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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
If I got the chance to do the duet with James at Nationals, | 0:00:03 | 0:00:07 | |
it'd be pretty awesome. | 0:00:07 | 0:00:08 | |
-Yo, Riley. -Yeah? | 0:00:08 | 0:00:10 | |
I have to go to rehearsal with Beth right now. | 0:00:10 | 0:00:12 | |
I honestly have mixed feelings about Beth. | 0:00:12 | 0:00:15 | |
But, I trust James. | 0:00:15 | 0:00:16 | |
'I'm in shock.' | 0:00:18 | 0:00:19 | |
I thought he loved me. | 0:00:21 | 0:00:23 | |
# Well, hey, you, what do you say? | 0:00:23 | 0:00:26 | |
# I've been thinking 'bout you since yesterday. # | 0:00:26 | 0:00:29 | |
Mum almost, like, literally washed the kittens. | 0:00:29 | 0:00:33 | |
In the washing machine! I was running - "Mum!" | 0:00:33 | 0:00:36 | |
Did I tell you what happened last night with James? | 0:00:36 | 0:00:39 | |
-No. -OK, well, so, you know, we won the Nationals duet, | 0:00:39 | 0:00:43 | |
-which is great, but, erm... -Yeah. | 0:00:43 | 0:00:45 | |
-I went to tell him. -Uh-huh. | 0:00:45 | 0:00:47 | |
So, I go to the music room and I'm really excited about it. | 0:00:47 | 0:00:49 | |
I'm really stoked to tell him, and then... | 0:00:49 | 0:00:52 | |
I go in and I see him kissing Beth. | 0:00:52 | 0:00:55 | |
-What?! -Kissing her. I don't think he saw me, but... | 0:00:55 | 0:00:57 | |
Wait, wait, how long were they kissing? | 0:00:57 | 0:00:59 | |
-I don't know, but it seemed like forever. -Riley, calm down. | 0:00:59 | 0:01:02 | |
'To be honest, I can't really' | 0:01:02 | 0:01:03 | |
gauge how serious the James and Beth kiss was, | 0:01:03 | 0:01:06 | |
because Riley has a tendency to, | 0:01:06 | 0:01:08 | |
well, overreact. | 0:01:08 | 0:01:09 | |
You have to talk to him. | 0:01:09 | 0:01:12 | |
You don't know the full story, OK? Just...just see what's going on. | 0:01:12 | 0:01:15 | |
'I think Emily's right. I mean,' | 0:01:15 | 0:01:18 | |
if I give James a chance to explain, | 0:01:18 | 0:01:20 | |
then hopefully he'll be honest, | 0:01:20 | 0:01:21 | |
and, you know, he'll tell me the truth. | 0:01:21 | 0:01:24 | |
You can't jump to conclusions with your heart, OK? | 0:01:24 | 0:01:28 | |
And either you're going to get hurt, or he's going to get hurt. | 0:01:28 | 0:01:31 | |
You don't know the full story, OK? | 0:01:31 | 0:01:32 | |
-What's up? -You just have to pack that picnic and get out of here! | 0:01:32 | 0:01:36 | |
-Like I'm about to do to wash our cat. -Oh... | 0:01:36 | 0:01:38 | |
-Uh... -All right, well, have fun! | 0:01:38 | 0:01:40 | |
What's up? | 0:01:42 | 0:01:44 | |
So, how was the rehearsal with Beth last night? | 0:01:44 | 0:01:47 | |
'I want him to look me in the eye' | 0:01:47 | 0:01:49 | |
and tell me the truth. | 0:01:49 | 0:01:51 | |
It was good. We really got some more progress with the dance. | 0:01:51 | 0:01:54 | |
So, I'm starting to feel really comfortable with it. | 0:01:54 | 0:01:57 | |
So, nothing happened at rehearsal? | 0:01:57 | 0:02:00 | |
