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# You've been found guilty | 0:00:04 | 0:00:06 | |
# Of a howling showbiz crime | 0:00:06 | 0:00:08 | |
# So welcome to The Slammer | 0:00:08 | 0:00:10 | |
# Where you're going to serve your time | 0:00:10 | 0:00:13 | |
# With every type of minstrel, entertainer, artiste | 0:00:13 | 0:00:17 | |
# Performing to the limit To try and get released | 0:00:17 | 0:00:21 | |
# So go fetch the audience Bring them to The Slammer | 0:00:21 | 0:00:25 | |
# And polish up your act With a bit of glitz and glamour | 0:00:25 | 0:00:29 | |
# Your fate is in their hands So make them cheer and clamour | 0:00:29 | 0:00:34 | |
# It's the only way you'll ever leave The Slammer | 0:00:34 | 0:00:38 | |
# It's the only way you'll ever leave The Slammer! # | 0:00:38 | 0:00:42 | |
I don't believe this! | 0:01:58 | 0:02:01 | |
Tap-dancing puppets! | 0:02:01 | 0:02:04 | |
I love it! | 0:02:04 | 0:02:06 | |
I thought I'd seen everything - whistling Chihuahuas, | 0:02:06 | 0:02:10 | |
formation welding, David Dickinson's paso doble, | 0:02:10 | 0:02:14 | |
but this is the breakthrough for variety. | 0:02:14 | 0:02:17 | |
Oh, thank you! | 0:02:17 | 0:02:19 | |
-You could have earned a ticket out of here, you're in the show. -Sir! | 0:02:19 | 0:02:24 | |
-Does that mean me too? -New prisoner. | 0:02:24 | 0:02:27 | |
54836 - Hellcat McSavage, sir! ..Come on! | 0:02:27 | 0:02:31 | |
McSavage, yes, come here. | 0:02:31 | 0:02:33 | |
-Don't be shy. -MCSAVAGE GROWLS | 0:02:33 | 0:02:35 | |
These places can be intimidating. I'm sure you'll fit right in. | 0:02:35 | 0:02:40 | |
Aggh! | 0:02:41 | 0:02:42 | |
Yes, well, I'll just leave you to make some new friends. | 0:02:42 | 0:02:47 | |
-Burgess. -Sir. | 0:02:47 | 0:02:48 | |
Oh, what a lovely doggie. ..Hello, doggie. | 0:02:48 | 0:02:52 | |
The dog is a prisoner and will be appearing on today's show. | 0:02:52 | 0:02:56 | |
On your way, thank you. | 0:02:56 | 0:02:57 | |
Now then, sir...this new prisoner - Hellcat - | 0:02:57 | 0:03:04 | |
what's his act exactly? | 0:03:04 | 0:03:06 | |
-Close-up magic, I believe. -Oh? | 0:03:06 | 0:03:08 | |
He booked himself into Wembley Stadium. | 0:03:08 | 0:03:11 | |
People at the back couldn't see a thing. Got ten years for that. | 0:03:11 | 0:03:16 | |
EVIL LAUGHTER | 0:03:20 | 0:03:22 | |
-Go on, then. -No, I really think it should be you, Mel. | 0:03:24 | 0:03:29 | |
I think you should go. | 0:03:34 | 0:03:36 | |
No, no, you do it. | 0:03:37 | 0:03:39 | |
Oh, for goodness sake, you two, I'll go! | 0:03:39 | 0:03:42 | |
Hellcat? | 0:03:42 | 0:03:43 | |
-No, no, it's OK. -Oh. -I'll do it. | 0:03:43 | 0:03:46 | |
Melvin Odoom, song and dance band. Should I call you "Hellcat"? | 0:03:49 | 0:03:54 | |
I'm the "go to" man around here. People need things, they come to me. | 0:03:54 | 0:03:59 | |
-CRUNCH! -Ow-w! | 0:04:01 | 0:04:03 | |
-Not any more they don't, young'un. Understand? -Yes, Hellcat. -What?! | 0:04:05 | 0:04:10 | |
-I mean, Mr McSavage. I understand. -Get your props in my cell. | 0:04:10 | 0:04:14 | |
You want to practise your act, it's going to cost you. | 0:04:14 | 0:04:18 | |
