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This programme contains some strong language | 0:00:02 | 0:00:10 | |
Wembley, please welcome Michael McIntyre. | 0:00:29 | 0:00:33 | |
APPLAUSE | 0:00:33 | 0:00:36 | |
Good evening. | 0:00:36 | 0:00:37 | |
Whoo! | 0:00:37 | 0:00:40 | |
Hello, Wembley! | 0:00:42 | 0:00:46 | |
CHEERING | 0:00:46 | 0:00:48 | |
Ah, good. | 0:00:48 | 0:00:51 | |
How are you? Good evening. Welcome. Welcome to my show. | 0:00:51 | 0:00:54 | |
It's Saturday night! | 0:00:54 | 0:00:56 | |
CHEERING | 0:00:56 | 0:00:57 | |
Now, obviously, there would've been various different reactions to your seats tonight. | 0:00:57 | 0:01:02 | |
People at the back, thank you so much for being here tonight. | 0:01:02 | 0:01:07 | |
They're miles away! | 0:01:07 | 0:01:09 | |
To a man, most of those people have sat down and gone, | 0:01:10 | 0:01:13 | |
"These are shit seats. They're shit seats. | 0:01:13 | 0:01:17 | |
"We probably should've just bought the DVD. | 0:01:17 | 0:01:20 | |
"It would be better just watching TV. | 0:01:20 | 0:01:22 | |
"Is that even him? I mean, it might not even be him." | 0:01:22 | 0:01:25 | |
"They could've just got any camp, Chinese man to run around. | 0:01:25 | 0:01:29 | |
"For all I know, that's Gok Wan." | 0:01:31 | 0:01:34 | |
The best thing about being here at Wembley, it's my local gig. | 0:01:37 | 0:01:40 | |
I can go home at night and see my family. | 0:01:40 | 0:01:43 | |
See my boys, Lucas and Oscar. | 0:01:43 | 0:01:45 | |
Quite middle class, let's not lie about that. | 0:01:45 | 0:01:48 | |
When I go to the park and I call Lucas... "Lucas!" | 0:01:48 | 0:01:50 | |
About three boys will normally go, "Yes, Daddy?" | 0:01:50 | 0:01:53 | |
"Papa?" "Father, you called?" | 0:01:53 | 0:01:54 | |
The other day I said, "Oscar", and three dogs ran over. | 0:01:54 | 0:01:58 | |
How awkward is that? | 0:01:58 | 0:02:01 | |
"You named your child what I named my dog?" | 0:02:01 | 0:02:04 | |
He's got no manners, the four-year-old. | 0:02:04 | 0:02:06 | |
It's cos I have to teach him manners, but you know what kids are like. | 0:02:06 | 0:02:10 | |
He doesn't know how to speak properly. | 0:02:10 | 0:02:12 | |
He finishes off his lunch and he goes, "Ice cream! | 0:02:12 | 0:02:16 | |
"I want ice cream now!" | 0:02:16 | 0:02:18 | |
"What do you say?" "Ice cream!" | 0:02:18 | 0:02:21 | |
"What do you say?" | 0:02:21 | 0:02:23 | |
"Give me ice cream!" | 0:02:23 | 0:02:26 | |
"What do you say?" "Ice cream, ice cream, ice cream!" | 0:02:26 | 0:02:30 | |
This goes on for about 15 minutes before he goes, "Please!" | 0:02:30 | 0:02:34 | |
You have to give him ice cream because he said please. | 0:02:34 | 0:02:36 | |
I think he thinks you have to shout about something for 15 minutes | 0:02:36 | 0:02:39 | |
and then say please, and then you get it. | 0:02:39 | 0:02:41 | |
I need to nip that in the bud. | 0:02:41 | 0:02:43 | |
Otherwise he's going to go on his first date at 18, finishing up dinner, going, "Sex! | 0:02:43 | 0:02:48 | |
"I want sex now! | 0:02:48 | 0:02:51 | |
"Sex, sex, sex, sex, sex! | 0:02:51 | 0:02:54 | |
"Give me sex! | 0:02:54 | 0:02:56 | |
"Please!" | 0:02:56 | 0:02:59 | |
My other boy, he's one. | 0:03:01 | 0:03:02 | |
I had a little bit of an incident with him the other day | 0:03:02 | 0:03:05 | |
when I was playing the Nintendo Wii, which I'm particularly good at. | 0:03:05 | 0:03:08 | |
I would challenge any of you to Grand Slam Tennis. | 0:03:08 | 0:03:11 | |
I'm amazing at it, phenomenal. I got it for the calorie-burning. | 0:03:11 | 0:03:14 | |
People said it's quite good for losing weight. | 0:03:14 | 0:03:16 | |
The first few times I played it, I had the headband on, | 0:03:16 | 0:03:19 | |
my shorts on, I'm running around the living room. | 0:03:19 | 0:03:21 | |
And you do burn calories, cos you're playing tennis, in your living room. | 0:03:21 | 0:03:25 | |
But after a while you realise you're just as good, | 0:03:25 | 0:03:28 | |
if not better, lying on the sofa, eating a hamburger. | 0:03:28 | 0:03:30 | |
If there's an area of my body that doesn't require a workout, | 0:03:35 | 0:03:40 | |
it's going to be the wrist area, if I'm brutally honest with you. | 0:03:40 | 0:03:43 | |
This is a muscle I've been training quite religiously now for some years. | 0:03:43 | 0:03:48 | |
It's amazing how many sports do just use the wrists. | 0:03:48 | 0:03:50 | |
Darts, and badminton, snooker, although I can't play snooker any more. | 0:03:50 | 0:03:54 | |
Ever since somebody told me it's like tossing off a man behind you, sort of... | 0:03:54 | 0:03:58 | |
Sort of put me off that particular sport. | 0:04:09 | 0:04:12 | |
So I'm playing on the Wii, right. I'm playing Roger Federer. | 0:04:12 | 0:04:17 | |
It's the French Open, we're on clay. Semi-final. | 0:04:17 | 0:04:21 | |
We're involved in this massive baseline rally. | 0:04:21 | 0:04:23 | |
It is me, cos you can create your own face on the Wii, | 0:04:23 | 0:04:26 | |
which is quite depressing cos you realise how unattractive you are | 0:04:26 | 0:04:29 | |
when you go through the options. | 0:04:29 | 0:04:31 | |
Face - wider, wider, paler, more pale. | 0:04:31 | 0:04:34 | |
Download more pale. | 0:04:34 | 0:04:36 | |
Eyes - more slanty. | 0:04:36 | 0:04:37 | |
"Why are you married to me?" "I've no idea. You're THAT ugly." | 0:04:37 | 0:04:40 | |
"Am I really?" | 0:04:40 | 0:04:43 | |
So, it's Roger Federer against some kind of obese Michael Chang at the French Open. | 0:04:43 | 0:04:47 | |
HE GRUNTS | 0:04:47 | 0:04:48 | |
I'm literally grunting through my shots. I do tend to grunt. | 0:04:48 | 0:04:52 | |
In most sports, I'm that unfit - even chess. | 0:04:52 | 0:04:56 | |
HE GRUNTS | 0:04:56 | 0:05:00 | |
So this rally's going on, I'm sweating, I'm off the sofa now. | 0:05:00 | 0:05:04 | |
I'm really getting into it. Federer plays this sublime drop-shot. | 0:05:04 | 0:05:08 | |
I charge across the living room and smack it down the line for a winner | 0:05:08 | 0:05:12 | |
and then celebrate my break of serve. | 0:05:12 | 0:05:14 | |
"Come on!" | 0:05:14 | 0:05:16 | |
Unfortunately, my one-year-old, Oscar, had walked into the room at this very moment | 0:05:16 | 0:05:21 | |
with love and adoration in his eyes, as only a boy has for his father. | 0:05:21 | 0:05:26 | |
And up till this point, I've been very good to him. | 0:05:26 | 0:05:28 | |
He ran into the room, "Hello, Dada." | 0:05:28 | 0:05:31 | |
I then hurtled towards him with venom in my eyes, | 0:05:31 | 0:05:35 | |
and smacked him in the face. | 0:05:35 | 0:05:39 | |
The poor boy knows nothing of the Nintendo Wii. | 0:05:39 | 0:05:43 | |
He thinks I've just completely turned on him. | 0:05:43 | 0:05:45 | |
I've picked up some kind of white brick, rolled towards him, | 0:05:45 | 0:05:50 | |
smacked him in the face and then celebrated. | 0:05:50 | 0:05:53 | |
"Come on! | 0:05:53 | 0:05:55 | |
"Shit! Something's happened to Oscar." | 0:05:55 | 0:05:58 | |
My other son saw it. | 0:05:58 | 0:06:00 | |
"You just hit Ozzy in the face!" "Do not tell your mother." | 0:06:00 | 0:06:03 | |
"I'm telling Mummy." "Do not tell your mother!" | 0:06:03 | 0:06:07 | |
"I'm telling Mummy." | 0:06:07 | 0:06:09 | |
"Do not tell your mother!" | 0:06:09 | 0:06:11 | |
"I'm telling Mummy." | 0:06:11 | 0:06:13 | |
"Please!" | 0:06:13 | 0:06:15 | |
"OK, I won't tell Mummy. | 0:06:15 | 0:06:17 | |
"I want ice cream." "Whatever you want!" | 0:06:17 | 0:06:21 | |
The poor kid, now every time I pick up the Wii, he shits himself. | 0:06:21 | 0:06:25 | |
I've had to put it in the cupboard. My wife got it out the other day. | 0:06:25 | 0:06:28 | |
"Shall we play on this?" "No, Dada, no!" | 0:06:28 | 0:06:33 | |
We're having trouble potty-training him. | 0:06:33 | 0:06:35 | |
"Do you need a Wii?" "No!" | 0:06:35 | 0:06:38 | |
I'm into all technology. I'm particularly enjoying Sky Plus at the moment. | 0:06:40 | 0:06:44 | |
You can pause live TV. Pause it. | 0:06:44 | 0:06:47 | |
And it's a good pause, as well, the perfect... | 0:06:47 | 0:06:49 | |
Everything you want from pause. Not like the old 1980s VHS pause, that was a very different story. | 0:06:49 | 0:06:55 | |
People who weren't even moving would start moving. | 0:07:00 | 0:07:04 | |
"I wasn't even moving in this scene." People in paintings. | 0:07:04 | 0:07:08 | |
Then you can watch it back at any speed. | 0:07:08 | 0:07:12 | |
Times two, times six, times 12, times 30. | 0:07:12 | 0:07:15 | |
I watch the football in times six. It whizzes along. | 0:07:15 | 0:07:17 | |
Deal or No Deal in times 30 is much more entertaining. | 0:07:17 | 0:07:20 | |
I watch all TV, even just to slag it off. Dragons' Den. | 0:07:22 | 0:07:26 | |
How arrogant are those men? | 0:07:26 | 0:07:28 | |
And woman. | 0:07:28 | 0:07:30 | |
We know you're rich, you don't need to bring cash with you. | 0:07:30 | 0:07:34 | |
They bring cash and put it on the table in front of them. | 0:07:34 | 0:07:37 | |
"Look how loaded I am. I brought all this cash. | 0:07:37 | 0:07:40 | |
"All my bank accounts are full, so I've had to bring additional cash with me." | 0:07:40 | 0:07:44 | |
"Have you got cash, Theo Paphitis?" "Oh, yes. I'm as rich as you are. | 0:07:44 | 0:07:48 | |
