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'I'm Nigel...' | 0:00:02 | 0:00:03 | |
'I'm Michelle...' | 0:00:05 | 0:00:06 | |
'We're going to show you how to turn useless rubbish...' | 0:00:08 | 0:00:11 | |
What are you going to do with this lot? | 0:00:11 | 0:00:13 | |
'..into amazing useful stuff...' | 0:00:13 | 0:00:15 | |
So cool! | 0:00:15 | 0:00:16 | |
'..all here on...' | 0:00:16 | 0:00:18 | |
'Coming up, we meet an artist who makes incredible art | 0:00:22 | 0:00:25 | |
'from thrown-away books.' | 0:00:25 | 0:00:27 | |
'We visit someone who wants to do something different | 0:00:27 | 0:00:29 | |
'with her phone directories... | 0:00:29 | 0:00:31 | |
'and we show you how to make a monster doorstop, | 0:00:31 | 0:00:34 | |
'all from stuff you throw away.' | 0:00:34 | 0:00:36 | |
'But first...' | 0:00:37 | 0:00:39 | |
BOTH: Fake poo! | 0:00:40 | 0:00:41 | |
'There's me, planting our poo. | 0:00:43 | 0:00:46 | |
'Even the dog thinks it's real.' | 0:00:46 | 0:00:47 | |
Did that just do that?! | 0:00:47 | 0:00:48 | |
HE LAUGHS | 0:00:50 | 0:00:53 | |
Watch your step here, there's just a bit of... | 0:00:53 | 0:00:55 | |
In fact, it's all right. I'll move it for you. | 0:00:55 | 0:00:57 | |
-THEY LAUGH -It's fake poo! -That's so silly! | 0:00:57 | 0:01:00 | |
'Here we go again...' | 0:01:02 | 0:01:03 | |
'Leave this to me, Nige.' | 0:01:05 | 0:01:06 | |
-You all right? -Yeah. | 0:01:06 | 0:01:09 | |
-It smells a bit funny around here, doesn't it? -Yeah. | 0:01:09 | 0:01:12 | |
Have you...? Have you seen that?! | 0:01:12 | 0:01:14 | |
Look, it's a massive poo! | 0:01:14 | 0:01:17 | |
-Should I get rid of it? -Yeah. | 0:01:17 | 0:01:20 | |
THEY LAUGH | 0:01:20 | 0:01:22 | |
It's not real, it's a fake! | 0:01:23 | 0:01:26 | |
-That was so funny! -That was really good. | 0:01:28 | 0:01:30 | |
I didn't think we'd get those reactions. | 0:01:30 | 0:01:32 | |
I know! We did well there. High five, mate. | 0:01:32 | 0:01:34 | |
Right, I'm going to show you how to make it. | 0:01:34 | 0:01:35 | |
'Yep, I'm going to show you how to prank your mates | 0:01:35 | 0:01:38 | |
'out of stuff you have lying around.' | 0:01:38 | 0:01:40 | |
Right, fake poo. Really, really simple. | 0:01:40 | 0:01:42 | |
First of all, you need to grab some old tin foil, make sure it's clean, | 0:01:42 | 0:01:45 | |
and you're just going to roll it into a tube shape, | 0:01:45 | 0:01:48 | |
almost like you're rolling a sausage, | 0:01:48 | 0:01:50 | |
and then you're going to start to twist it. | 0:01:50 | 0:01:52 | |
Twist it into a delicately shaped poo... | 0:01:52 | 0:01:55 | |
Next, you need to build up the texture, | 0:01:58 | 0:02:01 | |
so I've got some tissue here. I've just ripped it into pieces... | 0:02:01 | 0:02:04 | |
And if you haven't got any tissue paper, | 0:02:04 | 0:02:05 | |
you could always use old party hats. | 0:02:05 | 0:02:07 | |
And you're just going to start pasting it down onto the tin foil | 0:02:07 | 0:02:10 | |
with some PVA glue... | 0:02:10 | 0:02:12 | |
'Keep sticking on the tissue until the whole shape is covered.' | 0:02:17 | 0:02:21 | |
Once you've covered the whole of the shape, | 0:02:21 | 0:02:25 | |
you're then going to leave it to dry overnight, | 0:02:25 | 0:02:28 | |
and it'll look something like this. | 0:02:28 | 0:02:31 | |
See, rock hard. | 0:02:31 | 0:02:33 | |
Next thing you need to do is build up the colour for your poo, | 0:02:33 | 0:02:35 | |
so I've got brown and yellow paint. | 0:02:35 | 0:02:38 | |
