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Previously on The Next Step. | 0:00:02 | 0:00:03 | |
The tenth member of A-Troupe is Giselle! | 0:00:03 | 0:00:06 | |
I am so excited to be back in A-Troupe! | 0:00:06 | 0:00:09 | |
I'm back! | 0:00:09 | 0:00:11 | |
Because a great education is just a phone call away! | 0:00:11 | 0:00:14 | |
Don't really want to ever go through that again. | 0:00:14 | 0:00:17 | |
I got to go. Is it OK if I duck out early? | 0:00:17 | 0:00:19 | |
Yeah, I understand. | 0:00:19 | 0:00:21 | |
I haven't told anyone besides Michelle about my job. | 0:00:21 | 0:00:24 | |
Emily made it to Elite and | 0:00:24 | 0:00:25 | |
-she's not coming back. -I think it would be a good idea | 0:00:25 | 0:00:28 | |
-if we came up with a new routine for regionals. -Why? | 0:00:28 | 0:00:31 | |
Emily might share our old routine with the people at Elite. | 0:00:31 | 0:00:34 | |
Yo, are you all right, man? | 0:00:34 | 0:00:35 | |
I landed funny in rehearsal. I think I tweaked my ankle. | 0:00:35 | 0:00:39 | |
I don't want anyone to know about my injury because | 0:00:39 | 0:00:41 | |
they could take the solo away from me, and I'm going to | 0:00:41 | 0:00:43 | |
make sure I keep that solo. | 0:00:43 | 0:00:45 | |
DANCE MUSIC PLAYS | 0:00:52 | 0:00:56 | |
'I've decided to get in some extra practice time just to make | 0:01:03 | 0:01:06 | |
'sure I stay on top of my game. | 0:01:06 | 0:01:09 | |
'I'm going to make sure I don't get bumped back down to B-Troupe.' | 0:01:12 | 0:01:16 | |
'Giselle's solo is amazing. | 0:01:29 | 0:01:31 | |
'I'm really, really happy that I caught her during rehearsal.' | 0:01:31 | 0:01:35 | |
DANCE MUSIC CONTINUES | 0:01:35 | 0:01:37 | |
That was really good. | 0:02:19 | 0:02:21 | |
Thank you. | 0:02:21 | 0:02:22 | |
Now that I'm back in A-Troupe | 0:02:22 | 0:02:24 | |
I'm never going to take it for granted again. | 0:02:24 | 0:02:27 | |
DANCE MUSIC PLAYS | 0:02:27 | 0:02:29 | |
INDIAN MUSIC PLAYS | 0:03:12 | 0:03:15 | |
'Bharatanatyam dancing is a very expressive dance style | 0:03:25 | 0:03:28 | |
'originating from Southern India.' | 0:03:28 | 0:03:30 | |
I brought in these dancers because they are so | 0:03:30 | 0:03:32 | |
expressive and emotional, | 0:03:32 | 0:03:33 | |
and that's what we need to bring into our routines. | 0:03:33 | 0:03:37 | |
MUSIC CONTINUES | 0:03:37 | 0:03:39 | |
'They have these things on their feet that make sound, so when they | 0:03:46 | 0:03:49 | |
'move it just...it adds to it, cos they'll be doing little footwork | 0:03:49 | 0:03:52 | |
'things and it will be like "ding-a-ling-a-ling" on the side. | 0:03:52 | 0:03:55 | |
'So it's just awesome.' | 0:03:55 | 0:03:56 | |
'They are really, really talented | 0:04:03 | 0:04:04 | |
'and it seems that they're really inspiring our whole group.' | 0:04:04 | 0:04:07 | |
'It was such a great idea of Michelle's to | 0:04:13 | 0:04:15 | |
'bring in the Bharatanatyam dancers.' | 0:04:15 | 0:04:17 | |
She's really stepping up as dance captain. | 0:04:17 | 0:04:19 | |
The only thing about | 0:04:31 | 0:04:32 | |
Bharatanatyam dancing is they would never | 0:04:32 | 0:04:34 | |
