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# You've been found guilty Of a bad showbiz style | 0:00:04 | 0:00:08 | |
# So welcome to the summer Where you've gotta serve your time | 0:00:08 | 0:00:12 | |
# With every type of entertainer And artiste | 0:00:12 | 0:00:17 | |
# Performing to the limit | 0:00:17 | 0:00:19 | |
# To buy out their release | 0:00:19 | 0:00:21 | |
# So go fetch the audience Bring them to The Slammer | 0:00:21 | 0:00:26 | |
# And polish up your act With a bit of glitz and glamour | 0:00:26 | 0:00:31 | |
# Your fate is in their hands | 0:00:31 | 0:00:33 | |
# So make them cheer and holler | 0:00:33 | 0:00:34 | |
# It's the only way You'll ever leave The Slammer | 0:00:35 | 0:00:38 | |
# It's the only way You'll ever leave The Slammer! # | 0:00:38 | 0:00:42 | |
So his legs dropped off and his mother got 15 years. | 0:00:45 | 0:00:49 | |
Now, we've a couple of new inmates who arrived in B Wing overnight. | 0:00:51 | 0:00:55 | |
Stevie Sausage - fire-eater. | 0:00:55 | 0:00:58 | |
Serving six months for burping at an old lady. | 0:00:58 | 0:01:01 | |
Bernie Walters - | 0:01:01 | 0:01:04 | |
the incredible memory man. Forgot to turn up at the theatre. | 0:01:04 | 0:01:08 | |
Got three years for that, the dopey twit. | 0:01:08 | 0:01:12 | |
However, they're not the only new arrivals at HM Slammer this week. | 0:01:12 | 0:01:15 | |
Meet your new warden, Jeremy Gimbert. | 0:01:15 | 0:01:19 | |
Now, I know what you're thinking, | 0:01:19 | 0:01:21 | |
but he's got a lot of experience...at selling ice cream. | 0:01:21 | 0:01:24 | |
But I'm sure you'll all make him feel very welcome! | 0:01:24 | 0:01:28 | |
Well, as you all know, today is freedom show day. | 0:01:28 | 0:01:32 | |
This afternoon, our visiting audience will decide | 0:01:32 | 0:01:35 | |
which prisoner will be released. | 0:01:35 | 0:01:36 | |
Mr Burgess, if you'll show our new recruit what's what, | 0:01:36 | 0:01:39 | |
the rest of you let everyone know which lucky prisoners | 0:01:39 | 0:01:43 | |
I have chosen to perform for their freedom. Including... | 0:01:43 | 0:01:46 | |
-this man. -HE TOOTS A TUNE | 0:01:46 | 0:01:50 | |
Now, that's entertainment. | 0:01:50 | 0:01:52 | |
I myself have a very important appointment, now in fact | 0:01:52 | 0:01:57 | |
with...this sandwich. | 0:01:57 | 0:01:59 | |
Dismissed. | 0:01:59 | 0:02:00 | |
I can't believe it. We've not been chosen. | 0:02:00 | 0:02:04 | |
That last one promised us a slot on this week's freedom show | 0:02:04 | 0:02:07 | |
and now he's retired. | 0:02:07 | 0:02:08 | |
The first chance we've had to perform for early release for three years! | 0:02:08 | 0:02:13 | |
Unlucky, that. What is wrong with him? | 0:02:13 | 0:02:15 | |
It's brought on his asthma. GULPS | 0:02:15 | 0:02:18 | |
It's his birthday tomorrow and I swore I'd take him to a theme park. | 0:02:18 | 0:02:22 | |
You'll be OK, Pete. Look at me - I got 10 years | 0:02:22 | 0:02:25 | |