I'm going to mix them together | 0:02:38 | 0:02:40 | |
to create a really nice gooey, gory colour. | 0:02:40 | 0:02:44 | |
And then once you've got the colour you desire, | 0:02:47 | 0:02:50 | |
you're then going to paint it onto your dried sausage, OK? | 0:02:50 | 0:02:54 | |
You don't want any white bits. It's got to be completely covered. | 0:02:54 | 0:02:58 | |
If you just get little spots of the yellow, just dab them around, | 0:03:01 | 0:03:06 | |
and it really just helps to make it look a bit more realistic. | 0:03:06 | 0:03:09 | |
All you need to do now is leave it to dry overnight | 0:03:09 | 0:03:12 | |
and then, of course, you'll be left with your dried brown poo. | 0:03:12 | 0:03:16 | |
And the last final thing | 0:03:16 | 0:03:18 | |
that really helps to give it that edge over any other poo, | 0:03:18 | 0:03:21 | |
is to put some PVA glue on it. | 0:03:21 | 0:03:24 | |
Now, that actually dries clear, | 0:03:24 | 0:03:26 | |
so it just gives it that kind of shiny coating, | 0:03:26 | 0:03:29 | |
and then you have your own fake poo to prank your mates. | 0:03:29 | 0:03:33 | |
Incredibly, in Britain, the average family | 0:04:09 | 0:04:11 | |
throws away six trees' worth of paper every year. | 0:04:11 | 0:04:15 | |
Now, I'm here to see someone | 0:04:15 | 0:04:17 | |
who needs a little help with their piles of paper. | 0:04:17 | 0:04:20 | |
'Meet Ella. She loves football and supports Watford, | 0:04:24 | 0:04:27 | |
'whose team colour is yellow. | 0:04:27 | 0:04:29 | |
'She collects old phone books | 0:04:29 | 0:04:31 | |
'and uses the yellow sections as confetti at matches...' | 0:04:31 | 0:04:34 | |
'But she's drowning in directories | 0:04:36 | 0:04:37 | |
'and wants a plan for the rest of her paper.' | 0:04:37 | 0:04:41 | |
I have these out-of-date phone books, | 0:04:41 | 0:04:44 | |
but I don't know what to do with them. | 0:04:44 | 0:04:45 | |
I know someone who could inspire us. Have a look at this. | 0:04:45 | 0:04:49 | |
I'm Su Blackwell. | 0:04:59 | 0:05:00 | |
I'm an artist working predominantly with old books, | 0:05:00 | 0:05:03 | |
and I make what I call book sculptures. | 0:05:03 | 0:05:06 | |
I'm inspired by fairy tales and folk tales. | 0:05:06 | 0:05:08 | |
It's really important to plan out your design before you start. | 0:05:15 | 0:05:18 | |
I'm going to set out a woodland scene and a log cabin. | 0:05:20 | 0:05:23 | |
So I look online at images of log cabins | 0:05:23 | 0:05:26 | |
and then I start doing a sketch. | 0:05:26 | 0:05:28 | |
So now I've finished my sketch, | 0:05:30 | 0:05:32 | |
I'm going to take pages from an old book. | 0:05:32 | 0:05:36 | |
First of all, I'll work out the size of the cabin, | 0:05:36 | 0:05:39 | |
and this is in proportion to the book page. | 0:05:39 | 0:05:42 | |
And how I start is to make the individual logs | 0:05:42 | 0:05:45 | |
that make up the cabin. | 0:05:45 | 0:05:46 | |
I'm using a brass rod here, | 0:05:47 | 0:05:50 | |
but you can use a pencil or a pen to roll these cylinders. | 0:05:50 | 0:05:53 | |
There'll be about 30 in total. | 0:05:54 | 0:05:56 | |
Use the glue sparingly so you don't ruin the paper. | 0:06:03 | 0:06:06 | |
For the chimney pots, I'll be using the same technique, | 0:06:08 | 0:06:11 | |
but using a smaller piece of dowel to make thinner rolls. | 0:06:11 | 0:06:14 | |
Now I've made the stockpile of logs, | 0:06:17 | 0:06:19 | |
I'm going to be doing a detailed sketch | 0:06:19 | 0:06:21 | |
