Browse content similar to First Impressions. Check below for episodes and series from the same categories and more!
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My name is Tracy Beaker | 0:00:05 | 0:00:06 | |
and these are my Survival Files, | 0:00:06 | 0:00:08 | |
your essential guide to the ups and downs of growing up. | 0:00:08 | 0:00:11 | |
Tracy... | 0:00:11 | 0:00:13 | |
Tracy! | 0:00:13 | 0:00:14 | |
Life in the Dumping Ground has taught me a lot about...stuff. | 0:00:14 | 0:00:17 | |
-Tracy Beaker! -Scary stuff... | 0:00:17 | 0:00:20 | |
THEY SCREAM | 0:00:20 | 0:00:21 | |
SHE SCREAMS | 0:00:21 | 0:00:22 | |
Complicated stuff... | 0:00:22 | 0:00:25 | |
-Stuff that can make you want to scream. -Tracey! | 0:00:25 | 0:00:28 | |
If you can cope with the stuff that goes down in this place | 0:00:28 | 0:00:31 | |
you can cope with pretty much anything. | 0:00:31 | 0:00:33 | |
I've spent most of my life here. | 0:00:33 | 0:00:35 | |
First when I was a kid, and now it's where I work. | 0:00:35 | 0:00:38 | |
I've learned a lot about friends... | 0:00:38 | 0:00:42 | |
About enemies... | 0:00:42 | 0:00:44 | |
About what life can throw at you. | 0:00:47 | 0:00:49 | |
It's not always been pretty | 0:00:53 | 0:00:55 | |
but it's made me who I am today. | 0:00:55 | 0:00:58 | |
And now I'm passing on my wisdom to you guys, in a video blog. | 0:00:58 | 0:01:02 | |
Pay attention, | 0:01:02 | 0:01:03 | |
I've lived through all this so you don't have to. | 0:01:03 | 0:01:07 | |
On the Tracy Beaker Survival Files this time, first impressions. | 0:01:07 | 0:01:11 | |
How much can we tell about people on first sight? | 0:01:11 | 0:01:14 | |
Are first impressions reliable? | 0:01:14 | 0:01:16 | |
And what did Cam think when she first met me? | 0:01:16 | 0:01:18 | |
We all meet new people all the time | 0:01:23 | 0:01:25 | |
and some are like an open book. | 0:01:25 | 0:01:27 | |
The moment you meet them, you can tell exactly what they're like. | 0:01:27 | 0:01:30 | |
Oh! Sorry, | 0:01:32 | 0:01:34 | |
um, hi. Nathan? | 0:01:34 | 0:01:37 | |
Trainee co-worker? | 0:01:37 | 0:01:38 | |
Like Nathan. We had him sussed in seconds. | 0:01:38 | 0:01:41 | |
Hi, dudes. | 0:01:41 | 0:01:43 | |
Da-da! | 0:01:43 | 0:01:44 | |
He was just a big dopey kid. End of. | 0:01:45 | 0:01:48 | |
Da-da-da! Ace! | 0:01:48 | 0:01:51 | |
-Told you Tracy Beaker was the best. -You've got it! Nice one, Tracy! | 0:01:51 | 0:01:54 | |
With Nathan, what you see is what you get | 0:01:55 | 0:01:57 | |
but other people try desperately hard to be what they think you want. | 0:01:57 | 0:02:01 | |
Meet Kez. She's our trainee social worker. | 0:02:01 | 0:02:04 | |
Yo, kids. What's up? | 0:02:04 | 0:02:07 | |
Er... "You seem bling." | 0:02:07 | 0:02:09 | |
Word! | 0:02:09 | 0:02:11 | |
Kez made a very strong first impression, | 0:02:12 | 0:02:15 | |
of a desperate saddo. | 0:02:15 | 0:02:16 | |
Wait, is it fist then fingers or...? | 0:02:16 | 0:02:19 | |
Her attempts to be down with the kids | 0:02:19 | 0:02:22 | |
even made Elaine the Pain look good. | 0:02:22 | 0:02:24 | |
Yeah, that bad. | 0:02:24 | 0:02:26 | |
Bye. | 0:02:26 | 0:02:27 | |
Sometimes first impressions are totally accurate, but not always. | 0:02:28 | 0:02:32 | |
Some people are careful not to give themselves away. | 0:02:32 | 0:02:35 | |
For example, not so long ago | 0:02:35 | 0:02:36 | |
a lovely polite new girl arrived at the Dumping Ground, | 0:02:36 | 0:02:39 | |
a girl with blue hair. | 0:02:39 | 0:02:41 | |
Tracy! | 0:02:43 | 0:02:45 | |
Sorry, Elektra! | 0:02:45 | 0:02:47 | |
Um, loving the hair. Do you want to come meet the others? | 0:02:47 | 0:02:49 | |
Do you mind if I meet them without any adults? | 0:02:49 | 0:02:52 | |
I just feel it's always so formal when there's staff there. | 0:02:52 | 0:02:57 | |
Whatever you feel is best. | 0:02:57 | 0:02:59 | |
'But as the girl was Elektra, our first impressions were way off.' | 0:02:59 | 0:03:03 | |
Aw, she seems really sweet. | 0:03:03 | 0:03:05 | |
Hi. You must be Elektra. | 0:03:07 | 0:03:10 | |