for getting stage fright at the Royal Variety performance. | 0:02:25 | 0:02:28 | |
I've got no chance of getting out and I'm still smiling. | 0:02:28 | 0:02:32 | |
It's not me I'm worried about - it's little Titch. He's devastated. | 0:02:32 | 0:02:35 | |
Ooh, get me outta here! Ooh! Ooh! | 0:02:35 | 0:02:38 | |
-No, come here. -Lemme out! Lemme out! | 0:02:38 | 0:02:41 | |
Ugh! Get me out! Oh! | 0:02:41 | 0:02:43 | |
-Aagh! -What are we gonna do, Melvin? | 0:02:43 | 0:02:46 | |
-I don't think he can take it in here any longer. -OK, OK. | 0:02:46 | 0:02:49 | |
Titch, I'll get you a spot on the freedom show. | 0:02:49 | 0:02:52 | |
We'll tell the new warden the promise you were made. | 0:02:52 | 0:02:55 | |
I'll sort it out. Just breathe! | 0:02:55 | 0:02:58 | |
TITCH GASPS | 0:02:58 | 0:03:01 | |
Oh, yes - you've got to keep a close eye on this lot at all times. | 0:03:01 | 0:03:06 | |
Stilt walkers, strong women, | 0:03:06 | 0:03:09 | |
stand-up comics - we've got them all in here. | 0:03:09 | 0:03:12 | |
In here's the best place for them. Iona. | 0:03:12 | 0:03:15 | |
You're in this evening's show, I suggest you go get ready, girl. | 0:03:15 | 0:03:19 | |
No plate-spinning in the corridor, Percival. | 0:03:19 | 0:03:23 | |
-CRASH! -Clean it up. | 0:03:23 | 0:03:26 | |
Right, in this cell we've got a couple of long-serving inmates. | 0:03:26 | 0:03:30 | |
Prisoners O'Doom and Nocchio - | 0:03:30 | 0:03:33 | |
song and dance man and so-called puppeteer. | 0:03:33 | 0:03:38 | |
All right, on your feet! | 0:03:38 | 0:03:40 | |
I would like to introduce you to our new prison warden - Mr Gimbert. | 0:03:40 | 0:03:45 | |
Mr Gimbert, prisoners Melvin O'Doom and Peter Nocchio. | 0:03:45 | 0:03:48 | |
-And Titch. -And...Titch. | 0:03:48 | 0:03:52 | |
-How do you do? -You'll see a lot of these two. | 0:03:52 | 0:03:55 | |
-Three. -They will be in here for a very long time. | 0:03:55 | 0:03:59 | |
Aaah! | 0:03:59 | 0:04:01 | |
-Mr Burgess tells me you're a dancer, Melvin. -That's right. Shall we? | 0:04:01 | 0:04:05 | |
WALTZ MUSIC PLAYS | 0:04:05 | 0:04:08 | |
JAZZY CHARLESTON MUSIC PLAYS | 0:04:11 | 0:04:14 | |
If you are quite finished, Mr Gimbert, | 0:04:15 | 0:04:19 | |
I suggest we move on! | 0:04:19 | 0:04:21 | |
-As for you two... -Three. | 0:04:21 | 0:04:23 | |
..behave yourselves, otherwise I will have you sewing sequins | 0:04:23 | 0:04:27 | |
into a trapeze artiste's leotard for the rest of your stretch. | 0:04:27 | 0:04:31 | |
That new warden seems OK. I'm sure I can get him to put you in the show. | 0:04:35 | 0:04:39 | |
Yip-pee! | 0:04:39 | 0:04:41 | |
A word to the wise, Mr Gimbert - | 0:04:43 | 0:04:45 | |
I wouldn't recommend that sort of thing with the prisoners, | 0:04:45 | 0:04:48 | |
otherwise, they will take liberties. | 0:04:48 | 0:04:51 | |
Like that! | 0:04:51 | 0:04:53 | |
You see what Melvin O'Doom did to you? | 0:04:53 | 0:04:57 | |
I tell you - O'Doom is not to be trusted. | 0:04:57 | 0:05:01 | |
Nor his little friend, either. | 0:05:01 | 0:05:03 | |