so I can work out how long I need to cut down the logs. | 0:06:21 | 0:06:24 | |
I'm going to start gluing them together to make the four sides. | 0:06:27 | 0:06:31 | |
And then, as you work towards the roof, | 0:06:47 | 0:06:49 | |
you cut down the logs according to your sketch. | 0:06:49 | 0:06:52 | |
So now I've got the overall structure of the log cabin, | 0:07:04 | 0:07:09 | |
I'm going to include the details of the windows and the doors. | 0:07:09 | 0:07:12 | |
So now I've finished the roof, | 0:07:29 | 0:07:31 | |
the next thing I need to do is make the chimney. | 0:07:31 | 0:07:33 | |
The last thing is to stick the roof and the chimney onto the log cabin. | 0:07:39 | 0:07:42 | |
'I love how Su transformed those old books | 0:08:13 | 0:08:16 | |
'into something so magical and with so much detail. | 0:08:16 | 0:08:20 | |
'And Su's work is the perfect inspiration | 0:08:20 | 0:08:22 | |
'for how we can help Ella.' | 0:08:22 | 0:08:24 | |
We're going to make a 3-D picture | 0:08:25 | 0:08:27 | |
on one of your old telephone directories. | 0:08:27 | 0:08:30 | |
I have read a book about adventures in a jungle, | 0:08:30 | 0:08:33 | |
so maybe we could do something linked to that? | 0:08:33 | 0:08:35 | |
OK, jungle sounds cool. | 0:08:35 | 0:08:37 | |
Su Blackwell's first tip was to make sure you plan your design well, | 0:08:37 | 0:08:42 | |
and that's what we're going to do right now. | 0:08:42 | 0:08:44 | |
Just want to get a basic shape, really... | 0:08:47 | 0:08:49 | |
-Maybe some trees? -Trees are a good idea. | 0:08:55 | 0:08:58 | |
That is the scene we're going to make. | 0:09:06 | 0:09:08 | |
That is so cool. | 0:09:11 | 0:09:13 | |
What we need to do is make all the different components, | 0:09:13 | 0:09:16 | |
so that we can put them there, | 0:09:16 | 0:09:17 | |
and I think the most important one is the elephant, | 0:09:17 | 0:09:20 | |
so let's do that one first. | 0:09:20 | 0:09:21 | |
Now, for this, I'm using an old piece of card. | 0:09:21 | 0:09:25 | |
Now, on one side of it, | 0:09:25 | 0:09:26 | |
you want to stick one of the pages from your old directory, | 0:09:26 | 0:09:30 | |
and then, on the other side, draw your elephant. | 0:09:30 | 0:09:34 | |
That is going to be our tab to stick our elephant onto our scene. | 0:09:37 | 0:09:42 | |
There you go. | 0:09:45 | 0:09:46 | |
Just cut round there. | 0:09:51 | 0:09:52 | |
It's harder than it looks. | 0:09:54 | 0:09:56 | |
-Yay! -Nicely done. | 0:09:59 | 0:10:01 | |
I think that looks really good. | 0:10:01 | 0:10:03 | |
-Remember I left these extra little bits at the bottom of the feet? -Yeah. | 0:10:03 | 0:10:07 | |
Fold those first along that line, and then use those tabs | 0:10:07 | 0:10:12 | |
to stick our elephant on to our scene. | 0:10:12 | 0:10:16 | |
Lovely. | 0:10:16 | 0:10:18 | |
Down it goes. | 0:10:18 | 0:10:19 | |
-Let's do some trees. -Trees, OK. | 0:10:21 | 0:10:24 | |
Take a pencil and wrap the pencil in your old sheet from the directory. | 0:10:24 | 0:10:29 | |
-You all right there? -Yeah. | 0:10:29 | 0:10:31 | |
-You haven't lost your pencil? -No, I've got it. | 0:10:31 | 0:10:33 | |
HE LAUGHS OK, so... | 0:10:33 | 0:10:35 | |
-roll the sheet of directory around the pencil just like this. -OK. | 0:10:35 | 0:10:40 | |
Su Blackwell said that is a top tip for getting a good cylinder shape. | 0:10:41 | 0:10:46 | |
Yeah, just stick it down there. | 0:10:49 | 0:10:51 | |
Boom. Two tree trunks. | 0:10:51 | 0:10:53 | |
All right? | 0:10:53 | 0:10:55 | |
