
Browse content similar to Chris Moyles' Comedy Empire. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This programme contains adult humour and some strong language | 0:00:02 | 0:00:08 | |
'Ladies and gentlemen, Chris Moyles!' | 0:00:24 | 0:00:27 | |
CHEERING AND APPLAUSE | 0:00:27 | 0:00:29 | |
Good evening. | 0:00:42 | 0:00:45 | |
Good evening and welcome to Chris Moyles' Comedy Empire on BBC3. | 0:00:45 | 0:00:49 | |
CHEERING | 0:00:49 | 0:00:51 | |
We are here tonight at the world-famous Hackney Empire theatre | 0:00:51 | 0:00:55 | |
in East London, ladies and gentlemen. | 0:00:55 | 0:00:57 | |
CHEERING | 0:00:57 | 0:00:59 | |
Tonight is all about comedy. | 0:01:01 | 0:01:03 | |
Right now, waiting backstage, | 0:01:03 | 0:01:04 | |
we've got some of the funniest and finest comedians | 0:01:04 | 0:01:08 | |
who were willing to turn up on a cold Monday night in June. | 0:01:08 | 0:01:12 | |
It's going to be a good night. | 0:01:12 | 0:01:14 | |
It's a big week for Hackney, | 0:01:14 | 0:01:15 | |
we've got Radio 1's Hackney Weekend coming up this weekend. | 0:01:15 | 0:01:19 | |
-SCATTERED CHEERS -The sound of a few people who have tickets, | 0:01:19 | 0:01:22 | |
the sound of silence from people that go | 0:01:22 | 0:01:25 | |
"Bothered? Didn't get one." | 0:01:23 | 0:01:25 | |
Some of our stand-ups tonight on the show actually come from | 0:01:25 | 0:01:29 | |
right here in Hackney, which is brilliant, | 0:01:29 | 0:01:30 | |
because it means we don't have to give them a car home. | 0:01:30 | 0:01:35 | |
They can walk and then we can use the money we save | 0:01:35 | 0:01:38 | |
on drugs and boys. | 0:01:38 | 0:01:40 | |
LAUGHTER | 0:01:40 | 0:01:42 | |
As I said, this show is Chris Moyles' Comedy Empire, | 0:01:45 | 0:01:48 | |
it's called that because, for those of you that don't know, | 0:01:48 | 0:01:51 | |
I am Chris Moyles, thank you very much. | 0:01:51 | 0:01:53 | |
I know that might sound like a stupid thing to say | 0:01:54 | 0:01:56 | |
but there will be viewers at home tonight | 0:01:56 | 0:01:58 | |
and maybe even some people in the audience going, "Chris Moyles? | 0:01:58 | 0:02:01 | |
"He's that big, fat bastard off the radio, isn't it?" | 0:02:01 | 0:02:03 | |
Yes, that would've been true in the old days - | 0:02:04 | 0:02:07 | |
fat - can't argue with that. Big - yes. | 0:02:07 | 0:02:09 | |
Bastard...guilty. | 0:02:09 | 0:02:12 | |
I used to be that man but not any more, ladies and gentlemen. | 0:02:12 | 0:02:15 | |
Those were the old days, the days before I lost some weight, | 0:02:15 | 0:02:18 | |
the days before I started shopping at places other than | 0:02:18 | 0:02:22 | |
Next for men's sportswear. | 0:02:22 | 0:02:24 | |
Now, I am the new Chris Moyles that you see in front of you tonight. | 0:02:24 | 0:02:28 | |
The new, improved, slimmer, sexier, | 0:02:28 | 0:02:31 | |
but don't worry, still a bastard. Yes, I am Chris Moyles. | 0:02:31 | 0:02:35 | |
What a place Hackney is. | 0:02:41 | 0:02:43 | |
Do we have people from Hackney in the audience tonight? | 0:02:43 | 0:02:46 | |
CHEERING | 0:02:46 | 0:02:47 | |
Hackney is amazing. It really is a million-and-one different things. | 0:02:47 | 0:02:52 | |
It's energetic and it's vibrant. It's nothing like the stereotype | 0:02:52 | 0:02:55 | |
that the television likes to make it out to be, | 0:02:55 | 0:02:58 | |
it's a little bit like the stereotype. | 0:02:58 | 0:03:00 | |
But it's moving on. As far as I'm concerned, this place is brilliant. | 0:03:01 | 0:03:04 | |
It's the only place I know where at three o'clock in the morning | 0:03:04 | 0:03:07 | |
you can get yourself a kebab | 0:03:07 | 0:03:09 | |
and then pop next door and get your hair braided. | 0:03:09 | 0:03:11 | |
Three o'clock in the morning! | 0:03:11 | 0:03:13 | |
So, shall we start the show? | 0:03:19 | 0:03:20 | |
AUDIENCE: Yes! | 0:03:20 | 0:03:22 | |
It is going to be a great show for you tonight, you are going to absolutely love it. | 0:03:22 | 0:03:26 | |
Please welcome Mark Watson! | 0:03:26 | 0:03:27 | |
CHEERING AND APPLAUSE | 0:03:27 | 0:03:30 | |
Hello. | 0:03:36 | 0:03:38 | |
Hello! | 0:03:38 | 0:03:39 | |
Oh, thank you! Oh, it's nice to feel warmth from the crowd like that. | 0:03:40 | 0:03:43 | |
I don't come out and do a great, big thing. | 0:03:43 | 0:03:46 | |
I'm aware that I look unimpressive. I'm really scrawny. | 0:03:46 | 0:03:49 | |
I'm so thin it's becoming sort of a problem. | 0:03:49 | 0:03:52 | |
After a show people will often say, "Have you eaten?" | 0:03:52 | 0:03:55 | |
Like, as if I'm not doing the meals. | 0:03:55 | 0:03:57 | |
Like I've not been told about dinner or something. | 0:03:57 | 0:03:59 | |
I mean, I love food! That's the annoying thing, I'm always eating. | 0:03:59 | 0:04:02 | |
If someone said to me, | 0:04:02 | 0:04:04 | |
"You have to either give up food or give up sex," | 0:04:04 | 0:04:06 | |
I'd say, "No, I don't." And that would be the end of that, I think. | 0:04:06 | 0:04:09 | |
Not falling for that one again, wife. | 0:04:10 | 0:04:13 | |
It's just my metabolism, I've got an unbelievably fast metabolism. | 0:04:15 | 0:04:18 | |
By the time you've asked for the bill, I've shat it. | 0:04:18 | 0:04:21 | |
Half the time, in restaurants, they don't even know I've been there. | 0:04:21 | 0:04:25 | |
I sometimes wish I had a bit more of a big thing I did at the start, | 0:04:25 | 0:04:28 | |
I'm just not very rock'n'roll | 0:04:28 | 0:04:29 | |
and you get to a stage in life, you've got to admit it. | 0:04:29 | 0:04:32 | |
I can never pull it off. | 0:04:32 | 0:04:33 | |
You look at these rock stars, just the attitude, you know? | 0:04:33 | 0:04:36 | |
Rihanna - "make me feel like I'm the only girl in the world." | 0:04:36 | 0:04:39 | |
I know, what a peculiar thing to wish for! | 0:04:39 | 0:04:42 | |
What a lonely existence - "the only girl in the world" - that's it! | 0:04:42 | 0:04:46 | |
It's just you. | 0:04:46 | 0:04:47 | |
What happens to any netball or hockey teams you're part of? They're gone! | 0:04:47 | 0:04:52 | |
It's pretty rough on people that have been training to get fit for the new season. | 0:04:52 | 0:04:55 | |
You're going to the toilet on your own, | 0:04:55 | 0:04:57 | |
a lot of women find that a confronting situation. | 0:04:57 | 0:05:00 | |
If you've got a niece, she's dead and so it goes on, you know? | 0:05:00 | 0:05:03 | |
Yes, this is the reality of the world that Rihanna has conjured up! | 0:05:03 | 0:05:06 | |
The more you think about it, the more you wonder | 0:05:06 | 0:05:09 | |
whether Rihanna's thought through of the repercussions of this lonely, | 0:05:09 | 0:05:12 | |
bitter existence. | 0:05:12 | 0:05:13 | |
God, I find it really unattractive this, "I want to be the only one. | 0:05:13 | 0:05:17 | |
"Not just the best - I'm the ONLY girl." | 0:05:17 | 0:05:20 | |
It's horrible, she's meant to be a sex symbol. I don't find that sexy - | 0:05:20 | 0:05:23 | |
that narcissism. | 0:05:23 | 0:05:25 | |
If I were with a girl and she said, | 0:05:25 | 0:05:26 | |
"I want to be the ONLY girl in the world." | 0:05:26 | 0:05:28 | |
I'd say, "I could do better than that. I'll make you feel like the only PERSON in the world. | 0:05:28 | 0:05:32 | |
"Get in the cupboard, let's see how you like it then? | 0:05:32 | 0:05:35 | |
"While I'm shoving bread through the keyhole, | 0:05:35 | 0:05:37 | |
"you may find that solitude loses its charm." | 0:05:37 | 0:05:40 | |
I'm looking forward to meeting Rihanna at some point so I can run this past her. | 0:05:40 | 0:05:44 | |
They're all, Beyonce again - "I don't think you're ready for this, | 0:05:44 | 0:05:47 | |
"my body's too bootylicious for you." | 0:05:47 | 0:05:49 | |
Is it? You don't even know me! | 0:05:49 | 0:05:51 | |
I think I'll be the judge | 0:05:51 | 0:05:52 | |
of my bootyliciousness threshold, thank you. | 0:05:52 | 0:05:55 | |
As I sang in my much-less-successful follow-up single. | 0:05:56 | 0:06:01 | |
I wish that, if I walked out and I was rock star it'd be much more, | 0:06:01 | 0:06:04 | |
or anything, a celebrity chef, you get celebrity chefs these days | 0:06:04 | 0:06:08 | |
that's the, comedians are a lower status than them. | 0:06:08 | 0:06:11 | |
I say I like food but I'm clearly not as into food as some people, | 0:06:11 | 0:06:14 | |
I watched one of these, one of these programmes, not MasterChef, | 0:06:14 | 0:06:17 | |
but similar sort of thing, and this guy was nearly in tears, | 0:06:17 | 0:06:20 | |
not a competitor - a judge, | 0:06:20 | 0:06:21 | |
just cos this pastry hadn't worked out as well as hoped, | 0:06:21 | 0:06:24 | |
he was saying to have pastry, | 0:06:24 | 0:06:26 | |
filo pastry as crumbly as that, is a crime. | 0:06:26 | 0:06:29 | |
Yeah, exactly, I couldn't help thinking "Not technically, though." | 0:06:29 | 0:06:32 | |