-Nothing out of the ordinary at all? -No, same old. | 0:02:00 | 0:02:02 | |
'And when he lies to my face... | 0:02:02 | 0:02:04 | |
'..I know the kiss had to have meant something. | 0:02:06 | 0:02:09 | |
'Why would he...?' | 0:02:09 | 0:02:10 | |
Why would he not tell me the truth if it didn't mean something? | 0:02:10 | 0:02:15 | |
# We, we are gonna show the world | 0:02:15 | 0:02:21 | |
# Everything we're made of | 0:02:21 | 0:02:24 | |
# We're gonna tear the roof off this place | 0:02:24 | 0:02:32 | |
# Stand up. # | 0:02:37 | 0:02:39 | |
Nothing happened at all? | 0:02:55 | 0:02:57 | |
-No. Same old. -Nothing out of the ordinary? | 0:02:57 | 0:02:59 | |
No, like, aliens abducting you, or something? Nothing? | 0:02:59 | 0:03:02 | |
-Not one thing? -No aliens. What's up? | 0:03:02 | 0:03:04 | |
'I don't tell Riley about the kiss, because the kiss meant nothing.' | 0:03:04 | 0:03:07 | |
And I know that she will never understand that. | 0:03:07 | 0:03:10 | |
So, for me to tell her, it would be pointless. | 0:03:10 | 0:03:13 | |
That's funny, because when I came to the music room last night to | 0:03:13 | 0:03:17 | |
tell you that we got the Nationals duet, I see you and Beth kissing. | 0:03:17 | 0:03:23 | |
And then when, I give you a chance to be honest about it, | 0:03:23 | 0:03:25 | |
-you lie to my face. -Look, Riley... | 0:03:25 | 0:03:27 | |
-Is there anything else you're lying to me about? -No, Riley. | 0:03:27 | 0:03:30 | |
Listen, Beth kissed me. I didn't kiss Beth. | 0:03:30 | 0:03:32 | |
'He can try and justify it as much as he wants.' | 0:03:32 | 0:03:34 | |
It doesn't change the fact that he did it, | 0:03:34 | 0:03:36 | |
and that he lied to my face about it. | 0:03:36 | 0:03:39 | |
But, you didn't pull away either. | 0:03:39 | 0:03:41 | |
Riley, come on, I... | 0:03:41 | 0:03:42 | |
Hey, guys! Sign up sheet for small group auditions is up. | 0:03:59 | 0:04:02 | |
Small group auditions are with three to six people | 0:04:02 | 0:04:05 | |
and it gives the judges a chance to see us work together as a team. | 0:04:05 | 0:04:09 | |
Hey, uh, do you guys want to sign up for small group auditions with me? | 0:04:09 | 0:04:13 | |
-That would be amazing. -Right. | 0:04:13 | 0:04:15 | |
That would be so much fun. | 0:04:15 | 0:04:16 | |
I am so excited to work with Talia and Amanda. | 0:04:16 | 0:04:19 | |
I mean, the two new girls and me? | 0:04:19 | 0:04:22 | |
'How great is that? | 0:04:22 | 0:04:24 | |
'I mean, I get to make new friends and I get to learn a lot from them.' | 0:04:24 | 0:04:28 | |
They're phenomenal dancers and it really gives me | 0:04:28 | 0:04:31 | |
a great opportunity to get to know them. | 0:04:31 | 0:04:33 | |
Daniel, we should get together and audition. | 0:04:33 | 0:04:36 | |
OK, sure. | 0:04:36 | 0:04:37 | |
'I'm a little put out' | 0:04:37 | 0:04:38 | |
that I have to audition for a small group, | 0:04:38 | 0:04:40 | |
because I didn't get my first choice, which was the solo. | 0:04:40 | 0:04:43 | |
