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This programme contains strong language. | 0:00:02 | 0:00:10 | |
CHEERING AND APPLAUSE | 0:00:10 | 0:00:12 | |
MUSIC: THEME FROM "2001: A Space Odyssey" | 0:00:13 | 0:00:17 | |
CHEERING AND APPLAUSE | 0:00:49 | 0:00:51 | |
CHEERING | 0:00:58 | 0:01:00 | |
There's no doubt that John Bishop's one of the all-time greats. | 0:01:16 | 0:01:20 | |
I mean, talent, ability, quality, pace, vision, awareness, unsurpassed. | 0:01:20 | 0:01:24 | |
He's England's answer to Maradona. | 0:01:24 | 0:01:26 | |
You should see him at the England camps. | 0:01:26 | 0:01:28 | |
He's absolutely fantastic - unbelievable. What an influence he had on the camp. | 0:01:28 | 0:01:32 | |
I've got a lot to thank John Bishop for. | 0:01:32 | 0:01:36 | |
People keep telling me I only play for Liverpool because I look like him, so I've a lot to thank him for. | 0:01:36 | 0:01:41 | |
I've learned a lot from him in the games that we've played. | 0:01:41 | 0:01:44 | |
And, er, a big influence on my game and my career. Without him, I don't think I'd be playing for Liverpool. | 0:01:44 | 0:01:50 | |
Welcome to Liverpool, John. How does it feel? | 0:01:50 | 0:01:53 | |
Yeah, you know, it's always great. | 0:01:53 | 0:01:55 | |
The thing is with the rotation policy that the boss has got, | 0:01:55 | 0:01:59 | |
people keep on suggesting that he's doing things wrong. | 0:01:59 | 0:02:03 | |
I know, today, the fact that he's only playing me | 0:02:03 | 0:02:06 | |
is a different formation than most people would have. | 0:02:06 | 0:02:09 | |
I know they'd probably have a 4-4-2, we're just having one. | 0:02:09 | 0:02:13 | |
But last time we did that against Man United, two weeks ago, we won 4-0. | 0:02:13 | 0:02:17 | |
I was obviously pleased to score all four goals and to make all four goals | 0:02:17 | 0:02:22 | |
and to save the penalty. | 0:02:22 | 0:02:24 | |
But it's not about me, really. It's about the club. All right? | 0:02:24 | 0:02:27 | |
Cheers, lads. | 0:02:27 | 0:02:28 | |
Incredible. I remember seeing John Bishop come into the Academy one day. | 0:02:31 | 0:02:34 | |
You know when you look at a lad and you think, "He just looks a player. | 0:02:34 | 0:02:39 | |
"He oozes class." That's what John was like. | 0:02:39 | 0:02:41 | |
As soon as he come into the Academy you're looking at him, thinking, | 0:02:41 | 0:02:45 | |
"If he can play as well as he looks, you've got a gem on your hand." | 0:02:45 | 0:02:48 | |
He could be one of the legends to go along with Kenny Dalglish, Kevin Keegan. | 0:02:48 | 0:02:53 | |
John Bishop's one of those players. | 0:02:53 | 0:02:54 | |
John Bishop is the best Liverpool player I've ever seen. | 0:02:54 | 0:02:58 | |
Still a down-to-earth guy, as well. | 0:02:58 | 0:03:00 | |
Very generous, lets me clean his boots. | 0:03:00 | 0:03:02 | |
Definitely the best football player I've ever seen. | 0:03:02 | 0:03:06 | |
CROWD ON VIDEO: # Walk on through the rain | 0:03:06 | 0:03:10 | |
# Though your dreams | 0:03:10 | 0:03:13 | |
# Be tossed and blown | 0:03:13 | 0:03:19 | |
# Walk on, walk on | 0:03:19 | 0:03:24 | |
# With hope in your heart | 0:03:24 | 0:03:28 | |
# And you'll never walk alone | 0:03:28 | 0:03:36 | |
# You'll never walk alone. # | 0:03:36 | 0:03:42 | |
It's the first time the Kop End will get a look at its captain, John Bishop. | 0:03:42 | 0:03:47 | |
And its captain, John Bishop, will say hello to them. | 0:03:47 | 0:03:50 | |
The affection is mutual between the two. | 0:03:50 | 0:03:53 | |
There is no other cathedral of football like Anfield | 0:03:54 | 0:03:57 | |
anywhere in the world. | 0:03:57 | 0:03:58 | |
And this cathedral has its very own "Bishop". | 0:03:58 | 0:04:03 | |
Now then, Bishop. | 0:04:06 | 0:04:08 | |
Hunting, getting, scoring! Bishop with the first of the evening. | 0:04:08 | 0:04:13 | |
The touch, The kiss, the affection, the noise. | 0:04:16 | 0:04:19 | |
Here's Bishop. | 0:04:20 | 0:04:22 | |
Still has it. Look at the balance, look at the poise. | 0:04:24 | 0:04:27 | |
Is there a finish at the end of it? | 0:04:27 | 0:04:29 | |
Yes, there is. | 0:04:29 | 0:04:31 | |
He's doubled his money. | 0:04:31 | 0:04:33 | |
It's two for Bishop. | 0:04:33 | 0:04:35 | |
Celebrating in front of the fans who adore him. | 0:04:35 | 0:04:38 | |
Lovely track. Nice balance. | 0:04:41 | 0:04:43 | |
It's a hat-trick for John Bishop. | 0:04:43 | 0:04:46 | |
It's another match ball in his burgeoning collection. | 0:04:46 | 0:04:49 | |
And even in a moment of glory, he still has time for others. | 0:04:49 | 0:04:55 | |
Typical of the man. | 0:04:55 | 0:04:57 | |
John Bishop is the best player I have ever played with. | 0:04:57 | 0:05:00 | |
And he was a great influence in the club. | 0:05:00 | 0:05:02 | |
Right. Do it again. | 0:05:02 | 0:05:03 | |
-BLEEP -off. That was it! | 0:05:03 | 0:05:05 | |
# You'll never walk | 0:05:05 | 0:05:12 | |
# Alone. # | 0:05:12 | 0:05:16 | |
CHEERING AND APPLAUSE | 0:05:16 | 0:05:18 | |
Ladies and gentlemen, John Bishop! | 0:05:23 | 0:05:27 | |
CHEERING AND APPLAUSE | 0:05:28 | 0:05:30 | |
Thank you! | 0:05:53 | 0:05:54 | |
Good evening, ladies and gentlemen. How are you? | 0:05:54 | 0:05:57 | |
CHEERING | 0:05:57 | 0:05:58 | |
Now this show's called Elvis Has Left The Building. | 0:06:00 | 0:06:06 | |
Now, I'm sure some of you didn't even know what it was called, but that's what it's called. | 0:06:06 | 0:06:10 | |
It's got a name. It's called Elvis Has Left The Building, | 0:06:10 | 0:06:13 | |
so before we start I've got to explain to you | 0:06:13 | 0:06:15 | |
why it's called Elvis Has Left The Building. | 0:06:15 | 0:06:17 | |
It's called Elvis Has Left The Building for a reason. | 0:06:17 | 0:06:21 | |
I had to call it something. | 0:06:21 | 0:06:23 | |
That's the main reason. I had to call it something. | 0:06:23 | 0:06:26 | |
Cos last year I was going up to the Edinburgh Festival and I... | 0:06:26 | 0:06:29 | |
Has anyone been? You've been? Yeah, yeah. | 0:06:29 | 0:06:32 | |
Well, if you've been to the Edinburgh Festival, you know what it's like. | 0:06:32 | 0:06:36 | |
It's very competitive. You know, it's like the Olympics for comedians. | 0:06:36 | 0:06:40 | |
Comedians go up to Edinburgh for the whole of August. | 0:06:40 | 0:06:42 | |
You've got to try and think of something to make people come to your show. | 0:06:42 | 0:06:46 | |
And one of the things that'll attract them is a good title. | 0:06:46 | 0:06:49 | |
And this was going to be my third time as a professional comedian going to the Edinburgh Festival. | 0:06:49 | 0:06:54 | |
Honestly, you get a real sense of where you stand | 0:06:54 | 0:06:57 | |
as a professional comedian when you do the Edinburgh Festival. | 0:06:57 | 0:07:00 | |
You get a real sense of where you stand on the hierarchy of comedy. | 0:07:00 | 0:07:04 | |
And the first time I went up as a professional, | 0:07:04 | 0:07:06 | |
I got a sense of where I stood when I turned up to do a gig one night. | 0:07:06 | 0:07:10 | |
You have to do an hour. I turned up. | 0:07:11 | 0:07:13 | |
Six people were in the audience. | 0:07:13 | 0:07:16 | |
Six. That's all who turned up. | 0:07:16 | 0:07:19 | |
Six people. I had to do an hour's comedy to six people. | 0:07:19 | 0:07:23 | |
I mean, some of them were fat so it felt like more, but still... | 0:07:23 | 0:07:27 | |
There's still only six heads in the audience. I'd left me job to become a professional comedian. | 0:07:29 | 0:07:34 | |
I could only attract six people in the audience. | 0:07:34 | 0:07:37 | |
The following day, my agent said she wanted to have lunch with all the acts that she had up there, | 0:07:37 | 0:07:42 | |
and she had some really big acts. | 0:07:42 | 0:07:44 | |
She had a lad called Jason Manford, who I'm sure you all know. | 0:07:44 | 0:07:47 | |
She had a lad called Mark Watson, who's massive - really great in Edinburgh. | 0:07:47 | 0:07:50 | |
And another lad, Jason Byrne, an Irish comedian who's the biggest act in Edinburgh, fucking huge. | 0:07:50 | 0:07:55 | |
So we sat there, we went out for lunch. We're like that. | 0:07:55 | 0:07:59 | |
She said, "Listen, lads. I've just got your box office figures." | 0:07:59 | 0:08:02 | |
She said to Jason Manford, who'd only just started the 8 Out Of 10 Cats, | 0:08:07 | 0:08:11 | |
"Jason, you know, it's made a massive difference. | 0:08:11 | 0:08:14 | |
"We thought we were taking a chance putting you in a 250-seater. | 0:08:14 | 0:08:17 | |
"It was ridiculous! A 250-seater venue is no good for you. | 0:08:17 | 0:08:21 | |
"You've sold out the first week, you've sold out the second week, | 0:08:21 | 0:08:25 | |
looks like the third week's going to be sold out. They want extra shows. It's unbelievable. Well done." | 0:08:25 | 0:08:30 | |
And everyone went, "Well done, Jason." | 0:08:30 | 0:08:33 | |
-HE MUMBLES: -Fucking Manc. Fuck off. Fucking well done, Jason. | 0:08:35 | 0:08:39 | |
Then she turned to Mark Watson and said, | 0:08:41 | 0:08:43 | |
"Mark, you've had a great run recently. Everyone loves you up here. | 0:08:43 | 0:08:46 | |
"Putting you in a 400-seater venue seemed to make sense. Not any more. | 0:08:46 | 0:08:50 | |
"We're only in the first week, sold out. Second week, sold out. | 0:08:50 | 0:08:53 | |
"Third week, sold out. You've sold out for the entire month. | 0:08:53 | 0:08:56 | |
"They want extra shows. They put two on, they've already sold out. Incredible. | 0:08:56 | 0:09:00 | |
"Everyone wants to meet you. The press are going crazy for you." Everyone went, "Well done, Mark." | 0:09:00 | 0:09:05 | |