Nobody so much as taps a foot without my say-so. | 0:04:18 | 0:04:22 | |
I am the Daddy now. | 0:04:22 | 0:04:24 | |
And I want a Star Wars duvet cover, | 0:04:31 | 0:04:34 | |
and a Dr Who alarm clock. | 0:04:34 | 0:04:37 | |
CRASH! | 0:04:38 | 0:04:40 | |
I'm very happy for you to sing in the freedom show later, son, | 0:04:42 | 0:04:47 | |
but it's going to cost you 30 quid... for every note. | 0:04:47 | 0:04:51 | |
I don't like it, Mr Burgess. There's a funny atmosphere. | 0:04:55 | 0:04:59 | |
Everyone's miserable. | 0:04:59 | 0:05:00 | |
-It's beginning to feel like a prison. -I know, sir. Lovely. | 0:05:00 | 0:05:04 | |
Ah, Out Of The Blue, getting some practice in for the show? | 0:05:04 | 0:05:08 | |
Use your latest tune. Go on. | 0:05:08 | 0:05:11 | |
-# Yeah! # -Is that it? | 0:05:13 | 0:05:17 | |
What about a Gnarls Barkley or Snow "Petrol" | 0:05:17 | 0:05:21 | |
or Postman Pat - my favourite. Sing us that. | 0:05:21 | 0:05:24 | |
I like that. | 0:05:24 | 0:05:25 | |
# Postman Pat, Postman Pat And his black-and-white cat | 0:05:28 | 0:05:33 | |
# All the birds are singing The day is just beginning | 0:05:33 | 0:05:39 | |
# Pat feels he's a really happy man! He's Postman Pat! # | 0:05:39 | 0:05:44 | |
That's more like it. Very good. | 0:05:44 | 0:05:47 | |
Oh, well, I wouldn't mind being charged if this was a Broadway stage, | 0:05:48 | 0:05:53 | |
but this is a prison - what is this place coming to? | 0:05:53 | 0:05:56 | |
Quiet! Shush! | 0:05:56 | 0:05:58 | |
-It cost me, but I've got it. -What, Hellcat's real record. -Yeah, look. | 0:05:58 | 0:06:03 | |
He's not a real entertainer - five bank robberies, two diamond heists, | 0:06:03 | 0:06:08 | |
-and a late video return. -What was it? -The Empire Strikes Back. -Oh, yes! | 0:06:08 | 0:06:13 | |
-Vintage Mark Hamill, good choice. -Yeah. | 0:06:13 | 0:06:16 | |
The point is, he pulled strings for an easy stretch. | 0:06:16 | 0:06:19 | |
We should let the Governor know. | 0:06:19 | 0:06:22 | |
It could be risky. If Hellcat finds out it was us, he'll get us. | 0:06:22 | 0:06:26 | |
Of course, there is another way. | 0:06:27 | 0:06:31 | |
What? | 0:06:31 | 0:06:32 | |
Yoo-hoo, Governor, over here! What are you doing?! | 0:06:32 | 0:06:36 | |
Oh, hello. Yoo-hoo, over here. | 0:06:36 | 0:06:39 | |
-My latest discovery. -Oh, yes, sorry to interrupt, sir, but... | 0:06:39 | 0:06:44 | |
Let the lad speak. | 0:06:44 | 0:06:45 | |
I think our newest arrival has something to tell you. | 0:06:45 | 0:06:50 | |
Come this way. I think he doesn't quite fit in. | 0:06:50 | 0:06:54 | |
Oh, yes? | 0:06:54 | 0:06:55 | |
HELLCAT WAILS | 0:06:58 | 0:07:01 | |
What's wrong with everybody? | 0:07:02 | 0:07:04 | |
I'm just trying to make some friends. He knows I'm homesick. | 0:07:04 | 0:07:08 | |
-Why does he have to keep rubbing it in? -There, there, I understand. | 0:07:08 | 0:07:13 | |
It just takes time, that's all. Come here. | 0:07:13 | 0:07:16 | |
-Look what you've done, you brute. -But... -No buts. No bullying. | 0:07:16 | 0:07:21 | |
Mr Burgess, lock this puppet in his cell until show time. | 0:07:21 | 0:07:25 | |