Now, we need to make the leaves that come out of the top. | 0:10:55 | 0:10:58 | |
Grab another two bits from our directory, | 0:10:58 | 0:11:02 | |
fold your paper in half like that, | 0:11:02 | 0:11:06 | |
cut our leaves into this. | 0:11:06 | 0:11:09 | |
-Now, there are two ways to do this. You do one and I'll do the other. -OK. | 0:11:09 | 0:11:13 | |
I'm going to cut the open side. I want you to cut the closed side. | 0:11:13 | 0:11:18 | |
'Cut down, but not all the way to the end, | 0:11:18 | 0:11:21 | |
'leaving about a centimetre between the leaves.' | 0:11:21 | 0:11:24 | |
How did you come to have all these old phone directories knocking about? | 0:11:24 | 0:11:28 | |
Well, I support Watford and, obviously, their colour is yellow, | 0:11:28 | 0:11:32 | |
-so in this book there are pieces of paper that are yellow. -OK. | 0:11:32 | 0:11:35 | |
-So, when a big match comes, we cut all of them up... -Yeah? | 0:11:35 | 0:11:38 | |
-..and we use it as confetti. -Oh! | 0:11:38 | 0:11:41 | |
But the thing is, we haven't had a big match in a while, | 0:11:41 | 0:11:45 | |
so that's why they're kind of stocking up. | 0:11:45 | 0:11:47 | |
-Ah, waiting for the big match? -Yeah. | 0:11:47 | 0:11:50 | |
I'm done. | 0:11:52 | 0:11:53 | |
The next thing, | 0:11:54 | 0:11:55 | |
roll along the edge that you haven't quite cut to the end of. | 0:11:55 | 0:11:58 | |
Once you've done that, fan out our leaves | 0:12:04 | 0:12:06 | |
to make sure our tree looks really good. | 0:12:06 | 0:12:08 | |
'As you can see, mine is a little different to Ella's.' | 0:12:08 | 0:12:11 | |
There we go. Let's wrap a tiny bit of tape around the bottom, | 0:12:11 | 0:12:15 | |
to make sure that it sticks. | 0:12:15 | 0:12:17 | |
Slot the top of the tree inside the trunk. | 0:12:23 | 0:12:27 | |
Next, cut some tabs into the bottom here, yeah? | 0:12:29 | 0:12:34 | |
Yeah. | 0:12:34 | 0:12:36 | |
Tabs in the bottom... | 0:12:36 | 0:12:38 | |
Splay them out a little bit. | 0:12:39 | 0:12:41 | |
Stick these tabs down. | 0:12:43 | 0:12:45 | |
Tree number one, in. Now, let's get yours stuck in as well. | 0:12:49 | 0:12:52 | |
OK, it's starting to take shape, isn't it? | 0:12:55 | 0:12:57 | |
So, there you go, Ella, your very own jungle scene, | 0:13:13 | 0:13:16 | |
and it's all made out of old telephone directories. | 0:13:16 | 0:13:19 | |
Wow, that's fantastic! Thank you. | 0:13:19 | 0:13:21 | |
'There's no need to go cutting up perfectly good books | 0:13:26 | 0:13:28 | |
'to make something like this, | 0:13:28 | 0:13:30 | |
'that's why out-of-date phone directories | 0:13:30 | 0:13:32 | |
'are perfect for a pop-up picture.' | 0:13:32 | 0:13:34 | |
'To make an amazing scene from an old phone book, here's what you do.' | 0:13:39 | 0:13:43 | |
'Stage one - plan your design.' | 0:13:44 | 0:13:46 | |
'Stage two - glue a page from your phone book to some old card.' | 0:13:49 | 0:13:53 | |
'Stage three - draw the things you want to include in your scene | 0:13:54 | 0:13:58 | |
'on the card and then cut them out.' | 0:13:58 | 0:14:00 | |
'Stage four - to make trees, | 0:14:02 | 0:14:04 | |
'roll the old paper around a pencil for the trunk. | 0:14:04 | 0:14:08 | |
'Then, for the leaves, | 0:14:08 | 0:14:09 | |
'fold a piece of paper lengthways and snip towards the fold. | 0:14:09 | 0:14:13 | |
'Attach these to the top of the tree trunk.' | 0:14:13 | 0:14:15 | |
'Stage five - cut out shrubs and flowers to add detail to your scene.' | 0:14:17 | 0:14:22 | |
'Stage six - assemble your pop-up picture, | 0:14:25 | 0:14:28 | |
