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This programme contains strong language. | 0:00:02 | 0:00:08 | |
Hello, ladies and gentlemen. Welcome to the show. | 0:00:08 | 0:00:11 | |
Thanks a lot for coming to this DVD recording | 0:00:11 | 0:00:14 | |
at the Liverpool Echo Arena. | 0:00:14 | 0:00:17 | |
Now, some of you have already begun to notice | 0:00:17 | 0:00:19 | |
that this isn't the real John Bishop. | 0:00:19 | 0:00:22 | |
It's a cartoon figure. | 0:00:22 | 0:00:23 | |
The truth is, the real John Bishop is a little bit nervous. | 0:00:23 | 0:00:27 | |
This tour got really big, the DVD's anticipated to be big, | 0:00:27 | 0:00:31 | |
so he's a bit too nervous to come out. | 0:00:31 | 0:00:33 | |
In fact, in all honesty, he's backstage, shitting himself. | 0:00:33 | 0:00:36 | |
So we just think the cartoon is a new way of doing comedy, | 0:00:38 | 0:00:41 | |
so we'll just crack on, eh? | 0:00:41 | 0:00:43 | |
Anyway, eh, you there, mate, yeah, yeah, yeah, you there in the front. | 0:00:43 | 0:00:46 | |
Yeah, you. | 0:00:46 | 0:00:48 | |
You with the mad hair and ugly wife. | 0:00:48 | 0:00:50 | |
Yeah, what's your name and where you from? What? | 0:00:50 | 0:00:53 | |
What's your name and where you from? What? | 0:00:53 | 0:00:55 | |
Look, it doesn't matter what your name is or where you're from, | 0:00:55 | 0:00:58 | |
all I was going to say is, you've got a crap name and where you live is shite. | 0:00:58 | 0:01:01 | |
Because that's what happens in comedy. | 0:01:01 | 0:01:03 | |
I ask you a question, you say something, | 0:01:03 | 0:01:05 | |
I just take the piss out of it and everyone laughs at you. | 0:01:05 | 0:01:07 | |
It's good, isn't it? Eh? | 0:01:07 | 0:01:10 | |
Got to be honest, this probably isn't working, is it? | 0:01:10 | 0:01:13 | |
And it's probably not the best idea I've ever had and the truth is, | 0:01:13 | 0:01:16 | |
if you've paid good money, you want to get what you paid for. | 0:01:16 | 0:01:19 | |
You want to get the real deal. | 0:01:19 | 0:01:22 | |
Otherwise it's like being a Chelsea supporter | 0:01:22 | 0:01:24 | |
watching Fernando Torres play. | 0:01:24 | 0:01:26 | |
Ladies and gentlemen, please welcome home to the Echo Arena stage, | 0:01:29 | 0:01:35 | |
it's Liverpool's own John Bishop! | 0:01:35 | 0:01:39 | |
APPLAUSE AND CHEERING | 0:01:42 | 0:01:44 | |
Thank you. | 0:01:49 | 0:01:50 | |
Thank you. | 0:01:56 | 0:01:57 | |
Thank you. | 0:01:59 | 0:02:00 | |
How are you, Liverpool? | 0:02:00 | 0:02:01 | |
First of all, I've got to apologise for the delay. | 0:02:04 | 0:02:10 | |
The lecky nearly blew up. | 0:02:10 | 0:02:12 | |
Honest to God, the Echo Arena have got two massive generators. | 0:02:14 | 0:02:17 | |
One that side and one that side. | 0:02:17 | 0:02:20 | |
And the one that side started smoking. | 0:02:20 | 0:02:24 | |
And everybody was thinking, "Oh, should we or shouldn't we?" | 0:02:24 | 0:02:28 | |
Then we thought "If it blows up, it might just kill the people there, | 0:02:28 | 0:02:33 | |
"which means if the cameras are pointing this way, | 0:02:33 | 0:02:36 | |
"the DVD will still look good". | 0:02:36 | 0:02:39 | |
So they've actually had to reroute it all | 0:02:40 | 0:02:43 | |
because somebody, obviously working at the Echo Arena, | 0:02:43 | 0:02:46 | |
has done that thing that everyone did on a council estate in the '70s. | 0:02:46 | 0:02:50 | |
They've drilled a little hole into the meter, | 0:02:50 | 0:02:53 | |
got a little bit of wire to stop the thing going around | 0:02:53 | 0:02:57 | |
and it's nearly blown up. | 0:02:57 | 0:02:58 | |
So I'm sorry for the delay, | 0:03:00 | 0:03:02 | |
but hopefully, it won't affect you too much. | 0:03:02 | 0:03:05 | |
Thanks for coming on a Monday night. Yeah, yeah. | 0:03:06 | 0:03:10 | |
On the last night. | 0:03:10 | 0:03:12 | |
Thank you for being here on the last night of what has got to be | 0:03:12 | 0:03:17 | |
the biggest tour and the maddest year of my life. | 0:03:17 | 0:03:22 | |
Thanks for being part of it. | 0:03:22 | 0:03:24 | |
The first night of this tour was in Sunderland. | 0:03:29 | 0:03:32 | |
The second night was in Ipswich because my promoter is a cock. | 0:03:32 | 0:03:38 | |
Unfortunately, all this is happening at the wrong time in my life, | 0:03:40 | 0:03:46 | |
because I'm in my forties now, | 0:03:46 | 0:03:47 | |
which means I'm like every man in this room in his forties, | 0:03:47 | 0:03:53 | |
I'm now a perv. | 0:03:53 | 0:03:55 | |
Now, I didn't think I was a perv. | 0:04:00 | 0:04:03 | |
Some of you are sat there thinking, "I'm not a perv." | 0:04:03 | 0:04:05 | |
You are a perv because some of the things you used to say | 0:04:05 | 0:04:09 | |
that was quite funny when you were in your twenties, | 0:04:09 | 0:04:12 | |
that was a little bit cheeky when you were in your twenties, | 0:04:12 | 0:04:15 | |
you say the same thing in your forties, | 0:04:15 | 0:04:17 | |
you end up with a restraining order because you sound like a perv. | 0:04:17 | 0:04:21 | |
I found this out on the first night of the tour | 0:04:21 | 0:04:24 | |
because I went to Sunderland. | 0:04:24 | 0:04:25 | |
I don't know if you've been to Sunderland, fantastic place. | 0:04:25 | 0:04:28 | |
Really, really good. Yeah, oh, it's brilliant. It is. | 0:04:28 | 0:04:30 | |
You should go no matter where you live, go to Sunderland. | 0:04:30 | 0:04:34 | |
Just get on a bus, go, get off. Five minutes. | 0:04:34 | 0:04:36 | |
You will love where you live after you've been to Sunderland. | 0:04:36 | 0:04:40 | |
It's great. Honestly, it's great. | 0:04:44 | 0:04:47 | |
If you've watched that programme, My Big Fat Gypsy Wedding, | 0:04:47 | 0:04:49 | |
and thought, "I wonder what it would be like | 0:04:49 | 0:04:51 | |
if these all lived in one place?", it's Sunderland. | 0:04:51 | 0:04:54 | |
But a lovely venue. It was a great way of starting the tour | 0:04:55 | 0:04:58 | |
and I went up to Sunderland on the first night, a little bit nervous | 0:04:58 | 0:05:01 | |
because I know most people haven't seen me live before. | 0:05:01 | 0:05:04 | |
I did this venue called the Sunderland Empire. Fantastic venue. | 0:05:04 | 0:05:07 | |
The audience was brilliant. It was brilliant. | 0:05:07 | 0:05:10 | |
It was a standing ovation at the end. | 0:05:10 | 0:05:12 | |
I mean, that's up to yourselves. I'm just saying... | 0:05:12 | 0:05:15 | |
LAUGHTER | 0:05:15 | 0:05:17 | |
It was just lovely, is what I'm saying. So I come off. | 0:05:17 | 0:05:21 | |
Come off, I've got a hundred and odd dates ahead of me, | 0:05:21 | 0:05:24 | |
I come off stage, | 0:05:24 | 0:05:25 | |
my tour manager Alex and my driver David said | 0:05:25 | 0:05:28 | |
"we've got to get in the car, | 0:05:28 | 0:05:30 | |
"because we've got to start heading to Ipswich." | 0:05:30 | 0:05:32 | |
Because I don't know if anyone has ever tried to drive | 0:05:32 | 0:05:35 | |
from Sunderland to Ipswich in one go. | 0:05:35 | 0:05:38 | |
You can't do it, you've got to have a stopover in Narnia on the way. | 0:05:38 | 0:05:43 | |
"We've got to get in the car. It's going to take about seven hours." | 0:05:43 | 0:05:46 | |
I said, "There's no way I am getting in that car now." | 0:05:46 | 0:05:49 | |
I said, "I've just had a fantastic gig." | 0:05:49 | 0:05:52 | |
I said, "No way am I going to get in the car before I've had a drink." | 0:05:52 | 0:05:55 | |
So I walked out. Walked out of the Sunderland Empire. | 0:05:55 | 0:05:58 | |
There's a pub round the corner and I walked into this pub | 0:05:58 | 0:06:01 | |
and this is when I found out I was a perv, | 0:06:01 | 0:06:04 | |
because as I walked into the pub, | 0:06:04 | 0:06:05 | |
there was a gaggle of girls at the bar. | 0:06:05 | 0:06:08 | |
And you know what I mean by a gaggle of girls, a gang of girls. | 0:06:08 | 0:06:11 | |
You know you get gangs of girls going out, groups of them, | 0:06:11 | 0:06:14 | |
you know what I mean, packs of girls. | 0:06:14 | 0:06:16 | |
All going gaggle, gaggle, gaggle, gaggle. | 0:06:16 | 0:06:19 | |
You know what they're like. They go around in groups now, don't they? | 0:06:19 | 0:06:22 | |
And there's different groups amongst them, | 0:06:22 | 0:06:24 | |
the young ones and then there's the others. | 0:06:24 | 0:06:27 | |
LAUGHTER | 0:06:27 | 0:06:29 | |
The MILFs. | 0:06:30 | 0:06:32 | |
You know what I'm on about. | 0:06:32 | 0:06:34 | |
All those women who are 35 plus who go out in a big group now. | 0:06:34 | 0:06:39 | |
They're fucking scary, them, aren't they? | 0:06:39 | 0:06:42 | |
All the women who have seen and done everything, | 0:06:42 | 0:06:45 | |
who are all out for one big last night out | 0:06:45 | 0:06:47 | |
before the menopause hits them and they all get a beard. | 0:06:47 | 0:06:50 | |
God, they're terrifying, them, | 0:06:50 | 0:06:52 | |
because they are, they're like sailors in port for a night out. | 0:06:52 | 0:06:55 | |
They go, "Eh, you, get your cock out. Eh, eh!" | 0:06:55 | 0:06:57 | |
Well, it wasn't them. | 0:06:57 | 0:06:59 | |
I walked in. There was a group of girls stood at the bar. | 0:06:59 | 0:07:01 | |
Young girls, drinking blue stuff out of a bottle, | 0:07:01 | 0:07:06 | |
which is just wrong. | 0:07:06 | 0:07:07 | |
No, if it looks like it could be bubble bath, don't drink it. | 0:07:07 | 0:07:11 | |
So they're stood there drinking it and I walked in | 0:07:11 | 0:07:14 | |
and as I walked, in one of the girls just turned and went... | 0:07:14 | 0:07:16 | |
HIGH PITCHED SQUEAL | 0:07:16 | 0:07:17 | |
LAUGHTER | 0:07:21 | 0:07:24 | |
"I've just been to see you. | 0:07:25 | 0:07:27 | |
"You were brilliant!" | 0:07:28 | 0:07:31 | |
I've got to be honest with you, I didn't know what to do. | 0:07:33 | 0:07:36 | |
You know, because I'm not used to being recognised. | 0:07:36 | 0:07:39 | |
And also, I've been married 18 years. | 0:07:39 | 0:07:42 | |
It's a long time since I've seen an excited woman. | 0:07:42 | 0:07:45 | |
LAUGHTER | 0:07:45 | 0:07:48 | |
I couldn't get past her to get to the bar. | 0:07:48 | 0:07:49 | |
Every time I went, she was going... | 0:07:49 | 0:07:51 | |
HIGH PITCHED GIGGLE | 0:07:51 | 0:07:52 | |
I thought, I'll say something. I said, "Thanks for coming, love." | 0:07:52 | 0:07:55 | |
I said, "Who did you come with? | 0:07:55 | 0:07:57 | |
She said, "Oh, I came with all of my friends! | 0:07:57 | 0:08:02 | |
"They're my friends!" | 0:08:02 | 0:08:03 | |
Because that's what girls are like. Girls LOVE their friends. | 0:08:03 | 0:08:07 | |
If you was to say to a bloke, "Who did you come with?", | 0:08:07 | 0:08:10 | |
he'd go, "Oh, them knobheads." | 0:08:10 | 0:08:11 | |
LAUGHTER | 0:08:11 | 0:08:13 | |
"Tossers, don't know why I hang around with any of them." | 0:08:14 | 0:08:17 | |
But girls love their friends. "They're my friends!" | 0:08:17 | 0:08:20 | |
She said, "We all came out for my birthday weekend." | 0:08:20 | 0:08:23 | |
She said, "I was 18 on Friday... | 0:08:26 | 0:08:30 | |
"which means I'm legal now." | 0:08:30 | 0:08:32 | |
To which I instinctively said, | 0:08:35 | 0:08:38 | |
"To be honest with you, love, you were legal two years ago." | 0:08:38 | 0:08:41 | |
LAUGHTER AND APPLAUSE | 0:08:43 | 0:08:45 | |
And she just looked at me, | 0:08:51 | 0:08:53 | |
with eyes full of disgust and disappointment, | 0:08:53 | 0:08:57 | |
like I was the randy uncle | 0:08:57 | 0:08:58 | |