LAUGHTER | 0:06:32 | 0:06:33 | |
I mean, you'd certainly be surprised in jail to meet someone, | 0:06:33 | 0:06:36 | |
"Killed my mother-in-law, mowed down three passers-by, you?" | 0:06:36 | 0:06:40 | |
"Very flaky pastry, I just, it was all over." | 0:06:40 | 0:06:42 | |
"Get away from me, you animal!" | 0:06:42 | 0:06:44 | |
It's, I'm slightly sort of dazed, I've just come back, | 0:06:44 | 0:06:47 | |
this is true, this might sound like a set up, | 0:06:47 | 0:06:49 | |
but I've just been to the Euros, I've just come back from Ukraine, | 0:06:49 | 0:06:52 | |
so it was quite fun, I do recommend going, if you're a sports fan, | 0:06:52 | 0:06:55 | |
but it's odd, there's a lot of regression, | 0:06:55 | 0:06:58 | |
I'm a football fan, I'm not an aggressive person, | 0:06:58 | 0:07:00 | |
a lot of England fans were already angry, hadn't even started yet. | 0:07:00 | 0:07:03 | |
I was next to this guy that was going, "Why can't we... | 0:07:03 | 0:07:05 | |
"We invented the game," this was his thing all through the game, | 0:07:05 | 0:07:08 | |
"This is a disgrace, we invented the game! | 0:07:08 | 0:07:10 | |
"Can't even win the World Cup!" | 0:07:10 | 0:07:12 | |
That's not really a good attitude to have, | 0:07:12 | 0:07:14 | |
cos we invented a lot of things in this country, | 0:07:14 | 0:07:16 | |
but other countries will catch up in the end, | 0:07:16 | 0:07:18 | |
we invented the sandwich, | 0:07:18 | 0:07:19 | |
but, inevitably, other countries will get there in the end. | 0:07:19 | 0:07:22 | |
You don't go to Holland and find people with bread in one hand, | 0:07:22 | 0:07:25 | |
ham in the other. | 0:07:25 | 0:07:26 | |
"Well, I'm buggered if we know where we go from here!" | 0:07:26 | 0:07:29 | |
"Shove the whole thing in my ears and we'll hope for the best." | 0:07:29 | 0:07:32 | |
We invented the flushing toilet but you don't go abroad | 0:07:32 | 0:07:35 | |
and find people shitting by the side of the road... | 0:07:35 | 0:07:37 | |
Well, France, maybe, anyway I, erm... | 0:07:37 | 0:07:40 | |
CHEERING Thank you, you're going to have a really good night, | 0:07:40 | 0:07:42 | |
thanks for this, my name is Mark Watson, bye! | 0:07:42 | 0:07:45 | |
CHEERING AND APPLAUSE | 0:07:45 | 0:07:47 | |
'Please welcome Marlon Davis!' | 0:07:47 | 0:07:50 | |
CHEERING AND APPLAUSE | 0:07:50 | 0:07:53 | |
HE LAUGHS Yes, good evening! | 0:07:58 | 0:08:00 | |
CHEERING | 0:08:00 | 0:08:02 | |
Ooh, well, yes. | 0:08:02 | 0:08:05 | |
First and foremost, what you can actually see is that I got this face. | 0:08:05 | 0:08:08 | |
People are laughing! | 0:08:11 | 0:08:12 | |
I tell people I do comedy, they're like, "I can tell." | 0:08:12 | 0:08:14 | |
"What you mean by that?" "You got a funny face." | 0:08:14 | 0:08:17 | |
That's not a compliment at all, is it? | 0:08:17 | 0:08:20 | |
It's not. I'm aware of what kind of face that I have, | 0:08:20 | 0:08:23 | |
it's a friendly face. Yeah, it isn't the face of authority. | 0:08:23 | 0:08:26 | |
I couldn't be your boss at work | 0:08:27 | 0:08:29 | |
like, "Why you late?" "Come on, now..." | 0:08:29 | 0:08:32 | |
Got a round face. | 0:08:34 | 0:08:36 | |
I'm aware of it, d'you know what I mean? | 0:08:36 | 0:08:38 | |
As well as having this face, I got this voice as well. | 0:08:38 | 0:08:41 | |
Yeah, it means I'm not intimidating whatsoever. Look at this, | 0:08:41 | 0:08:44 | |
you got a front row down here, no-one's scared of me whatsoever. | 0:08:44 | 0:08:49 | |
I'm a comedian, I got a microphone in my hand, no-one cares. | 0:08:49 | 0:08:52 | |
This is how it is. I grew up in the ghetto, I couldn't rob no-one. | 0:08:52 | 0:08:56 | |
I tried! | 0:08:58 | 0:09:00 | |
"Yo, gimme your money!" "Come on, now..." | 0:09:01 | 0:09:04 | |
LAUGHTER | 0:09:04 | 0:09:05 | |
HE LAUGHS | 0:09:07 | 0:09:10 | |
"He looks like Arnold from Different Strokes, come on!" | 0:09:10 | 0:09:14 | |
"Give me YOUR money(!)" | 0:09:14 | 0:09:17 | |
I'm like, "I'm serious!" "'Course you are(!)" | 0:09:17 | 0:09:19 | |
"Look at his cheeks! Don't you want to pinch his cheeks?" | 0:09:19 | 0:09:23 | |
It wasn't the life for me, I had to go out and get a real job. | 0:09:23 | 0:09:27 | |
Make some noise if you've got a job. | 0:09:27 | 0:09:29 | |
AUDIENCE CHEER | 0:09:29 | 0:09:31 | |
Still got one, but you still have those people in your workplace, | 0:09:31 | 0:09:34 | |
you know what I'm talking about, people at home know what I'm talking about. | 0:09:34 | 0:09:38 | |
You get those annoying people in your workplace, don't you? | 0:09:38 | 0:09:41 | |
If you don't have annoying people at work, it's you. You're the one... | 0:09:41 | 0:09:47 | |
at work that everybody hates. They always say they're leaving. | 0:09:47 | 0:09:53 | |
"I'm leaving." Well fucking leave. You've been saying that for ever. | 0:09:53 | 0:09:57 | |
They don't go. I used to work in an office before I used to do this. | 0:09:57 | 0:10:01 | |
What used to annoy me the most was birthdays. | 0:10:01 | 0:10:04 | |
Not the fact that it was someone's birthday, | 0:10:04 | 0:10:06 | |
it's just the big hoo-hah in the office. | 0:10:06 | 0:10:09 | |
They come round your workstation like they're ninjas. | 0:10:09 | 0:10:13 | |
HE HUMS | 0:10:13 | 0:10:16 | |
"What?" "You need to put a pound in the envelope for Karen." | 0:10:16 | 0:10:19 | |
LAUGHTER AND APPLAUSE | 0:10:19 | 0:10:23 | |
You're like, "Who the fuck's Karen?" | 0:10:29 | 0:10:32 | |
"She works downstairs. Quickly sign the card before she comes back from lunch. | 0:10:32 | 0:10:37 | |
"It's a surprise." | 0:10:37 | 0:10:38 | |
It's not a surprise. | 0:10:38 | 0:10:40 | |
Everyone in the workplace gets a birthday card on their birthday. | 0:10:40 | 0:10:44 | |
That's not a surprise. | 0:10:44 | 0:10:46 | |
A surprise would be if the boss came out and did a shit on her desk. | 0:10:46 | 0:10:50 | |
That would be a surprise. | 0:10:50 | 0:10:52 | |
It would be childish, but that's just what I am. | 0:10:52 | 0:10:56 | |
Every year you get told you've got to be a bit more mature. | 0:10:56 | 0:10:59 | |
Marks and Spencer's is calling me every year. It's like a magnet. | 0:10:59 | 0:11:03 | |
I'm repelling cos I don't want to be like that. | 0:11:03 | 0:11:06 | |
But something happens in your life. | 0:11:06 | 0:11:07 | |
What happened to me is I got a little baby. I got a little baby boy. | 0:11:07 | 0:11:11 | |
It's amazing. | 0:11:11 | 0:11:13 | |
When I first found out I'm having a baby boy, I told the whole world. | 0:11:13 | 0:11:16 | |
"I'm having a boy." They're like, "What are you going to call him?" | 0:11:16 | 0:11:19 | |
Everyone's got suggestions of what you should call your baby. | 0:11:19 | 0:11:21 | |
"Why don't you call your baby George?" | 0:11:21 | 0:11:24 | |
I've got an uncle called George. I don't even like him. I'm not calling my baby George. | 0:11:24 | 0:11:29 | |
"What about Alfie?" | 0:11:29 | 0:11:31 | |
I was like, "What black man you ever met in your life is called Alfie?" | 0:11:31 | 0:11:36 | |
"What about Mugabe then?" | 0:11:36 | 0:11:38 | |
Now you're taking the piss. I can't call my baby Mugabe. | 0:11:38 | 0:11:43 | |
You can't get into nursery with that name. | 0:11:43 | 0:11:46 | |
I said, "When he comes out, he'll have a name that fits him." | 0:11:46 | 0:11:50 | |
Some people have names that fit them. | 0:11:50 | 0:11:52 | |
All Traceys look like Traceys, don't they? | 0:11:52 | 0:11:54 | |
And Nigels. That's a Nigel. You know when it's a Nigel. | 0:11:54 | 0:11:58 | |
And all police look racist, it's just...it's just what it is. | 0:11:58 | 0:12:03 | |
But he came out and we called him Kayden. | 0:12:03 | 0:12:06 | |
I remember the first time I was in the hospital and I held him in my arms for the first time. | 0:12:06 | 0:12:11 | |
I was like, "Wow, I've got to work for the rest of my entire life." | 0:12:11 | 0:12:17 | |
He looked back at me and was like, "You've got a round face." | 0:12:17 | 0:12:19 | |
LAUGHTER | 0:12:19 | 0:12:23 | |
He didn't say it, he did that. I know exactly what that is. | 0:12:23 | 0:12:27 | |
Ladies and gentlemen, I've been Marlon Davis. Wonderful. APPLAUSE | 0:12:27 | 0:12:33 | |
Nice one. | 0:12:34 | 0:12:36 | |
Marlon Davis, ladies and gentlemen. | 0:12:37 | 0:12:40 | |
Oh! Funny, isn't he? | 0:12:40 | 0:12:42 | |
Isn't he good? Having a good night so far? | 0:12:42 | 0:12:47 | |
CHEERING | 0:12:47 | 0:12:49 | |
Brilliant. Next up we have a guy called Pat Cahill. | 0:12:49 | 0:12:52 | |
Pat has been doing very well for himself. | 0:12:52 | 0:12:55 | |
He was a finalist in the BBC New Comedy Awards. | 0:12:55 | 0:12:57 | |
He's just won New Act Of The Year Award and Chortle Best Newcomer Award. | 0:12:57 | 0:13:01 | |
In fact, he's getting so cocky, he's not actually here. | 0:13:01 | 0:13:04 | |
Apparently he's just nipped out to get some chicken. | 0:13:04 | 0:13:08 | |
