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Here they come, my two intrepid explorers - | 0:00:09 | 0:00:13 | |
Charlotte and Elliot. | 0:00:13 | 0:00:16 | |
I'm their Great Aunt Lizzie, you see, | 0:00:16 | 0:00:18 | |
and I wonder which one is coming to see me today. | 0:00:18 | 0:00:21 | |
Ah, so it's Charlotte's turn. | 0:00:23 | 0:00:26 | |
Here she comes, | 0:00:26 | 0:00:27 | |
racing to hear another tale from an epic adventurer. | 0:00:27 | 0:00:31 | |
And what wonderful adventures they were, so long ago and so far away. | 0:00:44 | 0:00:50 | |
I collected a few souvenirs along the way. | 0:00:54 | 0:00:57 | |
But my most precious possession of all | 0:01:00 | 0:01:03 | |
is my extraordinary collection of teacups. | 0:01:03 | 0:01:08 | |
You've still got your coat on, Charlotte. Come on. | 0:01:23 | 0:01:27 | |
No time to count the clouds. We've got stories to tell. | 0:01:27 | 0:01:31 | |
Now... | 0:01:31 | 0:01:33 | |
Let's have a lovely cup of tea. | 0:01:33 | 0:01:34 | |
-But first we need... -The teacup. | 0:01:38 | 0:01:42 | |
But which one? | 0:01:45 | 0:01:47 | |
That one. | 0:01:59 | 0:02:01 | |
Oh... | 0:02:01 | 0:02:02 | |
The wooden mould. | 0:02:06 | 0:02:08 | |
What a choice, Charlotte. | 0:02:08 | 0:02:10 | |
I do really love that story. | 0:02:10 | 0:02:13 | |
This will be just perfect to drink now. | 0:02:20 | 0:02:23 | |
So are you ready? | 0:02:27 | 0:02:30 | |
Ready. | 0:02:30 | 0:02:31 | |
Then let me tell you the story of Great Aunt Lizzie | 0:02:31 | 0:02:36 | |
and the adventure of the wooden mould. | 0:02:36 | 0:02:39 | |
Ahem. | 0:02:39 | 0:02:41 | |
Oh, yes, of course. | 0:02:41 | 0:02:43 | |
Let me tell you the story of Charlotte | 0:02:43 | 0:02:45 | |
and the adventure of the wooden mould. | 0:02:45 | 0:02:49 | |
It all began long, long ago | 0:02:49 | 0:02:52 | |
in ancient Egypt where towering pyramids | 0:02:52 | 0:02:57 | |
and gigantic limestone statues graced the golden sand dunes. | 0:02:57 | 0:03:03 | |
In the heart of the desert beneath a cluster of palms, | 0:03:19 | 0:03:23 | |
a mud-brick village sheltered from the Saharan sun. | 0:03:23 | 0:03:27 | |
All was quiet when Charlotte first set foot on its dusty streets. | 0:03:29 | 0:03:34 | |
There was no-one to be seen but a man carrying a bucket of water, | 0:03:35 | 0:03:40 | |
which he set on a table by the door of a little house. | 0:03:40 | 0:03:43 | |
Neith. There should be enough water | 0:03:43 | 0:03:46 | |
to last you and the baby until I get back. I'd better go. | 0:03:46 | 0:03:49 | |
Thank you, Shu. | 0:03:49 | 0:03:50 | |
Just don't forget your work things or your lunch. | 0:03:50 | 0:03:54 | |
They're where you left them. | 0:03:54 | 0:03:56 | |
SHU LAUGHS | 0:03:56 | 0:03:58 | |
-Bye, Neith. -Bye, Shu. | 0:03:58 | 0:04:00 | |
The sound of singing drew her towards the little house. | 0:04:00 | 0:04:04 | |
# Hmm, hmm...baby, sleep | 0:04:04 | 0:04:07 | |
# Hmm, hmm, hmm. # | 0:04:07 | 0:04:10 | |
-Hello. -Hello. That's a lovely tune you're singing. -Thank you. | 0:04:10 | 0:04:15 | |
Our baby likes it, too. | 0:04:15 | 0:04:17 | |