Infamy, infamy, they've all got it in for me! | 0:07:25 | 0:07:29 | |
Ooh, it's an outrage. | 0:07:29 | 0:07:32 | |
Now, let this be a lesson to all of you. | 0:07:32 | 0:07:34 | |
We all miss our families, especially in a place like this. | 0:07:34 | 0:07:39 | |
-We have to be grown up. Mr Burgess? -Sir? -Get my mum on the phone. -Sir! | 0:07:39 | 0:07:43 | |
Right, I think it's about time you all started practising your acts. | 0:07:54 | 0:07:59 | |
DOOR OPENS | 0:08:04 | 0:08:06 | |
-Mr McSavage, sorry to disturb you. -What? | 0:08:06 | 0:08:11 | |
-Are you concerned about the freedom show? -"Freedom show"? | 0:08:11 | 0:08:16 | |
-The performance. -What performance? | 0:08:16 | 0:08:19 | |
You and I both know that you shouldn't be here. | 0:08:19 | 0:08:22 | |
That's cool. I'm worried you'll get found out. | 0:08:25 | 0:08:29 | |
-What are you talking about? -You say you're a magician, | 0:08:29 | 0:08:33 | |
but what if the Governor asks you to do a trick? | 0:08:33 | 0:08:36 | |
-You got a point. -Now, Woodrow here... -MELV WOLF-WHISTLES | 0:08:36 | 0:08:41 | |
-..the Warlock from Worksop has agreed to show you some moves. -Yeah? | 0:08:41 | 0:08:46 | |
What's the catch? | 0:08:46 | 0:08:47 | |
Well, perhaps you could be just a tiny bit nicer to everyone. | 0:08:47 | 0:08:52 | |
You got a deal. | 0:08:52 | 0:08:54 | |
No coloured hankies, though! | 0:08:54 | 0:08:56 | |
Right, so it's agreed. | 0:09:01 | 0:09:03 | |
We get him a slot on the freedom show, | 0:09:03 | 0:09:05 | |
then we throw it to let him win - to get rid of him. | 0:09:05 | 0:09:08 | |
Right? Yeah? Just need to persuade the Governor to put him on the bill. | 0:09:08 | 0:09:13 | |
Aggh! CRASH! | 0:09:13 | 0:09:16 | |
It's no use! I can't do it! | 0:09:18 | 0:09:21 | |
-It's no use! I can't do it! -Take it easy. | 0:09:21 | 0:09:25 | |
-It's not going to work! -Show us what you've learnt so far. | 0:09:25 | 0:09:29 | |
See? | 0:09:33 | 0:09:34 | |
Oh, dear! | 0:09:36 | 0:09:37 | |
We're doomed. Only an idiot would fall for that. | 0:09:37 | 0:09:41 | |
Everyone all right in here? | 0:09:41 | 0:09:44 | |
PING! | 0:09:44 | 0:09:45 | |
Yes, see you soon, byesy-bye. | 0:09:47 | 0:09:50 | |
It was amazing. He had a card in his hand, | 0:09:50 | 0:09:53 | |
and the next minute it had, like, completely disappeared. | 0:09:53 | 0:09:57 | |
It was there, then not there. It's a playing card... | 0:09:57 | 0:10:01 | |
Yes, yes, I have seen card tricks before. I'm sure it was dazzling. | 0:10:01 | 0:10:05 | |
Your recommendation has been duly filed. | 0:10:05 | 0:10:09 | |
We filled the last slot on the freedom show this morning | 0:10:09 | 0:10:13 | |
with Peter Nokio and Ted Astaire. | 0:10:13 | 0:10:15 | |
Show business is a tough business. | 0:10:15 | 0:10:18 | |
If it hadn't been for that tap-dancing puppet, | 0:10:18 | 0:10:21 | |
he'd have been right in there. | 0:10:21 | 0:10:23 | |
I want to help, but I won't get another chance on the show. | 0:10:23 | 0:10:27 | |
You're telling me. Shut it! | 0:10:27 | 0:10:29 | |
It's not about you. It's been hell since he arrived. | 0:10:29 | 0:10:33 | |