Oh dear, oh dear. | 0:05:03 | 0:05:06 | |
-Are you all right? -What do you do? | 0:05:07 | 0:05:10 | |
Oh, I'm...an impressionist. | 0:05:10 | 0:05:13 | |
-Yeah, I impersonate prison wardens. -Really? Are you any good? | 0:05:13 | 0:05:17 | |
Do you want to see? I'll show you. Pass me your cap. | 0:05:17 | 0:05:21 | |
Brilliant. | 0:05:21 | 0:05:22 | |
I'll need your jacket and your tie. | 0:05:22 | 0:05:25 | |
-Shoes, of course. -Of course. | 0:05:25 | 0:05:28 | |
-And trousers. -There you go. | 0:05:28 | 0:05:30 | |
You've got your keys in there, obviously and your handcuffs. | 0:05:30 | 0:05:34 | |
-Yeah. -There. -OK. | 0:05:34 | 0:05:36 | |
Right, so... | 0:05:36 | 0:05:38 | |
I am a prison warden. | 0:05:38 | 0:05:42 | |
You've been wonderful. Goodnight. | 0:05:42 | 0:05:45 | |
Yes. Marvellous, officer. | 0:05:55 | 0:05:58 | |
Yes. No. Sorry about that. | 0:05:58 | 0:06:00 | |
Goodbye. ..Not been the best of starts, has it, son? | 0:06:00 | 0:06:05 | |
You've been on the job one day and let a notorious comedian escape. | 0:06:05 | 0:06:10 | |
The police have found her hiding in the Chuckle Brothers' garage. | 0:06:10 | 0:06:15 | |
One more cock-up and you're out. Nephew or no flipping nephew! | 0:06:15 | 0:06:19 | |
-And get your cap off in my office. -CRASH! | 0:06:19 | 0:06:21 | |
Mr Burgess, get him out of here! | 0:06:21 | 0:06:24 | |
Go on, get the acts ready for the show. Go, go, go! Oh, dear. | 0:06:24 | 0:06:28 | |
Oh, play something soothing, Perkins. | 0:06:28 | 0:06:33 | |
HE PLAYS SOOTHING MUSIC | 0:06:33 | 0:06:37 | |
-How did it go with that new warden? -He says I'm not to be trusted. | 0:06:37 | 0:06:41 | |
He threatened to throw me in the naughty chorus. | 0:06:41 | 0:06:45 | |
# Very, very naughty We're so naughty | 0:06:45 | 0:06:48 | |
# Very naughty! # | 0:06:48 | 0:06:50 | |
-Do you know anything about sticking a sign on his back? -No, why? | 0:06:50 | 0:06:54 | |
-Something's up. -Do you know about this, Titch? -Oh, nothing at all. | 0:06:54 | 0:06:58 | |
Are you sure? | 0:06:58 | 0:07:01 | |
-We're never going to get into the freedom show! -It's OK. | 0:07:01 | 0:07:05 | |
I've got one more trick up my sleeve. | 0:07:05 | 0:07:09 | |
Come on, sunshine. Get a shift on. | 0:07:09 | 0:07:11 | |
It's almost showtime. Yee-ha! | 0:07:11 | 0:07:15 | |
Are you all right, Mr Gimbert? | 0:07:15 | 0:07:17 | |
-It's all right. I just want to introduce you to Yuri. -How are you? | 0:07:17 | 0:07:21 | |
-What sort of entertainer are you? -He bends metal by rubbing it. -Yes. | 0:07:21 | 0:07:25 | |
I really can. See this spoon? | 0:07:25 | 0:07:28 | |
Look at it. I say, "bend" to it. Bend! | 0:07:28 | 0:07:31 | |
There - it's going. Look. | 0:07:31 | 0:07:34 | |
It's coming off. | 0:07:34 | 0:07:36 | |
-That's fantastic. -Power of the mind. | 0:07:36 | 0:07:39 | |
-Can you do it again? -Do you have anything metal? -Oh... | 0:07:39 | 0:07:43 | |
How about one of your keys? | 0:07:43 | 0:07:45 | |
Try...that one. | 0:07:45 | 0:07:48 | |
