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Previously on The Next Step. | 0:00:02 | 0:00:03 | |
-I have the money for regionals that you asked for. -Ah, perfect. | 0:00:03 | 0:00:06 | |
I didn't make very many tips. | 0:00:06 | 0:00:07 | |
There's only half in here. | 0:00:07 | 0:00:09 | |
I don't think now is the right time for me to come clean. | 0:00:09 | 0:00:11 | |
I'll get it to you, I promise. | 0:00:11 | 0:00:14 | |
Michelle, we need to talk. | 0:00:14 | 0:00:16 | |
All I want is to be with Michelle. | 0:00:16 | 0:00:18 | |
I'm sorry. | 0:00:18 | 0:00:20 | |
'Eldon and I can never be.' | 0:00:20 | 0:00:22 | |
TIFFANY: How can we lose to Seeds? | 0:00:23 | 0:00:25 | |
They beat us in a dance battle. | 0:00:25 | 0:00:27 | |
We gave everything and they gave more. | 0:00:27 | 0:00:29 | |
I'm glad I lost to Seeds yesterday. | 0:00:29 | 0:00:32 | |
I can't do it without you. | 0:00:32 | 0:00:33 | |
I really need you as co-captain. | 0:00:33 | 0:00:35 | |
EMILY: 'I just don't know what to say.' | 0:00:35 | 0:00:38 | |
# Well, hey, you, what do you say? | 0:00:38 | 0:00:40 | |
# I've been thinking about you since yesterday. # | 0:00:40 | 0:00:43 | |
Do you know why you're here, Chad? | 0:00:43 | 0:00:44 | |
-No, I don't. -No? -No. | 0:00:44 | 0:00:47 | |
-You're rambunctious, Chad. You're a wild boy. -Thanks! | 0:00:47 | 0:00:50 | |
Being a wild boy, you know, especially in J-Troupe, | 0:00:50 | 0:00:53 | |
it's not... it's not a good quality to have. | 0:00:53 | 0:00:56 | |
You can't tame a lion. | 0:00:56 | 0:00:58 | |
I'm a lion. | 0:00:58 | 0:00:59 | |
-I'm Chad, the lion! -OK? | 0:00:59 | 0:01:03 | |
-KATE: -'People think running a studio is easy. | 0:01:03 | 0:01:05 | |
'With Lion Boy over here, sometimes it can be a real challenge.' | 0:01:05 | 0:01:09 | |
You know, we just want you to do well with your solo and... | 0:01:09 | 0:01:12 | |
I have a solo?! | 0:01:12 | 0:01:13 | |
-Yes, you've HAD a solo, Chad. -No! -Yes. | 0:01:13 | 0:01:16 | |
I'm, like, amazing at that, right? | 0:01:16 | 0:01:18 | |
I'm good? | 0:01:18 | 0:01:19 | |
-Hey, Em. -Oh, hey! | 0:01:23 | 0:01:25 | |
I just wanted to talk to you about the whole co-captain thing. | 0:01:25 | 0:01:28 | |
-Oh. -Have you decided? | 0:01:28 | 0:01:30 | |
I really hope Emily wants to be co-captains but, then again, | 0:01:30 | 0:01:34 | |
I don't know what she's going to say. | 0:01:34 | 0:01:36 | |
Well, I did spend a lot of time thinking about it last night. | 0:01:36 | 0:01:40 | |
And? | 0:01:40 | 0:01:43 | |
-I've decided to accept your offer! -No way! -Yeah. | 0:01:43 | 0:01:45 | |
EMILY: 'I mean, let's be honest, it's a peace offering. | 0:01:45 | 0:01:48 | |
'And also, it's dance captain.' | 0:01:48 | 0:01:49 | |
It may be co-dance captain, | 0:01:51 | 0:01:54 | |
but I'm all right with that now. | 0:01:54 | 0:01:56 | |
# We, we are going to show the world | 0:01:56 | 0:02:02 | |
# Everything we're made of | 0:02:02 | 0:02:06 | |
# We're gonna tear the roof off this place | 0:02:06 | 0:02:14 | |
# Stand up! # | 0:02:19 | 0:02:21 | |
All right, dancers. | 0:02:35 | 0:02:37 | |
We've got some exciting news, gather round, gather round. | 0:02:37 | 0:02:40 | |
Gather round. | 0:02:40 | 0:02:41 | |