who'd rubbed up against her at the wedding. | 0:08:58 | 0:09:02 | |
And she just went, "I meant to drink." | 0:09:02 | 0:09:04 | |
LAUGHTER | 0:09:04 | 0:09:07 | |
I have never felt more like a pervert in all of my life. | 0:09:07 | 0:09:11 | |
Short of saying, "Do you want to see the puppies in the van", | 0:09:11 | 0:09:14 | |
I couldn't have been more like a perv. | 0:09:14 | 0:09:16 | |
But a lot of my mates, they go, "Oh, it's probably changed for you, | 0:09:18 | 0:09:21 | |
"I bet your lads think you're cool because you do stuff on telly." | 0:09:21 | 0:09:24 | |
And it hasn't. I mean, this has, | 0:09:24 | 0:09:26 | |
without a doubt, | 0:09:26 | 0:09:28 | |
this has been a brilliant, brilliant year for me. | 0:09:28 | 0:09:31 | |
In fact, we've called this tour Sunshine, | 0:09:31 | 0:09:34 | |
because someone said to me "You're having a brilliant year. | 0:09:34 | 0:09:37 | |
"It's like your time in the sunshine," | 0:09:37 | 0:09:40 | |
which is another way of saying it's not going to last. | 0:09:40 | 0:09:44 | |
LAUGHTER | 0:09:44 | 0:09:45 | |
And sometimes things pop up. | 0:09:45 | 0:09:48 | |
Things pop up that make you think, "Oh, that's a great opportunity." | 0:09:48 | 0:09:51 | |
I got a phone call, | 0:09:51 | 0:09:52 | |
it would've been, probably would've been about eight weeks ago, | 0:09:52 | 0:09:55 | |
got a phone call off someone saying, "Do you want to go on Top Gear?" | 0:09:55 | 0:09:59 | |
Which to be honest with you, when I was a teenager, | 0:09:59 | 0:10:02 | |
that was a very different phone call, | 0:10:02 | 0:10:04 | |
but it led to a very interesting weekend. | 0:10:04 | 0:10:06 | |
For those people who don't know, | 0:10:09 | 0:10:11 | |
Top Gear is a television programme about cars | 0:10:11 | 0:10:15 | |
presented by three men from the BNP. | 0:10:15 | 0:10:18 | |
So he says, "Do you want to go on Top Gear?" | 0:10:23 | 0:10:25 | |
Now, my lads love Top Gear. | 0:10:25 | 0:10:27 | |
Any dad in here with a son, you know that your whole thing in life now | 0:10:27 | 0:10:31 | |
is to not be a knob. | 0:10:31 | 0:10:32 | |
That's what it is. | 0:10:32 | 0:10:33 | |
Because when you've got a son, your son thinks you're a knob. | 0:10:33 | 0:10:36 | |
That's true. That's just the way it is. | 0:10:36 | 0:10:38 | |
Every son thinks his dad's a knob. | 0:10:38 | 0:10:39 | |
There's dads looking at me going, "My son doesn't think I'm a knob." | 0:10:39 | 0:10:42 | |
He does. He thinks you're a knob. | 0:10:42 | 0:10:44 | |
And you think, "No, he doesn't think I'm a knob." | 0:10:44 | 0:10:46 | |
Before we came we were in the garden. | 0:10:46 | 0:10:48 | |
I was kicking the ball, he was kicking it back. | 0:10:48 | 0:10:50 | |
But every time he kicked it back he was going, | 0:10:50 | 0:10:52 | |
"There you go, you fucking knob!" | 0:10:52 | 0:10:54 | |
LAUGHTER | 0:10:54 | 0:10:56 | |
It's just the natural order of things. | 0:10:56 | 0:10:58 | |
So all you've got to do is to try and not be a knob | 0:10:58 | 0:11:00 | |
for as long as possible. | 0:11:00 | 0:11:02 | |
So I thought, "This is an opportunity | 0:11:02 | 0:11:04 | |
"to not be a knob in front of my lads!" | 0:11:04 | 0:11:06 | |
I said, "I'd LOVE to go on Top Gear." | 0:11:06 | 0:11:08 | |
They said, "Right." So I went down. | 0:11:08 | 0:11:10 | |
They film it in this place called Guildford | 0:11:10 | 0:11:12 | |
and what happens is, you get there, | 0:11:12 | 0:11:14 | |
they have this aircraft hangar where the studio is, | 0:11:14 | 0:11:16 | |
and then they've got this airfield | 0:11:16 | 0:11:18 | |
and you do this thing called The Star In The Ordinary Car, | 0:11:18 | 0:11:20 | |
where you drive around the track. So I turn up. | 0:11:20 | 0:11:22 | |
The first thing you do is, they put you in the car | 0:11:22 | 0:11:25 | |
and you do four laps with a fellow called Stig, | 0:11:25 | 0:11:28 | |
who's just dressed head to toe in white. | 0:11:28 | 0:11:31 | |
He just looks like a giant sperm. | 0:11:31 | 0:11:33 | |
And you sit there and you drive around the track. | 0:11:33 | 0:11:36 | |
And what you're supposed to do, | 0:11:36 | 0:11:37 | |
he's meant to give you tips as you drive around the track. | 0:11:37 | 0:11:41 | |
That didn't work for me. We only did four laps | 0:11:41 | 0:11:43 | |
and in all the four laps, I was going, | 0:11:43 | 0:11:45 | |
"Go on, what's your name? Go on, what's your name? | 0:11:45 | 0:11:48 | |
"Go on! I'll tickle you! What's your name? | 0:11:48 | 0:11:50 | |
"What's your name? Go on, what's your name? What's your name?" | 0:11:50 | 0:11:52 | |
Do the four laps, and then you get to go and drive the car yourself. | 0:11:52 | 0:11:55 | |
I have to be honest. | 0:11:55 | 0:11:56 | |
Up to that point in my life, | 0:11:56 | 0:11:58 | |
I'd never driven a car around a track. | 0:11:58 | 0:12:00 | |
I have driven cars that didn't belong to me very quickly, | 0:12:00 | 0:12:03 | |
but I've never driven a car around a track. | 0:12:03 | 0:12:05 | |
I got in the car, drove it around the track | 0:12:05 | 0:12:07 | |
and then you go in and do the interview with Jeremy Clarkson, | 0:12:07 | 0:12:10 | |
who's a very friendly bloke. | 0:12:10 | 0:12:11 | |
Went in, did the interview with Jeremy. | 0:12:11 | 0:12:13 | |
At the end of the interview he said, | 0:12:13 | 0:12:15 | |
"Do you want to see how you got on, on your fastest lap | 0:12:15 | 0:12:17 | |
"as The Star in the Ordinary Car? | 0:12:17 | 0:12:19 | |
Up to the point that I went on the show, | 0:12:19 | 0:12:22 | |
the person who's the fastest as The Star In The Ordinary Car | 0:12:22 | 0:12:24 | |
was Tom Cruise. | 0:12:24 | 0:12:27 | |
I'm sat there. He shows me my lap. | 0:12:27 | 0:12:28 | |
I had no idea to know whether it was fast or not. | 0:12:28 | 0:12:31 | |
He says, "Do you want to know how you got on?" | 0:12:31 | 0:12:33 | |
He opens the envelope. He said, "You did it in 1 minute... | 0:12:33 | 0:12:37 | |
"42.8 seconds." | 0:12:37 | 0:12:40 | |
A massive cheer went up in the studio, | 0:12:40 | 0:12:43 | |
as he then stood up and put me on top of the leaderboard. | 0:12:43 | 0:12:46 | |
I beat Tom Cruise! | 0:12:46 | 0:12:48 | |
CHEERING AND APPLAUSE | 0:12:48 | 0:12:53 | |
I cannot tell you what that felt like. | 0:12:56 | 0:12:58 | |
I wanted to get on the phone to Hollywood and say, | 0:12:58 | 0:13:01 | |
"Hey, Tom! Stick that Scientology up your arse, lad! | 0:13:01 | 0:13:03 | |
"The Scousers are here!" | 0:13:03 | 0:13:05 | |
But then what happens is, before you leave the studio, | 0:13:07 | 0:13:09 | |
you've got to sign an agreement | 0:13:09 | 0:13:11 | |
not to tell anyone, not even your kids, | 0:13:11 | 0:13:12 | |
because with Facebook and stuff, | 0:13:12 | 0:13:14 | |
if you tell anyone your time, | 0:13:14 | 0:13:16 | |
it spreads all over the place before it comes out on the Sunday. | 0:13:16 | 0:13:19 | |
I said, "Fine. Not a problem. I won't tell anyone. | 0:13:19 | 0:13:21 | |
"I'll keep it to myself." | 0:13:21 | 0:13:22 | |
I got in the car, I drove away from the studio. | 0:13:22 | 0:13:25 | |
For the first time EVER, | 0:13:25 | 0:13:29 | |
EVER...for the first time ever, | 0:13:29 | 0:13:32 | |
my three teenage sons | 0:13:32 | 0:13:34 | |
INDIVIDUALLY phoned me | 0:13:34 | 0:13:37 | |
on their INDIVIDUAL mobile phones. | 0:13:37 | 0:13:41 | |
That has NEVER EVER happened before. | 0:13:41 | 0:13:44 | |
Normally, I ring them and they go... | 0:13:44 | 0:13:46 | |
But they phoned me and asked me the same thing. | 0:13:49 | 0:13:51 | |
Said, "How did you get on, Dad?" | 0:13:51 | 0:13:53 | |
I said, "Well, you know, can't really say, but I did OK." | 0:13:53 | 0:13:57 | |
"No, come on. Did you crash?" | 0:13:57 | 0:13:58 | |
"No, I didn't crash." "You crashed!" | 0:14:00 | 0:14:02 | |
"I DIDN'T CRASH!" My wife phoned and said, | 0:14:02 | 0:14:04 | |
"How did you get on?" I said, "I can't really say, but I did OK." | 0:14:04 | 0:14:07 | |
She said, "Did you stall it, | 0:14:07 | 0:14:09 | |
"like that car on holiday seven years ago?" | 0:14:09 | 0:14:12 | |
I said, "I didn't stall that car!" | 0:14:12 | 0:14:14 | |
"You did stall it! Remember, you were going to punch that man!" | 0:14:14 | 0:14:17 | |
I said, "I DIDN'T FUCKING STALL IT!" | 0:14:17 | 0:14:19 | |
I thought, "I'm going to say nothing. I'm going to wait." | 0:14:19 | 0:14:22 | |
So Sunday arrived. | 0:14:22 | 0:14:23 | |
We're in our house. We're watching the telly. | 0:14:23 | 0:14:26 | |
It comes on Top Gear. When they show it on Top Gear, they show it the other way around. | 0:14:26 | 0:14:30 | |
They show the interview first, which I didn't like, | 0:14:30 | 0:14:32 | |
because what a lot of people probably might find surprising is, | 0:14:32 | 0:14:36 | |
I genuinely don't like looking at myself on the television. | 0:14:36 | 0:14:40 | |
And the reason for that is because I see what | 0:14:40 | 0:14:42 | |
I know a lot of you are seeing | 0:14:42 | 0:14:43 | |
when you look at these screens for the first time | 0:14:43 | 0:14:46 | |
and I think I know what a lot of you are thinking which is, | 0:14:46 | 0:14:49 | |
"Look at the teeth on that!" | 0:14:49 | 0:14:51 | |
LAUGHTER | 0:14:51 | 0:14:55 | |
That's all I ever see. | 0:14:55 | 0:14:56 | |
So everyone in the country's | 0:14:56 | 0:14:58 | |
watching Jeremy Clarkson having an interview with me. | 0:14:58 | 0:15:01 | |
All I can see is Jeremy Clarkson | 0:15:01 | 0:15:02 | |
talking to a scouse horse going, "Yeah, ha-ha!" | 0:15:02 | 0:15:05 | |
And then it comes to the bit. | 0:15:09 | 0:15:10 | |
He says, "Do you want to see how you got on, | 0:15:10 | 0:15:12 | |
"as The Star In The Ordinary Car? | 0:15:12 | 0:15:13 | |
I thought, "This is my moment." | 0:15:13 | 0:15:15 | |
All I've got to do now is to wait for 1 minute 42.8 seconds. | 0:15:15 | 0:15:19 | |
After which point, my whole family will turn round and go, "Jesus! | 0:15:19 | 0:15:23 | |
"we didn't know we were living with a hero!" | 0:15:23 | 0:15:27 | |
And then my children will pick me up on their shoulders | 0:15:27 | 0:15:31 | |
and parade me through the streets wearing T-shirts saying | 0:15:31 | 0:15:34 | |
"Tom Cruise is a bit of a wanker." | 0:15:34 | 0:15:37 | |
I'm sat there. The car pulls off. | 0:15:39 | 0:15:41 | |
My wife went, "Oh, you didn't stall it." | 0:15:41 | 0:15:44 | |
I said, "I know." "But you did stall that car on holiday seven years ago." | 0:15:44 | 0:15:48 | |
I said, "I didn't fucking stall that!" | 0:15:48 | 0:15:49 | |
Goes round. It finishes. | 0:15:49 | 0:15:51 | |
When it finishes, he says, | 0:15:51 | 0:15:52 | |
"Do you want to see how you got on as The Star In The Ordinary Car? | 0:15:52 | 0:15:55 | |
I said, "Yes, Jezza." He opened the envelope. | 0:15:55 | 0:15:58 | |
He says, "You did it in 1 minute 42.8 seconds," | 0:15:58 | 0:16:00 | |
at which point there was a MASSIVE cheer in the studio | 0:16:00 | 0:16:04 | |
but as ONE, my three lads got off the couch and went, "Oh..." | 0:16:04 | 0:16:08 | |
And walked out the room. I said, "Where are yous going?" | 0:16:11 | 0:16:13 | |
They went, "Where are we going?! "Where are we going?! | 0:16:13 | 0:16:16 | |
"We bet everyone at school you crashed!" | 0:16:16 | 0:16:18 | |
LAUGHTER AND APPLAUSE | 0:16:18 | 0:16:21 | |
To be honest with you, | 0:16:28 | 0:16:30 | |