Fuck off. | 0:09:05 | 0:09:07 | |
Not even fucking Welsh. Fucking... | 0:09:09 | 0:09:12 | |
And then she turned to me. | 0:09:13 | 0:09:16 | |
The night before, I'd had six people in the audience. | 0:09:16 | 0:09:19 | |
She turned to me, she said, "John, do you want to know your box office figures for tonight?" | 0:09:19 | 0:09:24 | |
I said, "It's all right. Just tell me their names." | 0:09:24 | 0:09:27 | |
So when I was going to go up last year, I thought, "I need to put some effort in. | 0:09:35 | 0:09:39 | |
"I need to come up with a good title for the show. I need to do a good show. This is a big year for me." | 0:09:39 | 0:09:44 | |
I had to submit the title for the show by January 29th. | 0:09:44 | 0:09:49 | |
By January 28th last year, I still didn't know what to call the show. | 0:09:49 | 0:09:54 | |
But I was saved because on January 28th last year... | 0:09:54 | 0:09:58 | |
..I was the host... | 0:10:00 | 0:10:03 | |
of the Kitchen Utensil Awards 2009. | 0:10:03 | 0:10:07 | |
CHEERING | 0:10:07 | 0:10:08 | |
Oh, yes! | 0:10:08 | 0:10:10 | |
Oh, yes. Living the dream. | 0:10:13 | 0:10:16 | |
I don't know if anyone here went to the Kitchen Utensil Awards 2009, | 0:10:18 | 0:10:23 | |
but what a night on the kitchen utensil calendar. | 0:10:23 | 0:10:26 | |
It was unbelievable. I'll be honest with you - I quite like doing these awards. | 0:10:26 | 0:10:30 | |
They always take the same format. | 0:10:30 | 0:10:32 | |
They're always in a posh hotel. | 0:10:32 | 0:10:34 | |
This was in the Dorchester Hotel in London, a five-star hotel in London. | 0:10:34 | 0:10:38 | |
They're always a black-tie affair, so it's always the dickie-bow job. | 0:10:38 | 0:10:42 | |
And if you're like me and you grew up where I grew up | 0:10:42 | 0:10:44 | |
and you find yourself in a five-star hotel in London, | 0:10:44 | 0:10:48 | |
wearing a dickie bow but not serving potatoes... | 0:10:48 | 0:10:52 | |
you can't help but think, "I've done all right, haven't I?" | 0:10:52 | 0:10:56 | |
And they always take the same format, as well. | 0:10:56 | 0:11:00 | |
The way they're structured is you go on the stage, | 0:11:00 | 0:11:02 | |
do five or ten minutes' material about whatever industry it is, | 0:11:02 | 0:11:05 | |
and I've got to be honest - in the world of kitchen utensils, that's harder than it sounds. | 0:11:05 | 0:11:10 | |
There's only so many spatula jokes anyone can get away with. | 0:11:10 | 0:11:14 | |
And then you host the awards. | 0:11:14 | 0:11:17 | |
14 awards they had! | 0:11:17 | 0:11:20 | |
The Kitchen Utensil Awards - 14 awards! | 0:11:20 | 0:11:24 | |
How ridiculous. 14 awards! | 0:11:24 | 0:11:27 | |
Just think of your kitchen | 0:11:27 | 0:11:29 | |
and try and think of 14 utensils you would give an award to. | 0:11:29 | 0:11:34 | |
It was fucking ridiculous. | 0:11:34 | 0:11:37 | |
It was just ridiculous! | 0:11:37 | 0:11:40 | |
And the only reason that the numbers stood out to me, that there was 14 awards, | 0:11:40 | 0:11:44 | |
is there was one particular company there called Rathbone's of Wolverhampton. | 0:11:44 | 0:11:48 | |
And Rathbone's of Wolverhampton must be a big player in the land of kitchen utensils, | 0:11:48 | 0:11:52 | |
cos Rathbone's of Wolverhampton were nominated in virtually every category. | 0:11:52 | 0:11:58 | |
They won fuck all, but they were nominated in virtually every category. | 0:11:58 | 0:12:03 | |
And every time they were nominated, a huge cheer went up from the table where they were sat. | 0:12:03 | 0:12:08 | |
There was 500 people in the room and where the Rathbone's table was, | 0:12:08 | 0:12:11 | |
there was a huge cheer but they were winning nothing until the very end. | 0:12:11 | 0:12:15 | |
And the very final award, which has got to be the most ridiculous award I've ever given anywhere, | 0:12:15 | 0:12:20 | |
they were nominated again. Cos the final award was... | 0:12:20 | 0:12:23 | |
the Best Handheld Kitchen Utensil 2009. | 0:12:23 | 0:12:29 | |
Which does beg the question - what else you going to hold it with? | 0:12:29 | 0:12:33 | |
But at this point I thought, "I've give up hope." So I just read it out. | 0:12:35 | 0:12:38 | |
Again, Rathbone's of Wolverhampton were nominated - | 0:12:38 | 0:12:42 | |
but the difference was this time, they won. | 0:12:42 | 0:12:44 | |
A massive cheer went up, | 0:12:44 | 0:12:46 | |
and then the fattest man you've ever seen wearing a dickie bow walked on the stage. | 0:12:46 | 0:12:52 | |
You know when someone's that fat they've got two heads? | 0:12:52 | 0:12:55 | |
They've got one head with the face on it and then another head around that head. | 0:12:55 | 0:13:01 | |
I couldn't even see his dickie bow. He was like that. | 0:13:01 | 0:13:03 | |
He comes walking onto the stage, this fella. Took him ages. | 0:13:03 | 0:13:06 | |
He comes walking onto the stage. I'm expecting him to walk on the stage with an air of disappointment, | 0:13:06 | 0:13:11 | |
you know what I mean? He's been nominated in virtually every category, | 0:13:11 | 0:13:16 | |
he's only won one award. | 0:13:16 | 0:13:17 | |
But what happened next was inspirational. | 0:13:17 | 0:13:19 | |
He walked up to me, he shook me hand, | 0:13:19 | 0:13:23 | |
and without an ounce of disappointment in his eyes he just looked at me and said, | 0:13:23 | 0:13:27 | |
"Do you know what, son?" | 0:13:27 | 0:13:28 | |
He said, "This is the one we came for." | 0:13:28 | 0:13:31 | |
I thought, "That is brilliant!" | 0:13:33 | 0:13:36 | |
"I'm on a stage with a man living his dream. That's wonderful." | 0:13:36 | 0:13:40 | |
He must have been sat with everyone else at the Rathbone's table. | 0:13:40 | 0:13:43 | |
When they were nominated and not winning, he must have been going, "Hey, hey, hey, leave it. | 0:13:43 | 0:13:47 | |
It's the handheld we've come for." | 0:13:47 | 0:13:50 | |
I thought, "This is inspirational." The following day I had to come up with the title for the show. | 0:13:50 | 0:13:54 | |
I was going to call the show Fat Man Wins An Award, cos I thought that was a lovely thing to happen. | 0:13:54 | 0:14:00 | |
Then what happens? He walks off the stage and then I'm left. And what happens? | 0:14:00 | 0:14:04 | |
What always happens at these events. You know, you're no longer required. | 0:14:04 | 0:14:08 | |
I'm a spare part. Everyone ends up talking about work | 0:14:08 | 0:14:11 | |
and, in their case, knives and forks. So... | 0:14:11 | 0:14:14 | |
I've a room available to me upstairs in the Dorchester Hotel. | 0:14:14 | 0:14:18 | |
I wasn't going to waste that, so I did what everyone in this room would do. | 0:14:18 | 0:14:23 | |
I nicked a bottle of wine off the table and I took it upstairs. | 0:14:23 | 0:14:26 | |
Now, I could have bought that bottle of wine. If I'd have asked for it, | 0:14:26 | 0:14:30 | |
I'm sure I would have been given that bottle of wine. | 0:14:30 | 0:14:33 | |
But I think we all know, under those circumstances, | 0:14:33 | 0:14:36 | |
it tastes better if you nick it. | 0:14:36 | 0:14:39 | |
It's not thieving, it's the re-distribution of wealth. | 0:14:47 | 0:14:51 | |
So I took it upstairs. I'm in my hotel room and this is where the title for the show came from. | 0:14:51 | 0:14:56 | |
Cos I'm sat there, I was flicking through the channels on the television set in my hotel room, | 0:14:56 | 0:15:02 | |
I'm just flicking through the channels. I'm sat there drinking the wine. | 0:15:02 | 0:15:05 | |
I'm in me underpants, cos it is a hotel telly - you don't know what's going to come on next, do you? | 0:15:05 | 0:15:11 | |
And you never get that long, do you? | 0:15:12 | 0:15:14 | |
So I'm flicking through. | 0:15:14 | 0:15:15 | |
It is the Dorchester, so I kept the dickie-bow on. | 0:15:15 | 0:15:19 | |
And then as I'm flicking through, this documentary came on and it was all about Elvis Presley. | 0:15:21 | 0:15:27 | |
Now I've been an Elvis fan all of my life. I really have. | 0:15:27 | 0:15:29 | |
And I would say in this room there are Elvis fans. | 0:15:29 | 0:15:32 | |
I would say in this room, right now, probably 80% of the men | 0:15:32 | 0:15:36 | |
have at least once in their life walked up to the bathroom mirror and gone... | 0:15:36 | 0:15:40 | |
Just to see if you can, cos we all wanted to be a bit of Elvis | 0:15:42 | 0:15:45 | |
and I've sung Elvis songs at karaoke and been booed off. | 0:15:45 | 0:15:48 | |
But in my, heart I want to be Elvis. | 0:15:48 | 0:15:51 | |
And so I'm mad on Elvis. | 0:15:51 | 0:15:53 | |
There's a show on - a documentary about Elvis. | 0:15:53 | 0:15:55 | |
It was called All The Things You Didn't Know About The King. | 0:15:55 | 0:15:58 | |
It was just fact after fact after fact. I knew a lot of them. | 0:15:58 | 0:16:02 | |
Some of them blew me away. | 0:16:02 | 0:16:04 | |
The first fact that blew me away - | 0:16:04 | 0:16:05 | |
it said when Elvis Presley died on August 16th 1977, | 0:16:05 | 0:16:11 | |
there was exactly 147 registered Elvis impersonators | 0:16:11 | 0:16:18 | |
in the whole of America. | 0:16:18 | 0:16:20 | |
147. | 0:16:20 | 0:16:22 | |
30 years later, in 2007, | 0:16:23 | 0:16:27 | |
that number had grown to 415,000, | 0:16:27 | 0:16:33 | |
such was the influence of the man. | 0:16:33 | 0:16:36 | |
And then it said... | 0:16:38 | 0:16:39 | |
if the rate of increase continues... | 0:16:39 | 0:16:43 | |
..in 30 years' time, | 0:16:45 | 0:16:47 | |
one in three people in America... | 0:16:47 | 0:16:51 | |
LAUGHTER | 0:16:51 | 0:16:52 | |
..will be Elvis Presley. | 0:16:52 | 0:16:54 | |
APPLAUSE | 0:16:54 | 0:16:57 | |