But, at least I will have something to dance for at Nationals. | 0:04:43 | 0:04:48 | |
-Who should be the third? -Hunter. | 0:04:48 | 0:04:50 | |
-Hunter. -Hey, guys. -Do you want to audition for a small group with us? | 0:04:50 | 0:04:53 | |
Yeah, that's going to be awesome. | 0:04:53 | 0:04:54 | |
'Hunter is a great dancer, so' | 0:04:54 | 0:04:56 | |
that's why Daniel and I agreed to ask him | 0:04:56 | 0:04:59 | |
to be part of our small group. | 0:04:59 | 0:05:01 | |
Yo, bro. Remember that one time we were on the field, | 0:05:01 | 0:05:03 | |
and you threw a cork...? | 0:05:03 | 0:05:05 | |
'I'm kind of just looking across the room at Riley, | 0:05:05 | 0:05:07 | |
'and watching her stretch. | 0:05:07 | 0:05:08 | |
'I'm trying to read her just to see if' | 0:05:08 | 0:05:10 | |
I have any hope. | 0:05:10 | 0:05:12 | |
-That was actually... -Yeah, man, you know, isn't that funny? | 0:05:12 | 0:05:14 | |
-Sorry, what? -Are you good, bro? | 0:05:14 | 0:05:17 | |
I don't know, man. I'm kind of preoccupied with some stuff. | 0:05:17 | 0:05:20 | |
-Preoccupied? -With what? | 0:05:20 | 0:05:22 | |
Yo, I...I kissed Beth, bro. | 0:05:24 | 0:05:26 | |
-Oh! -And Riley saw. | 0:05:26 | 0:05:28 | |
'For most problems I'd' | 0:05:29 | 0:05:30 | |
find a way to solve it, but... | 0:05:30 | 0:05:33 | |
maybe there's not a solution to this one. | 0:05:33 | 0:05:35 | |
-OK, wait... -No way. -Shh... -Wait, no, no, no... -Did... | 0:05:35 | 0:05:38 | |
Did you kiss Beth, or did Beth kiss you? | 0:05:38 | 0:05:42 | |
Well, technically, she kissed me, man. | 0:05:42 | 0:05:45 | |
Oh, so, you're good, man. You got nothing to worry about. | 0:05:45 | 0:05:47 | |
-Yeah. -You got nothing to worry about. I mean, | 0:05:47 | 0:05:49 | |
unless it lasted more than three seconds. | 0:05:49 | 0:05:52 | |
What? What? What does that have to do with it? | 0:05:52 | 0:05:54 | |
You don't know about the three-second rule? | 0:05:54 | 0:05:56 | |
How it works is if the kiss lasts more than three seconds, | 0:05:56 | 0:05:59 | |
then that means that you're interested. | 0:05:59 | 0:06:00 | |
It's not really your fault, you know? | 0:06:00 | 0:06:02 | |
Cos it takes your brain three seconds to actually process | 0:06:02 | 0:06:05 | |
the fact that you're kissing someone. | 0:06:05 | 0:06:07 | |
So, at first it's like, "Oh, my gosh! I'm kissing someone!" | 0:06:07 | 0:06:09 | |
And then, "My lips are attached to this person." | 0:06:09 | 0:06:13 | |
And then, "I'm trying to detach my lips from this person." | 0:06:13 | 0:06:16 | |
And then, "I'm gone." So, that takes about three seconds. | 0:06:16 | 0:06:18 | |
How long was the kiss? | 0:06:18 | 0:06:20 | |
I don't know, like... | 0:06:20 | 0:06:24 | |
-Nine, nine seconds. -Nine? -Are you counting right now? | 0:06:24 | 0:06:27 | |
-Yeah. -This guy just said nine seconds. | 0:06:27 | 0:06:29 | |
Yeah, he said nine seconds. | 0:06:29 | 0:06:31 | |
He's in trouble. | 0:06:31 | 0:06:32 | |
BOTH: Guilty! | 0:06:33 | 0:06:34 | |
-What? No... -'I think James is in a lot of trouble. | 0:06:34 | 0:06:36 | |