-Oh, wow, amazing hair. How did you get it like... -Shut up. | 0:03:10 | 0:03:14 | |
-Who's in charge? -Oh. | 0:03:14 | 0:03:16 | |
Are you all thick or something? I said, who's in charge? | 0:03:16 | 0:03:19 | |
Left alone with the other kids, | 0:03:19 | 0:03:22 | |
she certainly was...less formal. | 0:03:22 | 0:03:24 | |
Come on, then! | 0:03:26 | 0:03:28 | |
Hello, Jeff. | 0:03:29 | 0:03:31 | |
Next in line for the Elektra shock treatment | 0:03:31 | 0:03:34 | |
were Harry and Jeff. | 0:03:34 | 0:03:36 | |
I didn't like Elektra. Nor did Jeff. | 0:03:36 | 0:03:39 | |
HARRY GASPS | 0:03:39 | 0:03:40 | |
As soon as I saw her, I knew she was trouble. Big trouble. | 0:03:49 | 0:03:53 | |
Who did this? | 0:03:55 | 0:03:56 | |
Elektra. | 0:03:56 | 0:03:57 | |
-You freak! -Get off of me! | 0:04:05 | 0:04:08 | |
You blue-haired freak! | 0:04:08 | 0:04:10 | |
Ow! Get off! Get off me! | 0:04:10 | 0:04:13 | |
That's enough! | 0:04:13 | 0:04:14 | |
No, Mike! | 0:04:14 | 0:04:16 | |
I'm not finished with her! | 0:04:16 | 0:04:18 | |
-No, Mike! -Right, enough! | 0:04:18 | 0:04:20 | |
Now I've got to know her much better | 0:04:20 | 0:04:22 | |
and I've come to realise | 0:04:22 | 0:04:23 | |
that I was dead right. | 0:04:23 | 0:04:25 | |
MUSIC: "She's Electric" by Oasis | 0:04:25 | 0:04:28 | |
Elektra is...complicated. | 0:04:28 | 0:04:30 | |
She's angry and manipulative | 0:04:31 | 0:04:33 | |
and worst of all, she's smart. | 0:04:33 | 0:04:36 | |
She's good at putting on an act. | 0:04:36 | 0:04:38 | |
She certainly fooled me that first day. | 0:04:38 | 0:04:41 | |
And for a girl who can pull the wool over my eyes, | 0:04:41 | 0:04:44 | |
Carmen was just too easy a target. | 0:04:44 | 0:04:46 | |
KNOCK AT THE DOOR | 0:04:46 | 0:04:48 | |
-Are you OK? -I'm fine. | 0:04:48 | 0:04:50 | |
Sorry, I'm just having a bad day. | 0:04:51 | 0:04:53 | |
So, why did you want to fight Liam? | 0:04:53 | 0:04:57 | |
I don't. Everywhere I go, someone beats me up on the first day. | 0:04:57 | 0:05:00 | |
I wanted to get it out of the way. | 0:05:00 | 0:05:01 | |
-That's awful. -You get used to it. | 0:05:01 | 0:05:05 | |
So Carmen gave Elektra the benefit of the doubt. | 0:05:06 | 0:05:09 | |
Of course, she regretted it later | 0:05:09 | 0:05:11 | |
when she found out what Elektra was really like, but here's the thing. | 0:05:11 | 0:05:15 | |
The tough hard-face Elektra isn't the real Elektra either. | 0:05:15 | 0:05:18 | |
Underneath it all, she's almost human. | 0:05:18 | 0:05:20 | |
With me, what you see is what you get. Simple. | 0:05:20 | 0:05:23 | |
-I don't think that's true. -What? | 0:05:23 | 0:05:25 | |
Behind the loudmouth troublemaker front, | 0:05:25 | 0:05:28 | |
I think there's a caring person in there. | 0:05:28 | 0:05:30 | |
I'm not a caring person. | 0:05:30 | 0:05:32 | |
-Oh, really? -Yeah. | 0:05:32 | 0:05:33 | |
You know what, shut up, Beaker, you don't even know me. | 0:05:33 | 0:05:36 | |
Maybe I know Elektra more than she realises. | 0:05:36 | 0:05:39 | |
I know about acting tough when you're hurting inside | 0:05:39 | 0:05:42 | |
which might be why I can see right through her. | 0:05:42 | 0:05:45 | |
Every now and then, the mask slips, | 0:05:45 | 0:05:46 | |
just for a little while. | 0:05:46 | 0:05:48 | |
You can borrow it if you like. | 0:05:48 | 0:05:50 | |
Nah, it's too pretty for me. | 0:05:50 | 0:05:52 | |
What do you mean, too pretty? You are pretty. | 0:05:52 | 0:05:54 | |
No, I'm not, I'm ugly. | 0:05:54 | 0:05:55 | |
Rubbish. You can wear it tomorrow and then it'll have a memory. | 0:05:55 | 0:05:59 | |
What memory? | 0:05:59 | 0:06:01 | |
Um, the day I realised that me and Elektra could be friends. | 0:06:01 | 0:06:05 | |
Hang on while I puke everywhere. | 0:06:05 | 0:06:06 | |
Fine, then give it back. I don't care. | 0:06:06 | 0:06:08 | |
No. Sorry, it's just... | 0:06:08 | 0:06:10 | |
I never had anything nice before, so... | 0:06:10 | 0:06:13 | |
Honestly, Elektra, | 0:06:13 | 0:06:15 | |
you're just so... | 0:06:15 | 0:06:17 | |
So what? | 0:06:17 | 0:06:18 | |