'perfect for your room or as a great gift.' | 0:14:28 | 0:14:30 | |
'Still to come, | 0:14:36 | 0:14:38 | |
'we get to work building an amazing shadow scene from rubbish...' | 0:14:38 | 0:14:41 | |
'..and we show you how to make these great badges | 0:14:42 | 0:14:44 | |
'out of old crisp packets. | 0:14:44 | 0:14:46 | |
'But first, Totally Famous.' | 0:14:46 | 0:14:48 | |
'Introducing Banksy, | 0:14:49 | 0:14:52 | |
'totally famous for being street art's man of mystery.' | 0:14:52 | 0:14:55 | |
'Urban artist Banksy has achieved international fame, | 0:14:57 | 0:15:00 | |
'despite the fact that no-one knows who he is...' | 0:15:00 | 0:15:02 | |
WHISPERS: '..apart from his mum, | 0:15:04 | 0:15:06 | |
'who says his real name is Robert Banks. | 0:15:06 | 0:15:08 | |
'But what does she know? SHE SCREAMS | 0:15:08 | 0:15:10 | |
'For years, she thought he was just a painter/decorator, | 0:15:10 | 0:15:13 | |
'and you can't blame Banksy for keeping his identity secret, | 0:15:13 | 0:15:16 | |
'as some of the street art he creates is illegal. | 0:15:16 | 0:15:19 | |
'Despite this, he's become famous for revamping public spaces | 0:15:19 | 0:15:22 | |
'with funny images of rats, apes... | 0:15:22 | 0:15:25 | |
'and even maids.' | 0:15:25 | 0:15:27 | |
'His work also looks at what's going on in the world, | 0:15:27 | 0:15:30 | |
'including everything from war to love - aww. | 0:15:30 | 0:15:34 | |
'This is one of his most famous designs, | 0:15:34 | 0:15:36 | |
'which appears on masses of merchandise, | 0:15:36 | 0:15:39 | |
'despite no-one knowing who he is.' | 0:15:39 | 0:15:41 | |
'And the buildings he paints on are worth big bucks. | 0:15:46 | 0:15:49 | |
'He only had to do the robot on this hotel in Torquay, | 0:15:49 | 0:15:52 | |
'and its value shot up by a massive 150 grand. | 0:15:52 | 0:15:56 | |
'Banksy also makes films and exhibits paintings.' | 0:15:56 | 0:16:00 | |
'So keep your eyes peeled for the hugely famous but seldom seen | 0:16:01 | 0:16:05 | |
'cheeky monkey of the art world, Banksy...' | 0:16:05 | 0:16:07 | |
'..whoever he is.' | 0:16:09 | 0:16:11 | |
Today, we're going to make crisp packet badges... | 0:16:20 | 0:16:23 | |
'..using old, clean crisp packets, | 0:16:23 | 0:16:26 | |
'baking paper and some old safety pins. | 0:16:26 | 0:16:30 | |
'The first thing you need to do is... | 0:16:30 | 0:16:32 | |
'..heat the oven to 200 degrees Celsius. | 0:16:32 | 0:16:35 | |
'Be sure to ask a grown-up before using the oven.' | 0:16:35 | 0:16:38 | |
Get your crisp packet... | 0:16:38 | 0:16:39 | |
..and you just need to clean out the insides. | 0:16:41 | 0:16:44 | |
Right. | 0:16:46 | 0:16:47 | |
We get a baking tray and we put some baking paper over it... | 0:16:49 | 0:16:54 | |
..then we put our crisp packets on the baking paper. | 0:16:55 | 0:16:59 | |
Make sure they're flat. | 0:16:59 | 0:17:00 | |
Then put another piece of baking paper over, | 0:17:00 | 0:17:04 | |
so it's like a sandwich, and then put it in the oven. | 0:17:04 | 0:17:07 | |
'You might want a grown-up to help you with this. | 0:17:09 | 0:17:12 | |
'Leave them in the oven for a minute.' | 0:17:12 | 0:17:14 | |
'After a minute, check how small they are. | 0:17:17 | 0:17:19 | |
'If they're not quite shrunk, leave for another 30 seconds. | 0:17:19 | 0:17:23 | |
'Leave them to cool. | 0:17:23 | 0:17:25 | |
What's your favourite crisp flavour, Michelle? | 0:17:25 | 0:17:27 | |
Ready salted. What's yours? | 0:17:27 | 0:17:29 | |
