creepy is about
to unfold. Somehow, he senses when a | 1:16:17 | 1:16:23 | |
Taylor is about to happen. He's...
Drawn to them. -- tale is about to | 1:16:23 | 1:16:32 | |
happen. What if I told you you could
control your parents? Interested? | 1:16:32 | 1:16:42 | |
They are like puppets. She is a
monster! This is the little old lady | 1:16:42 | 1:16:51 | |
across the street were talking
about? Hello, duck. Don't we just | 1:16:51 | 1:17:00 | |
make the perfect couple? Did you
ever notice anything weird about the | 1:17:00 | 1:17:11 | |
seller? I don't like to go down
there. -- cellar. I'm not special. | 1:17:11 | 1:17:27 | |
Do you want to change the world?
Takes distinct pleasure in | 1:17:27 | 1:17:35 | |
humiliating kids online. That's not
very nice. They arrive things living | 1:17:35 | 1:17:44 | |
here that nature doesn't want you to
know about, hidden in the woods. | 1:17:44 | 1:17:50 | |
There's trouble with your group.
Run! And trying to figure out if it | 1:17:50 | 1:18:02 | |
is regular wormhole or another
dimensional rift. He doesn't like it | 1:18:02 | 1:18:10 | |
if your mean. Is he your imaginary
friend? Now do you believe in him? | 1:18:10 | 1:18:20 | |
It's a kind of escape capsule.
Outside, someone's chasing us! He's | 1:18:20 | 1:18:30 | |
a kid. This thing freezes time. I
thought we had them all to | 1:18:30 | 1:18:40 | |
ourselves. Just leave me alone. What
others call an oddity, we call a | 1:18:40 | 1:18:47 | |
gift. We are your family. I know the
truth - our memories are fake. | 1:18:47 | 1:19:04 | |
Freaked Out starts this Tuesday on
CBBC. It's enough to give you goose | 1:19:07 | 1:19:13 | |
bumps, a bit like a game of this! | 1:19:13 | 1:19:18 | |
The shoulder is back. It is that
time when we ask you how many things | 1:19:26 | 1:19:30 | |
are within another thing. Today's
burning question is: How many ghouls | 1:19:30 | 1:19:38 | |
in a greenhouse? We will pick five
callers at random with the help of | 1:19:38 | 1:19:44 | |
The Vamps. Each callable get one
second less than the one before | 1:19:44 | 1:19:49 | |
because it gets easier resident goes
along. We will also help you out by | 1:19:49 | 1:19:53 | |
saying there are more or fewer
things in their thing. But before we | 1:19:53 | 1:20:01 | |
select our callers, we will give you
ten seconds to look at the ghouls in | 1:20:01 | 1:20:08 | |
the greenhouse. Ready? | 1:20:08 | 1:20:11 | |
Stopped looking at it, stop it!
Ghouls in the greenhouse. I think I | 1:20:21 | 1:20:28 | |
pulled something there. Without any
further ado, let's play the game. | 1:20:28 | 1:20:32 | |
The boys from The Vamps, can you
pick a number at random? Five. It's | 1:20:32 | 1:20:42 | |
five. At this point, we usually have
a car to tell is the name. Wets it | 1:20:42 | 1:20:48 | |
is Billy. Are you enjoying the show,
may? Do you understand the rules? | 1:20:48 | 1:20:54 | |
Yeah. You've got 15 seconds. How
Many Things In A Thing, Billy? 52. | 1:20:54 | 1:21:07 | |
More. 85. The time is up. Billy,...
I will go with 103. We think so. | 1:21:07 | 1:21:37 | |
Your last guess was 103. It is fewer
things in a thing. No, it is | 1:21:37 | 1:21:43 | |
actually more. It is definitely
more. I just heard what the actual | 1:21:43 | 1:21:48 | |
number was. Next caller! Number one.
Amy in Coventry, hello. Hello. Are | 1:21:48 | 1:22:02 | |
you ready to play this game? Yes.
You have 14 seconds, Amy. We | 1:22:02 | 1:22:11 | |
finished on 103. And apparently
there are more things in the thing. | 1:22:11 | 1:22:16 | |
14 seconds, starting now. 105. More.
117. Fewer things. 110. Viewer. 108. | 1:22:16 | 1:22:35 | |
-- fewer. OK, next caller. They are
milking it. Are you enjoying the | 1:22:35 | 1:22:59 | |
show? Yes. Do you understand the
rules? Yes. We have fewer things in | 1:22:59 | 1:23:07 | |
the thing. You have 13 seconds. How
many things in the thing? 106. More. | 1:23:07 | 1:23:19 | |
107. Yes! We have an envelope and
everything. I'm exhausted! | 1:23:19 | 1:23:27 | |
Congratulations. You win. All of our
callers this morning will get signed | 1:23:27 | 1:23:39 | |
pictures of the team sent out to
them. And this exclusive How Many | 1:23:39 | 1:23:45 | |
Things In A Thing badge. Now, it's
time for the second part of The Next | 1:23:45 | 1:23:53 | |
Step. It has happened again, that
memory thing. Every week, there is. | 1:23:53 | 1:23:59 | |
We should get you some tablets. I
don't remember what happened in part | 1:23:59 | 1:24:07 | |
one. The guys never miss an episode,
so over the Jeremy Vine. Are you | 1:24:07 | 1:24:15 | |
ready, eggheads? First question is:
Who locked Michelle and Emily in The | 1:24:15 | 1:24:21 | |
Next Step office? Aussie, Jeremy.