Just so! | 0:06:18 | 0:06:20 | |
Aw. Course, it didn't last. | 0:06:21 | 0:06:24 | |
It all went wrong pretty quickly. | 0:06:24 | 0:06:26 | |
-Elektra? -As soon as Carmen changed her mind. | 0:06:26 | 0:06:29 | |
Could I have my necklace back, please? | 0:06:29 | 0:06:31 | |
But you said I could wear it today. | 0:06:31 | 0:06:34 | |
Um, because, I was kind of planning to give it to Lily | 0:06:35 | 0:06:39 | |
-as a welcome home present. -Oh! | 0:06:39 | 0:06:41 | |
That's great. Give Lily the present you were going to give me first! | 0:06:41 | 0:06:45 | |
It wasn't a present. | 0:06:45 | 0:06:47 | |
More of a... | 0:06:47 | 0:06:49 | |
borrow. | 0:06:49 | 0:06:50 | |
Yeah? "The day I realised Elektra and me could be friends!" | 0:06:50 | 0:06:55 | |
Know what, I don't want your stinking necklace. | 0:06:55 | 0:06:57 | |
Why would I even want a stupid piece of plastic all for your friend? | 0:06:57 | 0:07:01 | |
I'm sorry, Elektra, you can take it... Ow! | 0:07:01 | 0:07:03 | |
Oops, I slipped. | 0:07:03 | 0:07:05 | |
Mike, you've seen a lot of kids go through the Dumping Ground. | 0:07:05 | 0:07:09 | |
What do you make of Elektra? | 0:07:09 | 0:07:11 | |
Elektra's... | 0:07:11 | 0:07:13 | |
-Complicated? -Yeah. | 0:07:13 | 0:07:15 | |
Yeah. She's been through a lot, so she tries to protect herself. | 0:07:15 | 0:07:19 | |
She puts this hard face on, so she doesn't get hurt. | 0:07:19 | 0:07:21 | |
So what can we do to help her? | 0:07:21 | 0:07:24 | |
We can try and respect her, and not judge her too harshly. | 0:07:24 | 0:07:27 | |
There's a great girl in there somewhere. | 0:07:27 | 0:07:29 | |
If we keep being there for her, she'll eventually shine through. | 0:07:29 | 0:07:33 | |
When do you think that might be? | 0:07:33 | 0:07:34 | |
By the time you retire, if we're lucky. | 0:07:34 | 0:07:37 | |
Elektra can be trouble, but there's only one of her. | 0:07:37 | 0:07:41 | |
Imagine coping with three Elektras. | 0:07:41 | 0:07:44 | |
Actually, I don't need to imagine. I know exactly what it was like. | 0:07:45 | 0:07:49 | |
When the Wellards first hit the Dumping Ground | 0:07:49 | 0:07:52 | |
they made quite an impression. | 0:07:52 | 0:07:55 | |
The Wellards believed in arriving with a bang. | 0:07:55 | 0:07:58 | |
They were not to be messed with | 0:07:58 | 0:07:59 | |
and they wanted everyone to know that from day one. | 0:07:59 | 0:08:02 | |
THEY YELL | 0:08:02 | 0:08:06 | |
What are you doing? | 0:08:06 | 0:08:08 | |
This is a Wellard's room. | 0:08:09 | 0:08:11 | |
-Ha-ha! -Wellard's room. -Course it is. Silly us. | 0:08:11 | 0:08:15 | |
Sorry, we're just... tidying up for you, yeah. | 0:08:17 | 0:08:20 | |
Pass me an egg, Marco. | 0:08:22 | 0:08:24 | |
Pass us an egg, Chantelle. | 0:08:24 | 0:08:26 | |
Everyone was fair game for the Wellards. Kids, adults... | 0:08:26 | 0:08:29 | |
Oops. | 0:08:29 | 0:08:31 | |
Even innocent dollies. | 0:08:36 | 0:08:38 | |
Uh-oh! Another terrible accident! | 0:08:38 | 0:08:42 | |
Bye-bye, dolly! | 0:08:42 | 0:08:44 | |
I'd just moved out to live with Cam. Again. | 0:08:47 | 0:08:50 | |
But I was still the undisputed Queen of the Dumping Ground | 0:08:50 | 0:08:53 | |
so when there Wellards took over, everyone came running to me. | 0:08:53 | 0:08:57 | |
Tracy, can we stay? | 0:08:57 | 0:08:59 | |
Oh, well, I am very busy! | 0:08:59 | 0:09:01 | |
Aw, Tracy, seriously, we can't go home! | 0:09:01 | 0:09:04 | |
The Dumping Ground's been taken over by aliens. | 0:09:04 | 0:09:06 | |
Yeah, please, Tracy. | 0:09:06 | 0:09:07 | |
Honestly, there's no escaping from you lot, is there? | 0:09:07 | 0:09:10 | |
Time to find out if these Wellards could stand up | 0:09:13 | 0:09:16 | |
to a little people power. | 0:09:16 | 0:09:17 | |
-I'm Tracy Beaker. -Yeah! -You might have heard of me. | 0:09:17 | 0:09:22 | |
Charge! | 0:09:22 | 0:09:25 | |
So there you go. | 0:09:27 | 0:09:28 | |
All it took was a military charge from the entire Dumping Ground, | 0:09:28 | 0:09:32 | |
led by me, and the Wellards crumbled. | 0:09:32 | 0:09:34 | |