Prawn cocktail. | 0:17:29 | 0:17:31 | |
Mmm. | 0:17:31 | 0:17:32 | |
Now they've cooled down, let's have a look at them. | 0:17:32 | 0:17:36 | |
-Whoa, look how they've shrunk! -They're tiny. | 0:17:36 | 0:17:39 | |
They've all got tiny writing on the back now. | 0:17:39 | 0:17:42 | |
Let's add the safety pins. | 0:17:42 | 0:17:45 | |
What you need to do is take a safety pin and get some sticky tape, | 0:17:45 | 0:17:49 | |
and what I'm going to do is, I'm going to get my crisp packet... | 0:17:49 | 0:17:52 | |
We'll just say I'm going to stick it on its side like this. | 0:17:52 | 0:17:57 | |
Be careful doing this. Make sure not to prick yourself. | 0:17:57 | 0:18:01 | |
Now you just put them on. | 0:18:01 | 0:18:02 | |
Done! And there you have it, you can make badges. | 0:18:04 | 0:18:08 | |
'What can you make from a bin bag full of rubbish? | 0:19:04 | 0:19:07 | |
'Just have a look at this.' | 0:19:07 | 0:19:09 | |
What on Earth? | 0:19:13 | 0:19:16 | |
-Old socks... -Yeah. | 0:19:16 | 0:19:18 | |
..an old towel, | 0:19:18 | 0:19:20 | |
some stones, bottle tops... | 0:19:20 | 0:19:22 | |
What are you going to make with this lot? | 0:19:22 | 0:19:24 | |
-I -am going to make a monster to guard your room. | 0:19:24 | 0:19:27 | |
-Really? -Mmm-hmm. | 0:19:27 | 0:19:30 | |
'You'll need a large piece of plain paper, an old towel, | 0:19:30 | 0:19:35 | |
'some old socks, bottle tops, | 0:19:35 | 0:19:38 | |
'stones, scissors, | 0:19:38 | 0:19:42 | |
'pins, some leftover fabric | 0:19:42 | 0:19:46 | |
'and a needle and thread.' | 0:19:46 | 0:19:47 | |
I'm going to show you how to make your very own monster doorstop. | 0:19:49 | 0:19:52 | |
-Ooh! -Check this bad boy out. Have a look at him. | 0:19:52 | 0:19:55 | |
-Oh, that is cool. -Cool, isn't it? -Yeah, wicked. | 0:19:55 | 0:19:57 | |
Right, it's really simple. | 0:19:57 | 0:19:59 | |
-First, you need to start with a large piece of paper. -Yeah. | 0:19:59 | 0:20:02 | |
You fold it in half and then draw half of your monster shape on it, | 0:20:02 | 0:20:07 | |
cos you've folded the paper in half, | 0:20:07 | 0:20:09 | |
-so you only need to draw half of your monster. -Makes sense. | 0:20:09 | 0:20:11 | |
And you can draw any type of monster you like. | 0:20:11 | 0:20:13 | |
I'm going to go for one with nice big ears, like this guy here. | 0:20:13 | 0:20:17 | |
The great thing is, because you're drawing your own monster, | 0:20:19 | 0:20:22 | |
every single one would be different, | 0:20:22 | 0:20:24 | |
so no-one's going to have one like yours. | 0:20:24 | 0:20:27 | |
And his spiky hands... | 0:20:27 | 0:20:29 | |
-..down to his legs. Done. -OK. | 0:20:30 | 0:20:33 | |
-Then all you need to do is cut it out, obviously. -Mmm-hmm. | 0:20:33 | 0:20:36 | |
Because it's folded in half, it just makes it a lot quicker. | 0:20:36 | 0:20:41 | |
-Cutting's going to be half the time. -That's it, saving time all the time. | 0:20:41 | 0:20:44 | |
Yeah, cut around the body, down to the legs... | 0:20:44 | 0:20:47 | |
OK. | 0:20:47 | 0:20:49 | |
Half a monster... | 0:20:49 | 0:20:51 | |
..to a full monster. | 0:20:51 | 0:20:52 | |
-Nice! -There we go, and that is your template. | 0:20:52 | 0:20:55 | |
So, you've got your template sorted, | 0:20:55 | 0:20:57 | |
and now, the old towels that we saw before, | 0:20:57 | 0:20:59 | |
you're going to grab one of them and fold it in half, | 0:20:59 | 0:21:02 | |
so it's nice and even on either side, | 0:21:02 | 0:21:04 | |
