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This programme contains strong language | 0:00:02 | 0:00:09 | |
Hi, I'm Katy Brand and I'm in a field in Hertfordshire, | 0:00:21 | 0:00:25 | |
except this field is in a park in St Albans | 0:00:25 | 0:00:29 | |
and this is Britain's biggest outdoor comedy festival - | 0:00:29 | 0:00:32 | |
Laughs In The Park. | 0:00:32 | 0:00:33 | |
Over three nights, three of the world's top comedians will perform | 0:00:49 | 0:00:53 | |
to around 20,000 people, | 0:00:53 | 0:00:55 | |
with another 16 acts appearing on the BBC Comedy Presents stage. | 0:00:55 | 0:01:00 | |
It's like a comedy Glastonbury. | 0:01:00 | 0:01:02 | |
So here to kick us off is comedy legend Ross Noble. | 0:01:02 | 0:01:05 | |
CHEERING | 0:01:05 | 0:01:08 | |
Thank you very much! Oh yes! | 0:01:10 | 0:01:15 | |
-Good evening, St Albans! -CHEERING | 0:01:15 | 0:01:18 | |
Oh, wow! | 0:01:18 | 0:01:20 | |
That was... Oh, what a lovely warm welcome that was, that was... | 0:01:20 | 0:01:24 | |
I wasn't expecting you to be so lovely and warm there. | 0:01:24 | 0:01:28 | |
Anyways, it's nice to be here in the park, | 0:01:28 | 0:01:31 | |
in what appears to be a local dogging area. | 0:01:31 | 0:01:35 | |
It's always nice. Look out for that later on, on the big screens. | 0:01:35 | 0:01:39 | |
You might occasionally just see some buttocks, | 0:01:39 | 0:01:43 | |
just rising out of the foliage like that. | 0:01:43 | 0:01:47 | |
These lights here, if they flash four times | 0:01:47 | 0:01:50 | |
that means you can come and join them. | 0:01:50 | 0:01:53 | |
Don't... Just don't judge me, right? | 0:01:54 | 0:01:57 | |
The other day, I was sat, I was thinking and I went, | 0:01:57 | 0:02:02 | |
"Yeah, yeah, I'd piss on a squirrel." | 0:02:02 | 0:02:05 | |
Right, oh no, no, because just... Like I know you think you wouldn't, | 0:02:05 | 0:02:11 | |
but don't judge me, you would, right, trust me you would. | 0:02:11 | 0:02:14 | |
Seriously, I thought I'd piss on a squirrel. | 0:02:14 | 0:02:16 | |
Not in a mean way, like, not in a mean way. | 0:02:16 | 0:02:20 | |
If you're just having a piss on a tree, like that, and a squirrel... | 0:02:20 | 0:02:24 | |
Now don't' tell me, don't lie to me, don't judge me. | 0:02:24 | 0:02:28 | |
If you were pissing on a tree... You know they do that thing | 0:02:28 | 0:02:30 | |
where they run round the tree and pop their heads out like that? | 0:02:30 | 0:02:34 | |
Don't tell me, if you were having a piss | 0:02:34 | 0:02:35 | |
and a squirrel put its head out, you'd, "Go on!" | 0:02:35 | 0:02:39 | |
Come on, see! You would, wouldn't you? | 0:02:39 | 0:02:42 | |
You wouldn't be able to help yourself. | 0:02:42 | 0:02:44 | |
You'd go, "Take it yer eyes!" | 0:02:44 | 0:02:46 | |
See, don't judge me because you'd all do it! | 0:02:46 | 0:02:49 | |
Well, mainly the fellas obviously, | 0:02:49 | 0:02:51 | |
it's quite hard for a woman to piss on a squirrel, | 0:02:51 | 0:02:55 | |
I'll give you that. | 0:02:55 | 0:02:57 | |
You'd have to hang in the tree, wouldn't you? | 0:02:57 | 0:03:00 | |
You'd have to hang like that and wait for it to... | 0:03:01 | 0:03:04 | |
You'd have to put some nuts by the bottom of the tree | 0:03:04 | 0:03:07 | |
and then hang like that. | 0:03:07 | 0:03:09 | |
"Hoy, there's some nuts down there!" | 0:03:09 | 0:03:11 | |
"I'm not getting them! | 0:03:11 | 0:03:13 | |
"I'd rather go without, to be honest with you." | 0:03:13 | 0:03:16 | |
"Ah, come on, it's my dream since I saw Ross, | 0:03:16 | 0:03:19 | |
"I want to piss on a squirrel." | 0:03:19 | 0:03:21 | |
"You freak, hanging from the tree!" | 0:03:21 | 0:03:24 | |
You'd have to get on another tree, be on a swing on this side here | 0:03:24 | 0:03:29 | |
and you'd have to... | 0:03:29 | 0:03:31 | |
The squirrel's over here, right? | 0:03:31 | 0:03:33 | |
The squirrel's there like that, getting ready | 0:03:33 | 0:03:36 | |
and you'd have to start pissing | 0:03:36 | 0:03:38 | |
because you'd have to get a good flow on, wouldn't you? | 0:03:38 | 0:03:41 | |
You'd have to start swinging like that. | 0:03:41 | 0:03:44 | |
That's not enough, is it? | 0:03:44 | 0:03:46 | |
There's not enough of an arc, is there? | 0:03:46 | 0:03:48 | |
You'd have to really... | 0:03:48 | 0:03:49 | |
Oh, hang on, you'd be on the seat, that wouldn't work, would it? | 0:03:49 | 0:03:53 | |
It would come off the side. | 0:03:53 | 0:03:54 | |
I've not fully thought this through, to be honest with you. | 0:03:54 | 0:03:57 | |
You'd have to cut a hole in the seat and then get a friend... | 0:03:57 | 0:04:01 | |
No, don't get a friend to push you. | 0:04:01 | 0:04:03 | |
It'd be fine on the up swing but when you come back, | 0:04:03 | 0:04:05 | |
you'd go, "Argggggggggh". | 0:04:05 | 0:04:07 | |
You'd have to get a friend in a wetsuit, | 0:04:11 | 0:04:15 | |
you'd have to get a friend in a wetsuit with an umbrella, | 0:04:15 | 0:04:19 | |
cut a hole in the swing, | 0:04:19 | 0:04:22 | |
start the pissing here and then slowly get higher and higher. | 0:04:22 | 0:04:27 | |
And then, just at the top of the swing, | 0:04:27 | 0:04:29 | |
you'd have to give it a little... | 0:04:29 | 0:04:31 | |
a little flick of the hips. | 0:04:31 | 0:04:35 | |
It's not going to work, is it? | 0:04:35 | 0:04:36 | |
You'd barely splash the squirrel. | 0:04:36 | 0:04:39 | |
That's like a good new euphemism there, isn't it? | 0:04:39 | 0:04:42 | |
When we have the break, go, "Where you off to?" | 0:04:42 | 0:04:44 | |
"I'm off to splash the squirrel." | 0:04:44 | 0:04:46 | |
You can have that for free. | 0:04:48 | 0:04:49 | |
Anyway, the... No, sorry about that. | 0:04:53 | 0:04:55 | |
Why am I apologising to women? | 0:04:55 | 0:04:57 | |
Sorry, ladies, you don't get to piss on a squirrel. | 0:04:57 | 0:05:01 | |
You can just piss in a cup and just chuck it, that's the best way. | 0:05:01 | 0:05:06 | |
That's the way to do that one. | 0:05:06 | 0:05:08 | |
Well, not a cup really, it's more of a beaker, | 0:05:08 | 0:05:11 | |
so you'd get it straight on. | 0:05:11 | 0:05:12 | |
A cup, you'd have to go side on because of the handle. | 0:05:12 | 0:05:16 | |
It would arc. | 0:05:16 | 0:05:17 | |
It would arc around. | 0:05:17 | 0:05:19 | |
The squirrel would be there getting ready | 0:05:19 | 0:05:21 | |
and you'd go, phumpf, like that and the squirrel would just shwish, | 0:05:21 | 0:05:24 | |
a big arc of piss, it'd go like that, "Not bothered." | 0:05:24 | 0:05:29 | |
Get a friend, get another friend over here | 0:05:29 | 0:05:32 | |
with another cup of piss, right, | 0:05:32 | 0:05:34 | |
to arc it the other way, then you're one step ahead of the squirrel. | 0:05:34 | 0:05:38 | |
You'll stand there like that, squirrel's there. | 0:05:38 | 0:05:41 | |
Here we go! Whoosh, whoosh! | 0:05:41 | 0:05:43 | |
Big arc of piss that way, squirrel goes, "I don't think so!" | 0:05:43 | 0:05:47 | |
Aaagh, in the face! | 0:05:47 | 0:05:48 | |
Yeah! | 0:05:48 | 0:05:50 | |
One squirrel splashed! | 0:05:50 | 0:05:52 | |
From above, those two arcs of piss, those golden... | 0:05:52 | 0:05:56 | |
it would be like a McDonald's advert. | 0:05:56 | 0:05:59 | |
In fact, that should be the new McDonald's advert, | 0:05:59 | 0:06:01 | |
it should be a helicopter hovering like that from above | 0:06:01 | 0:06:05 | |
and it'd just be a squirrel stood there unaware | 0:06:05 | 0:06:09 | |
and then two women at the same time | 0:06:09 | 0:06:12 | |
throwing arcing cups of piss in its face. | 0:06:12 | 0:06:15 | |
Phoomf! | 0:06:15 | 0:06:17 | |
I'm lovin' it! | 0:06:17 | 0:06:19 | |
Just an idea. | 0:06:19 | 0:06:21 | |
Thank you very much for the applause, | 0:06:21 | 0:06:23 | |
that's a beautiful thing, thank you. | 0:06:23 | 0:06:25 | |
That has got to be one of the most reluctant rounds of applause | 0:06:26 | 0:06:31 | |
I have ever received. | 0:06:31 | 0:06:32 | |
You're going, "That's very funny | 0:06:32 | 0:06:34 | |
"but the wrongest thing I've ever heard. | 0:06:34 | 0:06:36 | |
"Are we genuinely applauding | 0:06:36 | 0:06:38 | |
"somebody throwing two arcing cups of piss into the face of a squirrel?" | 0:06:38 | 0:06:42 | |
Yes, yes you are. | 0:06:42 | 0:06:45 | |
Ooh, that was weird, a load of women, "Whooo!" | 0:06:45 | 0:06:48 | |
What's that woman doing there? | 0:06:48 | 0:06:50 | |
She's climbed on the chair. | 0:06:50 | 0:06:51 | |
Don't do any of this stuff I'm talking about! | 0:06:51 | 0:06:54 | |
Did you see the trees rustling over there? | 0:06:54 | 0:06:57 | |
"We're not having that, we're not having that!" | 0:06:57 | 0:07:00 | |
I don't want to see next week's episode of Countryfile. | 0:07:00 | 0:07:04 | |
"Hello, I'm John Craven and we're in the St Albans area. | 0:07:04 | 0:07:08 | |
"Look at that squirrel. | 0:07:08 | 0:07:10 | |
"Cover your eyes!" | 0:07:10 | 0:07:11 | |
Are you all massive Countryfile fans? | 0:07:15 | 0:07:17 | |
"We don't, we don't want to see that!" | 0:07:17 | 0:07:19 | |