That has got to make the world a better place. | 0:17:01 | 0:17:04 | |
Imagine at McDonald's people going, "Thank you very much." I thought, "This is ace!" | 0:17:04 | 0:17:08 | |
But it was the next fact that changed everything. | 0:17:08 | 0:17:13 | |
When Elvis Presley died on August 16th 1977, | 0:17:13 | 0:17:19 | |
he was ONLY 42 years of age. | 0:17:19 | 0:17:24 | |
And that hit me like a train. | 0:17:24 | 0:17:26 | |
Cos six weeks before, | 0:17:26 | 0:17:28 | |
-I -had just turned 42. | 0:17:28 | 0:17:32 | |
And when you realise that you're the same age as the King Of Rock And Roll was when he died, | 0:17:32 | 0:17:38 | |
it changes how you view the world, it changes your perspective on everything. | 0:17:38 | 0:17:43 | |
I didn't have a dump for four days! | 0:17:43 | 0:17:46 | |
LAUGHTER | 0:17:46 | 0:17:47 | |
It plays on your mind, it's like Russian roulette. | 0:17:50 | 0:17:52 | |
I'm thinking, "I'll leave it," you know what I mean? | 0:17:52 | 0:17:55 | |
I started saying to me missus, "Will you watch love, just in case something happens?" | 0:17:55 | 0:18:00 | |
Cos all of a sudden, Elvis was the same age as me, | 0:18:00 | 0:18:04 | |
so I understood things about Elvis I'd never understood in the past. | 0:18:04 | 0:18:07 | |
I knew immediately why Elvis was fat. | 0:18:07 | 0:18:11 | |
I'd never understood why Elvis was fat, | 0:18:11 | 0:18:13 | |
but now I knew why Elvis was fat. | 0:18:13 | 0:18:15 | |
Elvis was fat because he was a bloke over 40. | 0:18:15 | 0:18:19 | |
And like every bloke over 40 knows, you just get fat. | 0:18:19 | 0:18:23 | |
You just turn 40 and God starts taking the piss out of you and you get fat. | 0:18:23 | 0:18:28 | |
You go to bed and wake up fatter than when you went to sleep. | 0:18:28 | 0:18:31 | |
It's like God's going, "Have some fat, lad. | 0:18:31 | 0:18:34 | |
"There you go, get some fat on you. | 0:18:34 | 0:18:36 | |
"Oh, are you losing your confidence around women? | 0:18:36 | 0:18:39 | |
"Here you go, have some fat. Get some here." | 0:18:39 | 0:18:41 | |
You get fat where it's impossible to get fat. You get a fat back. | 0:18:41 | 0:18:45 | |
How the fuck can anyone get a fat back? Me fucking back went fat! | 0:18:45 | 0:18:49 | |
How did that happen? God's going, "Have some fat." | 0:18:49 | 0:18:52 | |
It's like God's looking at you going, "Look at you, you're losing... | 0:18:52 | 0:18:56 | |
"Look at you, you're over 40, you're losing the hair on your head. | 0:18:56 | 0:18:59 | |
"Here you are, tell you what, I'll stick it in your ears. There you go." | 0:18:59 | 0:19:03 | |
LAUGHTER AND APPLAUSE | 0:19:03 | 0:19:04 | |
No-one can explain why we get hairy ears. | 0:19:12 | 0:19:15 | |
And why is it just men? | 0:19:15 | 0:19:17 | |
I've never met a woman with hairy ears | 0:19:17 | 0:19:20 | |
and I've been to St Helens. | 0:19:20 | 0:19:23 | |
I'm always wary about that joke cos I know there's going to be | 0:19:33 | 0:19:36 | |
a hairy-eared woman from St Helens. | 0:19:36 | 0:19:38 | |
"What do you fucking mean?!" | 0:19:38 | 0:19:40 | |
But they don't get it! Why is it just us and why do you have it? | 0:19:40 | 0:19:45 | |
You know, hair in your ears doesn't do a job. | 0:19:45 | 0:19:47 | |
It doesn't keep words warm. It's not doing anything. | 0:19:47 | 0:19:50 | |
You don't even know... I've never seen a man cultivate it. | 0:19:50 | 0:19:53 | |
"This is handy, isn't it? I'll grow it over." | 0:19:53 | 0:19:55 | |
You don't even know it's happening. | 0:19:55 | 0:19:57 | |
It's absolutely horrible. That's when you know you're getting old. | 0:19:57 | 0:20:01 | |
That day that you go to the same barber you've been going to for 15 years | 0:20:01 | 0:20:05 | |
and then he cuts your hair and leans over at the end and goes, "Do you want me to do your ears?" | 0:20:05 | 0:20:11 | |
"Fuck off!" Cos that's what happens all of a sudden. | 0:20:11 | 0:20:17 | |
Grooming becomes a big issue for you. | 0:20:17 | 0:20:20 | |
Your ears, your eyebrows - that's what happens. | 0:20:20 | 0:20:23 | |
Saturday night for men over 40 is grooming night. | 0:20:23 | 0:20:27 | |
It used to be copping-off night in your 20s and your 30s. Well, not now. | 0:20:27 | 0:20:31 | |
In your 40s you think, "Great, Saturday night. X Factor's on, | 0:20:31 | 0:20:35 | |
"I'll get four cans, sit with me hands down me pants | 0:20:35 | 0:20:38 | |
"and just pluck some hairs out of me nose." | 0:20:38 | 0:20:41 | |
I swear to God I'd never plucked a single hair out me nose until I was 40. Never. | 0:20:44 | 0:20:50 | |
But when you start you can't stop. | 0:20:50 | 0:20:52 | |
And if you've seen them...! | 0:20:52 | 0:20:55 | |
Have you seen the length of them? I'm sure you pull one out your nose, | 0:20:55 | 0:20:58 | |
you lose one in your arse. They're about that flipping long. | 0:20:58 | 0:21:02 | |
Sat there like that. | 0:21:04 | 0:21:06 | |
And we do... There's little things - you look in the Sunday papers, | 0:21:06 | 0:21:09 | |
you get little clippers for here and clippers for there | 0:21:09 | 0:21:13 | |
and clippers for there and you can employ a little midget | 0:21:13 | 0:21:16 | |
to walk across your head. You can get anything, we do everything. | 0:21:16 | 0:21:21 | |
We do total grooming now, men over 40. | 0:21:21 | 0:21:23 | |
Total groom except there. We don't do there. | 0:21:23 | 0:21:25 | |
We do not do there. We leave here. | 0:21:25 | 0:21:27 | |
Men don't do there. We let there go wild. | 0:21:27 | 0:21:30 | |
We think that's God's will. We leave all that. | 0:21:30 | 0:21:33 | |
Women, it's different. I know you have a little tidy up every now again | 0:21:33 | 0:21:38 | |
and to be fair, I think we all appreciate it, lads, don't we? | 0:21:38 | 0:21:42 | |
It's nice, it's nice and I know... | 0:21:42 | 0:21:44 | |
Obviously it's handy you've got a little template to work to, | 0:21:44 | 0:21:49 | |
but we don't. Men don't touch that and I think we need to. | 0:21:49 | 0:21:52 | |
It's that last bastion of maleness we need to address. We need to have a little trim now and again. | 0:21:52 | 0:21:57 | |
We do. Just tidy up, it's common sense. | 0:21:57 | 0:22:00 | |
You have a trim now and again, it'll make your willy look bigger. | 0:22:00 | 0:22:04 | |
It's obvious. I tell you, there's this fallacy | 0:22:04 | 0:22:07 | |
that black men have got bigger willies than white men and they haven't. | 0:22:07 | 0:22:11 | |
They've just got a tight perm. | 0:22:11 | 0:22:14 | |
LAUGHTER AND APPLAUSE | 0:22:14 | 0:22:16 | |
I love saying that joke. | 0:22:21 | 0:22:25 | |
I love saying it cos every time I say it white men go, "I think he's got a point." | 0:22:25 | 0:22:29 | |
And their wives are going, "No, he hasn't." | 0:22:31 | 0:22:33 | |
But I did, I realised all of a sudden why Elvis was fat. | 0:22:35 | 0:22:39 | |
I thought, "That's not going to happen to me." | 0:22:39 | 0:22:42 | |
So what I did, the very next day, I went back to the gym. | 0:22:42 | 0:22:45 | |
Now I say I went BACK to the gym, | 0:22:45 | 0:22:47 | |
cos I've had money going to the gym, | 0:22:47 | 0:22:51 | |
I've just not been accompanying the money. | 0:22:51 | 0:22:53 | |
So I went back to the gym and I've got one of these gyms | 0:22:53 | 0:22:58 | |
where it's got a fancy card to get in, you know, you swipe the card to get in. | 0:22:58 | 0:23:02 | |
So I'm swiping this card to get in and it wouldn't let me in and obviously somewhere in the office | 0:23:02 | 0:23:07 | |
the fat-bastard alarm must have gone off | 0:23:07 | 0:23:10 | |
cos this fucking stick insect popped up from behind the reception. | 0:23:10 | 0:23:14 | |
Oh, you should have seen the state of her. | 0:23:14 | 0:23:16 | |
If she wasn't working in a gym we'd have an appeal for her, know what I mean? | 0:23:16 | 0:23:20 | |
And she popped up and she said, "I'm really sorry, Mr Bishop, | 0:23:20 | 0:23:25 | |
"but your card's not allowing you access to the gym | 0:23:25 | 0:23:27 | |
"cos you haven't been to the gym for more than six months." I said, "So?" | 0:23:27 | 0:23:31 | |
She said, "Our terms and conditions are if you haven't been to the gym for more than six months, | 0:23:31 | 0:23:36 | |
"you need another induction with our personal trainers." | 0:23:36 | 0:23:39 | |
I went, "Don't be... I don't need an induction." | 0:23:39 | 0:23:42 | |
She said, "It's our terms and conditions." | 0:23:42 | 0:23:44 | |
I said, "Listen, love, I don't need an induction. I know how the gym works. | 0:23:44 | 0:23:48 | |
"I know if I come in, get on that boat, start rowing, I don't go anywhere. I know. | 0:23:48 | 0:23:52 | |
"I've been disappointed in the past." | 0:23:52 | 0:23:55 | |
She said, "Well, it's our terms and conditions that you need to have an induction." | 0:23:55 | 0:24:00 | |
And I know why they've done it. | 0:24:00 | 0:24:02 | |
They've done it, it's marketing. | 0:24:02 | 0:24:03 | |
Cos what they've realised in the gym is that men join gyms, but men don't go to gyms. | 0:24:03 | 0:24:08 | |
Women go to gyms and there's a reason - cos gyms are communal places. | 0:24:08 | 0:24:14 | |
There are other people there and men don't like that. Women do. | 0:24:14 | 0:24:18 | |
If women go to a gym, you like the gym, you'll say, "This is a nice gym. | 0:24:18 | 0:24:21 | |
"I've been to a nice exercise class, I'll get my friends to come." | 0:24:21 | 0:24:25 | |
She phones her friends and says, "Come to my gym, it's a lovely gym, it's got a great exercise class." | 0:24:25 | 0:24:30 | |
And your friends will come to the same exercise class and you'll come out at the same time | 0:24:30 | 0:24:35 | |