Well, we won that one anyway. | 0:09:34 | 0:09:36 | |
But the Wellards didn't give up just like that. | 0:09:36 | 0:09:40 | |
Whenever there was a chance to big up the legend of the Wellard clan, | 0:09:40 | 0:09:43 | |
they would take it. | 0:09:43 | 0:09:46 | |
-I was thinking. -Makes a change. -Rio's dad. | 0:09:46 | 0:09:49 | |
Why's he in jail? | 0:09:49 | 0:09:52 | |
Umm. Teacher abuse. | 0:09:52 | 0:09:55 | |
Rio's teacher gave him detention so his dad paid him a visit | 0:09:55 | 0:09:58 | |
and tied him to the seat with sticky tape. | 0:09:58 | 0:10:00 | |
Not so bad though, is it? | 0:10:00 | 0:10:02 | |
It is when it's the last day before the summer holidays. | 0:10:02 | 0:10:05 | |
They found him six weeks later. | 0:10:05 | 0:10:08 | |
So, Rio's dad was a dangerous criminal then. | 0:10:10 | 0:10:12 | |
No wonder Rio was such a hard case. | 0:10:12 | 0:10:15 | |
It all fitted in perfectly with the Wellard image. | 0:10:16 | 0:10:20 | |
The only snag was none of it was true. | 0:10:20 | 0:10:23 | |
-Rio's dad. -What about him? -Why's he in prison? | 0:10:23 | 0:10:27 | |
-Because the police caught him, stupid. -For stealing? -Yeah. | 0:10:27 | 0:10:30 | |
-What's it got to do with you anyway? -Stealing? | 0:10:30 | 0:10:33 | |
-You said Rio's dad was in prison for teacher abuse. -Stole dogs as well. | 0:10:33 | 0:10:37 | |
And robbed banks. | 0:10:37 | 0:10:38 | |
Rio's dad isn't even in jail at all. | 0:10:38 | 0:10:41 | |
-What's going on? -Rio lied about his dad being in prison. -I haven't. | 0:10:44 | 0:10:48 | |
-Then why is your dad in jail? -You don't have to tell him. | 0:10:48 | 0:10:52 | |
My dad's in jail because... | 0:10:52 | 0:10:54 | |
..because he stole a car. | 0:10:56 | 0:11:00 | |
And he drove it to this big bank and then he went inside and nicked | 0:11:00 | 0:11:06 | |
all this stuff from the safe, | 0:11:06 | 0:11:08 | |
and money and jewels, and money and stuff. | 0:11:08 | 0:11:13 | |
Everything, he stole everything in the whole place. The lot. | 0:11:13 | 0:11:18 | |
Dad didn't flinch. | 0:11:18 | 0:11:19 | |
Not even when the big angry guard dogs started growling | 0:11:19 | 0:11:22 | |
and showing their teeth. | 0:11:22 | 0:11:24 | |
GROWLS | 0:11:24 | 0:11:25 | |
That's my dad, see. Not frightened of anything. Nothing at all. | 0:11:25 | 0:11:30 | |
He's a hard man, a tough nut, a real hero. | 0:11:30 | 0:11:35 | |
LOUD BARK | 0:11:36 | 0:11:39 | |
-He's making it up! -I'm not. | 0:11:40 | 0:11:43 | |
Crash had made a big mistake. He was trying to be mates with Rio. | 0:11:48 | 0:11:51 | |
Crash's dad really was in jail | 0:11:51 | 0:11:54 | |
so he'd thought they had something in common. | 0:11:54 | 0:11:56 | |
He wasn't impressed to find out that Rio had lied. | 0:11:56 | 0:11:59 | |
I only said my dad was in jail to frighten Lol. | 0:12:00 | 0:12:03 | |
I didn't know your dad had... I didn't know... | 0:12:04 | 0:12:10 | |
At least you know where your dad is. I don't even know WHO mine is. | 0:12:12 | 0:12:17 | |
So, the Wellards weren't quite what they seemed. | 0:12:20 | 0:12:22 | |
Funny how often that happens. | 0:12:22 | 0:12:24 | |
If you take the trouble to dig beneath the surface, | 0:12:24 | 0:12:27 | |
you'll find all sorts of surprises. | 0:12:27 | 0:12:29 | |
What have we learned so far | 0:12:29 | 0:12:31 | |
about first impressions to put into the Tracy Beaker Survival Files? | 0:12:31 | 0:12:35 | |
Elektra and the Wellards deliberately went out of their way | 0:13:15 | 0:13:18 | |
to look tough but that's not always how it works. | 0:13:18 | 0:13:21 | |
Some people can make a bad first impression, totally by accident. | 0:13:21 | 0:13:25 | |
Hold that. | 0:13:28 | 0:13:29 | |
I wonder how fast this thing goes. | 0:13:29 | 0:13:32 | |
# White riot, I wanna riot | 0:13:32 | 0:13:35 | |
# White riot, a riot of my own | 0:13:35 | 0:13:37 | |
# White riot, I wanna riot... # | 0:13:37 | 0:13:40 | |
Take Liam. High-spirited, fun-loving, enjoys a good laugh. | 0:13:40 | 0:13:44 | |
Wait your turn. | 0:13:44 | 0:13:45 | |