this isn't the first DVD that I've done. | 0:16:30 | 0:16:33 | |
I did a DVD last year | 0:16:33 | 0:16:35 | |
and I did it last year, | 0:16:35 | 0:16:38 | |
it went on sale at Christmas | 0:16:38 | 0:16:41 | |
and we were in here at Christmas, | 0:16:41 | 0:16:44 | |
I was doing six nights at the Echo Arena. | 0:16:44 | 0:16:48 | |
Yeah, six nights at the Echo Arena up to Christmas. | 0:16:49 | 0:16:52 | |
Now, I've got to tell you this story, | 0:16:52 | 0:16:54 | |
because it would only happen in Liverpool. | 0:16:54 | 0:16:56 | |
If you remember what happened at Christmas, | 0:16:56 | 0:16:59 | |
it snowed about two or three inches. | 0:16:59 | 0:17:03 | |
On the first night of my run of six nights in the Echo Arena, it snowed. | 0:17:03 | 0:17:06 | |
I phoned my wife up. | 0:17:08 | 0:17:10 | |
I said, "Listen, love. I don't know if you've seen, | 0:17:10 | 0:17:13 | |
"but there's a blizzard outside. | 0:17:13 | 0:17:16 | |
"There must be two or three inches of snow. | 0:17:16 | 0:17:18 | |
"You know I'm booked in the Echo Arena for six nights. | 0:17:18 | 0:17:22 | |
"You know I'm not due to finish until Christmas Eve, | 0:17:22 | 0:17:25 | |
"and all the lads have had a chat, | 0:17:25 | 0:17:28 | |
"and we think I shouldn't really risk | 0:17:28 | 0:17:31 | |
"that 35 minute drive home..." | 0:17:31 | 0:17:33 | |
LAUGHTER | 0:17:33 | 0:17:35 | |
"..in conditions like this. | 0:17:35 | 0:17:38 | |
"We all agree that the best thing I can do | 0:17:38 | 0:17:41 | |
"is to stay at the five-star hotel across the road." | 0:17:41 | 0:17:44 | |
Every one of the married men in this room's looking at me thinking, | 0:17:45 | 0:17:49 | |
"You've got no chance!" | 0:17:49 | 0:17:53 | |
My wife said, "No, I agree." | 0:17:53 | 0:17:54 | |
But every married woman knows exactly what she said next. | 0:17:56 | 0:17:59 | |
She said, "I agree...but as you're staying in town, | 0:17:59 | 0:18:02 | |
"I've got this list." | 0:18:02 | 0:18:05 | |
So I spent all of the run-up to Christmas | 0:18:05 | 0:18:08 | |
doing all the shopping | 0:18:08 | 0:18:10 | |
and as I say, what had happened is, we'd brought out the DVD. | 0:18:10 | 0:18:14 | |
I had to go to HMV a lot, because I've got teenage boys, | 0:18:14 | 0:18:17 | |
and the stuff that they want is in HMV. | 0:18:17 | 0:18:20 | |
We're responsible parents. | 0:18:20 | 0:18:21 | |
We don't like the kids hanging around the streets. | 0:18:21 | 0:18:23 | |
I don't mind them sitting in their bedroom | 0:18:23 | 0:18:25 | |
playing Grand Theft Auto | 0:18:25 | 0:18:27 | |
and shooting hookers on the internet, | 0:18:27 | 0:18:30 | |
but I just don't want them doing it for real. | 0:18:30 | 0:18:32 | |
When you bring out a DVD, they really push it | 0:18:32 | 0:18:35 | |
in the city you're from, because there, | 0:18:35 | 0:18:37 | |
particularly with me, | 0:18:37 | 0:18:38 | |
they think, "Well, at least | 0:18:38 | 0:18:40 | |
"they can understand what he's saying." | 0:18:40 | 0:18:42 | |
You know what it's like when you go into HMV. | 0:18:42 | 0:18:44 | |
You just end up buying a load of shite, don't you? | 0:18:44 | 0:18:46 | |
You just think, "Oh, look at that! There's a box set of Bagpuss. | 0:18:46 | 0:18:49 | |
"I haven't got that. Oh, I haven't seen that for years!" | 0:18:49 | 0:18:52 | |
So I ended up with this big stack of stuff, | 0:18:52 | 0:18:54 | |
and as I was looking for all this stuff, I saw this film. | 0:18:54 | 0:18:57 | |
This film I hadn't seen since I was 12. | 0:18:57 | 0:18:59 | |
1978, it came out. I got sneaked in to see it. | 0:18:59 | 0:19:03 | |
I thought, "That is brilliant!" | 0:19:03 | 0:19:05 | |
It had been digitally re-mastered. | 0:19:05 | 0:19:06 | |
I don't even know what digitally re-mastered means. | 0:19:06 | 0:19:10 | |
But for £4.99, and it's digitally re-mastered, | 0:19:10 | 0:19:12 | |
I was going to buy it, because it was the first time | 0:19:12 | 0:19:15 | |
I'd ever seen a man doing something that wasn't playing football | 0:19:15 | 0:19:18 | |
and I wanted to be that man. | 0:19:18 | 0:19:19 | |
If you're the same age as me, | 0:19:19 | 0:19:20 | |
I don't even have to name the film. | 0:19:20 | 0:19:23 | |
I've just got to do that. | 0:19:23 | 0:19:25 | |
LAUGHTER | 0:19:25 | 0:19:27 | |
Oh, yeah! | 0:19:27 | 0:19:29 | |
Saturday Night Fever. | 0:19:29 | 0:19:31 | |
Saturday Night Fever. | 0:19:31 | 0:19:32 | |
It came out in 1978. | 0:19:32 | 0:19:35 | |
I couldn't get in to see it because you had to be 18, | 0:19:35 | 0:19:37 | |
and then, we didn't have a number saying 18. | 0:19:37 | 0:19:40 | |
No, we just had a letter. | 0:19:40 | 0:19:41 | |
A big X, going, "FUCK OFF!" | 0:19:41 | 0:19:43 | |
To get in to see it you had to be 18 | 0:19:46 | 0:19:47 | |
or have a letter off the Pope. | 0:19:47 | 0:19:49 | |
It was a film about a man | 0:19:49 | 0:19:51 | |
in a white three-piece suit, disco dancing, | 0:19:51 | 0:19:55 | |
and you had to be 18 to get in | 0:19:55 | 0:19:56 | |
to see a film about the man | 0:19:56 | 0:19:58 | |
in a white three-piece suit, disco dancing. | 0:19:58 | 0:20:00 | |
It just shows you how times have changed because now, | 0:20:00 | 0:20:05 | |
now, if you left this building | 0:20:05 | 0:20:07 | |
wearing a white three-piece suit | 0:20:07 | 0:20:09 | |
and walked into the nearest nightclub | 0:20:09 | 0:20:13 | |
and went and stood on the dancefloor and went... | 0:20:13 | 0:20:16 | |
"I need a bit of space here, lads." | 0:20:17 | 0:20:20 | |
There'd be a good chance that you'd get your head kicked in. | 0:20:22 | 0:20:26 | |
Unless it was Garlands. | 0:20:26 | 0:20:27 | |
There's a good chance you'd cop off then. | 0:20:27 | 0:20:29 | |
LAUGHTER AND APPLAUSE | 0:20:29 | 0:20:33 | |
But in 1978, there was nothing cooler than being a man | 0:20:33 | 0:20:37 | |
in a white three-piece suit. I thought, "I'm having that." | 0:20:37 | 0:20:40 | |
I added it to my stack of stuff. | 0:20:40 | 0:20:42 | |
The problem was, in HMV, they were having a big push. | 0:20:42 | 0:20:44 | |
If you'd have gone into the one in Liverpool, | 0:20:44 | 0:20:46 | |
they had a big push on my DVD. | 0:20:46 | 0:20:48 | |
So I walked into the shop. | 0:20:48 | 0:20:50 | |
There was a lifesize cut-out of myself. | 0:20:50 | 0:20:53 | |
A cardboard...can you imagine how odd it is to walk into a shop | 0:20:53 | 0:20:56 | |
and see a lifesize cardboard cut-out of yourself like that? | 0:20:56 | 0:20:59 | |
Particularly when you're like me, | 0:21:01 | 0:21:03 | |
and 35% of your head is taken up with your teeth. | 0:21:03 | 0:21:06 | |
I was like, "Oh, for..." | 0:21:06 | 0:21:08 | |
I had a hat on and a scarf and I got into the queue that they do | 0:21:10 | 0:21:13 | |
where they zigzag you like the airport. | 0:21:13 | 0:21:14 | |
It was all right when I was going that way, | 0:21:14 | 0:21:16 | |
but every time I turned, | 0:21:16 | 0:21:18 | |
that way there was a lifesize cut-out of myself going, "Hiya!" | 0:21:18 | 0:21:20 | |
As we were walking, there was a woman in front of me. | 0:21:20 | 0:21:23 | |
Looked like she was in her sixties. | 0:21:23 | 0:21:25 | |
She had a copy of my DVD. | 0:21:25 | 0:21:27 | |
So as we were coming along like that, I thought, "That's nice." | 0:21:27 | 0:21:30 | |
Coming along and then you know what happens, | 0:21:30 | 0:21:32 | |
you get to the end of the zigzag | 0:21:32 | 0:21:33 | |
and then in HMV you get presented with a counter, | 0:21:33 | 0:21:36 | |
and behind that counter there's a load of people who look like | 0:21:36 | 0:21:39 | |
all they've done for the last ten years is play Dungeons and Dragons. | 0:21:39 | 0:21:42 | |
They're all stood there with ethnic earrings and goatee beards, | 0:21:43 | 0:21:47 | |
and that's just the girls. | 0:21:47 | 0:21:50 | |
And it's sort of random which one of these spotty Herberts | 0:21:50 | 0:21:53 | |
is going to serve you. | 0:21:53 | 0:21:55 | |
All of a sudden, two become available next to each other, | 0:21:55 | 0:21:58 | |
so I step forward and I put my stack of stuff down | 0:21:58 | 0:22:01 | |
and then the woman steps forward with my DVD. | 0:22:01 | 0:22:03 | |
As I put my stuff down, it becomes apparent | 0:22:03 | 0:22:05 | |
that the lad who is about to serve me recognised who I was. | 0:22:05 | 0:22:08 | |
Then it became obvious that the lad who was about to serve her | 0:22:08 | 0:22:11 | |
also recognised who I was, | 0:22:11 | 0:22:12 | |
so I thought, "Well, my cover is blown." | 0:22:12 | 0:22:16 | |
So as she went to put the DVD down | 0:22:16 | 0:22:18 | |
I went... | 0:22:18 | 0:22:19 | |
I said, "I hope you enjoy that, love." | 0:22:22 | 0:22:24 | |
She said "I'm getting it for me fella. I think he's shite." | 0:22:24 | 0:22:28 | |
LAUGHTER AND APPLAUSE | 0:22:28 | 0:22:31 | |
There's nothing more humbling | 0:22:36 | 0:22:38 | |
on this planet than to be stood in front of two lads | 0:22:38 | 0:22:41 | |
that you know have never kissed a girl, | 0:22:41 | 0:22:44 | |
and see them both look at you going... | 0:22:44 | 0:22:46 | |
HE MOUTHS | 0:22:46 | 0:22:47 | |
But what happened, I took my stack of stuff home | 0:22:49 | 0:22:51 | |
and over the Christmas period, my oldest lad had a sleepover. | 0:22:51 | 0:22:54 | |
My oldest lad's 16 and he had a sleepover, | 0:22:54 | 0:22:56 | |
which is a ridiculous phenomena, | 0:22:56 | 0:22:58 | |
this sleepover business. | 0:22:58 | 0:22:59 | |
I don't know who started this. I think it's a pain in the arse. | 0:22:59 | 0:23:02 | |
When I was growing up, if you slept at someone else's house, | 0:23:02 | 0:23:05 | |
you'd copped off. | 0:23:05 | 0:23:06 | |
He had a sleepover with four of his mates. | 0:23:06 | 0:23:09 | |
That's five 16 year-old boys sleeping in one room. | 0:23:09 | 0:23:14 | |
FIVE 16 year-old boys sleeping in one room. | 0:23:14 | 0:23:17 | |
I don't know if anyone in here has ever been into a room | 0:23:17 | 0:23:20 | |
where FIVE 16 year-old boys have slept? | 0:23:20 | 0:23:23 | |
They stink. | 0:23:24 | 0:23:26 | |
And they stink with a stink | 0:23:28 | 0:23:30 | |
that you have never possibly smelt in your life | 0:23:30 | 0:23:33 | |
anywhere else in the world. | 0:23:33 | 0:23:35 | |
It's just this stink that oozes off them. | 0:23:35 | 0:23:37 | |
And you walk in and it hits you like mustard gas. | 0:23:37 | 0:23:40 | |
You think, "Oh, for fuck's sake..." | 0:23:40 | 0:23:42 | |
And they're sat there, the five of them, watching his telly. | 0:23:43 | 0:23:46 | |
Watching MTV on the telly. | 0:23:46 | 0:23:48 | |
Some rappy-dappy shite on the telly. | 0:23:48 | 0:23:50 | |
Some lad just looking at the camera going, | 0:23:50 | 0:23:52 | |
HE RAPS # I'm going to pop this cap in your ass, bitch | 0:23:52 | 0:23:56 | |
# I'm going to pop this cap in your ass, bitch | 0:23:56 | 0:23:58 | |
# I'm going to pop this cap in your ass, bitch | 0:23:58 | 0:24:01 | |
# You're going to get this cap popped in your ass, bitch | 0:24:01 | 0:24:03 | |
# I'm going to pop this cap in your ass, bitch | 0:24:03 | 0:24:05 | |
# Yo, bitch, I'm going to pop this cap in your ass | 0:24:05 | 0:24:08 | |
# You're going to get this pop in your ass | 0:24:08 | 0:24:09 | |
# You're going to get this pop popped in your ass, bitch | 0:24:09 | 0:24:12 | |
# Oh, yeah, you're going to get it in your ass. Bitch. # | 0:24:12 | 0:24:16 | |
LAUGHTER AND APPLAUSE | 0:24:16 | 0:24:20 | |