Yeah, you selfish twit. | 0:10:33 | 0:10:36 | |
You've been great, but I can't let this opportunity pass me by. | 0:10:36 | 0:10:40 | |
I don't know how you can live with yourself. | 0:10:43 | 0:10:46 | |
-Anyway, how do I look? -Divine. | 0:10:48 | 0:10:51 | |
Thank you very much. In that case, it's show time! | 0:10:51 | 0:10:56 | |
Ladies and gentlemen, welcome to HM Slammer, | 0:10:56 | 0:11:01 | |
where you decide which prisoner is to be released. | 0:11:01 | 0:11:05 | |
Now, please welcome your host, feeding three square meals a day | 0:11:05 | 0:11:10 | |
to performers whose talent has gone astray, | 0:11:10 | 0:11:14 | |
it's the Governor! | 0:11:14 | 0:11:16 | |
APPLAUSE | 0:11:16 | 0:11:17 | |
Who's the Governor?! | 0:11:32 | 0:11:33 | |
You are the Governor! | 0:11:33 | 0:11:35 | |
Great, welcome to The Slammer, where you decide | 0:11:35 | 0:11:38 | |
who takes the walk of freedom from our marvellous performing prisoners. | 0:11:38 | 0:11:43 | |
Are you ready for this? | 0:11:43 | 0:11:46 | |
ALL: Yes! | 0:11:46 | 0:11:48 | |
We've got Samsam the Bubbleman. He blows bubbles all over the place. | 0:11:48 | 0:11:53 | |
We've got a great group called Out Of The Blue! | 0:11:53 | 0:11:57 | |
ALL: Wooh! | 0:11:57 | 0:11:58 | |
We've got our very own Pete | 0:11:58 | 0:12:00 | |
who's here with a very special guest called Ted Astaire. | 0:12:00 | 0:12:05 | |
Jailers and jailbirds, give a big hand | 0:12:05 | 0:12:08 | |
to Donelda and her freestyle dog - Biba! | 0:12:08 | 0:12:11 | |
MUSIC PLAYS "Le Freak" by Chic | 0:12:20 | 0:12:23 | |
APPLAUSE | 0:13:50 | 0:13:52 | |
Donelda and Biba - a lovely round of applause, please, boys and girls. | 0:13:54 | 0:13:59 | |
Oh, marvellous! | 0:14:01 | 0:14:03 | |
Well, I think Biba had her human very well trained there, didn't she? | 0:14:03 | 0:14:08 | |
ALL: Yes! | 0:14:08 | 0:14:09 | |
But what did you think? Let's find out with Mr Burgess. | 0:14:09 | 0:14:14 | |
-Hello, sir. Your assessment of that act? -Um, it was really good, | 0:14:14 | 0:14:18 | |
but she did the same moves a lot - a bit repetitive. | 0:14:18 | 0:14:22 | |
What did you think, young man? | 0:14:22 | 0:14:24 | |
Magnificent! They don't need to train any more. | 0:14:24 | 0:14:28 | |
You don't have to train any more. You've cracked it. Wonderful. | 0:14:28 | 0:14:33 | |
It was terrific. I've never seen anything like it before. | 0:14:33 | 0:14:37 | |
Never in your whole life? | 0:14:37 | 0:14:39 | |
Sum that up with a final word from Mr Burgess. | 0:14:39 | 0:14:42 | |
Would you sum that act up for us in a final word, Miss? | 0:14:42 | 0:14:46 | |
-Fantabbytastic. -Fantabbytastic. Tabby, that's cats. | 0:14:46 | 0:14:50 | |
Will Donelda and Biba scamper out through the doors of The Slammer? | 0:14:50 | 0:14:55 | |
Who knows? We've got to see some more performing prisoners now. | 0:14:55 | 0:15:00 | |
The next performing prisoner is very, very unusual. | 0:15:00 | 0:15:04 | |
He's used up all the washing-up liquid in The Slammer, | 0:15:04 | 0:15:08 | |
doing mysterious bubble things. | 0:15:08 | 0:15:10 | |