It's all right, it's a grey squirrel, it's not a red squirrel. | 0:07:21 | 0:07:25 | |
-It'll be a red squirrel afterwards. -AUDIENCE GROANS | 0:07:25 | 0:07:28 | |
What? It's Countryfile live! | 0:07:28 | 0:07:32 | |
OK, so tonight we've got probably the best comedy show | 0:07:32 | 0:07:37 | |
you're ever likely to see, certainly observed by wildlife. | 0:07:37 | 0:07:42 | |
Are you up for an absolutely amazing night of comedy tonight? | 0:07:42 | 0:07:45 | |
CHEERING | 0:07:45 | 0:07:48 | |
Raise the roof and welcome onto the stage, Tommy Tiernan! | 0:07:48 | 0:07:53 | |
Thank you very much. | 0:08:05 | 0:08:06 | |
A big round of applause please for Ross Noble. | 0:08:06 | 0:08:10 | |
APPLAUSE | 0:08:10 | 0:08:12 | |
As you probably know, things are very tough in Ireland right now. | 0:08:12 | 0:08:19 | |
There's no money, | 0:08:19 | 0:08:22 | |
which is another reason why I'm here. | 0:08:22 | 0:08:25 | |
Everybody is on the dole. | 0:08:27 | 0:08:31 | |
Everybody. | 0:08:31 | 0:08:33 | |
Even the lady who gives you the dole is on the dole. | 0:08:33 | 0:08:40 | |
I don't think that this is a thing Irish people need | 0:08:40 | 0:08:43 | |
to be upset or worried about. | 0:08:43 | 0:08:46 | |
I think we're used to hard times. | 0:08:46 | 0:08:49 | |
We've always had recession, | 0:08:50 | 0:08:53 | |
going all the way back to the 1960s, | 0:08:53 | 0:08:56 | |
to the 1920s, | 0:08:56 | 0:08:59 | |
all the way back to the great potato recession | 0:08:59 | 0:09:04 | |
of the 1840s. | 0:09:04 | 0:09:08 | |
Where 2 million, | 0:09:08 | 0:09:11 | |
2 million | 0:09:11 | 0:09:13 | |
Irish people died | 0:09:13 | 0:09:17 | |
because of no potatoes. | 0:09:17 | 0:09:24 | |
Heaped on top of one another in the ditches, | 0:09:27 | 0:09:31 | |
no, no, no potatoes. | 0:09:31 | 0:09:38 | |
The thickest fuckers on the planet. | 0:09:38 | 0:09:41 | |
the fields were full of cabbages and sweetcorn | 0:09:43 | 0:09:49 | |
but no, I don't like cabbage. | 0:09:49 | 0:09:54 | |
I don't like the smell of it. | 0:09:55 | 0:09:59 | |
It's like the inside of a psychiatric hospital. | 0:09:59 | 0:10:04 | |
Sweetcorn, don't fucking talk to me | 0:10:04 | 0:10:10 | |
about sweetcorn! | 0:10:10 | 0:10:12 | |
All sweetcorn does is hitch a lift | 0:10:12 | 0:10:18 | |
from your mouth to your arse before it fucks off to the next person. | 0:10:18 | 0:10:26 | |
I'd rather die in a ditch | 0:10:27 | 0:10:33 | |
of no potatoes... | 0:10:33 | 0:10:36 | |
..than have sweetcorn laughing at me. | 0:10:38 | 0:10:42 | |
Lots of people now are trying to get the Irish economy back on track. | 0:10:44 | 0:10:49 | |
That's the last thing we should be trying to do. | 0:10:49 | 0:10:52 | |
Barack Obama came to Ireland and he said, | 0:10:52 | 0:10:54 | |
"Ireland, your best days are ahead of you." | 0:10:54 | 0:11:00 | |
Great... | 0:11:06 | 0:11:11 | |
What'll we do in the meantime? | 0:11:11 | 0:11:12 | |
That's like going out for a drink with somebody and he says, | 0:11:19 | 0:11:22 | |
"Jesus, we'll have some session next month!" | 0:11:22 | 0:11:24 | |
I think that we found out when Ireland had money, | 0:11:29 | 0:11:32 | |
that money doesn't suit Irish people, | 0:11:32 | 0:11:34 | |
and when we had money, Irish people, we did things. | 0:11:34 | 0:11:38 | |
Yeah, we spent the money as quickly as we possibly could. | 0:11:38 | 0:11:41 | |
Economists don't understand this, economists are telling us now, | 0:11:41 | 0:11:45 | |
"You fucked up the good times." | 0:11:45 | 0:11:47 | |
We're saying, "How?" | 0:11:47 | 0:11:48 | |
And they're saying, "By spending all your money." | 0:11:48 | 0:11:52 | |
And we reply, "But that's what we were supposed to do! | 0:11:52 | 0:11:55 | |
"That's why they were called, 'the good times'." | 0:11:55 | 0:11:58 | |
You can't be saving your money during the good times, because then... | 0:12:00 | 0:12:03 | |
they are not the good times. | 0:12:03 | 0:12:07 | |
Then they're the 'in preparation for the bad times' times. | 0:12:07 | 0:12:11 | |
But we tried things, we tried stuff. | 0:12:13 | 0:12:16 | |
Irish people went skiing. | 0:12:16 | 0:12:18 | |
Who did we think we were? | 0:12:19 | 0:12:22 | |
We get panic attacks | 0:12:22 | 0:12:24 | |
if we're in a shopping centre with more than one escalator. | 0:12:24 | 0:12:28 | |
Was there anything more frightening to the posh fuckers of Europe, | 0:12:29 | 0:12:34 | |
up there on top of the Alps? | 0:12:34 | 0:12:36 | |
They've been skiing for generations in their designer gear. | 0:12:36 | 0:12:40 | |
Gucci boots and Prada trousers and Dolce Gabbana belts. | 0:12:40 | 0:12:46 | |
And we were there, head to toe, Aldi skiing gear. | 0:12:46 | 0:12:52 | |
We were in the nip by the time we got to the bottom of the hill. | 0:12:52 | 0:12:57 | |
The stuff disintegrated if you went faster than five miles an hour. | 0:12:57 | 0:13:02 | |
Now, I got married recently and marriage can do strange | 0:13:03 | 0:13:10 | |
and wonderful things to a man. | 0:13:10 | 0:13:13 | |
First of all, we got marriage advice from a priest. | 0:13:13 | 0:13:17 | |
LAUGHING | 0:13:17 | 0:13:20 | |
What was that about? | 0:13:23 | 0:13:25 | |
Before a man gets married, he likes to think of himself as wild. | 0:13:26 | 0:13:32 | |
"Oh, you should have seen me before I met you. | 0:13:32 | 0:13:37 | |
"I'd sleep anywhere on my hind legs in the rain at night, | 0:13:37 | 0:13:43 | |
"with me Mickey in the wind like a horse." | 0:13:43 | 0:13:46 | |
It's amazing what a few years of warm food | 0:13:48 | 0:13:51 | |
and central heating will do to you. | 0:13:51 | 0:13:53 | |
Now you get panic attacks if you're left behind in a shopping centre | 0:13:53 | 0:13:57 | |
that you've never been in before. | 0:13:57 | 0:13:59 | |
They have to make an announcement over the tannoy. | 0:14:06 | 0:14:09 | |
"A husband has been found beside the Early Learning Centre. | 0:14:09 | 0:14:15 | |
"Would the wife that owns him please come and collect him immediately." | 0:14:15 | 0:14:21 | |
"I told you you were walking too fast! | 0:14:21 | 0:14:24 | |
"I just slowed down to have a look at a train and you were gone." | 0:14:26 | 0:14:29 | |
Is it wrong to give | 0:14:33 | 0:14:36 | |
your own...wife... | 0:14:36 | 0:14:40 | |
Rohypnol? | 0:14:40 | 0:14:43 | |
LAUGHTER | 0:14:43 | 0:14:45 | |
Not for any kind of deviant sexual purposes, | 0:14:57 | 0:15:02 | |
but for a bit of peace and quiet. | 0:15:02 | 0:15:04 | |
Like, you know, if there's two matches on a Sunday or something. | 0:15:07 | 0:15:11 | |
You have to make an effort when you're married, don't you, lads? | 0:15:14 | 0:15:17 | |
You have to. | 0:15:17 | 0:15:19 | |
I've awful lots of stuff wrong with me. | 0:15:19 | 0:15:21 | |
This is going to sound horny. | 0:15:21 | 0:15:23 | |
I've a soft palate flutter. | 0:15:27 | 0:15:29 | |
"Oh, lord, does he have butterflies in his throat?" | 0:15:29 | 0:15:32 | |
No, I snore, or do I? | 0:15:32 | 0:15:35 | |
It's just an excuse for my wife to fucking hit me. | 0:15:39 | 0:15:42 | |
And I've no defence against it because I'm asleep. | 0:15:45 | 0:15:49 | |
Sometimes, "You're snoring!" | 0:15:51 | 0:15:53 | |
"I'm reading a book, how the fuck could I be snoring? | 0:15:53 | 0:15:56 | |
"I was only pretending to be asleep. | 0:15:56 | 0:15:57 | |
"You're fucking caught right now, so you are!" | 0:15:57 | 0:16:01 | |
"Yeah, well, you'll probably be doing it later when you're asleep." | 0:16:01 | 0:16:04 | |
And even if I am doing it later and she wakes me up, | 0:16:06 | 0:16:09 | |
she's getting no sense out of me. | 0:16:09 | 0:16:11 | |
I'm in the middle of a fucking dream. | 0:16:11 | 0:16:14 | |
"You're snoring!" | 0:16:14 | 0:16:16 | |
"It's the elephant's turn to take a penalty. | 0:16:16 | 0:16:19 | |
"Is the match over already, | 0:16:24 | 0:16:26 | |
"have the zebras gone off in a huff or something? | 0:16:26 | 0:16:29 | |
"What's happening, was I snoring? | 0:16:29 | 0:16:33 | |
"I'm sorry. | 0:16:33 | 0:16:35 | |
"I am sweetheart, I'm... | 0:16:35 | 0:16:37 | |
"I said, I'm sorry. | 0:16:43 | 0:16:44 | |
"I'm not...! | 0:16:49 | 0:16:50 | |
"Fucking time to get up yet, is it? | 0:16:57 | 0:17:00 | |
"I'm not grumpy love, I'm not. | 0:17:00 | 0:17:02 | |
"I'm delighted that you woke me up, I am, yeah! | 0:17:02 | 0:17:06 | |
"There's no point in one of us getting a night's rest. | 0:17:06 | 0:17:09 | |
"We both need to be exhausted in the morning | 0:17:09 | 0:17:13 | |
"so we know how the other one feels." | 0:17:13 | 0:17:15 | |
I've had to make an effort, | 0:17:17 | 0:17:19 | |
so I contacted the British Snoring Association | 0:17:19 | 0:17:24 | |
and I bought everything. | 0:17:24 | 0:17:25 | |
I wear it all... | 0:17:25 | 0:17:28 | |
at... | 0:17:28 | 0:17:29 | |
the... | 0:17:29 | 0:17:30 | |
same... | 0:17:30 | 0:17:32 | |
time. | 0:17:32 | 0:17:33 | |
It's like a homemade Hannibal Lecter kit. | 0:17:33 | 0:17:40 | |