I cannot believe you just clapped that. | 0:24:24 | 0:24:27 | |
There's a load of people in this room over 40 going, | 0:24:27 | 0:24:30 | |
"He's quite good at that rapping business, isn't he?" | 0:24:30 | 0:24:33 | |
But I walked in and I saw it, | 0:24:33 | 0:24:36 | |
and the first thing I said was, "This is shit." | 0:24:36 | 0:24:38 | |
My lad went, "No, it's not." | 0:24:38 | 0:24:40 | |
I said, "It's shit." | 0:24:40 | 0:24:42 | |
He said, "It's not." | 0:24:42 | 0:24:43 | |
And the reason I said that was because I'm his dad. | 0:24:43 | 0:24:45 | |
And it doesn't matter what was on, I would think his music's shit, | 0:24:45 | 0:24:49 | |
because I've now turned into MY dad. | 0:24:49 | 0:24:51 | |
And I've started saying things that my dad says. | 0:24:51 | 0:24:53 | |
I'll often look out the window and say, "See that? | 0:24:53 | 0:24:55 | |
"I remember when all that was fields." | 0:24:55 | 0:24:58 | |
I don't. We've only just moved there. But I keep saying it. | 0:24:58 | 0:25:01 | |
I can't help myself. | 0:25:01 | 0:25:02 | |
So I just walked in and I said "Oh, this is shit." | 0:25:02 | 0:25:06 | |
I said, "You know what's wrong with that lad? | 0:25:06 | 0:25:08 | |
"You know what's wrong with him? | 0:25:08 | 0:25:09 | |
"Arthritis. Look at his hands! Eh? | 0:25:09 | 0:25:12 | |
"That's why the poor kid wants to shoot everyone. He's in agony!" | 0:25:12 | 0:25:15 | |
My lad went... HE LAUGHS SARCASTICALLY | 0:25:17 | 0:25:19 | |
"You should be a comedian." | 0:25:19 | 0:25:21 | |
To which his mates laughed, | 0:25:21 | 0:25:22 | |
which I didn't like. | 0:25:22 | 0:25:24 | |
Because all of a sudden, that meant I was in a row. | 0:25:28 | 0:25:31 | |
And every father in this room knows you can't lose a row. | 0:25:31 | 0:25:34 | |
Not when they're that age. | 0:25:34 | 0:25:36 | |
Not when they're that age, | 0:25:36 | 0:25:37 | |
because if you lose a row at that age, | 0:25:37 | 0:25:39 | |
that means they go up and you come down. | 0:25:39 | 0:25:41 | |
That's the way things are. | 0:25:41 | 0:25:43 | |
If anyone in here has ever watched | 0:25:43 | 0:25:44 | |
one of those David Attenborough documentaries, | 0:25:44 | 0:25:47 | |
you'll know what I mean. | 0:25:47 | 0:25:48 | |
You know when there's a big lion there, | 0:25:48 | 0:25:50 | |
and the other lion comes over | 0:25:50 | 0:25:52 | |
and has a go at the big lion? | 0:25:52 | 0:25:54 | |
And the big lion loses | 0:25:54 | 0:25:55 | |
and then has to go and sit over there, | 0:25:55 | 0:25:58 | |
while all the lions have a zebra? | 0:25:58 | 0:26:00 | |
I thought, "That's not happening." | 0:26:00 | 0:26:02 | |
I thought, "If I lose this argument, on Christmas Day | 0:26:02 | 0:26:05 | |
"I'm going to be stood in our garden like that..." | 0:26:05 | 0:26:08 | |
LAUGHTER | 0:26:08 | 0:26:12 | |
Looking through the kitchen window | 0:26:15 | 0:26:17 | |
while he's sat in my chair with a big leg going... | 0:26:17 | 0:26:19 | |
HE MOUTHS | 0:26:19 | 0:26:22 | |
And I thought, "I'm not going to lose this argument!" | 0:26:22 | 0:26:25 | |
The problem is, I always end up pushing the argument too far | 0:26:25 | 0:26:28 | |
because I don't want to lose the argument. | 0:26:28 | 0:26:30 | |
I said, "It's shit." He says, "It's not." | 0:26:30 | 0:26:32 | |
I said, "It is, it is!" | 0:26:32 | 0:26:34 | |
As I walked away, he just said something | 0:26:34 | 0:26:36 | |
and it hit me on the back of the head like a flannel. | 0:26:36 | 0:26:39 | |
He said "It's cool." | 0:26:39 | 0:26:41 | |
I said, "What?!" | 0:26:41 | 0:26:43 | |
I said, "That's not cool!" | 0:26:43 | 0:26:44 | |
He said, "You wouldn't know what's cool." | 0:26:44 | 0:26:46 | |
I...I wouldn't know what's cool?! | 0:26:49 | 0:26:52 | |
I said, "Sit there, knobhead." | 0:26:52 | 0:26:54 | |
LAUGHTER | 0:26:54 | 0:26:57 | |
I went downstairs. I picked up | 0:26:57 | 0:26:59 | |
my digitally re-mastered version... | 0:26:59 | 0:27:01 | |
LAUGHTER | 0:27:01 | 0:27:03 | |
..of Saturday Night Fever. | 0:27:03 | 0:27:06 | |
I carried it through the house | 0:27:06 | 0:27:08 | |
like it was the Olympic torch of coolness. | 0:27:08 | 0:27:12 | |
I walked into his bedroom. | 0:27:12 | 0:27:13 | |
I said, "You five, sit down. | 0:27:13 | 0:27:14 | |
"You're going to get a lesson in cool." | 0:27:14 | 0:27:16 | |
I'm just going to let every father in this room know, | 0:27:20 | 0:27:24 | |
NEVER show your kids what you thought was cool. | 0:27:24 | 0:27:28 | |
Because there is no more positive way of proving | 0:27:28 | 0:27:31 | |
that you are actually a KNOB than doing that. | 0:27:31 | 0:27:34 | |
Because they put it on...for me, it was brilliant. It was brilliant. | 0:27:34 | 0:27:38 | |
I mean, we only lasted 20 minutes before the argument went too far, | 0:27:38 | 0:27:41 | |
but during those 20 minutes, it was a trip down memory lane. | 0:27:41 | 0:27:44 | |
It was fantastic. | 0:27:44 | 0:27:45 | |
If you know the film, it starts off...it's BRILLIANT! | 0:27:45 | 0:27:48 | |
It starts off with John Travolta walking like that. | 0:27:48 | 0:27:50 | |
He's carrying a can of paint. | 0:27:52 | 0:27:54 | |
He's got big massive flares on. | 0:27:57 | 0:27:59 | |
And they're brilliant. | 0:27:59 | 0:28:00 | |
If you're from Widnes, you won't notice the flares. | 0:28:00 | 0:28:04 | |
They probably look normal. | 0:28:04 | 0:28:05 | |
And he's carrying this can of paint. | 0:28:05 | 0:28:07 | |
I said, "Look at that! Eh, eh? | 0:28:07 | 0:28:09 | |
"Now that's fucking cool! | 0:28:09 | 0:28:10 | |
"If I could look that cool carrying paint, | 0:28:10 | 0:28:13 | |
"I would go to B&Q every day." | 0:28:13 | 0:28:15 | |
We lasted, as I say, 20 minutes, but during that time | 0:28:16 | 0:28:19 | |
I saw all the things that I remembered in the film. | 0:28:19 | 0:28:21 | |
I hadn't seen it since I was 12. Not properly. | 0:28:21 | 0:28:24 | |
To see it was brilliant. | 0:28:24 | 0:28:25 | |
It brought all the memories back. | 0:28:25 | 0:28:26 | |
There's a scene where John Travolta's getting ready | 0:28:26 | 0:28:29 | |
to go disco dancing for the first time. | 0:28:29 | 0:28:31 | |
I remember seeing it when I was 12 | 0:28:31 | 0:28:35 | |
because he was in his bedroom like that with a hairdryer. | 0:28:35 | 0:28:37 | |
HE MIMICS HAIRDRYER RUMBLING | 0:28:37 | 0:28:39 | |
And I remember being 12, thinking, | 0:28:39 | 0:28:41 | |
"He's got a hairdryer! His own hairdryer!" | 0:28:41 | 0:28:44 | |
It wasn't a family hairdryer! | 0:28:44 | 0:28:46 | |
There wasn't a queue of people behind him with wet heads. | 0:28:46 | 0:28:49 | |
He had his own hairdryer! | 0:28:49 | 0:28:50 | |
And he was stood there in black undies. | 0:28:50 | 0:28:53 | |
BLACK undies! | 0:28:53 | 0:28:55 | |
I remember being 12, thinking, | 0:28:55 | 0:28:57 | |
"Where on earth do you get BLACK underpants? | 0:28:57 | 0:29:00 | |
"I would LOVE a pair of black underpants | 0:29:00 | 0:29:02 | |
"instead of these things with trains on!" | 0:29:02 | 0:29:06 | |
The argument's lasted 20 minutes up to the point, | 0:29:08 | 0:29:11 | |
and if you know the film, you know the iconic scene | 0:29:11 | 0:29:13 | |
where John Travolta goes disco dancing for the first time. | 0:29:13 | 0:29:15 | |
He's on the floor, disco dancing. He suddenly stopped. | 0:29:15 | 0:29:18 | |
And he Cossack-danced across the dancefloor. | 0:29:20 | 0:29:24 | |
I remember being in the cinema in 1978, everyone went, | 0:29:24 | 0:29:27 | |
"Fucking hell! Did you just see that?!" | 0:29:27 | 0:29:30 | |
Because we had no CGI in 1978. | 0:29:30 | 0:29:32 | |
He Cossack-danced! | 0:29:32 | 0:29:34 | |
In 1978, the Berlin Wall was still up. | 0:29:34 | 0:29:36 | |
We had no idea what Cossacks were up to. | 0:29:36 | 0:29:39 | |
All of a sudden, he Cossack-danced. | 0:29:39 | 0:29:41 | |
Everyone in the cinema went, "God, that's brilliant!" | 0:29:41 | 0:29:44 | |
I said to my son, "Eh?! Now that's cool!" | 0:29:44 | 0:29:47 | |
He went, "No, Dad." I said, "Yeah, that's cool!" | 0:29:47 | 0:29:50 | |
He said, "No, it's not." I said, "That's cool, that is!" | 0:29:50 | 0:29:53 | |
He just treated it with the same degree of distain | 0:29:53 | 0:29:56 | |
that every 16 year-old treats everything. | 0:29:56 | 0:29:58 | |
He just went, "That?" HE LAUGHS SARCASTICALLY | 0:29:58 | 0:30:01 | |
"That's gay." | 0:30:01 | 0:30:03 | |
I said, "That's not fucking gay, that's brilliant, that is." | 0:30:08 | 0:30:11 | |
He said, "That's gay." All his mates started laughing. | 0:30:11 | 0:30:14 | |
I said, "That's not fucking gay. That's Cossack-dancing, that is. | 0:30:14 | 0:30:17 | |
"That's brilliant, that is." He said, "It's gay." | 0:30:17 | 0:30:20 | |
I said, "It's not gay! Bumming your mates is gay! | 0:30:20 | 0:30:22 | |
"That's Cossack-dancing!" | 0:30:22 | 0:30:25 | |
"Do you lads want a cup of tea?" | 0:30:34 | 0:30:36 | |
I could see them all looking at me | 0:30:38 | 0:30:40 | |
going, "Jesus, Mr Bishop, that was a bit much, wasn't it?" | 0:30:40 | 0:30:43 | |
But you can't help it - | 0:30:43 | 0:30:44 | |
when you're in an argument with a 16-year-old, you cannot help it. | 0:30:44 | 0:30:48 | |
And I'll tell you why, cos they're a teenager. | 0:30:48 | 0:30:50 | |
I'll tell you why, it's because teenagers now are just different, | 0:30:50 | 0:30:53 | |
different than anything we've ever had before. | 0:30:53 | 0:30:56 | |
They're just different. They've got all this Facebook bollocks which is just ridiculous. | 0:30:56 | 0:31:00 | |
When I was growing up, Facebook was a book with your face on it. Now... | 0:31:00 | 0:31:04 | |
it's the only way anyone talks and people get obsessed... | 0:31:04 | 0:31:07 | |
Twitter and all this stuff. | 0:31:07 | 0:31:11 | |
And there's probably teenagers who think it's hard being a teenager. | 0:31:11 | 0:31:14 | |
And there's probably teenagers in this room right now. | 0:31:14 | 0:31:18 | |
And if you're a teenager, | 0:31:18 | 0:31:19 | |
I can guarantee that you have absolutely... | 0:31:19 | 0:31:23 | |
no comprehension of how much of a twat you are... | 0:31:23 | 0:31:29 | |
most of the time. | 0:31:29 | 0:31:30 | |
APPLAUSE AND CHEERING | 0:31:30 | 0:31:33 | |
Let it out. Let it out. | 0:31:37 | 0:31:39 | |
You know what that is? That's parents thinking, | 0:31:39 | 0:31:42 | |
"Thank Christ I'm not the only one." | 0:31:42 | 0:31:45 | |
Because no-one ever talks about it. No-one ever talks about it. | 0:31:45 | 0:31:49 | |
And there'll be some people looking at me going, "Oh, I wasn't expecting that. | 0:31:49 | 0:31:53 | |
"That was a bit harsh, wasn't it? Oh, twat? No, twat, no. | 0:31:53 | 0:31:56 | |
"No, no, that's your kids. That's not our kids. | 0:31:56 | 0:31:59 | |
"Twat - that's a bit harsh," but I'll tell you what, | 0:31:59 | 0:32:01 | |
if you've got a teenage kid, there's not a parent in here who would argue with that. | 0:32:01 | 0:32:05 | |
Every parent in here knows "twat" is exactly the right word. | 0:32:05 | 0:32:09 | |
CHEERING | 0:32:09 | 0:32:11 | |
Because every parent in here of a teenager has done that thing, | 0:32:11 | 0:32:15 | |
done that thing when your child comes into the kitchen, | 0:32:15 | 0:32:19 | |
comes your teenage child... | 0:32:19 | 0:32:21 | |
walks into the kitchen wearing stupid jeans | 0:32:21 | 0:32:24 | |