-It always sends her off to sleep. -Are you a dressmaker? -Yes. | 0:04:17 | 0:04:22 | |
I make them and swap them for food. | 0:04:22 | 0:04:24 | |
Does your friend make clothes, too? | 0:04:24 | 0:04:27 | |
My friend... Shu? | 0:04:27 | 0:04:30 | |
No, he's my husband. He's a builder. | 0:04:30 | 0:04:33 | |
-What does he build? -But before Neith could reply, | 0:04:33 | 0:04:36 | |
she spotted a wooden frame hidden behind the bucket. | 0:04:36 | 0:04:40 | |
Oh, he's forgotten it. | 0:04:40 | 0:04:43 | |
He won't be able to finish his work without it. | 0:04:43 | 0:04:46 | |
-BABY CRIES -Now my baby needs a feed. | 0:04:48 | 0:04:51 | |
I can't be everywhere at once. | 0:04:51 | 0:04:53 | |
That was when Charlotte had one of her brilliant ideas. | 0:04:53 | 0:04:57 | |
-I could take it to Shu, if you want. -Please. That would be so kind. | 0:04:57 | 0:05:01 | |
-He's working at the temple at the top of -Main Street. OK. | 0:05:01 | 0:05:04 | |
Please be careful with it. It's made of wood. | 0:05:04 | 0:05:07 | |
-Wood is very rare and expensive here. -I will. | 0:05:07 | 0:05:10 | |
Always keen to help, | 0:05:10 | 0:05:13 | |
Charlotte set off for the temple. | 0:05:13 | 0:05:16 | |
It was by no means the biggest temple she'd seen in Egypt | 0:05:16 | 0:05:20 | |
but it was still magnificent. | 0:05:20 | 0:05:24 | |
As she came nearer, she could see Shu, who was ever so busy. | 0:05:24 | 0:05:29 | |
There was more to this than making mud pies. | 0:05:29 | 0:05:32 | |
Sand from the desert, mud from the river, little stones, | 0:05:32 | 0:05:36 | |
but most important of all - straw. | 0:05:36 | 0:05:38 | |
After mulching it up in a tub with a big stick, Shu stopped | 0:05:43 | 0:05:47 | |
and began to look around as if something was missing. | 0:05:47 | 0:05:51 | |
This, thought Charlotte, was probably a good time to interrupt. | 0:05:51 | 0:05:56 | |
Excuse me, your wife Neith asked me to bring you this. | 0:05:56 | 0:06:01 | |
Oh, my djobe mould. Ha-ha. I was wondering where it got to. | 0:06:01 | 0:06:04 | |
The Pharaoh's architect is coming. It's no day to leave tools at home. | 0:06:04 | 0:06:09 | |
-I dread what would happen if I couldn't make bricks today. -Ah. | 0:06:09 | 0:06:13 | |
-So a djobe mould is for making bricks? -Yes, mud bricks. | 0:06:13 | 0:06:16 | |
We call them djobes. I'll show you how we make them. | 0:06:16 | 0:06:19 | |
Actually I could do with a rest. Why don't you show me? | 0:06:19 | 0:06:23 | |
Always keen to have a go, Charlotte rolled up her sleeves, | 0:06:23 | 0:06:26 | |
ready for action. | 0:06:26 | 0:06:28 | |
Now, scoop a portion of the mixture into the mould. | 0:06:28 | 0:06:31 | |
It reminded Charlotte of making sandcastles at the beach. | 0:06:31 | 0:06:36 | |
Once it's full, | 0:06:36 | 0:06:37 | |
you have to jiggle it a little to free the mud brick from the sides. | 0:06:37 | 0:06:41 | |
Ta-da! | 0:06:41 | 0:06:43 | |
That's nice. | 0:06:43 | 0:06:44 | |
All it needs now is to bake rock-hard in the sun - | 0:06:44 | 0:06:49 | |
like these. | 0:06:49 | 0:06:50 | |