I've a strip that goes across my nose to open up the nasal passageways. | 0:17:40 | 0:17:46 | |
I have a blue rubber mouth guard to stop the air | 0:17:46 | 0:17:49 | |
going near my soft palate flutter. | 0:17:49 | 0:17:51 | |
And to stop my jaw from falling open, | 0:17:51 | 0:17:56 | |
this is what I do for my wife, | 0:17:56 | 0:17:57 | |
to stop it opening, | 0:17:57 | 0:17:58 | |
I wear a strap around my head | 0:17:58 | 0:18:02 | |
like I'm a patient in a Victorian mental asylum. | 0:18:02 | 0:18:06 | |
And when it's all on, I can't talk, I can't talk. | 0:18:08 | 0:18:13 | |
Which is fine, except we have small children | 0:18:13 | 0:18:16 | |
and sometimes they wake up in the middle of the night | 0:18:16 | 0:18:19 | |
and it'll be my turn to go in and comfort them. | 0:18:19 | 0:18:23 | |
I roll out of the bed, naked to the waist, | 0:18:26 | 0:18:30 | |
a soft horn sticking out of my boxer shorts, | 0:18:30 | 0:18:34 | |
ploughing across the landing with my hobbit feet into the child. | 0:18:34 | 0:18:39 | |
"What's wrong with you? | 0:18:39 | 0:18:42 | |
"What do you mean you can't sleep? | 0:18:42 | 0:18:46 | |
"There's nothing to be afraid of. | 0:18:46 | 0:18:50 | |
"Your father is here now, so he is. | 0:18:50 | 0:18:54 | |
"Will I tell you a story, will I? | 0:18:54 | 0:18:58 | |
"Once upon a time, there was a man and he was getting no rest | 0:18:58 | 0:19:02 | |
"and he went fucking insane." | 0:19:02 | 0:19:05 | |
Sex doesn't get any easier when you get married, it gets harder. | 0:19:12 | 0:19:15 | |
When are you supposed to find time to make love to your wife | 0:19:15 | 0:19:18 | |
when you have five children? | 0:19:18 | 0:19:20 | |
Can't leave it till last thing at night | 0:19:20 | 0:19:22 | |
because you're both exhausted, you've been up since six. | 0:19:22 | 0:19:27 | |
You're lying there on either side of the bed, | 0:19:27 | 0:19:30 | |
looking at each other like a pair of seals. | 0:19:30 | 0:19:32 | |
You've sexual needs and sexual desires, | 0:19:35 | 0:19:38 | |
but you've no fucking energy. | 0:19:38 | 0:19:39 | |
"Hah! | 0:19:39 | 0:19:42 | |
"Hah!" | 0:19:42 | 0:19:45 | |
"Uh-uh-uh-uh!" | 0:19:45 | 0:19:48 | |
"Hah!" | 0:19:48 | 0:19:49 | |
"Ahhhhhh!" | 0:19:51 | 0:19:53 | |
"Hah!" | 0:19:53 | 0:19:56 | |
A good time to make love is about 11 o'clock in the morning. | 0:19:56 | 0:20:00 | |
The three older kids have gone to school, | 0:20:00 | 0:20:02 | |
Mammy is putting the two younger kids down for their mid-morning nap. | 0:20:02 | 0:20:07 | |
Daddy follows Mammy upstairs in the hope of a little loving. | 0:20:07 | 0:20:12 | |
The only problem with this is, you end up making love | 0:20:12 | 0:20:15 | |
to whatever music is putting the babies to sleep. | 0:20:15 | 0:20:20 | |
You just gotta go with the flow of it. | 0:20:20 | 0:20:23 | |
# Twinkle, twinkle little star | 0:20:23 | 0:20:27 | |
# How I wonder... | 0:20:27 | 0:20:31 | |
# Three little kittens have lost their mittens | 0:20:31 | 0:20:33 | |
# And don't know where to find them... | 0:20:33 | 0:20:36 | |
# Oh, Mother dear, oh did you hear, we have lost our mittens? | 0:20:36 | 0:20:39 | |
# You've lost your mittens you naughty kittens | 0:20:39 | 0:20:42 | |
# You shall have no tea | 0:20:42 | 0:20:44 | |
# Oh, Mother dear, oh did you hear We have found our mittens? | 0:20:44 | 0:20:47 | |
# You found your mittens, you lovely kittens. # | 0:20:47 | 0:20:50 | |
St Albans, it's been a terrific pleasure talking to you. | 0:20:50 | 0:20:53 | |
Thank you very, very much for listening. | 0:20:53 | 0:20:56 | |
CHEERING | 0:20:56 | 0:20:59 | |
God bless, and a beautiful English midsummer's evening to you. Thank you. Good night. | 0:20:59 | 0:21:05 | |
CHEERING AND APPLAUSE | 0:21:05 | 0:21:09 | |
The area I live in London at the moment is really middle class. | 0:21:13 | 0:21:16 | |
There's a shop near the river that sells bread for the ducks. | 0:21:16 | 0:21:21 | |
How amazing is that? | 0:21:23 | 0:21:24 | |
Middle class people don't want the trouble of carrying a mouldy loaf! | 0:21:24 | 0:21:29 | |
I thought it was just going to be an old loaf or something. Brioche! | 0:21:29 | 0:21:32 | |
Brioche for the ducks! How amazing is that! | 0:21:32 | 0:21:35 | |
How posh are these ducks floating down the river, just going, | 0:21:35 | 0:21:39 | |
"Oh, I'm sorry, is that a bap? | 0:21:39 | 0:21:42 | |
"I don't think so. | 0:21:42 | 0:21:45 | |
"It's brioche for me, we'll leave that bap for the seagulls." | 0:21:45 | 0:21:48 | |
Start the applause, build it up, build it up! | 0:21:49 | 0:21:53 | |
Give it all you've got! Whooping, cheering! | 0:21:53 | 0:21:56 | |
Here he is - it's Henry Paker! | 0:21:56 | 0:21:59 | |
CHEERING AND APPLAUSE | 0:21:59 | 0:22:01 | |
Hello! | 0:22:01 | 0:22:04 | |
-Woo! -Woo, that's how you reply to hello, fine! | 0:22:04 | 0:22:09 | |
-Hello, everybody, are you having a good time? -Yes. | 0:22:09 | 0:22:13 | |
-Good. Have you had a nice day? -Yes. | 0:22:13 | 0:22:16 | |
Good. I came up on the train, | 0:22:16 | 0:22:17 | |
and I noticed a lot of very trendy young people on the train listening to their iPods. | 0:22:17 | 0:22:23 | |
I've a question for you. Are headphones getting bigger? | 0:22:23 | 0:22:28 | |
Or are wankers getting smaller? | 0:22:29 | 0:22:32 | |
Can't work out which one it is. It's definitely one of the two. | 0:22:34 | 0:22:39 | |
I've had quite a bad start to the day, actually, | 0:22:39 | 0:22:42 | |
this morning, because I was supposed to get up. | 0:22:42 | 0:22:45 | |
LAUGHTER | 0:22:45 | 0:22:47 | |
Yeah, I sort of failed the first task of the day, | 0:22:47 | 0:22:50 | |
which I do quite a lot because of "snooze". | 0:22:50 | 0:22:53 | |
Snooze, the insanity of the snooze button, | 0:22:53 | 0:22:57 | |
it's the enemy of my life, it's the enemy of achievement, it's the enemy of getting things done, isn't it? | 0:22:57 | 0:23:02 | |
Snooze holds us all back. | 0:23:02 | 0:23:03 | |
Give me a cheer if you own a snooze button. | 0:23:03 | 0:23:06 | |
CHEERING | 0:23:06 | 0:23:08 | |
OK. Now give me a cheer if you own a boat. | 0:23:08 | 0:23:11 | |
LAUGHTER | 0:23:11 | 0:23:14 | |
Point made. | 0:23:14 | 0:23:16 | |
Point made, methinks. | 0:23:16 | 0:23:19 | |
Snooze, it's the most irrational of all the buttons, | 0:23:19 | 0:23:22 | |
the snooze button. | 0:23:22 | 0:23:23 | |
it's the only button in all of human technology which does the opposite of the machine. | 0:23:23 | 0:23:30 | |
It's the getting-up machine, | 0:23:30 | 0:23:33 | |
but we put a not-get-up button on the getting-up machine even though it's imperative that you get up. | 0:23:33 | 0:23:39 | |
That's why you bought the getting-up machine and you set it for the time that it's crucial that you get up. | 0:23:39 | 0:23:44 | |
But don't worry, you don't have to get up because there's a not-get-up option | 0:23:44 | 0:23:48 | |
we've put on the getting-up machine for the not-get-upping-get-upper. | 0:23:48 | 0:23:53 | |
It's like having an asthma inhaler which has a button you press and a pack of fags pops out! | 0:23:53 | 0:23:58 | |
Ladies and gentleman, are you ready for the second act of the afternoon? | 0:23:58 | 0:24:02 | |
Yes! | 0:24:02 | 0:24:03 | |
Laughs In The Park, make some noise for Angela Barnes! | 0:24:03 | 0:24:07 | |
CHEERING AND APPLAUSE | 0:24:07 | 0:24:09 | |
Hello, hello, how are you doing? Are you OK? | 0:24:09 | 0:24:13 | |
Well, I grew up in a town called Maidstone in Kent. Do you know it? | 0:24:13 | 0:24:17 | |
AUDIENCE: Yeah! | 0:24:17 | 0:24:18 | |
Really? | 0:24:18 | 0:24:19 | |
It's a hole, isn't it? | 0:24:19 | 0:24:22 | |
It's no coincidence that an anagram of Maidstone is I am stoned. | 0:24:22 | 0:24:25 | |
Nothing else to do. | 0:24:25 | 0:24:29 | |
Just anagrams. | 0:24:29 | 0:24:32 | |
But it's OK, I escaped, I live in Brighton now! | 0:24:32 | 0:24:35 | |
AUDIENCE: Whoo! | 0:24:35 | 0:24:36 | |
Always gets a whoo! Everyone loves Brighton. | 0:24:36 | 0:24:38 | |
It's because we're so optimistic. | 0:24:38 | 0:24:40 | |
Yes, the shops on the seafront in Brighton sell buckets and spades. | 0:24:40 | 0:24:44 | |
It's a pebble beach. | 0:24:45 | 0:24:47 | |
The only way any castles are getting built on that beach is if they start selling bags of cement. | 0:24:49 | 0:24:54 | |
So I'm going to tell you some things about myself. | 0:24:54 | 0:24:58 | |
-I am an ichthyophobe. Does anyone know what that means? -You don't like fish. | 0:24:58 | 0:25:02 | |
Exactly, madam, I don't like fish. I've a morbid fear of fish. | 0:25:02 | 0:25:06 | |
People tell me that's irrational. I say, tell that to Steve Irwin. | 0:25:06 | 0:25:09 | |
I once got dumped by a guy because I'm afraid of fish. | 0:25:11 | 0:25:15 | |
Right, the guy in question was 31, | 0:25:15 | 0:25:16 | |
plays Dungeons And Dragons and is obsessed with Lord Of The Rings. | 0:25:16 | 0:25:19 | |
Yeah, he dumped me. | 0:25:20 | 0:25:22 | |