with a ridiculous haircut and goes, "Why can't I go to the party? | 0:32:24 | 0:32:28 | |
"Everyone's going, there's a sleepover | 0:32:28 | 0:32:30 | |
"it'll be the best party ever, like a little mini festival at the party | 0:32:30 | 0:32:34 | |
"everyone's going to go. It's all on Facebook about the party. | 0:32:34 | 0:32:36 | |
"They'll all be poking each other at the party. | 0:32:36 | 0:32:38 | |
"If I don't go to the party no-one's going to BBM me or anything | 0:32:38 | 0:32:42 | |
"because I didn't go. Everyone's texting each other about the party, | 0:32:42 | 0:32:44 | |
"you won't let me go to the party cos you're the worst people in the world and my life is OVER!" | 0:32:44 | 0:32:50 | |
APPLAUSE AND CHEERING | 0:32:50 | 0:32:52 | |
There's not a single parent in here when that's happened who hasn't gone, | 0:32:55 | 0:32:59 | |
"Where did this twat come from?" | 0:32:59 | 0:33:02 | |
Because they don't start out like that. | 0:33:02 | 0:33:05 | |
And no-one tells you it's going to happen. | 0:33:05 | 0:33:07 | |
No-one ever says to you in the antenatal clinic, | 0:33:07 | 0:33:09 | |
"Lovely baby, that, but be a twat one day." | 0:33:09 | 0:33:11 | |
You've just got to find it out. And it's difficult. | 0:33:14 | 0:33:17 | |
It's difficult because, as I say, they don't start off like that. | 0:33:17 | 0:33:20 | |
There'll be some people in here with little ones. | 0:33:20 | 0:33:23 | |
Yeah, little ones who look and go, "No, no, that won't happen to us. | 0:33:23 | 0:33:26 | |
"No, no. No, no. | 0:33:26 | 0:33:28 | |
"No, little Johnny come home from school today with a painting | 0:33:28 | 0:33:31 | |
"and went, 'Hello, Mummy.' | 0:33:31 | 0:33:34 | |
"'I love Mummy. I love Daddy. I do painting of Mummy with flowers | 0:33:34 | 0:33:38 | |
"'but flowers are not as pretty as pretty Mummy because I love her. | 0:33:38 | 0:33:42 | |
"Oh, look, look what he said. 'I love Mummy.' | 0:33:42 | 0:33:44 | |
"Look, look! | 0:33:44 | 0:33:45 | |
"'Daddy's not a knob, Daddy lovely. I love Daddy. | 0:33:45 | 0:33:49 | |
"'I love Daddy. I love Mummy.' Look, look, look. Oh, look." | 0:33:49 | 0:33:54 | |
Yeah, well, fucking enjoy it! | 0:33:54 | 0:33:57 | |
Because it's not going to last. And you know why? | 0:33:58 | 0:34:02 | |
Cos they're not going to stay like that for long. | 0:34:02 | 0:34:05 | |
No. They're going to grow. They're going to grow. | 0:34:05 | 0:34:08 | |
They're not going to stay like that. | 0:34:08 | 0:34:10 | |
You won't even notice them growing, because they grow in secret. | 0:34:10 | 0:34:14 | |
You never see them growing. | 0:34:14 | 0:34:15 | |
It's just all of a sudden, their clothes don't fit and you think, | 0:34:15 | 0:34:19 | |
"Their clothes don't fit," and they go, "I know, I've been growing. Ha-ha!" | 0:34:19 | 0:34:23 | |
Because what happens is, they grow just a little bit every day. | 0:34:24 | 0:34:28 | |
Just a little bit every day, and as they grow a little bit every day, | 0:34:28 | 0:34:31 | |
a little bit of loveliness falls off them. | 0:34:31 | 0:34:34 | |
A little bit of loveliness falls off them and rolls away. | 0:34:36 | 0:34:39 | |
Just a little bit of loveliness rolls away | 0:34:39 | 0:34:42 | |
until eventually you end up with this teenage thing. | 0:34:42 | 0:34:46 | |
This big teenage thing without an ounce of loveliness left in it. | 0:34:47 | 0:34:51 | |
But with an expression on its face that seems to be suggesting | 0:34:51 | 0:34:55 | |
that they're doing you a favour by letting you live in their house | 0:34:55 | 0:35:00 | |
and fucking pay for everything! | 0:35:00 | 0:35:02 | |
APPLAUSE AND CHEERING | 0:35:02 | 0:35:04 | |
And it is. It's just all-consuming. It is all-consuming. | 0:35:08 | 0:35:13 | |
I mean, as I say, if you've got little ones, love them. | 0:35:13 | 0:35:16 | |
Love them as much as you can and love them as long as you can, | 0:35:16 | 0:35:19 | |
because they're not going to last. Seriously. Go home tonight | 0:35:19 | 0:35:22 | |
and kiss them on their lovely little soft heads. Lovely soft heads. | 0:35:22 | 0:35:26 | |
No matter what time you go in, go in, go home, pay the babysitter, | 0:35:26 | 0:35:31 | |
go upstairs, kiss them. Love them, love them. | 0:35:31 | 0:35:33 | |
If you've come from Speke, go in, let the dog out, | 0:35:33 | 0:35:36 | |
go upstairs, kiss them. | 0:35:36 | 0:35:37 | |
SCATTERED APPLAUSE AND CHEERING | 0:35:37 | 0:35:41 | |
If you're from Speke, I'm sorry, I had about 20 places in my head then. | 0:35:46 | 0:35:51 | |
The thing was, if you pick Speke, people from Speke go, | 0:35:52 | 0:35:55 | |
"Yeah, he's right, it's a shithole. "Yeah, yeah, yeah." | 0:35:55 | 0:35:58 | |
But it is. And I'm saying this, I know there's probably people in here | 0:36:01 | 0:36:05 | |
who haven't got kids. Just give me a cheer if you've got kids. | 0:36:05 | 0:36:09 | |
CHEERING | 0:36:09 | 0:36:10 | |
All right. That wasn't bad, yeah. | 0:36:10 | 0:36:12 | |
And give me a cheer if you haven't. | 0:36:12 | 0:36:14 | |
ENTHUSIASTIC CHEERING | 0:36:14 | 0:36:17 | |
-AUDIENCE MEMBER: -Hey! | 0:36:19 | 0:36:21 | |
And how come you know, mate? | 0:36:21 | 0:36:24 | |
Are you in a category all on your own? | 0:36:25 | 0:36:28 | |
Madonna over there. | 0:36:31 | 0:36:33 | |
"I haven't got my own kids but I've bought a few. Does that count?" | 0:36:33 | 0:36:37 | |
APPLAUSE | 0:36:37 | 0:36:39 | |
That first group, eh, you know the people in that first group? | 0:36:41 | 0:36:46 | |
You know why the people in that second group sounded happier? | 0:36:46 | 0:36:50 | |
Did you notice? | 0:36:50 | 0:36:51 | |
You used to sound like the people in that second group. | 0:36:51 | 0:36:54 | |
You used to sound... And you know the people in that second group, | 0:36:54 | 0:36:57 | |
the people without kids, you have no idea what life you lead. | 0:36:57 | 0:37:01 | |
None whatsoever. You lot in that second group, | 0:37:01 | 0:37:04 | |
you've had all day to get here. | 0:37:04 | 0:37:06 | |
The people with kids had ten minutes. | 0:37:06 | 0:37:09 | |
If you're not in and out the house in ten minutes, you're not going anywhere. | 0:37:09 | 0:37:13 | |
It's a nightmare. And what happens, | 0:37:13 | 0:37:17 | |
you can see the big difference on Sunday. | 0:37:17 | 0:37:20 | |
Sunday is the day that you see the difference between our group | 0:37:20 | 0:37:23 | |
and your group, because Sunday's the day we all do the same thing. | 0:37:23 | 0:37:26 | |
Because on Sunday, we all get up on Sunday morning | 0:37:26 | 0:37:29 | |
and we walk to the paper shop. | 0:37:29 | 0:37:30 | |
And we buy the Sunday papers. | 0:37:32 | 0:37:34 | |
And we do it and you lot in that second group, you do it. | 0:37:34 | 0:37:36 | |
The difference is that when you buy the Sunday papers, | 0:37:36 | 0:37:40 | |
you walk home, then you sit down and you read them like that. | 0:37:40 | 0:37:45 | |
All of them like that. | 0:37:45 | 0:37:47 | |
Probably with a little cafetiere of coffee, | 0:37:47 | 0:37:50 | |
some warm croissants with Classic FM playing | 0:37:50 | 0:37:54 | |
and your girlfriend getting a bath with rose petals in. | 0:37:54 | 0:37:58 | |
And you read them like that. | 0:37:58 | 0:38:00 | |
Whereas us lot, we go to the shop, we buy the Sunday papers, | 0:38:00 | 0:38:03 | |
we bring them home, we put it on the coffee table. There's an argument in the kitchen, | 0:38:03 | 0:38:07 | |
we're still trying to read them on fucking Wednesday! | 0:38:07 | 0:38:11 | |
And you sit there reading them, and a friend phones up and says, | 0:38:13 | 0:38:17 | |
"Do you want to come to the pub for Sunday lunch?" | 0:38:17 | 0:38:20 | |
And you lot will say, "Yes!" | 0:38:20 | 0:38:23 | |
Then you'll put the phone down and walk out the house... | 0:38:24 | 0:38:28 | |
provided you can find your way through the fucking fog. | 0:38:28 | 0:38:31 | |
APPLAUSE AND CHEERING | 0:38:36 | 0:38:39 | |
I am hoping this is meant to be on the stage | 0:38:41 | 0:38:44 | |
and the lecky's not fucked up again. | 0:38:44 | 0:38:47 | |
I don't know if you can see it at the back, but honest to God... | 0:38:52 | 0:38:55 | |
..all I can see... | 0:38:57 | 0:39:00 | |
it looks like, you know when you're in a plane and coming down | 0:39:00 | 0:39:04 | |
and you're thinking, "Fucking hell, what's underneath?" | 0:39:04 | 0:39:07 | |
and then you see Speke Airport and you think, "Oh, fucking hell." | 0:39:07 | 0:39:11 | |
But it is. You lot, you lot without kids you'll sit there | 0:39:14 | 0:39:17 | |
and one of your friends will phone up and say, "Do you want to come to the pub for Sunday lunch?" | 0:39:17 | 0:39:23 | |
And you lot get up and walk out the house. Walk out the house. | 0:39:23 | 0:39:27 | |
They say, "Do you want to come?" and you say, "Yes." | 0:39:27 | 0:39:30 | |
You put the phone down and walk out the house. That's all you ever... | 0:39:30 | 0:39:33 | |
You just put the phone down and walk out the house. | 0:39:33 | 0:39:36 | |
You don't make any other arrangements at all. | 0:39:36 | 0:39:40 | |
You lot don't even pack a bag. | 0:39:40 | 0:39:42 | |
When you've got kids, you can't just put the phone down | 0:39:44 | 0:39:47 | |
and walk out the house. | 0:39:47 | 0:39:48 | |
It's 16 years since I just put the phone down and walked out the house. | 0:39:48 | 0:39:52 | |
We've got teenage kids. You can't go anywhere with teenage kids | 0:39:52 | 0:39:56 | |
without arguing for 45 minutes first. | 0:39:56 | 0:39:59 | |
And when you've got little ones, you've got to pack a bag. | 0:39:59 | 0:40:02 | |
And in that bag, you've got to put everything you might possibly need | 0:40:02 | 0:40:07 | |
just in case your house isn't there when you come back. | 0:40:07 | 0:40:11 | |
So you put spare clothes and spare food and spare nappies | 0:40:11 | 0:40:15 | |
and a fridge and a microwave and you pick everything up | 0:40:15 | 0:40:19 | |
in this big massive bag | 0:40:19 | 0:40:21 | |
and then you take it out to the car. And you open the boot of the car and you put the bag in, | 0:40:21 | 0:40:26 | |
then go inside to get the pram. | 0:40:26 | 0:40:27 | |
The pram that's meant to collapse with one hand | 0:40:27 | 0:40:30 | |
but has never collapsed with one hand! You bring that out | 0:40:30 | 0:40:32 | |
and then you remember that the pram's got to go in first | 0:40:32 | 0:40:35 | |
cos it won't fit in cos the fucking bag's in! | 0:40:35 | 0:40:38 | |
You've got to get the bag out, then put the pram in. | 0:40:38 | 0:40:40 | |
Then you put the bag in, then go inside to get your baby. | 0:40:40 | 0:40:43 | |
You get your first baby. Your first little baby, your first little wobbly baby. | 0:40:43 | 0:40:47 | |
"Little wobbly baby. Oh, look at the wobbly baby. Wobbly baby. | 0:40:47 | 0:40:50 | |
"Don't be sick on Daddy's shirt. Don't you be sick." | 0:40:50 | 0:40:53 | |
And you bring your wobbly baby out to the car. | 0:40:53 | 0:40:55 | |
And you open the door and you think, "Don't drop the wobbly baby. | 0:40:55 | 0:40:58 | |
"Wobbly baby." Then you get the little wobbly baby | 0:40:58 | 0:41:02 | |
and then you go to put the wobbly baby into the car seat. | 0:41:02 | 0:41:05 | |
And then all of a sudden, that wobbly baby turns... | 0:41:05 | 0:41:10 | |
to a plank of wood! | 0:41:10 | 0:41:13 | |
Have you ever tried to bend a three-year-old? | 0:41:25 | 0:41:28 | |
