Browse content similar to Re-Match. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Previously on The Next Step... | 0:00:02 | 0:00:03 | |
Guess what? Elite snuck into another Regionals and won, | 0:00:03 | 0:00:06 | |
which means they're coming to Nationals. | 0:00:06 | 0:00:09 | |
What is going on, Amanda? | 0:00:09 | 0:00:10 | |
I'm still at Elite. | 0:00:10 | 0:00:12 | |
I can't believe that Amanda did this to us. | 0:00:12 | 0:00:15 | |
Who are those girls? LOD is Life of Dance. | 0:00:15 | 0:00:18 | |
Yeah, they're definitely going to be our competition at Nationals. | 0:00:18 | 0:00:22 | |
I can't believe it's almost Nationals. | 0:00:34 | 0:00:36 | |
So much has changed at The Next Step since we won Regionals. | 0:00:37 | 0:00:41 | |
The drama Amanda has caused, it almost tore the team apart. | 0:00:43 | 0:00:48 | |
You feel ready? | 0:00:48 | 0:00:49 | |
Yeah. | 0:00:49 | 0:00:51 | |
But we got through it and now we're stronger than ever. | 0:00:51 | 0:00:55 | |
All right. Well, the bus is waiting. So, let's go to Nationals. | 0:00:55 | 0:01:00 | |
We're going to Nationals and we're going to win. | 0:01:00 | 0:01:03 | |
We are arriving at Nationals and I couldn't be more excited. | 0:01:16 | 0:01:21 | |
Everybody talks about it all year long and now we're finally here. | 0:01:21 | 0:01:26 | |
Wow, Miss Kate, there's so many more teams here | 0:01:26 | 0:01:28 | |
than there were at Regionals. | 0:01:28 | 0:01:29 | |
Well, of course. It's every Regionals winning dance team. | 0:01:29 | 0:01:32 | |
There were 32 teams at Regionals, 64 at Nationals. | 0:01:32 | 0:01:35 | |
All of the winning teams at every region in the country | 0:01:35 | 0:01:38 | |
come to Nationals. It's double the amount of teams. | 0:01:38 | 0:01:42 | |
And by the end of the first round, half of them will be gone. | 0:01:42 | 0:01:45 | |
Every round at Nationals is an elimination round. | 0:01:45 | 0:01:48 | |
And the first round is male soloist. | 0:01:48 | 0:01:50 | |
If your male soloist doesn't win, then your whole team is going home. | 0:01:50 | 0:01:54 | |
Kate! Bonjour. | 0:01:54 | 0:01:55 | |
That French accent again. | 0:01:55 | 0:01:58 | |
I want to wish you and your team a great best of luck this week | 0:01:58 | 0:02:01 | |
at the competition. Eh? | 0:02:01 | 0:02:04 | |
I just have to hold it in. | 0:02:04 | 0:02:07 | |
Bonjour, everybody. Good luck to you. | 0:02:07 | 0:02:09 | |
Hey, team. | 0:02:09 | 0:02:10 | |
I do feel weird seeing The Next Step again. | 0:02:10 | 0:02:12 | |
I didn't think they would qualify for Nationals after I left them | 0:02:12 | 0:02:15 | |
with only nine dancers. | 0:02:15 | 0:02:17 | |
I guess I underestimated them. | 0:02:17 | 0:02:18 | |
Hi, uh, I'm Kate. This is Phoebe. | 0:02:18 | 0:02:21 | |
Uh, we're here to sign in for The Next Step. | 0:02:21 | 0:02:24 | |
OK, uh, form's right here | 0:02:24 | 0:02:25 | |
and who will be your volunteers for the scavenger hunt? | 0:02:25 | 0:02:29 | |
I'm sorry. What scavenger hunt? | 0:02:29 | 0:02:31 | |
You could pick three of you and if you complete all the tasks | 0:02:31 | 0:02:34 | |
on the list, you get tickets to tonight's Shawn Desman concert. | 0:02:34 | 0:02:36 | |
Shawn Desman! | 0:02:36 | 0:02:38 | |