Haven't felt that uncool since my Dad picked me up from the school disco in our motorhome. | 0:25:23 | 0:25:28 | |
Genuinely, right, this guy sits me down and he says, | 0:25:28 | 0:25:31 | |
"You see, Angela, the thing is, | 0:25:31 | 0:25:33 | |
"I've always imagined living in a house where one entire wall is an aquarium, | 0:25:33 | 0:25:38 | |
"so we can't be together." | 0:25:38 | 0:25:41 | |
"Really, well, I've always imagined a sex life where I don't have to dress up as Frodo. | 0:25:41 | 0:25:47 | |
"It would appear only one of us understands the concept of beggars can't be choosers." | 0:25:47 | 0:25:53 | |
Yeah, I don't have much luck with men, I don't have much luck. | 0:25:53 | 0:25:56 | |
I recently had a bit of an experience where my eardrum burst during sex. | 0:25:56 | 0:26:00 | |
I don't know if you've ever had an eardrum burst on you, | 0:26:00 | 0:26:03 | |
but it's not pretty, lots of blood and pus involved. | 0:26:03 | 0:26:06 | |
The look on the guy's face was spectacular as he thought to himself, | 0:26:06 | 0:26:10 | |
"Jesus Christ, I've actually banged her brains out." | 0:26:10 | 0:26:14 | |
Despite everything, though, I've just been asked to be a bridesmaid. | 0:26:15 | 0:26:19 | |
Whoo! | 0:26:19 | 0:26:20 | |
No. That's the seventh time, I'm 34 and single, | 0:26:20 | 0:26:22 | |
they're definitely taking the piss. | 0:26:22 | 0:26:24 | |
And brides will insist on dainty little shoes. | 0:26:24 | 0:26:28 | |
I've got size 8 flat feet. | 0:26:28 | 0:26:30 | |
Dainty little shoes make my feet look like whales shoved into canoes. | 0:26:30 | 0:26:34 | |
I was a bridesmaid last year for my so-called friend. She made me wear a gold dress. | 0:26:34 | 0:26:39 | |
I'll say that again, gold. | 0:26:39 | 0:26:42 | |
I looked like an Oscar in a wig. | 0:26:42 | 0:26:44 | |
Somehow, though, I did manage to pull that night. | 0:26:46 | 0:26:49 | |
-Whoo! -Thank you. | 0:26:49 | 0:26:51 | |
Went back to his place and on my way home, | 0:26:51 | 0:26:54 | |
I realised nothing says old slag like a 34-year-old bridesmaid on a bus at eight o'clock on a Sunday morning. | 0:26:54 | 0:27:00 | |
You guys are going to have an awesome day, so enjoy it. I've been Angela. Goodbye. | 0:27:00 | 0:27:04 | |
Yes, make some noise for Angela Barnes. | 0:27:04 | 0:27:08 | |
Superb! | 0:27:08 | 0:27:10 | |
Oh, yeah! This is great now, isn't it? Look. | 0:27:20 | 0:27:23 | |
I'm even looking a bit more, woooooh! | 0:27:23 | 0:27:26 | |
Sorry, I just feel like I'm at Glastonbury now. It's brilliant. | 0:27:26 | 0:27:30 | |
You know how I feel, I feel like Bono now. | 0:27:30 | 0:27:33 | |
Look at that, those people just going, "Knob." | 0:27:33 | 0:27:36 | |
LAUGHTER | 0:27:36 | 0:27:38 | |
That's it, isn't it? | 0:27:38 | 0:27:41 | |
Like Bono, what's he got to do to...? | 0:27:41 | 0:27:44 | |
I mean, I know he wears sunglasses inside and that's enough, | 0:27:44 | 0:27:47 | |
but it's just... The biggest rock star on the planet, it's Bono. | 0:27:47 | 0:27:52 | |
"Knob!" | 0:27:52 | 0:27:54 | |
How did he even play Glastonbury? That must have, you know... | 0:27:54 | 0:27:58 | |
"Ladies and gentleman, U2!" | 0:27:58 | 0:28:02 | |
He was like that... "Hah!" Ten thousand people go, "Knob!" | 0:28:02 | 0:28:06 | |
He's bloody... He's going off to Africa, saving the world. | 0:28:08 | 0:28:11 | |
"Knob! Knob!" | 0:28:11 | 0:28:14 | |
Do you think the African villagers do that when he turns up? | 0:28:14 | 0:28:18 | |
He goes over there. | 0:28:18 | 0:28:20 | |
IRISH ACCENT: "Ah, Bejesus, I've come over here to save yas all!" | 0:28:20 | 0:28:24 | |
That's how he talks, Bono. | 0:28:24 | 0:28:26 | |
They... "Ah, Bejesus, I've gone and travelled all the way over here | 0:28:26 | 0:28:30 | |
"and I've come to help yas out and save your lives and all the rest of it. | 0:28:30 | 0:28:34 | |
"Look, I've made a gun that I fire, it cures your AIDS. | 0:28:34 | 0:28:38 | |
"Right, I've come over..." Too far, perhaps. | 0:28:38 | 0:28:41 | |
"Ah, Bejesus, hello there, me name is Bono, right oh, | 0:28:43 | 0:28:47 | |
"I've come to save yas all." "Mr..." | 0:28:47 | 0:28:51 | |
No, that's Nelson Mandela. No, hang on, no. That's not right. | 0:28:51 | 0:28:56 | |
Fuck it, the Bono impression's nothing close, I might as well have the African village chief. | 0:28:56 | 0:29:02 | |
"Ah, Mr Bono. | 0:29:02 | 0:29:06 | |
"Mr Bono. | 0:29:06 | 0:29:08 | |
"Thank you for..." | 0:29:12 | 0:29:13 | |
Oh, it's gone a bit Chinese there. What was that? | 0:29:13 | 0:29:17 | |
I didn't know Nelson Mandela was some kind of kung fu legend. | 0:29:17 | 0:29:22 | |
"Hello there. I am Nelson Mandela and I will fight you. Ahhhh! | 0:29:22 | 0:29:30 | |
"You, sir, Mr Bono, are my arch Kung Fu nemesis | 0:29:30 | 0:29:34 | |
"and I will fight to the death." | 0:29:34 | 0:29:37 | |
"Ah, Bejesus! I'll bloody shoot you with my special anti-Aids gun, so I will." | 0:29:37 | 0:29:44 | |
"So, Bono..." | 0:29:44 | 0:29:46 | |
He should have done this at Glastonbury, hey? | 0:29:49 | 0:29:53 | |
Not pissing around in his sunglasses, singing songs. | 0:29:53 | 0:29:56 | |
Get a Chinese Nelson Mandela out. Let's see you fight. | 0:29:56 | 0:30:00 | |
I was watching him at Glastonbury, right? | 0:30:00 | 0:30:03 | |
He did this thing, right? | 0:30:03 | 0:30:05 | |
He was coming out and he was doing his usual, you know, all that singing. | 0:30:05 | 0:30:11 | |
I think one of the reasons why people will think he's a knob | 0:30:11 | 0:30:17 | |
is because he is always performing on rooftops, isn't he, Bono? | 0:30:17 | 0:30:20 | |
He can't leave it alone, can he? Just use a stage like everyone else. | 0:30:20 | 0:30:23 | |
But, oh no! "Ah, Jesus, lads, there's a roof up there! Come on, let's get up there! | 0:30:23 | 0:30:28 | |
"Let's get up there and perform for the passers-by in the street below." | 0:30:28 | 0:30:32 | |
# Streets have no name... # | 0:30:32 | 0:30:34 | |
"Get off the roof, it's a health and safety disaster!" | 0:30:34 | 0:30:39 | |
You leave a window open just a fraction, | 0:30:39 | 0:30:42 | |
if you don't lock your windows, Bono will be in there. | 0:30:42 | 0:30:45 | |
"I'll be on the fucking roof. | 0:30:45 | 0:30:48 | |
"Get away, I know the kung fu. | 0:30:53 | 0:30:56 | |
"Ah, Bejesus!" | 0:30:57 | 0:30:59 | |
Oh, no. Hang on. | 0:30:59 | 0:31:00 | |
It's all confused. | 0:31:01 | 0:31:03 | |
Anyway, the point is, I was watching him at Glastonbury, right, | 0:31:03 | 0:31:07 | |
and there's Bono doing one of those songs that he does. | 0:31:07 | 0:31:10 | |
# I wanna be with you in the moonlight and the sunlight | 0:31:10 | 0:31:15 | |
# I wanna be with you in the moonlight... # | 0:31:15 | 0:31:18 | |
That's not actually a U2 song, that. | 0:31:18 | 0:31:21 | |
Just so you know. What I'm doing there is I'm putting into effect something I've invented. | 0:31:22 | 0:31:27 | |
It's my random U2 lyrics generator that I've come up with. | 0:31:27 | 0:31:31 | |
What you do to write a U2 song is you just say what you want to do with a woman | 0:31:31 | 0:31:37 | |
in various different lighting states. | 0:31:37 | 0:31:41 | |
That's all you do. | 0:31:41 | 0:31:42 | |
# I wanna be with you in the moonlight, in the sunlight | 0:31:42 | 0:31:46 | |
# In the torch light, in the head lights of a car, in the fridge light | 0:31:46 | 0:31:50 | |
# I want to make love to you in the fridge light | 0:31:50 | 0:31:53 | |
# I want to open the fridge and the light comes on | 0:31:53 | 0:31:55 | |
# And I'm making love to you there with cheeses and dairy items | 0:31:55 | 0:31:59 | |
# And I'll close the fridge and I'll open the fridge | 0:31:59 | 0:32:01 | |
# And then it's on again I wanna make love to you | 0:32:01 | 0:32:04 | |
# In the moonlight, in the twilight Well, not Twilight | 0:32:04 | 0:32:07 | |
# That's a movie about vampires That'd be weird | 0:32:07 | 0:32:09 | |
# I'd be shagging a vampire next to a fridge | 0:32:09 | 0:32:12 | |
# The vampire's cold and so is the fridge | 0:32:12 | 0:32:15 | |
# I wanna make love to you near a toaster | 0:32:15 | 0:32:19 | |
# I wanna make love to you I wanna press the toaster | 0:32:19 | 0:32:22 | |
# And the glow comes out | 0:32:22 | 0:32:23 | |
# And that's warm which counteracts the fridge light | 0:32:23 | 0:32:26 | |
# And the toaster oooh I wanna walk with you | 0:32:26 | 0:32:29 | |
# Make love to you in a lighthouse | 0:32:29 | 0:32:32 | |
# I wanna make love to you in a lighthouse | 0:32:32 | 0:32:34 | |
# Which isn't easy because the light tends to move around | 0:32:34 | 0:32:37 | |
# And you have to try and keep out of the light | 0:32:37 | 0:32:40 | |
# There you go I wanna make love to you quickly, faster | 0:32:40 | 0:32:44 | |
# The light's catching us | 0:32:44 | 0:32:45 | |
# Quickly, I wanna make love to you | 0:32:45 | 0:32:47 | |
# It's catching us now | 0:32:47 | 0:32:49 | |
# It's silhouetting our buttocks onto the rocks out there | 0:32:49 | 0:32:52 | |
# That's a bit weird I wanna make love to you | 0:32:52 | 0:32:54 | |
# In the torchlight | 0:32:54 | 0:32:55 | |
# In the moonlight In the toaster light | 0:32:55 | 0:32:58 | |
In a tunnel, up the tunnel, come out of the tunnel | 0:32:58 | 0:33:00 | |