Miss Kate, the floor is yours. | 0:02:41 | 0:02:45 | |
Emily and Michelle are now co-captains! | 0:02:45 | 0:02:47 | |
-RILEY: -Michelle and Emily being co-dance captains, | 0:02:50 | 0:02:53 | |
I definitely did not see that coming. | 0:02:53 | 0:02:56 | |
Michelle's all about free form and just doing your own thing | 0:02:56 | 0:02:59 | |
and Emily's all about just being clean and, you know, structured. | 0:02:59 | 0:03:02 | |
-ELDON: -'When I heard that Michelle and Emily are being co-captains... | 0:03:02 | 0:03:06 | |
'I mean, it's kind of uncomfortable' | 0:03:06 | 0:03:08 | |
because I'm dating Emily, but I like Michelle. | 0:03:08 | 0:03:11 | |
It's not very good. | 0:03:12 | 0:03:14 | |
Having both their strength together | 0:03:14 | 0:03:16 | |
really can bring us together as a team. | 0:03:16 | 0:03:19 | |
So we need to choreograph a new routine for regionals. | 0:03:19 | 0:03:22 | |
Actually, you know what? I think we need two routines. | 0:03:22 | 0:03:25 | |
-Why? -Why? | 0:03:25 | 0:03:26 | |
Cos we're going to make it to finals. | 0:03:26 | 0:03:28 | |
THEY CHEER | 0:03:28 | 0:03:31 | |
Love the way you think, James! Love the way you think. | 0:03:31 | 0:03:33 | |
We also need a second routine because if you make it into finals, | 0:03:33 | 0:03:37 | |
you compete with a brand-new routine. | 0:03:37 | 0:03:39 | |
Some studios don't even bother choreographing a finals routine, | 0:03:39 | 0:03:42 | |
because they know that they're not going to make it to the finals. | 0:03:42 | 0:03:45 | |
But the Next Step Dance Studio obviously is confident | 0:03:45 | 0:03:48 | |
in making it to the finals. | 0:03:48 | 0:03:49 | |
Are me and Michelle still doing our duet? | 0:03:49 | 0:03:51 | |
ELDON: 'I want to know if I'm still going to get to do the duet or not' | 0:03:51 | 0:03:55 | |
and also so that I can get more time with Michelle. | 0:03:55 | 0:03:59 | |
It's really not that important. | 0:03:59 | 0:04:01 | |
Eldon stepping forward and reminding Kate about the duet | 0:04:01 | 0:04:05 | |
is really awkward for me cos that means that we would have to | 0:04:05 | 0:04:07 | |
spend time together and I'm not really sure how that'll turn out | 0:04:07 | 0:04:10 | |
with everything that's going on right now. | 0:04:10 | 0:04:13 | |
Well, actually, considering what James just said, | 0:04:13 | 0:04:16 | |
what I was thinking is we could put your duet in the last dance. | 0:04:16 | 0:04:20 | |
I mean, Riley's told me how amazing it is. | 0:04:20 | 0:04:23 | |
It's amazing! | 0:04:23 | 0:04:25 | |
So why don't we utilize that and use it to win the regionals? | 0:04:25 | 0:04:28 | |
EMILY: 'I want to add the duet because, | 0:04:28 | 0:04:30 | |
'not only is it amazingly strong,' | 0:04:30 | 0:04:32 | |
but also, I think it'll be good to keep it. | 0:04:32 | 0:04:34 | |
It'll show everybody that I really am a team player, no matter what. | 0:04:34 | 0:04:37 | |
All right. So I guess you guys should start talking about concepts. | 0:04:37 | 0:04:39 | |
Get to work cos we have a lot of work to do. All right? | 0:04:39 | 0:04:42 | |
-We'll check back soon, OK? Start working. -Good luck. | 0:04:42 | 0:04:45 | |
So, does anyone have any ideas? Michelle? | 0:04:45 | 0:04:48 | |