be able to sneak up behind you | 0:04:34 | 0:04:36 | |
because you're always hearing their bells jingling. | 0:04:36 | 0:04:38 | |
So, you know, you turn around and just be like, "Ha-ha! | 0:04:38 | 0:04:40 | |
"I saw you." Or better yet, "I heard you." | 0:04:40 | 0:04:43 | |
CHEERING AND APPLAUSE | 0:05:00 | 0:05:04 | |
Give it up for our Bharatanatyam dancers! | 0:05:06 | 0:05:08 | |
As dancers, I thought it'd be important to show you guys | 0:05:15 | 0:05:18 | |
a different style of dance that we don't usually look at. | 0:05:18 | 0:05:21 | |
-Bharatanatyam dancers are... -Wait, wait, wait. Bratha what? | 0:05:21 | 0:05:24 | |
Bharatanatyam. | 0:05:24 | 0:05:25 | |
'Where did Michelle find dancers like that?' | 0:05:25 | 0:05:27 | |
I don't even know where Bharatanathia is. | 0:05:27 | 0:05:30 | |
Where did Michelle go? | 0:05:30 | 0:05:32 | |
So my point is, is that the way that they danced was full of soul. | 0:05:32 | 0:05:35 | |
I mean, I think that's what our regionals routine is missing. | 0:05:35 | 0:05:37 | |
I think we should totally do one of their moves! | 0:05:37 | 0:05:40 | |
Like that...that one with the feet. | 0:05:40 | 0:05:42 | |
We could do something like that, just the feeling and the heart. | 0:05:42 | 0:05:45 | |
What if we do an overhead lift? | 0:05:45 | 0:05:48 | |
No, absolutely not. That's way too risky. | 0:05:48 | 0:05:50 | |
We can't throw that in at this point. | 0:05:50 | 0:05:52 | |
Giselle and I used to do overhead lifts all the time. | 0:05:52 | 0:05:55 | |
Yeah, all of the time. | 0:05:55 | 0:05:56 | |
Yeah, what about like the helicopter lift or something like that? | 0:05:56 | 0:05:59 | |
Yeah! | 0:05:59 | 0:06:01 | |
'I think adding an overhead lift would be' | 0:06:01 | 0:06:03 | |
extremely good for our routine, and also, I think it will help me | 0:06:03 | 0:06:07 | |
make my mark in A-Troupe. | 0:06:07 | 0:06:09 | |
Yup. Easy. | 0:06:09 | 0:06:10 | |
Overhead lifts are dangerous, end of discussion. | 0:06:10 | 0:06:13 | |
The girls are so high up in the air, the guys need to be | 0:06:13 | 0:06:16 | |
so strong and sturdy | 0:06:16 | 0:06:18 | |
and if something goes wrong, you know? | 0:06:18 | 0:06:22 | |
OK. We'll think about it. | 0:06:22 | 0:06:23 | |
But in the meantime get back to rehearsal, OK? | 0:06:23 | 0:06:26 | |
I think adding an overhead lift to the dance would be a good idea. | 0:06:26 | 0:06:29 | |
They've done it before, so why not throw it in? | 0:06:29 | 0:06:32 | |
-How cool would the helicopter...? -Yeah! -Right? | 0:06:32 | 0:06:35 | |
'I'm very disappointed that Kate and' | 0:06:35 | 0:06:36 | |
Chris are saying no to the helicopter lift. | 0:06:36 | 0:06:39 | |
I know Daniel and I can do it. | 0:06:39 | 0:06:40 | |
'I really don't know why Kate and Chris' | 0:06:51 | 0:06:53 | |
are against Giselle and Daniel doing a lift. They know what they're doing. | 0:06:53 | 0:06:57 | |
I was kind of really disappointed, I mean, | 0:06:57 | 0:06:58 | |
she hasn't seen it before and that's why I wanted to ask | 0:06:58 | 0:07:01 | |
you guys if you could just take me through the helicopter lift. | 0:07:01 | 0:07:04 | |