Aussie is right. Can we record the | 1:24:21 | 1:24:37 | |
rest later because I haven't seen
part two of The Next Step, and it's | 1:24:37 | 1:24:40 | |
up next. | 1:24:40 | 1:24:41 | |
RICHELLE: ..seven, eight, hold,
one, two... | 1:24:51 | 1:24:53 | |
Good, use that plie, Zara. | 1:24:53 | 1:24:56 | |
Great, great, Zara. | 1:24:56 | 1:24:59 | |
VOICEOVER: Everyone is working hard
and the dance is pretty good | 1:24:59 | 1:25:02 | |
but pretty good isn't enough. | 1:25:02 | 1:25:04 | |
The stakes are super high | 1:25:04 | 1:25:06 | |
and we need to bring our best. | 1:25:06 | 1:25:07 | |
OK, stop, sorry. | 1:25:07 | 1:25:10 | |
Um, the dance isn't really
looking bad. | 1:25:10 | 1:25:13 | |
It's just, I think, I think
it needs something. | 1:25:13 | 1:25:15 | |
Something that Miss Kate hasn't seen
before. | 1:25:15 | 1:25:17 | |
Yeah, something special. | 1:25:17 | 1:25:18 | |
I have an idea. | 1:25:18 | 1:25:20 | |
THEY GROAN | 1:25:20 | 1:25:21 | |
JACQUIE: Here we go again. | 1:25:21 | 1:25:22 | |
Ozzy pitching another silly idea. | 1:25:22 | 1:25:24 | |
Uh...
I can't deal with this right now. | 1:25:24 | 1:25:26 | |
Ozzy, we don't have
time for jokes right now. | 1:25:26 | 1:25:28 | |
Richelle, this isn't a joke. | 1:25:28 | 1:25:29 | |
A-Troupe is about to meet
Mr Serious. | 1:25:29 | 1:25:33 | |
I think Amy and Henry should do
an acro and B-Boy mashup. | 1:25:33 | 1:25:36 | |
Yeah. Yeah... | 1:25:37 | 1:25:38 | |
That's actually an incredible idea. | 1:25:39 | 1:25:40 | |
Yeah, that's exactly what this dance
needs. | 1:25:40 | 1:25:42 | |
I'm impressed. | 1:25:42 | 1:25:44 | |
I think that this
idea is going to work. | 1:25:44 | 1:25:47 | |
Good job, Ozzy.
Go, Ozzy, that's sick. | 1:25:47 | 1:25:49 | |
Pretty great, yeah. | 1:25:49 | 1:25:50 | |
I like your moves, Oz. | 1:25:51 | 1:25:53 | |
I know it. | 1:25:53 | 1:25:55 | |
And he's back. | 1:25:55 | 1:25:57 | |
Ozzy McSerious. | 1:25:57 | 1:26:00 | |
Five, six, seven, eight, go, one,
two and three and four and five... | 1:26:00 | 1:26:03 | |
PIPER: This plan actually
seems to be working. | 1:26:03 | 1:26:05 | |
I can't wait to show Miss Kate. | 1:26:05 | 1:26:08 | |
We have given up any
hope of being rescued at all. | 1:26:15 | 1:26:18 | |
Emily is now picking at the lock,
which is not going to work. | 1:26:18 | 1:26:21 | |
We're doomed. | 1:26:21 | 1:26:23 | |
ARGH. | 1:26:23 | 1:26:24 | |
You know, if you did this, it would
probably just pop right open. | 1:26:27 | 1:26:31 | |
I really have no patience
for Emily's comments any more. | 1:26:31 | 1:26:34 | |
I'm DONE with this. | 1:26:34 | 1:26:36 | |
You know what, Emily? | 1:26:36 | 1:26:37 | |
You have no idea what
I have gone through. | 1:26:39 | 1:26:42 | |
I moved away from all of my friends
to come to The Next Step, | 1:26:42 | 1:26:46 | |
only for my parents to get divorced, | 1:26:46 | 1:26:48 | |
which was the hardest
thing of my entire life. | 1:26:48 | 1:26:50 | |
You've had the support
of your family this entire time, | 1:26:51 | 1:26:54 | |
including your sister, Riley. | 1:26:54 | 1:26:56 | |
I have no siblings,
I have no-one to turn to. | 1:26:56 | 1:26:59 | |
So don't try and act like you know
what I'm going through. | 1:27:01 | 1:27:05 | |
Hearing Michelle lay out for me
what she's gone through... | 1:27:05 | 1:27:10 | |
..is surprising | 1:27:10 | 1:27:11 | |
because I have never really | 1:27:11 | 1:27:13 | |
thought about it from her point of
view. | 1:27:13 | 1:27:15 | |
I realise it might not have been | 1:27:15 | 1:27:17 | |
as easy for her as I originally
thought. | 1:27:17 | 1:27:20 | |
I'd offer you a cracker
but they're very dry. | 1:27:20 | 1:27:22 | |
It's OK, I'm not hungry anyways. | 1:27:23 | 1:27:25 | |
Do you want help? | 1:27:26 | 1:27:27 | |
Yeah. | 1:27:29 | 1:27:30 | |
You know. | 1:27:36 | 1:27:37 | |
I got locked in a closet one
time... | 1:27:37 | 1:27:39 | |
..and I promised myself it would
never happen again. | 1:27:39 | 1:27:42 | |
Working together with Michelle to
unlock the door is... | 1:27:42 | 1:27:45 | |
..an interesting feeling | 1:27:45 | 1:27:47 | |
but I guess we both do have a common
goal, so... | 1:27:47 | 1:27:50 | |
Hopefully it works. | 1:27:50 | 1:27:52 | |
Just push up on three, OK? | 1:27:52 | 1:27:54 | |
One, two, three. | 1:27:54 | 1:27:55 | |
We got it. We did it. | 1:27:56 | 1:27:58 | |
Let's go teach those dancers
a lesson. | 1:28:00 | 1:28:02 | |
Let's go. | 1:28:02 | 1:28:04 | |
One, two, three and four and five,
six, seven, eight and one | 1:28:07 | 1:28:11 | |
and two and three and four
and five... | 1:28:11 | 1:28:13 | |
PHONE BUZZES | 1:28:13 | 1:28:15 | |
..one, two, three and four
and five, six, seven and eight | 1:28:15 | 1:28:18 | |
and one and two and three and four
and... | 1:28:18 | 1:28:20 | |
AMY: I just found out that I got in. | 1:28:22 | 1:28:24 | |
That's it. | 1:28:24 | 1:28:26 | |
My mom's going to make me go to the
Geminis. | 1:28:26 | 1:28:28 | |
Whether I like it or not. | 1:28:28 | 1:28:30 | |
When I get my hands on my team... | 1:28:38 | 1:28:41 | |
Oh, just wait till I talk
to mine... | 1:28:41 | 1:28:42 | |
Emily! Michelle! | 1:28:42 | 1:28:44 | |
BOTH: Miss Kate! | 1:28:44 | 1:28:46 | |
What is she doing here? | 1:28:46 | 1:28:47 | |
She's not supposed to be here. | 1:28:47 | 1:28:48 | |
I didn't know
she was going to be here. | 1:28:48 | 1:28:50 | |
I have no idea what's
happening right now | 1:28:50 | 1:28:52 | |
but I need to act cool
and professional. | 1:28:52 | 1:28:56 | |
Hi! Hi! Hi, guys. | 1:28:56 | 1:28:58 | |
Wow, I'm so happy that you're
together and hanging out again. | 1:28:58 | 1:29:01 | |
BOTH: Yeah. | 1:29:01 | 1:29:02 | |
Wow! | 1:29:02 | 1:29:04 | |
I didn't want Emily and Michelle to
be here because the whole | 1:29:04 | 1:29:06 | |
plan was to show Miss Kate that we
can work together and | 1:29:06 | 1:29:10 | |
if Michelle and Emily start
fighting... | 1:29:10 | 1:29:12 | |
..that could ruin everything. | 1:29:12 | 1:29:14 | |
Um, Emily, we were... | 1:29:14 | 1:29:17 | |
..talking with Miss Kate about yours | 1:29:17 | 1:29:20 | |
and Michelle's brilliant idea | 1:29:20 | 1:29:22 | |
to put this whole team together. | 1:29:22 | 1:29:24 | |
DANCERS AGREE | 1:29:24 | 1:29:25 | |
We can't wait to show
you two besties | 1:29:25 | 1:29:27 | |
the fruit of your hard work. | 1:29:27 | 1:29:29 | |
Yeah. Yeah. Yeah. | 1:29:29 | 1:29:30 | |
Well, I'm very interested to see
this. | 1:29:30 | 1:29:33 | |
So let's do it. | 1:29:33 | 1:29:34 | |
This is it. | 1:29:34 | 1:29:36 | |
We just have to show Miss Kate that, | 1:29:36 | 1:29:38 | |
regardless of Michelle and Emily, | 1:29:38 | 1:29:40 | |
we can do this
and we can be a team. | 1:29:40 | 1:29:42 | |
This better be good. | 1:29:42 | 1:29:44 | |
No, great. | 1:29:44 | 1:29:45 | |
No... | 1:29:45 | 1:29:47 | |
Amazing. | 1:29:47 | 1:29:48 | |
MUSIC: Stand Up | 1:29:48 | 1:29:53 | |
RICHELLE:
