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This programme contains strong language. | 0:00:02 | 0:00:06 | |
WHISTLING | 0:00:06 | 0:00:07 | |
TANNOY: Mr McIntyre. | 0:00:07 | 0:00:10 | |
LAUGHTER | 0:00:10 | 0:00:12 | |
'One minute to Showtime.' | 0:00:12 | 0:00:14 | |
Suit me up. | 0:00:16 | 0:00:18 | |
'Ladies and gentlemen! | 0:00:55 | 0:00:58 | |
'It's...Showtime! | 0:00:58 | 0:01:01 | |
'Please welcome Michael McIntyre!' | 0:01:01 | 0:01:06 | |
CHEERING AND APPLAUSE | 0:01:06 | 0:01:09 | |
Hello! | 0:01:11 | 0:01:13 | |
Good evening! | 0:01:17 | 0:01:18 | |
Hello! | 0:01:23 | 0:01:24 | |
Good evening, London, how are you? Are you all right? | 0:01:26 | 0:01:29 | |
CHEERING | 0:01:29 | 0:01:31 | |
Oh, yes. | 0:01:31 | 0:01:33 | |
What a year it has been, ladies and gentlemen. | 0:01:34 | 0:01:36 | |
2012, thank God I'm performing in this year. | 0:01:36 | 0:01:38 | |
This is the year that London became probably the greatest city on earth. | 0:01:38 | 0:01:43 | |
I don't know how long it's going to last. | 0:01:43 | 0:01:45 | |
This very room, ladies and gentlemen, this very room, | 0:01:46 | 0:01:49 | |
people won Olympic gold medals right here, in this room! | 0:01:49 | 0:01:53 | |
It was incredible. | 0:01:54 | 0:01:55 | |
We all got so patriotic, it became almost fever pitch. | 0:01:55 | 0:01:59 | |
I think it was summed up, the lovely moment | 0:01:59 | 0:02:01 | |
when Jessica Ennis was doing the long jump. | 0:02:01 | 0:02:03 | |
And she was there before she goes, and she did the clapping thing, | 0:02:03 | 0:02:06 | |
where she wants everybody, the whole stadium, come on... | 0:02:06 | 0:02:08 | |
No, don't you do it, I'm not going to high jump! | 0:02:08 | 0:02:11 | |
This isn't the Olympics now! | 0:02:11 | 0:02:13 | |
The whole crowd was like, "Yes, go on, Jessica, go on." | 0:02:13 | 0:02:16 | |
Everyone was in time. | 0:02:16 | 0:02:18 | |
People at home were probably going "Go on, Jess, you can do this. | 0:02:18 | 0:02:20 | |
"Team GB. Go on, Jessica, Team GB." | 0:02:20 | 0:02:22 | |
She was like, "I'm going to do it soon, I'm not going to do it yet. | 0:02:22 | 0:02:25 | |
"I'm going to do it in a minute. I've been training for four years. Is it now? It's not now. | 0:02:25 | 0:02:28 | |
"It could be now." "Go on, Jessica." | 0:02:28 | 0:02:30 | |
And she ran and she flew. | 0:02:30 | 0:02:31 | |
Probably jumped further than ever before | 0:02:31 | 0:02:33 | |
because of the weight of expectation and the excitement | 0:02:33 | 0:02:36 | |
and euphoria of the nation. | 0:02:36 | 0:02:37 | |
Then her major rival stepped up next, a woman from Lichtenstein, | 0:02:37 | 0:02:41 | |
who for some reason decided to do the same thing | 0:02:41 | 0:02:44 | |
to the British Olympic Stadium. | 0:02:44 | 0:02:47 | |
And everyone just went, "No. | 0:02:47 | 0:02:49 | |
"Team GB!" | 0:02:50 | 0:02:52 | |
It was an extraordinary time. And I got into all the sports. | 0:02:52 | 0:02:55 | |
I got into sports that, let's be honest, aren't really spectator sports. | 0:02:55 | 0:02:58 | |
I will never watch them again. | 0:02:58 | 0:02:59 | |
But I was obsessive over them because we were winning gold medals. | 0:02:59 | 0:03:03 | |
Like the dressage. Is that really a sport? | 0:03:03 | 0:03:06 | |
It's just a gay horse. | 0:03:06 | 0:03:08 | |
LAUGHTER | 0:03:13 | 0:03:16 | |
Even the person on the horse was like, | 0:03:16 | 0:03:18 | |
"It's not really a sport, it's just a gay horse. He came out last week." | 0:03:18 | 0:03:22 | |
All the horse ones were quite shit, if I'm honest. | 0:03:22 | 0:03:25 | |
But the equestrian centre was just around the corner here. | 0:03:25 | 0:03:27 | |
They were so posh. | 0:03:27 | 0:03:29 | |
It was strange seeing middle-aged, upper-class men winning gold medals, | 0:03:29 | 0:03:33 | |
because they were so uber sort of posh. | 0:03:33 | 0:03:36 | |
They have those lips, you know, | 0:03:36 | 0:03:38 | |
that sort of move independently of what they're saying. | 0:03:38 | 0:03:42 | |