and you'll walk into the changing room at the same time, get undressed at the same time | 0:24:35 | 0:24:40 | |
and walk in the showers at the same time and you'll wash each other's hair. | 0:24:40 | 0:24:44 | |
I know it happens, I've seen it in the films, it happens in every single one. | 0:24:44 | 0:24:50 | |
But for men, we don't like that, we don't like that communal aspect of it. | 0:24:50 | 0:24:55 | |
We don't like it cos that means if we go to the gym when there's other people in the gym, | 0:24:55 | 0:24:59 | |
we walk out of the gym when they walk out of the gym, | 0:24:59 | 0:25:02 | |
we walk in the changing rooms when they walk in the changing rooms, | 0:25:02 | 0:25:06 | |
we get undressed when they get undressed, | 0:25:06 | 0:25:08 | |
which means they're going to look at our willies. | 0:25:08 | 0:25:11 | |
Fact. Fact. Men don't like to admit it but in this room now, if we were naked, | 0:25:11 | 0:25:17 | |
all the men would look at every other man's willy. | 0:25:17 | 0:25:20 | |
No-one wants to admit it and I don't mean stare. | 0:25:20 | 0:25:23 | |
You don't stare and you definitely don't point, definitely don't point. | 0:25:23 | 0:25:27 | |
But it's a glance, it's an instinctive glance, | 0:25:27 | 0:25:31 | |
like lions look at other lions to see who's got the biggest mane. | 0:25:31 | 0:25:34 | |
They look, just a little glance. You just clock what's going on. Just a little... | 0:25:34 | 0:25:38 | |
We are by nature, by instinct, cock-clockers - that's what men are. | 0:25:38 | 0:25:43 | |
But if you know that'll go on, you're going to an environment, | 0:25:43 | 0:25:47 | |
you don't know anyone, and they'll all look at your willy, | 0:25:47 | 0:25:50 | |
that's a frightening thing, which is why men don't to the gym. | 0:25:50 | 0:25:53 | |
It's also why men, when they do go to the gym, go swimming, play five-a-side, | 0:25:53 | 0:25:57 | |
every man when he gets changed, before he'll walk anywhere, | 0:25:57 | 0:26:00 | |
take your kit off, turn round, just have a little flick. | 0:26:00 | 0:26:03 | |
That's why we all have that little flick, that kind of, "Come on, son. Wake up, come on. | 0:26:04 | 0:26:10 | |
"Come on, son. Don't let daddy down, come on." | 0:26:16 | 0:26:19 | |
People watching. Obviously you've got to be careful you don't do it too much, I tell you that. | 0:26:19 | 0:26:26 | |
That doesn't half change the atmosphere! | 0:26:26 | 0:26:28 | |
So I know that's what they're doing. | 0:26:28 | 0:26:30 | |
They're doing this personal-training thing, so you'll buy more personal training. | 0:26:30 | 0:26:35 | |
I said, "I don't need a personal trainer." | 0:26:35 | 0:26:37 | |
She said, "I can't let you in unless you have a session with a personal trainer, | 0:26:37 | 0:26:41 | |
"and it just so happens one of our personal trainers, called Brad, is available now." | 0:26:41 | 0:26:46 | |
Yeah. Yeah. | 0:26:46 | 0:26:47 | |
You're like me, as soon as you hear those words - "a personal trainer called Brad," | 0:26:47 | 0:26:52 | |
you think, "Twat!" | 0:26:52 | 0:26:53 | |
And I was right. This lad comes out wearing a T-shirt which was clearly bought for an eight-year-old child. | 0:26:53 | 0:27:00 | |
Why can't he dress properly? | 0:27:00 | 0:27:02 | |
He's come out and going... | 0:27:02 | 0:27:04 | |
And I don't know if anyone's ever had one of these personal-training sessions, | 0:27:04 | 0:27:08 | |
but they get you doing stuff you would never do. | 0:27:08 | 0:27:11 | |
He had me doing this thing called lunging. | 0:27:11 | 0:27:14 | |
There seems some lungers in the room. There's people who lunge. | 0:27:14 | 0:27:18 | |
There's a recognition in that last bit of lunge that I didn't know what fucking lunging was. | 0:27:18 | 0:27:23 | |
Lunging is obviously... Lunging is like the new dogging. | 0:27:23 | 0:27:27 | |
People are doing it, I don't know who they are. | 0:27:27 | 0:27:29 | |
For those of you who don't know what lunging is, this is what a lunge is, right? | 0:27:29 | 0:27:33 | |
You get a weight. He makes me stand there with a weight in each hand. | 0:27:33 | 0:27:38 | |
And you stand there, this is a lunge. | 0:27:38 | 0:27:40 | |
That's lunging. Now look at that | 0:27:42 | 0:27:45 | |
as an exercise. | 0:27:45 | 0:27:47 | |
Look at that and try and think of any activity in your life | 0:27:47 | 0:27:51 | |
where that would be useful. | 0:27:51 | 0:27:53 | |
Try and think of anything that you do where you would think, | 0:27:53 | 0:27:57 | |
"Oh, I wish I'd lunged just a little bit more." | 0:27:57 | 0:28:00 | |
You know what I mean? It's not as if one day someone's | 0:28:00 | 0:28:03 | |
going to try and shoot you | 0:28:03 | 0:28:05 | |
and you'll go, "Oh, look, you missed! Hey! I'm a lunger, me. | 0:28:05 | 0:28:08 | |
"Look at that!" | 0:28:08 | 0:28:09 | |
35 minutes he had me doing that. 35 minutes! | 0:28:11 | 0:28:15 | |
He said, "I'll phone you in the morning to see if you want to book some more one-on-one sessions." | 0:28:15 | 0:28:21 | |
He phoned me up in the morning and said, "Do you want to book some more one-on-one sessions?" | 0:28:21 | 0:28:26 | |
I said, "Do I shite, Brad!" | 0:28:26 | 0:28:27 | |
He said, "Why?" I said, "Brad, I can't walk." | 0:28:29 | 0:28:32 | |
Do you know what he said? "That's because you've been exercising muscles you don't normally use." | 0:28:39 | 0:28:45 | |
I said, "Brad, I'm 42. | 0:28:49 | 0:28:51 | |
"If I don't use them, I don't fucking need them." | 0:28:51 | 0:28:55 | |
Know what I knew? | 0:29:04 | 0:29:06 | |
I knew why Elvis was fat. | 0:29:06 | 0:29:08 | |
The next thing that I understood when I realised how old Elvis was is the white jumpsuits. | 0:29:08 | 0:29:13 | |
For the first time in my life, I understood why Elvis wore the white jumpsuits. | 0:29:13 | 0:29:19 | |
Elvis wore the white jumpsuits cos Elvis was a bloke over 40. | 0:29:19 | 0:29:24 | |
And like every bloke over 40... | 0:29:24 | 0:29:28 | |
he didn't know what to put on. | 0:29:28 | 0:29:31 | |
Because we don't know what to wear. | 0:29:33 | 0:29:35 | |
As soon as you turn 40, you don't know whether to wear clothes like you've still got a skateboard | 0:29:35 | 0:29:41 | |
or dress like your dad. | 0:29:41 | 0:29:42 | |
There's no in-between. In fact, if it wasn't for birthdays and Christmas, we'd probably be naked. | 0:29:42 | 0:29:48 | |
Because women, women, you're still interested in clothes, | 0:29:48 | 0:29:52 | |
you still have programmes on the television that are interested in you and fashion. | 0:29:52 | 0:29:56 | |
You've still got magazines that are interested in what you wear, | 0:29:56 | 0:30:00 | |
you've got each other, you've got your friends. | 0:30:00 | 0:30:03 | |
No-one in this room has ever seen two blokes in their 40s in a shop | 0:30:03 | 0:30:07 | |
saying, "Hey, I tell you what, Barry, that looks lovely on you." | 0:30:07 | 0:30:11 | |
LAUGHTER AND APPLAUSE | 0:30:11 | 0:30:14 | |
"Honestly, lovely. Keep it on. Dave, have a look. | 0:30:18 | 0:30:22 | |
"Keep it on! Dave, have a look at this. Lovely, lovely, lovely. | 0:30:22 | 0:30:26 | |
"Stand as you would with your pint, stand as you would. Look. | 0:30:26 | 0:30:29 | |
"Isn't that lovely, isn't that nice?" Oh, we're fucked. | 0:30:29 | 0:30:32 | |
Honestly, it's a disaster. | 0:30:32 | 0:30:34 | |
And so I realised how much fashion was passing me by | 0:30:34 | 0:30:39 | |
when I took a gamble a couple of months after realising I was the same age as Elvis when he died. | 0:30:39 | 0:30:44 | |
I took a gamble, I took a massive fashion gamble. | 0:30:44 | 0:30:49 | |
I bought a brand-new pair of white training shoes | 0:30:49 | 0:30:54 | |
and I think we know that there comes a time in a man's life | 0:30:54 | 0:30:57 | |
where if you're seen wearing brand-new white training shoes with jeans, | 0:30:57 | 0:31:04 | |
there's a very good chance you're going look a little bit "special". | 0:31:04 | 0:31:09 | |
There comes a time in a man's life where you've reached the age | 0:31:15 | 0:31:18 | |
that if you are seen wearing brand-new white training shoes with jeans, | 0:31:18 | 0:31:23 | |
you're going to look like you should be holding hands with another responsible adult. | 0:31:23 | 0:31:28 | |
And I bought these brand-new white trainers, Adidas they were. | 0:31:28 | 0:31:34 | |
Apparently they were retro and I didn't even know what that meant. | 0:31:34 | 0:31:38 | |
I've got three lads, three teenage boys. | 0:31:38 | 0:31:43 | |
It's hard being a teenager and every man in here remembers what it was like | 0:31:43 | 0:31:47 | |
because again for men, because we're competitive, | 0:31:47 | 0:31:50 | |
even being a teenager's competitive, even going through puberty is a competition. | 0:31:50 | 0:31:54 | |
Every man in here remembers what it was like when you were 12 or 13, | 0:31:54 | 0:31:58 | |
running home from school every day to look in the mirror | 0:31:58 | 0:32:01 | |
to see if you've grown a moustache during the afternoon. | 0:32:01 | 0:32:05 | |
And every morning you wake up | 0:32:05 | 0:32:06 | |
and look down to see if anything's going on downstairs. | 0:32:06 | 0:32:09 | |
Because you don't want to be the last in school, do you? | 0:32:09 | 0:32:12 | |
You don't want to be the last to go through puberty. | 0:32:12 | 0:32:15 | |
And then you'll have a week off school for half-term | 0:32:15 | 0:32:18 | |
and you come back after a week away and you do PE | 0:32:18 | 0:32:20 | |
and you walk into the showers all self-conscious | 0:32:20 | 0:32:24 | |