If you could just show me like how you do it and stuff? | 0:07:04 | 0:07:06 | |
-Yeah. -Yeah? -Yeah, sure. -OK. | 0:07:06 | 0:07:08 | |
So basically Daniel stands in a second, a wide second, | 0:07:08 | 0:07:11 | |
parallel feet. And I step in front. | 0:07:11 | 0:07:14 | |
I extend my right leg, he grabs underneath my right leg | 0:07:14 | 0:07:16 | |
-and my left hip. -OK. | 0:07:16 | 0:07:17 | |
And then Giselle jumps and I throw her in the air. | 0:07:17 | 0:07:20 | |
-And her right leg is going to helicopter over my head. -OK. | 0:07:20 | 0:07:23 | |
And then I catch her into the finish. | 0:07:23 | 0:07:25 | |
OK. So could you guys show me right now, like full out? | 0:07:25 | 0:07:29 | |
Uh...there might not be enough space - | 0:07:29 | 0:07:31 | |
-the ceilings are a little low in here. -Yeah. | 0:07:31 | 0:07:33 | |
We could go into studio A. | 0:07:33 | 0:07:35 | |
Yeah, if it's empty we could totally do it, right? | 0:07:35 | 0:07:37 | |
-Yeah, yeah. -I don't know. | 0:07:37 | 0:07:39 | |
Are you not comfortable with doing it? Or...? | 0:07:39 | 0:07:42 | |
I'm just a little worried now that Kate and Chris said no. | 0:07:42 | 0:07:45 | |
Listen, I just came from B and I don't want to go back there. | 0:07:45 | 0:07:48 | |
I'm unsure about doing the lift | 0:07:48 | 0:07:50 | |
'mainly because my ankle has just started to heal. | 0:07:50 | 0:07:52 | |
'This is a really risky lift and I don't want to possibly upset the' | 0:07:52 | 0:07:56 | |
injury or injure it further. | 0:07:56 | 0:07:58 | |
You want to shine, Daniel, right? | 0:07:58 | 0:08:00 | |
-Yeah, OK. She's right. We'll do it. -Yeah? | 0:08:02 | 0:08:04 | |
'I can't tell Michelle or Giselle about the real reason | 0:08:04 | 0:08:07 | |
'I don't want to do the lift' | 0:08:07 | 0:08:09 | |
because Kate has just threatened to | 0:08:09 | 0:08:11 | |
take my solo away and if Michelle finds | 0:08:11 | 0:08:12 | |
out that I'm injured she could go to Kate and that solo could be gone. | 0:08:12 | 0:08:16 | |
Hey, how was the audition? | 0:08:30 | 0:08:32 | |
After my talk with Tiffany, I decided to go to the audition. | 0:08:32 | 0:08:36 | |
I don't know how it'll turn out, but I'm glad I went. | 0:08:36 | 0:08:38 | |
I don't know, I don't think it went | 0:08:38 | 0:08:40 | |
too well but at least they didn't laugh at me this time. | 0:08:40 | 0:08:42 | |
Even though Stephanie doesn't feel as if she did well, | 0:08:42 | 0:08:45 | |
I'm sure she did amazingly. | 0:08:45 | 0:08:46 | |
'It always is like that, you can just never tell.' | 0:08:46 | 0:08:49 | |
I dunno, I'm just happy to be back at the studio. | 0:08:49 | 0:08:52 | |
-This is where I always feel safest. -Totally. You know what? | 0:08:52 | 0:08:55 | |
Just focus on regionals, that way you won't think about the audition. | 0:08:55 | 0:08:58 | |
Tiffany's right, I have to focus on regionals and not on the audition. | 0:08:58 | 0:09:02 | |
Whatever happens happens. | 0:09:02 | 0:09:03 | |
Look at this pomegranate. Just the way the red emphasises the fruit, | 0:09:07 | 0:09:10 | |