"That's why my table is filled with cash, just like you." | 0:07:48 | 0:07:51 | |
"What about you, other two Dragons?" "We've got lots of cash. | 0:07:51 | 0:07:55 | |
"Tables full of cash. We're totally loaded." "All right, bring in the first poor person." | 0:07:55 | 0:08:01 | |
They come in, trembling. | 0:08:03 | 0:08:05 | |
"Hello... Hello, Dragons. | 0:08:06 | 0:08:09 | |
"Please, please can I have some cash for the ideas in my brain?" | 0:08:09 | 0:08:15 | |
"I feel sick just looking at the poor person's face. | 0:08:17 | 0:08:22 | |
"You disgust me. Everything about your being, and your clothes are hideous. | 0:08:22 | 0:08:27 | |
"For that reason, I'm out." | 0:08:27 | 0:08:30 | |
"Are you out, Theo Paphitis?" | 0:08:32 | 0:08:33 | |
"I will be out, but first I'm going to humiliate the poor person for 15 minutes, | 0:08:33 | 0:08:37 | |
"and confuse her with mathematics, before declaring that I am out too". | 0:08:37 | 0:08:42 | |
I'd like to go on Dragons' Den with a shotgun. | 0:08:42 | 0:08:44 | |
I'd just like to go there, point it at each of them individually, | 0:08:44 | 0:08:47 | |
until one of them goes, "So, what's your idea?" | 0:08:47 | 0:08:50 | |
"Quite simple. Put that cash in this bag. OK? | 0:08:50 | 0:08:52 | |
"You get no equity." That's my idea. | 0:08:52 | 0:08:56 | |
I like some TV. | 0:08:58 | 0:09:00 | |
I liked watching people getting their exam results live a few weeks ago on GMTV. How exciting was that! | 0:09:00 | 0:09:05 | |
"We're going to go live now to a school where someone's opening their results live on TV." | 0:09:05 | 0:09:11 | |
"Darling, it's going to be live on TV." | 0:09:11 | 0:09:13 | |
They come out of school with an envelope, trembling. | 0:09:13 | 0:09:16 | |
We all edge closer to the TV, thinking exactly the same thing. | 0:09:16 | 0:09:20 | |
Fail. | 0:09:20 | 0:09:22 | |
I'll watch TV till the bitter end. | 0:09:25 | 0:09:27 | |
Literally to the early hours of the morning, till the signing zone, the deaf zone. | 0:09:27 | 0:09:30 | |
That's when you feel it's probably time for bed. | 0:09:30 | 0:09:33 | |
When there's somebody in the corner, signing, | 0:09:33 | 0:09:37 | |
you tend to think, "This isn't really for me, maybe." | 0:09:37 | 0:09:39 | |
They almost look at you like, "You shouldn't be... | 0:09:39 | 0:09:42 | |
"This isn't for you, is it? | 0:09:42 | 0:09:44 | |
"Should have watched this in the day, when it was on the first time. | 0:09:44 | 0:09:48 | |
"Why don't you go and dream in sound? | 0:09:48 | 0:09:50 | |
"You can do that, others can't. Have some respect for the signing zone." | 0:09:50 | 0:09:55 | |
I like it when there's no dialogue in the programme and they watch TV with you. | 0:09:55 | 0:09:59 | |
How can they even see it? Is that how they watch TV at home? | 0:10:10 | 0:10:13 | |
Tough day at work? Stand directly next to the TV. | 0:10:13 | 0:10:16 | |
I don't know, by the way, if I am signing. | 0:10:17 | 0:10:20 | |
I don't speak sign language. | 0:10:20 | 0:10:22 | |
This is more how I dance. | 0:10:22 | 0:10:24 | |
I watched The Blue Planet, the other day on the signing zone. | 0:10:40 | 0:10:43 | |
This is the show where David Attenborough discovered creatures from the deep | 0:10:43 | 0:10:47 | |
for the very first time on the show, and named them, cos they'd never been discovered before. | 0:10:47 | 0:10:52 | |
So he was like, "Here we have the newly-discovered dypalotodicus." | 0:10:52 | 0:10:56 | |
And the signing guy was like... | 0:10:56 | 0:10:58 | |
He resorted to impersonating the fish. It was hilarious. | 0:11:03 | 0:11:07 | |
There was a fish swimming on the TV and he was just underneath, going... | 0:11:07 | 0:11:11 | |
I saw Prime Minister's Questions on it once | 0:11:18 | 0:11:20 | |
and it seemed like the signing guy had his own political agenda. | 0:11:20 | 0:11:24 | |
Gordon Brown was going, "We must fight the credit crisis head on." | 0:11:24 | 0:11:27 | |
The guy in the corner was... | 0:11:27 | 0:11:29 | |
So I've been here all week. | 0:11:35 | 0:11:37 | |
The thing that really annoys me, having these massive screens, is that I can't see what you see. | 0:11:37 | 0:11:43 | |
I can't... I have no idea what I actually look like... | 0:11:43 | 0:11:47 | |
..in the screen. | 0:11:48 | 0:11:50 | |
It's extremely frustrating. That's the back of my head, incidentally. | 0:11:58 | 0:12:03 | |
That's what I look like from the back. | 0:12:03 | 0:12:06 | |
It's very rare that you ever see what you look like from the back. | 0:12:06 | 0:12:09 | |
You only ever see the back of your head at the end of a haircut. | 0:12:09 | 0:12:12 | |
That's the only time most people see the back of their head. | 0:12:12 | 0:12:15 | |
And let's be honest, we genuinely don't give a shit. | 0:12:15 | 0:12:18 | |
People care greatly what they look like from the front, from the back, not interested. Especially men. | 0:12:18 | 0:12:23 | |
It's a very awkward moment for a man at the end of a haircut, | 0:12:23 | 0:12:26 | |
when we're presented with the back of our head. | 0:12:26 | 0:12:29 | |
And they look at you for approval. | 0:12:29 | 0:12:31 | |
"Do you like the work I've done back here?" | 0:12:31 | 0:12:34 | |
In the history of hairdressing, no man has ever reacted in this moment in any other way other than... | 0:12:34 | 0:12:39 | |
"Yeah." | 0:12:39 | 0:12:40 | |
Do people go, "I love it, I'm leaving backwards! | 0:12:40 | 0:12:43 | |
"I'm spending the rest of my life in reverse." | 0:12:43 | 0:12:46 | |
We don't care. Men are just grateful to still have hair. | 0:12:50 | 0:12:53 | |
We don't care what the haircut... | 0:12:53 | 0:12:55 | |
When you go for a haircut, they ask you questions before even the hairwash. | 0:12:55 | 0:12:58 | |
"So what are we doing today?" Some kind of consultation. | 0:12:58 | 0:13:01 | |
We have nothing to say at this moment. "Haircut, that's what I want. | 0:13:01 | 0:13:05 | |
"I want to leave here with less hair than when I entered in the building." | 0:13:05 | 0:13:09 | |
I like people who go bald, | 0:13:11 | 0:13:13 | |
but a little bit stays in the middle. | 0:13:13 | 0:13:16 | |
Like a little island of hair that breaks away from the mainland. | 0:13:16 | 0:13:19 | |
And they keep the island. They must think, "Shall I keep the island? | 0:13:19 | 0:13:23 | |
"I'll keep the island. Maybe I can build a little walkway to the mainland." | 0:13:23 | 0:13:27 | |
I saw one bloke with this and it was in the shape of an arrow. | 0:13:27 | 0:13:30 | |
He had a pretty decent arrow on the top of his head. | 0:13:30 | 0:13:33 | |
And I wondered, when people ask him directions, does he tell them or just go... | 0:13:33 | 0:13:39 | |
Of course, it's a very different story for women. | 0:13:39 | 0:13:41 | |
Hairdressing, layers, and colours and tints. | 0:13:41 | 0:13:45 | |
My wife has all these lotions and potions. | 0:13:45 | 0:13:48 | |
The amount of creaming she does. | 0:13:48 | 0:13:49 | |
Hours! She comes out of the shower. | 0:13:49 | 0:13:51 | |
We're still two or three hours from getting into the bed. | 0:13:51 | 0:13:55 | |
Creaming, different creams... | 0:13:55 | 0:13:58 | |
"Just creaming myself, Michael. Be with you in about 45 minutes. | 0:13:58 | 0:14:02 | |
"Just creaming my entire body, sliding across..." | 0:14:02 | 0:14:07 | |
She said to me the other day, "Can you get me this cream? | 0:14:11 | 0:14:13 | |
"It's a miracle, must-have cream, really expensive." | 0:14:13 | 0:14:16 | |
I said, "What's it for? You've got all the creams in the world." | 0:14:16 | 0:14:19 | |
She said, "It's for wrinkles." "You don't have any wrinkles". | 0:14:19 | 0:14:22 | |
"I know. If I use this cream every single day for the rest of my life, I'll never have wrinkles. | 0:14:22 | 0:14:27 | |
That's why it's a miracle, must-have cream." | 0:14:27 | 0:14:29 | |
I'm like, "When are you even due to have wrinkles?" | 0:14:29 | 0:14:31 | |
"I don't know, Michael. 20 years." | 0:14:31 | 0:14:33 | |
"20 years?! You want me to buy you something 20 years in advance of you maybe getting it? | 0:14:33 | 0:14:38 | |
"This sounds like a rip-off to me. All right? And I will take it back. | 0:14:38 | 0:14:42 | |
"I don't like to be ripped off. | 0:14:42 | 0:14:44 | |
"I'm more than happy to walk in there in 2029 and go, | 0:14:44 | 0:14:47 | |
"'I purchased this cream 20 years ago, I've got the receipt, | 0:14:47 | 0:14:50 | |
"'which you'll notice is in a better condition than the face of my wife. I want a full refund.'" | 0:14:50 | 0:14:55 | |
These cosmetics departments are the weirdest places I've ever seen. | 0:14:59 | 0:15:02 | |
Big, bright lights everywhere, and people working there, | 0:15:02 | 0:15:05 | |
they seem to have every product they sell on their face. | 0:15:05 | 0:15:08 | |
They can't even move their own faces. | 0:15:08 | 0:15:10 | |
"Can I interest you with anything from the Clarins range? | 0:15:10 | 0:15:13 | |
"It's all over my face. | 0:15:13 | 0:15:16 | |
"Just pick what you want from the face." | 0:15:16 | 0:15:18 | |
They even asked me a question as I was walking through. | 0:15:21 | 0:15:23 | |
"Excuse me, sir." "What is it?" | 0:15:23 | 0:15:25 | |
"Quick question about your face." | 0:15:25 | 0:15:28 | |