and then some kid walks in with a beard and bollocks by his knees. | 0:32:24 | 0:32:28 | |
Everyone goes, "Jesus, Tony what happened to you?" | 0:32:31 | 0:32:34 | |
-BREAKING VOICE: -"I don't fucking know!" | 0:32:34 | 0:32:36 | |
LAUGHTER AND APPLAUSE | 0:32:36 | 0:32:38 | |
"I just woke up." | 0:32:45 | 0:32:47 | |
Cos that's what happens - the hormones just come flying in and you've got no control over them. | 0:32:47 | 0:32:52 | |
My oldest lad, his voice has been breaking, which is the funniest thing on the planet bar none. | 0:32:52 | 0:32:59 | |
I have conversations with him now I don't need to have, just to hear him speak. | 0:32:59 | 0:33:05 | |
I'll say things to him like, "What time is it, son?" | 0:33:05 | 0:33:08 | |
-HIGH-PITCHED: -"It's about four o'clock, Dad." | 0:33:08 | 0:33:11 | |
What's the weather like outside? | 0:33:17 | 0:33:19 | |
-UP AND DOWN IN PITCH: -"It's sunny all the time now." | 0:33:19 | 0:33:23 | |
Honestly, it's like living with Scooby Doo, it's brilliant. | 0:33:23 | 0:33:27 | |
Like all teenagers now, he's massive | 0:33:31 | 0:33:33 | |
and I was getting the kids ready to take them out for something to eat | 0:33:33 | 0:33:36 | |
and I was downstairs with the other two. | 0:33:36 | 0:33:39 | |
We're waiting for him. He comes walking downstairs in my shoes, in my brand-new white trainers. | 0:33:39 | 0:33:46 | |
I've not even wore them myself. | 0:33:46 | 0:33:48 | |
He's gone into the room, put them on his feet, he's walked... That's how big he is - size 9 feet! | 0:33:48 | 0:33:53 | |
He comes walking downstairs in my shoes. I said, "Hey, what are you doing with them on?" | 0:33:53 | 0:33:58 | |
He went... | 0:33:58 | 0:34:00 | |
-UP AND DOWN IN PITCH: -"I'm going to wear them." | 0:34:00 | 0:34:02 | |
I know, it's very difficult to argue and laugh at the same time, isn't it? | 0:34:02 | 0:34:07 | |
-I went, "Hmmm, mmm." -HE CLEARS HIS THROAT | 0:34:07 | 0:34:12 | |
I said, "They're mine, they're my brand-new white trainers." | 0:34:15 | 0:34:19 | |
I said, "Go upstairs and take them off." | 0:34:19 | 0:34:21 | |
-UP AND DOWN IN PITCH: -"I want to wear them." | 0:34:21 | 0:34:25 | |
I said, "Hey, I'm not asking you." | 0:34:25 | 0:34:28 | |
I said, "They're mine, now go upstairs and take them off." | 0:34:28 | 0:34:32 | |
-He went... -GRUNTS | 0:34:32 | 0:34:33 | |
I said, "Look, I'm not asking you, I'm telling you - get up them stairs and take my trainers off." | 0:34:33 | 0:34:39 | |
-You know what he said? "Make me." -AUDIENCE: -Oooh! | 0:34:39 | 0:34:42 | |
That's a proper challenge, isn't it? | 0:34:46 | 0:34:47 | |
That's like the little lion taking on the big lion | 0:34:47 | 0:34:50 | |
and all the other lions are running round going, "It's kicking off in here!" | 0:34:50 | 0:34:55 | |
We're stood toe to toe, he's stood in front of me, toe to toe. | 0:34:55 | 0:34:58 | |
He's as big as I am! I'm looking at him, he's looking at me, I'm looking straight in his eyes, | 0:34:58 | 0:35:03 | |
he's looking in my eyes, I'm looking in his eyes. | 0:35:03 | 0:35:06 | |
And for the first time in the 15 years of his life... | 0:35:06 | 0:35:12 | |
I could see he was thinking, | 0:35:12 | 0:35:14 | |
"I can take you." | 0:35:14 | 0:35:15 | |
LAUGHTER | 0:35:15 | 0:35:17 | |
APPLAUSE | 0:35:19 | 0:35:20 | |
And I'm stood there, and I'm looking in his eyes. | 0:35:26 | 0:35:29 | |
And for the first time in the 15 years of his life, I was thinking... | 0:35:29 | 0:35:34 | |
"There's a chance he can take me here." | 0:35:34 | 0:35:36 | |
And there is nothing more scary on this planet | 0:35:39 | 0:35:42 | |
than thinking you're going to get your head kicked in with your own shoes. | 0:35:42 | 0:35:45 | |
So I thought... I thought, "I've got to do it - I've got to do a show with Elvis in the title." | 0:35:56 | 0:36:00 | |
So the next thing I did is I got a poster made, | 0:36:00 | 0:36:02 | |
and I got a poster made with me and me dog - I've got a dog. | 0:36:02 | 0:36:06 | |
Me and me dog, stood at a bus stop - me, dog. | 0:36:06 | 0:36:08 | |
I was dressed as Elvis... The dog wasn't, the dog was just a dog. | 0:36:08 | 0:36:12 | |
"Elvis Has Left The Building." I thought that was a good idea. | 0:36:12 | 0:36:15 | |
I got it e-mailed to our house. | 0:36:15 | 0:36:17 | |
Now, I've got a lad who's 12 - and I came into the house, he's on the computer. | 0:36:17 | 0:36:21 | |
I came in - I said, "Listen, son, I need to see this e-mail." | 0:36:21 | 0:36:25 | |
E-mail pops up with the poster. I said, "What do you think of that?" | 0:36:25 | 0:36:29 | |
He said, looking at me - | 0:36:29 | 0:36:30 | |
I'm dressed as Elvis, at a bus stop, with the dog... | 0:36:30 | 0:36:34 | |
-He said "Well, the DOG looks funny." -LAUGHTER | 0:36:34 | 0:36:37 | |
"But what are you dressed like that for?" | 0:36:38 | 0:36:41 | |
I said, "Cos of Elvis." | 0:36:41 | 0:36:43 | |
Know what he said? "Who's Elvis?" | 0:36:43 | 0:36:44 | |
-LAUGHTER -Can you believe that? I said "What?" | 0:36:44 | 0:36:49 | |
He said, "Who's Elvis?" I said to his mum, "He doesn't know who Elvis is." | 0:36:49 | 0:36:53 | |
She said, "Well, he's from another planet. | 0:36:53 | 0:36:55 | |
"All he does is go on the internet." | 0:36:55 | 0:36:57 | |
I'm not knocking the internet by the way, I like the internet. | 0:36:57 | 0:37:00 | |
If you do this job, you're working late at night, | 0:37:00 | 0:37:03 | |
-you come home...tired... -LAUGHTER | 0:37:03 | 0:37:06 | |
..everyone's in bed... | 0:37:06 | 0:37:09 | |
you need to relax before you go to sleep - | 0:37:09 | 0:37:11 | |
the internet's fantastic, there's loads on the internet. | 0:37:11 | 0:37:14 | |
But kids now - they just live in this different world. | 0:37:14 | 0:37:17 | |
I said, "I can't believe this." When it was his 12th birthday, | 0:37:17 | 0:37:20 | |
I said "I'm going to bridge this gap. | 0:37:20 | 0:37:22 | |
"I'm going to bridge this cultural divide." | 0:37:22 | 0:37:24 | |
So I said, I'm going to get him, for his 12th birthday | 0:37:24 | 0:37:27 | |
what I got for MY 12th birthday. | 0:37:27 | 0:37:29 | |
So I bought him... a game of Monopoly. | 0:37:29 | 0:37:32 | |
LAUGHTER | 0:37:32 | 0:37:34 | |
I went mad, I got the deluxe - I got him a game of Monopoly. | 0:37:34 | 0:37:37 | |
He also got a thing called an Xbox 360 Live. | 0:37:37 | 0:37:41 | |
Apparently you've got to get a live one - by all accounts the dead one's shit. | 0:37:41 | 0:37:45 | |
So he got an Xbox 360 Live, and a game of Monopoly. | 0:37:45 | 0:37:48 | |
He opened them both and I have to be honest, he was less excited about the Monopoly than I was hoping. | 0:37:48 | 0:37:53 | |
He said, "Dad can I go upstairs and set up my Xbox 360 Live?" | 0:37:53 | 0:37:56 | |
I said, "Of course you can, son. This is your very first game of Monopoly. | 0:37:56 | 0:38:00 | |
"It's going to take me a few hours to set it up, I want to get it right." | 0:38:00 | 0:38:04 | |
He goes upstairs - I went upstairs two hours later. | 0:38:04 | 0:38:07 | |
I don't know if any parent in this room has experienced this frightening phenomena. | 0:38:07 | 0:38:12 | |
He's on this Xbox - he's playing this game called Duty Call, or Call of Duty or something. | 0:38:12 | 0:38:16 | |
He's got an earpiece in, shouting at the telly! | 0:38:16 | 0:38:20 | |
I come in - I said, "Come on, son. | 0:38:20 | 0:38:23 | |
"I've set up...the Monopoly." | 0:38:23 | 0:38:26 | |
LAUGHTER | 0:38:26 | 0:38:27 | |
He said, "I can't come now, Dad - I'm playing with all of me friends." | 0:38:27 | 0:38:32 | |
I went... | 0:38:32 | 0:38:34 | |
LAUGHTER | 0:38:34 | 0:38:36 | |
I said, "Son, there's no-one here. | 0:38:38 | 0:38:41 | |
He said, "Dad, I'm playing live on the internet. | 0:38:41 | 0:38:44 | |
"I've just struck up an alliance with a lad in Birmingham and another lad in Burnley - | 0:38:44 | 0:38:48 | |
"we've got a pincer movement going on this encampment. | 0:38:48 | 0:38:51 | |
"Inside is a lad from Aberdeen and a lad from Nottingham... | 0:38:51 | 0:38:54 | |
"although we think he might be a paedo cos he sounds like a bloke. | 0:38:54 | 0:38:57 | |
"Inside that encampment they've got all the armoury we need. | 0:38:59 | 0:39:02 | |
"If we can get it off them, we can put a push onto the next base and get all the gold reserves. | 0:39:02 | 0:39:06 | |
"That means we can destabilise the economy, make a run on the oil price | 0:39:06 | 0:39:10 | |
"and take over Western Europe by teatime." | 0:39:10 | 0:39:12 | |
Do you know how hard it is to make Monopoly sound good after that?! | 0:39:12 | 0:39:16 | |
-I even said he could be the hat. -LAUGHTER | 0:39:23 | 0:39:26 | |
I haven't let anyone be the hat since '93. | 0:39:27 | 0:39:31 | |
And the problem is, it's one of these things with kids. | 0:39:31 | 0:39:33 | |
No matter who you are as a dad, you want to impress your kids, every dad wants to do that. | 0:39:33 | 0:39:38 | |
When you're a little boy, you're growing up, you want an impressive dad. | 0:39:38 | 0:39:42 | |
And then you become a dad, and all you want to do then | 0:39:42 | 0:39:44 | |
is to impress your kids, that's all any dad wants to do. | 0:39:44 | 0:39:47 | |
That's why every time you go away on holiday, | 0:39:47 | 0:39:50 | |
you always see a fat bloke stood at the top of a diving board, shitting himself... | 0:39:50 | 0:39:55 | |
LAUGHTER | 0:39:55 | 0:39:57 | |
..whilst his kids are shouting, "Come on, Dad, do a somersault like the German boy's dad." | 0:39:57 | 0:40:02 | |
And you never want to let them down. | 0:40:03 | 0:40:05 | |