this is probably one of Mother Nature's best cre... | 0:09:10 | 0:09:14 | |
I know-I know you're a busy lady. All right. | 0:09:14 | 0:09:15 | |
All right. So...it's cool. | 0:09:15 | 0:09:18 | |
Uh... | 0:09:18 | 0:09:20 | |
Uh...aim to your left - go! | 0:09:20 | 0:09:22 | |
'So I'm in the juice bar and I see this guy, his name is Marcel.' | 0:09:22 | 0:09:25 | |
I kind of just left his dance troupe without telling him | 0:09:25 | 0:09:28 | |
and I just don't have the guts to confront him about it. | 0:09:28 | 0:09:31 | |
'So I hide behind this little girl. | 0:09:31 | 0:09:33 | |
'I mean, I'm not proud of it but' | 0:09:33 | 0:09:36 | |
sometimes you've got to do what you've got to do. | 0:09:36 | 0:09:39 | |
-(Stay right there. Stay right there.) -Compass! What's up? | 0:09:39 | 0:09:42 | |
Hey, uh, here's your juice, kid. | 0:09:42 | 0:09:46 | |
'He has a nickname for me' | 0:09:46 | 0:09:47 | |
it's called Compass. | 0:09:47 | 0:09:49 | |
You know, West, North, South - it's direction. | 0:09:49 | 0:09:52 | |
So, Compass kind of makes sense. | 0:09:52 | 0:09:54 | |
-What are you doing? -Uh, you know, I just... | 0:09:54 | 0:09:57 | |
I just like to give, you know, kids juices. | 0:09:57 | 0:09:59 | |
I like to help out in the community sometimes. | 0:09:59 | 0:10:02 | |
It's been a while. | 0:10:02 | 0:10:03 | |
-Yeah! You know, it's been a while! -Yeah. -How time flies. | 0:10:03 | 0:10:05 | |
Anyways, I've been texting you, calling you. I mean... | 0:10:05 | 0:10:08 | |
You know, Seeds have been practising hard for that show, and we need you. | 0:10:08 | 0:10:11 | |
Seeds is a street hip-hop dance crew that I used to be in. | 0:10:11 | 0:10:16 | |
I left Seeds because I really wanted to better myself as a dancer. | 0:10:16 | 0:10:19 | |
I really wanted to get formal training. | 0:10:19 | 0:10:20 | |
I wanted to just be well-rounded. | 0:10:20 | 0:10:22 | |
We've been trying to call you and we haven't heard from you, I mean... | 0:10:22 | 0:10:25 | |
-Well, I mean... -What have you been up to? | 0:10:25 | 0:10:27 | |
I dropped my phone and it just hasn't... | 0:10:27 | 0:10:29 | |
PHONE BUZZES | 0:10:29 | 0:10:31 | |
..but I mean yesterday I got it fixed. | 0:10:31 | 0:10:33 | |
So, I mean, I'm all good now. | 0:10:33 | 0:10:34 | |
-Perfect. So... -PHONE BEEPS AND BUZZES | 0:10:34 | 0:10:38 | |
Ooh! I got a text from my girlfriend! | 0:10:38 | 0:10:42 | |
-You've got a girlfriend? -Yeah, you know, it's on and... | 0:10:42 | 0:10:44 | |
I mean, no, I mean we're fighting right now, so it's... | 0:10:44 | 0:10:46 | |
-No, I don't have a girlfriend, actually. -Oh! So come... | 0:10:46 | 0:10:49 | |
-What? -Let's have a drink or... -No! I mean, she... -We need you. | 0:10:49 | 0:10:53 | |
I mean, I want her back. | 0:10:53 | 0:10:54 | |
So I've got to go and, you know, console her... | 0:10:54 | 0:10:56 | |
Come on. We'll have a drink or something... | 0:10:56 | 0:10:58 | |
-I'm sorry, man I've got to... -Compass, come on! | 0:10:58 | 0:11:00 | |
'I don't have a girlfriend' | 0:11:00 | 0:11:01 | |
but if Marcel found out that I was in A-Troupe, | 0:11:01 | 0:11:05 | |