"Sorry? You have a question about my face?" | 0:15:28 | 0:15:30 | |
"Yes, it's looking very dry." | 0:15:30 | 0:15:32 | |
"I should have a wet face, should I? | 0:15:32 | 0:15:34 | |
"You don't have a wet face. Don't see anybody else with a wet face." | 0:15:34 | 0:15:38 | |
She asked one of the most difficult questions I've ever been asked. | 0:15:38 | 0:15:41 | |
"What is your daily skin routine?" | 0:15:41 | 0:15:43 | |
"Every day, I have skin. What exactly are you getting at?" | 0:15:48 | 0:15:51 | |
But I don't want you to think that I'm not a generous man. | 0:15:51 | 0:15:55 | |
I did recently buy her a very beautiful dress. | 0:15:55 | 0:15:58 | |
We went out shopping especially for a dress. | 0:15:58 | 0:16:01 | |
Shopping for clothing can be quite tense with her... with any woman, I think. | 0:16:01 | 0:16:05 | |
Because she's the same size, but in different shops, | 0:16:05 | 0:16:08 | |
she's different sizes, depending on how they interpret a different size. | 0:16:08 | 0:16:12 | |
I really don't know why this is. | 0:16:12 | 0:16:14 | |
But she can range from a size 8, and then next door ,she'll be a size 12. | 0:16:14 | 0:16:18 | |
And if she's an 8, we have a really lovely day together. | 0:16:18 | 0:16:21 | |
LAUGHTER | 0:16:21 | 0:16:23 | |
If she's a 12, we have to go home immediately. | 0:16:23 | 0:16:26 | |
It gets to the point, she's more interested in the size than what she's trying on. | 0:16:28 | 0:16:32 | |
She'll be like. "Michael, it's an eight. | 0:16:32 | 0:16:35 | |
"It's an eight and it fits me really, really well. | 0:16:35 | 0:16:38 | |
"It's an eight. It just sort of slides on, and it's an eight. | 0:16:38 | 0:16:43 | |
"You don't know what this means. I've been waiting for this moment." "It's an eight." | 0:16:43 | 0:16:47 | |
"Darling, it's a shoe. Why are you so excited?" | 0:16:47 | 0:16:50 | |
We're looking around for this dress. | 0:16:53 | 0:16:55 | |
A personal shopper, I've never met one of these before. | 0:16:55 | 0:16:58 | |
The campiest man I've ever met in my entire life who literally jumped into our life. | 0:16:58 | 0:17:03 | |
I've never seen anyone so camp they jumped into our life. | 0:17:03 | 0:17:06 | |
We were looking around, browsing, he came running up, "Excuse me! Hello! | 0:17:06 | 0:17:10 | |
"Are you shopping here today?" I have a bit of an issue with very camp, gay men, | 0:17:12 | 0:17:17 | |
and my issue is that I realise I'm quite camp myself. | 0:17:17 | 0:17:21 | |
And I feel that if I behave normally, as a heterosexual, | 0:17:21 | 0:17:24 | |
I'm treading on their territory a bit. | 0:17:24 | 0:17:26 | |
So I tend to go in the opposite direction. "Are you shopping here today?" | 0:17:26 | 0:17:31 | |
-DEEP VOICE: -"What does it look like, mate? Waiting for a train?" | 0:17:31 | 0:17:35 | |
Naturally I would've gone, "Yes, and you can help. Yay!" | 0:17:35 | 0:17:39 | |
So he takes us into this room and starts showing us all these dresses. | 0:17:43 | 0:17:47 | |
And my wife's loving them. It's very exciting. All these designer dresses. | 0:17:47 | 0:17:51 | |
I knew it was too expensive. I knew there was problems here, when he gave me champagne as well. | 0:17:51 | 0:17:56 | |
"You have a glass of champagne and just sit there, and let us girls sort this out, OK?" | 0:17:56 | 0:18:01 | |
So finally she finds this one, she loves it. The guy's practically in tears. | 0:18:01 | 0:18:05 | |
"So beautiful. I've never seen anything so beautiful in my life." | 0:18:05 | 0:18:08 | |
My wife's like, "Can we afford it, Michael?" | 0:18:08 | 0:18:11 | |
"No, we can't afford it." I knew this was going to happen. | 0:18:11 | 0:18:15 | |
Nobody can afford this dress, it's a joke. | 0:18:15 | 0:18:17 | |
People shouldn't spend this kind of money on something you can't drive. OK? It's not natural. | 0:18:17 | 0:18:21 | |
But I could see how happy she was with it and I could see the disappointment in her eyes, | 0:18:21 | 0:18:27 | |
and quite frankly, I sensed an opportunity. | 0:18:27 | 0:18:29 | |
So I said, "Look, I can see how beautiful you look in this, | 0:18:31 | 0:18:34 | |
"and I know that we've come here for a reason, and I want to make you happy. | 0:18:34 | 0:18:39 | |
"I love you. It's a special occasion". | 0:18:39 | 0:18:41 | |
I was thinking mainly about the blow job. "I think that you deserve it." | 0:18:41 | 0:18:45 | |
You know what it's like, after 10 years in a relationship, blow jobs work on a sort of reward structure. | 0:18:45 | 0:18:51 | |
There's no spontaneity left in a relationship. | 0:18:51 | 0:18:54 | |
If I do a series of good things, she will make an announcement. | 0:18:54 | 0:18:58 | |
Somebody might be getting a blow job later. "Me? Is it me? Is it me?" | 0:18:58 | 0:19:03 | |
I've even noticed over the years, I seem to be getting blow jobs on my birthday, | 0:19:03 | 0:19:07 | |
which led to me on my last birthday actually saying the words, | 0:19:07 | 0:19:11 | |
"Darling, will I be getting a birthday blow job today?" | 0:19:11 | 0:19:15 | |
Then you enter into serious negotiating. | 0:19:15 | 0:19:17 | |
"Yes, Michael, you will. Would you like a quick one now or a long one later?" | 0:19:17 | 0:19:21 | |
"I've got a lot to do in the kitchen." | 0:19:21 | 0:19:24 | |
"Ah, how romantic. Let me consider those options. | 0:19:24 | 0:19:27 | |
A quick one now in case one of us dies at lunch. How about that? " | 0:19:27 | 0:19:32 | |
So I said to her, "Come on, let's just get this dress before I change my mind. Let's get it and go." | 0:19:32 | 0:19:38 | |
And she says, "I need a clutch." "You need a what?" "I need a clutch!" | 0:19:38 | 0:19:43 | |
"Sorry, there's something wrong with the car? | 0:19:43 | 0:19:45 | |
"You tell me now?" "No, it's called a clutch bag. It goes with the dress, like an outfit. | 0:19:47 | 0:19:52 | |
"Do you not know anything about fashion?" | 0:19:52 | 0:19:55 | |
I said, "No, what is it?" "It's a bag for your essentials. | 0:19:55 | 0:19:58 | |
"Lipstick, keys, phone, that kind of thing." You clutch it like that, and it matches the dress." | 0:19:58 | 0:20:03 | |
"All right. How much is that?" £500! £500? For a bag for your lipstick, and your keys and your phone? | 0:20:03 | 0:20:09 | |
I said, "For £500, I could hire a human being to walk alongside you | 0:20:10 | 0:20:14 | |
"holding your lipstick and your keys and your phone". | 0:20:14 | 0:20:16 | |
It's fun watching anybody trying things on. | 0:20:25 | 0:20:27 | |
People behave very oddly when they try things on, don't they? | 0:20:27 | 0:20:30 | |
When they put dresses on, and trousers. | 0:20:30 | 0:20:33 | |
You walk in a way you'll never actually walk once you purchase the trousers. | 0:20:33 | 0:20:38 | |
She walks into the changing room like a normal human being holding the trousers. | 0:20:38 | 0:20:43 | |
Then she comes out, doing this "What do you think? What do you think of these trousers? | 0:20:43 | 0:20:47 | |
I think they're quite nice. "Mmm." "What are you doing?" "I'm seeing if they fit." | 0:20:47 | 0:20:53 | |
"You don't need to be doing that in trousers." | 0:20:53 | 0:20:55 | |
Men do the same thing, when I put a suit on. There's this whole suit thing, that you do. | 0:20:55 | 0:21:01 | |
What do you think of this suit? I think it's pretty good. | 0:21:01 | 0:21:05 | |
No-one's ever done this when they own the suit. | 0:21:05 | 0:21:08 | |
But when they're trying it on, | 0:21:08 | 0:21:10 | |
there's a huge preparation for acting like a complete freak in a suit. | 0:21:10 | 0:21:14 | |
You wouldn't go to a business meeting going, "Hello, my name's Ian. | 0:21:14 | 0:21:19 | |
"Just got a new suit and trousers." | 0:21:19 | 0:21:21 | |
The main one is with shoes. | 0:21:23 | 0:21:26 | |
When you try shoes on, you will go for a walk in the shoe shop, | 0:21:26 | 0:21:30 | |
but it's not a walk you'll ever do anywhere else outside of the shoe shop. | 0:21:30 | 0:21:37 | |
It's a shoe-shop walk. You walk around in this sort of... | 0:21:37 | 0:21:40 | |
I quite like these shoes. I don't think they'll rub. | 0:21:40 | 0:21:43 | |
I'm going to bang it for a bit. | 0:21:43 | 0:21:46 | |
I think they're quite comfortable. | 0:21:46 | 0:21:49 | |
It'll be perfect for my Elvis impersonation. | 0:21:49 | 0:21:52 | |
Let me just push them with my thumb for no reason at all. | 0:21:52 | 0:21:56 | |
The toe is in the toe section. | 0:22:01 | 0:22:05 | |
That's ideal. | 0:22:05 | 0:22:06 | |
All the other toes are there. | 0:22:06 | 0:22:09 | |
If the toe was at the back, I wouldn't buy them. | 0:22:09 | 0:22:13 | |
That'd be bizarre. | 0:22:13 | 0:22:14 | |
The sides are filled with the sides of my feet. | 0:22:14 | 0:22:17 | |
Perfect. Everything I wanted happened when I went down there. | 0:22:17 | 0:22:22 | |
I think I might definitely get these. They even have mirrors | 0:22:22 | 0:22:25 | |
where you can look at the shoe from a different angle. | 0:22:25 | 0:22:28 | |
Ah, look, there's the shoe from that angle. Hmm! | 0:22:28 | 0:22:32 | |
The cat will love them. | 0:22:32 | 0:22:33 | |
That's probably what the cat will see. | 0:22:33 | 0:22:37 | |
They even give you one shoe. | 0:22:37 | 0:22:39 | |