Yeah, he can be a bit of a tearaway but his heart's in the right place. | 0:13:46 | 0:13:51 | |
That's how his friends see him, | 0:13:51 | 0:13:53 | |
but when Liam decided to borrow a mobility scooter, | 0:13:53 | 0:13:56 | |
the owner saw things a bit differently. | 0:13:56 | 0:13:59 | |
Oi! Get off! | 0:13:59 | 0:14:02 | |
Mr Spooner, who owned the scooter, was not impressed, | 0:14:10 | 0:14:13 | |
nor were the police. | 0:14:13 | 0:14:14 | |
So Mike begged Liam to try harder to impress the magistrate. | 0:14:14 | 0:14:18 | |
Liam, face the front. Take your hands out of your pockets | 0:14:18 | 0:14:23 | |
and try to make a good impression for the magistrate. | 0:14:23 | 0:14:26 | |
I despair with Liam sometimes. This was really serious, you know? | 0:14:27 | 0:14:33 | |
He could have been looking at time in a young offenders' institute. | 0:14:33 | 0:14:36 | |
The least he could do was try | 0:14:36 | 0:14:38 | |
and make a good impression with the magistrate. | 0:14:38 | 0:14:41 | |
BEEPING | 0:14:41 | 0:14:43 | |
What's with the phone?! I don't believe you. This is big stuff. | 0:14:43 | 0:14:47 | |
All right. | 0:14:47 | 0:14:48 | |
Tracy, what am I doing wrong? He's out of control. | 0:14:50 | 0:14:55 | |
PHONE BEEPS | 0:14:58 | 0:14:59 | |
-Gus has got a date! -Tracy. -Good morning. -Sorry. | 0:15:02 | 0:15:06 | |
At times like this, it's important to give the right impression. | 0:15:06 | 0:15:09 | |
We had to look responsible and serious | 0:15:09 | 0:15:12 | |
and Liam needed to show he was sorry for what he'd done. | 0:15:12 | 0:15:15 | |
He's the thieving beggar who took my scooter. | 0:15:15 | 0:15:18 | |
Thank you, we have your statement. | 0:15:18 | 0:15:19 | |
He might as well have taken my legs. I can't go anywhere. | 0:15:19 | 0:15:24 | |
-What, you've still got your scooter. -But it's broken because of you. | 0:15:24 | 0:15:28 | |
-Give him the maximum, go on. He's a little menace. -You lying old codger. | 0:15:28 | 0:15:32 | |
-Quiet. -See, no respect. | 0:15:32 | 0:15:33 | |
-This is the thanks an old war hero gets. -Quiet! -It wasn't going well. | 0:15:33 | 0:15:38 | |
Spooner had called Liam a young thug | 0:15:38 | 0:15:41 | |
so it was up to Liam to prove that basically, he's a decent lad. | 0:15:41 | 0:15:45 | |
To be honest, my hopes weren't that high. | 0:15:45 | 0:15:48 | |
This isn't the first time | 0:15:48 | 0:15:50 | |
you've been before a magistrate, Mr O'Donovan. | 0:15:50 | 0:15:53 | |
I don't have any parents to show me a good way, your Honour, | 0:15:53 | 0:15:56 | |
living in care. | 0:15:56 | 0:15:57 | |
We've read your file and it would appear | 0:15:57 | 0:16:01 | |
previous punishments have not acted as a deterrent. | 0:16:01 | 0:16:04 | |
I'm afraid this time we shall have to consider a more serious sentence. | 0:16:04 | 0:16:11 | |
I knew I was going down but my sentence was worse than I thought. | 0:16:13 | 0:16:16 | |
Seven days of community service working with old people. | 0:16:16 | 0:16:19 | |
That was bad enough, | 0:16:19 | 0:16:20 | |
then they told me which old people I was working with. | 0:16:20 | 0:16:23 | |
-Aah! Didn't think he'd have the guts to show. -You? | 0:16:29 | 0:16:33 | |
Come to do his time, he has. | 0:16:33 | 0:16:35 | |
Help himself, more like, thieving little beggar. | 0:16:35 | 0:16:38 | |
No way was I sticking round for a week. | 0:16:38 | 0:16:40 | |
As soon as Spooner would see me, he'd start banging on again. | 0:16:40 | 0:16:43 | |
He was doing my head in. | 0:16:43 | 0:16:44 | |
What are you doing hanging around here for? Casing my room, eh? | 0:16:44 | 0:16:51 | |
I'm sorry about your scooter. I'm not a thief, | 0:16:51 | 0:16:54 | |
I wasn't casing your room. | 0:16:54 | 0:16:56 | |
Eavesdropping though, weren't you, little tyke? | 0:16:56 | 0:16:59 | |
Are you all right? | 0:16:59 | 0:17:01 | |
No. Yeah, just get me to a chair. | 0:17:01 | 0:17:05 | |
COUGHS | 0:17:05 | 0:17:06 | |
Look, I'm going to get you some help, OK? | 0:17:09 | 0:17:12 | |