-Chicken. -Yeah, go on then. -Nice. | 0:13:08 | 0:13:11 | |
Arete de... | 0:13:13 | 0:13:15 | |
# So I went to my local chicken shop, right, just to get some chicken | 0:13:15 | 0:13:17 | |
# Vous etes des animaux | 0:13:17 | 0:13:21 | |
# Nothing flash, just your average household chicken | 0:13:18 | 0:13:21 | |
# Vous etes des animaux | 0:13:21 | 0:13:25 | |
# There was 365 different types and I got stressed. | 0:13:22 | 0:13:25 | |
# Vous etes des animaux | 0:13:25 | 0:13:26 | |
# Spoke to a lovely man called Keith and this is what happened. | 0:13:26 | 0:13:29 | |
-# Vous etes des animaux -Hi, my name's Keith, how can I help? | 0:13:29 | 0:13:32 | |
# Hello, Keith, just like some chicken, please | 0:13:32 | 0:13:33 | |
# What kind of chicken would you like, sir? | 0:13:33 | 0:13:35 | |
# Just your average household chicken, please | 0:13:35 | 0:13:37 | |
# We've got 365 different types Why don't you have a look at the menu? | 0:13:37 | 0:13:40 | |
# Where is the menu, Keith? | 0:13:40 | 0:13:41 | |
# It's on the counter and the walls and all around you It's everywhere. | 0:13:41 | 0:13:43 | |
-# What d'you mean, everywhere, Keith? -Vous allez crever | 0:13:43 | 0:13:46 | |
# Fried chicken, diced chicken, Italian herb and spice chicken | 0:13:57 | 0:14:02 | |
# Thin chicken, fat chicken I can't eat any more of that chicken | 0:14:02 | 0:14:05 | |
# New chicken, old chicken, covered in a layer of mould, chicken | 0:14:05 | 0:14:09 | |
# Good chicken, great chicken, | 0:14:09 | 0:14:11 | |
# Carrying a little bit of weight chicken | 0:14:11 | 0:14:13 | |
# Chicken breast, chicken leg Chicken wing, chicken egg | 0:14:13 | 0:14:16 | |
# Chicken neck, chicken back Chicken pussy, chicken crack | 0:14:16 | 0:14:20 | |
# Hey little chicken why so sad because you're carrying a heavy load? | 0:14:20 | 0:14:24 | |
# Well come on let me deep fry your tits off | 0:14:24 | 0:14:26 | |
# And I'll carry you across the road | 0:14:26 | 0:14:28 | |
# What I'm trying to say Keith | 0:14:28 | 0:14:30 | |
# Is we've just got to strip it back to basics | 0:14:30 | 0:14:31 | |
# Just get a bucket stick it on the counter | 0:14:31 | 0:14:33 | |
# And fill it up with some chicken drumsticks | 0:14:33 | 0:14:36 | |
DRUM ROLL | 0:14:36 | 0:14:37 | |
# I'm sorry, Keith, that was cheap maybe just a chicken wing | 0:14:37 | 0:14:39 | |
# And a chicken leg in a cardboard box You got that, Keith? Good | 0:14:39 | 0:14:42 | |
# Everybody in the shop got that? Join in when you're ready! | 0:14:42 | 0:14:44 | |
# Chicken wing chicken leg Cardboard box | 0:14:44 | 0:14:46 | |
# There's too much chicken All together now! | 0:14:46 | 0:14:48 | |
# Chicken wing chicken leg Cardboard box | 0:14:48 | 0:14:50 | |
# There's too much chicken | 0:14:50 | 0:14:51 | |
# Come on, Keith! | 0:14:51 | 0:14:52 | |
# Chicken wing chicken leg Cardboard box | 0:14:52 | 0:14:53 | |
# There's too much chicken | 0:14:53 | 0:14:55 | |
# Everybody sing! Chicken wing chicken leg Cardboard box | 0:14:55 | 0:14:58 | |
# There's too much chicken. # | 0:14:58 | 0:14:59 | |
Pat Cahill's here! | 0:15:03 | 0:15:05 | |
APPLAUSE AND CHEERING | 0:15:05 | 0:15:07 | |
Sorry ladies and gentlemen I'm just having a spot of chicken but, um... | 0:15:14 | 0:15:17 | |
LAUGHTER | 0:15:17 | 0:15:19 | |
..I'm on now so I better put my nuggets away. | 0:15:19 | 0:15:22 | |
Yes, this is a hands-free microphone stand. | 0:15:26 | 0:15:30 | |
Manufactured entirely from a coat hanger, thank you, thank you. | 0:15:30 | 0:15:34 | |
Why? Well, I suppose it's a combination of two things, | 0:15:34 | 0:15:38 | |
little bit too much spare time, and a coat hanger. | 0:15:38 | 0:15:41 | |
You know we've all got a lot of spare time at the moment, | 0:15:41 | 0:15:44 | |
it's a double dip recession and we're all chasing work, | 0:15:44 | 0:15:47 | |
so how do we get out of it? | 0:15:47 | 0:15:49 | |
In my view, you've got to diversify. | 0:15:49 | 0:15:50 | |
Fingers in pies, you see not only is this a hands-free microphone stand | 0:15:50 | 0:15:53 | |
manufactured entirely from a coat hanger, | 0:15:53 | 0:15:56 | |
it's also the flagship product in my new business strategy, | 0:15:56 | 0:15:59 | |
the company is called, get this, Things That Are Now Other Things. | 0:15:59 | 0:16:03 | |
LAUGHTER | 0:16:03 | 0:16:05 | |
Yeah. There's this and there's three other products. | 0:16:05 | 0:16:07 | |
There's a jar of jam what is now a jar of coins. | 0:16:07 | 0:16:10 | |
There's a jar of coins what's now one pound, | 0:16:10 | 0:16:13 | |
and one pound what's now another jar of jam. | 0:16:13 | 0:16:15 | |
It's perfect. It pays for itself. | 0:16:15 | 0:16:17 | |
It's called the Jam Sandwich, take notes. | 0:16:17 | 0:16:19 | |
If that doesn't kick off it's OK, you've just got to have fall-back plans, haven't you? | 0:16:19 | 0:16:23 | |
The next thing is Things Inside Other Things. | 0:16:23 | 0:16:26 | |
Now this is a cracker. This is a laundrette with a pub in it. | 0:16:26 | 0:16:29 | |
Think about it, a laundrette with a pub in it, a nice business strategy. | 0:16:29 | 0:16:33 | |
I like a normal laundrette where you sit there with your ten-year-old copy of Grazia | 0:16:33 | 0:16:37 | |
trying to squeeze out some joy or you go home and come back. | 0:16:37 | 0:16:40 | |
No, in this one you put your washing in, and then you go to the bar and socialise. | 0:16:40 | 0:16:44 | |
Bloody good idea, no? That's what I thought. | 0:16:44 | 0:16:47 | |
Till someone pointed out the one fatal flaw in my plan, | 0:16:47 | 0:16:49 | |
when have you ever walked into a laundrette and thought, | 0:16:49 | 0:16:53 | |
"These are my kind of people." | 0:16:53 | 0:16:55 | |
LAUGHTER | 0:16:55 | 0:16:56 | |
Here he is, smelly Bob over here never washed any clothes in his life, | 0:16:56 | 0:16:59 | |
he's only here for the warmth, bless him, and who's this? | 0:16:59 | 0:17:01 | |
It's crying Susan. | 0:17:01 | 0:17:03 | |
# Crying Susan, crying Susan. # | 0:17:03 | 0:17:06 | |
Repeatedly washing the clothes of her ex-husband, and who's this? | 0:17:06 | 0:17:08 | |
Oh, it's desperate Alan, cramming too many duvets into that washing machine, aren't you, Alan? | 0:17:08 | 0:17:13 | |
Why? Cos you're very, very poor, bless you. | 0:17:13 | 0:17:17 | |
Come on everybody, let's go to the bar and sort it out with some Jager Bombs. | 0:17:17 | 0:17:20 | |
No, it's a terrible idea, terrible idea. | 0:17:20 | 0:17:22 | |
It's Things That Are Now Other Things, not Things Inside Other Things, | 0:17:22 | 0:17:25 | |
unless you're talking about cooking cos then it could work. | 0:17:25 | 0:17:28 | |
Give us a cheer if you've ever heard of Hugh Fearnley-Whittingstall? | 0:17:28 | 0:17:31 | |
CHEER Yeah, well he did a couple of Christmases ago a wonderful recipe | 0:17:31 | 0:17:36 | |
things inside other things, he did a bird within a bird within a bird within a bird. | 0:17:36 | 0:17:41 | |
A turkey with a chicken in it, a chicken with a pheasant in it | 0:17:41 | 0:17:44 | |
and a pheasant with a partridge in it. | 0:17:44 | 0:17:47 | |
I was very impressed by Hugh, | 0:17:47 | 0:17:48 | |
but I wasn't going to be outdone, | 0:17:48 | 0:17:49 | |
so I sent him my recipe for a bird within a bird within a bird bird. | 0:17:49 | 0:17:52 | |
Turkey, chicken, partridge, pheasant, pigeon. | 0:17:52 | 0:17:54 | |
He wasn't happy sent me a recipe back, | 0:17:54 | 0:17:57 | |
bird within a bird within... Anyway won't bore you with the process, | 0:17:57 | 0:17:59 | |
this e-mail conversation went on for about six months, I'll just tell you where we ended up. | 0:17:59 | 0:18:03 | |
There was a turkey with a chicken in it, | 0:18:03 | 0:18:05 | |
a chicken with a pheasant in it, a pheasant with a partridge in it, | 0:18:05 | 0:18:07 | |
partridge with a pigeon in it, pigeon with a black bird in it, | 0:18:07 | 0:18:08 | |
black bird with a song thrush in it, song thrush with a starling in it, | 0:18:08 | 0:18:10 | |
starling with a house sparrow in it, house sparrow with a robin in it, | 0:18:10 | 0:18:12 | |
robin with a wren in it, a wren with a hummingbird in it, | 0:18:12 | 0:18:14 | |
hummingbird with a moth in it, moth with a bumblebee in it, bumblebee with a wasp in it, | 0:18:14 | 0:18:17 | |
wasp with a honeybee in it, a honeybee with a ladybird in it, | 0:18:17 | 0:18:18 | |
a ladybird with a flying ant in it, a flying an with an ear wig in it, | 0:18:18 | 0:18:21 | |
an ear wig with a fruit fly, a fruit fly with a green fly, a green fly with a flea in it, | 0:18:21 | 0:18:24 | |
a flea with a head louse in it and a head louse with a crab in it. | 0:18:24 | 0:18:26 | |
APPLAUSE | 0:18:26 | 0:18:31 | |
We put it in the oven for eight-and-a-half hours, | 0:18:34 | 0:18:37 | |
took it out, it was disgusting, it was like eating evolution. | 0:18:37 | 0:18:42 | |