These lazy people who work in shoe shops, they bring out the shoes, | 0:22:39 | 0:22:43 | |
they lace up one and hand you the one. | 0:22:43 | 0:22:45 | |
And do we say, "Excuse me, people in life wear two shoes"? | 0:22:45 | 0:22:50 | |
"You're wearing two shoes now!" Oh, no, we don't. | 0:22:50 | 0:22:53 | |
We take the one shoe, we go for a walk in that. | 0:22:53 | 0:22:57 | |
This is good, I love this shoe. | 0:23:00 | 0:23:03 | |
Give me two of these! | 0:23:03 | 0:23:05 | |
Why would you walk around the shoe shop in one shoe? | 0:23:07 | 0:23:11 | |
There's no moment in your life | 0:23:11 | 0:23:13 | |
that we would ever be recreating this moment. | 0:23:13 | 0:23:16 | |
"Wallet, keys, phone, I'm late. One shoe, I've got to go to a meeting." | 0:23:16 | 0:23:20 | |
It's not just clothes that you try. Everything. | 0:23:23 | 0:23:25 | |
You buy a sofa, you start bouncing on it and rubbing the fabric. | 0:23:25 | 0:23:31 | |
Nobody sits like this at home. People don't come round to your house. "Do take a seat." | 0:23:31 | 0:23:35 | |
I tried a bed and you lie on the bed. | 0:23:40 | 0:23:43 | |
Not how you'd normally sleep, like this. Next to my wife, as well. "I like this bed. | 0:23:43 | 0:23:47 | |
"Do you like the bed?" It's a really good bed." | 0:23:47 | 0:23:50 | |
"Will we be using it as a coffin?" "Evidently we will, darling." | 0:23:50 | 0:23:54 | |
I bought a Hoover from Comet. | 0:23:56 | 0:23:58 | |
They love electricals. Everything they sell is electric. | 0:23:58 | 0:24:02 | |
Which means you have to plug it in. But nothing in the shop is plugged in. | 0:24:02 | 0:24:06 | |
And the whole shop is filled with people trying things out, but not for their primary function. | 0:24:06 | 0:24:11 | |
They're just looking at fridges by opening them and closing them. | 0:24:11 | 0:24:15 | |
No-one asks whether it actually makes food colder? | 0:24:15 | 0:24:18 | |
"Look at this one, it opens like that and closes. I like it, and it's silver." | 0:24:18 | 0:24:23 | |
Look at this oven, it opens, it's got trays and dials! | 0:24:23 | 0:24:27 | |
I love trays and dials! "Does it heat food?" "I don't give a shit. It's got dials and trays." | 0:24:27 | 0:24:34 | |
I was trying a Hoover and I felt the need to hoover around the shop a bit. | 0:24:34 | 0:24:39 | |
Just to feel the weight of the Hoover. It wasn't plugged in. | 0:24:39 | 0:24:43 | |
I just took it for a little spin. | 0:24:43 | 0:24:45 | |
As I was hoovering down the aisle, somebody else was trying their Hoover and hoovered past me. | 0:24:45 | 0:24:50 | |
"Hello. Good Hoover. I used to have that model." | 0:24:50 | 0:24:54 | |
There's two distinctive styles of hoovering. Either you walk with your Hoover, like this. | 0:24:54 | 0:24:58 | |
Then you get to the end and you hoover around and you follow in behind. | 0:24:58 | 0:25:03 | |
Or you stand your ground and hoover out. | 0:25:04 | 0:25:06 | |
Then you just pick another spot at random. Hoover out again. | 0:25:13 | 0:25:16 | |
If you can't get into a nook, the hose will come out. | 0:25:20 | 0:25:24 | |
It's exciting when you think, "We'll utilise the hose now." | 0:25:24 | 0:25:27 | |
You stand up and take the hose out. | 0:25:27 | 0:25:30 | |
Before you hoover with the hose, for some reason you feel the excitement building. | 0:25:30 | 0:25:34 | |
You have to hoover yourself. I don't really know why. | 0:25:34 | 0:25:37 | |
You know what it'll feel like. | 0:25:37 | 0:25:39 | |
You know that it's a suction device. | 0:25:39 | 0:25:41 | |
You just feel the need to confirm it. | 0:25:41 | 0:25:44 | |
MIMICS HOOVER WHIRRING | 0:25:44 | 0:25:46 | |
It's just one of those signs that life is quite boring when you decide to hoover yourself. | 0:25:57 | 0:26:03 | |
"Looking for a job today?" "Hoovering my own face earlier." | 0:26:03 | 0:26:06 | |
I've been eating too much, let's be honest, cos I've been on the road. I'm trying to lose weight. Exercise. | 0:26:06 | 0:26:12 | |
People say you can eat as much as you like as long as you exercise. I've tried. | 0:26:12 | 0:26:17 | |
The gym's a horror story. The changing rooms, I just can't cope with it. | 0:26:17 | 0:26:22 | |
I don't understand men's philosophies towards nakedness. OK? | 0:26:22 | 0:26:25 | |
Men in this very room behave like this and I don't understand you. | 0:26:25 | 0:26:28 | |
If I have to be naked in public, I'll be naked for a short amount of time as is possible. | 0:26:28 | 0:26:33 | |
I will get my fresh, new pants, line them up. Get the perfect distance away. | 0:26:33 | 0:26:38 | |
Take off old pants, put new pants on! | 0:26:38 | 0:26:40 | |
I'm back in pants. | 0:26:42 | 0:26:44 | |
Sometimes I go too quickly. I'm in two pants. I don't give a shit. | 0:26:44 | 0:26:48 | |
I'd rather have two pants than no pants. | 0:26:49 | 0:26:53 | |
Other men have completely the opposite philosophy of this. | 0:26:53 | 0:26:56 | |
They'll come out of the shower, sort of air-drying. | 0:26:56 | 0:26:59 | |
Towel-drying their arses! | 0:26:59 | 0:27:01 | |
I have never towel-dried my arse in my entire life. I don't need to. | 0:27:01 | 0:27:05 | |
I don't leak water from my arse. | 0:27:05 | 0:27:09 | |
But other men, they spend hours working away at the arse area. | 0:27:09 | 0:27:12 | |
Going through dozens of fresh towels. | 0:27:14 | 0:27:15 | |
But they don't do it in the corner against the wall. | 0:27:15 | 0:27:19 | |
They're right out there in the open, looking at you, "Yes, I'm towel-drying my arse now." | 0:27:19 | 0:27:24 | |
And I see men put their pants on last. Literally last. | 0:27:24 | 0:27:28 | |
They come out of the shower, you know, they put the... Shirt goes on | 0:27:28 | 0:27:32 | |
and everything's flapping around down there. | 0:27:32 | 0:27:35 | |
Tie goes on, look who's still in town. | 0:27:35 | 0:27:39 | |
Jacket. | 0:27:39 | 0:27:41 | |
Coat. | 0:27:41 | 0:27:42 | |
Scarf. | 0:27:42 | 0:27:44 | |
Top hat. | 0:27:44 | 0:27:45 | |
Yeah, baby. | 0:27:45 | 0:27:47 | |
Shoes and socks. How's that even possible? What are you going to do? Sew your trousers on now? | 0:27:47 | 0:27:52 | |
People dropping keys. | 0:27:52 | 0:27:55 | |
I saw one guy blow-drying his pubic hair in the hand dryer. That should be illegal. | 0:27:55 | 0:28:00 | |
Standing there talking about house prices. "Do you think we've reached the bottom?" | 0:28:00 | 0:28:04 | |
I see people running to each other. | 0:28:07 | 0:28:09 | |
If I saw somebody I knew in the gym changing room, I'd hide in the locker. | 0:28:09 | 0:28:15 | |
This guy was, like, "Mark?" | 0:28:15 | 0:28:17 | |
"Richard! Is that you? | 0:28:18 | 0:28:21 | |
"I didn't know you were a member of this gym." | 0:28:21 | 0:28:25 | |
"Yeah, I just moved into the area recently. What's it like here?" | 0:28:25 | 0:28:29 | |
You literally don't know where to look. | 0:28:30 | 0:28:32 | |
I sat down once to do my shoelaces. | 0:28:37 | 0:28:40 | |
I will never go to this height in that environment again. | 0:28:40 | 0:28:43 | |
There were lockers above me. Somebody's looking for their locker. They're edging over. | 0:28:43 | 0:28:47 | |
I'm sitting here doing my laces up. | 0:28:47 | 0:28:50 | |
Ahh! | 0:28:53 | 0:28:55 | |
The final straw was a bloke who came over to me, "Excuse me, have you got the time?" | 0:28:56 | 0:29:01 | |
"Time to put your pants on, OK?" | 0:29:01 | 0:29:03 | |
I actually started this whole process in Taunton in the West Country... | 0:29:10 | 0:29:15 | |
-SMALL CHEER -..where two people have joined us tonight. | 0:29:15 | 0:29:19 | |
In the West Country, they speak like this. They go... | 0:29:19 | 0:29:22 | |
-WEST COUNTRY ACCENT: -"All right. You all right? Welcome to Somerset. You all right?" | 0:29:22 | 0:29:27 | |
-Bizarrely, in East Anglia, which is the opposite side of the country... -BIGGER CHEER | 0:29:27 | 0:29:32 | |
..where several people have joined us tonight, they speak like this. | 0:29:32 | 0:29:36 | |
-EAST ANGLIAN ACCENT: -"Hello! You all right? Welcome to Norwich." | 0:29:36 | 0:29:39 | |
How on earth did this happen? | 0:29:39 | 0:29:41 | |
Opposite sides of the country. | 0:29:41 | 0:29:43 | |
The country is divided into, "All right!" "Hello!" "All right!" How did it happen? | 0:29:43 | 0:29:48 | |
Did a whole lot of farmers just arrive and go, "Right, let's split up. | 0:29:51 | 0:29:56 | |
You guys go that way, we'll wait here." "All right." "Hello." | 0:29:56 | 0:30:00 | |
"Keep walking." | 0:30:00 | 0:30:03 | |
"All right." | 0:30:03 | 0:30:04 | |
In the interval in my gig there, this woman came in and said, "Hello, Michael, my name is Margaret. | 0:30:06 | 0:30:11 | |
"I'm the duty manager here. This is my assistant, Jenny. Say hello, Jenny." "Hello. My name's Jenny." | 0:30:11 | 0:30:17 | |
Jenny was quite something to behold. She had eyes pointing in different directions. | 0:30:17 | 0:30:20 | |
It's awkward, you don't know whether to ignore it or pick one and get in front of it. | 0:30:20 | 0:30:25 | |
Margaret said, "Michael, did you get your sandwich? | 0:30:29 | 0:30:31 | |
"I made you your sandwich myself with my assistant, Jenny, | 0:30:31 | 0:30:34 | |
"and I was wondering whether you enjoyed your sandwich." | 0:30:34 | 0:30:37 | |