Stand Up is The Next Step's song. | 1:29:55 | 1:29:58 | |
So we're dancing to it to show
Miss Kate | 1:29:58 | 1:30:00 | |
that we are the new A-Troupe. | 1:30:00 | 1:30:03 | |
# We | 1:30:03 | 1:30:05 | |
# We are going to
show the world... # | 1:30:05 | 1:30:08 | |
Nice. | 1:30:08 | 1:30:09 | |
# Everything we're made of | 1:30:09 | 1:30:12 | |
# We're going to tear
the roof off this place | 1:30:12 | 1:30:17 | |
# You | 1:30:17 | 1:30:19 | |
# You can never fade us out | 1:30:19 | 1:30:23 | |
# Don't even ask the DJ | 1:30:23 | 1:30:26 | |
# Everybody knows we own this sound | 1:30:26 | 1:30:34 | |
# Stand up! | 1:30:38 | 1:30:39 | |
# Yeah, yeah | 1:30:43 | 1:30:46 | |
# So, you say you want to party? | 1:30:46 | 1:30:48 | |
# Say you want to hit the floor? | 1:30:48 | 1:30:50 | |
# Why, well, let's get it started | 1:30:50 | 1:30:51 | |
# Come on, everybody, let's go | 1:30:51 | 1:30:53 | |
# So we got the feeling | 1:30:53 | 1:30:55 | |
# Put your hands to the ceiling | 1:30:55 | 1:30:57 | |
# So we got the feeling | 1:30:57 | 1:30:59 | |
# Put your hands to the ceiling... # | 1:30:59 | 1:31:01 | |
JACQUIE: Dancing with everyone
makes me feel so joyful. | 1:31:01 | 1:31:04 | |
I couldn't ask for anything better. | 1:31:04 | 1:31:07 | |
# Now rock to the rhythm with a bass
and a drum | 1:31:07 | 1:31:10 | |
# Get lost in the rhythm | 1:31:10 | 1:31:11 | |
# Yeah, action, this my scene | 1:31:11 | 1:31:13 | |
# We all got dreams and
I'm chasing the one | 1:31:13 | 1:31:14 | |
# You | 1:31:14 | 1:31:16 | |
# You just need a little time... # | 1:31:16 | 1:31:17 | |
The choreo feels great. | 1:31:17 | 1:31:19 | |
I feel like I'm killing it | 1:31:19 | 1:31:20 | |
and everybody else is too. | 1:31:20 | 1:31:21 | |
# To reason with your feelings | 1:31:21 | 1:31:24 | |
# Until you leave them behind | 1:31:24 | 1:31:29 | |
# You | 1:31:29 | 1:31:31 | |
# You will see what's on my side | 1:31:31 | 1:31:35 | |
# And wish it were the weekend | 1:31:35 | 1:31:39 | |
# You could always
jump in this sound... # | 1:31:39 | 1:31:41 | |
AMY: This dance means everything. | 1:31:41 | 1:31:42 | |
It means that Piper
and I were able to | 1:31:42 | 1:31:44 | |
combine both teams and | 1:31:44 | 1:31:47 | |
show Miss Kate that | 1:31:47 | 1:31:48 | |
we all share the same passion. | 1:31:48 | 1:31:50 | |
# Stand up! Tell Jess
and Vanessa to hit me at the jam | 1:31:50 | 1:31:52 | |
# They both showed up | 1:31:52 | 1:31:53 | |
# Now I'm chilling with my man
Oh, wow, this music's so loud | 1:31:53 | 1:31:56 | |
# This party's too packed to move
through this crowd... # | 1:31:56 | 1:31:58 | |
PIPER: I knew that this merge of | 1:31:58 | 1:31:59 | |
TNS East and TNS West was
the right thing to do. | 1:31:59 | 1:32:01 | |
I can feel it. | 1:32:01 | 1:32:03 | |
# Count to ten, I've got a couple
moves I could hand you down it goes | 1:32:03 | 1:32:05 | |
# One step One step
Two step Two step | 1:32:05 | 1:32:07 | |
# Next Step This step
You step Let's go | 1:32:07 | 1:32:09 | |
# First me, then what?
Who step? Let's go | 1:32:09 | 1:32:11 | |
# That's you
What you want to do next? | 1:32:11 | 1:32:12 | |
# Look, keep your body moving with
a attitude | 1:32:12 | 1:32:14 | |
# Add a new angle
that you know from the avenue | 1:32:14 | 1:32:16 | |
# Show people your altitude
Jump! | 1:32:16 | 1:32:17 | |
# All night till you're
practically done | 1:32:17 | 1:32:19 | |
# We'll be back and let's have some
fun | 1:32:19 | 1:32:21 | |