Should have stuck to the original plan Things What Are Now Other Things, | 0:18:42 | 0:18:45 | |
so I did a chicken and jam omelette. | 0:18:45 | 0:18:47 | |
Cos in that you got a chicken that used to be an egg | 0:18:47 | 0:18:51 | |
and an omelette that used to be edible until you put the jam in it | 0:18:51 | 0:18:53 | |
that used to be coins, that used to be pounds, Things That Are Now Other Things! | 0:18:53 | 0:18:56 | |
"Welcome to Dragon's Den. What's your three-year strategy?" | 0:18:56 | 0:18:59 | |
First year - break even. | 0:18:59 | 0:19:01 | |
Second year - break down. | 0:19:01 | 0:19:02 | |
Third year - break wind, and break into Duncan Bannantyne's house. | 0:19:02 | 0:19:05 | |
LAUGHTER | 0:19:05 | 0:19:07 | |
And if that doesn't kick off, | 0:19:07 | 0:19:09 | |
you have to other fall-back plans. | 0:19:09 | 0:19:10 | |
My final business strategy is straightforward - | 0:19:10 | 0:19:13 | |
kidnapping. | 0:19:13 | 0:19:14 | |
LAUGHTER | 0:19:14 | 0:19:15 | |
All you got to do is pick a group of vulnerable young women, | 0:19:15 | 0:19:18 | |
and stick them in the back of your car. | 0:19:18 | 0:19:20 | |
Just make sure you drive a pink stretch limousine. | 0:19:20 | 0:19:22 | |
That way, when they start screaming, | 0:19:22 | 0:19:24 | |
people just think it's a rowdy hen party. | 0:19:24 | 0:19:26 | |
LAUGHTER AND APPLAUSE | 0:19:26 | 0:19:29 | |
Thank you. | 0:19:31 | 0:19:33 | |
It's a tidy little earner to see you through. | 0:19:33 | 0:19:35 | |
Don't make the mistake I did - to kidnap a real hen party. | 0:19:35 | 0:19:38 | |
In that situation, you very quickly become the vulnerable one yourself. | 0:19:38 | 0:19:41 | |
LAUGHTER | 0:19:41 | 0:19:42 | |
Thank you very much. I've been Pat Cahill. Have a wonderful night. | 0:19:42 | 0:19:45 | |
APPLAUSE | 0:19:45 | 0:19:48 | |
Ladies and gentlemen, Miss Michelle De Swarte! | 0:19:48 | 0:19:52 | |
APPLAUSE | 0:19:52 | 0:19:54 | |
Woh! What is gwanning, people? | 0:19:56 | 0:20:00 | |
If you're not bilingual, hello. How are you? | 0:20:00 | 0:20:04 | |
I think if you can translate | 0:20:04 | 0:20:07 | |
a hardcore Jamaican ragga tune | 0:20:07 | 0:20:08 | |
to white, middle-class friends, you're bilingual. | 0:20:08 | 0:20:11 | |
Simple as that, man. | 0:20:11 | 0:20:13 | |
So, I'm mixed race. | 0:20:13 | 0:20:14 | |
I have a white, Jewish mum, | 0:20:14 | 0:20:17 | |
who calls me all the time. | 0:20:17 | 0:20:21 | |
And I have a black, Jamaican dad who doesn't call enough. | 0:20:21 | 0:20:24 | |
LAUGHTER AND CLAPPING | 0:20:24 | 0:20:25 | |
Someone's clapping up there. | 0:20:25 | 0:20:27 | |
Definitely not my dad - I know that much. | 0:20:27 | 0:20:29 | |
LAUGHTER | 0:20:29 | 0:20:31 | |
It's funny, though, man. | 0:20:33 | 0:20:35 | |
Being Jewish and Jamaican, I get on stage | 0:20:35 | 0:20:37 | |
with all the confidence of a black comedian. | 0:20:37 | 0:20:39 | |
I'm like, "I can do this!" | 0:20:39 | 0:20:42 | |
And then leave with all the angst of a Jewish one. | 0:20:42 | 0:20:44 | |
"Was it funny? Did they like me? | 0:20:44 | 0:20:47 | |
"Is it dusty in here?" | 0:20:47 | 0:20:50 | |
But I do get asked a lot if I'm really Jewish. | 0:20:50 | 0:20:53 | |
Which cracks me up, | 0:20:53 | 0:20:55 | |
cos I'm like, "Do you know how hard it is to find kosher jerk chicken?" | 0:20:55 | 0:20:58 | |
LAUGHTER | 0:20:58 | 0:21:00 | |
No-one lies about being Jewish, man! | 0:21:00 | 0:21:04 | |
Do you know what I mean? | 0:21:04 | 0:21:05 | |
No-one lies about that, man. | 0:21:05 | 0:21:09 | |
But I think, when you're mixed race, | 0:21:09 | 0:21:10 | |
people get this idea in their head | 0:21:10 | 0:21:13 | |
that your mum and dad probably met at a protest... | 0:21:13 | 0:21:16 | |
LAUGHTER | 0:21:16 | 0:21:18 | |
..made sweet love, down by the fire, | 0:21:18 | 0:21:20 | |
listening to Ebony & Ivory. | 0:21:20 | 0:21:23 | |
It's romantic, right? It's nice. | 0:21:23 | 0:21:26 | |
But that weren't the case, OK? | 0:21:26 | 0:21:28 | |
I asked my dad this, and he put it straight. | 0:21:28 | 0:21:30 | |
He went, "No, Mich. Actually, | 0:21:30 | 0:21:33 | |
"I was drunk, and your mum likes big, black cock." | 0:21:33 | 0:21:35 | |
LAUGHTER | 0:21:35 | 0:21:36 | |
For real. | 0:21:36 | 0:21:38 | |
The letters "BBC" have never looked the same since. | 0:21:40 | 0:21:43 | |
LAUGHTER | 0:21:43 | 0:21:44 | |
It's deep, man. | 0:21:44 | 0:21:46 | |
I sound mixed race, right? | 0:21:46 | 0:21:49 | |
But I can't say it with total confidence, | 0:21:49 | 0:21:52 | |
cos I grew up in the '80s, | 0:21:52 | 0:21:54 | |
and I used to call myself "half-caste". | 0:21:54 | 0:21:57 | |
-CLAPPING -Don't clap it up, man. | 0:21:57 | 0:22:00 | |
Cos then a memo was sent out, | 0:22:00 | 0:22:02 | |
around the early '90s. | 0:22:02 | 0:22:04 | |
I got mine a little bit late. | 0:22:04 | 0:22:06 | |
Not as late as some footballers. | 0:22:06 | 0:22:09 | |
I got mine a little bit late, | 0:22:09 | 0:22:11 | |
and that memo said that half-caste is now a derogatory term. | 0:22:11 | 0:22:14 | |
Guys, there is nothing worse than someone telling you | 0:22:14 | 0:22:17 | |
what you've been calling yourself is racist. | 0:22:17 | 0:22:19 | |
LAUGHTER | 0:22:19 | 0:22:21 | |
Do you know what I mean? | 0:22:21 | 0:22:22 | |
And it makes it hard to like embrace these new terms, cos I'm convinced | 0:22:22 | 0:22:25 | |
that I'm causing my future self offence. | 0:22:25 | 0:22:28 | |
Like it's only a matter of time before someone goes, | 0:22:28 | 0:22:31 | |
"So what colour are you?" | 0:22:31 | 0:22:32 | |
I'll go, "I'm mixed raced man, and they go, "Oh, no, no, no. | 0:22:32 | 0:22:35 | |
"It's called 'colour merge' now." | 0:22:35 | 0:22:36 | |
LAUGHTER AND APPLAUSE | 0:22:36 | 0:22:39 | |
You know what I mean? But it's nice to see you guys, man. | 0:22:39 | 0:22:42 | |
It looks like there's like a lot of couples in here, | 0:22:42 | 0:22:44 | |
which is reassuring for me, | 0:22:44 | 0:22:45 | |
cos I don't really think we've got dating culture in this country. | 0:22:45 | 0:22:49 | |
We've got drinking culture. | 0:22:49 | 0:22:51 | |
CHEERING | 0:22:51 | 0:22:53 | |
Yes, wooh! I think that cancels out dating culture. | 0:22:53 | 0:22:58 | |
In this country what we do is we go out, we get lashed, | 0:22:58 | 0:23:02 | |
-we bang our mate's mate. -LAUGHTER | 0:23:02 | 0:23:05 | |
We wake up next to them in the morning, we look at them, and go, | 0:23:05 | 0:23:09 | |
"Are you the sort of person I want to take out for dinner?" | 0:23:09 | 0:23:12 | |
Then you think, "Nah. | 0:23:12 | 0:23:15 | |
"Not really." | 0:23:15 | 0:23:16 | |
You know what I mean? | 0:23:16 | 0:23:17 | |
When I do go out though, it does take me ages to get ready | 0:23:17 | 0:23:20 | |
and guys always give us grief about this, don't they? | 0:23:20 | 0:23:25 | |
I don't think men realise, | 0:23:25 | 0:23:26 | |
that when us girls are not getting any action, we don't shave, | 0:23:26 | 0:23:29 | |
at all. | 0:23:29 | 0:23:31 | |
LAUGHTER | 0:23:31 | 0:23:33 | |
If I took off my clothes now, | 0:23:34 | 0:23:36 | |
I'd look like I was smuggling the Jackson Five. | 0:23:36 | 0:23:39 | |
LAUGHTER AND APPLAUSE | 0:23:39 | 0:23:41 | |
It's deep. | 0:23:41 | 0:23:43 | |
You know you're hairy when you take two Bic razors in the bath with you. | 0:23:46 | 0:23:51 | |
No joke. When I get out the bath, it looks like a swamp. | 0:23:51 | 0:23:55 | |
There's an inch-thick layer of hair at the top. | 0:23:55 | 0:23:58 | |
There's alligators swimming through that. | 0:23:58 | 0:24:02 | |
There' s flamingos sweeping down. There's a redneck, | 0:24:02 | 0:24:04 | |
on a speedboat with a propeller at the back, | 0:24:04 | 0:24:06 | |
just driving around the top going, "You ain't from round here", | 0:24:06 | 0:24:09 | |
like it's a hog mess. | 0:24:09 | 0:24:10 | |
Sometimes, what I like to do is use my body hair | 0:24:10 | 0:24:13 | |
-as a modern-day chastity belt. -LAUGHTER | 0:24:13 | 0:24:15 | |
I'll go, "Mich, you know what you're like when you go on a first date.. | 0:24:15 | 0:24:19 | |
"Leave that, cos you'll be too embarrassed to break it out. | 0:24:19 | 0:24:21 | |
-LAUGHTER -But it never works, | 0:24:21 | 0:24:23 | |
cos come four in the morning, you're dry-humping some geezer | 0:24:23 | 0:24:26 | |
on a sofa, | 0:24:26 | 0:24:27 | |
you got to break it out to him. | 0:24:27 | 0:24:29 | |
You got to let him know what's going on. | 0:24:29 | 0:24:30 | |
What I like to do is just say, "Do you like the '70s?" | 0:24:30 | 0:24:34 | |
LAUGHTER AND APPLAUSE | 0:24:34 | 0:24:36 | |
Do you know what I mean? | 0:24:36 | 0:24:38 | |
That breaks it in, and most guys are willing to go retro | 0:24:38 | 0:24:43 | |
for a one night stand, do you know what I mean? | 0:24:43 | 0:24:45 | |
And it's all good, but then, | 0:24:45 | 0:24:47 | |