So, like, can anyone do the scavenger hunt for the team? | 0:02:40 | 0:02:44 | |
-You have to be on the team. -Right. No. Obviously. | 0:02:44 | 0:02:47 | |
But like, chaperones, teachers, owners, sisters? | 0:02:47 | 0:02:52 | |
No. | 0:02:52 | 0:02:53 | |
I want to do the scavenger hunt, but, apparently, I'm too old. | 0:02:53 | 0:02:58 | |
Whatever. | 0:02:58 | 0:03:00 | |
Great, thank you. All right, who's going to do it? | 0:03:00 | 0:03:03 | |
-Yeah, I'll do it. -Great. -I guess I'll do it too. | 0:03:03 | 0:03:05 | |
-Three amigos! Perfect. There you go. -Sweet. | 0:03:05 | 0:03:08 | |
I don't think Elite is the team we need to be worrying about. | 0:03:12 | 0:03:16 | |
It's LOD. They won Nationals last year. | 0:03:16 | 0:03:18 | |
LOD stands for Life of Dance, | 0:03:19 | 0:03:22 | |
but everyone calls them Ladies of Destruction. | 0:03:22 | 0:03:24 | |
They basically destroy the competition. | 0:03:24 | 0:03:27 | |
They only have one male dancer and it's just | 0:03:27 | 0:03:29 | |
so they can go through the male solo round. | 0:03:29 | 0:03:31 | |
To the registration desk! | 0:03:31 | 0:03:32 | |
Oh. Whoa. You all right? | 0:03:32 | 0:03:36 | |
We were up against great studios at Regionals | 0:03:41 | 0:03:43 | |
but the studios here at Nationals | 0:03:43 | 0:03:45 | |
are ten times better. The competition is fierce. | 0:03:45 | 0:03:48 | |
Welcome to the 17th annual Absolute Dance National Championships. | 0:04:34 | 0:04:38 | |
I'm your host, Chuck Anderson, alongside my esteemed | 0:04:38 | 0:04:41 | |
colleague, Tre Armstrong, who's no stranger to these circumstances. | 0:04:41 | 0:04:45 | |
Having been in this arena before as a dancer and a judge, | 0:04:45 | 0:04:47 | |
it's really awesome to be here just enjoying the show. | 0:04:47 | 0:04:51 | |
Tre Armstrong is a very big deal in the dance world. | 0:04:51 | 0:04:54 | |
I mean, she's a phenomenal choreographer and dancer. | 0:04:54 | 0:04:56 | |
She's worked with people like Jay-Z, Ludacris, and even Rihanna. | 0:04:56 | 0:05:00 | |
How about the dancers at this very moment. | 0:05:00 | 0:05:02 | |
What are they feeling right now? | 0:05:02 | 0:05:04 | |
Well, over the next few days, they're going to be in | 0:05:04 | 0:05:06 | |
pins and needles. They're going to be up and down emotionally | 0:05:06 | 0:05:09 | |
and I hope that they didn't eat too much of a big breakfast, | 0:05:09 | 0:05:11 | |
because they got to keep it down. | 0:05:11 | 0:05:13 | |
Let's get to the nuts and bolts of this competition. | 0:05:13 | 0:05:15 | |
Of course, six rounds. | 0:05:15 | 0:05:16 | |
Male solos, then it goes to small group, duets, female solos, | 0:05:16 | 0:05:21 | |
semifinals and then the battle for the Absolute Dance trophy. | 0:05:21 | 0:05:26 | |
It's as simple as this, folks. It's one off. | 0:05:26 | 0:05:28 | |
They go up against each other. The winner moves on, the loser... | 0:05:28 | 0:05:31 | |
that dancer and his team go home. | 0:05:31 | 0:05:34 | |
Settle in. We're going to be here for five days. | 0:05:34 | 0:05:36 | |
It's going to be a long journey but it's going to be a dandy. | 0:05:36 | 0:05:39 | |
Let's get this party started. Let's go to the stage right now. | 0:05:39 | 0:05:42 | |