'Mainly, because Riley saw what happened,' | 0:06:36 | 0:06:40 | |
and because he didn't back away. | 0:06:40 | 0:06:43 | |
MUSIC: Tied To You by The Next Step | 0:06:43 | 0:06:46 | |
# My friends tried to tell me that she's no good | 0:06:49 | 0:06:52 | |
# But if she came crawling back to me you know I would | 0:06:52 | 0:06:55 | |
# Oh, I can't be held responsible for anything I do | 0:06:55 | 0:06:59 | |
# With you, you, you... # | 0:06:59 | 0:07:04 | |
'Right now, I'm just going into the music room to tell Beth' | 0:07:04 | 0:07:07 | |
that I can't do the duet. | 0:07:07 | 0:07:09 | |
-Want to come rehearse? -Uh... | 0:07:09 | 0:07:10 | |
I want to do that, uh... You know that spinning part? | 0:07:10 | 0:07:13 | |
-Yeah. -I can never do it. | 0:07:13 | 0:07:14 | |
Listen, Beth, I can't go to the competition with you. | 0:07:14 | 0:07:17 | |
-What? -I'm sorry. | 0:07:17 | 0:07:19 | |
What do you mean? | 0:07:19 | 0:07:20 | |
Riley saw us kiss and she's getting the wrong idea. | 0:07:20 | 0:07:23 | |
I can't do it. | 0:07:23 | 0:07:25 | |
Well, what did she say? | 0:07:25 | 0:07:26 | |
Well, she thinks I want to be with you. I mean... | 0:07:26 | 0:07:29 | |
James, what are we going to do? | 0:07:29 | 0:07:32 | |
-I'm sorry. -We could win! | 0:07:32 | 0:07:33 | |
I know, I know. | 0:07:33 | 0:07:35 | |
-I could go talk to her. -Definitely not. Do not talk to her, please. | 0:07:35 | 0:07:38 | |
All right, I'm just trying to think, cos, you know, my dad was | 0:07:38 | 0:07:41 | |
supposed to take the day off work tomorrow and drive us down, right? | 0:07:41 | 0:07:44 | |
-Oh, yeah. -I just don't know what to say. | 0:07:44 | 0:07:46 | |
Tell him I'm sorry. | 0:07:46 | 0:07:48 | |
I'm sorry. I can't. | 0:07:48 | 0:07:49 | |
You're killing me! | 0:07:50 | 0:07:52 | |
-I'm sorry. -All right...well... | 0:07:52 | 0:07:55 | |
go figure out stuff with Riley, I guess. | 0:07:55 | 0:07:58 | |
OK, yeah. All right, I'll catch you later. | 0:07:58 | 0:08:00 | |
-Well, I'll be here. -See you. | 0:08:00 | 0:08:02 | |
'I don't think that by doing this' | 0:08:02 | 0:08:04 | |
Riley's just going to come back to me. | 0:08:04 | 0:08:06 | |
But, it's a step in the right direction. | 0:08:06 | 0:08:08 | |
-OK, so you have the registration forms in there? -Yes. | 0:08:08 | 0:08:10 | |
-All signed? -Yes. -Great. -Miss Kate! | 0:08:10 | 0:08:12 | |
-Yeah? -Could I talk to you for a minute about the whole duet? | 0:08:12 | 0:08:15 | |
Sure. | 0:08:15 | 0:08:16 | |
OK, um... | 0:08:16 | 0:08:18 | |
Just stop for a minute. | 0:08:20 | 0:08:22 | |
I don't think I can do it. | 0:08:22 | 0:08:25 | |
What do you mean you can't do the duet? | 0:08:25 | 0:08:27 | |
'When Riley tells me she doesn't want to' | 0:08:27 | 0:08:29 | |
do the duet, I am shocked and confused. | 0:08:29 | 0:08:32 | |
I have no idea what's going on. | 0:08:32 | 0:08:34 | |
Riley, you have to think about the team, here. OK? | 0:08:34 | 0:08:37 | |