It's fucking impossible! | 0:41:29 | 0:41:32 | |
You will spend 25 minutes of your life | 0:41:32 | 0:41:35 | |
trying to put them in a car seat to save THEIR life! | 0:41:35 | 0:41:39 | |
That didn't happen when I was growing up. | 0:41:39 | 0:41:41 | |
When I was growing up, | 0:41:41 | 0:41:42 | |
if you fell out the car, it was your own fucking fault! | 0:41:42 | 0:41:45 | |
And you'll stand there like that. You'll stand there going, "Ohhhhh..." because you know... | 0:41:49 | 0:41:54 | |
..he's got to breathe. | 0:41:54 | 0:41:55 | |
"I'm not going to breathe, I'm not going to breathe..." | 0:42:00 | 0:42:03 | |
And you do stupid things, you tickle them. "Tickle, tickle, tickle. | 0:42:03 | 0:42:07 | |
"Tickle, tickle, tickle." | 0:42:07 | 0:42:09 | |
Just till you get that chink where they go... | 0:42:09 | 0:42:13 | |
As soon as they go like that you go, "Fuck off! Got you!" | 0:42:13 | 0:42:17 | |
Then you get the others, pick them, bring them out to the car. | 0:42:17 | 0:42:20 | |
By the time you bring them out, he's turned blue. | 0:42:20 | 0:42:23 | |
You put them down, they run in the road, you get them back in. | 0:42:23 | 0:42:26 | |
You put them in the car, the dog's trying to get in the car, | 0:42:26 | 0:42:28 | |
you're kicking the dog out, you get them in, you tie them up. | 0:42:28 | 0:42:31 | |
One of them's sick, take his clothes off, change him. | 0:42:31 | 0:42:34 | |
One of them's filled their nappy, take it off, you get in. | 0:42:34 | 0:42:36 | |
By the time you get in the front seat, look at your missus, you go... | 0:42:36 | 0:42:41 | |
"Where are we going?" | 0:42:41 | 0:42:43 | |
Cos when you've got kids, your brain's scrambled eggs. | 0:42:45 | 0:42:49 | |
It really is. | 0:42:49 | 0:42:51 | |
Anyone in here with kids lives their life exactly the same way | 0:42:51 | 0:42:55 | |
I live my life. | 0:42:55 | 0:42:57 | |
Which means you get up in the morning... | 0:42:57 | 0:42:59 | |
you go back to bed at night and you think, | 0:42:59 | 0:43:01 | |
"What the fuck just happened then? | 0:43:01 | 0:43:03 | |
"Was that a day? Have I just had a full day? | 0:43:08 | 0:43:11 | |
"Because I haven't done anything for me! | 0:43:11 | 0:43:14 | |
"I haven't done anything that didn't involve feeding, picking up, | 0:43:14 | 0:43:18 | |
"cleaning up after, paying for, looking after, texting, | 0:43:18 | 0:43:21 | |
"arguing with, picking up, dropping off, picking up, dropping off, picking up, | 0:43:21 | 0:43:25 | |
"now I'm fucking back in bed with you!" | 0:43:25 | 0:43:27 | |
CHEERING AND APPLAUSE | 0:43:27 | 0:43:31 | |
But if you've got kids, you'll know exactly that I'm on about. | 0:43:35 | 0:43:40 | |
If you haven't got kids, it makes no sense. | 0:43:40 | 0:43:42 | |
And I'll tell you what, it just came to me when we did the Echo, | 0:43:42 | 0:43:45 | |
we did the Echo and we finished on Christmas Eve | 0:43:45 | 0:43:48 | |
and then we had a bit of January off and it meant I had four Sundays off. | 0:43:48 | 0:43:53 | |
Four Sundays. So I thought, "I'm going to treat myself. | 0:43:53 | 0:43:56 | |
"I'm going to go for a Sunday lunch every Sunday... | 0:43:56 | 0:44:00 | |
"cos that's how I roll." | 0:44:00 | 0:44:03 | |
Russell Brand gets a break in his tour, he gets a Jacuzzi | 0:44:03 | 0:44:06 | |
with 15 hookers in, I think, "No, Yorkshire pudding, I'm loving this." | 0:44:06 | 0:44:10 | |
And I walked into this pub, this pub on the Wirral near Chester. | 0:44:11 | 0:44:14 | |
I walked into this pub, a gastro-pub. Gastro, my arse. | 0:44:14 | 0:44:18 | |
£17.99 for a fucking sausage and mash. It's taking the piss. | 0:44:18 | 0:44:21 | |
But I walked in... | 0:44:21 | 0:44:23 | |
and there was this table of eight adults, | 0:44:23 | 0:44:26 | |
people from your world, people in that second group. | 0:44:26 | 0:44:28 | |
A table of eight adults. No kids. No kids. | 0:44:28 | 0:44:31 | |
And it's not that they had no kids WITH them - they had no kids. | 0:44:31 | 0:44:35 | |
They were aged between 28 and 40 and you could tell they had no kids | 0:44:35 | 0:44:39 | |
because their clothes were lovely. | 0:44:39 | 0:44:41 | |
They wore lovely clothes. Clothes they'd spent time on. | 0:44:42 | 0:44:46 | |
You know, not like us. You know when you're in Asda | 0:44:46 | 0:44:48 | |
and you just think, "I could do with one of them." | 0:44:48 | 0:44:51 | |
I mean, I'm no Gok Wan but as far as I'm concerned, | 0:44:51 | 0:44:55 | |
if you're buying your fashion in the same place you buy your sprouts, | 0:44:55 | 0:44:58 | |
it's not kicking it, sister. You know what I'm saying? | 0:44:58 | 0:45:02 | |
And I walked in and I thought "This is people from your world," | 0:45:03 | 0:45:07 | |
because they were sat there like that. | 0:45:07 | 0:45:10 | |
Eight of them. No kids. | 0:45:10 | 0:45:13 | |
Laughing. "Ha-ha!" | 0:45:13 | 0:45:15 | |
"Ha-ha!" I listened. | 0:45:17 | 0:45:20 | |
Nobody was saying anything funny. | 0:45:20 | 0:45:22 | |
They were just sat there like that. "Ha-ha!" | 0:45:22 | 0:45:25 | |
Because they all had spare laughter inside of them. | 0:45:25 | 0:45:28 | |
Laughs they hadn't used up in the week. They were going, "Ha-ha!" | 0:45:30 | 0:45:34 | |
"Ha-ha! Have you read the papers?" "Ha-ha, yes, I've read them all!" | 0:45:34 | 0:45:37 | |
Whereas us lot, we're the other ones on the other side of the pub going, | 0:45:37 | 0:45:42 | |
"You ordered it - fucking eat it!" | 0:45:42 | 0:45:45 | |
And you know what, there was a point and it must happen... | 0:45:51 | 0:45:55 | |
In fact, this explains why you lot in the second group | 0:45:55 | 0:45:57 | |
sounded different to the first group - this explains it. | 0:45:57 | 0:46:00 | |
There was a point where they were sat around the table | 0:46:00 | 0:46:03 | |
and someone went, "You want another drink?" It flew around the table. | 0:46:03 | 0:46:06 | |
"Do you want another?" "Yeah, I'll have another." | 0:46:06 | 0:46:08 | |
And every single one of them went, "Yeah. Yeah." | 0:46:08 | 0:46:12 | |
No-one went, "I can't, I've got a babysitter." | 0:46:12 | 0:46:15 | |
They all went, "Yeah, yeah." | 0:46:15 | 0:46:17 | |
I thought, "Fucking hell, that must be what it's like in your world. | 0:46:17 | 0:46:20 | |
"What happens now is you're probably going to have another three or four drinks, aren't you? Hey? | 0:46:20 | 0:46:25 | |
"Then after those three or four drinks you'll walk home | 0:46:25 | 0:46:28 | |
"cos you don't need to take your car, | 0:46:28 | 0:46:30 | |
"cos you don't need the paraphernalia in your car! | 0:46:30 | 0:46:32 | |
"And you'll walk home and on your way home you'll probably stop at Blockbuster to get a DVD," | 0:46:32 | 0:46:38 | |
and then I thought, "No, you won't. | 0:46:38 | 0:46:40 | |
"What on earth are you going to stop at Blockbusters for? | 0:46:40 | 0:46:43 | |
"You don't need to do that. | 0:46:43 | 0:46:45 | |
"You can go to the pictures whenever you want." | 0:46:45 | 0:46:47 | |
Blockbusters is for us, | 0:46:47 | 0:46:49 | |
for people like us who have to stay in on a Friday night | 0:46:49 | 0:46:52 | |
with a bottle of wine and watch a film that came out three years ago! | 0:46:52 | 0:46:56 | |
And try and pretend our life's not slipping away before us. No. | 0:46:56 | 0:47:00 | |
You don't do that. | 0:47:00 | 0:47:02 | |
That's why you sound different - you can walk right past Blockbusters | 0:47:02 | 0:47:05 | |
and you can go home to your house | 0:47:05 | 0:47:08 | |
and sit on your couch that you paid for and pick up the controls of YOUR telly | 0:47:08 | 0:47:13 | |
and watch whatever the fuck you want on your telly. | 0:47:13 | 0:47:16 | |
You know why you sounded different when you cheered? | 0:47:16 | 0:47:19 | |
Because that's the sound of people who have never watched CBeebies. | 0:47:19 | 0:47:23 | |
APPLAUSE AND CHEERING | 0:47:23 | 0:47:27 | |
And I'll tell you, it's true, because it's all compromise. | 0:47:27 | 0:47:30 | |
When you've got kids, it's compromise. | 0:47:30 | 0:47:32 | |
You learn it, obviously, because before you got them | 0:47:32 | 0:47:34 | |
you've got to end up living with someone first or marrying them. | 0:47:34 | 0:47:38 | |
And that's a compromise, innit? | 0:47:38 | 0:47:41 | |
Yeah. I mean, we all got excited. Everyone's.... | 0:47:43 | 0:47:45 | |
Marriage is now in vogue because of what happened with the royal wedding. | 0:47:45 | 0:47:49 | |
I think we all watched it and it was a very pleasant affair. | 0:47:49 | 0:47:52 | |
I think most people watched the royal wedding and sat there thinking | 0:47:52 | 0:47:55 | |
exactly what I thought which is, "Should've married the sister." | 0:47:55 | 0:48:00 | |
SCATTERED APPLAUSE | 0:48:02 | 0:48:05 | |
Because of everything that's gone on with me in the last year, even the marriage, | 0:48:05 | 0:48:09 | |
a lot of my mates go, "Marriage will be different." | 0:48:09 | 0:48:11 | |
And it is. It's difficult - I've been married for 18 years. | 0:48:11 | 0:48:14 | |
Anyone in here who's new to marriage, good luck to you. | 0:48:14 | 0:48:16 | |
It's an exciting thing when it's new. Things do change, though. | 0:48:16 | 0:48:20 | |
Quickly. | 0:48:20 | 0:48:23 | |
I'd say it probably happens round about five or six years in. | 0:48:23 | 0:48:27 | |
Because what happens is, you find yourself one day sat there | 0:48:27 | 0:48:30 | |
eating cereal like that in the morning, | 0:48:30 | 0:48:32 | |
just having your breakfast, eating your cereal | 0:48:32 | 0:48:34 | |
and you find yourself just pausing and looking at your spoon | 0:48:34 | 0:48:37 | |
and thinking... | 0:48:37 | 0:48:40 | |
"I could kill her with that." | 0:48:40 | 0:48:42 | |
And then you just carry on eating. | 0:48:52 | 0:48:54 | |
And that's basically how you live the rest of your life. | 0:48:54 | 0:48:58 | |
But what happened with me recently is, well, it wasn't recently, | 0:48:58 | 0:49:02 | |
it was April last year. I got a phone call from my agent | 0:49:02 | 0:49:05 | |
and this is where you find your marriage being tested, cos I got a phone call from my agent. | 0:49:05 | 0:49:09 | |
I was doing a gig in Huddersfield. | 0:49:09 | 0:49:12 | |
They said, "Someone from the BBC wants to see you after the gig." | 0:49:12 | 0:49:16 | |
I walked into the dressing room. There was two fellas there who'd clearly come up from London, | 0:49:16 | 0:49:20 | |
because one of them had a pullover tied round his neck. | 0:49:20 | 0:49:24 | |
In Huddersfield! | 0:49:24 | 0:49:26 | |
I thought, "If I let you out of here dressed like that, they're going to burn you as a witch." | 0:49:26 | 0:49:31 | |
But there was these two posh lads. They said, "Hello John, ha-ha-ha. | 0:49:31 | 0:49:36 | |
"We're from the BBC." | 0:49:36 | 0:49:38 | |
They said what had happened, there'd been a cock-up with the BBC | 0:49:38 | 0:49:42 | |
with their schedule | 0:49:42 | 0:49:43 | |
and they said there's an opportunity to do a stand-up show. | 0:49:43 | 0:49:46 | |
If you can deliver six half hour stand-up shows in eight weeks, you can have the slot. | 0:49:46 | 0:49:51 | |
"Do you think you can do it?" And I said, "Yes!" | 0:49:51 | 0:49:53 | |
thinking, "Not a chance." | 0:49:53 | 0:49:56 | |
And they said, "OK, but we need to have a chat with you about the language used." | 0:49:56 | 0:49:59 | |