We're joined by Shawn and Sandra. | 0:05:42 | 0:05:44 | |
APPLAUSE | 0:05:44 | 0:05:46 | |
Welcome, ladies and gentleman, | 0:05:51 | 0:05:53 | |
to our 17th Absolute Dance National Championships. | 0:05:53 | 0:05:55 | |
We've got some amazing talent over the next few days. | 0:05:55 | 0:05:58 | |
And we've got a special guest performance from our own | 0:05:58 | 0:06:01 | |
Shawn Desman, performing at the Welcome Nationals. | 0:06:01 | 0:06:04 | |
All right, though. Let's kick it off with our male soloists. | 0:06:06 | 0:06:10 | |
I'm so excited to get on stage. | 0:06:12 | 0:06:14 | |
I can't wait for that adrenaline, | 0:06:14 | 0:06:16 | |
but my solo isn't until tomorrow. | 0:06:16 | 0:06:18 | |
I guess that'll give me some time to go and check out the competition. | 0:06:18 | 0:06:23 | |
And now we have our first male solo of the day. | 0:06:23 | 0:06:25 | |
Joanne Chapman School of Dance. | 0:06:25 | 0:06:27 | |
Let's see how he does! | 0:06:27 | 0:06:29 | |
# When this sky just won't stop falling | 0:06:29 | 0:06:33 | |
# When the world can't hear you calling now... # | 0:06:33 | 0:06:39 | |
-He's pretty good. -Yeah. | 0:06:39 | 0:06:42 | |
He's actually won Mr National Soloist last year. | 0:06:42 | 0:06:45 | |
-No way! -Yeah. | 0:06:45 | 0:06:47 | |
So is the female competition just as fierce? | 0:06:47 | 0:06:50 | |
You bet. | 0:06:51 | 0:06:53 | |
Watching the male soloist round, is extremely intimidating. | 0:06:58 | 0:07:03 | |
There are some phenomenal dancers here. | 0:07:03 | 0:07:06 | |
I mean, we have great dancers too, but I don't know | 0:07:06 | 0:07:09 | |
if it's going to be enough. | 0:07:09 | 0:07:11 | |
Right now, we're doing our first mission for the scavenger hunt. | 0:07:20 | 0:07:25 | |
Basically, what we have to do, is to find this | 0:07:25 | 0:07:27 | |
certain seat in the auditorium and take a picture. | 0:07:27 | 0:07:30 | |
14, 13, 12, 11, 10... Tess. | 0:07:30 | 0:07:38 | |
Hello. | 0:07:38 | 0:07:40 | |
Of course, Tess and Amanda are in the exact seat that we need to | 0:07:40 | 0:07:44 | |
take a picture in. | 0:07:44 | 0:07:46 | |
-I mean, of course. -You have to move. | 0:07:46 | 0:07:49 | |
-Why would I move? -So we can get a photo in the seat. | 0:07:49 | 0:07:51 | |
I'm not moving. | 0:07:51 | 0:07:52 | |
You know, she's just afraid that we'll | 0:07:52 | 0:07:54 | |
take their spotlight at the party. | 0:07:54 | 0:07:56 | |
-Tess, just move. -Why? -It's fine. -No. | 0:07:56 | 0:07:58 | |
You don't want them to make it to the party, do you? | 0:07:58 | 0:08:01 | |
I mean, the party's just supposed to be fun. | 0:08:01 | 0:08:03 | |
We don't need to mess with The Next Step all the time. | 0:08:03 | 0:08:06 | |
-So, you're not going to move? -No. -I'm done arguing with her. | 0:08:06 | 0:08:10 | |
If she's not going to move, she doesn't have to move. | 0:08:10 | 0:08:12 | |
But I'm still going to get my picture. | 0:08:12 | 0:08:15 | |
-OK, here we go. -All right. Yes. Work that. | 0:08:15 | 0:08:19 | |
-Yes. Angle. Yes. All right, we got it. -Let's go, let's go. | 0:08:19 | 0:08:23 | |
Thank you so much, Tess. I really appreciate it. | 0:08:23 | 0:08:25 | |
It's actually pretty funny seeing Emily on Tess' lap. | 0:08:28 | 0:08:31 | |