I wouldn't be able to live with that. | 0:11:05 | 0:11:07 | |
Let's just tell him. | 0:11:21 | 0:11:22 | |
-Hey. -Hey. | 0:11:22 | 0:11:24 | |
OK, we need two things - you can't tell anyone what we're going to | 0:11:24 | 0:11:27 | |
do right now, and we need you to spot us. | 0:11:27 | 0:11:30 | |
Yes and yes. | 0:11:32 | 0:11:34 | |
I have no idea what I am agreeing to right now. | 0:11:34 | 0:11:37 | |
We're going to do the helicopter lift. | 0:11:38 | 0:11:41 | |
Really? | 0:11:41 | 0:11:43 | |
Yeah, really. | 0:11:43 | 0:11:45 | |
OK. | 0:11:46 | 0:11:47 | |
'I'm kind of excited that they're doing the lift. | 0:11:47 | 0:11:50 | |
'I think once they show Kate that they' | 0:11:50 | 0:11:52 | |
can do it she'll put it in the dance right away. | 0:11:52 | 0:11:55 | |
I'm really happy Eldon's there. Uh, it's kind of a safety net for me. | 0:11:55 | 0:11:58 | |
Are you guys ready? | 0:11:58 | 0:11:59 | |
'I'm pushing myself to do' | 0:11:59 | 0:12:01 | |
the lift because that's what great dancers do. | 0:12:01 | 0:12:04 | |
-Yeah, let's do it. -I think we're good. | 0:12:04 | 0:12:07 | |
OK. | 0:12:07 | 0:12:08 | |
We got this. | 0:12:08 | 0:12:10 | |
Five, six... | 0:12:10 | 0:12:12 | |
seven, eight... | 0:12:12 | 0:12:13 | |
Perfect. | 0:12:14 | 0:12:16 | |
'I'm really relieved that we did the helicopter. | 0:12:16 | 0:12:19 | |
'My ankle feels totally fine' | 0:12:19 | 0:12:20 | |
and I think that we could totally add this in to the routine. | 0:12:20 | 0:12:23 | |
Now all we need to do is find a place in the dance to put it in, | 0:12:23 | 0:12:25 | |
and then we're good. | 0:12:25 | 0:12:27 | |
'I'm really excited to prove that we can do this lift to' | 0:12:27 | 0:12:30 | |
Ms Kate and Chris. | 0:12:30 | 0:12:32 | |
PHONE RINGS | 0:12:32 | 0:12:34 | |
'I hear my phone ring and I rush to the phone.' | 0:12:34 | 0:12:37 | |
I've been waiting for my agent to | 0:12:37 | 0:12:39 | |
call to let me know about this audition. | 0:12:39 | 0:12:41 | |
Really? That's amazing! When do I start shooting? | 0:12:41 | 0:12:43 | |
'So I'm on the phone with my agent and he tells me' | 0:12:43 | 0:12:46 | |
that I got the part in the TV show and I'm so excited! | 0:12:46 | 0:12:49 | |
And then I find out that it shoots the same weekend as regionals. | 0:12:49 | 0:12:52 | |
What am I supposed to do? | 0:12:52 | 0:12:54 | |
I just have to figure some things out and I'll give you a call | 0:12:54 | 0:12:57 | |
when I know what's going on. | 0:12:57 | 0:12:58 | |
Thanks, you too. | 0:12:58 | 0:13:00 | |
# The weight of the world is pushing you down. # | 0:13:07 | 0:13:12 | |
Chloe, I need your money for regionals. | 0:13:18 | 0:13:20 | |
I know, I'll get it to you by the end of the week just like you asked. | 0:13:20 | 0:13:24 | |
'I haven't been able to work enough shifts' | 0:13:24 | 0:13:26 | |
and to make enough money in order to pay for the rest of regionals. | 0:13:26 | 0:13:29 | |
-Is there something going on? -No, I promise everything's fine. | 0:13:29 | 0:13:32 | |
-You sure? -Yeah. -Because you know my door's always open. | 0:13:32 | 0:13:35 | |
You can come to me about anything. | 0:13:35 | 0:13:36 | |