Jailers and jailbirds, please welcome Samsam the Bubbleman. | 0:15:10 | 0:15:15 | |
APPLAUSE | 0:17:46 | 0:17:48 | |
Give him a big hand there, ladies and gentlemen, | 0:17:50 | 0:17:55 | |
-for Samsam the Bubbleman! -APPLAUSE | 0:17:55 | 0:17:58 | |
My word! Oh-h! Don't try that when you're doing the washing-up. | 0:17:58 | 0:18:03 | |
You'll get into trouble. What did you think? Let's find out. | 0:18:03 | 0:18:07 | |
-What did you think of his act? -Brilliant. | 0:18:07 | 0:18:11 | |
And? Come on! Come on! | 0:18:11 | 0:18:14 | |
What else? | 0:18:14 | 0:18:16 | |
I don't know. | 0:18:16 | 0:18:17 | |
-I thought he was OK but not brilliant. -Could you do that? | 0:18:17 | 0:18:21 | |
Probably not. | 0:18:21 | 0:18:23 | |
-I didn't know bubbles could get so big. -They were quite big. -Yeah. | 0:18:23 | 0:18:27 | |
-On a scale of one to ten, how big were they? -Ten. -Ten. | 0:18:27 | 0:18:31 | |
Some bubbly words there. Let's have a final one from Mr Burgess. | 0:18:31 | 0:18:36 | |
-One, sir, one. I'm looking for one. -Bubbatastic. | 0:18:36 | 0:18:40 | |
Bubbatastic, sir. | 0:18:40 | 0:18:42 | |
Will Samsam the Bubbleman blow his way out of The Slammer? | 0:18:42 | 0:18:46 | |
You'll be deciding later. We've got 11 performing prisoners to see now. | 0:18:46 | 0:18:51 | |
They're eating us out of porridge, so I really hope they win this week. | 0:18:51 | 0:18:57 | |
Please give it up for Out Of The Blue! | 0:18:57 | 0:19:01 | |
CHEERING AND APPLAUSE | 0:19:01 | 0:19:03 | |
THEY HUM IN HARMONY | 0:19:09 | 0:19:12 | |
# When I'm down and my hands are tied | 0:19:21 | 0:19:25 | |
# Hands are tied | 0:19:25 | 0:19:27 | |
-# I cannot reach a pen for me to draw the line -Draw the line | 0:19:27 | 0:19:31 | |
-# From this pain I just can't disguise -Can't disguise | 0:19:31 | 0:19:36 | |
-# It's going to hurt but I'll have to say goodbye -Say goodbye | 0:19:36 | 0:19:40 | |
# Up in my lonely room | 0:19:40 | 0:19:42 | |
# When I'm dreaming of you Oh, what can I do? | 0:19:42 | 0:19:46 | |
# I still need you but I don't want you now | 0:19:46 | 0:19:51 | |
THEY HUM IN HARMONY | 0:19:51 | 0:19:53 | |
# Up in my lonely room | 0:20:27 | 0:20:29 | |
# When I'm dreaming of you Oh, what can I do? | 0:20:29 | 0:20:34 | |
# I still need you but I don't want you now! # | 0:20:34 | 0:20:38 | |
APPLAUSE | 0:20:41 | 0:20:43 | |
Give them a big hand there. | 0:20:44 | 0:20:47 | |
Give them a big cheer, ladies and gentlemen - | 0:20:47 | 0:20:51 | |
Out Of The Blue. | 0:20:51 | 0:20:53 | |
My word! We've got more performers than we've got jailers there. | 0:20:53 | 0:20:58 | |
What did you think of Out Of The Blue? | 0:20:58 | 0:21:01 | |
Let's go over to our boy in blue - Mr Burgess. | 0:21:01 | 0:21:04 | |
A cappella or kakappella - what did you think of it? | 0:21:04 | 0:21:08 | |
A bit freaky when they were dancing. | 0:21:08 | 0:21:11 | |
-You didn't like the dancing? -No. | 0:21:11 | 0:21:13 | |
-What was best, their singing or they're dancing? -Their singing. | 0:21:13 | 0:21:17 | |
-What did you think to that? -It was weird | 0:21:18 | 0:21:22 | |
because it was only them singing and it sounded like they had a theme tune | 0:21:22 | 0:21:27 | |