Now, it was a terrible sandwich. | 0:30:37 | 0:30:38 | |
Out of politeness I said, "Thank you, Margaret, for my sandwich." | 0:30:38 | 0:30:41 | |
But this sandwich was an abomination. | 0:30:41 | 0:30:44 | |
This sandwich consisted of tomato and lettuce and no further ingredients. | 0:30:44 | 0:30:47 | |
There was nothing else in this sandwich. | 0:30:47 | 0:30:49 | |
I couldn't even believe it was a sandwich. | 0:30:49 | 0:30:52 | |
A sandwich needs a focal ingredient, a meat or a cheese, then you accessorise around it. | 0:30:52 | 0:30:55 | |
This was an accessory sandwich. | 0:30:55 | 0:30:57 | |
A humiliation of a sandwich. | 0:30:57 | 0:30:59 | |
And I've been thinking, subsequently, who in their right mind | 0:30:59 | 0:31:00 | |
would present this and even call it a sandwich? | 0:31:00 | 0:31:03 | |
And the only conclusion I came to is that she was trying to make me a BLT, but got confused cos of | 0:31:03 | 0:31:07 | |
the B in bread. It's the only real thought I've had. | 0:31:07 | 0:31:09 | |
LAUGHTER | 0:31:09 | 0:31:11 | |
She was in the kitchen with Jenny, going, "Right, we're going to go for a classic here today, the BLT. | 0:31:11 | 0:31:16 | |
"We're gonna need B for bread, pass that. | 0:31:16 | 0:31:20 | |
L, that'll be the lettuce, "and T will have to be the tomato. That's that done." | 0:31:20 | 0:31:24 | |
"Margaret!" "What is it, Jenny? You shouldn't be interrupting me, you should be listening and learning." | 0:31:24 | 0:31:28 | |
"Isn't there supposed to be bacon in a BLT?" | 0:31:28 | 0:31:30 | |
"I have heard the rumours. | 0:31:30 | 0:31:32 | |
"However, that would create the BBLT. | 0:31:32 | 0:31:36 | |
"I've already had to lose the butter to get to this point as it is, Jenny." | 0:31:36 | 0:31:39 | |
"Next up, G and T, this one's easy. Glass and tonic. That's that done. | 0:31:41 | 0:31:45 | |
"You're getting these there in one day." | 0:31:45 | 0:31:46 | |
My wife has a gin and tonic of an evening. | 0:31:48 | 0:31:50 | |
I'll just take some wine. We have a drinks cabinet. | 0:31:50 | 0:31:53 | |
Many people will have drinks cabinets in their home. | 0:31:53 | 0:31:56 | |
You like to show people, "This is all our drinks." | 0:31:56 | 0:31:58 | |
You look at it on your own and you're like, "I hope people come | 0:31:58 | 0:31:59 | |
"round and see all the drinks I've collected through my life." | 0:31:59 | 0:32:03 | |
And there are drinks in there that you know you will never ever drink until you die. | 0:32:03 | 0:32:06 | |
But you just like to have them there, cos it looks a bit like a bar. | 0:32:06 | 0:32:09 | |
Let's be honest. From this moment till the day I die, I will | 0:32:09 | 0:32:13 | |
never utter the words, "I think I'll have a glass of Cinzano." | 0:32:13 | 0:32:16 | |
But I have it. It's there if I need it. | 0:32:16 | 0:32:19 | |
Wine's a weird one because everyone pretends to be experts in wine. | 0:32:23 | 0:32:27 | |
We've all got this sort of... We all just take part in this weird lie, that we're all connoisseurs in wine. | 0:32:27 | 0:32:34 | |
A lot of people drink and like wine, but let's be honest, | 0:32:34 | 0:32:36 | |
at least 90% of us are not experts in the field of wine. | 0:32:36 | 0:32:40 | |
When we go out to restaurants, we all play this sort of bullshit production that we know about wine. | 0:32:40 | 0:32:46 | |
Nobody at the table knows anything about wine. | 0:32:46 | 0:32:48 | |
The waiter himself, he knows nothing about wine. | 0:32:48 | 0:32:51 | |
We know red colour and white colour. That's all you know. | 0:32:51 | 0:32:54 | |
But you all pretend you know a great deal more. "Would you like to see the wine list?" | 0:32:54 | 0:32:59 | |
He might as well be saying, "Would you like the book of gibberish?" | 0:32:59 | 0:33:01 | |
"Yes, I would." | 0:33:01 | 0:33:03 | |
Let me pretend I'm looking at that. | 0:33:03 | 0:33:05 | |
Ignore all the words and focus entirely on the prices. Let's see that. | 0:33:05 | 0:33:08 | |
It's all part of the bullshit production. | 0:33:10 | 0:33:13 | |
Then they come and show you the bottle. | 0:33:13 | 0:33:15 | |
You have to stop your conversation to stare at a bottle of wine. | 0:33:15 | 0:33:18 | |
But you go along with it because it's all part of it. | 0:33:20 | 0:33:23 | |
It's the only part of the meal you need to witness that it's coming from the right source. | 0:33:23 | 0:33:28 | |
It's not like you order a hamburger and they come up with a photo of a cow. "This is a cow. | 0:33:28 | 0:33:33 | |
"This is the kind of thing. Are you happy with this?" "Yes, that's exactly the kind of thing | 0:33:33 | 0:33:35 | |
"I meant when I ordered a hamburger." | 0:33:35 | 0:33:37 | |
Then they open it in front of you. You have to witness the opening of the wine. Complete nonsense. | 0:33:38 | 0:33:44 | |
It's not like you have the steak and they come out and go, | 0:33:44 | 0:33:47 | |
"I'm just flipping those over now, all right, just that part of it. | 0:33:47 | 0:33:49 | |
"So you can see what's going on." | 0:33:49 | 0:33:52 | |
Then comes the big, the key part. | 0:33:52 | 0:33:54 | |
The pouring of the wine. Who will try the wine? | 0:33:54 | 0:33:56 | |
Who will take the lead role in this bullshit production? | 0:33:56 | 0:34:01 | |
Nobody wants to do it. "You do it. I don't want to do it." | 0:34:01 | 0:34:04 | |
Normally someone will give you up. "You do it." "OK, OK. I will try the wine." | 0:34:04 | 0:34:09 | |
It's almost as if time stands still. | 0:34:09 | 0:34:11 | |
Pour a little bit, everyone's staring at you. | 0:34:11 | 0:34:14 | |
The waiter is waiting for your verdict. | 0:34:14 | 0:34:16 | |
"Yes. | 0:34:22 | 0:34:25 | |
"That's wine. | 0:34:26 | 0:34:27 | |
"That is wine. I've had wine before. | 0:34:27 | 0:34:30 | |
"This is exactly what it tastes like. | 0:34:30 | 0:34:31 | |
"It looks like Ribena, but I confirm it isn't Ribena, it's wine. Everyone should have some of this." | 0:34:31 | 0:34:36 | |
I always thought you were tasting it to see if you liked it. I thought it was like a taste test. | 0:34:36 | 0:34:39 | |
Apparently you're tasting it to see if it's corked, which means it's off. | 0:34:39 | 0:34:42 | |
They're asking you to determine whether it's off, and if it's off, they'll bring you another bottle. | 0:34:42 | 0:34:47 | |
I'm paying for it, why don't you ascertain in your own time | 0:34:47 | 0:34:50 | |
whether it's off or not, and if it is, don't serve it to me. | 0:34:50 | 0:34:53 | |
It's not like you ordered a coffee and they come up with the milk, going, "It smells funny. | 0:34:53 | 0:34:56 | |
"Will you try it for me?" | 0:34:56 | 0:34:59 | |
Cheesy! | 0:35:02 | 0:35:03 | |
But you go along with it, cos it's restaurant. | 0:35:06 | 0:35:09 | |
You just go along with things in restaurants, | 0:35:09 | 0:35:12 | |
cos you think it's the way you have to behave in restaurants. You sit in this most expensive restaurant... | 0:35:12 | 0:35:14 | |
"Would you like some bread for the table? Some water for the table?" | 0:35:14 | 0:35:17 | |
The table's having a better night than I am at this rate. | 0:35:17 | 0:35:19 | |
And who actually wants bread and water before your meal? | 0:35:19 | 0:35:22 | |
I could get this in an orphanage. I'm paying a lot of money to be here. | 0:35:22 | 0:35:25 | |
But you go along with it, cos you're in a restaurant. | 0:35:27 | 0:35:29 | |
You order your main course. "Would you like some side orders?" | 0:35:29 | 0:35:31 | |
No, just give me food on a plate! | 0:35:31 | 0:35:34 | |
I don't need satellites of food surrounding my food. | 0:35:34 | 0:35:37 | |
Is it to make you feel like you're eating less? | 0:35:37 | 0:35:39 | |
"Yes, I would like some side orders. "In fact, I'd like some potato dauphinoise behind me. | 0:35:39 | 0:35:43 | |
"Put them behind me. | 0:35:43 | 0:35:44 | |
"I want carrots in a drawer under the table. | 0:35:46 | 0:35:48 | |
"Cream of spinach behind the cistern in the loo. No-one will ever know." | 0:35:48 | 0:35:53 | |
But you go along with it cos you're in a restaurant. Coffee as well. At the end of a meal, even at dinner. | 0:35:53 | 0:35:57 | |
at night, you're about to go to bed. | 0:35:57 | 0:35:59 | |
Can I get anyone a coffee? | 0:35:59 | 0:36:01 | |
If my wife said to me at home, at 11.30 at night, after dinner, "Do you want a coffee?" | 0:36:01 | 0:36:04 | |
I'd go, "Have you lost your mind? Why would I want a coffee? | 0:36:04 | 0:36:08 | |
"You're talking about the drink that we get ourselves out of bed in the morning with? | 0:36:08 | 0:36:11 | |
"The high-caffeine drink to get you going in the day? | 0:36:11 | 0:36:14 | |
"You want to have that now before bed? Is this some kind of an experiment, you nutter?" | 0:36:14 | 0:36:18 | |
In a restaurant, "Yes, I think I'll have a latte. "What would you like?" | 0:36:18 | 0:36:22 | |
"An espresso for me. Just an espresso. | 0:36:22 | 0:36:26 | |
"Two o'clock in the morning. | 0:36:26 | 0:36:27 | |
"Why did I order that? | 0:36:27 | 0:36:30 | |
"I can't sleep. Can you sleep?" "Of course I can't sleep. I had an espresso...and coffee cake." | 0:36:30 | 0:36:36 | |
"I might just go to work now and wait there." | 0:36:36 | 0:36:39 | |
"But it's Friday!" "I don't care!" | 0:36:39 | 0:36:42 | |