No, this is just a dizzy spell, that's all. I've had them before. | 0:17:12 | 0:17:18 | |
They'll only fuss. | 0:17:18 | 0:17:20 | |
When someone collapses in front of you, | 0:17:20 | 0:17:22 | |
you've got to make sure they're all right. | 0:17:22 | 0:17:24 | |
I wanted to get out of there as fast as possible | 0:17:24 | 0:17:27 | |
but then I spotted something on the wall. | 0:17:27 | 0:17:29 | |
That the war? | 0:17:29 | 0:17:31 | |
No, Suez Canal crisis, doing my national service. | 0:17:31 | 0:17:36 | |
-National service, what's that? -In my day, | 0:17:36 | 0:17:39 | |
you had to join the army for two years whether you liked it or not. | 0:17:39 | 0:17:42 | |
-You just did it? -Of course. | 0:17:42 | 0:17:44 | |
Happy days. All gone now. | 0:17:45 | 0:17:48 | |
So that's how you got all them medals? | 0:17:50 | 0:17:52 | |
I don't like to talk about it. | 0:17:52 | 0:17:55 | |
You did in the courtroom. | 0:17:55 | 0:17:57 | |
You lot have it easy nowadays. | 0:17:58 | 0:18:01 | |
Those fellas, they were the only family I had. | 0:18:01 | 0:18:05 | |
I've got no family either. | 0:18:05 | 0:18:08 | |
I don't like to talk about it. | 0:18:11 | 0:18:13 | |
You did in the courtroom. | 0:18:13 | 0:18:14 | |
All of a sudden, something amazing happened. | 0:18:18 | 0:18:20 | |
The thieving little beggar and the lying codger started swapping stories. | 0:18:20 | 0:18:24 | |
It turned out they had more in common than they thought. | 0:18:24 | 0:18:27 | |
A right old scrape that was. | 0:18:27 | 0:18:29 | |
I think I was chased for about a mile before the old bill got me. | 0:18:29 | 0:18:33 | |
-I don't think I could keep that up now. -No. | 0:18:33 | 0:18:36 | |
Look, I'm sorry about the scooter. I was just mucking about, honest. | 0:18:36 | 0:18:42 | |
Look, forget the scooter. It's been nothing but trouble. | 0:18:42 | 0:18:47 | |
I've spent nearly all my savings on it and it still won't work. | 0:18:47 | 0:18:51 | |
Look at that lot. | 0:18:51 | 0:18:53 | |
150 quid for brakes? What brakes? | 0:18:58 | 0:19:02 | |
Look, I'm no expert but I think this guy's ripping you off. | 0:19:02 | 0:19:07 | |
No, he wouldn't do that. He's ex-forces. | 0:19:07 | 0:19:10 | |
We look out for each other, like family. | 0:19:10 | 0:19:13 | |
Spooner thought all young lads were trouble | 0:19:13 | 0:19:16 | |
and all ex-soldiers were heroes but life's not that simple. | 0:19:16 | 0:19:20 | |
Some people you hate, they can surprise you by doing good things | 0:19:20 | 0:19:23 | |
and the people you trust, they can let you down. | 0:19:23 | 0:19:26 | |
Oh, keen customer. That's what I like, Mr Spooner. | 0:19:33 | 0:19:36 | |
We don't need to go through it all again, eh? | 0:19:40 | 0:19:42 | |
Two honest squaddies like us. | 0:19:42 | 0:19:44 | |
You really are a class act, Eddie. What's this? | 0:19:47 | 0:19:51 | |
150 quid a service, 200 for wheel bearings. It goes on. | 0:19:51 | 0:19:57 | |
About two grand's worth of bills. | 0:19:58 | 0:19:59 | |
On top of what Mr Spooner paid you | 0:19:59 | 0:20:01 | |
for that heap of rubbish that you sold him. | 0:20:01 | 0:20:03 | |
What's this, Mr Spooner? | 0:20:03 | 0:20:05 | |
-You hired some yob to shake me down or something? -No, Eddie. | 0:20:05 | 0:20:09 | |
He's just an honest young lad who opened my eyes. | 0:20:09 | 0:20:12 | |
You're a cheat, a liar and a thief. | 0:20:12 | 0:20:15 | |
Give me one good reason why I shouldn't call the police? | 0:20:15 | 0:20:17 | |
So I helped Spooner out and he realised just because | 0:20:17 | 0:20:20 | |
I borrowed his scooter doesn't make me a violent yob, | 0:20:20 | 0:20:23 | |
and I realised he weren't so bad for a shouty old man, | 0:20:23 | 0:20:27 | |
so we'd both changed. | 0:20:27 | 0:20:29 | |
Just goes to show, you shouldn't always judge a book by its cover. | 0:20:29 | 0:20:32 | |
You can't tell everything about someone by their age, | 0:20:32 | 0:20:35 | |
the way they dress or seem to behave at first sight. | 0:20:35 | 0:20:38 | |
'Certainly no-one had Mr Spooner down as a boy racer, | 0:20:41 | 0:20:44 | |