They'll be saying one thing, | 0:03:42 | 0:03:44 | |
but their lips will be doing completely the opposite. | 0:03:44 | 0:03:47 | |
Thousands of years of inbreeding and, basically, | 0:03:47 | 0:03:49 | |
the lips have a life of their own at this point. | 0:03:49 | 0:03:53 | |
"Before I even wake up, the lips are moving. | 0:03:53 | 0:03:56 | |
"Morning! | 0:03:56 | 0:03:57 | |
"Sometimes I finish the sentence and the lips carry on without me." | 0:03:59 | 0:04:02 | |
I don't how they scored it. | 0:04:04 | 0:04:06 | |
Do you get more points the more you look like the horse? | 0:04:06 | 0:04:08 | |
Is that how they actually competed in the equestrian? | 0:04:08 | 0:04:11 | |
"Prrr! Somebody give me a carrot!" | 0:04:11 | 0:04:13 | |
Even Andy Murray won. That's when I knew something was up. | 0:04:15 | 0:04:18 | |
When Andy Murray... When Andy Murray caught the Team GB bug. | 0:04:18 | 0:04:22 | |
He hasn't even lost since. It's incredible. | 0:04:22 | 0:04:24 | |
I actually met Andy Murray once. I met him in a restaurant. | 0:04:24 | 0:04:27 | |
I don't know him. He was eating, I was eating. I saw him. | 0:04:27 | 0:04:29 | |
He was quite inconspicuous cos he was in his home clothes. | 0:04:29 | 0:04:32 | |
We've never seen him in his home clothes. You know, like a polo neck. | 0:04:32 | 0:04:35 | |
He was eating a plateful of normal food. | 0:04:35 | 0:04:37 | |
It's not like he was sitting in his kit, | 0:04:37 | 0:04:40 | |
a towel over his head, having a banana. | 0:04:40 | 0:04:42 | |
"I think that's Andy Murray on table four." | 0:04:43 | 0:04:46 | |
Asking for the napkin and just throwing it back. | 0:04:46 | 0:04:50 | |
Selecting potatoes. | 0:04:50 | 0:04:51 | |
"These two are fine, that one can piss off." | 0:04:53 | 0:04:57 | |
"I'm sure it's Andy Murray." | 0:04:57 | 0:04:59 | |
So I went over to his table. He was there with his girlfriend. | 0:04:59 | 0:05:01 | |
You've probably seen her, very pretty girl. He was sitting there. | 0:05:01 | 0:05:04 | |
There were two other people sitting there. | 0:05:04 | 0:05:06 | |
And I went opposite. I don't know him, I just thought I'd say hello. | 0:05:06 | 0:05:09 | |
I should have said, "Excuse me, sorry to bother you." | 0:05:09 | 0:05:11 | |
This is the classic way to interrupt people, | 0:05:11 | 0:05:13 | |
but I panicked. I just identified him. | 0:05:13 | 0:05:15 | |
I just went, "Andy Murray." | 0:05:15 | 0:05:17 | |
He stopped eating and went, "Michael McIntyre." | 0:05:18 | 0:05:21 | |
I said, "I love you, Andy Murray." | 0:05:23 | 0:05:25 | |
He said, "I love you, Michael McIntyre." | 0:05:25 | 0:05:27 | |
I said, "I saw you at Wimbledon." He's like, "I've got your DVD." | 0:05:27 | 0:05:30 | |
I said, "You're my favourite tennis player." | 0:05:30 | 0:05:32 | |
He said, "You're my favourite comedian." | 0:05:32 | 0:05:34 | |
Anyway, we kept exchanging more these compliments | 0:05:34 | 0:05:36 | |
and I looked over at girlfriend and she was doing this. | 0:05:36 | 0:05:38 | |
APPLAUSE | 0:05:39 | 0:05:41 | |
Tennis is fun. | 0:05:42 | 0:05:44 | |
And the umpire, seriously, what kind of a job is tennis umpiring? | 0:05:45 | 0:05:50 | |
Any baby could do that. They just sit in a high chair saying, "JUICE." | 0:05:50 | 0:05:53 | |
That's my favourite joke, glad you enjoyed it. | 0:05:53 | 0:05:55 | |
Let's be honest. | 0:05:57 | 0:05:58 | |
I think, personally, of all the heroes this year, | 0:05:58 | 0:06:00 | |
and there have been many, the Queen has surpassed herself. | 0:06:00 | 0:06:04 | |
CHEERING | 0:06:04 | 0:06:05 | |
That whole, "Good evening, Mr Bond." Are you kidding? | 0:06:05 | 0:06:09 | |
I actually met the Queen. | 0:06:11 | 0:06:12 | |
I got invited to a reception at Buckingham Palace. | 0:06:12 | 0:06:14 | |
I just went and shook her hand. It was an honour. | 0:06:14 | 0:06:16 | |
It was probably the most exciting post I have ever received, | 0:06:16 | 0:06:19 | |
when I got the invitation in the post. | 0:06:19 | 0:06:21 | |