# We | 1:32:21 | 1:32:22 | |
# We are going to show the world | 1:32:22 | 1:32:24 | |
# Show the world | 1:32:24 | 1:32:25 | |
# Everything we're made of... # | 1:32:25 | 1:32:27 | |
LOLA: I am so proud of everybody. | 1:32:27 | 1:32:28 | |
I really feel like we're
a unified team | 1:32:28 | 1:32:30 | |
and I hope that Miss Kate sees
the same thing. | 1:32:30 | 1:32:33 | |
# We... # | 1:32:33 | 1:32:35 | |
NOAH: I don't know
if this plan is going to work | 1:32:35 | 1:32:37 | |
but I do know that we do fit as a
team. | 1:32:37 | 1:32:40 | |
# Everything we're made of | 1:32:40 | 1:32:41 | |
# We're going to tear
the roof off this place... # | 1:32:41 | 1:32:43 | |
HENRY: This is what happens
when everyone works together. | 1:32:43 | 1:32:46 | |
This is what A-Troupe | 1:32:46 | 1:32:47 | |
is supposed to look like. | 1:32:47 | 1:32:48 | |
ALL: Stand up! | 1:32:55 | 1:32:57 | |
You guys, that was amazing. | 1:32:58 | 1:33:02 | |
Watching our teams dance together,
I can't help | 1:33:02 | 1:33:05 | |
but think that Emily and I held back
everyone this whole time. | 1:33:05 | 1:33:08 | |
I let my rivalry with Michelle
affect the team. | 1:33:08 | 1:33:11 | |
And, once we were both
out of the picture, | 1:33:11 | 1:33:13 | |
they had no problem
fixing their differences. | 1:33:13 | 1:33:15 | |
I could tell
when you were performing that you | 1:33:15 | 1:33:17 | |
remembered why you loved to
dance in the first place. | 1:33:17 | 1:33:20 | |
So, does that mean that we can
submit a video for Regionals? | 1:33:20 | 1:33:22 | |
Well... | 1:33:22 | 1:33:24 | |
You are my 12 A-Troupe, so... | 1:33:24 | 1:33:26 | |
Yes. | 1:33:26 | 1:33:28 | |
I can't believe it. | 1:33:28 | 1:33:30 | |
Amy and I brought everyone together
and our plan worked. | 1:33:30 | 1:33:33 | |
Now, we're unstoppable. | 1:33:33 | 1:33:35 | |
No more TNS East, no more TNS West. | 1:33:35 | 1:33:38 | |
Just The Next Step. | 1:33:38 | 1:33:40 | |
Honestly, thank you guys so much
for putting your differences aside. | 1:33:43 | 1:33:46 | |
Clearly,
when you work together as a team, | 1:33:46 | 1:33:48 | |
you bring out
the best in your dancers. | 1:33:48 | 1:33:50 | |
I'm so excited to see what you're
going to do as co-studio heads. | 1:33:50 | 1:33:54 | |
Thanks. Thank you. | 1:33:54 | 1:33:55 | |
So, it looks like we'll be working
together after all. | 1:33:57 | 1:34:00 | |
Yeah. | 1:34:00 | 1:34:02 | |
It's not going to be easy. | 1:34:02 | 1:34:03 | |
I agree. | 1:34:03 | 1:34:05 | |
But this is something that the
team deserves. | 1:34:05 | 1:34:07 | |
If I can survive being in a locked
office with Emily... | 1:34:07 | 1:34:10 | |
..I'm pretty sure
we can make this work. | 1:34:10 | 1:34:13 | |
It's time for us to come together. | 1:34:13 | 1:34:14 | |
Let's do this. | 1:34:14 | 1:34:16 | |
Co-studio heads. | 1:34:16 | 1:34:18 | |
Co-studio heads. | 1:34:18 | 1:34:19 | |
DANCERS CHEER | 1:34:19 | 1:34:21 | |
I can't believe it.
I know, I can't believe it either. | 1:34:21 | 1:34:23 | |
Oh, I can't wait to
compete with you. | 1:34:23 | 1:34:25 | |
I just realised that | 1:34:25 | 1:34:26 | |
I'm going to be competing | 1:34:26 | 1:34:28 | |
against my friends at Regionals. | 1:34:28 | 1:34:29 | |
This is not good. | 1:34:32 | 1:34:34 | |
# We | 1:34:37 | 1:34:39 | |
# We are going to show the world | 1:34:39 | 1:34:43 | |
# Everything we're made of | 1:34:43 | 1:34:46 | |
# We're going to tear
the roof off this place | 1:34:46 | 1:34:51 | |
# You | 1:34:51 | 1:34:53 | |
# You can never fade us out | 1:34:53 | 1:34:57 | |
# Don't even ask the DJ | 1:34:57 | 1:35:01 | |
# Everybody knows
we own this sound. # | 1:35:01 | 1:35:06 | |
This is definitely the worst one.