Um, I was kind of thinking we could do | 0:04:48 | 0:04:50 | |
like a "school's out" kind of theme, you know, like... | 0:04:50 | 0:04:52 | |
-Oh, cool! -Yeah, totally. And, like, we'd have like props, OK? | 0:04:52 | 0:04:55 | |
-Definitely we have to have props for everyone. -Yeah. | 0:04:55 | 0:04:57 | |
-James? -I just got out of school. Don't put me back into school. | 0:04:57 | 0:05:01 | |
It just brings back memories. | 0:05:01 | 0:05:02 | |
EMILY: 'I do appreciate Michelle's suggestions, | 0:05:02 | 0:05:04 | |
'but they are a tad cliche.' | 0:05:04 | 0:05:06 | |
I mean, why not try something new? | 0:05:06 | 0:05:08 | |
What do we think about kind of an Alice in Wonderland vibe routine? | 0:05:08 | 0:05:13 | |
-Oh, yeah! -That would be totally cool. | 0:05:13 | 0:05:15 | |
-MICHELLE: -'Emily's ideas for the routine are cool...' | 0:05:15 | 0:05:18 | |
They're not really what I would choose. | 0:05:18 | 0:05:20 | |
Eldon can be the white rabbit! | 0:05:20 | 0:05:22 | |
Of course! Of course I'm the white rabbit. | 0:05:22 | 0:05:25 | |
I think brain storming for the new routine is going well. | 0:05:25 | 0:05:27 | |
-WEST: -'The co-captain thing actually might work. | 0:05:27 | 0:05:30 | |
'Things are going pretty well.' | 0:05:30 | 0:05:31 | |
You know, we're all brainstorming, | 0:05:31 | 0:05:33 | |
we're all working together as a team. | 0:05:33 | 0:05:35 | |
What about cowboys? | 0:05:35 | 0:05:37 | |
Oh! | 0:05:37 | 0:05:38 | |
-ELDON: -'Now that I see how they're working together,' | 0:05:40 | 0:05:42 | |
I think it could end up being better than it ever was before. | 0:05:42 | 0:05:45 | |
# You know you wanna dance | 0:05:45 | 0:05:47 | |
# Come on, just take a chance. # | 0:05:47 | 0:05:49 | |
All right, all right, let's just see the first count of eight, OK? | 0:05:53 | 0:05:57 | |
Now, is that a double tour or a single or...? | 0:05:57 | 0:05:59 | |
-What are you doing there? -Michelle? | 0:05:59 | 0:06:01 | |
-Yeah. -Er, I've got to go. | 0:06:01 | 0:06:03 | |
-Go ahead, don't worry. I'll cover for you. -Thank you. | 0:06:03 | 0:06:05 | |
-MICHELLE: -'Chloe asking me to leave early is a given. | 0:06:05 | 0:06:08 | |
'I know that she has to go to work and stuff,' | 0:06:08 | 0:06:10 | |
but right now's a crucial time, but I understand. | 0:06:10 | 0:06:12 | |
First count of eight? | 0:06:12 | 0:06:14 | |
5, 6, 7... | 0:06:15 | 0:06:16 | |
Chloe? | 0:06:16 | 0:06:18 | |
Where are you going? | 0:06:18 | 0:06:21 | |
Um... | 0:06:21 | 0:06:23 | |
I've got to go, I have somewhere to be. | 0:06:23 | 0:06:25 | |
Uh, Chloe, | 0:06:26 | 0:06:29 | |
we have to choreograph two routines. | 0:06:29 | 0:06:31 | |
You can't really be leaving right now. | 0:06:31 | 0:06:34 | |
We're so close to regionals right now and here Chloe is, | 0:06:34 | 0:06:37 | |
still pulling the same old stuff. | 0:06:37 | 0:06:39 | |
'I mean... | 0:06:39 | 0:06:41 | |
'I just can't believe it.' | 0:06:41 | 0:06:42 | |
Um... | 0:06:42 | 0:06:44 | |
I know, I... | 0:06:44 | 0:06:46 | |
I just have a previous commitment. | 0:06:46 | 0:06:47 | |
Chloe, this is really going to affect the team. | 0:06:47 | 0:06:49 | |
I mean, it's regionals, it's what we've been preparing all year for. | 0:06:49 | 0:06:53 | |