it's like, "Cool." | 0:24:47 | 0:24:50 | |
But I've heard my guy mates chatting in a pub, | 0:24:50 | 0:24:52 | |
when they've slept with a girl like me who's let her bits get unruly. | 0:24:52 | 0:24:55 | |
They're like, "Oh yeah, she was nice, she was fit, | 0:24:55 | 0:24:59 | |
"but, flipping hell, when I took her knickers off, | 0:24:59 | 0:25:01 | |
"she looked like she had Bob Marley in a leg lock". | 0:25:01 | 0:25:03 | |
-LAUGHTER -You lot have been wicked. | 0:25:03 | 0:25:05 | |
My name's Michelle De Swarte, thanks a lot. | 0:25:05 | 0:25:07 | |
APPLAUSE AND CHEERING | 0:25:07 | 0:25:09 | |
Michelle De Swarte, ladies and gentlemen. Come on! | 0:25:13 | 0:25:15 | |
APPLAUSE AND CHEERING | 0:25:15 | 0:25:17 | |
How funny, funny. | 0:25:17 | 0:25:20 | |
Coming up now. a man who was born and raised in Dublin | 0:25:20 | 0:25:22 | |
You might have seen him recently on Live at the Apollo, | 0:25:22 | 0:25:25 | |
Later, he'll be on BBC Three with a new series of his own | 0:25:25 | 0:25:28 | |
called Conspiracy Roadtrip. | 0:25:28 | 0:25:29 | |
Please give it up for the brilliant Andrew Maxwell! | 0:25:29 | 0:25:33 | |
CHEERING AND APPLAUSE | 0:25:33 | 0:25:34 | |
Yay! | 0:25:45 | 0:25:47 | |
CHEERING | 0:25:47 | 0:25:49 | |
So, what a big year! What a big year. | 0:25:49 | 0:25:54 | |
The Olympics in Stratford, East London. | 0:25:54 | 0:25:56 | |
CHEERING Yeah! | 0:25:56 | 0:25:58 | |
Sydney, Beijing, Seoul, | 0:25:58 | 0:26:02 | |
Los Angeles, Stratford. | 0:26:02 | 0:26:05 | |
APPLAUSE | 0:26:11 | 0:26:14 | |
The Olympics... HE LAUGHS | 0:26:14 | 0:26:16 | |
..in East London, | 0:26:16 | 0:26:18 | |
the gunfire capital of Western Europe. | 0:26:19 | 0:26:21 | |
What could go wrong? | 0:26:25 | 0:26:27 | |
HE LAUGHS | 0:26:27 | 0:26:28 | |
What could go wrong? | 0:26:28 | 0:26:30 | |
HE LAUGHS | 0:26:30 | 0:26:32 | |
Here's something I thought of. Here's one thing. | 0:26:32 | 0:26:36 | |
Exactly which gunshot will the 100 meters begin on? | 0:26:36 | 0:26:39 | |
LAUGHTER | 0:26:39 | 0:26:42 | |
Everybody knows why the Olympics is in East London, | 0:26:42 | 0:26:44 | |
because it's such a sporting part of the world(!) | 0:26:44 | 0:26:46 | |
LAUGHTER | 0:26:46 | 0:26:48 | |
HE LAUGHS | 0:26:49 | 0:26:51 | |
I was watching during the riots. | 0:26:51 | 0:26:53 | |
They were interviewing this fat little white boy. | 0:26:53 | 0:26:56 | |
He was with his big fat mammy, | 0:26:56 | 0:26:58 | |
and he was there, this little fat kid, he was about ten. | 0:26:58 | 0:27:03 | |
He had a tracksuit. He was almost as wide as he was tall, | 0:27:03 | 0:27:08 | |
like a sausage in a tracksuit, this little fat thing. | 0:27:08 | 0:27:12 | |
He was on the BBC news. "The police are overrun, they cannot cope." | 0:27:12 | 0:27:16 | |
I'm looking at this, and thinking, "How can you not catch him?" | 0:27:16 | 0:27:20 | |
LAUGHTER | 0:27:20 | 0:27:22 | |
How can you not catch Greggs - the Boy? | 0:27:23 | 0:27:26 | |
LAUGHTER AND APPLAUSE | 0:27:28 | 0:27:30 | |
Big events, people It's a big event, the Olympics. | 0:27:31 | 0:27:34 | |
It's big. It's a big thing. | 0:27:34 | 0:27:38 | |
We got big events in Ireland, | 0:27:39 | 0:27:41 | |
we had Barack Obama visited Ireland last year. | 0:27:41 | 0:27:43 | |
CHEERING | 0:27:43 | 0:27:45 | |
Oh, yes! We had Barack Obama and he was supported by Jedward. | 0:27:45 | 0:27:49 | |
LAUGHTER | 0:27:49 | 0:27:52 | |
It's true. | 0:27:52 | 0:27:54 | |
I actually had people going nuts at me. | 0:27:54 | 0:27:56 | |
"Why are Jedward supporting Barack Obama?" | 0:27:56 | 0:28:02 | |
People actually getting really angry at me. | 0:28:02 | 0:28:04 | |
I'm like, "Relax! It's a security issue." | 0:28:04 | 0:28:07 | |
LAUGHTER | 0:28:07 | 0:28:08 | |
"Jedward are the only two Irishmen alive | 0:28:08 | 0:28:12 | |
"we can GUARANTEE are not in the IRA". | 0:28:12 | 0:28:15 | |
LAUGHTER | 0:28:15 | 0:28:18 | |
APPLAUSE | 0:28:19 | 0:28:21 | |
You better believe it, people, you better believe it. | 0:28:21 | 0:28:26 | |
You try and get a balaclava over that business. | 0:28:26 | 0:28:30 | |
LAUGHTER | 0:28:30 | 0:28:31 | |
I met them recently for the first time, Jedward. | 0:28:34 | 0:28:38 | |
I have got to say, they are absolute sweethearts. But it is not an act. | 0:28:38 | 0:28:43 | |
Oh, they are a pair of crayon-eaters. | 0:28:46 | 0:28:50 | |
You can't leave them alone with the crayons. | 0:28:50 | 0:28:54 | |
Good. And the Euros have started. | 0:28:54 | 0:28:57 | |
Do you like the footballing life, people? | 0:28:57 | 0:28:59 | |
Do you like football? CHEERING | 0:28:59 | 0:29:01 | |
You are enjoying it? I do. | 0:29:01 | 0:29:03 | |
I commend you, English people, for once, | 0:29:04 | 0:29:08 | |
you are finally taking a leaf out of the Irish tournament book. | 0:29:08 | 0:29:11 | |
Lower your expectations. | 0:29:11 | 0:29:13 | |
Lower them. | 0:29:15 | 0:29:16 | |
Lower. | 0:29:16 | 0:29:18 | |
Lower. | 0:29:19 | 0:29:21 | |
Yeah, then you will enjoy your life. | 0:29:22 | 0:29:25 | |
When Ireland qualifies for a major sporting tournament, | 0:29:25 | 0:29:29 | |
we don't think we are going to win! | 0:29:29 | 0:29:31 | |
Our media isn't going, "We're going to win, we're going to win!" | 0:29:31 | 0:29:34 | |
We are just like, "We are there! we are there! We are there!" | 0:29:34 | 0:29:38 | |
"Look at us. Look at us!" | 0:29:39 | 0:29:41 | |
"Look at our rainbow of colours, all laughing and having fun together." | 0:29:42 | 0:29:47 | |
The world is a mess, people! | 0:29:47 | 0:29:49 | |
We need to learn to get along. | 0:29:49 | 0:29:51 | |
Or at least all hate the Olympics together. | 0:29:51 | 0:29:56 | |
We need to get along. The world's a mess. | 0:29:56 | 0:29:59 | |
It is all men's fault. Right? | 0:29:59 | 0:30:02 | |
FEMALE AUDIENCE MEMBERS: Yes! | 0:30:02 | 0:30:04 | |
It is all men's fault. We have made a mess of it. | 0:30:04 | 0:30:06 | |
We have made a mess of this world. You ladies, clean it up. | 0:30:06 | 0:30:10 | |
APPLAUSE | 0:30:10 | 0:30:15 | |
Clean it up! | 0:30:15 | 0:30:17 | |
Yep! | 0:30:25 | 0:30:27 | |
Go in peace, Hackney. See you later, thank you. | 0:30:28 | 0:30:31 | |
CHEERING AND APPLAUSE | 0:30:31 | 0:30:33 | |
Andrew Maxwell! | 0:30:36 | 0:30:38 | |
Having fun? We should do this every week. | 0:30:40 | 0:30:44 | |
This next man was born in England, | 0:30:44 | 0:30:47 | |
then he spent one year in India, | 0:30:47 | 0:30:50 | |
then he went to Saudi Arabia... | 0:30:50 | 0:30:52 | |
-CHEERING -Thanks. | 0:30:52 | 0:30:54 | |
Then he went to America, and he is back in London again tonight. | 0:30:54 | 0:30:59 | |
Please welcome Arnab Chanda. | 0:30:59 | 0:31:02 | |
CHEERING AND APPLAUSE | 0:31:02 | 0:31:04 | |
Hello. How are you? All right. | 0:31:10 | 0:31:13 | |
Enjoying the weather? | 0:31:13 | 0:31:16 | |
All right. Party(!) | 0:31:16 | 0:31:18 | |
Here is a tip though, | 0:31:21 | 0:31:25 | |
as it gets warmer and warmer. | 0:31:25 | 0:31:27 | |
Remember, it is really hard to make an angry exit | 0:31:27 | 0:31:30 | |
when you are wearing flip-flops. | 0:31:30 | 0:31:33 | |
When I walked in on my girlfriend in bed with another man, I was irate. | 0:31:37 | 0:31:43 | |
But to them, my exit just seemed summery. | 0:31:43 | 0:31:47 | |
But you guys probably already know that. | 0:31:52 | 0:31:56 | |
I do like it when people say to me, "Tell me something I don't know." | 0:31:56 | 0:32:01 | |
Whenever somebody says that to me | 0:32:01 | 0:32:03 | |
I'm like, "You are going to be dead in less than 24 hours." | 0:32:03 | 0:32:07 | |
Then I skip away. | 0:32:07 | 0:32:09 | |
I am slightly obsessed with death. How can you not be? | 0:32:12 | 0:32:16 | |
Right? I think when I die I want a bench made. | 0:32:16 | 0:32:22 | |
ISOLATED LAUGHTER Thank you. | 0:32:22 | 0:32:25 | |
And one other guy, weirdly. | 0:32:25 | 0:32:28 | |
I want a bench erected in a park in my memory. | 0:32:28 | 0:32:32 | |
Because, and this may be weird, | 0:32:32 | 0:32:34 | |
but even now, I like it when strangers sit on me and fart. | 0:32:34 | 0:32:40 | |
Is that weird? | 0:32:45 | 0:32:47 | |
But no, I am not an optimistic person. | 0:32:51 | 0:32:55 | |
I am not an optimistic person. | 0:32:55 | 0:32:58 | |
You know that button on Google.com, I am feeling lucky? | 0:32:58 | 0:33:03 | |
I have never clicked that. | 0:33:04 | 0:33:06 | |
One day. One day. | 0:33:11 | 0:33:13 | |
I like to laugh, though. It is good, it is one of my favourite things. | 0:33:15 | 0:33:18 | |
People like to laugh, that is good. | 0:33:18 | 0:33:20 | |
I do not know if this has ever happened to you, | 0:33:20 | 0:33:22 | |
the other day I was eating breakfast, | 0:33:22 | 0:33:23 | |
and I laughed so hard that milk came out of my nipples. | 0:33:23 | 0:33:27 | |
Anyone else? Just me. | 0:33:32 | 0:33:34 | |
Just me. OK. | 0:33:34 | 0:33:36 | |