You go along with it cos you're in a restaurant. | 0:36:45 | 0:36:47 | |
But it doesn't matter what you order, ladies and gentlemen, | 0:36:47 | 0:36:50 | |
the mainstay of any meal will be salt and pepper. | 0:36:50 | 0:36:53 | |
Salt and pepper are so phenomenally successful in the herb and spice arena. | 0:36:53 | 0:37:00 | |
They arrogantly sit on the table, | 0:37:00 | 0:37:02 | |
knowing that whatever you want to prepare you will require one of us. | 0:37:02 | 0:37:07 | |
Either myself, or my dear friend Pep. "Isn't that right?" "Right you are, Salty." | 0:37:07 | 0:37:10 | |
"You've been keeping busy?" "Ah, breakfast this morning, I was all over that." | 0:37:10 | 0:37:15 | |
But there are other herbs and spices. Oregano, thyme, rosemary, cumin, paprika. | 0:37:15 | 0:37:20 | |
They're all lined up in the cupboard, waiting. | 0:37:20 | 0:37:22 | |
Sometimes the cupboard door opens, they see salt and pepper on the table. | 0:37:25 | 0:37:27 | |
"Look at them, the bastards. | 0:37:27 | 0:37:30 | |
"What've they got? What've they got that we don't have? | 0:37:31 | 0:37:35 | |
"I just don't get it." "I don't get it either." "Neither do I." | 0:37:35 | 0:37:37 | |
"I can't even see them from here. | 0:37:37 | 0:37:39 | |
"What do they look like?" | 0:37:39 | 0:37:41 | |
"You ever been out of the cupboard, Cumin?" | 0:37:44 | 0:37:45 | |
"Once, I think, for Bolognese. | 0:37:45 | 0:37:48 | |
"They said it was an experiment. | 0:37:48 | 0:37:50 | |
"That was in 1992. I don't think it worked. | 0:37:50 | 0:37:52 | |
"But I remain hopeful." | 0:37:52 | 0:37:53 | |
"What about you, Sage? You ever been out of the cupboard?" | 0:37:57 | 0:37:59 | |
"I actually used to live with them at their old house. | 0:37:59 | 0:38:01 | |
"And then they moved me here and put me back in this cupboard. No." | 0:38:01 | 0:38:06 | |
"What about you, Paprika?" | 0:38:09 | 0:38:12 | |
"I fell out once. | 0:38:12 | 0:38:14 | |
They just put me back in the wrong way round. | 0:38:19 | 0:38:22 | |
"Seven years I was like this. | 0:38:25 | 0:38:28 | |
"Every day I pray. I pray for it to be goulash day. | 0:38:29 | 0:38:33 | |
"But it is never goulash day. | 0:38:33 | 0:38:35 | |
"I still got the plastic on my head. Why did they buy me? | 0:38:36 | 0:38:39 | |
"I don't understand it." | 0:38:39 | 0:38:41 | |
LAUGHTER AND APPLAUSE | 0:38:43 | 0:38:47 | |
"What about you? Who are you on the end?" | 0:38:47 | 0:38:51 | |
"My name is Five-spice." | 0:38:51 | 0:38:53 | |
"Have you ever been out of the cupboard, Five-spice?" | 0:38:57 | 0:39:00 | |
"I am not one spice. I am five-spice. | 0:39:00 | 0:39:06 | |
"I am five times as good as all of you!" | 0:39:07 | 0:39:11 | |
"Yes, but have you ever been out of the cupboard?" "I have been used in recipes for thousands of years." | 0:39:11 | 0:39:19 | |
"But have you ever been out of this cupboard?" "No." | 0:39:19 | 0:39:22 | |
"Excuse me. Sorry. I'm sorry to interrupt all this nonsense. | 0:39:25 | 0:39:28 | |
"Tired of listening to all your whining, cos the fact is I have been | 0:39:28 | 0:39:32 | |
"in this cupboard for longer than all of you put together." | 0:39:32 | 0:39:38 | |
"Sorry, who are you?" "John West Tuna. Nice to meet you." | 0:39:38 | 0:39:41 | |
"This is my wife, Tinned Salmon." | 0:39:44 | 0:39:47 | |
I'll tell you my big news. My big news is that I've moved. I've moved. | 0:39:54 | 0:39:57 | |
I've moved very locally to here. It's always exciting moving. | 0:39:57 | 0:40:01 | |
I got a mortgage for the first time. I filled it out. | 0:40:01 | 0:40:03 | |
They said, "Make sure you don't leave anything blank in the application cos it could delay it." | 0:40:03 | 0:40:08 | |
And it said, "Occupation", so I put "Comedian". | 0:40:08 | 0:40:09 | |
Then it said, "Position". | 0:40:09 | 0:40:11 | |
I went for "Stand-up". I thought that was the closest. | 0:40:13 | 0:40:16 | |
It's exciting moving in all your stuff. | 0:40:21 | 0:40:22 | |
And where to move? Always London for me. | 0:40:22 | 0:40:25 | |
And it is safe for me to say this now, cos we're in London. | 0:40:25 | 0:40:27 | |
I belong to London. Everyone lives here cos, you know, it's a good place to live. | 0:40:27 | 0:40:30 | |
A lot of people keep going flirting with the country. | 0:40:30 | 0:40:32 | |
"Oh, I love it in the country. "Oh, I can't wait to get out of London. | 0:40:32 | 0:40:35 | |
"You know, it's just amazing. | 0:40:35 | 0:40:37 | |
"You know, you can just see for miles. Just for miles and miles. | 0:40:37 | 0:40:40 | |
"You can see for miles and it's so quiet, you can't hear anything." | 0:40:40 | 0:40:43 | |
That's cos nobody wants to live there. | 0:40:43 | 0:40:45 | |
I live in a place filled with people. I can't hear a thing. | 0:40:45 | 0:40:50 | |
"I can see for miles and everyone says hello to you." | 0:40:50 | 0:40:54 | |
"That's cos there's three people living in your village. | 0:40:54 | 0:40:57 | |
"In London everyone's so rude. No-one says hello to you." | 0:40:57 | 0:40:59 | |
"That's cos it's physically impossible." | 0:40:59 | 0:41:02 | |
You can't get on the tube and go, "Hello, hello, hello, hello, hello, hello, hello, hello." | 0:41:02 | 0:41:06 | |
A clue as to how shit it is in the country is how quickly people tell you they can get back to London. | 0:41:08 | 0:41:14 | |
"I'm just so happy here. I can be in London in 42 minutes. | 0:41:14 | 0:41:16 | |
"42 minutes I can be in London. The other day I did it in 39 minutes!" | 0:41:16 | 0:41:22 | |
I wake up in the morning, "I'm in London! Zero minutes." | 0:41:22 | 0:41:26 | |
The most important thing when I was moving was to get internet and TV. | 0:41:29 | 0:41:32 | |
That's right. These are the most important things in my life. | 0:41:32 | 0:41:34 | |
Furniture, I can wait. | 0:41:34 | 0:41:36 | |
I can't not have the internet and proper TV on day one of the move. | 0:41:36 | 0:41:41 | |
Google is the starting point to everything. Google. | 0:41:41 | 0:41:43 | |
Although I do find Google quite patronising when it goes, "Did you mean... " | 0:41:43 | 0:41:46 | |
"I know what I meant, Google." | 0:41:46 | 0:41:49 | |
My computer broke, actually, quite recently. | 0:41:50 | 0:41:52 | |
I took it to the computer-fixing shop. There was a queue of people. | 0:41:52 | 0:41:55 | |
There was a person in front of me, a person behind me. | 0:41:55 | 0:41:57 | |
You've probably seen queues, | 0:41:57 | 0:41:59 | |
they're much like this. The person in front of me says, | 0:41:59 | 0:42:01 | |
"Excuse me, mate, I'm looking for a lead that goes from my laptop to the TV. | 0:42:01 | 0:42:04 | |
"I think it's a male to male lead?" | 0:42:04 | 0:42:08 | |
And the bloke behind me just went, "Gay." | 0:42:08 | 0:42:10 | |
He heard the words "male to male" | 0:42:12 | 0:42:14 | |
and his brain just went, "That's gay. That lead is gay." | 0:42:14 | 0:42:18 | |
Laptop to TV? That's not natural. | 0:42:18 | 0:42:21 | |
It's in the Bible. | 0:42:21 | 0:42:23 | |
Sky TV, essential. Phoned them up, "I need it on day one. | 0:42:25 | 0:42:28 | |
"What time you coming around?" "We can't specify a time, sir. | 0:42:28 | 0:42:30 | |
We can only specify between 8 and 12 in the morning and 12 and 5 in the afternoon." | 0:42:30 | 0:42:36 | |
"I can't wait all day for you. I've got a lot going on, I'm moving. | 0:42:36 | 0:42:39 | |
"Can you be more specific?" "I'm sorry, sir, we can't specify a time. | 0:42:39 | 0:42:42 | |
We can only specify between 8 and 12 in the morning and 12 and 5 in the afternoon." | 0:42:42 | 0:42:46 | |
I said, "Surely you can call me on your way here, then I can make sure I'm in." | 0:42:46 | 0:42:49 | |
"I'm sorry, sir, we simply cannot specify a time. | 0:42:49 | 0:42:52 | |
"We can only specify between 8 and 12 in the morning and 12 and 5 in the afternoon." | 0:42:52 | 0:42:56 | |
"OK, I'll go for 8 and 12 in the morning." "OK. Can I take your credit-card details?" | 0:42:56 | 0:43:00 | |
"Yes. The first digit is between one and seven. How about that?" | 0:43:00 | 0:43:02 | |
"Can I do that?" | 0:43:04 | 0:43:05 | |
APPLAUSE | 0:43:05 | 0:43:08 | |
"I can't specify a number." | 0:43:08 | 0:43:09 | |
Three o'clock in the afternoon, no Sky. | 0:43:11 | 0:43:13 | |
Couldn't believe it. Couldn't believe it. | 0:43:13 | 0:43:15 | |
"What time is it, darling? What time is it?" "It's three o'clock." | 0:43:15 | 0:43:17 | |
Is that between 8 and 12 in the morning? It isn't. | 0:43:17 | 0:43:19 | |
I'm phoning them. | 0:43:19 | 0:43:21 | |
"Where are you?" Then the doorbell went. Always typical, isn't it? | 0:43:21 | 0:43:25 | |
Soon as you start phoning, the doorbell goes. And I was angry, OK. | 0:43:25 | 0:43:28 | |
That's my excuse. I was angry because they were late and that's why I was rude to this man. | 0:43:28 | 0:43:31 | |
I opened the door and I said, "I've been waiting for you. | 0:43:31 | 0:43:35 | |
"I want it in the living room and I want it in the bedroom. Get started." | 0:43:35 | 0:43:39 | |
As I turned, the doorbell went again. | 0:43:42 | 0:43:44 | |
I was like, "Sorry, who are you?" | 0:43:44 | 0:43:46 | |
"I'm from Sky." | 0:43:46 | 0:43:47 | |
"Then who are you?" | 0:43:47 | 0:43:50 | |
This poor man was standing there, trembling. | 0:43:50 | 0:43:51 | |