I wish I had a copy of the picture. | 0:08:31 | 0:08:33 | |
All right, all right. Number six. | 0:08:44 | 0:08:47 | |
Find a rack of costumes. | 0:08:47 | 0:08:50 | |
OK. I think we got it. | 0:08:50 | 0:08:52 | |
The scavenger hunt is going really well. | 0:08:52 | 0:08:54 | |
I couldn't have asked for better partners than West and Giselle. | 0:08:54 | 0:08:56 | |
I mean, they're so fun. | 0:08:56 | 0:08:59 | |
-Oh, it's a riddle. -OK. | 0:08:59 | 0:09:00 | |
Basically, we have to figure out this riddle | 0:09:00 | 0:09:03 | |
and we have to put the costume on and take a picture. | 0:09:03 | 0:09:06 | |
This person keeps his sandwiches in a launch box. | 0:09:06 | 0:09:09 | |
-Launch box? -OK, don't worry. I got this. I got this. | 0:09:09 | 0:09:12 | |
-OK, go for it. -Launch... launch box. Lau... launch box! | 0:09:12 | 0:09:18 | |
He's a Frenchman. | 0:09:18 | 0:09:20 | |
I'm really good at riddles in general. | 0:09:20 | 0:09:22 | |
-Nope. -No. | 0:09:22 | 0:09:24 | |
It's like... launch. You go launch box. | 0:09:24 | 0:09:28 | |
Oh, guys! Like an astronaut. Launch. | 0:09:28 | 0:09:33 | |
Oh! Launch box. | 0:09:33 | 0:09:35 | |
Astronaut. Of course. I knew that. | 0:09:35 | 0:09:39 | |
-Oh, right here. -Oh, there it is. Haha, sweet. | 0:09:39 | 0:09:44 | |
That is the ugliest costume I've ever seen. | 0:09:44 | 0:09:47 | |
Which one of you two is putting it on, then? | 0:09:47 | 0:09:50 | |
-BOTH: -You. | 0:09:52 | 0:09:53 | |
I don't think I should be the one to put on the costume. | 0:09:53 | 0:09:56 | |
I mean, that costume is not flattering. Nor clean. | 0:09:56 | 0:10:01 | |
-Uh, no. -Awe, come on. | 0:10:01 | 0:10:02 | |
Does it look like a ballerina... | 0:10:04 | 0:10:06 | |
You're putting on this astronaut costume. | 0:10:06 | 0:10:09 | |
I agreed to put on the costume because West is always saying | 0:10:09 | 0:10:11 | |
that you have to try new things. | 0:10:11 | 0:10:14 | |
And who knows, maybe it'll be fun. | 0:10:14 | 0:10:17 | |
I feel like Emily is a completely changed person. | 0:10:17 | 0:10:20 | |
Recently, she's been more happy and just more fun to be around. | 0:10:20 | 0:10:24 | |
You know, she's actually really cool. You know, I like it. | 0:10:24 | 0:10:28 | |
-So... oh, oh. -Oh. -Come on. | 0:10:29 | 0:10:31 | |
The next task is pretty easy. | 0:10:31 | 0:10:33 | |
We just have to figure out this riddle and find a costume | 0:10:33 | 0:10:35 | |
and put it on. | 0:10:35 | 0:10:36 | |
Although Emily looks like she's struggling a little bit. | 0:10:36 | 0:10:39 | |
-Gloves. -Let them eat cake? | 0:10:39 | 0:10:41 | |
-Marie Antoinette. -Oh. Perfect. | 0:10:41 | 0:10:43 | |
-Yes! You're looking fab. -Got to go full out. | 0:10:44 | 0:10:49 | |
Guys, I just got a text. Max's dance is coming up next. | 0:10:49 | 0:10:52 | |
I got to go. | 0:10:52 | 0:10:54 | |
I like to think to myself as a level-headed person | 0:10:54 | 0:10:57 | |
but if Amanda gets to see Shawn Desman and I don't... | 0:10:57 | 0:11:01 | |
I'm going to scream. | 0:11:01 | 0:11:02 | |
Now Elite lost region seven against The Next Step. We remember that. | 0:11:12 | 0:11:17 | |
We thought it was the end of the line for them but no, not the case. | 0:11:17 | 0:11:20 | |
They moved on to another region and then qualified, | 0:11:20 | 0:11:23 | |