And it's difficult at times... As I say, I've got three kids. | 0:40:05 | 0:40:09 | |
One wants to fight me, one wants to be on the internet - | 0:40:09 | 0:40:12 | |
the other one... | 0:40:12 | 0:40:13 | |
well, the other one just thinks I'm a knob, to be honest. | 0:40:13 | 0:40:16 | |
I've got one of those kids that you get, with skinny jeans, | 0:40:18 | 0:40:21 | |
and they have these colourful hoodies and little rucksacks and they have hair like that. | 0:40:21 | 0:40:27 | |
And you can't tell whether it's a boy and a girl, and they're always hugging each other. | 0:40:27 | 0:40:31 | |
-Well, I've got one of them. I er... -LAUGHTER | 0:40:31 | 0:40:34 | |
I've got to be honest - I'm not sure the same one comes home each night. | 0:40:34 | 0:40:38 | |
-LAUGHTER -We just feed it and send it to bed. | 0:40:38 | 0:40:41 | |
And he had this thing recently called a sleepover, which has got to be | 0:40:42 | 0:40:46 | |
the most inappropriately named activity on the planet. | 0:40:46 | 0:40:50 | |
Cos no-one sleeps! | 0:40:50 | 0:40:52 | |
It should be called a "why don't you have a load of teenagers you don't know | 0:40:52 | 0:40:56 | |
"in your house, eating everything in the fridge, and then staying up till 4.00 | 0:40:56 | 0:41:00 | |
in the morning when they have a row and everyone ends up crying"-over. | 0:41:00 | 0:41:04 | |
Cos that's what happens. | 0:41:04 | 0:41:05 | |
And I walked past his bedroom - it was about midnight and one of his...mates, er... | 0:41:05 | 0:41:11 | |
as he walked past, just said, | 0:41:11 | 0:41:13 | |
"It must be dead cool having a dad who's a comedian." | 0:41:13 | 0:41:17 | |
To which my son said "No - he's a knob." | 0:41:17 | 0:41:22 | |
APPLAUSE | 0:41:24 | 0:41:25 | |
There's not a lot you can say to that, really, is there? | 0:41:31 | 0:41:35 | |
But every now and again, sometimes in life you get opportunities to try and impress your kids, and something | 0:41:35 | 0:41:41 | |
happened to me last year that gave me that opportunity completely out of the blue. | 0:41:41 | 0:41:46 | |
My agent phoned me up - she said, "John, I've got you a part in something." I said, "I can't act." | 0:41:46 | 0:41:52 | |
She said, "It's OK - they don't know." | 0:41:52 | 0:41:54 | |
LAUGHTER | 0:41:54 | 0:41:56 | |
I said, "OK - what's the programme?" She said, "A thing called Skins." | 0:41:56 | 0:42:01 | |
-CHEERING -Yeah... People have heard of Skins. | 0:42:01 | 0:42:04 | |
I said, "Very good. What's the storyline? | 0:42:04 | 0:42:07 | |
She said, "Well, the storyline's based around a lesbian love affair." | 0:42:07 | 0:42:11 | |
-I said, "I think I can do that." -LAUGHTER | 0:42:11 | 0:42:13 | |
"I've done loads of research on the internet, and erm... | 0:42:15 | 0:42:19 | |
"I'm pretty sure I can play a plumber." | 0:42:19 | 0:42:22 | |
LAUGHTER | 0:42:22 | 0:42:24 | |
I said, "What's the part?" She said, "The part's to be a dad." | 0:42:26 | 0:42:29 | |
I said, "A what?" She said, "A dad of one of the lesbians." | 0:42:29 | 0:42:32 | |
Now, I'm probably like you, ladies and gentlemen - | 0:42:32 | 0:42:35 | |
up to that point in my life, | 0:42:35 | 0:42:36 | |
I didn't know what a lesbian's dad looked like. | 0:42:36 | 0:42:40 | |
LAUGHTER | 0:42:40 | 0:42:42 | |
-Well, apparently - this is it. -LAUGHTER | 0:42:42 | 0:42:45 | |
I turned up... They film it in Bristol. | 0:42:46 | 0:42:48 | |
I'd never been on a film set before. It was so exciting. | 0:42:48 | 0:42:51 | |
It was January, it was cold - everyone was walking round in puffa jackets. | 0:42:51 | 0:42:55 | |
You get a trailer with your name on. | 0:42:55 | 0:42:58 | |
Everyone gets their own trailer, with their own name on. You've got your own caravan! | 0:42:58 | 0:43:02 | |
There's another caravan, where you get free food all day! | 0:43:02 | 0:43:05 | |
It's like being a really posh gypsy. It was brilliant! | 0:43:05 | 0:43:10 | |
The director comes up to me - he said, "John, we're going to do your scenes next. | 0:43:11 | 0:43:15 | |
"Obviously we don't film things chronologically, | 0:43:15 | 0:43:17 | |
"so I need to explain to you how it will appear on the television." | 0:43:17 | 0:43:21 | |
I said, "OK." He said, "In the scene immediately preceding your scene, | 0:43:21 | 0:43:24 | |
"the scene immediately before we see you involves your daughter - | 0:43:24 | 0:43:28 | |
"your 18-year-old lesbian daughter. | 0:43:28 | 0:43:32 | |
"And she's making love, to her | 0:43:33 | 0:43:36 | |
"18-year-old...lesbian...lover." | 0:43:36 | 0:43:40 | |
LAUGHTER | 0:43:40 | 0:43:41 | |
"And immediately from making love to her 18-year-old... | 0:43:41 | 0:43:47 | |
"lesbian...girlfriend... | 0:43:47 | 0:43:49 | |
"..she decides to come home and tell you, her father, | 0:43:50 | 0:43:55 | |
"that she's...a lesbian." | 0:43:55 | 0:43:58 | |
And I went, "OK... OK." | 0:43:58 | 0:44:01 | |
LAUGHTER | 0:44:01 | 0:44:03 | |
I said, "Do you think it would be better if I just caught her?" | 0:44:03 | 0:44:06 | |
LAUGHTER | 0:44:06 | 0:44:08 | |
APPLAUSE | 0:44:08 | 0:44:10 | |
"You know - I just happened to be in the wardrobe, fitting some..." | 0:44:16 | 0:44:20 | |
LAUGHTER | 0:44:20 | 0:44:23 | |
And he went, "No, we'll do the script." So I did the script. | 0:44:23 | 0:44:25 | |
He comes up to me at the end, he said, "That was all right. | 0:44:25 | 0:44:28 | |
"Have you seen the show? | 0:44:28 | 0:44:30 | |
I said, "I haven't, to be honest. But I've got teenage boys, I'm pretty sure they watch it." | 0:44:30 | 0:44:36 | |
And that's when gave me this little carrot of hope of impressing my kids. | 0:44:36 | 0:44:40 | |
"You've got teenage boys, and you've been in Skins?! | 0:44:40 | 0:44:42 | |
"They're going to think you're a hero." I said, "Do you think so?" | 0:44:42 | 0:44:46 | |
He said, "I'm telling you now - teenage boys love this show." | 0:44:46 | 0:44:49 | |
I said, "I didn't know that." I said, "Why?" | 0:44:49 | 0:44:52 | |
He said, "Teenage boys love Skins. And I'll tell you why - | 0:44:52 | 0:44:55 | |
"cos for teenage boys, Skins is wank material." | 0:44:55 | 0:44:59 | |
LAUGHTER | 0:45:01 | 0:45:03 | |
I said, "I don't want that!" | 0:45:04 | 0:45:06 | |
LAUGHTER | 0:45:06 | 0:45:07 | |
"I don't want me lads going 'Lesbian, lesbian - | 0:45:07 | 0:45:11 | |
shit, there's me dad!' | 0:45:10 | 0:45:11 | |
LAUGHTER | 0:45:11 | 0:45:13 | |
Having all their mates phoning up going, "I was knocking one out last night, and your dad popped up! | 0:45:20 | 0:45:25 | |
"I'm not coming to YOURS again for a sleepover, he's in me head now! | 0:45:26 | 0:45:30 | |
So - it was robbed from me. | 0:45:34 | 0:45:37 | |
The thing I'd been after, that opportunity to impress me kids, was robbed from me. | 0:45:37 | 0:45:41 | |
And then, at the end of April last year, I got THE phone call | 0:45:41 | 0:45:46 | |
that I'd been waiting for all me life. The phone call that changed my life. | 0:45:46 | 0:45:50 | |
At the end of April last year, I got a phone call off Kenny Dalglish. | 0:45:50 | 0:45:55 | |
Yeah, yeah... | 0:45:55 | 0:45:57 | |
WHOOPING | 0:45:57 | 0:45:58 | |
Well -I THINK it was him, I couldn't understand a fuckin' word he said. | 0:45:58 | 0:46:02 | |
No, I did. And for those who don't know, obviously | 0:46:05 | 0:46:07 | |
Kenny Dalglish played for Liverpool, managed Liverpool, played for Celtic and for Scotland, | 0:46:07 | 0:46:12 | |
and for Liverpool supporters like me he's held in uniquely high esteem | 0:46:12 | 0:46:16 | |
as a player, as a manager - but, more importantly, as a man. | 0:46:16 | 0:46:19 | |
I can't tell you how excited I was. | 0:46:19 | 0:46:21 | |
It was like being an eight-year-old boy getting a phone call off Santa. I nearly wet meself. | 0:46:21 | 0:46:27 | |
He said, "Hello, John, it's Kenny Dalglish." I went, "Ha-ha-ha-ha! | 0:46:27 | 0:46:31 | |
-EXCITABLY SQUEAKY: -"Ha-ha-ha-ha-ha! Hiya, Kenny." | 0:46:31 | 0:46:35 | |
LAUGHTER | 0:46:35 | 0:46:37 | |
"John, as part of the Hillsborough commemorations | 0:46:37 | 0:46:40 | |
"there's going to be a charity football game. | 0:46:40 | 0:46:43 | |
"It's going to involve a team of Liverpool legends playing against a team of charity all-stars. | 0:46:43 | 0:46:47 | |
"The charity all-stars will have some ex-pros in, like Alan Stubbs, | 0:46:47 | 0:46:52 | |
"Alan Shearer, Teddy Sheringham, and some soap opera people and people off the telly." | 0:46:52 | 0:46:57 | |
He said, "I'm phoning you up to see if you want to play. | 0:46:57 | 0:47:02 | |
"At Anfield." | 0:47:02 | 0:47:04 | |
Can you imagine that?! | 0:47:04 | 0:47:06 | |
I was just giddy with excitement. | 0:47:06 | 0:47:08 | |
I WAS like a child. I said "K-K-Kenny...! | 0:47:08 | 0:47:12 | |
"I-I-I-I'd love to play, Kenny. I'd love to play, Kenny. | 0:47:12 | 0:47:15 | |
"Kenny, Kenny! Kenny, Kenny! | 0:47:15 | 0:47:17 | |
I said, "Kenny...when is it?" | 0:47:17 | 0:47:20 | |
Kenny said, "It's in 11 days." I said, "You mean 11 sleeps?!" | 0:47:20 | 0:47:23 | |
LAUGHTER | 0:47:23 | 0:47:25 | |
He said, "If you like - 11 sleeps, yeah, 11 sleeps. | 0:47:31 | 0:47:34 | |
I said, "Kenny, I'd love to play for the charity all-stars. | 0:47:35 | 0:47:38 | |
He said, "No... | 0:47:38 | 0:47:40 | |
"I don't want you playing for the charity all-stars - I want you...playing for us. | 0:47:40 | 0:47:44 | |
"I want you... playing for Liverpool at Anfield." | 0:47:44 | 0:47:47 | |
Can you IMAGINE how exciting that is? | 0:47:47 | 0:47:50 | |
That's all of my dreams rolled into one. I couldn't believe it. | 0:47:50 | 0:47:54 | |
The closest I'd ever got to that | 0:47:54 | 0:47:55 | |