Emily calling out Chloe is kind of nerve-racking for me and Chloe. | 0:06:53 | 0:06:58 | |
-Actually, I let her go. -What? | 0:06:58 | 0:07:01 | |
Yep. I said she can go. She has to go somewhere. | 0:07:01 | 0:07:04 | |
-All right. -Don't worry about it. | 0:07:04 | 0:07:05 | |
EMILY: 'When I find out that Michelle let Chloe go... | 0:07:05 | 0:07:09 | |
'I'm flabbergasted. I mean, we're supposed to be co-captains' | 0:07:09 | 0:07:12 | |
and she didn't even let me know. | 0:07:12 | 0:07:14 | |
So first count of eight. | 0:07:14 | 0:07:16 | |
-Michelle? -Keep going. Yep. | 0:07:16 | 0:07:18 | |
Can I talk to you for a second? | 0:07:18 | 0:07:19 | |
Yep. | 0:07:19 | 0:07:21 | |
Can you guys just keep rehearsing? | 0:07:21 | 0:07:23 | |
For people who are still here, we have a lot of work to do, OK? | 0:07:23 | 0:07:28 | |
Boys, let's go, OK? | 0:07:28 | 0:07:30 | |
Um... | 0:07:31 | 0:07:33 | |
What was that? | 0:07:33 | 0:07:35 | |
I let Chloe go. She has to go somewhere. | 0:07:35 | 0:07:37 | |
Michelle... | 0:07:37 | 0:07:39 | |
you can't just let dancers go like that. | 0:07:39 | 0:07:41 | |
We have two routines to choreograph. | 0:07:41 | 0:07:44 | |
I know. | 0:07:44 | 0:07:45 | |
We're co-captains. You didn't consult me, you didn't tell me. | 0:07:45 | 0:07:50 | |
If something is going on, I deserve to know. | 0:07:50 | 0:07:52 | |
I just... I can't tell anyone what's going on with Chloe. | 0:07:52 | 0:07:55 | |
I don't feel comfortable humiliating one of my dancers | 0:07:55 | 0:07:57 | |
because I don't know what's going on with her. | 0:07:57 | 0:08:00 | |
I can't say anything. | 0:08:00 | 0:08:01 | |
You can't say anything? | 0:08:03 | 0:08:06 | |
Yeah. | 0:08:06 | 0:08:07 | |
What about showing me? | 0:08:10 | 0:08:12 | |
You have to promise me that you won't tell one soul. | 0:08:13 | 0:08:18 | |
I won't. I promise. | 0:08:18 | 0:08:20 | |
OK. | 0:08:21 | 0:08:22 | |
Let's get back to work. | 0:08:22 | 0:08:24 | |
That bus was disgusting. | 0:08:30 | 0:08:32 | |
I don't, like... I'm never doing that again. | 0:08:32 | 0:08:35 | |
I have never been on a bus, because it is disgusting. | 0:08:35 | 0:08:40 | |
She's such a princess. Who hasn't been on a bus? | 0:08:40 | 0:08:42 | |
Strangers have sat there. | 0:08:42 | 0:08:45 | |
Who knows where their pants have been? | 0:08:45 | 0:08:48 | |
Are you serious? Come on. | 0:08:48 | 0:08:50 | |
-Where are we? -You know what? Can you be a little more patient? | 0:08:52 | 0:08:55 | |
-Is that Chloe?! -Sh! | 0:08:55 | 0:08:57 | |
What is she doing? | 0:08:57 | 0:08:59 | |
She's working. | 0:08:59 | 0:09:00 | |
What? | 0:09:00 | 0:09:01 | |
She has a job. | 0:09:01 | 0:09:03 | |
EMILY: 'When Michelle tells me that Chloe has been working' | 0:09:03 | 0:09:06 | |
to put herself through dance, I'm shocked. | 0:09:06 | 0:09:10 | |
That's the secret. | 0:09:10 | 0:09:11 | |
If I was in her position, I'd want it to be a secret, too. | 0:09:12 | 0:09:16 | |
EMILY: 'I realise that, if I was in Chloe's position,' | 0:09:16 | 0:09:19 | |
I wouldn't want everyone to know what's going on with my family | 0:09:19 | 0:09:23 | |
and what's going on with my situation. | 0:09:23 | 0:09:26 | |
So, just bearing that in mind, | 0:09:26 | 0:09:28 | |