We need you and James to do this duet for Nationals. | 0:08:37 | 0:08:40 | |
'After everything that's happened' | 0:08:40 | 0:08:42 | |
with James... | 0:08:42 | 0:08:44 | |
I just can't do the duet with him. | 0:08:44 | 0:08:47 | |
I just can't. | 0:08:49 | 0:08:51 | |
Riley, now is the time for you to be a professional. | 0:08:51 | 0:08:53 | |
Professionals put aside whatever happens outside of | 0:08:53 | 0:08:56 | |
the dance studio, and they focus on the dance and the performance, | 0:08:56 | 0:08:59 | |
and that's what I need from you right now. | 0:08:59 | 0:09:02 | |
All right, I'll... I'll try and stick it out. | 0:09:04 | 0:09:06 | |
Great. Thank you so much, Riley. | 0:09:06 | 0:09:09 | |
You'll be great, OK? | 0:09:09 | 0:09:11 | |
'Kate is right. I can't let the team down.' | 0:09:11 | 0:09:14 | |
Working with James is going to be so difficult. | 0:09:16 | 0:09:20 | |
I don't know how I'm going to get through this. | 0:09:20 | 0:09:22 | |
# We on top of the world We on top of the world | 0:09:24 | 0:09:28 | |
# We on top of the world What you think about it? # | 0:09:28 | 0:09:31 | |
OK, guys, it is small group audition time! Are you ready? | 0:09:31 | 0:09:34 | |
-CHEERING -Yes, good! | 0:09:34 | 0:09:37 | |
OK, well, let's get right to it. | 0:09:37 | 0:09:38 | |
How about we have Chloe, Daniel and Hunter? | 0:09:38 | 0:09:41 | |
BALLET MUSIC PLAYS | 0:09:41 | 0:09:44 | |
'I wouldn't say I'm happy having to do the small group | 0:09:47 | 0:09:50 | |
'and team up with Hunter and Chloe' | 0:09:50 | 0:09:52 | |
but I think they would be my top pick. | 0:09:52 | 0:09:54 | |
'Working with Daniel and Chloe has turned out to be awesome. | 0:09:59 | 0:10:02 | |
'We bring different things to the table' | 0:10:02 | 0:10:04 | |
and that collaboration really works. | 0:10:04 | 0:10:06 | |
HIP-HOP/BALLET MUSIC PLAYS | 0:10:09 | 0:10:12 | |
'I feel great dancing the small group. | 0:10:19 | 0:10:21 | |
'We made it a bit of a fusion between hip-hop' | 0:10:21 | 0:10:23 | |
and ballet, which is really cool, | 0:10:23 | 0:10:25 | |
cos I'm not the best hip-hop dancer, | 0:10:25 | 0:10:27 | |
so I got to learn a lot from Hunter. | 0:10:27 | 0:10:28 | |
-Whoo! -Sick. | 0:10:31 | 0:10:33 | |
Whoo! Nice! | 0:10:49 | 0:10:51 | |
Whoo! | 0:10:56 | 0:10:57 | |
Great! | 0:11:09 | 0:11:10 | |
Whoo! | 0:11:14 | 0:11:15 | |
CHEERING AND APPLAUSE | 0:11:21 | 0:11:23 | |
Wow, that was a nice remix, there! | 0:11:25 | 0:11:28 | |
OK, next up we have Thalia, Giselle and Amanda up for us. | 0:11:28 | 0:11:32 | |
PERCUSSIVE MUSIC PLAYS | 0:11:32 | 0:11:34 | |
Whoo! | 0:11:37 | 0:11:39 | |
Our trio is going so well. | 0:11:42 | 0:11:44 | |
It's just old school and fun, and a little bit | 0:11:44 | 0:11:46 | |
sassy at the same time. | 0:11:46 | 0:11:47 | |
I look over and Giselle and Amanda | 0:11:51 | 0:11:53 | |
are doing really well and it just brings up my energy. | 0:11:53 | 0:11:56 | |
It's so much fun. | 0:11:56 | 0:11:58 | |
CHEERING | 0:11:58 | 0:12:00 | |
Whoo! | 0:12:05 | 0:12:06 | |
Whoo! | 0:12:28 | 0:12:30 | |