"I'm from number 40, I came to introduce myself." | 0:43:51 | 0:43:55 | |
Not the best start to the neighbourhood. The only things I've said to this man are, | 0:43:58 | 0:44:04 | |
"I've been waiting for you. I want it in the living room, and I want it in the bedroom." | 0:44:04 | 0:44:11 | |
What confused me and will confuse me till the day I die, is why he then walked into my house. | 0:44:11 | 0:44:15 | |
I don't know who's more scared of who now. | 0:44:19 | 0:44:21 | |
It's good to be going home, obviously, cos I'm going home tonight, | 0:44:27 | 0:44:29 | |
cos I can't sleep on the road. Find it very difficult in hotels. | 0:44:29 | 0:44:32 | |
I need my wife there, yeah. I need her in bed. You need to be... | 0:44:32 | 0:44:35 | |
You know, that's where I'm most relaxed. | 0:44:35 | 0:44:36 | |
She'll go to sleep before me. | 0:44:36 | 0:44:38 | |
I will cuddle in. Arm goes over. | 0:44:38 | 0:44:41 | |
Her legs will be like that. I'll slot mine in nicely behind. | 0:44:41 | 0:44:45 | |
And I would sleep like this if it wasn't for this arm here. | 0:44:45 | 0:44:48 | |
After a while you just give up and roll away to sleep. | 0:44:55 | 0:45:00 | |
And then you're apart. You're apart for the night. | 0:45:00 | 0:45:03 | |
You wake up in the morning. First words of the day, you have to review the night's sleep, very important. | 0:45:03 | 0:45:08 | |
To catch up on what you've missed. | 0:45:08 | 0:45:10 | |
"Morning, darling. How did you sleep?" | 0:45:10 | 0:45:13 | |
This leads to what is undoubtedly the most boring conversation of the entire day. | 0:45:14 | 0:45:20 | |
It baffles me we can even find stuff to put in it. | 0:45:20 | 0:45:23 | |
But it can sometimes be a lengthy conversation of extraordinary dullness. | 0:45:23 | 0:45:30 | |
"Morning, darling, how did you sleep?" "I was very thirsty in the night. | 0:45:30 | 0:45:33 | |
"I was very thirsty." | 0:45:33 | 0:45:35 | |
"I was thirsty, too. God, I was thirsty." | 0:45:35 | 0:45:37 | |
"I think it was the pizza." "You're right. | 0:45:37 | 0:45:39 | |
"It was a very salty pizza. | 0:45:39 | 0:45:41 | |
"A tremendously salty pizza." | 0:45:41 | 0:45:43 | |
"I had to get up. I had to get up for water." | 0:45:43 | 0:45:45 | |
"I was too lazy to get up. I wanted to. | 0:45:45 | 0:45:47 | |
"If I'd have known that you got up I would have had some of your water. | 0:45:47 | 0:45:50 | |
"But I didn't know that you got up. And I was so hot as well." | 0:45:50 | 0:45:52 | |
"You were hot? I was quite chilly. I was actually quite chilly." | 0:45:52 | 0:45:55 | |
"Oh, I was really hot. | 0:45:55 | 0:45:57 | |
"I was so hot I had to sleep with one leg out of the covers like that." | 0:45:57 | 0:46:01 | |
"I saw you when I went to get water. I saw you with one leg out of the covers | 0:46:01 | 0:46:04 | |
"and I remember thinking, 'He can't be hot.' | 0:46:04 | 0:46:06 | |
"Can you really be hot?" "Yes. | 0:46:06 | 0:46:08 | |
"I was very hot and I couldn't get to sleep for hours." "You shouldn't have had | 0:46:08 | 0:46:11 | |
"that coffee. I told you not to when we were in the restaurant. That's stupid." | 0:46:11 | 0:46:15 | |
"I thought it was the right thing to do." | 0:46:15 | 0:46:17 | |
There'll be dreams to update as well. | 0:46:19 | 0:46:21 | |
She'll say, "I had this really weird dream." | 0:46:21 | 0:46:24 | |
And then she goes on to tell me about it. I can't help you with that. "I had this really weird dream. | 0:46:24 | 0:46:28 | |
"We were in this house, yeah? In this house, yeah? | 0:46:28 | 0:46:31 | |
"Yeah? In this house, yeah? | 0:46:31 | 0:46:33 | |
"It was our house. It was our house! | 0:46:33 | 0:46:36 | |
"But it wasn't OUR house. | 0:46:36 | 0:46:38 | |
"You were there. | 0:46:38 | 0:46:40 | |
"YOU were actually there. YOU were there. | 0:46:40 | 0:46:43 | |
"But it wasn't you. It wasn't you." | 0:46:43 | 0:46:45 | |
Nightmares happen on occasion. I think for all people in relationships, | 0:46:49 | 0:46:53 | |
once in a while you have this dream - that your partner cheated on you. | 0:46:53 | 0:46:56 | |
They have betrayed you in your sleep. | 0:46:56 | 0:46:58 | |
It's a horrible nightmare of deceit. And you are filled with hate. | 0:46:58 | 0:47:04 | |
And you wake up in the morning and you're so relieved. | 0:47:04 | 0:47:06 | |
"It was just a dream. That didn't really happen." | 0:47:06 | 0:47:08 | |
But the hate is still strong within you. | 0:47:08 | 0:47:10 | |
I look over at her and I can see she's just sleeping there soundly, she did nothing. | 0:47:12 | 0:47:18 | |
Done nothing to hurt me, just been sleeping sweetly. Nothing to hurt me. But I'm staring at her. | 0:47:18 | 0:47:22 | |
GRUNTS AND GROWLS | 0:47:23 | 0:47:25 | |
INHALES DEEPLY AND GROANS | 0:47:25 | 0:47:29 | |
"Slut." | 0:47:29 | 0:47:30 | |
"What? | 0:47:32 | 0:47:33 | |
"Sorry, Michael? Morning. What did you say?" | 0:47:34 | 0:47:38 | |
"I said that you're a slut and a whore. How could you do it? | 0:47:38 | 0:47:42 | |
"With my geography teacher from school?!" | 0:47:42 | 0:47:45 | |
Sometimes it's you. Sometimes you've had a dream where you've had an affair with somebody really weird. | 0:47:48 | 0:47:53 | |
Somebody from work or something. | 0:47:53 | 0:47:55 | |
And you feel quite guilty. | 0:47:55 | 0:47:57 | |
"Oh, shit." | 0:47:57 | 0:47:59 | |
"Morning, Michael. How did you sleep?" | 0:48:02 | 0:48:04 | |
"Nothing. Nothing." | 0:48:04 | 0:48:05 | |
Breath is an issue in the morning as well. Breath. | 0:48:11 | 0:48:14 | |
Morning breath. What is that about? I don't understand it. | 0:48:14 | 0:48:17 | |
I would understand it if maybe before I went to bed | 0:48:17 | 0:48:19 | |
I had, like, some garlic, some onions, some Red Bull and swirled it around in my face. | 0:48:19 | 0:48:24 | |
Some kind of cocktail. | 0:48:24 | 0:48:25 | |
That's not what happens. | 0:48:25 | 0:48:26 | |
I brush my teeth, flossing, maybe mouthwash... | 0:48:26 | 0:48:31 | |
I go to sleep minty fresh, like most of you. | 0:48:31 | 0:48:33 | |
Seven, eight hours later, she's like, "Morning, Michael." | 0:48:33 | 0:48:36 | |
EXHALES | 0:48:36 | 0:48:38 | |
"Morning, darling." | 0:48:38 | 0:48:40 | |
"Holy shit!" | 0:48:43 | 0:48:45 | |
"Are you all right, Michael?" | 0:48:45 | 0:48:47 | |
"Yes, I'm fine. | 0:48:48 | 0:48:51 | |
"I actually slept really well." | 0:48:51 | 0:48:54 | |
"Did you go out in the night?" | 0:48:54 | 0:48:56 | |
"Why would I go out in the night? I was sleeping here next to you. | 0:48:58 | 0:49:01 | |
"What are you talking about?" | 0:49:01 | 0:49:03 | |
"I actually want you to think about this quite seriously. | 0:49:03 | 0:49:06 | |
"At any stage during the night, do you recall... | 0:49:06 | 0:49:10 | |
"eating shit? Did it happen?" | 0:49:10 | 0:49:11 | |
"Why would I eat shit? What are you talking about? | 0:49:15 | 0:49:18 | |
"That's insane." | 0:49:18 | 0:49:19 | |
"Are you certain? Maybe you... Did you get thirsty and drink from the toilet or...?" | 0:49:19 | 0:49:23 | |
"No." "Perhaps you pissed on your own face. | 0:49:25 | 0:49:27 | |
"Accidents happen." | 0:49:27 | 0:49:30 | |
Sometimes, despite this, you will still have morning sex. | 0:49:31 | 0:49:34 | |
Now, morning sex will ALWAYS involve morning breath. | 0:49:34 | 0:49:37 | |
You just adapt it to keep your heads as far away as possible. | 0:49:37 | 0:49:42 | |
Sometimes you get lost in the moment. "Oh, I really... Argh!" | 0:49:42 | 0:49:45 | |
And she'll tell me. I hate that about a long-term relationship. I could do without the honesty. | 0:49:47 | 0:49:51 | |
She will literally go, "Sorry, I didn't kiss you, Michael, but you stink from your face." | 0:49:51 | 0:49:56 | |
"OK, sorry. I'll brush my teeth, then." | 0:49:56 | 0:49:59 | |
Could do with a little bit less honesty. | 0:49:59 | 0:50:02 | |
Sometimes I'll try and seduce her. "Darling, | 0:50:02 | 0:50:05 | |
"maybe later you'd like to...?" | 0:50:05 | 0:50:06 | |
"You have some bogey just..." "Oh, sorry." | 0:50:06 | 0:50:09 | |
"What was it you wanted, Michael?" "I'm fine, actually. To be honest, I'm fine. | 0:50:09 | 0:50:13 | |
"Let's just leave it, let's forget about it. I'll just sit here." | 0:50:13 | 0:50:18 | |
"Your ball is hanging out a little bit." | 0:50:18 | 0:50:20 | |
"Oh, for God's sake, leave me alone!" | 0:50:20 | 0:50:22 | |
Deep sleep - every once in a while, you have a sleep so deep you'll sleep on your arm. | 0:50:26 | 0:50:30 | |
It's quite fun - you wake up with a dead arm. | 0:50:30 | 0:50:33 | |
It's quite heavy as well - a heavy dead arm. | 0:50:38 | 0:50:41 | |
Darling, my arm is dead. I've a dead arm. | 0:50:41 | 0:50:44 | |
Hellooo! | 0:50:44 | 0:50:46 | |
I don't even know how I did it, but recently I contrived to sleep on both of my arms. | 0:50:46 | 0:50:52 | |
And they were BOTH dead. | 0:50:52 | 0:50:54 | |
I got woken up by the phone ringing. Prrp! Prrp! "I'll get it... | 0:50:54 | 0:50:58 | |
"My arms are completely dead. I can't get the phone! | 0:51:00 | 0:51:05 | |
"Jeez! Can you just get the phone for me, darling, and hold it to my face?" | 0:51:07 | 0:51:11 | |
"How lazy are you?" "My arms are dead, I can't do anything!" | 0:51:11 | 0:51:16 | |