and you're going to place your template on it | 0:21:04 | 0:21:07 | |
-and then just fix it down with some pins. -OK. | 0:21:07 | 0:21:09 | |
Then all you're going to do is start cutting around it, OK? | 0:21:09 | 0:21:13 | |
Just follow your template all the way around. | 0:21:13 | 0:21:15 | |
That's why these pins are really important, | 0:21:15 | 0:21:18 | |
-because it just keeps it secure... -Keeps it in place. -Exactly. | 0:21:18 | 0:21:21 | |
And then we've folded it in half, | 0:21:21 | 0:21:22 | |
so that you can make the front and back at the same time. | 0:21:22 | 0:21:25 | |
And after you've cut it, it'll look like this one. | 0:21:25 | 0:21:28 | |
-Oh, great! -You see? | 0:21:28 | 0:21:30 | |
-And then all you need to do is take these pins out... -Yeah? | 0:21:30 | 0:21:34 | |
So, you can take your template off, | 0:21:34 | 0:21:36 | |
but then make sure you put your pins back in, | 0:21:36 | 0:21:38 | |
cos you still need to keep these two bits of material together. | 0:21:38 | 0:21:43 | |
Next up, you need a needle and thread, cos you're going to sew it. | 0:21:45 | 0:21:48 | |
So, you're going to sew all the way around your monster. | 0:21:48 | 0:21:51 | |
You just need to make sure that you leave a gap at the top, | 0:21:51 | 0:21:54 | |
cos this is where you're going to put all of your stuff in | 0:21:54 | 0:21:56 | |
for the doorstop later. | 0:21:56 | 0:21:57 | |
So, sew all the way around, apart from the top bit. | 0:21:57 | 0:22:00 | |
How close to the edge do you want me to sew? | 0:22:00 | 0:22:02 | |
Just a couple of centimetres in. | 0:22:02 | 0:22:04 | |
-OK, so about there? -Yeah, that's perfect. | 0:22:04 | 0:22:06 | |
-That's it, you're a natural! -All right. | 0:22:06 | 0:22:08 | |
So, once you've sewn all the way round, it'll look like this... | 0:22:12 | 0:22:16 | |
Very nice and neat. | 0:22:16 | 0:22:17 | |
-And then, what you're going to do is start turning it inside out. -OK. | 0:22:17 | 0:22:22 | |
-You can have a go at that. -Yeah. | 0:22:22 | 0:22:24 | |
And another top tip, if you're having a bit of trouble, | 0:22:26 | 0:22:29 | |
grab an old pen... | 0:22:29 | 0:22:30 | |
For the ears and the feet, | 0:22:30 | 0:22:32 | |
you can use the pen to push it through. | 0:22:32 | 0:22:34 | |
Oh, that's a good idea, because I can't reach in. | 0:22:34 | 0:22:36 | |
That's it. It's just the tiny little fiddly bits. | 0:22:36 | 0:22:39 | |
Once it's all pushed through, it'll look like this. | 0:22:41 | 0:22:44 | |
-Nice and neat. -Beautiful. | 0:22:44 | 0:22:46 | |
So, old socks. We saw those before, didn't we? | 0:22:46 | 0:22:49 | |
This is where you use them. So, we've got our pebbles, | 0:22:49 | 0:22:52 | |
and what we do is literally put them into any old socks that you've got. | 0:22:52 | 0:22:57 | |
Pebbles, with your sock, into your monster. | 0:22:57 | 0:23:00 | |
-Oh, right! We've provided some extra weight? -That's it. | 0:23:00 | 0:23:03 | |
It's just weighting it down and you just keep shoving them in... | 0:23:03 | 0:23:06 | |
Let's get some pebbles in the socks, then. | 0:23:06 | 0:23:08 | |
That's it. Let's do it. | 0:23:08 | 0:23:10 | |
'Make sure you push your socks into the arms and legs.' | 0:23:15 | 0:23:18 | |
-And then once you've done all of that... -Yeah? | 0:23:18 | 0:23:20 | |
..you sew up the top of the head. | 0:23:20 | 0:23:22 | |
That's it! You'll be left with something that looks like this. | 0:23:22 | 0:23:25 | |
That is awesome. | 0:23:25 | 0:23:26 | |