But then calamity struck. | 0:06:50 | 0:06:54 | |
Charlotte could see the damage right away. | 0:06:54 | 0:06:56 | |
-Oh, no. -The bricks had shattered the precious djobe mould. | 0:06:56 | 0:07:00 | |
How could I be so clumsy? | 0:07:00 | 0:07:01 | |
-TRUMPETS PLAY -Those trumpets are for the | 0:07:01 | 0:07:04 | |
Pharaoh's architect coming to inspect my work. | 0:07:04 | 0:07:07 | |
I can't leave now, but without a new djobe mould | 0:07:07 | 0:07:10 | |
-I won't be able to finish my work. -If you deal with him, | 0:07:10 | 0:07:13 | |
I'll quickly get you a new mould. | 0:07:13 | 0:07:15 | |
Now, Charlotte thought getting a new mould would be a piece of cake. | 0:07:15 | 0:07:19 | |
Surely she could get someone in the village to make a new one. | 0:07:19 | 0:07:23 | |
But it was never going to be as easy as that. | 0:07:23 | 0:07:26 | |
-She hadn't gone far when Shu caught her up. -Wait. | 0:07:26 | 0:07:31 | |
There isn't a carpenter in the village. | 0:07:31 | 0:07:34 | |
The nearest one is across the other side of the hills. | 0:07:34 | 0:07:37 | |
But it's a tough journey on this hot afternoon. | 0:07:37 | 0:07:41 | |
He was right. | 0:07:42 | 0:07:43 | |
The hills were like a wall across the desert. | 0:07:43 | 0:07:46 | |
It was miles to the top and probably miles down the other side. | 0:07:46 | 0:07:52 | |
It wasn't even lunchtime | 0:07:52 | 0:07:54 | |
and already she'd got herself into such a tangle. | 0:07:54 | 0:07:58 | |
She'd taken the djobe mould to the temple when Shu had forgotten it. | 0:07:58 | 0:08:03 | |
She'd watched him mix up the mud and gravel | 0:08:03 | 0:08:05 | |
until it was a good time to interrupt. | 0:08:05 | 0:08:08 | |
-It was true that she'd enjoyed making the brick. -Ta-da! | 0:08:08 | 0:08:12 | |
But then there'd been a disaster | 0:08:12 | 0:08:14 | |
when Shu had dropped some bricks on the djobe mould and broken it. | 0:08:14 | 0:08:18 | |
She couldn't go back without it, could she? | 0:08:18 | 0:08:21 | |
There was nothing for it but to high-tail it over those | 0:08:24 | 0:08:28 | |
distant arid hills and find the carpenter. | 0:08:28 | 0:08:30 | |
So off went Charlotte in her old, battered boots. | 0:08:35 | 0:08:40 | |
She crossed the desert peaks until, | 0:08:40 | 0:08:44 | |
when she was almost out of breath | 0:08:44 | 0:08:47 | |
the path ran out. | 0:08:47 | 0:08:49 | |
There was only one way to get to the other side. | 0:08:54 | 0:08:59 | |
Charlotte took a deep breath. | 0:08:59 | 0:09:01 | |
WOOD CREAKS | 0:09:03 | 0:09:06 | |
Safely across, Charlotte set off once more until there before her, | 0:09:24 | 0:09:28 | |
surrounded by the heat and the dust, was a little town. | 0:09:28 | 0:09:32 | |
But there was no time to waste - | 0:09:36 | 0:09:38 | |
Charlotte had to get the djobe mould. | 0:09:38 | 0:09:41 | |
Hello? Is anybody home? | 0:09:44 | 0:09:46 | |
We're closed. | 0:09:46 | 0:09:49 | |
-Don't you know it's a feast day today? -But you can't be closed. | 0:09:49 | 0:09:53 | |
I need a brick mould. It's very important. | 0:09:53 | 0:09:56 | |