I wish I was... | 0:33:36 | 0:33:39 | |
That would be a cool superhero thing to have. | 0:33:39 | 0:33:42 | |
Milk coming out of my nipples. | 0:33:42 | 0:33:44 | |
My favourite superhero though is Superman. | 0:33:44 | 0:33:48 | |
Always has been, always will be. I love Superman. | 0:33:48 | 0:33:52 | |
I like how Superman is able to go back in time | 0:33:52 | 0:33:55 | |
just by spinning the world backwards. | 0:33:55 | 0:33:59 | |
Like, I can't even imagine, like, | 0:33:59 | 0:34:01 | |
fathom the effort and energy that must take. | 0:34:01 | 0:34:06 | |
Because like one time I tried pushing a revolving door | 0:34:07 | 0:34:11 | |
in the opposite direction of where it was supposed to go. | 0:34:11 | 0:34:16 | |
And, like, honestly, between you and me, like, I couldn't do it. | 0:34:16 | 0:34:20 | |
Superman II, that was my favourite film growing up as a kid. | 0:34:26 | 0:34:30 | |
One of the worst films, Superman III. Strangely. | 0:34:30 | 0:34:33 | |
And if you have not seen it, | 0:34:33 | 0:34:35 | |
Superman turns evil. | 0:34:35 | 0:34:37 | |
Yes. Superman turns evil. | 0:34:37 | 0:34:39 | |
What's weird is the way in which they show that Superman turns evil - | 0:34:39 | 0:34:42 | |
is, uh...he becomes a bit rapey. | 0:34:42 | 0:34:46 | |
Just becomes a little bit of a sex pest. | 0:34:49 | 0:34:52 | |
Sits down on a couch and nearly takes advantage of a woman. | 0:34:52 | 0:34:56 | |
Luckily he doesn't. He snaps out of it and he leaves. | 0:34:56 | 0:34:58 | |
But what is weird, and this is the weird part - | 0:34:58 | 0:35:01 | |
the next evil thing he does is he flies to Italy | 0:35:01 | 0:35:04 | |
and straightens the Leaning Tower of Pisa. | 0:35:04 | 0:35:08 | |
Here, writers of Superman III, you can't trump rape. | 0:35:11 | 0:35:16 | |
Once you've thrown rape out there... Plus, straightening the Leaning Tower of Pisa, | 0:35:19 | 0:35:23 | |
that doesn't even seem that evil, really. | 0:35:23 | 0:35:26 | |
It is like, "Hey, you know that building | 0:35:26 | 0:35:28 | |
"that is always dangerously close to collapsing on somebody's head? | 0:35:28 | 0:35:32 | |
"Superman straightened it." | 0:35:32 | 0:35:34 | |
"What? What the fuck is that guy's problem, man?!" | 0:35:34 | 0:35:37 | |
"Dude, I know, he is a dick!" | 0:35:37 | 0:35:39 | |
That's it from me. You guys have been very nice. Have a wonderful evening. Thank you. | 0:35:43 | 0:35:46 | |
CHEERING AND APPLAUSE | 0:35:46 | 0:35:49 | |
Arnab Chanda, everybody! | 0:35:50 | 0:35:53 | |
I urge all of you here tonight at the Hackney Empire and everybody watching at home, | 0:35:55 | 0:35:59 | |
if there is someone you have seen tonight | 0:35:59 | 0:36:01 | |
and you thought, "My God, they are brilliant", | 0:36:01 | 0:36:03 | |
go and find out more about them, go and see them live. | 0:36:03 | 0:36:05 | |
Doc Brown is our next man who is coming out on stage tonight. | 0:36:05 | 0:36:09 | |
He is very funny. He began his career as a battle rapper. | 0:36:09 | 0:36:14 | |
You know, with the competing in the live rap battles. | 0:36:14 | 0:36:17 | |
And so did I. I used to be a battle rapper. | 0:36:17 | 0:36:20 | |
Sorry, no, I worked at Top Man. I get that wrong every time. | 0:36:22 | 0:36:26 | |
Ladies and gentlemen, Mr Doc Brown is here. | 0:36:26 | 0:36:30 | |
CHEERING AND APPLAUSE | 0:36:30 | 0:36:32 | |
Hackney. Always a pleasure, man. | 0:36:38 | 0:36:43 | |
Always a pleasure being at the centre of Hackney. | 0:36:43 | 0:36:46 | |
I actually moved to Hackney myself back in the year 2002. | 0:36:46 | 0:36:53 | |
BH. | 0:36:53 | 0:36:55 | |
Before hipsters. | 0:36:55 | 0:36:58 | |
That was back in the day when walking through Hackney | 0:37:00 | 0:37:04 | |
with loafers with no socks and an ironic moustache | 0:37:04 | 0:37:08 | |
could still get you shot. | 0:37:08 | 0:37:10 | |
It was a simpler time. | 0:37:10 | 0:37:12 | |
But you know, it's always... It is the diversity of Hackney, | 0:37:15 | 0:37:20 | |
being a born and bred Londoner myself, | 0:37:20 | 0:37:21 | |
it's the diversity I love, man. | 0:37:21 | 0:37:23 | |
I love it. It is beautiful. | 0:37:23 | 0:37:25 | |
Always makes me feel at home. | 0:37:25 | 0:37:27 | |
It is weird in this job, travelling around, city to city, | 0:37:27 | 0:37:29 | |
different country sometimes, | 0:37:29 | 0:37:31 | |
I hate being in those cities where I actually have to ask the question. | 0:37:31 | 0:37:34 | |
I have to go up to a stranger and ask. | 0:37:34 | 0:37:37 | |
Like, "Excuse me, where do you keep your blacks?" | 0:37:37 | 0:37:41 | |
"You know, your, uh... your black people. | 0:37:46 | 0:37:52 | |
"Where...? Where are they?" | 0:37:52 | 0:37:55 | |
"Where are they?" | 0:37:57 | 0:37:59 | |
"Before you start pointing to that one across the road, he's with me." | 0:37:59 | 0:38:04 | |
Diversity, for me, is like, it's second nature, | 0:38:08 | 0:38:13 | |
this is what I'm all about. | 0:38:13 | 0:38:14 | |
I'm not from Hackney, I'm from Kilburn, | 0:38:14 | 0:38:17 | |
Kilburn in north-west London. | 0:38:17 | 0:38:19 | |
Or north Wheezy if you've got problems. | 0:38:19 | 0:38:24 | |
It's diverse. | 0:38:26 | 0:38:28 | |
Traditionally, if you don't know the area, | 0:38:28 | 0:38:30 | |
traditionally it's a very Irish, Jamaican area. | 0:38:30 | 0:38:34 | |
I would have loved to have been around | 0:38:34 | 0:38:37 | |
when they came up with that concept as well. | 0:38:37 | 0:38:39 | |
Tell you what, let's get two of the tiniest islands in the world, | 0:38:39 | 0:38:44 | |
with two of the craziest inhabitants. | 0:38:44 | 0:38:48 | |
Stick them together, see what happens. | 0:38:48 | 0:38:52 | |
As it turns out, a lot of sex. | 0:38:54 | 0:38:57 | |
A lot of sex. | 0:38:57 | 0:39:00 | |
Rivers of Guinness. | 0:39:00 | 0:39:01 | |
Children that look like me. | 0:39:04 | 0:39:05 | |
I've been lucky enough, to be part of the generation I am, | 0:39:08 | 0:39:11 | |
I've never experienced any serious prejudice growing up in the UK. | 0:39:11 | 0:39:16 | |
It's been beautiful. | 0:39:16 | 0:39:17 | |
However, the Iro-Caribbean community that preceded me... | 0:39:17 | 0:39:22 | |
That's my terminology, take that one with you. | 0:39:26 | 0:39:32 | |
Yes, the Iro-Caribbean community that preceded me, | 0:39:32 | 0:39:37 | |
they put up with a lot of shit I never had to deal with. | 0:39:37 | 0:39:41 | |
Back in the late '50s, early '60s, | 0:39:41 | 0:39:43 | |
you'd see certain shops, certain lodgings, | 0:39:43 | 0:39:46 | |
the odd nightclub even, that had hand-drawn posters in the window. | 0:39:46 | 0:39:50 | |
It would say, "No Blacks, no Irish, no Dogs." | 0:39:52 | 0:39:55 | |
I'm serious, this is history. | 0:39:55 | 0:39:57 | |
Obviously, things have improved massively today. | 0:39:57 | 0:40:01 | |
Not so much for dogs. | 0:40:03 | 0:40:05 | |
Uh, but you know, | 0:40:13 | 0:40:15 | |
having not experienced that direct level of injustice, | 0:40:15 | 0:40:20 | |
imagine me as a youngster, I was always fascinated by it. | 0:40:20 | 0:40:23 | |
Being a youngster and being a wannabe rapper as well, | 0:40:23 | 0:40:27 | |
I was always on the lookout for injustice, | 0:40:27 | 0:40:29 | |
it made for a good lyric, you know what I mean? | 0:40:29 | 0:40:31 | |
Trust me, there were times | 0:40:31 | 0:40:33 | |
when I felt like it was like me against the world. | 0:40:33 | 0:40:36 | |
In those moments, you've always got to remember it's not you, | 0:40:36 | 0:40:40 | |
it's them, OK? | 0:40:40 | 0:40:42 | |
HE RAPS: Because when you're down and out and you're really up against it, | 0:40:42 | 0:40:46 | |
just remember the basics. | 0:40:46 | 0:40:48 | |
It's a mantra, repeatedly say this. | 0:40:48 | 0:40:50 | |
You're not a loser, it's just everybody's racist. | 0:40:50 | 0:40:53 | |
Yeah, that's right, I said it. | 0:40:53 | 0:40:55 | |
Why do you think nobody ever gave you any credit. | 0:40:55 | 0:40:57 | |
Why you lost on the list of your doctor's patients, | 0:40:57 | 0:41:00 | |
chronological or is your surgery racist? | 0:41:00 | 0:41:03 | |
What type of dog shits on the pavement in front of your house? | 0:41:03 | 0:41:07 | |
Alsatian? Racist. | 0:41:07 | 0:41:08 | |
Say you're typing in a search engine, | 0:41:08 | 0:41:11 | |
trying to write haterz with a Z at the end. | 0:41:11 | 0:41:14 | |
Your computer goes, did you mean haters? | 0:41:14 | 0:41:17 | |
That's how you know Google's racist. | 0:41:17 | 0:41:20 | |
How come every time an igloo's made, it's always white? | 0:41:20 | 0:41:23 | |
And Eskimos? Racist. | 0:41:23 | 0:41:25 | |
Tonight you know the truth at its plainest. | 0:41:25 | 0:41:28 | |
You car won't start? Engine, racist. | 0:41:28 | 0:41:31 | |
Your team don't pick you, these guys, racist. | 0:41:31 | 0:41:33 | |
Jeans don't fit you? Levi's, racist. | 0:41:33 | 0:41:36 | |