-Yes, I know. Don't worry, end of the week. -OK. -OK. | 0:13:36 | 0:13:39 | |
'I'm really worried that I'm not going to be able to pay. | 0:13:39 | 0:13:43 | |
'But I'm just going to brush it off and take a few extra shifts and' | 0:13:43 | 0:13:46 | |
hope and pray that I'll be able to make enough | 0:13:46 | 0:13:48 | |
money by the end of the week. | 0:13:48 | 0:13:50 | |
If Chloe doesn't give me the money, I mean, | 0:13:50 | 0:13:52 | |
I have no other choice but to say she can't come to regionals. | 0:13:52 | 0:13:55 | |
'We are working on the new version of our regionals routine to | 0:14:04 | 0:14:07 | |
'More Than That.' | 0:14:07 | 0:14:08 | |
'I'm really proud of everyone. | 0:14:22 | 0:14:24 | |
'It really came together and the dancers are looking amazing.' | 0:14:24 | 0:14:28 | |
# I left to plead and fight | 0:14:33 | 0:14:35 | |
# Came back to stop the war | 0:14:35 | 0:14:37 | |
# I danced to the revolution | 0:14:37 | 0:14:40 | |
# You kept me on the floor... # | 0:14:40 | 0:14:43 | |
'Daniel and I are going to spring the lift' | 0:14:43 | 0:14:45 | |
on Ms Kate and Chris. | 0:14:45 | 0:14:47 | |
I've choreographed Giselle and Daniel to do their helicopter lift. | 0:14:47 | 0:14:50 | |
'I think they're just going to be so surprised that they really | 0:14:50 | 0:14:52 | |
'have no option but to put the lift in the routine.' | 0:14:52 | 0:14:55 | |
Sometimes you just got to take risks. | 0:14:55 | 0:14:58 | |
'All of the sudden, Daniel and Giselle break formation. | 0:14:58 | 0:15:00 | |
'What are they doing? This is not what we've rehearsed.' | 0:15:00 | 0:15:03 | |
'I know they're going to nail the lift and' | 0:15:03 | 0:15:05 | |
I know Ms Kate is going to be impressed. | 0:15:05 | 0:15:07 | |
'I feel really confident that Giselle and I can pull this off.' | 0:15:07 | 0:15:09 | |
We've practised and the lift is flawless. | 0:15:09 | 0:15:12 | |
'As soon as I hear a thud' | 0:15:19 | 0:15:21 | |
I know something must've happened. | 0:15:21 | 0:15:23 | |
'Daniel's on the ground' | 0:15:25 | 0:15:27 | |
in so much pain I don't even know what to do. | 0:15:27 | 0:15:31 | |
I don't know if he, if he broke his foot. | 0:15:31 | 0:15:34 | |
My heart breaks for him because he's worked so hard | 0:15:34 | 0:15:37 | |
for so long and he could be out now. | 0:15:37 | 0:15:39 | |
-This is really bad. -I know. I'm so scared. | 0:15:54 | 0:15:56 | |
'Right now we're just waiting around in Studio A,' | 0:15:56 | 0:15:58 | |
waiting for Kate and Chris to come | 0:15:58 | 0:16:00 | |
back and tell us what's going on with Daniel. | 0:16:00 | 0:16:02 | |
I don't really want to leave at a time like this but, | 0:16:07 | 0:16:12 | |
I've got a shift and I've got to go. | 0:16:12 | 0:16:15 | |
-I have to do it. -It's fine, I'll cover for you. | 0:16:15 | 0:16:17 | |
Thank you. Can you text me and let me know what happens? | 0:16:17 | 0:16:20 | |
I'll let you know everything that happens, don't worry. | 0:16:20 | 0:16:23 | |
-Thank you. -Bye. | 0:16:23 | 0:16:24 | |
'I let Chloe leave because I know she has to go to work | 0:16:24 | 0:16:27 | |