taking advantage of a loophole in the rules. | 0:11:23 | 0:11:26 | |
Absolutely. And you know, Chuck, | 0:11:26 | 0:11:27 | |
the dance captain actually used to be with The Next Step, so I hear. | 0:11:27 | 0:11:32 | |
Elite, opening up their run | 0:11:32 | 0:11:34 | |
here at the Absolute Dance National Championships. | 0:11:34 | 0:11:37 | |
I'm really curious to see Elite's performance. | 0:11:39 | 0:11:42 | |
I mean, their soloist, Max, wins at Nationals every year. | 0:11:42 | 0:11:45 | |
He jests at scars that never felt a wound. | 0:11:54 | 0:11:57 | |
But, soft. What light through yonder window breaks? | 0:11:57 | 0:12:01 | |
It is the east, and Juliet is the sun. | 0:12:04 | 0:12:08 | |
Arise, fair sun, and kill the envious moon, | 0:12:10 | 0:12:12 | |
Who is already sick and pale with grief, | 0:12:12 | 0:12:16 | |
That thou her maid art far more fair than she. | 0:12:16 | 0:12:19 | |
Be not her maid, since she is envious. | 0:12:19 | 0:12:21 | |
-Is this Max from Elite? -Yeah. | 0:12:21 | 0:12:24 | |
Her vestal livery is but sick and green. | 0:12:24 | 0:12:27 | |
Max's solo is particularly amazing especially because he's | 0:12:27 | 0:12:32 | |
kind of communicating with his whole body and his facials, as well. | 0:12:32 | 0:12:36 | |
And none but fools do wear it, cast it off. | 0:12:36 | 0:12:39 | |
It's just he's a lot better than I expected. | 0:12:39 | 0:12:42 | |
It is my lady, O, it is my love! | 0:12:42 | 0:12:44 | |
O, that she knew she were! | 0:12:46 | 0:12:48 | |
She speaks yet she says nothing. What of that? | 0:12:48 | 0:12:51 | |
Her eye discourses, I will answer it. | 0:12:51 | 0:12:54 | |
Max kind of has a little bit of Daniel | 0:12:54 | 0:12:57 | |
and a little bit of Eldon in his dancing. | 0:12:57 | 0:12:59 | |
He's graceful like Daniel but has the power of Eldon at the same time. | 0:13:00 | 0:13:05 | |
It makes for a really good combination. | 0:13:05 | 0:13:07 | |
Two of the fairest stars in all the heaven, | 0:13:07 | 0:13:10 | |
Having some business, do entreat her eyes, | 0:13:10 | 0:13:13 | |
To twinkle in their spheres till they return. | 0:13:13 | 0:13:17 | |
-What if her eyes were there, they in her head? -He's good. | 0:13:17 | 0:13:21 | |
The brightness of her cheek would shame those stars, | 0:13:21 | 0:13:23 | |
As daylight doth a lamp, her eyes in heaven. | 0:13:23 | 0:13:27 | |
Would through the airy region stream so bright, | 0:13:27 | 0:13:29 | |
That birds would sing and think it were not night. | 0:13:29 | 0:13:32 | |
See, how she leans her cheek upon her hand. | 0:13:34 | 0:13:37 | |
O, that I were a glove upon that hand, | 0:13:37 | 0:13:41 | |
That I might touch that cheek! | 0:13:41 | 0:13:43 | |
APPLAUSE | 0:13:49 | 0:13:53 | |
-That was really dramatic. Fantastic. -Wow. | 0:13:53 | 0:13:56 | |
Man, I don't know how the judges pick the winner | 0:13:56 | 0:13:59 | |
and now that the entire losing team has to go home, this is insane. | 0:13:59 | 0:14:05 | |
And the winning team, the male soloist, | 0:14:05 | 0:14:08 | |
Representing Region 17 moving his team forward to small group | 0:14:08 | 0:14:12 | |
is Elite. | 0:14:12 | 0:14:15 | |
It would have been nice if someone else eliminated Elite for us, | 0:14:23 | 0:14:27 | |