and their dancing was weird so I'll give it eight out of ten. | 0:21:27 | 0:21:32 | |
-One final word from you. -Beatful. -Beatful? -Yeah. -Very nice. | 0:21:32 | 0:21:37 | |
Beatful, sir. | 0:21:37 | 0:21:39 | |
-Who's the Governor? -You're the Governor! | 0:21:39 | 0:21:43 | |
Shout out the act that you want to release from The Slammer. | 0:21:43 | 0:21:47 | |
ALL SHOUT AT ONCE | 0:21:47 | 0:21:51 | |
Well, you can't make your mind up yet. | 0:21:51 | 0:21:54 | |
We've got one more performing prisoner to see | 0:21:54 | 0:21:57 | |
or, rather, one more and a little one | 0:21:57 | 0:22:00 | |
because Peter Nokio has been in The Slammer for a long time, | 0:22:00 | 0:22:04 | |
but we're going to give him another chance at freedom. | 0:22:04 | 0:22:08 | |
Jailers and jailbirds, will you please welcome Pete and Ted Astaire? | 0:22:08 | 0:22:14 | |
APPLAUSE | 0:22:14 | 0:22:16 | |
Ladies and gentlemen, ladies... | 0:22:21 | 0:22:23 | |
ECHOING WHINE | 0:22:25 | 0:22:27 | |
'It's been hell since McSavage arrived.' | 0:22:27 | 0:22:30 | |
'Nobody so much as taps a foot without my say-so.' | 0:22:30 | 0:22:34 | |
'It's not just about you, Pete. It's about all of us.' | 0:22:34 | 0:22:37 | |
'I am the Daddy now.' | 0:22:37 | 0:22:39 | |
Do the right thing, Peter. | 0:22:39 | 0:22:42 | |
Ladies and gentlemen, Mr Hellcat McSavage! | 0:22:43 | 0:22:47 | |
Come on, Mr Hellcat, you're on. Come on! | 0:22:47 | 0:22:50 | |
What did you think of that? What did you think of Hellcat McSavage? | 0:23:08 | 0:23:12 | |
Oh. I hear the sound of my own footsteps. ..Mr Burgess, help me. | 0:23:12 | 0:23:17 | |
I'm not too sure what to make of that. What did you make of it? | 0:23:17 | 0:23:22 | |
-Rubbish, like a dustbin. Pathetic and worthless. -I agree with that. | 0:23:22 | 0:23:27 | |
-Sir! -Yes. -Sum that act up for us in one word. -Garbage. | 0:23:27 | 0:23:33 | |
Garbage, sir. | 0:23:33 | 0:23:35 | |
I don't think Hellcat will get the highest score, but you never know. | 0:23:35 | 0:23:40 | |
Let's welcome them all back onto the stage. | 0:23:40 | 0:23:43 | |
A round of applause for all of them. | 0:23:43 | 0:23:45 | |
For Donelda and Biba, for Samsam the Bubbleman, for Out Of The Blue, | 0:23:45 | 0:23:51 | |
all 11 of them, | 0:23:51 | 0:23:53 | |
and, of course, bringing up the rear, it's that Hellcat McSavage. | 0:23:53 | 0:23:58 | |
-Oh, watch out for him. Keep an eye on him, Mr Burgess. -Don't you worry. | 0:23:58 | 0:24:03 | |
Jailers and jailbirds, I want you to show your appreciation. | 0:24:03 | 0:24:08 | |
This is what will measure your scores. | 0:24:08 | 0:24:11 | |
Yes, lovingly displayed by Gimbert there - The Slammer clapometer. | 0:24:11 | 0:24:16 | |
Each act steps forward, you clap and the clapometer turns it into points. | 0:24:16 | 0:24:21 | |
The highest points go free. Are you ready to do this? | 0:24:21 | 0:24:25 | |
ALL: Yes! | 0:24:25 | 0:24:27 | |
Well, a lovely act - the first time a doggie's performed in The Slammer. | 0:24:27 | 0:24:32 | |
Will you give a great big hand to Donelda and her freestyle dog Biba? | 0:24:32 | 0:24:37 | |