This one? It's a very thick key, but I'll try. | 0:07:48 | 0:07:51 | |
Here we go. Bend, bend... | 0:07:51 | 0:07:54 | |
There, look at it. | 0:07:54 | 0:07:56 | |
Look. | 0:07:56 | 0:07:58 | |
That's incredible. | 0:07:58 | 0:08:00 | |
-TANNOY: -This is your governor speaking | 0:08:00 | 0:08:03 | |
All the prisoners for this week's freedom show are now required. | 0:08:03 | 0:08:08 | |
'I thank you.' | 0:08:08 | 0:08:10 | |
SIREN BLARES | 0:08:10 | 0:08:13 | |
'The children are in the building.' | 0:08:13 | 0:08:16 | |
'The children are in the building.' | 0:08:18 | 0:08:21 | |
'30 seconds to show time.' | 0:08:21 | 0:08:23 | |
-Oh, I'm going to get the sack! -This act's all ready to go if you want. | 0:08:23 | 0:08:28 | |
-'20 seconds.' -All right. Come on. | 0:08:28 | 0:08:31 | |
Well, Burgess - how do I look? Be brutal. | 0:08:36 | 0:08:39 | |
Divine, sir. | 0:08:40 | 0:08:42 | |
Thank you very much. It's showtime! | 0:08:42 | 0:08:45 | |
Ladies and gentlemen, welcome to HM Slammer | 0:08:49 | 0:08:53 | |
where you will decide which prisoner is to be released. | 0:08:53 | 0:08:57 | |
So, please welcome your host - | 0:08:57 | 0:09:00 | |
he's the governor. It's...the governor! | 0:09:00 | 0:09:04 | |
CHEERING | 0:09:04 | 0:09:06 | |
O-O-O-Oh, yeah! | 0:09:17 | 0:09:19 | |
-Who's the governor? -ALL: YOU are the governor! | 0:09:19 | 0:09:22 | |
Wow, what an audience. We've got some fabulous performing prisoners. | 0:09:22 | 0:09:27 | |
We've got from A Wing, Michel Lauzier Horn-o-Phone. | 0:09:27 | 0:09:33 | |
ALL: Wooo! | 0:09:33 | 0:09:35 | |
We've got an exotic act - a contortionist named Iona. | 0:09:35 | 0:09:39 | |
Woo! | 0:09:39 | 0:09:41 | |
She can lick the back of her own head. | 0:09:41 | 0:09:45 | |
-We've got Wayne French, the marvellous escapologist. -Woo! | 0:09:45 | 0:09:50 | |
And the acrobatic Acromaniacs! | 0:09:51 | 0:09:54 | |
ALL: Woo! | 0:09:54 | 0:09:55 | |
It's always hard to be the first cab off the rank, | 0:09:55 | 0:09:59 | |
but here at The Slammer, you'll be deciding which of our acts | 0:09:59 | 0:10:03 | |
walks to freedom tonight. | 0:10:03 | 0:10:04 | |
Please welcome our first performing prisoner - | 0:10:04 | 0:10:07 | |
It's Michel Lauzier Horn-o-Phone! | 0:10:07 | 0:10:10 | |
-CHEERING -Come on! | 0:10:10 | 0:10:14 | |
Hello! This is my own musical invention. | 0:10:17 | 0:10:20 | |
It looks good, huh? | 0:10:20 | 0:10:22 | |
Now, let's hear it - see how it sounds. | 0:10:22 | 0:10:25 | |
First I'll play Boccherini. | 0:10:25 | 0:10:27 | |
HE TOOTS TUNE | 0:10:27 | 0:10:30 | |
AUDIENCE GIGGLE | 0:10:30 | 0:10:32 | |
HE PLAYS: "Frere Jacques" | 0:10:59 | 0:11:02 | |
This I can play! | 0:11:02 | 0:11:04 | |
CHEERING | 0:11:04 | 0:11:06 | |
Back to classical - from Vivaldi, The Four Seasons. | 0:11:08 | 0:11:12 | |
My favourite is Springtime. | 0:11:12 | 0:11:14 | |
PLAYS: "Spring" by Vivaldi | 0:11:14 | 0:11:17 | |
Here's the hard part. | 0:11:25 | 0:11:27 | |