I really hope that Thalia, Giselle and I | 0:12:48 | 0:12:50 | |
get the small group. It would be awesome to work with them, and | 0:12:50 | 0:12:53 | |
awesome to go to Nationals with this trio. | 0:12:53 | 0:12:55 | |
CHEERING AND APPLAUSE | 0:12:59 | 0:13:01 | |
Yeah! Nicely done, ladies! | 0:13:01 | 0:13:04 | |
Amazing job. | 0:13:04 | 0:13:05 | |
I could tell you guys put so much hard work and effort into that. | 0:13:05 | 0:13:08 | |
I really, really, really appreciate it. | 0:13:08 | 0:13:10 | |
I'm going to have to go think about it | 0:13:10 | 0:13:11 | |
-and I'll let you guys know shortly. Thank you. -All right. | 0:13:11 | 0:13:14 | |
APPLAUSE | 0:13:14 | 0:13:17 | |
'I planned a surprise to Riley to show how much she means to me' | 0:13:19 | 0:13:22 | |
because she won't even talk to me. | 0:13:22 | 0:13:24 | |
-'And I don't know how to get through to her.' -Can I help you? | 0:13:24 | 0:13:27 | |
What's up? | 0:13:27 | 0:13:28 | |
I don't know what James is trying to do right now. | 0:13:30 | 0:13:33 | |
I just don't want to deal with it. | 0:13:34 | 0:13:36 | |
I want to show you something. | 0:13:36 | 0:13:39 | |
-James... -'I was thinking about how I could get Riley to talk to me.' | 0:13:39 | 0:13:43 | |
And there's not that much I'm good at, but I can dance. | 0:13:43 | 0:13:47 | |
Come on. | 0:13:47 | 0:13:49 | |
'I agree to stay, because there's still...' | 0:13:49 | 0:13:52 | |
a part of me... that wants to be with him. | 0:13:52 | 0:13:57 | |
MUSIC: Let's Get Lost by The Next Step | 0:13:57 | 0:14:00 | |
# You call me up | 0:14:04 | 0:14:06 | |
# I'm at your door in record time... # | 0:14:07 | 0:14:11 | |
'As James dances, I do kind of feel...a little bit lighter.' | 0:14:11 | 0:14:16 | |
I mean, that he's showing me that he's trying, you know? | 0:14:16 | 0:14:20 | |
And that's something that he doesn't normally do, so... | 0:14:20 | 0:14:23 | |
I don't know, it makes me feel kind of special. | 0:14:23 | 0:14:25 | |
# We're getting closer, Every time I wanna go, ay-oh, ay-oh | 0:14:25 | 0:14:31 | |
# Let's get lost and find each other | 0:14:31 | 0:14:33 | |
# In the middle... # | 0:14:33 | 0:14:35 | |
'Honestly, I think the dance is working so far.' | 0:14:35 | 0:14:37 | |
I mean, she's kind of getting into it. | 0:14:37 | 0:14:39 | |
I'm making her smile here and there, and | 0:14:39 | 0:14:41 | |
I haven't even had eye contact from her for a while now. | 0:14:41 | 0:14:44 | |
# Let's all have a good time | 0:14:44 | 0:14:46 | |
# Oh, way-oh, oh, oh Way-oh-oh | 0:14:46 | 0:14:49 | |
# Let's get lost and find each other tonight. # | 0:14:49 | 0:14:54 | |
Look, Riley, I'm so sorry... about everything. | 0:14:54 | 0:14:59 | |
Please, just talk to me. | 0:14:59 | 0:15:02 | |
That dance was for you. | 0:15:04 | 0:15:06 | |
That song was for you. | 0:15:06 | 0:15:08 | |
You have to realise that with Beth there was never anything. | 0:15:08 | 0:15:11 | |
It's always been you. | 0:15:11 | 0:15:12 | |
You have to forgive me. | 0:15:15 | 0:15:17 | |