I feel weird after the last one. | 1:35:26 | 1:35:35 | |
Hang on. It's so wet, though. It
feels like half a snake. It is. We | 1:35:35 | 1:35:48 | |
will see those boys at 11am on the
CBBC channel. Earlier on, we asked | 1:35:48 | 1:35:56 | |
you to send in pictures of your
scary faces. We have had loads and | 1:35:56 | 1:36:00 | |
some brilliant pictures. Let's have
a look at some more. We have salmon | 1:36:00 | 1:36:06 | |
from Kent wearing a seat belt.
Safety first, fun last, but look at | 1:36:06 | 1:36:12 | |
those lovely teeth. He's not even at
home but he has still gone to the | 1:36:12 | 1:36:19 | |
effort. And now we have Bea from
Manchester. A couple of edible | 1:36:19 | 1:36:29 | |
eyeballs. Would you eat them? You
would eat anything. We have time for | 1:36:29 | 1:36:35 | |
one more. Sydney from York. Not
being funny but I think she's got | 1:36:35 | 1:36:42 | |
face paint on. I don't think so,
mate. I think you're reading too far | 1:36:42 | 1:36:48 | |
into it. Maybe some hair dye,
though. And a nice add to your | 1:36:48 | 1:36:52 | |
wardrobe in the background. Keep
your pictures coming in. We will | 1:36:52 | 1:36:57 | |
check them out later. Now we have a
mega moment because let me introduce | 1:36:57 | 1:37:05 | |
to you some music. Bradley will be
here and he has brought his mates, | 1:37:05 | 1:37:14 | |
The Vamps. They will be playing
their new single, Personal. Take it | 1:37:14 | 1:37:19 | |
away! | 1:37:19 | 1:37:22 | |
# Don't take it personal | 1:37:22 | 1:37:23 | |
# But personally I think you'd be
better with somebody like me | 1:37:23 | 1:37:26 | |
# But worse of all
you don't even see | 1:37:26 | 1:37:32 | |
# I think it's time I lay my
heart out on the line | 1:37:32 | 1:37:35 | |
# I think it's time to say
what's playing on my mind | 1:37:35 | 1:37:38 | |
# I see you out with him
and I say that I'm fine | 1:37:38 | 1:37:41 | |
# Happens every time | 1:37:41 | 1:37:45 | |
# I'm sick and tired
of playing games | 1:37:45 | 1:37:48 | |
# I'm sick and tired
of being second place | 1:37:48 | 1:37:50 | |
# And I know if I never try | 1:37:50 | 1:37:53 | |
# I'll be sick and tired
of being sick and tired | 1:37:53 | 1:37:56 | |
# Don't take it personal | 1:37:56 | 1:37:57 | |
# But personally I think you'd be
better with somebody like me | 1:37:57 | 1:38:00 | |
# But worse of all
you don't even see | 1:38:00 | 1:38:03 | |
# Girl don't take it personal | 1:38:03 | 1:38:06 | |
# But personally I think you'd be
better with somebody like me | 1:38:06 | 1:38:09 | |
# But worse of all
you don't even see | 1:38:09 | 1:38:12 | |
# Girl don't take it personal | 1:38:12 | 1:38:16 | |
# But personally I think you'd be
better with somebody like me | 1:38:16 | 1:38:19 | |
# But worse of all
you don't even see | 1:38:19 | 1:38:21 | |
# Girl don't take it personal | 1:38:21 | 1:38:25 | |
# But personally I think you'd be
better with somebody like me | 1:38:25 | 1:38:29 | |
# But worse of all
you don't even see | 1:38:29 | 1:38:31 | |
# You know how much I love it
when you call me out | 1:38:31 | 1:38:42 | |
# So let's make it personal | 1:38:47 | 1:38:48 | |
# Tell me what you like | 1:38:48 | 1:38:50 | |
# Let's make it personal | 1:38:50 | 1:38:51 | |
# Cos I know that you want
to try to get personal | 1:38:51 | 1:38:54 | |
# Tell me what you like | 1:38:54 | 1:38:55 | |
# Let's make it personal | 1:38:55 | 1:39:02 | |
# So don't take it personal | 1:39:02 | 1:39:04 | |
# But personally I think you'd be
better with somebody like me | 1:39:04 | 1:39:07 | |
# But worse of all
you don't even see | 1:39:07 | 1:39:11 | |
# Don't take it personal | 1:39:11 | 1:39:14 | |
# But personally I think you'd be
better with somebody like me | 1:39:14 | 1:39:17 | |
# But worse of all
you don't even see | 1:39:17 | 1:39:20 | |
# Girl don't take it personal | 1:39:20 | 1:39:23 | |
# But personally I think you'd be
better with somebody like me | 1:39:23 | 1:39:26 | |
# But worse of all
you don't even see. | 1:39:26 | 1:39:36 | |
Thank you very much.
CHEERING | 1:39:38 | 1:39:41 | |
Thank you so much by passing by.
Wonderful. Guys, how was your tour | 1:39:41 | 1:39:50 | |
in Australia and New Zealand? It was
awesome. Nice to see fans supporting | 1:39:50 | 1:39:55 | |
us on the other side of the world
and their lovely faces. It was | 1:39:55 | 1:39:58 | |
amazing. Nice to be home. What do
you miss when you're away? Food. OK, | 1:39:58 | 1:40:05 | |
we will tap more to The Vamps later
on and if you are watching on CBBC, | 1:40:05 | 1:40:11 | |
you will see more music at 11am.
Hacker, are you in your kennel? I am | 1:40:11 | 1:40:19 | |
struggling with my mortgage. Welcome
to my kennel club. You will like | 1:40:19 | 1:40:24 | |
this because you get to have a chat
with me. I am totally ready. Let's | 1:40:24 | 1:40:31 | |
do it! I like your surname. It is a
bit of a mystery. You get people to | 1:40:31 | 1:40:36 | |
guess what it is. Can I try? Go for
it. Is it... Jones! No, that does | 1:40:36 | 1:40:48 | |
not begin with a H. Is it for
sentence might? | 1:40:48 | 1:41:07 | |
--'s do like stealing? No, not
stealing! If you're so good, show me | 1:41:13 | 1:41:19 | |
how it is done? OK.