I think Michelle and I need to be discrete. | 0:09:28 | 0:09:31 | |
I think we need to let Chloe have this one. | 0:09:31 | 0:09:34 | |
Look, we better go. | 0:09:35 | 0:09:38 | |
I don't want her to be embarrassed if she sees us. | 0:09:38 | 0:09:40 | |
You know, it seemed like Emily kind of understood, finally, | 0:09:40 | 0:09:43 | |
what's been going on in Chloe's life | 0:09:43 | 0:09:45 | |
and maybe now she'll treat her differently. | 0:09:45 | 0:09:47 | |
And I'm hoping that she does. | 0:09:47 | 0:09:49 | |
The bus should be here soon. | 0:09:49 | 0:09:51 | |
I'm not getting back on that thing. My mom's going to pick us up. | 0:09:53 | 0:09:56 | |
-You're kidding, right? -Absolutely not. She's also getting lattes. | 0:09:56 | 0:09:59 | |
-Do you want one? -Are you...? | 0:09:59 | 0:10:02 | |
I'll take a Frappuccino and let's go. | 0:10:02 | 0:10:04 | |
You know, I always really like the chocolate one. | 0:10:04 | 0:10:07 | |
Chloe, I need to talk to you. | 0:10:18 | 0:10:22 | |
-KATE: -'I'm having this talk with Chloe because enough is enough. | 0:10:22 | 0:10:25 | |
'The last time Chloe came in to pay her fees, | 0:10:25 | 0:10:28 | |
'she only paid half' | 0:10:28 | 0:10:30 | |
and it was all in coins, | 0:10:30 | 0:10:32 | |
and there was a button and a piece of gum in there. | 0:10:32 | 0:10:34 | |
I think you know why I've called you in here. | 0:10:36 | 0:10:39 | |
I'll have the rest of the money for you tomorrow. | 0:10:39 | 0:10:41 | |
Chloe, you've said that every day this week. | 0:10:41 | 0:10:43 | |
OK? I keep extending the deadline for you. | 0:10:43 | 0:10:47 | |
I figure that just telling Miss Kate everything will be easier | 0:10:47 | 0:10:51 | |
'because I don't think that there's any way | 0:10:51 | 0:10:54 | |
'that I'm going to get this money in.' | 0:10:54 | 0:10:56 | |
Uh, well, the truth is... | 0:10:56 | 0:11:00 | |
..I work two jobs in order to pay for A-Troupe. | 0:11:04 | 0:11:08 | |
Chloe... | 0:11:11 | 0:11:13 | |
I had no idea. Why didn't you tell me? | 0:11:18 | 0:11:21 | |
It's not something I'm exactly proud of | 0:11:21 | 0:11:24 | |
and that I want everyone here at the studio to know about. | 0:11:24 | 0:11:27 | |
But my job is also to be here for you guys. | 0:11:27 | 0:11:30 | |
I can't believe you kept it hidden. | 0:11:30 | 0:11:32 | |
I keep it hidden cos girls walk in here every day with new dresses, | 0:11:32 | 0:11:37 | |
fancy cars, their parents drive them to dance, new dance shoes. | 0:11:37 | 0:11:41 | |
I have to take three buses just to get here | 0:11:43 | 0:11:46 | |
and sometimes I don't even make it on time. | 0:11:46 | 0:11:49 | |
'It feels like a weight off of my shoulders coming clean to Kate' | 0:11:51 | 0:11:56 | |
but it's almost like I've just admitted defeat. | 0:11:56 | 0:11:58 | |
'It breaks my heart. | 0:11:58 | 0:12:00 | |
'I've been harping on her this whole time and here she is,' | 0:12:00 | 0:12:02 | |
the hardest working one out of all of them. | 0:12:02 | 0:12:05 | |
I'm sorry, Chloe. I had no idea. | 0:12:05 | 0:12:09 | |
I think, right now, | 0:12:09 | 0:12:12 | |
the best thing for me to do is to leave A-Troupe | 0:12:12 | 0:12:16 | |
so you can find someone else who can afford it in time for regionals. | 0:12:16 | 0:12:21 | |