# A little bit more and then go back again | 0:33:00 | 0:33:02 | |
# Oooh, I wanna make love to you in the headlights. # | 0:33:02 | 0:33:04 | |
Hey, what are you doing with the headlights? | 0:33:04 | 0:33:07 | |
Back off, man, shagging someone in a garage! | 0:33:07 | 0:33:10 | |
That's how you write a U2 song, right there. That's what you do. | 0:33:10 | 0:33:13 | |
Oh, yeah! | 0:33:13 | 0:33:15 | |
CHEERING AND APPLAUSE | 0:33:15 | 0:33:16 | |
So, anyway, he was on at Glastonbury, right, | 0:33:16 | 0:33:22 | |
and he was... And he's singing away, right? | 0:33:22 | 0:33:26 | |
# I wanna make love to you... # | 0:33:26 | 0:33:29 | |
"Don't...start...again! | 0:33:29 | 0:33:32 | |
"If he thinks of any more lighting sources, we could be here for several hours." | 0:33:32 | 0:33:38 | |
So he's on at Glastonbury, right, and he's singing away and it started to rain. | 0:33:38 | 0:33:43 | |
Oh, I was laughing because his goggles, right, them goggles of his, | 0:33:43 | 0:33:47 | |
they started to steam up, didn't they? | 0:33:47 | 0:33:50 | |
Because I thought, like, cos they're just normal sunglasses. | 0:33:50 | 0:33:53 | |
Some people think that they're like, | 0:33:53 | 0:33:55 | |
they've got like a display in them that tells him information. | 0:33:55 | 0:33:59 | |
Like the eyes of the Terminator. | 0:33:59 | 0:34:01 | |
So when he's singing... # In the moonlight... # | 0:34:01 | 0:34:03 | |
Beep, beep, beep, beep, beep! | 0:34:03 | 0:34:05 | |
Three metres to the edge of the stage, two metres, | 0:34:05 | 0:34:08 | |
one metre to the edge of the stage. Danger, danger! | 0:34:08 | 0:34:10 | |
AS BONO: "I'll back off there." | 0:34:10 | 0:34:12 | |
# In the moonlight In the twilight... # | 0:34:12 | 0:34:14 | |
Beep, beep, beep, beep, beep! | 0:34:14 | 0:34:16 | |
Poverty detected, poverty detected, detected, poverty detected. | 0:34:16 | 0:34:19 | |
Beep, beep, beep, beep, beep. Poverty detected. Beep, beep, beep, beep, beep. | 0:34:19 | 0:34:23 | |
# In the moonlight... # | 0:34:23 | 0:34:24 | |
That's what he has, he's got special poverty-detecting goggles that he wears. | 0:34:24 | 0:34:30 | |
If Bono were to walk into a Lidl, his head would explode. | 0:34:30 | 0:34:34 | |
LAUGHTER | 0:34:34 | 0:34:36 | |
Aaaaaaaaaaaah! | 0:34:36 | 0:34:38 | |
# I wanna make love to you In the light of my burning face... # | 0:34:38 | 0:34:42 | |
But the point was, right, he's singing away, he's doing the Bono thing. | 0:34:42 | 0:34:47 | |
# I wanna touch you in the moonlight... # | 0:34:47 | 0:34:49 | |
Right, but the glasses started steaming up and Bono, he doesn't want to take them off, | 0:34:49 | 0:34:54 | |
because you'll see that there's nothing there. | 0:34:54 | 0:34:57 | |
And there's just nothing but glowing red, burning eyes. | 0:34:57 | 0:35:02 | |
# In the moonlight... # | 0:35:02 | 0:35:04 | |
And you can see him getting closer to the edge of... | 0:35:04 | 0:35:07 | |
Not The Edge, obviously, he was over there, wasn't he? | 0:35:07 | 0:35:11 | |
So he's singing away, and he did this, he does all these movements. | 0:35:11 | 0:35:15 | |
He walks around the stage like that, and he just points at people | 0:35:15 | 0:35:18 | |
and he does all this stuff, and then he just unnecessarily just climbs onto things. | 0:35:18 | 0:35:23 | |
Wow, good balancing, Bono. Wow, you must be great, budgies can do that. | 0:35:25 | 0:35:31 | |
It's what he thinks he is, Bono, he just thinks he's a big budgie, he's wandering around the stage. | 0:35:33 | 0:35:37 | |
# Where the streets have no name... # | 0:35:37 | 0:35:40 | |
AS BONO: "Give us a cuttlefish." | 0:35:44 | 0:35:47 | |
So... But it's like he ran out of things to do, right. | 0:35:47 | 0:35:51 | |
He was singing away and he did this. | 0:35:51 | 0:35:54 | |
This is the move of a man who's run out of physical movements to do. | 0:35:54 | 0:35:58 | |
He's singing away and then he just did this one. | 0:35:58 | 0:36:02 | |
# I wanna be with you in the night-time... # | 0:36:02 | 0:36:06 | |
Kneeling. Now, he thinks he's cool, right, Bono. | 0:36:06 | 0:36:08 | |
He thinks he's looking good, he thinks he's being rock and roll, doing this with his hand. | 0:36:08 | 0:36:14 | |
But no, you know what he looked like to me? He looked like a man who was high-fiving a dwarf. | 0:36:14 | 0:36:20 | |
That's what he looked like. | 0:36:20 | 0:36:21 | |
He looked like a dwarf had run onto the stage and Bono had gone, | 0:36:21 | 0:36:26 | |
"Come on, little fella, give us a high-five there." | 0:36:26 | 0:36:28 | |
You know what my dream is? | 0:36:28 | 0:36:30 | |
My dream, if I had the money, I would pay for dwarves to tunnel under a rock stadium. | 0:36:30 | 0:36:37 | |
Weeks and weeks of tunnelling, tunnelling, tunnelling | 0:36:37 | 0:36:41 | |
and then create a special trap door just there. | 0:36:41 | 0:36:44 | |
This would be my dream, if I could have anything in the world. | 0:36:44 | 0:36:48 | |
There's Bono. # I wanna make love to you with a candle | 0:36:48 | 0:36:51 | |
# A flickering candle I wanna be with you... # | 0:36:51 | 0:36:55 | |
And I'd be there going, "Come on, do it next to the trap door, Bono. You can do it". | 0:36:55 | 0:37:00 | |
And I'd hand out pamphlets so everyone knew it was going to happen. | 0:37:00 | 0:37:04 | |
The anticipation! Bono has got the audience hanging off his every word as he's singing away. | 0:37:04 | 0:37:09 | |
# Ah-ah-ah. # | 0:37:09 | 0:37:12 | |
Do it! Do it! | 0:37:12 | 0:37:14 | |
And then just at that moment, down he goes, the trap door opens. "High-five, Bono!" | 0:37:14 | 0:37:20 | |
And just as the dwarf leaves the stage, | 0:37:24 | 0:37:26 | |
he turns around and he goes, "Oh, and by the way, you're a knob!" | 0:37:26 | 0:37:30 | |
That's my dream. Oh, yes. | 0:37:30 | 0:37:33 | |
You've got to have a dream, you've got to have a dream. | 0:37:33 | 0:37:38 | |
Come on, people, make as much noise as you've got. Do it now! | 0:37:38 | 0:37:44 | |
Welcome to the stage, Andrew Lawrence! | 0:37:44 | 0:37:47 | |
CHEERING AND APPLAUSE | 0:37:47 | 0:37:50 | |
Thank you very much. | 0:37:50 | 0:37:52 | |
Laughs In The Park. How nice to be here in St Albans. | 0:37:52 | 0:37:56 | |
It's a lot of people! Too many people. I don't like to be around that many people. | 0:37:56 | 0:38:01 | |
Too many people in general, we're getting in each other's way all the time. | 0:38:01 | 0:38:05 | |
I was rushing around the other day trying to get things done, | 0:38:05 | 0:38:07 | |
and I ran into a sandwich shop just to grab a sandwich. | 0:38:07 | 0:38:11 | |
There was a large obese man in front of the sandwich shelf. | 0:38:11 | 0:38:14 | |
I don't care if people are fat or thin, but he's taking for ever. | 0:38:14 | 0:38:17 | |
I started coughing to let him know I'm there, he spun round chuckling. | 0:38:17 | 0:38:21 | |
He said, "Oh, decisions, decisions, hey!" | 0:38:21 | 0:38:23 | |
I said, "I tell you what, I'll make one for you, shall I? | 0:38:23 | 0:38:27 | |
"Here you go - chicken salad sandwich, reduced fat, 270 calories, that's the one for you, Chunky. | 0:38:27 | 0:38:32 | |
"Take it, pay for it, waddle off somewhere and eat it." | 0:38:32 | 0:38:35 | |
He said, "You can't say that to me!" | 0:38:35 | 0:38:37 | |
"I can say what I like to you. | 0:38:37 | 0:38:39 | |
"Because if I start running, you can't catch me, can you? | 0:38:39 | 0:38:43 | |
"Not unless it's downhill and you're rolling." | 0:38:43 | 0:38:46 | |
It's aggravating, it's frustrating, you get stuck in a queue behind people. | 0:38:46 | 0:38:50 | |
Life is so short, we shouldn't have to spend any of it stuck in a queue! | 0:38:50 | 0:38:53 | |
Some people get angry if they're stuck in a queue, they count to ten, they try to calm down. | 0:38:53 | 0:38:58 | |
It doesn't really work for me, I've got a little song I sing. | 0:38:58 | 0:39:01 | |
# Get out of my way, get out of my way, you're ruining my day | 0:39:01 | 0:39:03 | |
# With your languid display of insouciant dawdling | 0:39:03 | 0:39:05 | |
# You shower of vermin How dare you impede my progress | 0:39:05 | 0:39:09 | |
# Please be so kind as to step aside before we collide | 0:39:09 | 0:39:11 | |
# How hard could it be to step to your right? | 0:39:11 | 0:39:14 | |
# I've really tried to be polite I've swallowed my pride | 0:39:14 | 0:39:17 | |
# Towed the line, I've traipsed behind for quite some time | 0:39:17 | 0:39:19 | |
# Now I'm in a fragile state of mind | 0:39:19 | 0:39:21 | |
# There's every chance this could end with a fight | 0:39:21 | 0:39:22 | |
# Get out of my way if you value your life | 0:39:22 | 0:39:25 | |
# If I had a gun I'd shoot you in the face | 0:39:25 | 0:39:27 | |
# Get myself a water cannon I'll blast you all into outer space | 0:39:27 | 0:39:31 | |
# You vacuous fray Shameful melee | 0:39:31 | 0:39:33 | |
# Appalling brigade of slouching dismay, ruining my day | 0:39:33 | 0:39:35 | |
# You can't imagine the hell I will raise | 0:39:35 | 0:39:37 | |
# If you don't get out of my way. # | 0:39:37 | 0:39:39 | |
CHEERING AND APPLAUSE | 0:39:39 | 0:39:43 | |