but I'm not surprised. They came back even stronger than before. | 0:14:27 | 0:14:30 | |
I'm down for this photo, too. | 0:14:41 | 0:14:45 | |
Whoa. | 0:14:45 | 0:14:47 | |
Right now, we have to get a photo with Shawn Desman. | 0:14:47 | 0:14:49 | |
And this is the last mission on this scavenger hunt. | 0:14:49 | 0:14:53 | |
We really got to make this happen. | 0:14:53 | 0:14:55 | |
Is this the line? | 0:14:55 | 0:14:57 | |
Yeah, this is totally the line. | 0:14:57 | 0:15:00 | |
There's no way Shawn Desman's going to get through this whole | 0:15:00 | 0:15:02 | |
line before his concert starts. It's impossible. | 0:15:02 | 0:15:05 | |
We have to think of something. | 0:15:05 | 0:15:07 | |
If we don't make it to this party, we'll never live it down. | 0:15:07 | 0:15:10 | |
-Oh, I just got a crazy idea. -What? -What if I acted like a celebrity? | 0:15:10 | 0:15:13 | |
I'm pretty sure we can get to the front of the line. | 0:15:13 | 0:15:15 | |
OK, that is a crazy idea. | 0:15:15 | 0:15:17 | |
What? Celebrities talk to celebrities all the time. | 0:15:17 | 0:15:19 | |
-It's not happening, West. -I love it. I think it's genius. | 0:15:19 | 0:15:21 | |
-Let's do it. -What? -All right. | 0:15:21 | 0:15:24 | |
I think West's idea is brilliant. | 0:15:24 | 0:15:26 | |
I mean, if we play it right and pull out our best acting abilities, | 0:15:26 | 0:15:30 | |
this could save us a lot of time. | 0:15:30 | 0:15:32 | |
The fact that Emily agreed with it and she wants to go for it... | 0:15:32 | 0:15:36 | |
I mean, it's pretty good to have someone on your side. | 0:15:36 | 0:15:40 | |
-Let's do it. -All right, take that off. Gather close. | 0:15:40 | 0:15:42 | |
OK, let's do it. | 0:15:42 | 0:15:44 | |
If we're going to make this work, we're going to need a costume. | 0:15:44 | 0:15:47 | |
You know, something interesting. | 0:15:47 | 0:15:50 | |
I can't believe people are just letting us borrow their clothes. | 0:15:53 | 0:15:57 | |
This idea might actually work. | 0:15:57 | 0:16:00 | |
You're The Compass. Recording artist. You're amazing. | 0:16:00 | 0:16:02 | |
-You're his fan. Security. -OK. | 0:16:02 | 0:16:04 | |
-OK, cool. -On three, hands in. | 0:16:04 | 0:16:07 | |
One, two, three. | 0:16:07 | 0:16:08 | |
Back it up, ladies. It's Compass. | 0:16:08 | 0:16:14 | |
-Too kind, thank you. -Everyone! Compass, Compass, Compass. | 0:16:14 | 0:16:19 | |
All right, everybody. I need silence. | 0:16:19 | 0:16:22 | |
Hey, Shawn. How's it going? It's The Compass. | 0:16:23 | 0:16:27 | |
You know I'm in town. You know, you probably don't recognise me | 0:16:27 | 0:16:29 | |
cos of these cool shades. | 0:16:29 | 0:16:30 | |
Yeah! Yeah, yeah. Compass. Yeah, Compass. | 0:16:30 | 0:16:35 | |
-Excuse me. -How's it going, man? | 0:16:35 | 0:16:37 | |
Good to see you. You in town... | 0:16:37 | 0:16:40 | |
Yeah, I'm in town for a couple of shows. | 0:16:40 | 0:16:41 | |
Shawn is completely falling for this. He has no idea who we are. | 0:16:41 | 0:16:45 | |
-Let's get a pic, man. -Yeah, let's do it. | 0:16:45 | 0:16:47 | |
I'll take a picture. I'll take it. | 0:16:47 | 0:16:50 | |
Sorry, just me and Compass. | 0:16:50 | 0:16:51 | |
Just me and Shawn, please. Thanks. Back it up. | 0:16:51 | 0:16:54 | |