I said, "Well, look, lads, I can only do it in English." | 0:49:59 | 0:50:03 | |
I said, "I know how PC you are and, you know, | 0:50:04 | 0:50:07 | |
"if you give me longer I'll have a stab at it, do all Polish | 0:50:07 | 0:50:10 | |
"or Welsh or whatever you want, but right now that's all I've got." | 0:50:10 | 0:50:13 | |
And he said, "It's not that. It's the swearing. You do swear a lot." | 0:50:13 | 0:50:17 | |
And I do swear a lot and I apologise if anyone's offended by it | 0:50:17 | 0:50:20 | |
but it's difficult, as you well know more than anyone, you know, | 0:50:20 | 0:50:24 | |
Scousers - we need to swear. | 0:50:24 | 0:50:26 | |
CHEERING | 0:50:26 | 0:50:27 | |
It's true. | 0:50:27 | 0:50:29 | |
If we don't swear, we've got no punctuation. | 0:50:29 | 0:50:33 | |
It's when we try not to swear that we make that other noise | 0:50:36 | 0:50:40 | |
where we go, "Ehhhhhh...." | 0:50:40 | 0:50:42 | |
APPLAUSE | 0:50:42 | 0:50:46 | |
But they said, "Look, the problem is, there's some things | 0:50:46 | 0:50:49 | |
"you can't say on the BBC." I said, "Oh, go on, what are they?" | 0:50:49 | 0:50:52 | |
I think we could all guess what they were but I wanted them to say, | 0:50:52 | 0:50:55 | |
cos they were posh - and I love posh people swearing. | 0:50:55 | 0:50:59 | |
It's brilliant. When we were kids we used to go to Chester just to trip posh people up | 0:50:59 | 0:51:04 | |
so we could hear them go, "Oh, fuck!" | 0:51:04 | 0:51:07 | |
It's lovely, isn't it? It's not aggressive. | 0:51:10 | 0:51:12 | |
It's like an ingredient in a cake, isn't it? | 0:51:12 | 0:51:15 | |
Just add some "Fuck!" to the cake. | 0:51:15 | 0:51:18 | |
CHEERING AND APPLAUSE | 0:51:19 | 0:51:22 | |
I've got to be honest, I don't think it'll ever get on the telly. | 0:51:22 | 0:51:27 | |
I said to them, "Look, we'll give it a go. We'll have a go | 0:51:27 | 0:51:30 | |
We did the show - John Bishop's Britain. | 0:51:30 | 0:51:32 | |
I don't know if anyone saw John Bishop's Britain. Thank you. CHEERING | 0:51:32 | 0:51:36 | |
So we did, we did the show. | 0:51:36 | 0:51:38 | |
It was in the paper, and this is where your mates think your world's changed. | 0:51:38 | 0:51:42 | |
One of my mates saw it in the paper, John Bishop's Britain. | 0:51:42 | 0:51:44 | |
He phoned up, said, "Have you got your own show on the BBC?" | 0:51:44 | 0:51:47 | |
I said, "I have, actually." He said, "Does your missus know?" | 0:51:47 | 0:51:51 | |
I said, "Well, we do live together. We don't always argue. | 0:51:53 | 0:51:56 | |
"Occasionally when we send a text we put an X at the end. | 0:51:56 | 0:51:59 | |
"I've no idea why, but we do." | 0:51:59 | 0:52:01 | |
He said, "Well, if she knows you've got your own show, | 0:52:01 | 0:52:04 | |
"she knows things are changing, moving on." I said, "Apparently so." | 0:52:04 | 0:52:08 | |
He said, "You must have had a chat then about your divorce." | 0:52:08 | 0:52:12 | |
I said, "About my what?" He said, "Your divorce. | 0:52:12 | 0:52:14 | |
"You're in show business now, you're bound to get divorced, | 0:52:14 | 0:52:17 | |
"everyone gets divorced in show business." | 0:52:17 | 0:52:19 | |
He said, "What you want to do is get in now. | 0:52:19 | 0:52:22 | |
"Get in early while it's cheaper." | 0:52:22 | 0:52:24 | |
I said, "What are you on about?" He said, "It's bound to happen. You've got your own series. | 0:52:26 | 0:52:31 | |
"You're going to be going to showbiz events. | 0:52:31 | 0:52:33 | |
"You're going to be meeting new people, attending parties. | 0:52:33 | 0:52:36 | |
"Before you know it, you're going to end up shagging the Sugababes." | 0:52:36 | 0:52:39 | |
I'm like any man in this room who's been married for a certain amount of time | 0:52:39 | 0:52:43 | |
and someone says that to you - I thought, | 0:52:43 | 0:52:46 | |
"If it's got to happen..." Do you know what I mean? | 0:52:46 | 0:52:49 | |
What can I do about it? I know it'll be disappointing for my three lads | 0:52:49 | 0:52:53 | |
and during the divorce, I'd have to stand in front of them and say, | 0:52:53 | 0:52:56 | |
"Look, this has been very difficult for you three, | 0:52:56 | 0:52:59 | |
"this divorce me and your mum have been through, | 0:52:59 | 0:53:01 | |
"and because of the heartache you've seen, | 0:53:01 | 0:53:03 | |
"you're emotionally scarred for life and as a result of that | 0:53:03 | 0:53:06 | |
"you'll be fearful of forming an attachment to anyone close | 0:53:06 | 0:53:09 | |
"in the future and, as a result, may never make a formal relationship | 0:53:09 | 0:53:13 | |
"that's long-lasting because you'll be fearful | 0:53:13 | 0:53:15 | |
"that it'll end up in tears and misery just like ours has, but having said... | 0:53:15 | 0:53:20 | |
"look what your dad won! | 0:53:20 | 0:53:23 | |
"I've got the Sugababes in the kitchen!" | 0:53:27 | 0:53:30 | |
The reality is, to be honest with you, it sowed the seed of doubt | 0:53:31 | 0:53:34 | |
in my head because you're not 18 years with somebody | 0:53:34 | 0:53:37 | |
if you don't love them and suddenly you think, | 0:53:37 | 0:53:40 | |
"This could happen." | 0:53:40 | 0:53:41 | |
And I got worried about it because it is a new world for me. | 0:53:41 | 0:53:43 | |
I was in the car two weeks later. I'm going to say something that'll surprise a lot of people - | 0:53:43 | 0:53:48 | |
I was in the car two weeks later, listening to Radio 4. | 0:53:48 | 0:53:51 | |
I was listening. | 0:53:51 | 0:53:53 | |
Hey, I was listening to a show on Radio 4 called Woman's Hour. Yeah. | 0:53:53 | 0:53:59 | |
Get over it, because I tell you what, any fellow in here, | 0:53:59 | 0:54:02 | |
if you've never listened to Woman's Hour, get on it. | 0:54:02 | 0:54:05 | |
It is unbelievable. | 0:54:05 | 0:54:06 | |
It's an hour where women talk to women about what's going on in women's heads. | 0:54:06 | 0:54:10 | |
They're talking like you're not listening. | 0:54:10 | 0:54:13 | |
It's like a key to another world. It's fucking gold dust. | 0:54:13 | 0:54:17 | |
I tell you what, every man's got to listen to it. You know what? | 0:54:17 | 0:54:20 | |
Every man who's lived with a woman and has at least once stood in your house in the middle of an argument | 0:54:20 | 0:54:26 | |
thinking, "I've no fucking idea what this argument's about," | 0:54:26 | 0:54:29 | |
the answer is on Woman's Hour. | 0:54:29 | 0:54:31 | |
Every time you've said, "Is everything OK, love?" | 0:54:31 | 0:54:34 | |
and she's gone, "If you don't know, I'm not telling you," the answer is on Woman's Hour! | 0:54:34 | 0:54:40 | |
I was listening. There was a woman on, a counsellor. | 0:54:40 | 0:54:42 | |
She was talking about why marriages fail in the second decade. | 0:54:42 | 0:54:45 | |
I thought, "That's me! I'm in the second decade." | 0:54:45 | 0:54:47 | |
She said what happens in the second decade is, people drift apart. | 0:54:47 | 0:54:50 | |
They start watching different TV programmes, | 0:54:50 | 0:54:53 | |
reading different books, watching different films. | 0:54:53 | 0:54:55 | |
They don't talk to each other about the things that interest them. | 0:54:55 | 0:54:58 | |
Therefore, when there's a problem in the relationship, there's no form of communication to resolve it. | 0:54:58 | 0:55:04 | |
I've got to be honest, she was on the radio - | 0:55:04 | 0:55:06 | |
I don't know if she did that. | 0:55:06 | 0:55:08 | |
But it sounded like she probably did that. I thought, "That makes sense." | 0:55:08 | 0:55:12 | |
I phoned my wife up. | 0:55:12 | 0:55:13 | |
I said, "Have you been watching anything new lately?" | 0:55:13 | 0:55:16 | |
She said, "I have, I've been watching a programme called Spartacus." | 0:55:16 | 0:55:20 | |
I hadn't watched Spartacus up to that point. | 0:55:21 | 0:55:23 | |
A week later she took the kids away to go and see her mum for the weekend. | 0:55:23 | 0:55:27 | |
I didn't have to go because I was working. | 0:55:27 | 0:55:30 | |
Her mum lives in Spain, which is not as far as you think, to be perfectly honest with you. | 0:55:30 | 0:55:36 | |
She took the kids away, so I had the house to myself for the weekend. | 0:55:36 | 0:55:39 | |
So I did what any dad does in that situation - I got the Sky Plus, | 0:55:39 | 0:55:42 | |
I started flicking through the programmes that I'd missed. | 0:55:42 | 0:55:45 | |
I saw that someone had recorded an episode of Spartacus. | 0:55:45 | 0:55:49 | |
I thought, "I'm going to watch this." | 0:55:49 | 0:55:51 | |
For those who have never watched it, those who have watched it I'm sure will agree, | 0:55:51 | 0:55:55 | |
the best description is, it's a programme about gladiators | 0:55:55 | 0:55:59 | |
who seem to do a lot more shagging than fighting. | 0:55:59 | 0:56:02 | |
In fact, that's all these gladiators seem to do. | 0:56:02 | 0:56:05 | |
And not only that, it seems quite apparent that in gladiator times, | 0:56:05 | 0:56:09 | |
waxing was very popular because every single gladiator | 0:56:09 | 0:56:14 | |
is a silky smoothy gladiator. Smoothy, shiny, smoothy. | 0:56:14 | 0:56:18 | |
And I mean the lot. All gone. The lot. | 0:56:18 | 0:56:20 | |
Coming out of steam rooms, nothing there. | 0:56:20 | 0:56:22 | |
Silky smoothy, smoothy shiny, silky smoothy gladiators. | 0:56:22 | 0:56:26 | |
The worst thing any man can do... | 0:56:26 | 0:56:30 | |
who's thinking of ways to impress his wife | 0:56:30 | 0:56:33 | |
is to watch an episode of Spartacus, | 0:56:33 | 0:56:37 | |
drink a bottle of wine | 0:56:37 | 0:56:40 | |
and then get a bath. | 0:56:40 | 0:56:43 | |
I was sat in the bath 15 minutes later, drunk, | 0:56:43 | 0:56:46 | |
I look down, I thought... | 0:56:46 | 0:56:48 | |
.."I don't need all that, do I?" | 0:56:50 | 0:56:52 | |
You know when you look at it, it's just floating like seaweed | 0:56:53 | 0:56:56 | |
in the bath like that. | 0:56:56 | 0:56:58 | |
And you know when you have a drunk idea and it's the best idea you've had all year? | 0:56:59 | 0:57:04 | |
I got a Mach 3, I thought, "Right... | 0:57:04 | 0:57:06 | |
"You want a gladiator - you can have a gladiator! | 0:57:08 | 0:57:12 | |
"Here comes Johnny the gladiator." And I did the lot! | 0:57:12 | 0:57:15 | |
I even did down there. What's it like down there, girls? | 0:57:15 | 0:57:18 | |
It's like scraping ice off the car in February. I did the lot. | 0:57:18 | 0:57:22 | |
It's amazing how quickly a Mach 3 can remove decades of growth. | 0:57:22 | 0:57:26 | |
It was like human deforestation. I did the lot. | 0:57:26 | 0:57:29 | |
Within minutes, I was silky smooth. I climbed out the bath. | 0:57:29 | 0:57:32 | |
I looked back in the bath. | 0:57:33 | 0:57:35 | |
It looked like I'd liquidised a hairy midget. | 0:57:37 | 0:57:40 | |
In my drunken head, that was the funniest thing | 0:57:43 | 0:57:46 | |
I had ever seen in my life... | 0:57:46 | 0:57:49 | |
until I caught sight of myself in the mirror. | 0:57:49 | 0:57:52 | |
Fucking hell. | 0:57:54 | 0:57:56 | |
I looked like a giant baby! | 0:57:59 | 0:58:02 | |
This was the Friday. She returned home on the Monday | 0:58:05 | 0:58:10 | |
and she returned home and carried the bags to the bedroom. | 0:58:10 | 0:58:13 | |
As she went to the bedroom, I nipped to the bathroom. | 0:58:13 | 0:58:15 | |
I put on a bathrobe. | 0:58:15 | 0:58:17 | |
I come walking to present myself in the bedroom. | 0:58:20 | 0:58:24 | |
I was stood there like that. | 0:58:24 | 0:58:26 | |