PLAYS: "Old Macdonald Had A Farm" | 0:11:33 | 0:11:35 | |
Oh, that was a fifth season from Vivaldi! OK. | 0:11:35 | 0:11:38 | |
Here's a pop tune called "Popcorn." | 0:11:40 | 0:11:44 | |
PLAYS: "Popcorn" | 0:11:44 | 0:11:48 | |
Classical again - Mozart. | 0:11:55 | 0:11:58 | |
PLAYS: "Ronda alla Turca" by Mozart | 0:11:58 | 0:12:01 | |
HE PLAYS FANFARE | 0:12:15 | 0:12:18 | |
Hey! CHEERING | 0:12:18 | 0:12:21 | |
Michel Lauzier, Let's hear it for his Horn-o-Phone! | 0:12:27 | 0:12:31 | |
CHEERING | 0:12:31 | 0:12:33 | |
You liked him. | 0:12:33 | 0:12:35 | |
Well, remember - you could be voting for him | 0:12:35 | 0:12:38 | |
to walk free from The Slammer tonight. | 0:12:38 | 0:12:43 | |
-What did our audience think? Mr Burgess? -Right, young man. | 0:12:43 | 0:12:46 | |
-What have you got written down? -"Very good and talented. Quite funny | 0:12:46 | 0:12:50 | |
-"and very clever. It was a great invention." -What about you? | 0:12:50 | 0:12:54 | |
I thought he was really cool and funny. I think he's a star. | 0:12:54 | 0:12:59 | |
-What about you, sir? -I thought he was very clever for making it | 0:12:59 | 0:13:03 | |
and even though he made mistakes, he was really funny. | 0:13:03 | 0:13:07 | |
Yes, there is a bit of polish to add to his act. We'll sort that out. | 0:13:07 | 0:13:11 | |
You liked the Horn-o-Phone, yeah? | 0:13:11 | 0:13:13 | |
ALL: Ye-e-e-e-es! | 0:13:13 | 0:13:15 | |
Only one of the performing prisoners is going to walk free today | 0:13:15 | 0:13:19 | |
and you're going to decide who it is. | 0:13:19 | 0:13:22 | |
Now, onto our second act. From B Block, | 0:13:22 | 0:13:25 | |
the mysterious, the exotic...it's the considerable contortions | 0:13:25 | 0:13:29 | |
of Iona! | 0:13:29 | 0:13:31 | |
CHEERING | 0:13:31 | 0:13:34 | |
MUSIC: "Happiness" by Orson | 0:13:43 | 0:13:46 | |
# Do I really need a reason? | 0:13:57 | 0:14:01 | |
# Is it really such a big deal? | 0:14:02 | 0:14:05 | |
# It just seems like the right situation | 0:14:07 | 0:14:11 | |
# To say how I really feel | 0:14:13 | 0:14:16 | |
# I love the way that you look at me | 0:14:19 | 0:14:21 | |
# Cos I can't stop looking at you | 0:14:23 | 0:14:25 | |
# Ooh! | 0:14:27 | 0:14:28 | |
# And the sweetest thing that you do for me | 0:14:28 | 0:14:32 | |
# Besides the little things that you do | 0:14:33 | 0:14:37 | |
# Well, if the world don't feel like turning | 0:14:39 | 0:14:43 | |
# And the sun just wants to hide | 0:14:43 | 0:14:46 | |
# All the stars come out to remind me | 0:14:46 | 0:14:49 | |
# With the universe by my side Because... # | 0:14:49 | 0:14:53 | |
AUDIENCE CHEERS | 0:14:53 | 0:14:55 | |
# All that happens is happiness | 0:14:55 | 0:14:58 | |
# Happiness when I'm with you | 0:14:58 | 0:15:02 | |
# All that happens is happiness | 0:15:02 | 0:15:08 | |
# Happiness... # | 0:15:08 | 0:15:11 | |
GUITAR PLAYS | 0:15:11 | 0:15:14 | |