The moment that James kneels in front of me | 0:15:19 | 0:15:23 | |
and tells me it's always been me... | 0:15:23 | 0:15:25 | |
It's all I've ever really wanted him to say. | 0:15:25 | 0:15:28 | |
Whoo! What's going on over here, guys? | 0:15:29 | 0:15:33 | |
'And then, I see Beth and it just brings back...' | 0:15:33 | 0:15:39 | |
all the things that upset me in the first place. | 0:15:39 | 0:15:41 | |
Let me guess, you're next in line to see the show? | 0:15:43 | 0:15:46 | |
-There's a show? -Look, Beth, please... | 0:15:46 | 0:15:48 | |
James, you ruined something really special, OK? | 0:15:48 | 0:15:51 | |
And no dance is going to change that. | 0:15:51 | 0:15:53 | |
-Riley, come on. -No. | 0:15:58 | 0:15:59 | |
-I can go. -No, you stay. | 0:15:59 | 0:16:02 | |
I'm leaving. | 0:16:02 | 0:16:04 | |
We're over. | 0:16:04 | 0:16:05 | |
As much as I want to be with James, | 0:16:07 | 0:16:09 | |
and as much as I want to forgive him... | 0:16:09 | 0:16:11 | |
..I just can't do this any more. | 0:16:15 | 0:16:16 | |
# Don't you know that you're amazing? | 0:16:21 | 0:16:24 | |
# Baby, please, baby, just give me a smile. # | 0:16:24 | 0:16:27 | |
-So... -Yeah, I'm just excited. | 0:16:29 | 0:16:31 | |
OK, you guys... | 0:16:33 | 0:16:35 | |
I'm extremely nervous about the small group. | 0:16:35 | 0:16:38 | |
I'm feeling pretty confident that we'll get the small group. I think | 0:16:38 | 0:16:41 | |
Kate wants me to represent the team at Nationals. | 0:16:41 | 0:16:43 | |
First of all, I would like to say I am | 0:16:43 | 0:16:45 | |
so appreciative of how hard you have worked for these auditions. | 0:16:45 | 0:16:49 | |
It goes to show that you were so excited for Nationals, | 0:16:49 | 0:16:51 | |
which is amazing, because I know we're going to go out there | 0:16:51 | 0:16:54 | |
and absolutely own that dance floor. | 0:16:54 | 0:16:56 | |
CHEERING | 0:16:56 | 0:16:58 | |
That being said, the small group is going to... | 0:17:00 | 0:17:05 | |
-Amanda, Thalia and Giselle! -CHEERING AND APPLAUSE | 0:17:05 | 0:17:08 | |
I'm so happy right now. We got the small group! | 0:17:08 | 0:17:11 | |
We got the small group! Can you believe it? | 0:17:11 | 0:17:14 | |
I can't believe we didn't get the small group. | 0:17:14 | 0:17:16 | |
I'm one of the best dancers at this studio, so why wouldn't Kate | 0:17:16 | 0:17:18 | |
want me in the small group, representing the team at Nationals? | 0:17:18 | 0:17:21 | |
Thank you so much, everyone. | 0:17:21 | 0:17:23 | |
'It looks like I'm out of opportunities to be' | 0:17:23 | 0:17:26 | |
a featured dancer at Nationals so... | 0:17:26 | 0:17:29 | |
I don't know what I'm going to do now. | 0:17:29 | 0:17:31 | |
'Beth is a good distraction right now...' | 0:17:43 | 0:17:47 | |
Because I'm... She's distracting me from the pain that I'm in. | 0:17:48 | 0:17:53 | |
-Are you OK? -Yeah. | 0:17:54 | 0:17:56 | |
'I'm having trouble believing that it's over.' | 0:17:56 | 0:17:59 | |
I guess I haven't fully accepted it yet. | 0:18:03 | 0:18:06 | |