I've got to be honest, it had been three days at this point. | 0:58:27 | 0:58:31 | |
It was getting a bit itchy. I was a bit... | 0:58:32 | 0:58:35 | |
I stood there in front of her like that. | 0:58:49 | 0:58:52 | |
She's just unpacking like that. She just went... | 0:58:53 | 0:58:56 | |
She said, "What do you want?" I went, "What do I want?" | 0:58:59 | 0:59:03 | |
I said, "I'm Spartacus!" | 0:59:03 | 0:59:06 | |
APPLAUSE AND CHEERING | 0:59:06 | 0:59:10 | |
And you know when a wife gives you a look that a Sugababe never would. | 0:59:15 | 0:59:20 | |
She just went... | 0:59:20 | 0:59:22 | |
She said, "It looks like a dead chicken." | 0:59:26 | 0:59:29 | |
And I'll be honest with you. | 0:59:35 | 0:59:37 | |
Everyone in here who's married knows that that's what you do. | 0:59:37 | 0:59:41 | |
You do stupid stuff when you're married to keep it bubbling | 0:59:41 | 0:59:43 | |
and everyone always thinks that the grass is greener | 0:59:43 | 0:59:46 | |
and also when you start living in a new world like I've found myself, | 0:59:46 | 0:59:50 | |
all my mates go, "It must be great," | 0:59:50 | 0:59:51 | |
but every now and again you get taught a lesson. | 0:59:51 | 0:59:53 | |
Something happened just before Christmas that really taught me a lesson. | 0:59:53 | 0:59:57 | |
Now, we've played the games that everyone plays - | 0:59:57 | 0:59:59 | |
where you've had a few drinks and you go, "Come on, who's your fantasy shag? | 0:59:59 | 1:00:04 | |
"Come on, I'm not going to get annoyed. We've had a drink. | 1:00:04 | 1:00:07 | |
"Who's your fantasy shag? Come on. Come on." | 1:00:07 | 1:00:09 | |
NEVER say the sister. | 1:00:09 | 1:00:11 | |
Oh, it's not funny then, is it? That was a rough six months, I tell you. | 1:00:15 | 1:00:19 | |
We always pick someone off the telly or someone in a film. | 1:00:19 | 1:00:23 | |
Someone you're never going to meet. | 1:00:23 | 1:00:25 | |
My fantasy shag has been all the time, 100% of the time, Cheryl Cole. | 1:00:25 | 1:00:29 | |
Oh, yeah. Oh, yeah. Yeah. Even when she was married to Ashley, | 1:00:29 | 1:00:33 | |
although, to be honest, then I just would've done it for spite. | 1:00:33 | 1:00:37 | |
But I've always fancied Cheryl Cole. | 1:00:37 | 1:00:40 | |
Just before Christmas I got a phone call. | 1:00:40 | 1:00:42 | |
"Would you like to do the Royal Variety show?" | 1:00:42 | 1:00:44 | |
Which is an odd thing for anyone from around here to do, to be honest with you, | 1:00:44 | 1:00:48 | |
because I think, instinctively, we're not fans of the Royal Family. | 1:00:48 | 1:00:52 | |
Instinctively, we're not fans of the Royal Family. | 1:00:52 | 1:00:54 | |
I mean, let's be honest - we don't mind people living off the state, | 1:00:54 | 1:00:57 | |
I just think they take it a bit too far, to be fair. | 1:00:57 | 1:01:00 | |
You know what I mean? | 1:01:00 | 1:01:02 | |
We all know lads who sign on the sick who play football on a Sunday, but they haven't got a castle. | 1:01:02 | 1:01:06 | |
You know what I mean? You've got to balance it up, haven't you? | 1:01:06 | 1:01:09 | |
But I turned up to do it, because it's for a very good charity | 1:01:09 | 1:01:12 | |
and what happens when you do the Royal Variety show, you do your bit to the audience, | 1:01:12 | 1:01:16 | |
then you bow to the audience and you turn to the Royal Box and bow. | 1:01:16 | 1:01:19 | |
When I turned to the Royal Box, the Royals who had come were Prince Charles with his mate, Camilla. | 1:01:19 | 1:01:24 | |
And er... | 1:01:24 | 1:01:26 | |
No, nice lad, he is. Nice lad. I mean... | 1:01:26 | 1:01:29 | |
I didn't think they'd be into cross dressing, the Royal Family, but he was a top bloke, him. | 1:01:29 | 1:01:33 | |
A game of darts afterwards, few pints, he's a good fella. | 1:01:33 | 1:01:36 | |
So you turn, bow and then you walk off. | 1:01:36 | 1:01:39 | |
And you go down the back and you do this thing called the line-up where you meet the Royal Family. | 1:01:39 | 1:01:43 | |
And you get placed next to someone. | 1:01:43 | 1:01:45 | |
I found myself placed next to Cheryl Cole. My fantasy shag. | 1:01:45 | 1:01:49 | |
I went...I said, "Hello, Cheryl," | 1:01:50 | 1:01:53 | |
which I thought was better than, "You're my fantasy shag, ha-ha!" | 1:01:53 | 1:01:56 | |
I said, "Hello, Cheryl." She went, "Hello, pet." | 1:02:00 | 1:02:03 | |
And it was amazing. | 1:02:04 | 1:02:06 | |
It was amazing. There was something immediate that I knew straight away. | 1:02:06 | 1:02:09 | |
I walked out the Palladium. I phoned my wife. | 1:02:09 | 1:02:12 | |
I said, "Listen, I'm going to tell you something before anyone else tells you. | 1:02:12 | 1:02:15 | |
"There'll be no super injunction here. I'm going to tell you myself. | 1:02:15 | 1:02:19 | |
"Because I've just met Cheryl Cole. | 1:02:19 | 1:02:21 | |
"I've just met my fantasy shag and I can tell you now, | 1:02:21 | 1:02:24 | |
"after 18 years of marriage, three kids and a million arguments, | 1:02:24 | 1:02:27 | |
"if you were stood there a thousand times and Cheryl Cole was stood there a thousand times," | 1:02:27 | 1:02:33 | |
I said, "I would pick you every single time." | 1:02:33 | 1:02:38 | |
I would. I said, "Cos she's tiny. I would smash her to pieces." | 1:02:38 | 1:02:42 | |
CHEERING AND APPLAUSE | 1:02:44 | 1:02:47 | |
There'd be bits of Cheryl everywhere! | 1:02:49 | 1:02:52 | |
"Sorry, Cheryl, love, put that back on." | 1:02:52 | 1:02:54 | |
It's amazing how a wife can get annoyed quickly | 1:02:54 | 1:02:57 | |
after a compliment, isn't it? | 1:02:57 | 1:03:00 | |
And it has, ladies and gentlemen, it's been a mental year but you know what? | 1:03:00 | 1:03:04 | |
I'll be dead honest with you. I feel like I've nicked someone else's life | 1:03:04 | 1:03:07 | |
because I can't believe I'm doing this as a job. I feel, you know, | 1:03:07 | 1:03:11 | |
I feel like tonight there's probably a sales rep driving a Mondeo | 1:03:11 | 1:03:15 | |
in Birmingham thinking, "Haven't I got a gig in Liverpool tonight?" | 1:03:15 | 1:03:19 | |
I don't know how all of this has happened. | 1:03:19 | 1:03:21 | |
It's grown out of all proportion of anything I could have thought of and it's brilliant. | 1:03:21 | 1:03:25 | |
I'm absolutely loving it and I really appreciate you coming out, | 1:03:25 | 1:03:29 | |
but I do feel it's someone else's dream. | 1:03:29 | 1:03:31 | |
And so before we finish and, by the way, the finish is the finish - you'll know. You will know the end. | 1:03:31 | 1:03:37 | |
The end's not one of those pretend showbiz ends where people walk off | 1:03:37 | 1:03:40 | |
and then come back on. | 1:03:40 | 1:03:42 | |
And you think, "Oh, for fuck's sake, he's back." No, that doesn't happen. | 1:03:42 | 1:03:46 | |
It's stupid, that is. I don't know who started that in show business, that pretend end. | 1:03:46 | 1:03:50 | |
There's no other job in the world | 1:03:50 | 1:03:52 | |
where people pretend to leave work, is there? | 1:03:52 | 1:03:56 | |
No-one ever says, "Look, I'm just leaving the office, I'm off now. | 1:03:56 | 1:04:00 | |
"Oh, I'm back! I've got ten more minutes." No, no, no. | 1:04:00 | 1:04:04 | |
The end will be the end. But we are nowhere near the end yet, | 1:04:04 | 1:04:08 | |
because before we reach there, what I wanted to do, if you don't mind, | 1:04:08 | 1:04:12 | |
because this is a dream that I couldn't have possibly even thought of dreaming, | 1:04:12 | 1:04:16 | |
I wanted to show you what my real dream would have been. | 1:04:16 | 1:04:19 | |
CHEERING AND APPLAUSE | 1:04:23 | 1:04:26 | |
MUSIC: "Stayin' Alive" by the Bee Gees | 1:04:26 | 1:04:30 | |
# Well you can tell by the way I use my walk I'm a woman's man | 1:04:30 | 1:04:34 | |
# No time to talk Music loud and women warm | 1:04:34 | 1:04:37 | |
# I've been kicked around since I was born | 1:04:37 | 1:04:40 | |
# It's all right, it's OK You may look the other way | 1:04:40 | 1:04:45 | |
# We can try to understand The New York times' effect on man | 1:04:45 | 1:04:49 | |
# Whether you're a brother or whether you're a mother | 1:04:49 | 1:04:52 | |
# You're stayin' alive stayin' alive | 1:04:52 | 1:04:54 | |
# Feel the city breakin' and everybody shakin' | 1:04:54 | 1:04:56 | |
# And we're stayin' alive stayin' alive... # | 1:04:56 | 1:04:59 | |
MUSIC: "Night Fever" by the Bee Gees | 1:04:59 | 1:05:02 | |
# Listen to the ground There is movement all around | 1:05:15 | 1:05:19 | |
# There is somethin' goin' down and I can feel it | 1:05:19 | 1:05:24 | |
# On the waves of the air there is dancin' out there | 1:05:24 | 1:05:28 | |
# If it's somethin' we can share we can steal it | 1:05:28 | 1:05:32 | |
# That sweet city woman she moves through the light | 1:05:33 | 1:05:37 | |
# Controlling my mind and my soul | 1:05:37 | 1:05:41 | |
# When you reach out for me Yeah, the feelin' is bright | 1:05:42 | 1:05:47 | |
# Night fever, night fever We know how to do it | 1:05:47 | 1:05:52 | |
# Night fever, night fever | 1:05:55 | 1:05:58 | |
# We know how to show it... # | 1:05:58 | 1:06:00 | |
CHEERING AND APPLAUSE | 1:06:05 | 1:06:10 | |
# Borne on the wind | 1:06:14 | 1:06:16 | |
# Makin' it fly-y-y-y-y-y | 1:06:16 | 1:06:22 | |
# Night fever, night fever We know how to do it | 1:06:22 | 1:06:27 | |
# Night fever, night fever | 1:06:29 | 1:06:34 | |
# We know how to show it | 1:06:34 | 1:06:36 | |
# In the heat of our love don't need no help for us to make it | 1:06:38 | 1:06:43 | |
# Gimme just enough to take us to the mornin' | 1:06:43 | 1:06:47 | |
# I got fire in my mind I got higher in my walkin' | 1:06:48 | 1:06:51 | |
# And I'm glowin' in the dark I give you warnin' | 1:06:51 | 1:06:56 | |
# That sweet city woman she moves through the light | 1:06:56 | 1:07:01 | |
# Controlling my mind and my soul | 1:07:01 | 1:07:05 | |
# When you reach out for me Yeah, and the feelin' is bright | 1:07:06 | 1:07:10 | |
# Then I get night fever night fever | 1:07:10 | 1:07:13 | |
# We know how to do it | 1:07:13 | 1:07:16 | |
# Gimme that night fever night fever | 1:07:18 | 1:07:21 | |
# We know how to show it | 1:07:21 | 1:07:24 | |
# Here I am | 1:07:28 | 1:07:30 | |
# Praying for this moment to last | 1:07:30 | 1:07:32 | |
# Living on the music so fine borne on the wind | 1:07:35 | 1:07:40 | |
# Makin' it mine | 1:07:40 | 1:07:45 | |
# Night fever, night fever | 1:07:45 | 1:07:48 | |
# We know how to do it | 1:07:48 | 1:07:50 | |
-# Night fever, night fever... # -Thank you! | 1:07:53 | 1:07:57 | |
# We know how to show it | 1:07:57 | 1:07:59 | |
# Night fever, night fever | 1:08:03 | 1:08:06 | |
# We know how to do it | 1:08:06 | 1:08:09 | |
# Gimme that night fever night fever | 1:08:11 | 1:08:15 | |
# We know how to show it... # | 1:08:15 | 1:08:17 | |
CHEERING AND APPLAUSE | 1:08:23 | 1:08:29 | |
Ladies and gentlemen, please put your hands together for the dancers! | 1:09:05 | 1:09:10 | |
They've all come from dance schools in Liverpool. | 1:09:14 | 1:09:16 | |
They've been with me for months. They've been absolutely tremendous, | 1:09:16 | 1:09:20 | |
but I've got to thank you for being here, for taking a chance | 1:09:20 | 1:09:24 | |
and God willing, I'll see you somewhere else in the future. Thank you. | 1:09:24 | 1:09:28 | |
Good night and God bless. | 1:09:28 | 1:09:29 | |
Subtitles by Red Bee Media Ltd | 1:09:54 | 1:09:57 |