A brick mould? Do you have anything to trade? | 0:09:56 | 0:09:59 | |
In all the rush, Charlotte hadn't thought | 0:09:59 | 0:10:02 | |
-what she might possibly trade for a mould. -Quickly. I'm busy. | 0:10:02 | 0:10:06 | |
Oh... | 0:10:06 | 0:10:08 | |
I give up. | 0:10:08 | 0:10:09 | |
Charlotte looked at the woman and her hopeless bundle of sticks, | 0:10:09 | 0:10:14 | |
and then it came - a moment of inspiration. | 0:10:14 | 0:10:17 | |
-I want to trade. -Trade? | 0:10:21 | 0:10:24 | |
This ball of string for that brick mould. | 0:10:24 | 0:10:27 | |
It's good and strong. | 0:10:30 | 0:10:34 | |
All right, you have a deal. | 0:10:34 | 0:10:37 | |
With the brick mould safely tucked in her backpack | 0:10:37 | 0:10:40 | |
she was soon heading for the hills for the second time in a day. | 0:10:40 | 0:10:46 | |
Back came Charlotte in her old, battered boots. | 0:10:46 | 0:10:49 | |
Over the desert peaks and down the mountainside. | 0:10:49 | 0:10:54 | |
What a journey she'd had. But before she knew it, | 0:10:54 | 0:10:57 | |
Charlotte was back at the temple, | 0:10:57 | 0:10:59 | |
just in time to give Shu the new mould. | 0:10:59 | 0:11:04 | |
It's perfect, Charlotte. Thank you. I can't believe you did it. | 0:11:04 | 0:11:08 | |
-Did what? -Charlotte and Shu spun around to see | 0:11:08 | 0:11:11 | |
the stern face of the Pharaoh's architect staring back at them. | 0:11:11 | 0:11:17 | |
Well, who are you? | 0:11:17 | 0:11:19 | |
What are you doing here? | 0:11:19 | 0:11:22 | |
Th-this, this, my lord architect, is my friend Charlotte. | 0:11:22 | 0:11:26 | |
-She's travelled far to learn of the work we do here. -Really? | 0:11:26 | 0:11:30 | |
So tell me, what do you think of our builder's work on the temple? | 0:11:30 | 0:11:35 | |
I think it's amazing. | 0:11:35 | 0:11:37 | |
Wise words. I'm sure the Pharaoh would agree. | 0:11:37 | 0:11:41 | |
Thank you, Charlotte. I'll never forget your kindness. | 0:11:47 | 0:11:50 | |
-Shall we have a break, then? -Yes, let's. | 0:11:50 | 0:11:53 | |
And that was that - the whole kit and caboodle. | 0:11:56 | 0:11:59 | |
Charlotte and the adventure of the wooden mould. | 0:11:59 | 0:12:02 | |
I don't know how Shu worked in that heat all day long. | 0:12:02 | 0:12:06 | |
Without heat to bake mud bricks, he'd have had nothing to build with. | 0:12:06 | 0:12:10 | |
Sloshing about in mud must have helped him keep cool. | 0:12:10 | 0:12:13 | |
As any hippo would agree. Who would have thought making | 0:12:13 | 0:12:17 | |
mud bricks would be so much fun? | 0:12:17 | 0:12:19 | |
Or that wood to make a simple mould would be so rare and so valuable? | 0:12:19 | 0:12:24 | |
-I think I prefer making sandcastles to mud bricks. -Me too. | 0:12:24 | 0:12:29 | |
Blow me down with a feather - is that the time already? Come on. | 0:12:29 | 0:12:34 | |
Your mum'll be here in a minute. | 0:12:34 | 0:12:37 | |
Your coat. | 0:12:37 | 0:12:39 | |
Now, how did that get there? | 0:12:51 | 0:12:53 | |
Home time now, Charlotte. | 0:12:55 | 0:12:57 | |
Thanks, Great Aunt Lizzie. | 0:13:05 | 0:13:07 | |
Cheery-bye, Charlotte. | 0:13:07 | 0:13:10 |