OK. | 0:12:23 | 0:12:25 | |
But I'm a good dancer | 0:12:25 | 0:12:27 | |
and I'll be back next year. | 0:12:27 | 0:12:30 | |
'I don't want to face everyone.' | 0:12:47 | 0:12:50 | |
My dreams of being a dancer | 0:12:50 | 0:12:52 | |
and performing on stage at regionals are over. | 0:12:52 | 0:12:55 | |
What's going on? | 0:13:05 | 0:13:07 | |
Chloe's no longer in A-Troupe. | 0:13:09 | 0:13:11 | |
-EVERYONE: -What?! | 0:13:11 | 0:13:12 | |
It's a sensitive subject, OK? | 0:13:15 | 0:13:16 | |
I don't want to talk about it any longer. | 0:13:16 | 0:13:18 | |
Rehearse. | 0:13:18 | 0:13:20 | |
Chloe not being in A-troupe anymore is devastating. | 0:13:20 | 0:13:23 | |
-MICHELLE: -'Chloe is an amazing dancer and we need her.' | 0:13:23 | 0:13:26 | |
I'm just... | 0:13:26 | 0:13:27 | |
I'm just really upset. | 0:13:27 | 0:13:29 | |
Michelle... | 0:13:29 | 0:13:31 | |
..did you know it was this bad? | 0:13:32 | 0:13:34 | |
Kind of. | 0:13:34 | 0:13:36 | |
What? | 0:13:36 | 0:13:37 | |
Chloe's been having some money troubles, OK? | 0:13:37 | 0:13:40 | |
And her parents can't afford to pay for dance, | 0:13:40 | 0:13:44 | |
so she's been working multiple jobs. | 0:13:44 | 0:13:47 | |
We all just were kind of getting annoyed with her | 0:13:47 | 0:13:50 | |
and we were getting actually really mad. | 0:13:50 | 0:13:52 | |
She could have just been honest with us. | 0:13:52 | 0:13:54 | |
-Like, how come no-one told us? -Cos she's embarrassed. -Guys. | 0:13:54 | 0:13:57 | |
If you guys had money troubles, would you guys tell everyone? | 0:13:57 | 0:13:59 | |
You don't understand her situation. We all have money. | 0:13:59 | 0:14:03 | |
-GISELLE: -'None of us had any idea.' | 0:14:03 | 0:14:06 | |
I wish she would have told us. That's what we're there for. | 0:14:06 | 0:14:09 | |
We're her family. | 0:14:09 | 0:14:12 | |
I don't know what we're going to do. | 0:14:12 | 0:14:13 | |
We can't do it without her. | 0:14:13 | 0:14:15 | |
That's why I have an idea. Come in. | 0:14:15 | 0:14:18 | |
THEY WHISPER | 0:14:18 | 0:14:21 | |
I really hope Emily's plan works. | 0:14:21 | 0:14:23 | |
Here you are. | 0:14:32 | 0:14:34 | |
Chloe, I can see you. | 0:14:41 | 0:14:43 | |
I'd like to order something, | 0:14:43 | 0:14:44 | |
so serve that fine gentleman and come over here. | 0:14:44 | 0:14:46 | |
Enjoy your meal. | 0:14:48 | 0:14:50 | |
'When I see Emily,' | 0:14:50 | 0:14:51 | |
I'm not really sure why she's there in the first place. | 0:14:51 | 0:14:54 | |
I don't know why she came here. | 0:14:54 | 0:14:56 | |
This section is closed. | 0:14:56 | 0:14:58 | |
Does my face look like I care? | 0:14:58 | 0:15:00 | |
-OK. -I didn't think so. | 0:15:02 | 0:15:04 | |
Hi, welcome to Southside Johnny's. | 0:15:05 | 0:15:07 | |
My name is Chloe. I'll be your waitress today. | 0:15:07 | 0:15:09 | |
Great, I'm going to take a water with a lemon, please. | 0:15:09 | 0:15:12 | |
And that'll be all. | 0:15:12 | 0:15:14 | |
Right now, we're kind of carrying out a plan I devised. | 0:15:19 | 0:15:24 | |
Chloe has absolutely no idea what's in store for her. | 0:15:24 | 0:15:27 | |
-What up, dog? -Hey. | 0:15:27 | 0:15:29 | |
-CHLOE: -'So I take her order and I come back out' | 0:15:29 | 0:15:32 | |