'and working is a big part of her life.' | 0:16:27 | 0:16:29 | |
How could she leave at a time like this? | 0:16:29 | 0:16:31 | |
How does she always leave? | 0:16:31 | 0:16:32 | |
She has to go somewhere don't worry about it, | 0:16:32 | 0:16:35 | |
it's no-one else's business. | 0:16:35 | 0:16:36 | |
Daniel's injury is serious. It's a grade-three ankle sprain. | 0:16:40 | 0:16:44 | |
'A grade-three ankle sprain means that there are torn ligaments.' | 0:16:44 | 0:16:47 | |
If he doesn't heal properly it could be a career ender. | 0:16:47 | 0:16:50 | |
How long is he out for? | 0:16:50 | 0:16:52 | |
Well the doctors are still running tests but... | 0:16:52 | 0:16:55 | |
..he's definitely out of regionals. | 0:16:56 | 0:16:59 | |
-What? -Really? -I'm sorry. | 0:16:59 | 0:17:01 | |
'As soon as Chris tells us | 0:17:01 | 0:17:02 | |
'that Daniel is out for regionals I'm completely bummed.' | 0:17:02 | 0:17:05 | |
That's his career on the line. | 0:17:08 | 0:17:09 | |
'A sprained ankle is serious business.' | 0:17:09 | 0:17:12 | |
'I'm feeling horrible about what I...what I did to Daniel.' | 0:17:12 | 0:17:17 | |
I just took it too far. | 0:17:17 | 0:17:18 | |
This is all your fault! Are you happy now? | 0:17:19 | 0:17:22 | |
Cos if you just listened to Kate and Chris | 0:17:22 | 0:17:24 | |
and not let them do the lift this wouldn't have happened. | 0:17:24 | 0:17:26 | |
You're the dance captain. | 0:17:26 | 0:17:28 | |
'As a dance captain, Michelle's failing.' | 0:17:28 | 0:17:30 | |
She's not putting the team's best interests are heart. | 0:17:30 | 0:17:34 | |
This is not Michelle's fault. | 0:17:34 | 0:17:36 | |
Giselle and Daniel said they could do the lift. | 0:17:36 | 0:17:38 | |
Daniel clearly couldn't do the lift | 0:17:38 | 0:17:40 | |
so Michelle shouldn't have let them do it. | 0:17:40 | 0:17:41 | |
Guys, I don't think it's fair to blame Daniel in this. | 0:17:41 | 0:17:44 | |
No, no! It's definitely Daniel's responsibility! | 0:17:44 | 0:17:47 | |
He knew his ankle was hurt he should've said no to the lift. | 0:17:47 | 0:17:50 | |
You're saying you knew he was injured, and didn't tell us? | 0:17:50 | 0:17:52 | |
You didn't tell me? | 0:17:52 | 0:17:53 | |
'I-I wish that I mentioned Daniel's injury a little earlier,' | 0:17:54 | 0:17:58 | |
but I honestly thought that he had it under control. | 0:17:58 | 0:18:00 | |
He should've known his limits as a dancer - | 0:18:00 | 0:18:02 | |
that's the first rule in dance. | 0:18:02 | 0:18:05 | |
Regardless, Michelle, you're the dance captain and that's your job. | 0:18:05 | 0:18:08 | |
It's your job to know what's going on... | 0:18:08 | 0:18:11 | |
Guys, this is not Michelle's fault. | 0:18:11 | 0:18:13 | |
Dude, why are you defending Michelle? | 0:18:13 | 0:18:15 | |
Because Daniel should've known his limits. | 0:18:15 | 0:18:17 | |
'I thought the lift was a good idea too, | 0:18:17 | 0:18:19 | |
'I don't think Michelle deserves' | 0:18:19 | 0:18:21 | |
everything that Stephanie's saying to her. | 0:18:21 | 0:18:23 | |
I'm really sorry, guys, it's all my fault. | 0:18:23 | 0:18:26 | |
It's no-one's fault. | 0:18:26 | 0:18:27 | |