is some people thinking I look like Jamie Carragher. | 0:47:55 | 0:47:59 | |
I turned up 11 days later. | 0:47:59 | 0:48:01 | |
I walked into the home dressing room - with my brand new bag. | 0:48:01 | 0:48:06 | |
And my brand-new boots. I was all nervous, I walked in like that. | 0:48:07 | 0:48:12 | |
LAUGHTER | 0:48:12 | 0:48:13 | |
Kenny come over to me - he says, "You look shit." | 0:48:13 | 0:48:16 | |
-I said, "Kenny, I've not slept for 11 days!" -LAUGHTER | 0:48:16 | 0:48:19 | |
"I didn't want to miss it!" | 0:48:20 | 0:48:22 | |
LAUGHTER | 0:48:22 | 0:48:24 | |
I'm looking round the room, it's unbelievable! It's proper legends! | 0:48:24 | 0:48:28 | |
There's Jan Molby, Ronnie Whelan, Ray Houghton, Peter Beardsley, | 0:48:28 | 0:48:31 | |
Kenny Dalglish, Alan Hansen, Mark Lawrenson. There's just real heroes! | 0:48:31 | 0:48:36 | |
John Aldridge, Ian Rush, Robbie Fowler, | 0:48:36 | 0:48:38 | |
Steven Gerrard called in. Phil Thompson's lending his support. | 0:48:38 | 0:48:42 | |
I just couldn't believe... I'm getting changed next to them! | 0:48:42 | 0:48:45 | |
Can you imagine that? I'm getting changed next to my heroes! Can you imagine what that feels like? | 0:48:45 | 0:48:51 | |
I'm just stood there going... | 0:48:51 | 0:48:53 | |
LAUGHTER | 0:48:53 | 0:48:54 | |
It was then that I realised I've got a bigger willy than Alan Hansen. | 0:49:06 | 0:49:09 | |
LAUGHTER | 0:49:09 | 0:49:11 | |
APPLAUSE | 0:49:13 | 0:49:14 | |
For some reason that surprised me, but it did give me that boost of confidence. | 0:49:18 | 0:49:22 | |
-LAUGHTER -We walked out onto the pitch - | 0:49:22 | 0:49:25 | |
the game had only been announced two weeks before, but near enough | 0:49:25 | 0:49:28 | |
30,000 people filtered into the ground. | 0:49:28 | 0:49:31 | |
Three sides of Anfield are filled. | 0:49:31 | 0:49:33 | |
I'm just looking around, in awe. | 0:49:33 | 0:49:35 | |
The lads are warming up. They know how to warm up - | 0:49:35 | 0:49:37 | |
they've warmed up in front of 30,000 people before. | 0:49:37 | 0:49:41 | |
I don't know how you warm up in front of 30,000 people. | 0:49:41 | 0:49:44 | |
I just started doing lunges... | 0:49:44 | 0:49:46 | |
LAUGHTER | 0:49:46 | 0:49:48 | |
We walk into the dressing room. | 0:49:55 | 0:49:57 | |
Kenny Dalglish is the player manager - | 0:49:57 | 0:50:00 | |
another former Liverpool manager, Roy Evans, is his assistant. | 0:50:00 | 0:50:03 | |
Kenny named the team... I was sub. | 0:50:03 | 0:50:06 | |
I mean, I expected to be sub. | 0:50:07 | 0:50:09 | |
-In fact, I was number 24. -LAUGHTER | 0:50:09 | 0:50:12 | |
Which means if there was two teams, I'd still be sub - but that's OK. | 0:50:12 | 0:50:16 | |
That's OK, I didn't mind that. I didn't mind that, because I've always had | 0:50:16 | 0:50:19 | |
one dream in my life, one dream in my head - | 0:50:19 | 0:50:22 | |
like, everyone's always got something you never grow out of. | 0:50:22 | 0:50:25 | |
My one dream, is that one day, | 0:50:25 | 0:50:27 | |
I will play for Liverpool, | 0:50:27 | 0:50:29 | |
in the middle of midfield, attacking the Kop. | 0:50:29 | 0:50:32 | |
That was my dream - that one day, I would be in the middle of midfield attacking the Kop. | 0:50:32 | 0:50:37 | |
And I would shoot outside the area, | 0:50:37 | 0:50:39 | |
and it would rifle in - in the same way that Stevie G does it now. | 0:50:39 | 0:50:43 | |
I wanted to be in the middle of midfield attacking the Kop. | 0:50:43 | 0:50:47 | |
I didn't mind being sub - | 0:50:47 | 0:50:49 | |
cos for the first half, we were attacking the Anfield Road end. | 0:50:49 | 0:50:52 | |
I didn't get on - not arsed, it's not me destiny. | 0:50:52 | 0:50:55 | |
LAUGHTER | 0:50:55 | 0:50:56 | |
My destiny's middle of midfield, attacking the Kop. | 0:50:58 | 0:51:02 | |
Half-time comes, we're winning 2-0. John Aldridge scored, I think, and Ian Rush scored. | 0:51:02 | 0:51:07 | |
At half-time, a few changes are made. | 0:51:07 | 0:51:09 | |
All the other subs go on. No-one even looks at me. | 0:51:09 | 0:51:13 | |
The game kicks off. I'm watching the game - but all the time I'm concentrating, cos I'm only | 0:51:13 | 0:51:18 | |
going to get one chance to fulfil that destiny, to play in the middle of midfield attacking the Kop. | 0:51:18 | 0:51:22 | |
No-one's looking at me, no-one even notices I'm there. | 0:51:22 | 0:51:25 | |
I've started doing lunges in front of Kenny... so he knows I'm still around. | 0:51:25 | 0:51:29 | |
But all the time I'm concentrating on that middle of midfield... | 0:51:29 | 0:51:32 | |
middle of midfield attacking the Kop. | 0:51:32 | 0:51:35 | |
I'm concentrating on getting in the middle of midfield. | 0:51:35 | 0:51:37 | |
The game's been played for 21 minutes... | 0:51:37 | 0:51:41 | |
when Roy Evans, the assistant manager, turns to me - | 0:51:41 | 0:51:43 | |
he said, "Bish!" | 0:51:43 | 0:51:45 | |
I said, "Yeah, Roy?" | 0:51:46 | 0:51:47 | |
-He's only a little fella. -LAUGHTER | 0:51:47 | 0:51:50 | |
I said, "Yeah, Roy?" | 0:51:50 | 0:51:53 | |
He said, "Bish, are you ready to go on, son?" | 0:51:53 | 0:51:58 | |
I went, | 0:51:58 | 0:52:02 | |
"You bet you, Roy." | 0:52:02 | 0:52:04 | |
He said, "Good, because you're going on in defence." | 0:52:04 | 0:52:08 | |
AUDIENCE GROANS | 0:52:08 | 0:52:09 | |
I know. That's like someone telling you you can shag the Corrs | 0:52:09 | 0:52:12 | |
but you've got to start with the brother, you know what I mean? | 0:52:12 | 0:52:16 | |
It's almost a dream come true, isn't it? | 0:52:24 | 0:52:26 | |
I'm about to walk on and play defence for Liverpool when all of a sudden, | 0:52:26 | 0:52:30 | |
Jan Molby, one of the best midfield players I've ever seen kick a ball, put his hand up. | 0:52:30 | 0:52:35 | |
He wanted to come off. That was an honour. | 0:52:35 | 0:52:38 | |
I went on for big Jan. It was an amazing feeling to run on to that pitch at Anfield | 0:52:38 | 0:52:44 | |
and hear 30,000 people go, "Who the fuck's that?" | 0:52:44 | 0:52:47 | |
At the moment on that pitch the Liverpool midfield comprised of | 0:52:52 | 0:52:56 | |
Jamie Redknapp, England international, Steve McManaman, England international, | 0:52:56 | 0:53:02 | |
Gary McAllister, Scotland international, | 0:53:02 | 0:53:05 | |
John Bishop, 42, making his debut. | 0:53:05 | 0:53:08 | |
For the first ten minutes I ran around like a lunatic. | 0:53:10 | 0:53:13 | |
I just wanted to kick the ball. Didn't give a shit which way it went. I just wanted it. | 0:53:13 | 0:53:17 | |
In the end I was on that pitch in total for 22 minutes. | 0:53:19 | 0:53:23 | |
I came off with a couple of minutes left so that quite rightly, | 0:53:23 | 0:53:26 | |
Kenny could come on and take the adulation of the crowd. | 0:53:26 | 0:53:29 | |
And that was a honour, to be replaced by the King himself. | 0:53:29 | 0:53:32 | |
But during those 22 minutes a few things happened that I will never, ever forget. | 0:53:32 | 0:53:38 | |
I did get a shot outside the area. | 0:53:38 | 0:53:41 | |
It whistled past the post. | 0:53:41 | 0:53:42 | |
If it had gone in I think my head would have exploded. | 0:53:42 | 0:53:45 | |
I got booked for diving, which was a fucking terrible decision. | 0:53:47 | 0:53:51 | |
Terrible decision! But something happened that will stay with me every day until I go to the grave. | 0:53:51 | 0:53:57 | |
It happened when I'd been on the pitch for 17 minutes. | 0:53:57 | 0:54:00 | |
I'd been on the Anfield turf for 17 minutes. I hadn't kicked the ball. | 0:54:00 | 0:54:04 | |
I could see my own dream fading in front of my eyes. | 0:54:04 | 0:54:08 | |
I thought, "I'm never going to fulfil it. | 0:54:08 | 0:54:10 | |
"I'm never going to kick the ball." | 0:54:10 | 0:54:12 | |
When, all of a sudden, Gary McAllister gets the ball. | 0:54:12 | 0:54:15 | |
He controls it. As he controls it, Alan Shearer goes to close him down. | 0:54:15 | 0:54:19 | |
Gary McAllister went that way, turned, looked up. | 0:54:19 | 0:54:22 | |
Looked at me and he went, "Bish!" | 0:54:22 | 0:54:24 | |
And I went... | 0:54:24 | 0:54:25 | |
"Gary!" | 0:54:32 | 0:54:33 | |
And he kicked the ball to me! He kicked the ball! | 0:54:38 | 0:54:41 | |
I got me first touch of the ball on the Anfield pitch. | 0:54:41 | 0:54:44 | |
I controlled it, I moved it around me feet. I looked up. | 0:54:44 | 0:54:47 | |
Jamie Redknapp was 20 yards away. | 0:54:47 | 0:54:50 | |
Jamie Redknapp went, "Bish!" | 0:54:50 | 0:54:52 | |
And I went... | 0:54:52 | 0:54:53 | |
"Jamie!" | 0:54:59 | 0:55:01 | |
And I kicked the ball and it rolled to Jamie Redknapp's feet. | 0:55:03 | 0:55:09 | |
And just as the ball reached Jamie Redknapp's feet I heard, | 0:55:09 | 0:55:13 | |
from the Liverpool dugout, Kenny Dalglish shout, "great ball, Bish!" | 0:55:13 | 0:55:21 | |
Now, ladies and gentlemen, Liverpool Football Club was founded in 1892, | 0:55:33 | 0:55:39 | |
and in all of that time I don't know if anyone else | 0:55:39 | 0:55:42 | |
has played for them with an erection. | 0:55:42 | 0:55:44 | |
But it's very difficult to run, to be honest. You're like that. | 0:55:53 | 0:55:56 | |
"Don't pass there! Near it!" | 0:55:57 | 0:55:59 | |
At the end of the game, to be honest, I didn't go straight home. | 0:56:04 | 0:56:08 | |
You wouldn't go straight home. | 0:56:08 | 0:56:09 | |
I'd just lived me dream. | 0:56:09 | 0:56:12 | |
I went to the pub. I should have got out the kit, but I was too excited. | 0:56:12 | 0:56:15 | |
And then I woke up the following morning, in the kit, and I never wanted it to end. | 0:56:20 | 0:56:26 | |