# Just a touch of your love is | 1:41:19 | 1:41:29 | |
enough to knock me off my feet all
week | 1:41:29 | 1:41:32 | |
# Just a touch of your love. # All
right, stop that, please. It is my | 1:41:32 | 1:41:41 | |
turn. I will let sink to the theme
tune from Question of Sport. Don't | 1:41:41 | 1:41:47 | |
interrupt me. | 1:41:47 | 1:41:58 | |
Good tune, isn't it? It has no
words! At least you don't get out of | 1:42:02 | 1:42:11 | |
time like you do. You make very
short videos. Do you have a short | 1:42:11 | 1:42:16 | |
attention span? Well, actually...
Boring! Will you give this a dust? | 1:42:16 | 1:42:24 | |
Attention all humans.
The stunts you are about to witness | 1:42:26 | 1:42:29 | |
have been performed
by trained Ooglies. | 1:42:29 | 1:42:30 | |
Under no circumstances should
children or silly adults | 1:42:30 | 1:42:33 | |
attempt to do any of the actions
you see in the programme. | 1:42:33 | 1:42:36 | |
It's time for Ooglies. | 1:42:36 | 1:42:38 | |
Ooh! | 1:42:44 | 1:42:45 | |
Ooh! | 1:42:46 | 1:42:48 | |
Ooh! | 1:42:48 | 1:42:50 | |
Ooh! | 1:42:51 | 1:42:52 | |
Ooh! | 1:42:56 | 1:42:58 | |
Ooglies! | 1:42:58 | 1:43:00 | |
Ah! Mmm! | 1:43:00 | 1:43:02 | |
Hah! Ah. | 1:43:04 | 1:43:06 | |
Ooh! | 1:43:08 | 1:43:09 | |
MANDOLIN PLAYS RAPIDLY | 1:43:11 | 1:43:15 | |
Ah! | 1:43:11 | 1:43:15 | |
Ah! | 1:43:15 | 1:43:16 | |
Uurrhh...ooh! | 1:43:16 | 1:43:20 | |
Aw! | 1:43:20 | 1:43:22 | |
Mmm? | 1:43:22 | 1:43:23 | |
SILENCE | 1:43:23 | 1:43:24 | |
MUSIC RESUMES | 1:43:25 | 1:43:29 | |
Hah! | 1:43:35 | 1:43:35 | |
Ba-dam! | 1:43:40 | 1:43:41 | |
Urgh, ugh! | 1:43:43 | 1:43:44 | |
Hy-ah! | 1:43:44 | 1:43:47 | |
Hy-ugh! Ha-ygh! | 1:43:47 | 1:43:48 | |
Da-doh-da-doh! | 1:43:52 | 1:43:54 | |
Wo-argh! Ugh? | 1:43:54 | 1:43:57 | |
GLASS SMASHES | 1:43:57 | 1:44:00 | |
Oh! | 1:43:57 | 1:44:00 | |
Wow! | 1:44:02 | 1:44:04 | |
Ho-eegh! Doh. Argh! | 1:44:05 | 1:44:08 | |
Dah-doh! Oh-dabble-abble-abble-
abble-abble-ble urgh-uh-doh! | 1:44:10 | 1:44:13 | |
Hay-argh! Oh. | 1:44:13 | 1:44:16 | |
Agh? Heeeey-up! | 1:44:16 | 1:44:17 | |
Aaaaaargh! Oh! | 1:44:17 | 1:44:19 | |
Abble-abble-ble urgh-uh-doh!
Dah-doh dah-doh! | 1:44:19 | 1:44:22 | |
Eh! Oh-oh! Oh-oh... | 1:44:22 | 1:44:24 | |
Waah! | 1:44:25 | 1:44:27 | |
Bleurghah! Oh. | 1:44:27 | 1:44:28 | |
Heh! | 1:44:30 | 1:44:31 | |
O-ho! | 1:44:33 | 1:44:35 | |
Boee! | 1:44:35 | 1:44:37 | |
H'naar! | 1:44:41 | 1:44:43 | |
Bow-wow! Bow! Wow-wow! | 1:44:43 | 1:44:45 | |
An-ah, dee doo doo. | 1:44:45 | 1:44:47 | |
Argh! Bow wow woo! | 1:44:47 | 1:44:49 | |
Aii? Er, roah! | 1:44:49 | 1:44:51 | |
Oh, ey. Arff? | 1:44:51 | 1:44:53 | |
Oh, eh! | 1:44:53 | 1:44:55 | |
Grrrr! Walla dee-dal! Aaaah! | 1:44:55 | 1:44:58 | |
Aaa! Aaa! Worr-aee, worr-aee! | 1:44:58 | 1:45:00 | |
Aaa! Aaaa! | 1:45:00 | 1:45:01 | |
Urrgh rrgh! | 1:45:03 | 1:45:06 | |
Ha! | 1:45:06 | 1:45:07 | |
Bow-wow! Whimper, whimper! | 1:45:07 | 1:45:09 | |
Aw! Er... | 1:45:11 | 1:45:12 | |
Oo-ga, oo-ga, oo-ga, oo-ga! | 1:45:15 | 1:45:19 | |
Ooh, ooh, ooh, ooh, ooh! | 1:45:19 | 1:45:21 | |
Oom-doh! | 1:45:23 | 1:45:24 | |
Ooga? | 1:45:26 | 1:45:27 | |
Mm, go-ho! | 1:45:27 | 1:45:29 | |
Ooh! Oo-ga, oo-ga, oo-ga, oo-ga! | 1:45:31 | 1:45:35 | |
Oo-ga, oo-ga, oo-ga, oo-ga! | 1:45:37 | 1:45:39 | |
Mmm? Ble-eh? Ah-ooh! | 1:45:44 | 1:45:46 | |
Mmm! Ooga! | 1:45:47 | 1:45:49 | |
Ooga? Ha-ha, ha-ha! | 1:45:49 | 1:45:54 | |
Snort! Ooga. | 1:45:54 | 1:45:55 | |
Blargh, blargh, blargh! | 1:45:55 | 1:45:59 | |
Kuph! | 1:46:03 | 1:46:04 | |
Oh! | 1:46:07 | 1:46:08 | |
Hee, hee, hee! Oh. | 1:46:08 | 1:46:11 | |
Oh! | 1:46:11 | 1:46:12 | |
Oh! | 1:46:13 | 1:46:15 | |
Ooh! | 1:46:23 | 1:46:25 | |
Oooh! | 1:46:27 | 1:46:29 | |
Yoo-oh! | 1:46:29 | 1:46:30 | |
Eee-oh! | 1:46:32 | 1:46:35 | |
Ha-ha-ha-ha-ha-ha! | 1:46:37 | 1:46:39 | |
TOILET FLUSHES | 1:46:39 | 1:46:41 | |
Hoo-hoo-hoo-hoo! | 1:46:41 | 1:46:43 | |
CHATTERING | 1:46:46 | 1:46:48 | |
Hah! | 1:46:48 | 1:46:49 | |
Eh? | 1:46:53 | 1:46:54 | |
APPLAUSE | 1:46:54 | 1:46:56 | |
DRUM COUNT-IN | 1:46:56 | 1:46:58 | |
# How ah, how, how... # | 1:46:58 | 1:47:02 | |
HEAVY METAL ELECTRIC GUITAR | 1:47:02 | 1:47:04 | |