If you can't lose weight, every time you try it, | 0:41:36 | 0:41:39 | |
I guarantee your diet is racist. | 0:41:39 | 0:41:41 | |
On your birthday, it rained in places. | 0:41:41 | 0:41:44 | |
Fuck the clouds, the whole sky is racist. | 0:41:44 | 0:41:47 | |
You go on iPod, shuffle in the play list, | 0:41:47 | 0:41:49 | |
it ain't picked reggae in a while? Racist. | 0:41:49 | 0:41:51 | |
How come every time you get to the queue, | 0:41:51 | 0:41:54 | |
you're the last in the queue? | 0:41:54 | 0:41:56 | |
Dude, that queue's racist. | 0:41:56 | 0:41:59 | |
Then when you get to the front, the staff say, hey, thanks for waiting. | 0:41:59 | 0:42:02 | |
That's racist. | 0:42:02 | 0:42:03 | |
The whole Post Office are skanks, | 0:42:03 | 0:42:06 | |
why do you think they try to sell you second-class stamps? | 0:42:06 | 0:42:08 | |
Two words - institutional racism. | 0:42:08 | 0:42:11 | |
You go to Nando's, suddenly they make chicken. | 0:42:11 | 0:42:13 | |
You might want couscous or just soup. | 0:42:13 | 0:42:16 | |
Too late, man, they already charged you. | 0:42:16 | 0:42:19 | |
When you're down and out and you're really up against it, | 0:42:19 | 0:42:22 | |
just remember the basics. | 0:42:22 | 0:42:24 | |
It's a mantra, repeatedly say this, | 0:42:24 | 0:42:28 | |
you're not a loser, it's just everybody's racist. | 0:42:28 | 0:42:31 | |
Hackney, thank you very much. | 0:42:33 | 0:42:37 | |
Doug Brown, ladies and gentlemen. | 0:42:37 | 0:42:41 | |
Yeah! | 0:42:41 | 0:42:42 | |
I love that. Love it. | 0:42:44 | 0:42:47 | |
Our next comic has worked with Michael McIntyre. | 0:42:47 | 0:42:51 | |
No biggie, so have I. | 0:42:52 | 0:42:54 | |
No, I didn't, I went to Top Man, did it again. | 0:42:56 | 0:42:59 | |
Almost ten years ago, she entered a comedy contest | 0:42:59 | 0:43:03 | |
called the Hackney Empire New Act Competition. | 0:43:03 | 0:43:07 | |
Ten years ago. She's back tonight to find out if she's won. | 0:43:07 | 0:43:12 | |
Ladies and gentlemen, it's Ava Vidal. | 0:43:12 | 0:43:14 | |
Hello. Thanks, Chris, no, I didn't win. | 0:43:25 | 0:43:29 | |
I did work with Michael McIntyre, I did the Michael McIntyre Show, | 0:43:30 | 0:43:34 | |
and that led to nothing. | 0:43:34 | 0:43:37 | |
It's one of those things you do and your friends | 0:43:37 | 0:43:39 | |
get more excited than you do. | 0:43:39 | 0:43:41 | |
My friend's like, "My God, you did McIntyre's show. | 0:43:41 | 0:43:44 | |
"Have things changed?" I'm like, "Yeah, for McIntyre, not for me! | 0:43:44 | 0:43:48 | |
He actually sold out the O2 Arena over five nights. | 0:43:49 | 0:43:52 | |
That's huge, selling out the O2. | 0:43:52 | 0:43:54 | |
Just last week, | 0:43:54 | 0:43:56 | |
O2 refused to give me a contract phone, so... | 0:43:56 | 0:44:00 | |
LAUGHTER | 0:44:00 | 0:44:02 | |
Ten years in, this is how it's going. | 0:44:02 | 0:44:04 | |
Doing that show got me into a lot of problems with my family, | 0:44:05 | 0:44:08 | |
with my daughter. | 0:44:08 | 0:44:10 | |
My daughter was very angry with me for speaking about her. | 0:44:10 | 0:44:14 | |
The thing is, my daughter's nearly 18-years-old now. | 0:44:14 | 0:44:17 | |
And you know when you meet people in life that are fucked up, | 0:44:17 | 0:44:21 | |
and you're like, "What happened to you?" They go, "My parents!" | 0:44:21 | 0:44:24 | |
Because my daughter's 18, I just want her to go. | 0:44:24 | 0:44:29 | |
LAUGHTER | 0:44:29 | 0:44:30 | |
But I'm worried because I don't want her out in the world, | 0:44:30 | 0:44:33 | |
slagging me off, so I thought I'd get a little disclaimer going. | 0:44:33 | 0:44:36 | |
I sat down and went, "Listen, do you think I've been a good mother?" | 0:44:36 | 0:44:40 | |
And she said, "No." I said, "Why?" And she goes, | 0:44:40 | 0:44:43 | |
"You're an idiot. You're embarrassing. | 0:44:43 | 0:44:46 | |
"You go on TV telling stupid jokes about me. | 0:44:46 | 0:44:51 | |
"You went on TV and you told people | 0:44:51 | 0:44:54 | |
"that I was fat." | 0:44:54 | 0:44:57 | |
Now, I did do that! | 0:44:57 | 0:44:59 | |
Hilarious! | 0:44:59 | 0:45:02 | |
LAUGHTER | 0:45:02 | 0:45:04 | |
She doesn't see it that way. But it amazes me... | 0:45:04 | 0:45:08 | |
it amazes me how many people actually believe me. | 0:45:08 | 0:45:11 | |
I had people that e-mail me to this day and go, "Hi, Ava. | 0:45:11 | 0:45:14 | |
"How are you? How's your fat daughter?" | 0:45:14 | 0:45:18 | |
If my daughter was fat, I would not go on TV and say it. | 0:45:18 | 0:45:22 | |
If my daughter was fat, I wouldn't keep her. It wouldn't be an issue. | 0:45:22 | 0:45:26 | |
LAUGHTER | 0:45:26 | 0:45:29 | |
So I said to her, "What's it going to take | 0:45:29 | 0:45:31 | |
"for you to get over it?" She goes, "I won't get over it. | 0:45:31 | 0:45:34 | |
"You're a liar!" Blah-blah. | 0:45:34 | 0:45:35 | |
I was like, "Please, just tell me something." | 0:45:35 | 0:45:38 | |
What she actually did was she went out and got some | 0:45:38 | 0:45:41 | |
professional photographs taken and blown up to poster size, | 0:45:41 | 0:45:44 | |
and I was going away to do some shows and she handed me | 0:45:44 | 0:45:47 | |
this envelope and I looked in it and went, "What's this?" | 0:45:47 | 0:45:51 | |
She went, "Here, Mum. Take these to your gigs. | 0:45:51 | 0:45:53 | |
"Show the people." | 0:45:53 | 0:45:55 | |
I was like, "Baby, I will, I will!" | 0:45:58 | 0:46:00 | |
I won't. | 0:46:00 | 0:46:02 | |
Because she's not fat, but, ohh, | 0:46:03 | 0:46:05 | |
she's fucking ugly and there's no need... | 0:46:05 | 0:46:07 | |
LAUGHTER AND APPLAUSE | 0:46:07 | 0:46:09 | |
No need to put innocents through that. | 0:46:11 | 0:46:14 | |
I have another child who's now upset. I've got a son. | 0:46:14 | 0:46:18 | |
I've a 13-year-old son and he's really quite angry. | 0:46:18 | 0:46:20 | |
He's like, "You go on TV and talk about my sister. | 0:46:20 | 0:46:23 | |
"You don't talk about me. People don't even know you got two kids." | 0:46:23 | 0:46:27 | |
I'm like, "No, I make that quite clear. | 0:46:27 | 0:46:29 | |
"I've always said in my comedy I've got two children..." | 0:46:29 | 0:46:31 | |
"..that I know of!" (Yeah!) | 0:46:33 | 0:46:34 | |
LAUGHTER | 0:46:34 | 0:46:36 | |
That was unnecessary. I actually saw a male comedian do that once. | 0:46:38 | 0:46:42 | |
I thought it was cool. Just realised it doesn't work the other way round, so... | 0:46:42 | 0:46:46 | |
I'm going to stop doing it. | 0:46:46 | 0:46:48 | |
Listen, you've been fantastic. I've been Ava Vidal. | 0:46:48 | 0:46:50 | |
Thank you very much. Good night. | 0:46:50 | 0:46:52 | |
CHEERING AND APPLAUSE | 0:46:52 | 0:46:54 | |
Ava Vidal, ladies and gentlemen. | 0:46:57 | 0:46:58 | |
All right. We're going to go for it, OK? | 0:46:59 | 0:47:02 | |
The next act might be a bit of a whirlwind. Please strap yourself in. | 0:47:02 | 0:47:07 | |
If you're sitting at home, remove any hot drinks away from your lap. | 0:47:07 | 0:47:10 | |
Ladies and gentlemen, go crazy nuts. It's Mr Jason Byrne! | 0:47:10 | 0:47:15 | |
CHEERING AND APPLAUSE | 0:47:15 | 0:47:18 | |
Oh... | 0:47:24 | 0:47:26 | |
Hello! CHEERING AND APPLAUSE | 0:47:26 | 0:47:29 | |
Holy shit! I am Irish. | 0:47:29 | 0:47:32 | |
Irish people here? "Yay!" OK. | 0:47:32 | 0:47:34 | |
CHEERING Thank you! | 0:47:34 | 0:47:36 | |
Open the ceiling near the bars, well done, that's good. | 0:47:36 | 0:47:40 | |
But anyway, I have got a mammy and... You call them mammies here, yeah? | 0:47:40 | 0:47:46 | |
CHEERING Do you call... Oh, my God, | 0:47:46 | 0:47:48 | |
the atmosphere in here is fucking electric, isn't it? | 0:47:48 | 0:47:51 | |
LAUGHTER "Do you call them mammy?" "Yeah, we call them mammies, JUST MOVE ON!" | 0:47:51 | 0:47:55 | |
"We need to do the wee-wees, Jason, we need to do the wee-wees!" | 0:47:57 | 0:48:00 | |
Now I have a mammy, all right? HE LAUGHS | 0:48:02 | 0:48:06 | |
They're unbeliev... They're so important. They're amazing. | 0:48:06 | 0:48:09 | |
Cos when I was a kid, it was unbelievable. | 0:48:09 | 0:48:11 | |
When you were in a house growing up in the '70s and the '80s, right, | 0:48:11 | 0:48:14 | |
it was your father that you were terrified of, right? | 0:48:14 | 0:48:18 | |
Cos he was the big, loud fella with the huge fists, right, | 0:48:18 | 0:48:21 | |
that's the guy you were frightened of, yeah? | 0:48:21 | 0:48:23 | |
But he never, ever laid a finger on you. | 0:48:23 | 0:48:26 | |
It was the mad bitch dwarf that beat the shit out of you. | 0:48:26 | 0:48:29 | |
Chasing you around the house. You making it worse by laughing | 0:48:31 | 0:48:35 | |
as she chased you, just going, "Ha-ha-ha-ha! | 0:48:35 | 0:48:38 | |
"Get away from me, you mad bitch!" HE LAUGHS | 0:48:39 | 0:48:43 | |
And she said the same thing every time. | 0:48:43 | 0:48:47 | |
She'd grab a hold of you and go, "Wait till your father gets home, | 0:48:47 | 0:48:52 | |