and everyone from A-Troupe is sitting there. | 0:15:32 | 0:15:35 | |
I'm really upset that they're all there. | 0:15:37 | 0:15:40 | |
I'm so embarrassed. | 0:15:40 | 0:15:43 | |
Excuse me? | 0:15:43 | 0:15:44 | |
Can I get a chai tea with extra sugar, please? | 0:15:44 | 0:15:46 | |
Thanks, you're a doll. | 0:15:46 | 0:15:48 | |
How could you do this to me? Why would you bring them here? | 0:15:50 | 0:15:53 | |
I'm just thirsty. Could I get a drink? | 0:15:53 | 0:15:57 | |
I don't know how she could do this to me | 0:15:57 | 0:15:59 | |
because I thought we were friends | 0:15:59 | 0:16:01 | |
and I thought we were closer than that. | 0:16:01 | 0:16:03 | |
And I thought that she respected me as a person enough to not | 0:16:03 | 0:16:06 | |
tell my secret to all the people that I really didn't want to know. | 0:16:06 | 0:16:10 | |
I'll have a rooibos tea, please. | 0:16:10 | 0:16:12 | |
-MICHELLE: -'Once she sees that...' | 0:16:12 | 0:16:15 | |
we're doing this for a good cause, she'll understand. | 0:16:15 | 0:16:17 | |
And what can I get for you? | 0:16:17 | 0:16:19 | |
I'll have a water. | 0:16:19 | 0:16:21 | |
Great. | 0:16:22 | 0:16:24 | |
Oh! With one ice cube. | 0:16:24 | 0:16:26 | |
ELDON: 'I don't really know how the plan is going.' | 0:16:26 | 0:16:29 | |
Chloe doesn't look too pleased with what we're doing. | 0:16:29 | 0:16:33 | |
-I'll have a tea. -Can I have a water? | 0:16:33 | 0:16:36 | |
I'll have a tea as well, with extra mint leaves and on the rocks. | 0:16:36 | 0:16:39 | |
Oh, and that means with ice. | 0:16:39 | 0:16:41 | |
So an iced tea? | 0:16:41 | 0:16:43 | |
All they're ordering is waters and tea and... | 0:16:43 | 0:16:46 | |
just obviously there to get back at me for what I did. | 0:16:46 | 0:16:49 | |
And I would actually like another lemon wedge, please. | 0:16:49 | 0:16:52 | |
You going to take my order or what? | 0:16:52 | 0:16:53 | |
-Excuse me? I need my ice cube. -You forgot his ice cube. | 0:16:53 | 0:16:56 | |
I'm waiting for the tea! | 0:16:56 | 0:16:57 | |
-CHLOE: -'They're people that I've spent almost every day with' | 0:16:57 | 0:17:00 | |
and hours, and hours, and hours with | 0:17:00 | 0:17:03 | |
'aren't my friends anymore. | 0:17:03 | 0:17:05 | |
'I just decide, | 0:17:05 | 0:17:08 | |
'"You know what? I'm going to prove to them that I'm stronger than that. | 0:17:08 | 0:17:11 | |
'"They're not going to tear me down." | 0:17:11 | 0:17:13 | |
'And I just walk back out there and I pretend like nothing's wrong. | 0:17:13 | 0:17:17 | |
'And like I'm not upset and I just do my job.' | 0:17:17 | 0:17:21 | |
-Hi. -Hi, welcome to Southside Johnny's. My name is Chloe. | 0:17:21 | 0:17:24 | |
I'll be your waitress today. How can I help you? | 0:17:24 | 0:17:26 | |
'This is who I am and if you're not OK with that, then...' | 0:17:26 | 0:17:29 | |
you're not OK with me. | 0:17:29 | 0:17:31 | |
You know what? I think I'm done. I'm done. I'm done. | 0:17:31 | 0:17:34 | |
I'm done. Thanks, miss. | 0:17:34 | 0:17:37 | |
West! | 0:17:37 | 0:17:39 | |
This is too much. | 0:17:39 | 0:17:40 | |
Well, you know what I've got to say about that? | 0:17:40 | 0:17:43 | |
Did you know that tea was discovered | 0:17:43 | 0:17:45 | |