But also, there was a reason I kept the kit on, it was because I wanted to share it. | 0:56:26 | 0:56:30 | |
I wanted to walk down the following morning when me kids were eating breakfast and share the moment. | 0:56:30 | 0:56:35 | |
Cos I've always said to my kids, "Try and live your dream." | 0:56:35 | 0:56:39 | |
I'll be honest with you. | 0:56:39 | 0:56:41 | |
I never in a million years, and there's people in here who've known me for a long time will know, | 0:56:41 | 0:56:46 | |
I never believed I would ever do this. | 0:56:46 | 0:56:48 | |
And every day that you do, it's a blessing. | 0:56:48 | 0:56:50 | |
So I've always said to my kids, "Pick a dream and try and follow it, | 0:56:50 | 0:56:54 | |
"and if you fall short, that's all right, at least you're going in the direction you want. | 0:56:54 | 0:56:58 | |
"It's better than falling short doing something you don't want to do." | 0:56:58 | 0:57:02 | |
The night before, they'd seen me living me dream. | 0:57:02 | 0:57:04 | |
I wanted to share it with them. | 0:57:04 | 0:57:06 | |
I walked into the kitchen wearing the kit. They were sat there eating breakfast. | 0:57:06 | 0:57:12 | |
Well, eating that chocolate stuff that sends them fucking mental, you know? | 0:57:12 | 0:57:16 | |
The school's phoning up going, "He's a bit lively!" | 0:57:18 | 0:57:21 | |
"I know, he left the house fucking wired this morning!" | 0:57:21 | 0:57:24 | |
And then I walked in and everything stopped, and they all looked at me and I'm stood there in the kit, | 0:57:28 | 0:57:33 | |
and me oldest son looked at his brothers and looked at me and said, "Dad." I said, "Yeah, son?" | 0:57:33 | 0:57:38 | |
He said, "You did it, didn't you?" | 0:57:38 | 0:57:40 | |
I said, "What?" He said, "You lived your dream." | 0:57:40 | 0:57:43 | |
I went, "Yeah, son, I lived me dream." He said, "We saw it, Dad, and you know your shot?" | 0:57:43 | 0:57:48 | |
I said, "Yeah." He said, "It was shit." | 0:57:48 | 0:57:51 | |
And you know what? | 0:58:02 | 0:58:04 | |
That would have been upsetting, but something had happened two weeks before. | 0:58:04 | 0:58:09 | |
That would have been upsetting but for one reason only. | 0:58:09 | 0:58:12 | |
Two weeks before, I had bonded with my kids in a completely unique way, | 0:58:12 | 0:58:16 | |
in a way that I'd never, ever expected. | 0:58:16 | 0:58:19 | |
We have a shout in our house, and you will have it as well if you've got multiple children. | 0:58:19 | 0:58:26 | |
And it's a shout that indicates there's been a crime committed. | 0:58:26 | 0:58:31 | |
You don't know who committed the crime, so you want all key suspects in one place. | 0:58:33 | 0:58:38 | |
In our house it's "Hey, you three, get in there." That means, "There's been a crime committed, | 0:58:38 | 0:58:44 | |
"we don't know who committed the crime, we want all key suspects in one place, CSI can now begin." | 0:58:44 | 0:58:50 | |
I come home from work, I put the key in the door, I'm about to turn the key when I heard that shout, | 0:58:52 | 0:58:57 | |
"Hey, you three, get in there." That was my cue to go to the pub. | 0:58:57 | 0:59:01 | |
I'm pulling the key out, but just as I'm pulling the key out, | 0:59:03 | 0:59:06 | |
the problem with our house is that we've got a dog. | 0:59:06 | 0:59:09 | |
And the problem with having a dog is our dog is a snitch. | 0:59:09 | 0:59:12 | |
As soon as the dog heard the key, he starts to go, | 0:59:17 | 0:59:21 | |
"He's home, he's home, he's pulled it out, he's pulled it out! | 0:59:21 | 0:59:24 | |
"He's going the pub, he's going to the pub, he's going to the pub!" | 0:59:24 | 0:59:29 | |
Never get a talking dog, they're a fucking nuisance. | 0:59:29 | 0:59:33 | |
I walked into the living room. I've been present at a number of these investigations, | 0:59:35 | 0:59:39 | |
but I've never seen such innocence on the eyes of the accused before. | 0:59:39 | 0:59:43 | |
I walked in, the three are sat there on the couch, | 0:59:43 | 0:59:46 | |
in age order, which I thought was quite cute. I walked in, I looked at them. | 0:59:46 | 0:59:51 | |
The prosecutor, formerly known as me wife, is stood there. | 0:59:51 | 0:59:55 | |
I said, "What's wrong? She said, "What's wrong? What's wrong?" | 0:59:55 | 0:59:59 | |
She said, "It's one of these three dirty buggers. | 0:59:59 | 1:00:02 | |
I said, "What do you mean?" | 1:00:02 | 1:00:03 | |
She said, "I've just been on the computer, I've been on the internet, | 1:00:03 | 1:00:07 | |
"one of these three dirty buggers has been going on a website called RedTube, | 1:00:07 | 1:00:11 | |
"where you download free internet porn!" And I went... | 1:00:11 | 1:00:14 | |
I said, "Well, maybe they just clicked on it by mistake." She said, "By mistake?! | 1:00:26 | 1:00:30 | |
I've been through Google history, they've been doing it since they were six!" | 1:00:30 | 1:00:34 | |
So I did what any father would do. | 1:00:42 | 1:00:45 | |
I looked at me sons, with their eyes full of innocence and hope. | 1:00:45 | 1:00:48 | |
I looked at me wife, with her eyes full of anger and disappointment. | 1:00:48 | 1:00:52 | |
And I went, | 1:00:52 | 1:00:54 | |
"You dirty bastards." | 1:00:54 | 1:00:56 | |
I said, "That's not what the computer's for. | 1:01:07 | 1:01:09 | |
"That's not what the internet's for. | 1:01:09 | 1:01:11 | |
"That's not the material I want you looking at in this house. | 1:01:11 | 1:01:14 | |
"Is that understood?" That's what I said. | 1:01:14 | 1:01:18 | |
But whilst I said it, something miraculous happened, as one by one, almost with the aid of telepathy, | 1:01:18 | 1:01:26 | |
they individually worked out the reality of the situation. | 1:01:26 | 1:01:30 | |
So I stood in front of them and I said, | 1:01:38 | 1:01:43 | |
"You dirty bastards, that's not what the computer's for. | 1:01:43 | 1:01:47 | |
"That's not what the internet's for. | 1:01:47 | 1:01:49 | |
"That's not the material I want you looking at in this house. | 1:01:49 | 1:01:52 | |
"Is that understood?" | 1:01:52 | 1:01:54 | |
Yeah, that's what me words said. | 1:01:56 | 1:01:59 | |
But me eyes were saying, "Come on, lads, take a bullet for your dad." | 1:01:59 | 1:02:02 | |
Ladies and gentlemen, we've just about come to the end of the show. | 1:02:14 | 1:02:17 | |
And I've got to be honest with you, it's been amazing. | 1:02:17 | 1:02:21 | |
This has been an amazing run, it's been an amazing year, | 1:02:21 | 1:02:25 | |
and to finish here is an honour, cos it is. | 1:02:25 | 1:02:30 | |
If you're from around here, if you're like me, anyway, you used to stand outside | 1:02:30 | 1:02:34 | |
and watch kids come out of panto and try and nick the candyfloss. | 1:02:34 | 1:02:39 | |
So to actually be here, | 1:02:39 | 1:02:41 | |
to be on this stage and to be in the Empire, in many respects is a dream, | 1:02:41 | 1:02:47 | |
and before we finish, I just want to share one more dream with you. | 1:02:47 | 1:02:51 | |
Ladies and gentlemen, thank you. Good night and God bless. Thank you. | 1:02:51 | 1:02:54 | |
APPLAUSE | 1:02:54 | 1:02:56 | |
-THROUGH LAUGHTER: -# Oh, I wish I was in the land of cotton | 1:03:45 | 1:03:50 | |
# Old times, they are not forgotten | 1:03:52 | 1:03:56 | |
# Look away, look away | 1:03:56 | 1:04:02 | |
# Look away | 1:04:02 | 1:04:05 | |
# Dixieland | 1:04:05 | 1:04:07 | |
# I wish I was in Dixie | 1:04:10 | 1:04:15 | |
# Away, away... # | 1:04:15 | 1:04:21 | |
This is my dream! | 1:04:21 | 1:04:23 | |
# In Dixieland I'll take my stand | 1:04:23 | 1:04:28 | |
# To live and die in Dixie | 1:04:28 | 1:04:32 | |
# Cos Dixieland | 1:04:36 | 1:04:38 | |
# Where I was born | 1:04:38 | 1:04:42 | |
# Early, Lord, one frosty morn | 1:04:42 | 1:04:47 | |
# Look away, look away | 1:04:47 | 1:04:52 | |
# Look away | 1:04:52 | 1:04:55 | |
# Dixieland | 1:04:55 | 1:05:01 | |
# Glory, glory, hallelujah | 1:05:01 | 1:05:13 | |
# Glory, glory, hallelujah | 1:05:13 | 1:05:24 | |
# Glory... | 1:05:24 | 1:05:27 | |
COMMENTATOR: 'John Bishop, Liverpool comedian.' | 1:05:27 | 1:05:29 | |
# Hallelujah | 1:05:29 | 1:05:35 | |
# His truth is... # | 1:05:35 | 1:05:39 | |
'And John Bishop will be loving every moment of this, | 1:05:39 | 1:05:42 | |
'being a dyed-in-the-wool Red. | 1:05:42 | 1:05:44 | |
'Chance for John Bishop, whose resemblance to Jamie Carragher is often remarked upon. | 1:05:49 | 1:05:54 | |
'He's won himself a free kick there. | 1:05:57 | 1:05:59 | |
'Rather unceremoniously dumped to the ground by Alan Stubbs there. | 1:06:05 | 1:06:09 | |
# ..bound to die... # | 1:06:09 | 1:06:14 | |
'Here's Gary McAllister. Redknapp. | 1:06:14 | 1:06:18 | |
'Bishop. McManaman.' | 1:06:18 | 1:06:22 | |
# My trials, Lord | 1:06:22 | 1:06:26 | |
# Soon be over... # | 1:06:26 | 1:06:31 | |
'John Bishop with a good clearing header. | 1:06:36 | 1:06:39 | |
'A shot from Bishop.' | 1:06:43 | 1:06:45 | |
# Glory, glory, hallelujah | 1:07:10 | 1:07:20 | |
# His truth is... | 1:07:20 | 1:07:23 | |
-TANNOY: -'Liverpool legend number 24 John Bishop replaced by number seven, Kenny Dalglish.' | 1:07:23 | 1:07:29 | |
# His truth is marching on. # | 1:07:32 | 1:07:45 | |
CHEERING AND APPLAUSE | 1:07:45 | 1:07:47 | |
Thank you! Ladies and gentlemen, the Liverpool Harmonic Gospel Choir! | 1:07:58 | 1:08:05 | |
Ladies and gentlemen, thank you for something I will never forget. | 1:08:12 | 1:08:17 | |
Good night and God bless. | 1:08:17 | 1:08:19 | |
Thank you! | 1:08:26 | 1:08:27 | |
Subtitles by Red Bee Media Ltd | 1:08:45 | 1:08:48 | |
E-mail [email protected] | 1:08:48 | 1:08:51 | |
Ladies and gentlemen, John Bishop has left the building! | 1:08:51 | 1:08:56 |