I find I start singing that, I tend to get served a little bit quicker a lot of the time. | 0:39:43 | 0:39:51 | |
Please welcome on stage Andi Osho! | 0:39:52 | 0:39:55 | |
That's what I'm talking about. | 0:39:57 | 0:39:59 | |
Hello, people! | 0:39:59 | 0:40:00 | |
CHEERING | 0:40:00 | 0:40:01 | |
-Are we well? -Yes! -Pray it doesn't rain. | 0:40:01 | 0:40:05 | |
I've got a roof. | 0:40:05 | 0:40:07 | |
I don't care, I don't care. | 0:40:07 | 0:40:09 | |
This is nice. It's so middle-class, | 0:40:09 | 0:40:11 | |
having a little comedy festival out in a park. | 0:40:11 | 0:40:14 | |
I can virtually smell the pesto from here. | 0:40:14 | 0:40:17 | |
When I was a kid, | 0:40:17 | 0:40:19 | |
I was such a stay-indoors, geeky, nerdy little kid. | 0:40:19 | 0:40:22 | |
My favourite thing to do was making stupid noises. | 0:40:22 | 0:40:25 | |
I'm going to do some of my noises. Who did this when they was little? | 0:40:25 | 0:40:28 | |
Uhmmmmm! | 0:40:28 | 0:40:31 | |
"I'm telling!" | 0:40:31 | 0:40:33 | |
Everyone did that. Yeah, you did, you grass. | 0:40:33 | 0:40:36 | |
It's brilliant. I don't understand why we don't still do it as adults. | 0:40:36 | 0:40:40 | |
Say your mate calls you up. | 0:40:40 | 0:40:43 | |
"Claire, it's me. I'm having an affair. Darren doesn't suspect a thing." | 0:40:43 | 0:40:47 | |
You just go, "Uhmmmmm! | 0:40:47 | 0:40:49 | |
"I'm telling!" | 0:40:49 | 0:40:51 | |
This is my favourite sound. | 0:40:52 | 0:40:53 | |
I'll do this and some of you will know straightaway what I mean. | 0:40:53 | 0:40:57 | |
Who used to do this when they was little? | 0:40:57 | 0:40:59 | |
Ahhhhhhhhhhhhhhhhh! | 0:40:59 | 0:41:03 | |
And have a competition to see who could do it longest. | 0:41:03 | 0:41:05 | |
"Ahhhh!" "You cheated, you breathed! I'm telling Mum and Dad!" | 0:41:05 | 0:41:09 | |
OK, a lot of people here know. There's a few people over there. | 0:41:09 | 0:41:13 | |
A bunch of people here just don't know what I'm talking about. | 0:41:13 | 0:41:16 | |
OK, for the people who don't know what I'm talking about, | 0:41:16 | 0:41:19 | |
I'll tell you why you may not have done this. | 0:41:19 | 0:41:21 | |
It's cos you had toys. | 0:41:21 | 0:41:23 | |
All right, the rest of us just had, "Ahhhhhhhhhh!" | 0:41:23 | 0:41:27 | |
That was it, that was our whole lives. | 0:41:27 | 0:41:29 | |
I want you to enjoy it, I want you to bring it into your adult life. | 0:41:29 | 0:41:33 | |
I'll tell you when you use it. | 0:41:33 | 0:41:34 | |
If you find yourself in a bit of an awkward situation, yeah? | 0:41:34 | 0:41:38 | |
And you don't know what else to say, say that. | 0:41:38 | 0:41:40 | |
Imagine the situation, someone comes up to you, and goes, | 0:41:40 | 0:41:43 | |
"Did you realise you were doing 40 mph | 0:41:43 | 0:41:45 | |
"in a 30 mph zone?" Turn to them and go, | 0:41:45 | 0:41:47 | |
"Ahhhhhhhhhhhhhhh!" And see how long you can do it for. | 0:41:47 | 0:41:54 | |
"Ahhhhhhhhhhhhhhhhh!" | 0:41:54 | 0:42:02 | |
Just do it, just do it! | 0:42:02 | 0:42:04 | |
Although I'm going to have to update that mime. | 0:42:04 | 0:42:06 | |
That is an old car, innit? | 0:42:06 | 0:42:09 | |
Ladies and gentlemen, you've been lovely, I've been Andi Osho. | 0:42:09 | 0:42:12 | |
Cheers! Enjoy the rest of your night. | 0:42:12 | 0:42:15 | |
Andi Osho! | 0:42:15 | 0:42:17 | |
That's how it's done. | 0:42:19 | 0:42:21 | |
I'm joined now by the man behind the whole thing, Eddie Izzard. | 0:42:21 | 0:42:25 | |
-Am I the man behind it? -You are. How did you get the idea for the show? | 0:42:25 | 0:42:29 | |
I just got pissed off with being on the B stage, | 0:42:29 | 0:42:32 | |
and if someone on the main stage, a band had turned it up to 11, | 0:42:32 | 0:42:35 | |
then you're going, "So, anyway! | 0:42:35 | 0:42:37 | |
"Then! I went into a room!" | 0:42:37 | 0:42:40 | |
-"Na-na-na..." -Then a rumour goes round the main band has gone on stage and half the room empties. | 0:42:40 | 0:42:45 | |
-Yeah. -In the middle of someone's comedy set. | 0:42:45 | 0:42:47 | |
Well, I worked out that you had to play | 0:42:47 | 0:42:49 | |
at like 3.30 in the morning at The Comedy Store. | 0:42:49 | 0:42:53 | |
You had to play it really fast, really tight, | 0:42:53 | 0:42:55 | |
hammer through it, | 0:42:55 | 0:42:57 | |
and people could also be quite blasted as well. | 0:42:57 | 0:43:00 | |
And music festivals, cos it's a feel gig, | 0:43:00 | 0:43:03 | |
and comedy is a mind gig, | 0:43:03 | 0:43:05 | |
and that is the difference in it. | 0:43:05 | 0:43:07 | |
If you go from theatre through stand-up to rock and roll, | 0:43:07 | 0:43:12 | |
I have been trying to steal from rock and roll from the beginning, | 0:43:12 | 0:43:15 | |
because we were kind of... | 0:43:15 | 0:43:17 | |
Initial photographs in the comedy lexicon | 0:43:17 | 0:43:21 | |
were kind of photographs like this, | 0:43:21 | 0:43:23 | |
which I thought, "That's awful, let's do moody photographs." | 0:43:23 | 0:43:26 | |
We now all do moody photos, | 0:43:26 | 0:43:27 | |
and great, everyone's gone in different directions. | 0:43:27 | 0:43:30 | |
This is not because of me, | 0:43:30 | 0:43:31 | |
I was just in that group, pushing to change things in the 1990s. | 0:43:31 | 0:43:35 | |
But it is a theatrical experience, | 0:43:35 | 0:43:37 | |
because people need to be paying attention. | 0:43:37 | 0:43:39 | |
They can be lightly buzzed, but not off their faces. | 0:43:39 | 0:43:42 | |
Most comics, when you ask them, will tend to say | 0:43:42 | 0:43:45 | |
they like to play small, intimate environments, | 0:43:45 | 0:43:47 | |
where they can see the whole audience, | 0:43:47 | 0:43:49 | |
and the idea that it might be a small number of people, | 0:43:49 | 0:43:52 | |
but they all really get what you do | 0:43:52 | 0:43:54 | |
and you can create an atmosphere in a small environment. | 0:43:54 | 0:43:57 | |
Whereas something like this - it's so huge at the back. | 0:43:57 | 0:44:00 | |
-How do you navigate round an audience? -You play large intimate environments. | 0:44:00 | 0:44:04 | |
-Big intimacy is something... -Big intimacy? | 0:44:04 | 0:44:06 | |
What's your strategy to create big intimacy? | 0:44:06 | 0:44:09 | |
Play it exactly the same as you do to 100 people. | 0:44:09 | 0:44:11 | |
I did street performing for five years, where we used to shout our heads off, | 0:44:11 | 0:44:15 | |
but I found, bringing it in is the trick. | 0:44:15 | 0:44:19 | |
Don't push it out. | 0:44:19 | 0:44:20 | |
Actually, just do whatever you were doing before. | 0:44:20 | 0:44:23 | |
So if somebody doesn't analyse it, | 0:44:23 | 0:44:25 | |
just gets on stage and does the same gig, that should work better. | 0:44:25 | 0:44:28 | |
I went through the gamut of analysing it, | 0:44:28 | 0:44:30 | |
re-analysing it and coming back to the beginning of saying, | 0:44:30 | 0:44:33 | |
"Just do the small gig, cos they can see it." | 0:44:33 | 0:44:35 | |
It's amazing how you talk about it, because your stage persona is obviously famously whimsical, | 0:44:35 | 0:44:42 | |
and sort of artfully distracted, | 0:44:42 | 0:44:44 | |
and so people might be forgiven for thinking | 0:44:44 | 0:44:47 | |
you're just waltzing onto this, doing your thing and waltzing off again, | 0:44:47 | 0:44:51 | |
-whereas you're very involved in every aspect. -My military strategy. | 0:44:51 | 0:44:54 | |
I'm a transvestite who's got this far, so... | 0:44:54 | 0:44:58 | |
You see these seats? I'd prefer people sitting on the grass, which we're doing at the BBC stage. | 0:44:58 | 0:45:03 | |
Next year we'll probably take these out, leave those at the back. | 0:45:03 | 0:45:06 | |
We can keep changing it. I want people to camp over here. | 0:45:06 | 0:45:09 | |
I want it to extend into the three days properly. We're experimenting | 0:45:09 | 0:45:13 | |
-with every bit of it. -You're building to a proper comedy festival? | 0:45:13 | 0:45:17 | |
Yes, if this is a success, there will be more comedy festivals, | 0:45:17 | 0:45:21 | |
like there was a Glastonbury, now there's a whole bunch. | 0:45:21 | 0:45:24 | |
There was a Monterey, there was a Woodstock. | 0:45:24 | 0:45:26 | |
Last year we were the baby Woodstock of comedy. That was half a million, | 0:45:26 | 0:45:30 | |
we were slightly less than half a million. | 0:45:30 | 0:45:32 | |
-Thank you very much for talking to me. -Not at all. | 0:45:32 | 0:45:34 | |
-Enjoy your show tonight. -Thank you very much. | 0:45:34 | 0:45:37 | |
Ladies and gentlemen, go wild and crazy and welcome | 0:45:37 | 0:45:40 | |