Ah-ah! Eeew! | 1:47:06 | 1:47:08 | |
GUITAR FEEDBACK | 1:47:08 | 1:47:11 | |
Ha-ha! | 1:47:11 | 1:47:12 | |
GUITAR WAILS | 1:47:12 | 1:47:16 | |
APPLAUSE | 1:47:16 | 1:47:18 | |
He-he-he-he-he! | 1:47:18 | 1:47:20 | |
Eh! | 1:47:20 | 1:47:21 | |
APPLAUSE | 1:47:21 | 1:47:24 | |
Oh, oh! | 1:47:24 | 1:47:25 | |
APPLAUSE | 1:47:25 | 1:47:27 | |
Welcome back. Now, lots of you have
been getting involved in sending in | 1:47:42 | 1:47:48 | |
your questions online, so it's time
for this. Lovely graphic, an | 1:47:48 | 1:47:57 | |
expensive one. We will start with
the studio question, shall we? From | 1:47:57 | 1:48:04 | |
Victoria, where are you? There we
go. This is a dangerous manoeuvre, | 1:48:04 | 1:48:10 | |
but I've done it anyway. I'm just
going to squeeze in, guys. I think | 1:48:10 | 1:48:16 | |
you have a question for Isaac. How
many injuries have you had during | 1:48:16 | 1:48:22 | |
your dancing career? That's hard.
I've had a lot of injuries, I don't | 1:48:22 | 1:48:29 | |
know how many specifically, but I've
had... There was one time at a | 1:48:29 | 1:48:34 | |
competition I had seven different
injuries. I had 20 routines to do | 1:48:34 | 1:48:40 | |
and I was injured all over my body.
Maybe a change of career. IPhone | 1:48:40 | 1:48:53 | |
question. Leah from Manchester has a
question for The Vamps. What is your | 1:48:53 | 1:48:58 | |
question, lovely? What is your
favourite song to perform live? For | 1:48:58 | 1:49:07 | |
me, at the moment, the one we just
did. Up All Night for me, because it | 1:49:07 | 1:49:16 | |
goes off well live. Thanks, Leah. A
question from the Fanclub, from | 1:49:16 | 1:49:26 | |
Rainbow Unicorn. For Holly H, have
you any tips when lip syncing? Just | 1:49:26 | 1:49:37 | |
know the lyrics, is probably the
important one. But don't be worried | 1:49:37 | 1:49:40 | |
about what other people think while
you're doing it, just be yourself. | 1:49:40 | 1:49:47 | |
Stay in time. Next question is from
Ibrahim in the studio. I'm coming to | 1:49:47 | 1:50:00 | |
you. Don't come to me! He's got a
question for Trevor. How many | 1:50:00 | 1:50:06 | |
backflips can you do in a row?
Without kicking a chandelier! I | 1:50:06 | 1:50:14 | |
think the most I have done is ten,
and that was a while ago. Wow! Can | 1:50:14 | 1:50:24 | |
you backflip, The Vamps? I will stay
quiet, because a couple of weeks ago | 1:50:24 | 1:50:35 | |
I said I could dance and I had to do
a worm thing. It was horrendous. We | 1:50:35 | 1:50:41 | |
have an e-mail from Ellie, who has a
question for The Vamps. How long | 1:50:41 | 1:50:45 | |
does it take alone one of your new
songs off by heart? It is all part | 1:50:45 | 1:50:54 | |
of the process, when you write and
record it, by the time you release | 1:50:54 | 1:50:57 | |
it, you know the song pretty well.
Have you ever been on stage and the | 1:50:57 | 1:51:03 | |
like, I've got no idea what the
second verse is? We have been on | 1:51:03 | 1:51:08 | |
tour and played Sheffield 15 times.
And I am like, Sheffield! Oh, no, | 1:51:08 | 1:51:19 | |
we're in Glasgow! That is why we
keep cards with us at all times. | 1:51:19 | 1:51:28 | |
This one is from the Fanclub. For
The Vamps again - who is the biggest | 1:51:28 | 1:51:40 | |
prankster in the band? These two. We
go under the name The Project. They | 1:51:40 | 1:51:54 | |
spread fish oil across our manager's
room. Sounds disgusting, but it is | 1:51:54 | 1:52:00 | |
supposed to be good for your brains.
Has anyone prankster anyone on the | 1:52:00 | 1:52:07 | |
set of the NextTech? We don't plan
it but when the moment arises, we | 1:52:07 | 1:52:11 | |
take the opportunity. Especially
this one. Thank you for all the | 1:52:11 | 1:52:18 | |
questions you sent in. We will be
back next week with more questions | 1:52:18 | 1:52:23 | |
for celebrities. Now, let's check
out what is happening on The | 1:52:23 | 1:52:29 | |
Playlist at 11am. Jack Maynard. Max
and Harvey are Toyland trouble. | 1:52:29 | 1:52:54 | |
CBBC at 11... Max and Harvey will be
joining us in a few weeks to enjoy | 1:52:54 | 1:53:05 | |
the madness of the Mash-up studio.