# We ain't got a whole lot of money | 0:15:20 | 0:15:24 | |
# How about a five star Happy Meal? | 0:15:26 | 0:15:28 | |
# Girl, every day with you is just like a party | 0:15:29 | 0:15:33 | |
# There's nothing left of me for you to steal | 0:15:35 | 0:15:39 | |
# That's right | 0:15:39 | 0:15:42 | |
# And when the winter wind is blowin' | 0:15:42 | 0:15:45 | |
# I feel you blowin' kisses in my ear | 0:15:45 | 0:15:48 | |
# And when you think that you're just talkin' | 0:15:48 | 0:15:51 | |
# You know, it's singin' that I hear Because... | 0:15:51 | 0:15:54 | |
# All that happens is happiness | 0:15:54 | 0:16:01 | |
# Happiness when I'm with you | 0:16:01 | 0:16:04 | |
# All that happens is happiness | 0:16:04 | 0:16:10 | |
# Happiness... # | 0:16:10 | 0:16:13 | |
AUDIENCE CHEERS | 0:16:13 | 0:16:15 | |
Ladies and gentlemen, please, let's hear it for Iona! | 0:16:22 | 0:16:27 | |
LOUD CHEERING | 0:16:27 | 0:16:30 | |
And remember, whatever you do, | 0:16:30 | 0:16:32 | |
-don't try that at home! -LAUGHTER | 0:16:32 | 0:16:35 | |
Mr Burgess, over to you. | 0:16:35 | 0:16:37 | |
It was freaky, good freaky, really freaky. | 0:16:37 | 0:16:40 | |
Just...freaky. | 0:16:40 | 0:16:43 | |
So, summing up, then, son, freaky. | 0:16:43 | 0:16:46 | |
-Freaky freaky. -Young Arthur, tell us all about Iona. | 0:16:46 | 0:16:50 | |
I thought she was fantastic. | 0:16:50 | 0:16:52 | |
-Why do you think I couldn't do it? -Um... | 0:16:52 | 0:16:56 | |
because... | 0:16:56 | 0:16:57 | |
Um... | 0:16:57 | 0:17:00 | |
If you look at her then look at you, there's a big difference. | 0:17:00 | 0:17:05 | |
LAUGHTER | 0:17:05 | 0:17:08 | |
-For a final word on that act. Madam? -Fantastic. | 0:17:08 | 0:17:11 | |
-There you go, sir. -A variety of opinions about Iona. | 0:17:11 | 0:17:15 | |
Now, two more performing prisoners to see | 0:17:15 | 0:17:18 | |
and you'll decide which one walks free from The Slammer. | 0:17:18 | 0:17:22 | |
-Are you enjoying yourselves? -AUDIENCE: Yes! | 0:17:22 | 0:17:25 | |
Why? What you doing? On to our third performing prisoner. | 0:17:25 | 0:17:30 | |
We have for you an escapologist from C wing... | 0:17:30 | 0:17:34 | |
What's that? | 0:17:34 | 0:17:36 | |
The escapologist... | 0:17:39 | 0:17:41 | |
can't come because he can't get out of his cell. | 0:17:41 | 0:17:44 | |
So with no expense at all, | 0:17:44 | 0:17:47 | |
would you please welcome Pete and Titch. | 0:17:47 | 0:17:51 | |
-CHEERING -This had better be good. | 0:17:51 | 0:17:54 | |
Hello, everybody. I'm Pete. This is little Titch. | 0:17:57 | 0:18:00 | |
"Hello, everybody. I'm Pete. This is little Titch." Nah-nah-nah-nah! | 0:18:00 | 0:18:05 | |
Oh, little Titch, you're not going to be naughty. | 0:18:05 | 0:18:09 | |
No, I'm not going to be naughty. | 0:18:09 | 0:18:11 | |
-You're not going to be rude. -I'm not going to be rude. -Promise? -Promise. | 0:18:11 | 0:18:16 | |
TITCH CHUCKLES All right, let's get started. | 0:18:16 | 0:18:20 | |
-Ladies and gentlemen, I went to the zoo... -Oh, I'm going to be sick. | 0:18:20 | 0:18:26 | |
-What do you make of that, you gang of poo-heads? -Oh! | 0:18:26 | 0:18:30 | |