Eddie Izzard! | 0:45:40 | 0:45:42 | |
St Albans! | 0:45:54 | 0:45:56 | |
CHEERING | 0:45:56 | 0:45:58 | |
Yes, I know you're not really St Albans. | 0:45:58 | 0:46:01 | |
Who is St Albans? If you're St Albans go "whoo". | 0:46:01 | 0:46:03 | |
-CHEERING -If you're not St Albans, go "ooh". | 0:46:03 | 0:46:07 | |
-LOUDER CHEERING -St Albans, | 0:46:07 | 0:46:08 | |
you're going down in a fight. | 0:46:08 | 0:46:10 | |
Tonight I will talk to you | 0:46:10 | 0:46:12 | |
about everything that ever happened in the world | 0:46:12 | 0:46:14 | |
because I have read Wikipedia and I know it all. | 0:46:14 | 0:46:17 | |
Now there are mistakes in Wikipedia, | 0:46:17 | 0:46:19 | |
but you know, you know, | 0:46:19 | 0:46:22 | |
wars have probably started from arguments. People saying, | 0:46:22 | 0:46:25 | |
"How do you make soup, how do you make it? Oh, you put that thing in, | 0:46:25 | 0:46:28 | |
"No, you...oh." Arguments. | 0:46:28 | 0:46:30 | |
Jim. Freddy. Kenny. Rogers. Two people. | 0:46:30 | 0:46:32 | |
Mr Jim-jams. How do you... And people don't know. | 0:46:32 | 0:46:34 | |
Now before, you just did, like, | 0:46:34 | 0:46:37 | |
"Fucking soup's made with ladles." | 0:46:37 | 0:46:40 | |
Now you go, "Hang on, hang on, I've got an iPhone and Wikipedia | 0:46:40 | 0:46:43 | |
"and in two minutes I can give you the answer. | 0:46:43 | 0:46:46 | |
"Or I've got a BlackBerry, and with Wikipedia, | 0:46:46 | 0:46:49 | |
"in three days I can... | 0:46:49 | 0:46:52 | |
"On this Blackberry, fucking piece of shit. Oh, it types well." | 0:46:52 | 0:46:56 | |
There's stuff. Everything is there on Wikipedia, | 0:46:59 | 0:47:02 | |
more stuff than is needed. | 0:47:02 | 0:47:04 | |
There's more things on Wikipedia than exist in the world. | 0:47:04 | 0:47:08 | |
You say "Jam, how do you make jam?" | 0:47:08 | 0:47:10 | |
And you put in jam, Wiki - that's all you do - | 0:47:10 | 0:47:12 | |
and it says jam was invented in 1470 | 0:47:12 | 0:47:15 | |
-by Mr and Mrs Jam who... -HE MUMBLES | 0:47:15 | 0:47:19 | |
..and they made it out of strawberry, raspberry, Frisbee, Frisbee jam, | 0:47:19 | 0:47:23 | |
cannonberries, blueberries, blackberries... | 0:47:23 | 0:47:26 | |
whiteberries? I don't know. | 0:47:26 | 0:47:28 | |
Too much, and there's photos, have you noticed there's photos? | 0:47:28 | 0:47:31 | |
People take photos of jam, jam, jam, | 0:47:31 | 0:47:33 | |
jam, jam, jam, | 0:47:33 | 0:47:35 | |
jam dancing, jam on holiday, | 0:47:35 | 0:47:37 | |
jam shopping, jam in a helicopter, jam... | 0:47:37 | 0:47:40 | |
You do this with your finger on the BlackBerry, | 0:47:40 | 0:47:43 | |
I don't know what the fuck you're doing. | 0:47:43 | 0:47:45 | |
And there's too much, but there's other words in colours, | 0:47:45 | 0:47:48 | |
you can click on another word, and it goes "Helicopters! | 0:47:48 | 0:47:50 | |
"Helicopters are much more interesting than jam, | 0:47:50 | 0:47:53 | |
"invented in 1570 by Mr and Mrs Helicopter, | 0:47:53 | 0:47:57 | |
"come in lots of different flavours of helicopter." | 0:47:57 | 0:47:59 | |
Apache helicopter, | 0:47:59 | 0:48:01 | |
Chinook, | 0:48:01 | 0:48:02 | |
the one with the bubble, | 0:48:02 | 0:48:03 | |
one with people like this... | 0:48:03 | 0:48:05 | |
And sometimes you click on a word | 0:48:05 | 0:48:07 | |
and it says there is no page for this word. | 0:48:07 | 0:48:09 | |
Why the fuck have they put a page when... | 0:48:09 | 0:48:13 | |
Just don't light the fucking word up, | 0:48:13 | 0:48:16 | |
otherwise you'll light every single word up in the whole of the world, | 0:48:16 | 0:48:19 | |
and say there's no page for this word, there's no page. | 0:48:19 | 0:48:22 | |
It's stupid. Cos we've got a habit now, haven't we? | 0:48:22 | 0:48:25 | |
We have a habit, like Pavlov and his dogs. | 0:48:25 | 0:48:27 | |
Pavlov would ring a bell, the dogs would do things. | 0:48:27 | 0:48:30 | |
He'd ring once, the dogs would dance. | 0:48:30 | 0:48:32 | |
He'd ring two times and they'd sing, "Ruh-ruh-ruh, | 0:48:32 | 0:48:35 | |
"Ruh, ruh, ruh-ruh-ruh." | 0:48:35 | 0:48:37 | |
Three times, | 0:48:37 | 0:48:38 | |
and they'd make cake mix! Cake mix. | 0:48:38 | 0:48:41 | |
Cos a dog's paw is perfect for cake mix. | 0:48:41 | 0:48:44 | |
If you run electric voltage through a dog's paw - vrrrr! | 0:48:44 | 0:48:48 | |
The dog looks a little bit wired. | 0:48:48 | 0:48:50 | |
This is the thing, we now have power, we have power, | 0:48:50 | 0:48:53 | |
we have these computers. It's so fast now with Wi-fi. | 0:48:53 | 0:48:56 | |
You write an email, a little box comes up on the screen and says, | 0:48:56 | 0:49:00 | |
"Do you want to do a software update? Like a latte? | 0:49:00 | 0:49:03 | |
"Do you want a latte?" | 0:49:03 | 0:49:04 | |
"Yeah, OK." | 0:49:04 | 0:49:05 | |
"Do you want to do it now?" | 0:49:05 | 0:49:07 | |
"Yeah, OK." | 0:49:07 | 0:49:08 | |
"Do you want to know the details?" | 0:49:08 | 0:49:10 | |
"No, not really. | 0:49:10 | 0:49:12 | |
"Too fucking complicated." | 0:49:12 | 0:49:14 | |
And then the blue line! | 0:49:14 | 0:49:16 | |
The blue line of time appears on the screen, | 0:49:16 | 0:49:19 | |
and when the line of time appears on the screen, | 0:49:19 | 0:49:21 | |
time fucks off and goes round the back of its brain. | 0:49:21 | 0:49:24 | |
It does something that would make Einstein go, "Whu-whuzzat? | 0:49:24 | 0:49:29 | |
"Whuzza-wuz g'wan?" | 0:49:29 | 0:49:30 | |
Because it goes, "Eight minutes to download! | 0:49:30 | 0:49:32 | |
"Seven minutes to download, | 0:49:32 | 0:49:34 | |
"six minutes to download, five minutes to download, nine minutes to download, | 0:49:34 | 0:49:38 | |
"12 minutes to download, three hours to download, six minutes to download, | 0:49:38 | 0:49:43 | |
"four minutes to download. | 0:49:43 | 0:49:45 | |
"A day to download. | 0:49:45 | 0:49:46 | |
"Three years to download. | 0:49:46 | 0:49:47 | |
"Two seconds to download! | 0:49:47 | 0:49:49 | |
"Three years to download... | 0:49:49 | 0:49:50 | |
"Two seconds to download!" Then it turns into a barbershop, | 0:49:50 | 0:49:53 | |
with that bluey-whitey thing. | 0:49:53 | 0:49:55 | |
You go, "Toothpaste? What the fuck now?" | 0:49:55 | 0:49:57 | |
Then it finishes down to zero and says "unpackaging" like it's getting its pyjamas out or something, | 0:49:57 | 0:50:02 | |
and it's just brushing its teeth. | 0:50:02 | 0:50:04 | |
"Hang on, I'm going to do the software. | 0:50:04 | 0:50:06 | |
"Just got to unpackage something and put stuff away, | 0:50:06 | 0:50:09 | |
"put that over there, that makes everything slightly different." | 0:50:09 | 0:50:13 | |
Then it stops and says, "Hang on, | 0:50:13 | 0:50:14 | |
"You've got to sign a new agreement with iTunes." | 0:50:14 | 0:50:18 | |
And I have signed 4,529 agreements with iTunes, | 0:50:18 | 0:50:23 | |
what the fuck do they want? | 0:50:23 | 0:50:26 | |
They're like the three witches in Macbeth. | 0:50:26 | 0:50:29 | |
"Ha-ha-ha, we'll make a new agreement, | 0:50:29 | 0:50:31 | |
"a new agreement for the world!" | 0:50:31 | 0:50:33 | |
"Yes, indeed, I agree." | 0:50:33 | 0:50:35 | |
"We'll make them sign the terms and conditions again." | 0:50:35 | 0:50:39 | |
"Again, yes! | 0:50:39 | 0:50:40 | |
"Shall we change the terms and conditions?" | 0:50:40 | 0:50:43 | |
"Not at all! | 0:50:43 | 0:50:45 | |
"Exactly the same." | 0:50:45 | 0:50:47 | |
There's tonnes of terms and conditions. | 0:50:49 | 0:50:51 | |
We get it so much. Little box there, | 0:50:51 | 0:50:53 | |
"Have you read the terms and conditions?" | 0:50:53 | 0:50:55 | |
We tick the little box there, and when we tick that box, | 0:50:55 | 0:50:58 | |
"Yes, I have read the terms and conditions," | 0:50:58 | 0:51:00 | |
a little part of each of us dies. | 0:51:00 | 0:51:02 | |
Because the truth is | 0:51:03 | 0:51:05 | |
that no-one in this field has read the terms and conditions. | 0:51:05 | 0:51:09 | |
No-one in St Albans. | 0:51:09 | 0:51:12 | |
No-one in the area, | 0:51:12 | 0:51:13 | |
no-one in London, in the world! | 0:51:13 | 0:51:16 | |
Even God has not read the terms and conditions. | 0:51:16 | 0:51:19 | |
The people who wrote the terms and conditions didn't read them, | 0:51:19 | 0:51:22 | |
just went, "Anything, anything. | 0:51:22 | 0:51:24 | |
"Cheese will be taken from your buttocks and given to Mr Jim-jams." | 0:51:24 | 0:51:28 | |
"Accept?" "Yes, fine, I agree." | 0:51:28 | 0:51:30 | |
"We will sell your knees to the Chinese." | 0:51:30 | 0:51:33 | |
"I love that, that's fine." | 0:51:33 | 0:51:35 | |
There should be a thing saying, "Have you read the terms and conditions?" | 0:51:35 | 0:51:38 | |
and a box that says, "Of course not." | 0:51:38 | 0:51:40 | |
There should be an "of course not". | 0:51:40 | 0:51:42 | |
"Are you joking? What are you, mad?" | 0:51:42 | 0:51:46 | |
Another box should say, "Have you read half the terms and conditions?" | 0:51:46 | 0:51:51 | |
"Mmmm, no." | 0:51:51 | 0:51:52 | |