CHEERING | 0:24:37 | 0:24:41 | |
Marvellous. Oh, I wonder if she could train Gimbert to do that | 0:24:45 | 0:24:51 | |
if she gave him a chocolate drop. I doubt it. Let's see the score. | 0:24:51 | 0:24:55 | |
Donelda and Biba - 103.9. That's a great score. | 0:24:55 | 0:24:58 | |
Let's go on to our second performer. What a bubbly performance it was. | 0:24:58 | 0:25:03 | |
Jailers and jailbirds, make some noise for Samsam the Bubbleman. | 0:25:03 | 0:25:08 | |
CHEERING | 0:25:08 | 0:25:10 | |
Good score but that means you'll stay with us a bit longer. | 0:25:19 | 0:25:23 | |
Now 11 of them, | 0:25:23 | 0:25:24 | |
all in smart suits that they've borrowed for the occasion. | 0:25:24 | 0:25:29 | |
Ladies and gentlemen, please give a big hand for out Of The Blue. | 0:25:29 | 0:25:34 | |
Well, that means you're staying a bit longer. | 0:25:44 | 0:25:48 | |
More porridge, Mr Burgess. | 0:25:48 | 0:25:50 | |
We've got one more performing prisoner. He was lovely, wasn't he? | 0:25:50 | 0:25:55 | |
His warm smile, his winning manner, | 0:25:55 | 0:25:59 | |
his wonderful trick, I only say that cos I'm frightened. | 0:25:59 | 0:26:03 | |
Jailers, jailbirds, convict connoisseurs, | 0:26:03 | 0:26:06 | |
what did you think of Hellcat McSavage? | 0:26:06 | 0:26:09 | |
BOOING FROM AUDIENCE | 0:26:09 | 0:26:11 | |
And Hellcat scores... Let's have a look. | 0:26:15 | 0:26:18 | |
Oh, 2. | 0:26:18 | 0:26:19 | |
Well, what do you expect? I'm a real criminal. I'm not an entertainer. | 0:26:19 | 0:26:25 | |
Mr Burgess, did you hear that? | 0:26:25 | 0:26:28 | |
Gimbert, take him away. | 0:26:28 | 0:26:30 | |
Come with me. You're a very naughty man indeed. | 0:26:30 | 0:26:36 | |
He's a criminal, not an entertainer. I should have guessed it. | 0:26:36 | 0:26:40 | |
That means the winners of The Slammer this week and free to go | 0:26:40 | 0:26:45 | |
are Donelda and her freestyle dog Biba. | 0:26:45 | 0:26:48 | |
-You're free to go. -CHEERING | 0:26:48 | 0:26:50 | |
You're free to go. | 0:26:50 | 0:26:53 | |
Off you go. | 0:26:53 | 0:26:55 | |
The rest of you, back in the cells. Warders, take them away. | 0:26:55 | 0:27:00 | |
Poor Mr Burgess. Out Of The Blue, and Samsam the Bubbleman - | 0:27:00 | 0:27:05 | |
give them a round of applause, jailers and jailbirds, please. | 0:27:05 | 0:27:09 | |
-CHEERING -Bye, doggie, yes. | 0:27:09 | 0:27:14 | |
Jailers and jailbirds, that's it from The Slammer. | 0:27:15 | 0:27:20 | |
We're locking them up in their cells ready for another freedom show soon. | 0:27:20 | 0:27:25 | |
From everyone here, if you can't dance or rhyme, don't do the crime. | 0:27:25 | 0:27:29 | |
Bye, everybody. Bye-bye. | 0:27:29 | 0:27:31 | |
# It's the only way you'll ever leave The Slammer! | 0:27:44 | 0:27:48 | |
# Leave The Slammer | 0:27:48 | 0:27:50 | |
# It's the only way you'll ever leave The Slammer! # | 0:27:50 | 0:27:53 | |
SIREN WAILS | 0:27:54 | 0:27:57 | |
-Get off! -Off you go, Hellcat. You're not welcome here. Naughty boy. | 0:27:57 | 0:28:03 | |
I thought he should have won. | 0:28:03 | 0:28:05 | |
Subtitles by Red Bee Media Ltd. | 0:28:05 | 0:28:08 |