Smile. | 0:16:54 | 0:16:55 | |
I don't want to admit it but West is actually pretty smart. | 0:16:55 | 0:16:59 | |
-Good to see you, man. -Take care, man. | 0:16:59 | 0:17:01 | |
-Have fun with those autograph signings. -Bye, Shawn! Bye! | 0:17:01 | 0:17:04 | |
Bye. | 0:17:04 | 0:17:05 | |
Having completed the task is the best feeling. | 0:17:05 | 0:17:08 | |
I think the team is going to be so excited | 0:17:08 | 0:17:10 | |
and we're going to have so much fun tonight. | 0:17:10 | 0:17:12 | |
Right now, we're all just hanging out at the Nationals party | 0:17:23 | 0:17:25 | |
before Shawn Desman comes to perform. | 0:17:25 | 0:17:27 | |
I'm so happy Emily, Giselle and West got the tickets. | 0:17:27 | 0:17:30 | |
I can't believe The Next Step showed up considering | 0:17:30 | 0:17:33 | |
-they're the weakest team here. Right, Amanda? -Um, sure. | 0:17:33 | 0:17:36 | |
I know I've messed with The Next Step before, | 0:17:38 | 0:17:40 | |
but now we're at Nationals and I just want to win fair and square. | 0:17:40 | 0:17:43 | |
You know, Tess, I'm pretty sure we already beat you so, bye-bye now. | 0:17:43 | 0:17:48 | |
-Run along. -Whatever. Let's go, Amanda. | 0:17:48 | 0:17:51 | |
-Bye, guys. -I'm happy that Emily, West and I were able | 0:17:51 | 0:17:54 | |
to come through for everybody. | 0:17:54 | 0:17:56 | |
But I'm even happier that we get to see Shawn Desman in concert. | 0:17:56 | 0:17:59 | |
Ladies and gentleman, Shawn Desman. | 0:17:59 | 0:18:03 | |
HE SINGS | 0:18:08 | 0:18:11 | |
After seeing how tough the competition is, this concert | 0:18:17 | 0:18:20 | |
is exactly what we need to relax. | 0:18:20 | 0:18:22 | |
HE SINGS | 0:18:22 | 0:18:26 | |
I gave Emily a hug because, you know, if it wasn't for us, | 0:18:39 | 0:18:42 | |
then our team wouldn't be here at this welcome party. | 0:18:42 | 0:18:47 | |
Most dancers will never experience what we're experiencing right now. | 0:18:47 | 0:18:51 | |
It's incredible. I'm pumped. I'm ready to just... kill it. | 0:18:51 | 0:18:54 | |
Yo, Eldon is amazing. | 0:19:02 | 0:19:04 | |
And I feel bad for anybody that has to go up against him tomorrow. | 0:19:04 | 0:19:08 | |
HE SINGS | 0:19:08 | 0:19:16 | |
Dancing at this party is... it's just so fun. | 0:19:22 | 0:19:26 | |
You know what I like about Nationals? | 0:19:30 | 0:19:32 | |
This is where greatness happens. | 0:19:32 | 0:19:34 | |
HE SINGS | 0:19:37 | 0:19:39 | |
Not going to lie. | 0:19:58 | 0:19:59 | |
I'm definitely intimidated by some of the teams that are here, | 0:19:59 | 0:20:01 | |
but it's OK. | 0:20:01 | 0:20:03 | |
It just makes us stronger. | 0:20:03 | 0:20:05 | |
Nationals is just a whole other level. | 0:20:12 | 0:20:14 | |
It's so much bigger than we could have ever imagined. | 0:20:14 | 0:20:17 | |
I have dreamed of coming to Nationals my entire life | 0:20:23 | 0:20:26 | |
and now I'm here. | 0:20:26 | 0:20:28 | |
HE SINGS | 0:20:28 | 0:20:30 | |
We have been through so much as a group together. | 0:20:37 | 0:20:40 | |
It's really been a ride. | 0:20:40 | 0:20:41 | |
My adrenaline is just pumping. | 0:20:47 | 0:20:50 | |
But tomorrow, Nationals is going to see what The Next Step can do. | 0:20:50 | 0:20:54 | |
APPLAUSE | 0:20:54 | 0:20:57 |