-It's hers. -It's not her fault! | 0:18:27 | 0:18:29 | |
THEY TALK OVER EACH OTHER | 0:18:29 | 0:18:35 | |
HEY! Everyone, enough! Stop! | 0:18:35 | 0:18:36 | |
Everyone needs to stop blaming everyone else! | 0:18:36 | 0:18:38 | |
OK? It was an accident! | 0:18:38 | 0:18:41 | |
It puts us in a tough position, but stop throwing the blame around. | 0:18:41 | 0:18:45 | |
# Beautiful | 0:18:55 | 0:18:57 | |
# Beautiful... # | 0:18:57 | 0:19:01 | |
'James not doing his homework right now is not good.' | 0:19:01 | 0:19:05 | |
We're always at the studio rehearsing and | 0:19:05 | 0:19:07 | |
we just have to find time to finish our work. | 0:19:07 | 0:19:11 | |
'I'm already practising the solo. | 0:19:11 | 0:19:13 | |
'Since Daniel's not going to regionals, | 0:19:13 | 0:19:15 | |
'it falls on my shoulders now.' | 0:19:15 | 0:19:17 | |
Daniel! | 0:19:22 | 0:19:24 | |
Daniel! | 0:19:24 | 0:19:26 | |
How are you, Daniel? | 0:19:28 | 0:19:30 | |
I'm OK. Um... | 0:19:30 | 0:19:34 | |
I ripped the ligaments pretty badly | 0:19:34 | 0:19:36 | |
and it looks like I'm going to need surgery. | 0:19:36 | 0:19:38 | |
And the doctors say I won't be able to dance for months. | 0:19:38 | 0:19:41 | |
'It's really upsetting coming back to the studio and seeing everyone' | 0:19:41 | 0:19:44 | |
because even though I'm injured I know they're going to | 0:19:44 | 0:19:48 | |
move on with their lives, they're going to go to regionals without me. | 0:19:48 | 0:19:51 | |
Daniel is one of my best, best friends | 0:19:51 | 0:19:54 | |
'and we finally got the chance to dance in A-Troupe together' | 0:19:54 | 0:20:00 | |
and now he's out. | 0:20:00 | 0:20:01 | |
I'm sorry. | 0:20:03 | 0:20:05 | |
Thanks. | 0:20:05 | 0:20:06 | |
'He's a great dancer and he's definitely part of our team | 0:20:06 | 0:20:09 | |
'and it just disappoints me because' | 0:20:09 | 0:20:11 | |
it kinda makes me rethink our chances of winning regionals. | 0:20:11 | 0:20:15 | |
'I won't ever push a dancer as hard as I did to Daniel,' | 0:20:17 | 0:20:19 | |
I mean, it's the worst thing to do. | 0:20:19 | 0:20:22 | |
I'm sorry I let you guys down. | 0:20:23 | 0:20:25 | |
'He was determined to go to regionals' | 0:20:26 | 0:20:28 | |
with us and win regionals, and now he can't even dance. | 0:20:28 | 0:20:33 | |
'Saying bye to Daniel is really hard. I mean, I know' | 0:20:33 | 0:20:37 | |
it's hurting him inside because he has to let go of the studio. | 0:20:37 | 0:20:41 | |
'This will probably end my dance career. | 0:20:42 | 0:20:45 | |
'I worked so hard to get to the point I'm at now, | 0:20:45 | 0:20:48 | |
'I've trained so many years...' | 0:20:48 | 0:20:51 | |
and I got the solo and everything was falling into place | 0:20:52 | 0:20:56 | |
and now it's all ruined. | 0:20:56 | 0:20:57 | |
# We're going to show the world | 0:21:04 | 0:21:09 | |
# Everything we're made of | 0:21:09 | 0:21:12 | |
# We're going to tear the roof off this place | 0:21:12 | 0:21:18 | |
# You can never fade us out | 0:21:18 | 0:21:22 | |
# Don't even ask to change it | 0:21:22 | 0:21:26 | |
# Everybody knows we own this town. # | 0:21:26 | 0:21:33 |