'but it's easy to be taken in by appearances. | 0:20:44 | 0:20:46 | |
'Even I've been known to make that mistake.' | 0:20:46 | 0:20:49 | |
Sorry, couple number one. Thank you and good night. | 0:20:49 | 0:20:53 | |
'Looking back, I could have been more open-minded.' | 0:20:53 | 0:20:56 | |
Potential family number two - | 0:20:56 | 0:20:58 | |
you think someone as cool as me could live with that hairdo? | 0:20:58 | 0:21:01 | |
Get real, lady. | 0:21:01 | 0:21:02 | |
'I could have tried to get past my first impressions.' | 0:21:02 | 0:21:05 | |
-They're here! 'Especially when it was important.' -Wait there. | 0:21:05 | 0:21:08 | |
'When I was meeting people who could have changed my whole life, | 0:21:08 | 0:21:13 | |
'like potential foster parents.' | 0:21:13 | 0:21:15 | |
Tracy, | 0:21:15 | 0:21:16 | |
this is Mr and Mrs Brown. | 0:21:16 | 0:21:18 | |
-Call me Terry. -I'm Jill, pleased to meet you. | 0:21:18 | 0:21:20 | |
-There must be a mistake. -What? | 0:21:22 | 0:21:24 | |
These people are old. | 0:21:24 | 0:21:27 | |
But there was one visitor to the Dumping Ground | 0:21:28 | 0:21:30 | |
who I definitely wanted to impress. | 0:21:30 | 0:21:32 | |
She wasn't coming to foster anyone, at least that's what she thought. | 0:21:32 | 0:21:36 | |
She thought she was coming to write an article about care homes. | 0:21:36 | 0:21:39 | |
I've written about how upset my foster parents were | 0:21:39 | 0:21:42 | |
when I made them bring me back, | 0:21:42 | 0:21:44 | |
so I've drawn a picture of them crying a river of tears. | 0:21:44 | 0:21:47 | |
More like tears of happiness, getting shot of you. | 0:21:47 | 0:21:49 | |
This couldn't even go in a puddle, let alone a river. | 0:21:49 | 0:21:52 | |
-Come over here and help me tidy this lot away. -I can't. | 0:21:52 | 0:21:55 | |
I won't have enough time to finish this before the writer gets here. | 0:21:55 | 0:21:59 | |
I'd better start at the top then work my down then, had I? | 0:21:59 | 0:22:02 | |
I don't know why you're bothering. I bet she won't even read it. | 0:22:02 | 0:22:06 | |
So there was this writer called Cam coming to meet us | 0:22:08 | 0:22:11 | |
and I wanted to be a writer. | 0:22:11 | 0:22:13 | |
I knew we were bound to get on | 0:22:13 | 0:22:15 | |
and that she would foster me, eventually, | 0:22:15 | 0:22:17 | |
but just to be safe, I decided to go the extra mile | 0:22:17 | 0:22:20 | |
to make an impression. | 0:22:20 | 0:22:21 | |
-Hi, I'm Cam Lawson. -Hello, Jenny Edwards. Do come in. | 0:22:25 | 0:22:28 | |
Cam, what do you remember about the first day | 0:22:29 | 0:22:32 | |
you came to the Dumping Ground? | 0:22:32 | 0:22:35 | |
I was a bit nervous, really. Don't know why. | 0:22:35 | 0:22:38 | |
I suppose I had no idea what to expect, | 0:22:38 | 0:22:40 | |
what all of you would think of me. | 0:22:40 | 0:22:42 | |
The kids I did meet certainly made an impression. | 0:22:42 | 0:22:45 | |
This is my granny. | 0:22:45 | 0:22:47 | |
She's dead, and so's my mum. They're angels in Heaven now. | 0:22:47 | 0:22:52 | |
There was one who stood out from the crowd. | 0:22:55 | 0:22:58 | |
Someone's been using my make-up. One person's missing | 0:22:58 | 0:23:01 | |
and when I get my hands on her I'll kill her. | 0:23:01 | 0:23:03 | |
Hello! | 0:23:03 | 0:23:05 | |
At first, the crowd was stunned into silence as Tracy Beaker, | 0:23:05 | 0:23:08 | |
the glamorous best-selling writer | 0:23:08 | 0:23:11 | |
arrived to be interviewed by another famous best-selling writer. | 0:23:11 | 0:23:14 | |
Then they couldn't control themselves a moment longer | 0:23:14 | 0:23:18 | |
and went absolutely wild! | 0:23:18 | 0:23:20 | |
No-one told us there was going to be a freakshow. | 0:23:20 | 0:23:24 | |
Cast your mind back then, to the moment we met. | 0:23:26 | 0:23:29 | |
What was your first impression? | 0:23:29 | 0:23:31 | |
Hard to say. I couldn't really see you under about 15 tons of make-up. | 0:23:31 | 0:23:35 | |
Yeah, maybe the make-up was a mistake. | 0:23:35 | 0:23:38 | |
Should have gone for more glitter. | 0:23:38 | 0:23:40 | |