For one final time, me and this | 1:53:05 | 1:53:11 | |
little dog will look at the viral
challenge. We asked you to send in | 1:53:11 | 1:53:15 | |
the scariest places you could do,
and we have a few to check out now. | 1:53:15 | 1:53:20 | |
I will start with Elizabeth from
London. Specifically, Wimbledon. She | 1:53:20 | 1:53:27 | |
has died her face. -- dyed. Nice bit
of work. The brickwork looks like | 1:53:27 | 1:53:41 | |
The Next Step set. Tristram and
James, who are brothers from | 1:53:41 | 1:53:47 | |
Buckinghamshire. They are startled.
They have got their backs to Danger | 1:53:47 | 1:53:54 | |
Mouse. Those cables, I don't mind
telling you, are a risk. It is scary | 1:53:54 | 1:54:03 | |
because of the health and safety
hazards in the house. We got another | 1:54:03 | 1:54:07 | |
one, from Emily King from Edinburgh.
She is clutching a massive spider. | 1:54:07 | 1:54:15 | |
She probably doesn't want to
purchase it. It doesn't matter, she | 1:54:15 | 1:54:18 | |
got a photograph anyway. She is
advertising the shop, though there | 1:54:18 | 1:54:23 | |
is no name there. That is all the
time we've got for the Make Me Viral | 1:54:23 | 1:54:29 | |
challenge. We will put them on the
website later. If you have seen | 1:54:29 | 1:54:34 | |
yours in the programme, you may well
go viral. Yasmin, what is there | 1:54:34 | 1:54:40 | |
left? Trevor and Isaac are very
nervous, as you can see. You have | 1:54:40 | 1:54:44 | |
been getting your votes in online.
Very close, very close, guys. I | 1:54:44 | 1:54:51 | |
won't reveal it just yet. Jonny,
getting here. Alan Mash-up Moloch, | 1:54:51 | 1:55:01 | |
Florence, is still with us. Who did
you vote for? Isaac. -- howler | 1:55:01 | 1:55:08 | |
Mash-Up Monarch... I have the
all-important results. How are you | 1:55:08 | 1:55:19 | |
feeling? Quite nervous. Do you know
who is getting gunged? I think it is | 1:55:19 | 1:55:29 | |
me, because I got the pie. That
wouldn't be fair. Fair play. We have | 1:55:29 | 1:55:41 | |
all said they are quite a few times.
The viewers have been getting | 1:55:41 | 1:55:46 | |
involved online, and I can reveal
that, with 59% of the vote, very | 1:55:46 | 1:55:52 | |
close, the person getting gunged is
The Next Step's Isaac. You're going | 1:55:52 | 1:56:04 | |
to love this, my friend. Limber up,
because you are going to be slimy | 1:56:04 | 1:56:08 | |
very soon indeed. How do you get
prepared when you go one stage? That | 1:56:08 | 1:56:13 | |
is what I feel you need to do now.
Some stretches? None of that is | 1:56:13 | 1:56:21 | |
going to help, mate. Take a seat. As
you can see, The Vamps and Holly H | 1:56:21 | 1:56:28 | |
are ready, Trevor is ready. We have
a lot of cast and crew. Your gunging | 1:56:28 | 1:56:36 | |
will take the duration it takes for
you to read out all of the titles of | 1:56:36 | 1:56:44 | |
the current series of The Next Step.
Stop cheating. We will put them over | 1:56:44 | 1:56:51 | |
there. Now, are you ready? Good
luck, my dear friend. Are you ready? | 1:56:51 | 1:57:03 | |
Yes! Three, two, one, go! | 1:57:03 | 1:57:10 | |
CHEERING | 1:57:24 | 1:57:27 | |
I can't stand up! I'm slipping
everywhere. Look at this stage! | 1:57:31 | 1:57:40 | |
Isaac, are you OK? I'm great. You
look great. Orange - you should lay | 1:57:40 | 1:57:48 | |
off the fake tan. More gunging next
week, and lots more stuff, so let's | 1:57:48 | 1:57:53 | |
have a look. Mashed up for you next
week's showed: The NextTech celebs | 1:57:53 | 1:58:01 | |
keep on coming when we are joined by
Isaiah and Shelby. Pixie Lot will be | 1:58:01 | 1:58:10 | |
with us, answering questions and
performing live. Our celebs will go | 1:58:10 | 1:58:14 | |
head-to-head in another round of
Push-off. And you can play quizzes | 1:58:14 | 1:58:20 | |
and apply to become our monarch. See
you back here at 9am on CBBC. It's | 1:58:20 | 1:58:28 | |
all over the hands! Earlier, we gave
you a chance to win this by | 1:58:28 | 1:58:38 | |
answering the question about who
helped present Radio 1 last weekend. | 1:58:38 | 1:58:44 | |
It was Rita Aura. We are going to
call the winner with the good news. | 1:58:44 | 1:58:52 | |
Make sure you are listing for the
phone. -- Rita Ora. Hello? Hi. Is | 1:58:52 | 1:59:04 | |
that Amy in Huddersfield? It is. It
is Yasmin, Jonny and Hacker from | 1:59:04 | 1:59:15 | |
Saturday Mash-up. That was scary!
That is all the time we have. Thanks | 1:59:15 | 1:59:22 | |
to everyone, and thanks to you guys
were watching. And of course, thanks | 1:59:22 | 1:59:26 | |
to our guests, The Vamps. Holly H.
Jojo Siwa. We want you to keep | 1:59:26 | 1:59:36 | |
getting involved online in our
Fanclub. We will see you next week | 1:59:36 | 1:59:38 | |
at 9am. Make sure you are there,
because we will be there. There is | 1:59:38 | 1:59:49 | |
still so much more gunge to be done
here. It feels like a waste. | 1:59:49 | 1:59:58 |