Because I'm away a lot, she says, "I hate it when you're not here, Michael. | 0:51:18 | 0:51:22 | |
"Because I feel safe when you're here." | 0:51:22 | 0:51:25 | |
I'm like, "I don't. | 0:51:25 | 0:51:27 | |
"I might look like Mr Miyagi - I don't have the moves, darling!" | 0:51:28 | 0:51:32 | |
That is a man's biggest fear. | 0:51:32 | 0:51:33 | |
That you'll be sleeping soundly at night and she'll be like, "Michael! Michael!" | 0:51:33 | 0:51:37 | |
"Mah... Wah... Mah..." | 0:51:37 | 0:51:39 | |
"Michael, wake up!" | 0:51:39 | 0:51:41 | |
-EXHALES -"What? What do you want? I was asleep here." | 0:51:41 | 0:51:47 | |
"Jesus! | 0:51:47 | 0:51:50 | |
"Michael, I think there's somebody in the house. I think somebody's broken into our house. | 0:51:50 | 0:51:55 | |
"I can hear them in the kitchen!" | 0:51:55 | 0:51:56 | |
That is without a shadow of a doubt my biggest fear. In fact, that isn't my biggest fear - | 0:51:56 | 0:52:00 | |
my biggest fear is that that happens and I've slept on both arms. That's my biggest fear. | 0:52:00 | 0:52:04 | |
"Shit. Damn! Darling, | 0:52:06 | 0:52:09 | |
"what do you want me to do?" "I want you to go and find out." | 0:52:09 | 0:52:12 | |
"Find out? Find out what?" "Find out if there's someone downstairs!" | 0:52:12 | 0:52:15 | |
"Darling, remember the other day when the phone was ringing? | 0:52:15 | 0:52:18 | |
"I've got no arms, I've slept on both of my arms." | 0:52:18 | 0:52:21 | |
"Don't lie to me. Go and protect this household." | 0:52:21 | 0:52:23 | |
"You'll have to go. You're in a much better position than I am." | 0:52:23 | 0:52:26 | |
"How could you do this?! What about the children?" | 0:52:26 | 0:52:29 | |
"Good idea. Send one of them. | 0:52:29 | 0:52:31 | |
"Give the little one the Wii and tell the other one there's ice cream." | 0:52:31 | 0:52:34 | |
"You must go and save us." "All right, I'll go! | 0:52:34 | 0:52:36 | |
"Shit! | 0:52:39 | 0:52:40 | |
"Hey, you! You, in the kitchen - get out of my house! | 0:52:42 | 0:52:45 | |
"Don't make me come over there! | 0:52:45 | 0:52:47 | |
"Darling, I've got no arms - what do you want me to do?" | 0:52:47 | 0:52:50 | |
"se the breath!" | 0:52:50 | 0:52:52 | |
-EXHALES -Thank you very much for listening, ladies and gentlemen. Thank you. | 0:52:52 | 0:52:57 | |
-Good night. Thank you! -CHEERING | 0:52:57 | 0:52:59 | |
-Thank you, Wembley! -CHEERING AND WHISTLING | 0:52:59 | 0:53:02 | |
Thanks very much. | 0:53:02 | 0:53:04 | |
Thank you! Good night! | 0:53:09 | 0:53:12 | |
CHEERING CONTINUES | 0:53:12 | 0:53:16 | |
That is very rude. | 0:53:35 | 0:53:37 | |
That's very rude. Now, you know... | 0:53:37 | 0:53:40 | |
No, no, I'm sorry. You know... | 0:53:40 | 0:53:43 | |
No, I do this for a living, and this is the end of my work day. | 0:53:43 | 0:53:47 | |
No, it's not fair. When you're at work and you pop your coat on and go, | 0:53:47 | 0:53:50 | |
"Look, I'll see you guys tomorrow," the office doesn't go, "More! | 0:53:50 | 0:53:54 | |
"Go out! | 0:53:55 | 0:53:56 | |
"Then come back, do one photocopy, then go home." Yeah...(!) | 0:53:56 | 0:54:00 | |
I've been a bit, er... | 0:54:02 | 0:54:04 | |
I'm not going to lie to you, been a bit stressed, this is quite a big gig, and, er, | 0:54:04 | 0:54:09 | |
I've been building up to it for a few weeks and I was a bit stressed. | 0:54:09 | 0:54:12 | |
A few weeks ago, I was in this hotel. I said to my wife, | 0:54:12 | 0:54:14 | |
"I'm a bit stressed." "What are you stressed about?" | 0:54:14 | 0:54:16 | |
"A lot of people are coming to see me. They might not like me and it'll be really scary. | 0:54:16 | 0:54:21 | |
"And they will kill me, I'm outnumbered hugely." | 0:54:21 | 0:54:23 | |
She said, "Well, why don't you go down and have a massage in the hotel?" Never even occurred to me! | 0:54:26 | 0:54:32 | |
She said, "It's very relaxing, very beneficial." I phoned the spa. | 0:54:32 | 0:54:35 | |
"My wife says maybe I need some kind of massage, because I'm quite stressed." | 0:54:35 | 0:54:39 | |
"Oh, yes, you called the right place. Just pop on your dressing gown and your slippers, | 0:54:39 | 0:54:43 | |
"and make your way down to the spa in the basement." Now, if I was stressed beforehand, | 0:54:43 | 0:54:47 | |
I was certainly stressed after I had got lost and wandered into a conference in my dressing gown. | 0:54:47 | 0:54:53 | |
"A bloke sleepwalking! What a dickhead!" | 0:54:55 | 0:54:58 | |
I finally made it down to the spa, where they're very relaxed. | 0:54:59 | 0:55:02 | |
You know, there's always aromatherapy oils... | 0:55:02 | 0:55:05 | |
They can barely speak, they're so relaxed. "Hello, sir, can I help you?" | 0:55:05 | 0:55:10 | |
"Yes, I just spoke to you earlier." Because I get even more posh when I'm stressed. | 0:55:10 | 0:55:14 | |
"I spoke to you earlier. M-m-my wife suggested a massage. What do you recommend...? | 0:55:14 | 0:55:17 | |
"I think the best thing to do if you're really feeling stressed is a full-body massage." | 0:55:17 | 0:55:22 | |
So they take me to this little room where they have candles the sounds of waves crashing against the shore. | 0:55:22 | 0:55:28 | |
Aromatherapy scents filling the air. | 0:55:28 | 0:55:31 | |
You put your head in this sort of thing... That's not the relaxing bit. | 0:55:31 | 0:55:34 | |
No-one's ever had a tough day at work and come home and got a tennis racquet and gone... | 0:55:34 | 0:55:39 | |
"That's a lot better, I feel REALLY relaxed now." | 0:55:39 | 0:55:41 | |
So you're lying there, head in this thing, dribbling a bit... | 0:55:41 | 0:55:44 | |
And then what happens is a strange woman rubs oil into your body for an hour. | 0:55:47 | 0:55:53 | |
Now, due to evolution, there are various natural reactions to this. | 0:55:53 | 0:55:57 | |
And fighting those natural urges for an hour is without a shadow of a doubt | 0:55:59 | 0:56:04 | |
the least relaxing moments of my entire life. | 0:56:04 | 0:56:06 | |
Bear in mind, I went there to de-stress. It starts off OK. | 0:56:06 | 0:56:10 | |
She massages your sort of back and your shoulders, then she goes down | 0:56:10 | 0:56:14 | |
your arm and does your hands and it's sort of OK. | 0:56:14 | 0:56:16 | |
Then she goes to your leg, | 0:56:16 | 0:56:17 | |
glides her hands up your leg and DANGEROUSLY CLOSE to your balls, and then back. | 0:56:17 | 0:56:21 | |
If this is one's ball, this is the kind of distance we're talking about. | 0:56:23 | 0:56:27 | |
Almost like she's filed her fingernails beforehand. | 0:56:30 | 0:56:33 | |
And you're lying there going, "Ah... | 0:56:33 | 0:56:36 | |
"Agh! | 0:56:36 | 0:56:37 | |
"Agh!" "If you'd like to turn over for me, Mr McIntyre...?" | 0:56:39 | 0:56:42 | |
"You'll need to give me a couple of minutes at least, OK?" | 0:56:42 | 0:56:46 | |
They basically massage every part of your body except for the key area. | 0:56:49 | 0:56:55 | |
I've never been MORE stressed in my life! I could barely walk at the end of it. | 0:56:55 | 0:56:59 | |
HE MUTTERS | 0:56:59 | 0:57:01 | |
"Hi, darling, how was that?" | 0:57:04 | 0:57:06 | |
"Toss me off!" | 0:57:06 | 0:57:07 | |
"Don't believe it's your birthday until next month - how very rude!" | 0:57:15 | 0:57:18 | |
So she takes the piss out of me, she says, "Oh, you obviously can't handle it. | 0:57:18 | 0:57:23 | |
"You can't handle it to get the benefits of massage." | 0:57:23 | 0:57:26 | |
I said, "I can, but they're really close to your balls and it's really difficult." | 0:57:26 | 0:57:30 | |
She said, "Well, why don't you have a head, neck and shoulder massage?" I thought, "OK." | 0:57:30 | 0:57:34 | |
So I tried that, right? I thought I'd be all right, you know? That deals with this sort of area. | 0:57:34 | 0:57:38 | |
No-one's come up to me and gone, "Hi, Michael," and I've gone, "Mmm..." I'm OK. | 0:57:38 | 0:57:43 | |
Same sort of setup, you know, candles are burning, | 0:57:43 | 0:57:46 | |
my head's in the thing, aromatherapy oils filling the atmosphere, | 0:57:46 | 0:57:50 | |
the sound of the waves crashing against the shore. She massages my neck and my shoulders. | 0:57:50 | 0:57:55 | |
I'm feeling the benefits of massage. Then she goes down my arm and starts doing my hands. | 0:57:55 | 0:57:59 | |
I'm like, "No, she's made a mistake. She thinks this is a full-body massage. | 0:57:59 | 0:58:04 | |
"She's going to go to my legs in a minute. I can't cope with that. | 0:58:04 | 0:58:08 | |
"I can't cope with that, I know I can't cope with that!" | 0:58:08 | 0:58:10 | |
So I just innocently enquired, "I'm sorry, I thought you did head..." I didn't realise how that would sound. | 0:58:10 | 0:58:16 | |
Thank you very much, ladies and gentlemen! | 0:58:17 | 0:58:20 | |
-CHEERING AND APPLAUSE -Thank you! | 0:58:20 | 0:58:24 | |
Thank you very much, Wembley! Thank you! | 0:58:25 | 0:58:27 | |
Thank you, ladies and gentlemen! Thank you, Wembley! | 0:58:31 | 0:58:35 | |
Whoo-hoo! | 0:58:35 | 0:58:37 | |
Thank you! | 0:58:37 | 0:58:39 | |
Thank you, everybody. Thank you. Thank you. Go home. | 0:58:46 | 0:58:49 | |
-Safe journey! Thank you, Wembley! -CHEERING AND APPLAUSE | 0:58:49 | 0:58:54 | |
Subtitles by Red Bee Media Ltd. | 0:59:15 | 0:59:18 | |
E-mail [email protected] | 0:59:18 | 0:59:21 |