Hmm, more glitter? | 0:23:40 | 0:23:41 | |
Could have worked. | 0:23:41 | 0:23:43 | |
Now, Tracy, come and meet Cam. | 0:23:43 | 0:23:45 | |
Tracy's the girl I told you about who wants to become a writer. | 0:23:45 | 0:23:49 | |
Tracy, a writer? | 0:23:49 | 0:23:51 | |
Yeah, that's really going to happen(!) | 0:23:51 | 0:23:55 | |
Give that back! | 0:23:55 | 0:23:57 | |
I'm Tracy Beaker, with my incredible heart-rending story. | 0:23:57 | 0:24:01 | |
Tragic - she's only cut out a picture from a magazine | 0:24:01 | 0:24:06 | |
pretending it's her mum. | 0:24:06 | 0:24:08 | |
You two girls, stop that! | 0:24:11 | 0:24:13 | |
Now, be honest. It wasn't the perfect start. | 0:24:19 | 0:24:23 | |
-You made sure I could never forget you. -I hate you. | 0:24:23 | 0:24:27 | |
I'm sorry about this, Cam. | 0:24:27 | 0:24:30 | |
You're a total headcase, Tracy Beaker. | 0:24:30 | 0:24:33 | |
I thought I'd blown it. Cam would never want to see me again. | 0:24:33 | 0:24:36 | |
Bog off, Jenny. I hate you. | 0:24:36 | 0:24:40 | |
You knew how much I wanted to meet that writer. | 0:24:40 | 0:24:42 | |
And I hate that Justine Littlewood. She always spoils everything. | 0:24:42 | 0:24:47 | |
Tracy, it's me, Cam. | 0:24:47 | 0:24:48 | |
I just wanted to tell you that I've looked through your life book | 0:24:52 | 0:24:55 | |
and you've written some fantastic stuff. | 0:24:55 | 0:24:57 | |
I adored the bit about your foster parents and the river of tears. | 0:24:57 | 0:25:02 | |
Showed a lot of imagination. | 0:25:02 | 0:25:03 | |
The thing is, first impressions can often go wrong. | 0:25:03 | 0:25:06 | |
That's why it's good to give everyone | 0:25:06 | 0:25:08 | |
a second chance to get it right. | 0:25:08 | 0:25:09 | |
That's what I did. | 0:25:09 | 0:25:11 | |
No, not exactly. | 0:25:11 | 0:25:13 | |
Are you just saying that because you feel sorry for me? You better not, | 0:25:13 | 0:25:17 | |
-because I don't care. -I know. | 0:25:17 | 0:25:19 | |
No, you don't. I'm the one stuck in here, not you! | 0:25:19 | 0:25:23 | |
I bet you're not even a proper writer. | 0:25:23 | 0:25:25 | |
Writers don't bite their nails or wear tatty jeans. | 0:25:25 | 0:25:28 | |
You look like a right loser, you do. Not rich and glamorous at all. | 0:25:28 | 0:25:32 | |
That's how smart writers are. | 0:25:32 | 0:25:35 | |
Really smart with posh hair and swanky clothes and loads of make-up, | 0:25:35 | 0:25:38 | |
and loads and loads, and loads and loads and loads. | 0:25:38 | 0:25:41 | |
So what did you think of me after that? | 0:25:41 | 0:25:44 | |
Well, if I'm going on first impressions, | 0:25:44 | 0:25:46 | |
I thought you were stroppy, moody, difficult... | 0:25:46 | 0:25:51 | |
-Hang on! -Rude, unreasonable, obstinate. | 0:25:51 | 0:25:55 | |
But when you got to know me better... | 0:25:55 | 0:25:57 | |
I found out you were all those things and more. | 0:25:57 | 0:26:00 | |
Go on, put the boot in, why don't you? | 0:26:00 | 0:26:02 | |
But I also found out that I wouldn't want you any other way, | 0:26:02 | 0:26:06 | |
-because then you wouldn't be you. -Aww. | 0:26:06 | 0:26:08 | |
Thank you! | 0:26:26 | 0:26:28 | |
Lucky for Cam I made such a big first impression, | 0:26:31 | 0:26:35 | |
or she could have missed out on all the happiness | 0:26:35 | 0:26:37 | |
I have brought into her little world. | 0:26:37 | 0:26:39 | |
So, what have we learnt about first impressions | 0:26:46 | 0:26:48 | |
to upload into my Survival Files? | 0:26:48 | 0:26:50 | |
So, that's the Beaker guide to first impressions safely uploaded | 0:27:32 | 0:27:37 | |
to the Tracy Beaker Survival Files. | 0:27:37 | 0:27:40 | |
More gems of wisdom from my experiences next time. | 0:27:41 | 0:27:44 | |
On this occasion, your first impression is right. | 0:27:44 | 0:27:47 | |
It's going to be unmissable. | 0:27:47 | 0:27:48 | |
Remember, | 0:27:48 | 0:27:50 | |
I've been through all this so you don't have to. | 0:27:50 | 0:27:52 | |
Subtitles by Red Bee Media Ltd | 0:28:00 | 0:28:02 | |
Email [email protected] | 0:28:02 | 0:28:04 |