Now, I've added on a few more details here. | 0:23:26 | 0:23:28 | |
For the eyes, I've just got a couple of bottle tops | 0:23:28 | 0:23:31 | |
and then I've just got a bit of marker pen to add the pupils. | 0:23:31 | 0:23:35 | |
And, again, for the mouth and the eyebrows | 0:23:35 | 0:23:37 | |
it's just again some old material, any old material that you've got, | 0:23:37 | 0:23:40 | |
just to stick it on to jazz it up. | 0:23:40 | 0:23:42 | |
-There you go. -All the little bits you want to add. | 0:23:42 | 0:23:44 | |
That is a cool monster. Now, what else could you make? | 0:23:44 | 0:23:47 | |
Well, you could try something a bit bigger... | 0:23:47 | 0:23:49 | |
A cushion with, again, just some old material, | 0:23:49 | 0:23:51 | |
anything that you've got lying around, | 0:23:51 | 0:23:54 | |
or why not try a cuddly toy... | 0:23:54 | 0:23:57 | |
or even a little monster that you could hang on your bag? | 0:23:57 | 0:24:01 | |
So, yeah, why not give it a go? Make a monster. | 0:24:02 | 0:24:05 | |
HE EATS NOISILY | 0:24:11 | 0:24:13 | |
HE BURPS | 0:24:13 | 0:24:14 | |
Someone thrown in the towel, Min? | 0:24:14 | 0:24:16 | |
Yeah. You know you can recycle old materials, | 0:24:16 | 0:24:19 | |
like towels, curtains and clothes, Vin? | 0:24:19 | 0:24:21 | |
They can be turned into anything, | 0:24:21 | 0:24:23 | |
from furniture filler to loft insulation. | 0:24:23 | 0:24:25 | |
And door-stop monsters! | 0:24:25 | 0:24:27 | |
I met a three-headed monster the other day. | 0:24:27 | 0:24:30 | |
Really?! What did you say? | 0:24:30 | 0:24:32 | |
Hello, hello, hello! | 0:24:32 | 0:24:34 | |
THEY LAUGH AND LIDS BANG | 0:24:34 | 0:24:37 | |
DEEP GROWLING | 0:24:38 | 0:24:41 | |
-That sounds like him now. -Huh?! | 0:24:41 | 0:24:43 | |
Act casual. | 0:24:46 | 0:24:47 | |
THEY WHISTLE AND HUM | 0:24:47 | 0:24:49 | |
'After all that lifting and shifting, time for a break.' | 0:24:58 | 0:25:01 | |
-Ready to go? -Yep. | 0:25:14 | 0:25:16 | |
Let's get to work. | 0:25:16 | 0:25:17 | |
It's all going to come together, honest. | 0:25:29 | 0:25:32 | |
Nearly there. | 0:25:37 | 0:25:38 | |
-That's right, isn't it? -That's it. | 0:25:40 | 0:25:42 | |
It's starting to look really interesting. | 0:25:46 | 0:25:48 | |
It is. | 0:25:48 | 0:25:50 | |
I think this one is going to be really effective as well. | 0:25:50 | 0:25:53 | |
-Around there? -Yeah, all the way along. -OK. | 0:25:53 | 0:25:56 | |
Hey, Michelle, what about this? | 0:26:09 | 0:26:11 | |
Ooh, perfect. | 0:26:11 | 0:26:13 | |
Any ideas? | 0:26:22 | 0:26:23 | |
You'll see. | 0:26:30 | 0:26:32 | |
Getting there... | 0:26:34 | 0:26:35 | |
Moment of truth... | 0:26:43 | 0:26:44 | |
That looks wicked! | 0:26:47 | 0:26:49 | |
'So, there you have it. | 0:26:50 | 0:26:52 | |
'London, a city rises from the rubbish.' | 0:26:52 | 0:26:54 | |
Now, THAT is a bright idea. | 0:27:10 | 0:27:12 | |
-We'll see you next time on Totally Rubbish. -See ya. | 0:27:12 | 0:27:15 | |
'Why don't you have a go at making some fake poo... | 0:27:17 | 0:27:19 | |
'..creating your own pop-up picture... | 0:27:21 | 0:27:24 | |
'cooking up some crisp packet badges...' | 0:27:24 | 0:27:26 | |
'..or making your own monster doorstop?' | 0:27:27 | 0:27:29 | |
'And start collecting cardboard rolls and string...' | 0:27:32 | 0:27:35 | |
'..old newspaper and ribbon...' | 0:27:36 | 0:27:38 | |
'..and your leftover wrapping paper for next time on Totally Rubbish.. | 0:27:39 | 0:27:43 | |
Subtitles by Red Bee Media Ltd | 0:27:59 | 0:28:03 |