I don't think you deserve that. That was pretty crazy. | 0:18:08 | 0:18:11 | |
I mean, I know I messed up, but she won't even talk to me. | 0:18:11 | 0:18:14 | |
I thought what you did was amazing | 0:18:14 | 0:18:16 | |
cos if someone had done that for me, I would have melted. | 0:18:16 | 0:18:20 | |
So...don't beat yourself up. | 0:18:20 | 0:18:23 | |
Yeah. | 0:18:23 | 0:18:24 | |
I understand if you don't want to do the competition tomorrow. | 0:18:24 | 0:18:29 | |
No, I think I can do it. | 0:18:29 | 0:18:30 | |
Well, do you want to? | 0:18:32 | 0:18:34 | |
Yeah. | 0:18:35 | 0:18:37 | |
'I'm going to the competition with Beth, just because I-I... | 0:18:37 | 0:18:41 | |
'I need someone there. I feel like Beth' | 0:18:41 | 0:18:43 | |
is the only one right now that really can understand | 0:18:43 | 0:18:45 | |
what I'm going through. | 0:18:45 | 0:18:47 | |
I think we've rehearsed enough. | 0:18:48 | 0:18:50 | |
Why don't we go get some pizza? | 0:18:50 | 0:18:53 | |
It'll cheer you up. | 0:18:53 | 0:18:55 | |
Go eat, rest, and we'll be all good for tomorrow. | 0:18:55 | 0:18:59 | |
-OK. -Want to do that? Come on. | 0:18:59 | 0:19:02 | |
Let's cheer you up. Here... | 0:19:02 | 0:19:04 | |
MUSIC: Tied To You by The Next Step | 0:19:07 | 0:19:09 | |
'Right now, I'm doing James and Beth's duet... | 0:19:15 | 0:19:20 | |
'by myself.' | 0:19:20 | 0:19:21 | |
# My love has moved too fast onto the next one | 0:19:21 | 0:19:24 | |
# Though she doesn't talk trash, but it ain't cos we fixed nothing | 0:19:24 | 0:19:28 | |
# No, she been out playin' She ain't just workin' late again | 0:19:28 | 0:19:31 | |
# No, no, no | 0:19:31 | 0:19:35 | |
# My friends tried to tell me that she's no good | 0:19:35 | 0:19:38 | |
# But if she came crawling back, Do you know, I would...? # | 0:19:38 | 0:19:41 | |
'But when I'm dancing, it's almost like he's there. | 0:19:42 | 0:19:45 | |
'Doing it with me.' | 0:19:48 | 0:19:50 | |
# Baby, I've been tied to you... # | 0:19:50 | 0:19:53 | |
'And then, I know that he's not.' | 0:19:53 | 0:19:55 | |
-# Ooh, tied to you... # -'And it's so hard.' | 0:19:57 | 0:20:01 | |
# But you're moving on to somebody new... # | 0:20:01 | 0:20:04 | |
Because I so badly want him to be there. | 0:20:04 | 0:20:06 | |
# Somebody Somebody new, somebody | 0:20:06 | 0:20:11 | |
# Somebody new, somebody | 0:20:11 | 0:20:15 | |
# Somebody new | 0:20:15 | 0:20:18 | |
# Baby, I've been tied to you... | 0:20:18 | 0:20:21 | |
I just feel really lost. | 0:20:21 | 0:20:23 | |
# Can't break through Ooh, tied to you... # | 0:20:23 | 0:20:27 | |
'Because all it reminds me of... | 0:20:27 | 0:20:30 | |
-'is Beth and James.' -# Moving on to somebody new. # | 0:20:30 | 0:20:32 | |
-It's their dance. -SHE SOBS | 0:20:36 | 0:20:38 | |
MELANCHOLY MUSIC PLAYS # We've fallen | 0:20:38 | 0:20:42 | |
# We've fallen too far down | 0:20:42 | 0:20:46 | |
# Into the rabbit hole you'll go | 0:20:46 | 0:20:50 | |
# Don't drift so far from the sun... # | 0:20:50 | 0:20:53 |