"Have you read one paragraph of the terms and conditions?" | 0:51:52 | 0:51:55 | |
"Ah...no." | 0:51:55 | 0:51:56 | |
"Have you read even one word of the terms and conditions?" | 0:51:56 | 0:51:59 | |
"Nah!" | 0:51:59 | 0:52:01 | |
"Have you not read the terms and conditions but you don't care?" | 0:52:01 | 0:52:05 | |
"Yes." | 0:52:05 | 0:52:07 | |
And remember, we've all done this. | 0:52:07 | 0:52:09 | |
I think everyone here has done this, | 0:52:09 | 0:52:11 | |
and they could come for us. | 0:52:11 | 0:52:13 | |
iTunes could knock on the door and say, | 0:52:13 | 0:52:15 | |
"Yeah, you said your children could be put into a box | 0:52:15 | 0:52:18 | |
"and your buttocks can go to the Chinese." | 0:52:18 | 0:52:21 | |
"Hmm?" "It's an iTunes thing you signed. The ninth paragraph." | 0:52:21 | 0:52:25 | |
"Oh, for fuck's sake!" | 0:52:25 | 0:52:28 | |
They could come at any time. | 0:52:28 | 0:52:29 | |
I think they're quite nice people, but they could do. | 0:52:29 | 0:52:32 | |
"We've put something in there, man, you wouldn't believe." | 0:52:32 | 0:52:36 | |
So you do that and you tick it, | 0:52:36 | 0:52:38 | |
and they do the update, | 0:52:38 | 0:52:39 | |
and nothing changes on the computer. | 0:52:39 | 0:52:41 | |
It's exactly the same. | 0:52:41 | 0:52:43 | |
So, beginning of time, right? Nothing. | 0:52:45 | 0:52:48 | |
Three billion years of stromatolites. | 0:52:48 | 0:52:50 | |
Look them up when you get home on Google. | 0:52:50 | 0:52:52 | |
Boring, just carbon dioxide turning into oxygen. | 0:52:52 | 0:52:54 | |
Dinosaurs, I thought dinosaurs were all over this. | 0:52:54 | 0:52:57 | |
No, dinosaurs are here. | 0:52:57 | 0:52:58 | |
165 million years? We're only 5 million. | 0:52:58 | 0:53:01 | |
165 of idiots! | 0:53:01 | 0:53:04 | |
Dinosaurs were just idiots. "Blah!" That's all they did. | 0:53:04 | 0:53:08 | |
Every morning, tonight, all day, | 0:53:08 | 0:53:10 | |
seven days a week, for 165 million years. | 0:53:10 | 0:53:13 | |
Big ones, small ones, wide ones, thin ones, and the ones that flew. | 0:53:13 | 0:53:16 | |
"Blah!" That's all they did. | 0:53:16 | 0:53:18 | |
Think about it. There was no finessing of that. | 0:53:18 | 0:53:21 | |
"Blah! Ooh. Blah!" | 0:53:21 | 0:53:23 | |
There's no hesitation, | 0:53:23 | 0:53:25 | |
no, you know...no contemplation. | 0:53:25 | 0:53:29 | |
"Blaah?" | 0:53:29 | 0:53:31 | |
No mercy, no pity. | 0:53:31 | 0:53:33 | |
"Blah!" "Oh, bluh?" | 0:53:33 | 0:53:34 | |
"Blah!" "Ah-gah?" | 0:53:34 | 0:53:35 | |
"Blaaah...ah, bluh-huh." "Ah!" | 0:53:35 | 0:53:38 | |
Nothing. No administration. They never had any organisation. No... | 0:53:41 | 0:53:46 | |
"Ah-gah-ah?" "Ah, ah was ah-tha." | 0:53:46 | 0:53:49 | |
-MUMBLING: -"Ah-gah. Agh-ah-wah." "Ah didn't." | 0:53:49 | 0:53:51 | |
"Ah was ah-thah." | 0:53:51 | 0:53:53 | |
"Ah fucking gah wah." | 0:53:53 | 0:53:54 | |
"Ah, wah tha be tha, the fah." | 0:53:54 | 0:53:57 | |
"Ah, for fuck's sake!" | 0:53:57 | 0:54:00 | |
There was no poetry, no dinosaur poetry. | 0:54:00 | 0:54:02 | |
No dinosaur ever went, | 0:54:02 | 0:54:03 | |
"Ah was ah, uh was whuh, | 0:54:03 | 0:54:05 | |
"Ah tha whagh-gha-hah, | 0:54:05 | 0:54:06 | |
"Uh no-no wha gha hell uh whuh, | 0:54:06 | 0:54:08 | |
"But agh, ah-hoo, agh-ba-ghuh. | 0:54:08 | 0:54:10 | |
"Abee gha-bee, abuh ghu-buh." | 0:54:10 | 0:54:13 | |
No music. The Tyrannosaurus rex has a perfect shape, | 0:54:13 | 0:54:16 | |
perfect shape, for playing the ukulele. | 0:54:16 | 0:54:18 | |
All dinosaurs stupid. But there's one not stupid one. | 0:54:20 | 0:54:24 | |
The dinosaur in the film Jurassic Park, the Steven Spielberg one, | 0:54:24 | 0:54:27 | |
the raptors. Raptors were clever. | 0:54:27 | 0:54:30 | |
They were smaller, our size, maybe the same brain-space ratio. | 0:54:30 | 0:54:34 | |
And in the film, do you remember they opened the doors? | 0:54:34 | 0:54:37 | |
They do a lot of head turning. "Rargh! Myaah!" | 0:54:37 | 0:54:41 | |
Sounded a bit like Kenneth Williams. "Nyaah!" | 0:54:41 | 0:54:43 | |
Opened a door at one point. They switched off the electricity. | 0:54:43 | 0:54:47 | |
"Nyaah!" | 0:54:47 | 0:54:49 | |
They downloaded pornography at one point. "Myaaah!" | 0:54:49 | 0:54:52 | |
And I think a raptor in a small car, with a little hat on, | 0:54:52 | 0:54:55 | |
maybe he could just be one of us driving around. | 0:54:55 | 0:54:58 | |
"Raargh, argh! | 0:54:58 | 0:55:00 | |
"Aargh..." | 0:55:00 | 0:55:02 | |
Police pulling him over - "Is this your car?" "Aah, yah!" | 0:55:02 | 0:55:06 | |
"Do you know what speed you were driving at?" | 0:55:06 | 0:55:08 | |
"Uh, uhh, uuuh, pfff...45?" | 0:55:08 | 0:55:13 | |
"No, 127 mph." | 0:55:15 | 0:55:19 | |
"Aah, aah, aah very busy!" | 0:55:19 | 0:55:23 | |
"Yeah, well... | 0:55:23 | 0:55:24 | |
"Come on, get out of the car... Aaah! It's a raptor, | 0:55:24 | 0:55:28 | |
"it's a raptor in the car. A raptor in the Renault Megane. | 0:55:28 | 0:55:33 | |
"Give me the bazooka. | 0:55:33 | 0:55:34 | |
"OK, ready?" | 0:55:34 | 0:55:37 | |
Whoosh... Pow! | 0:55:37 | 0:55:41 | |
"Shit! Missed! | 0:55:41 | 0:55:44 | |
"No, I hit... I hit something funny." | 0:55:45 | 0:55:48 | |
I can't think of what to put there, so... | 0:55:53 | 0:55:56 | |
that's one for you to take home and to fill in. | 0:55:56 | 0:55:59 | |
But to finish up tonight, I will tell you about the Romans | 0:55:59 | 0:56:03 | |
cos the Romans conquered the known world | 0:56:03 | 0:56:05 | |
and they killed many people and were based here. | 0:56:05 | 0:56:07 | |
They killed people, we don't know their names, so it's OK now. | 0:56:07 | 0:56:10 | |
But they did this with a language which we know from school is shit! | 0:56:10 | 0:56:15 | |
It's too confusing - nominative, accusative, evocative, | 0:56:15 | 0:56:18 | |
dative, ablative. Too much, man, it's too confusing. | 0:56:18 | 0:56:21 | |
How did they conquer the world? | 0:56:21 | 0:56:22 | |
When Hannibal attacked and came across the Mediterranean, | 0:56:22 | 0:56:25 | |
across Spain, the south of France, over the Alps, on elephants! | 0:56:25 | 0:56:29 | |
For the first time and the last time. | 0:56:29 | 0:56:33 | |
And he won one battle, two battles, | 0:56:33 | 0:56:35 | |
he was winning battles everywhere, and the Romans | 0:56:35 | 0:56:37 | |
were scared for the first time and messengers were running around | 0:56:37 | 0:56:40 | |
with messages in Latin, to inform the soldiers, in Latin, what to do. | 0:56:40 | 0:56:43 | |
It must have been terrible. "Ave, centurianus...centuriate?" | 0:56:43 | 0:56:49 | |
"Ave, messenger... Avare messengerani...messengarius... | 0:56:51 | 0:56:56 | |
"Dictate a moi... | 0:56:56 | 0:56:58 | |
"Just fucking tell me, all right?" | 0:56:58 | 0:57:01 | |
"Si, si, mein herr. | 0:57:01 | 0:57:04 | |
"Messengario Hannibalus...Hannibal - arriva...arrivaramus... | 0:57:05 | 0:57:09 | |
"arrivarandus - arrivederci - veni, vidi, vici!" | 0:57:09 | 0:57:13 | |
"Veni, vidi, vici?" "Ja, mein herr" | 0:57:13 | 0:57:16 | |
"Mit soldatus?" | 0:57:16 | 0:57:18 | |
"Naturelement mit soldatus, yeah." "Und how many? Wie weil soldatus?" | 0:57:18 | 0:57:22 | |
"Oh, right. Number soldatus M, M, M, M, M, M, say M, M, M, M, C, M, L... | 0:57:22 | 0:57:30 | |
"Hang on... M, M, M, C, M, L, L, L, X, | 0:57:30 | 0:57:33 | |
"X, X, C, I, V, V, V, I." | 0:57:33 | 0:57:37 | |
"27 soldiers?" | 0:57:37 | 0:57:40 | |
"No, a million a night." | 0:57:40 | 0:57:41 | |
"Oh, I mean, multos, maximus, infinitatus soldatus, | 0:57:41 | 0:57:44 | |
"infinitatus soldatus, mathematicalatus, impossibilatus. | 0:57:44 | 0:57:47 | |
"Non pensare, then ask Pythagoratus. | 0:57:47 | 0:57:50 | |
"Pythagoratus infinitatus?" | 0:57:50 | 0:57:52 | |
"Oh, impossibilatus." | 0:57:52 | 0:57:53 | |
"Merci." | 0:57:53 | 0:57:55 | |
"Pi?" | 0:57:55 | 0:57:56 | |
"Oh, thanks very much!" | 0:57:56 | 0:57:58 | |
"Also, Hannibal, he'll be coming round the mountains when he comes. | 0:57:58 | 0:58:02 | |
"He'll be coming round the mountains when he comes. | 0:58:02 | 0:58:04 | |
"Coming round the mountains, coming round the mountains, | 0:58:04 | 0:58:06 | |
"coming round the mountains when he comes. | 0:58:06 | 0:58:08 | |
"And he comes mit elephantine, mein herr." "Elephantine?" "Elephantine." | 0:58:08 | 0:58:12 | |
"Quod the fuck elephantine erat?" | 0:58:12 | 0:58:17 | |
"Elephantine tres dangereux. Front partus, | 0:58:17 | 0:58:19 | |
"maximum squirrel upside-downus back to frontus, | 0:58:19 | 0:58:21 | |
"back partus - biggest piggus ever seenus." | 0:58:21 | 0:58:23 | |
And that is why Latin is now a dead language. | 0:58:23 | 0:58:28 | |
Thank you very much! | 0:58:28 | 0:58:29 | |
Laughs In The Park, St Albans! And goodnight. | 0:58:31 | 0:58:33 | |
For more Laughs In The Park, digital viewers can press red now. | 0:58:38 | 0:58:43 | |
Subtitles by Red Bee Media Ltd | 0:58:52 | 0:58:54 | |
E-mail [email protected] | 0:58:54 | 0:58:56 |