You said you wouldn't be rude. You said poo-heads. | 0:18:30 | 0:18:34 | |
Poo-heads is rude. We say nincompoops. | 0:18:34 | 0:18:37 | |
Nincompoops...is rubbish... | 0:18:37 | 0:18:41 | |
you poo-head. | 0:18:41 | 0:18:42 | |
Oh! We've got to do the song now. | 0:18:42 | 0:18:45 | |
Oh, no! Not the song! Whatever you do, don't sing! | 0:18:45 | 0:18:49 | |
Music, please. | 0:18:49 | 0:18:51 | |
-I'd go anywhere to get out of this. It's terrible. -MUSIC PLAYS | 0:18:51 | 0:18:56 | |
# Anywhere, I will find you Don't care where | 0:18:56 | 0:19:00 | |
# Look behind you, I'll be there Following you around... # | 0:19:00 | 0:19:04 | |
Oh, no! Oh, no! | 0:19:04 | 0:19:06 | |
# Rain or shine, you won't shake me | 0:19:06 | 0:19:09 | |
# I don't mind where you take me | 0:19:09 | 0:19:12 | |
# I'll be there Following you around... # | 0:19:12 | 0:19:16 | |
I'm gonna hide. | 0:19:16 | 0:19:17 | |
# Hey, listen, don't you know? | 0:19:17 | 0:19:19 | |
-# Hiding does no good... # -That's what HE thinks! | 0:19:19 | 0:19:23 | |
# Wherever you may go I'll be in the neighbourhood | 0:19:23 | 0:19:29 | |
# If you fly, I will follow | 0:19:29 | 0:19:32 | |
# I don't care about tomorrow | 0:19:32 | 0:19:35 | |
# Long as I'm following you around... # | 0:19:35 | 0:19:38 | |
It's terrible! It's awful. I'm sorry, kids. | 0:19:38 | 0:19:41 | |
-Just get off. -Thank you very much, ladies and gentlemen. -Thank you. | 0:19:41 | 0:19:46 | |
Ladies and gentlemen, Pete and Titch. | 0:19:46 | 0:19:50 | |
CHEERING | 0:19:50 | 0:19:52 | |
It's time to go over to Mr Burgess. Mr Burgess? | 0:19:52 | 0:19:56 | |
I thought it was atrocious. What did you think? | 0:19:56 | 0:19:59 | |
It was quite funny but also a bit stupid. | 0:19:59 | 0:20:02 | |
Yes. I would agree with you on the "bit stupid" bit. | 0:20:02 | 0:20:06 | |
Thank you, Mr Burgess. ..Did you like them? | 0:20:06 | 0:20:10 | |
-Yeah, but if he joined the X Factor I think he'll get chucked out. -Get off. | 0:20:10 | 0:20:16 | |
-What about you, sir? -I think... he had a great voice. | 0:20:16 | 0:20:21 | |
A great voice? Are you deaf, sunshine?! | 0:20:21 | 0:20:24 | |
One final word to sum up this rubbish. | 0:20:24 | 0:20:27 | |
-Thumbs up. -Thumbs up? | 0:20:27 | 0:20:29 | |
I'll leave it with you, sir. | 0:20:29 | 0:20:32 | |
One more performing prisoner to see. I should say prisoners, | 0:20:32 | 0:20:36 | |
because we now have four fabulously talented inmates. | 0:20:36 | 0:20:40 | |
You're going to decide which one of these acts | 0:20:40 | 0:20:44 | |
are going to walk free from The Slammer tonight. | 0:20:44 | 0:20:48 | |
-DRUM ROLL -Will it be the incredible acrobatics | 0:20:48 | 0:20:52 | |
of the Acromaniacs?! | 0:20:52 | 0:20:55 | |
AUDIENCE CHEERS | 0:20:55 | 0:20:57 | |
JAUNTY MUSIC PLAYS | 0:21:02 | 0:21:05 | |
LOUD RASPBERRY | 0:23:11 | 0:23:12 | |
CHEERING | 0:23:12 | 0:23:14 | |
LOUD CHEERING | 0:23:46 | 0:23:48 | |
CHEERING AND APPLAUSE | 0:24:22 | 0:24:25 | |