"he's going to kill you, kill you, your father is going to kill you! | 0:48:52 | 0:48:57 | |
"Put your leg across the table. You're dead when he comes in!" | 0:48:57 | 0:49:00 | |
She's only this size! Terrifying. | 0:49:03 | 0:49:07 | |
And do you know what she did, cos young people won't even get this... | 0:49:07 | 0:49:10 | |
She used to take off her slipper... You have slippers here, yeah? | 0:49:10 | 0:49:12 | |
Anyway, right. | 0:49:12 | 0:49:14 | |
She'd take off her slipper. | 0:49:14 | 0:49:16 | |
But in the '70s and the '80s, it wasn't a soft shoe. | 0:49:16 | 0:49:18 | |
Cos women in those days had a kind of a weird sandal | 0:49:18 | 0:49:21 | |
that squashed their toes up all miserable and horrible. | 0:49:21 | 0:49:24 | |
And it had a hard cork shell on the end of it, right. | 0:49:24 | 0:49:27 | |
Like if mothers weren't miserable enough, | 0:49:27 | 0:49:30 | |
they had to walk around in these horrible shoes. | 0:49:30 | 0:49:32 | |
Trying to carry 14 bags of shopping. | 0:49:34 | 0:49:37 | |
The hate is unbelievable inside them. | 0:49:43 | 0:49:48 | |
They're unreal. So my mum, right... | 0:49:48 | 0:49:50 | |
You'd just be sitting watching the telly and you'd say something, | 0:49:50 | 0:49:53 | |
and she'd take off her shoe and just throw it at your head. | 0:49:53 | 0:49:57 | |
That's illegal now, yeah? | 0:49:57 | 0:49:59 | |
You'd be sitting there with half your head open. | 0:49:59 | 0:50:03 | |
And your mother would look at you and say the most scary thing ever. | 0:50:05 | 0:50:08 | |
She'd go, "Bring it back." | 0:50:08 | 0:50:11 | |
LAUGHTER AND APPLAUSE | 0:50:11 | 0:50:14 | |
"WHAT?!" | 0:50:14 | 0:50:15 | |
"Bring it back. Pick it up and bring it over here." | 0:50:18 | 0:50:23 | |
You'd have to pick up the slipper and bring it over to her very slightly. | 0:50:23 | 0:50:28 | |
Be like handing a psychopath a shotgun. "Just bring it in." | 0:50:29 | 0:50:33 | |
Just lift it in like that, | 0:50:33 | 0:50:35 | |
just give it to her. Because you knew what was going to happen. | 0:50:35 | 0:50:37 | |
Cos she'd go, "I won't hit you, I won't hit you." | 0:50:37 | 0:50:41 | |
And you'd give her the slipper and she'd go, "Run! RUN!" | 0:50:41 | 0:50:45 | |
"Zigzag! Zigzag! Make it gamey! Make it gamey, you little shit! | 0:50:45 | 0:50:49 | |
"Make it gamey!" | 0:50:49 | 0:50:51 | |
And then, when your father arrived in in the car after work, | 0:50:53 | 0:50:57 | |
up the drive, she went ballistic. "Here he is! | 0:50:57 | 0:51:01 | |
"Here he is!" | 0:51:01 | 0:51:03 | |
"You're dead now. You're dead! Your father's home! | 0:51:04 | 0:51:08 | |
"He's going to kill you! You're dead. Where's me flamethrower?!" | 0:51:08 | 0:51:12 | |
IMITATES FLAMETHROWER "YOU'RE DEAD!" | 0:51:12 | 0:51:17 | |
Your dad would walk into the room, the newspaper under his arm. | 0:51:17 | 0:51:22 | |
"What the...?" | 0:51:23 | 0:51:25 | |
You're sitting on the couch with your brothers and sisters, all bruised. | 0:51:25 | 0:51:29 | |
Bits of hair missing, clothes torn. | 0:51:29 | 0:51:33 | |
HE IMITATES GROANING | 0:51:35 | 0:51:37 | |
"Mum said you were going to kill us." | 0:51:39 | 0:51:41 | |
LAUGHTER | 0:51:41 | 0:51:44 | |
But he didn't do anything. Your dad didn't care. | 0:51:44 | 0:51:46 | |
He just walked straight past you, went to the toilet | 0:51:46 | 0:51:49 | |
and had a shit. Right? | 0:51:49 | 0:51:50 | |
Cos that's what your dad's job was - working and pooing. That's what he did. | 0:51:52 | 0:51:56 | |
And it's... HE LAUGHS | 0:51:57 | 0:52:00 | |
It's great, cos I've got kids. How many people have got kids? | 0:52:00 | 0:52:02 | |
SCATTERED CHEERING Seven. Right. | 0:52:02 | 0:52:05 | |
LAUGHTER I love the British, | 0:52:05 | 0:52:08 | |
it's great, cos yous are, yous are as miserable as the Irish. | 0:52:08 | 0:52:10 | |
It's fantastic, yeah? | 0:52:10 | 0:52:12 | |
When you want to join in with stuff, "Yeah! Yeah. Yeah..." | 0:52:12 | 0:52:16 | |
Cos, like, Irish are a nation of begrudgers and so are you. | 0:52:19 | 0:52:22 | |
It's unreal. Like, if somebody... HE LAUGHS | 0:52:22 | 0:52:26 | |
If somebody in America gets a new car or a new job, yeah, | 0:52:26 | 0:52:28 | |
they're really happy. I've been there, I've seen it, right. | 0:52:28 | 0:52:31 | |
IN AMERICAN ACCENT: "Oh, my God, totally got a new job, | 0:52:31 | 0:52:34 | |
"let's have a barbeque." | 0:52:34 | 0:52:35 | |
"Did you get a new car? He got a new car! That's fantastic!" | 0:52:36 | 0:52:40 | |
LAUGHTER | 0:52:40 | 0:52:43 | |
Like, here... HE LAUGHS | 0:52:43 | 0:52:45 | |
"I got a new car." "Did you? I hope you crash it." | 0:52:45 | 0:52:47 | |
LAUGHTER AND APPLAUSE Miserable... | 0:52:47 | 0:52:51 | |
But it's weird, yeah. Cos the kids these days, I'm looking out at you. | 0:52:55 | 0:53:00 | |
It's so different when I was a kid, do you know what I mean? As the mammies used to watch us. | 0:53:00 | 0:53:04 | |
But, like, there is no Wii or Nintendo that could ever | 0:53:04 | 0:53:07 | |
replace the fun you had as a kid when I was as kid, right? | 0:53:07 | 0:53:09 | |
Cos kids just don't really get out any more. | 0:53:09 | 0:53:12 | |
They just sit inside. IMITATES MOANING | 0:53:12 | 0:53:16 | |
HE LAUGHS | 0:53:21 | 0:53:23 | |
Just don't walk outside! | 0:53:23 | 0:53:26 | |
When I was a kid, like, girls were segregated from boys. | 0:53:26 | 0:53:29 | |
Unbelievable, right? | 0:53:29 | 0:53:31 | |
Girls were playing weird games when I was a kid. | 0:53:31 | 0:53:33 | |
They'd put elastic bands around their ankles | 0:53:33 | 0:53:36 | |
and make weird shapes with each other, right? Really weird stuff. | 0:53:36 | 0:53:40 | |
And they'd also be able to get balls and throw them against the wall | 0:53:40 | 0:53:43 | |
and just go, "Throwing balls against a wall, balls against a wall, balls against a wall." | 0:53:43 | 0:53:48 | |
And then out of nowhere, | 0:53:48 | 0:53:50 | |
while doing that, they could stop and turn to a girl beside them and go, | 0:53:50 | 0:53:53 | |
"A sailor went to sea, sea, sea to see what she could see, see, see. | 0:53:53 | 0:53:58 | |
"Sea, sea, sea, sea, sea. Balls, balls, elastic bands, | 0:53:58 | 0:54:01 | |
"elastic bands, sea, sea, sea, balls, balls. | 0:54:01 | 0:54:04 | |
APPLAUSE Right?! | 0:54:04 | 0:54:07 | |
And... | 0:54:07 | 0:54:08 | |
And what did blokes do then? We were so simple. | 0:54:12 | 0:54:16 | |
It was literally a game like this. "Nearest to the ground | 0:54:16 | 0:54:19 | |
"is the winner!" | 0:54:19 | 0:54:21 | |
LAUGHTER "No! | 0:54:21 | 0:54:24 | |
"I'm nearer!" "No way!" "Oh, I'm definitely nearer!" | 0:54:24 | 0:54:29 | |
Or another common thing to do to tease the girls | 0:54:32 | 0:54:34 | |
was I would run into the girls' area with poo on the end of a stick. | 0:54:34 | 0:54:38 | |
It's the best fun ever. "Poo on a stick! Poo on a stick!" | 0:54:40 | 0:54:44 | |
But I'll just... HE LAUGHS | 0:54:47 | 0:54:49 | |
I'll just finish on this. Cos this is... | 0:54:49 | 0:54:52 | |
I've gigged all over the world, and every time I show this, the whole world agree with this. | 0:54:52 | 0:54:57 | |
But this is the most frightening thing to ever see your mother doing. | 0:54:57 | 0:55:01 | |
While you're out the back garden | 0:55:01 | 0:55:03 | |
playing with your brother or sister, OK, | 0:55:03 | 0:55:05 | |
and both of you are just having a little bit of fun together. | 0:55:05 | 0:55:09 | |
And then you, right outside the kitchen window, in the garden, | 0:55:09 | 0:55:13 | |
you punch your sister and she starts to scream, crying, yeah? | 0:55:13 | 0:55:17 | |
Well, out of nowhere, this is the most frightening thing to ever see your mother do from the house. | 0:55:17 | 0:55:22 | |
So you punch her, she goes, "Waaa!" and your mother, from the house... | 0:55:22 | 0:55:25 | |
KNOCK ON MIC | 0:55:25 | 0:55:28 | |
APPLAUSE | 0:55:28 | 0:55:31 | |
Ladies and gentlemen, I've been Jason Byrne, thanks a million! | 0:55:39 | 0:55:42 | |
CHEERING AND APPLAUSE | 0:55:42 | 0:55:45 | |
Jason Byrne, ladies and gentlemen. | 0:55:52 | 0:55:55 | |
Brilliant. | 0:55:55 | 0:55:58 | |
That is it for tonight. You have been an amazing audience. | 0:55:58 | 0:56:01 | |
That's the end of the show, thank you for watching. | 0:56:01 | 0:56:04 | |
A huge thank you and round of applause to every one of our acts tonight. | 0:56:04 | 0:56:07 | |
-They've all been class. -CHEERING AND APPLAUSE | 0:56:07 | 0:56:10 | |
If you liked what you saw tonight, go to the BBC3 website, | 0:56:10 | 0:56:14 | |
there's more videos and exclusive content. Do it now. | 0:56:14 | 0:56:16 | |
I've been Chris Moyles. This has been my Comedy Empire. | 0:56:16 | 0:56:19 | |
-Till the next one, goodnight, Hackney! -CHEERING AND APPLAUSE | 0:56:19 | 0:56:23 | |
Subtitles by Red Bee Media Ltd | 0:56:28 | 0:56:31 |