by Chinese emperor Shennong in 2737 BC? | 0:17:45 | 0:17:48 | |
Yeah. | 0:17:48 | 0:17:49 | |
Bet you didn't know that. | 0:17:49 | 0:17:51 | |
-CHLOE: -'It was pretty much a 50 tip' | 0:17:51 | 0:17:53 | |
and I'm really confused as to why he would do that. | 0:17:53 | 0:17:57 | |
Hey, Chloe. | 0:17:57 | 0:17:58 | |
Money's on the table. | 0:17:58 | 0:18:00 | |
Yeah, we left it on the table. | 0:18:00 | 0:18:02 | |
'And then everyone else starts to leave and says...' | 0:18:02 | 0:18:04 | |
-Thanks, money's on the table. -Thank you. -Thank you. | 0:18:04 | 0:18:07 | |
'Everyone has left 50 tips.' | 0:18:07 | 0:18:09 | |
I appreciate it. | 0:18:09 | 0:18:11 | |
I think I know now why they all came. | 0:18:14 | 0:18:17 | |
You know, everyone left me money. | 0:18:19 | 0:18:22 | |
They're all really my friends. | 0:18:22 | 0:18:24 | |
EMILY: 'I would've never asked for help either,' | 0:18:29 | 0:18:31 | |
and I would also never accept charity. | 0:18:31 | 0:18:34 | |
But Chloe can't turn down a tip, now can she? | 0:18:34 | 0:18:36 | |
You know A-Troupe's a family, right? | 0:18:38 | 0:18:40 | |
And you know you're part of that family. | 0:18:42 | 0:18:44 | |
And sometimes families help each other out. | 0:18:44 | 0:18:47 | |
A-Troupe is my family, my best friends. | 0:18:52 | 0:18:55 | |
Whoo! | 0:19:12 | 0:19:14 | |
Whoo! What?! | 0:19:14 | 0:19:16 | |
How do you get so high? | 0:19:18 | 0:19:20 | |
Hi. | 0:19:25 | 0:19:27 | |
Hi. | 0:19:27 | 0:19:28 | |
What did you do, rob a bank? | 0:19:33 | 0:19:36 | |
Not exactly, but... | 0:19:36 | 0:19:39 | |
I do have some pretty awesome friends. | 0:19:39 | 0:19:42 | |
The fact that the kids helped her out and did this... | 0:19:48 | 0:19:52 | |
that's a team. OK? That's a team! | 0:19:52 | 0:19:54 | |
And that's what we've been working so hard for | 0:19:54 | 0:19:56 | |
and we finally have it. | 0:19:56 | 0:19:58 | |
-Just remember, next time come to me, OK? -If course. | 0:19:58 | 0:20:01 | |
-Good. Now get in rehearsal. -OK. | 0:20:01 | 0:20:04 | |
-MICHELLE: -Guys. | 0:20:06 | 0:20:08 | |
Guys, guys! | 0:20:08 | 0:20:10 | |
-STEPHANIE: -'When I see Chloe, I know what's going on right away. | 0:20:11 | 0:20:14 | |
'She's back in A-Troupe' | 0:20:14 | 0:20:17 | |
and I'm so happy. | 0:20:17 | 0:20:18 | |
THEY CHEER | 0:20:19 | 0:20:21 | |
ELDON: 'Just to know that we all helped out | 0:20:21 | 0:20:24 | |
'and did our part to make sure' | 0:20:24 | 0:20:26 | |
Chloe gets to regionals, it felt good. | 0:20:26 | 0:20:28 | |
-WEST: -'A-Troupe is like a salad. | 0:20:28 | 0:20:30 | |
'I guess I would have to say that each of us are those | 0:20:30 | 0:20:32 | |
'special ingredients that make that salad taste great.' | 0:20:32 | 0:20:34 | |
And, you know, if you take out any of us, | 0:20:34 | 0:20:36 | |
out of that salad, you know then the salad is just lousy. | 0:20:36 | 0:20:40 | |
Come on, guys! From the top, let's go. | 0:20:40 | 0:20:42 | |
MUSIC STARTS | 0:20:45 | 0:20:47 | |
-CHLOE: -'Walking back into rehearsal, and everyone's happy to see me, | 0:20:50 | 0:20:55 | |
'it's the best feeling. | 0:20:55 | 0:20:58 | |
And I'm just ready to go to regionals and win. | 0:20:58 | 0:21:01 | |
Let's do this! | 0:21:01 | 0:21:03 |