Mr Burgess, over to you. | 0:24:31 | 0:24:33 | |
-What have you got to say about it, young lady? -It was really great. | 0:24:33 | 0:24:39 | |
And I liked the bit when the man farted. | 0:24:39 | 0:24:42 | |
When he did a trump, you mean, madam. | 0:24:42 | 0:24:45 | |
-Have you enjoyed the performing prisoners on The Slammer? -ALL: YES! | 0:24:45 | 0:24:51 | |
Let's welcome them back. We had Monsieur Horn-o-Phone, | 0:24:51 | 0:24:55 | |
Iona the contortionist, | 0:24:55 | 0:24:57 | |
Pete and Titch... | 0:24:57 | 0:24:59 | |
..and the wonderful Acromaniacs. Give them a big hand. | 0:25:01 | 0:25:05 | |
Right... | 0:25:05 | 0:25:07 | |
Only one act of these performing prisoners | 0:25:07 | 0:25:11 | |
can walk free from The Slammer. | 0:25:11 | 0:25:14 | |
It's up to you to decide with the aid of the clap-o-meter. | 0:25:14 | 0:25:18 | |
Round of applause for the clap-o-meter. | 0:25:18 | 0:25:21 | |
Come on, bring it on. | 0:25:21 | 0:25:22 | |
There it is. This is The Slammer's very own invention - | 0:25:22 | 0:25:26 | |
the clap-o-meter - which will decide which of our performing prisoners | 0:25:26 | 0:25:31 | |
will walk free. You will decide. | 0:25:31 | 0:25:34 | |
Remember, everybody, it depends on how loud YOU clap. | 0:25:34 | 0:25:38 | |
Let's hear it first of all for Michel Lauzier and his horn-o-phone. | 0:25:38 | 0:25:43 | |
CHEERING AND APPLAUSE | 0:25:43 | 0:25:45 | |
Well, let's have a look at the clap-o-meter. | 0:25:49 | 0:25:52 | |
The score...99.9. | 0:25:52 | 0:25:54 | |
Good score. You liked the horn-o-phone. | 0:25:54 | 0:25:58 | |
Next act up - Iona the contortionist! | 0:25:58 | 0:26:02 | |
CHEERING AND APPLAUSE | 0:26:02 | 0:26:04 | |
Let's see the computer's thinking. | 0:26:10 | 0:26:12 | |
95.4. | 0:26:12 | 0:26:14 | |
So, still on the lead on the horn-o-phone with Michel. | 0:26:14 | 0:26:19 | |
Now we have act three, please, give it up, ladies and gentlemen | 0:26:19 | 0:26:24 | |
for Pete and Titch. | 0:26:24 | 0:26:26 | |
CHEERING AND APPLAUSE | 0:26:26 | 0:26:29 | |
Pete and Titch score...53. | 0:26:34 | 0:26:37 | |
Oh, disappointing. Ladies and gentlemen, | 0:26:37 | 0:26:41 | |
will you please make some noise for the fabulous Acromaniacs! | 0:26:41 | 0:26:46 | |
CHEERING AND APPLAUSE | 0:26:46 | 0:26:48 | |
The score for the Acromaniacs on the clap-o-meter was... | 0:27:10 | 0:27:14 | |
125.5. | 0:27:14 | 0:27:16 | |
The winners of The Slammer are the Acromaniacs, who go free. | 0:27:19 | 0:27:24 | |
They take the walk to freedom. | 0:27:24 | 0:27:27 | |
Mr Burgess, take the others back to their cells. A round of applause. | 0:27:27 | 0:27:32 | |
Acromaniacs, you're free to leave The Slammer. Let's hear it for them. | 0:27:32 | 0:27:38 | |
They're free. | 0:27:38 | 0:27:40 | |
Thank you. | 0:27:40 | 0:27:42 | |
More soon from The Slammer. Bye-bye, everybody. Bye-bye! | 0:27:42 | 0:27:48 | |
Subtitles by Red Bee Media Ltd - 2006 | 0:27:51 | 0:27:53 | |
E-mail [email protected] | 0:27:53 | 0:27:55 |