Because mostly post is boring, you know, just bills and rubbish, | 0:06:21 | 0:06:24 | |
but this day, something seemed to be glowing in the pile. | 0:06:24 | 0:06:26 | |
I was like, "What on earth could this be?" | 0:06:26 | 0:06:28 | |
It was heavy when I picked up the envelope. | 0:06:28 | 0:06:30 | |
It sort of had silk woven into the fabric. | 0:06:30 | 0:06:32 | |
My name was written in fountain pen, calligraphy, | 0:06:32 | 0:06:35 | |
the M just went on for ever. | 0:06:35 | 0:06:36 | |
"This is just the most exciting post I've ever got!" | 0:06:36 | 0:06:39 | |
I turned it over, there was actually a seal on it. A red wax seal. | 0:06:39 | 0:06:43 | |
I was like, "Oh! | 0:06:43 | 0:06:45 | |
"I'm going to Hogwarts!" I was so excited! | 0:06:45 | 0:06:47 | |
"Children, daddy's a wizard! | 0:06:49 | 0:06:50 | |
"Go-to-bediarmus!" | 0:06:52 | 0:06:53 | |
So I opened it up, you know, with my finger. | 0:06:54 | 0:06:57 | |
That's what modern people like to do, we just rip it open. Rip. | 0:06:57 | 0:07:02 | |
Cos old people, they used to have little swords. I miss the swords. | 0:07:02 | 0:07:05 | |
Why don't we get swords? Old people had a little sword. | 0:07:05 | 0:07:07 | |
They would do battle with their post. | 0:07:07 | 0:07:09 | |
Old people's desks are hilarious. | 0:07:09 | 0:07:11 | |
Little mini swords, blotting paper, paperweights. | 0:07:11 | 0:07:15 | |
How windy are their houses? Why do they need paperweights? | 0:07:15 | 0:07:18 | |
So I opened it up, the envelope, which by the way, | 0:07:20 | 0:07:23 | |
I'm a big fan of as well, envelopes. You need an envelope. | 0:07:23 | 0:07:25 | |
I've never understood postcards. Why do people send postcards? | 0:07:25 | 0:07:28 | |
You know that everybody who can, will read your postcard. It's like public viewing. | 0:07:28 | 0:07:32 | |
Every time you send a postcard, it's a fact, | 0:07:32 | 0:07:34 | |
the postman is going to read your postcard. | 0:07:34 | 0:07:37 | |
That's why I always add a little mischievous comment to my postcards. | 0:07:37 | 0:07:40 | |
"Dear Dave, wish you were here. | 0:07:40 | 0:07:42 | |
"Still having those sexual fantasies about the postman? Ha-ha!" | 0:07:42 | 0:07:46 | |
LAUGHTER | 0:07:46 | 0:07:48 | |
I don't even know who writes anything any more. | 0:07:52 | 0:07:55 | |
I don't write anything. I don't know if I can write. | 0:07:55 | 0:07:57 | |
I type everything on a computer. | 0:07:57 | 0:07:59 | |
I don't think I can live without spell-check. | 0:07:59 | 0:08:01 | |
I tell you what's really bugging me at the moment. | 0:08:01 | 0:08:03 | |
It's people who have the same name | 0:08:03 | 0:08:05 | |
that is spelt completely differently. | 0:08:05 | 0:08:07 | |
I'm so sorry, for all of you people, | 0:08:07 | 0:08:09 | |
and I know there are many in this room tonight. | 0:08:09 | 0:08:11 | |
It is such an odd, unnecessary waste of your life. | 0:08:11 | 0:08:14 | |
Like Sarah, Sarah with an H or Sara without an H. | 0:08:14 | 0:08:17 | |
Sara without an H is pronounced like this. | 0:08:17 | 0:08:19 | |
"Sarah." | 0:08:19 | 0:08:21 | |
And with an H? | 0:08:21 | 0:08:22 | |
"Sarah." | 0:08:22 | 0:08:23 | |
But Sarah has to spend the whole of her life going, | 0:08:25 | 0:08:27 | |
"Sarah with an H, with an H. That's with an H." | 0:08:27 | 0:08:29 | |
"Sorry, is that with an H?" | 0:08:29 | 0:08:31 | |
"No, there's no H. Sorry, you put an H, there's actually no H." | 0:08:31 | 0:08:34 | |
What a waste of life. | 0:08:34 | 0:08:35 | |
Like Stewart with a W is pronounced like this, "Stuart." | 0:08:35 | 0:08:38 | |
Without a W, "Stuart." | 0:08:38 | 0:08:41 | |
What are we doing? | 0:08:41 | 0:08:42 | |
It's not like it's, "What's your name?" | 0:08:42 | 0:08:44 | |
"Stew-arrt." | 0:08:44 | 0:08:45 | |
"Stew...arrrt." | 0:08:47 | 0:08:49 | |
"And you are?" | 0:08:49 | 0:08:50 | |
"Stu-uart." | 0:08:50 | 0:08:51 | |
"Stu-uart." | 0:08:51 | 0:08:54 | |
"And this is my wife, Sarah-hhhh." "Oh! | 0:08:54 | 0:08:56 | |
"Stu-uart and Sarah-hhhh." | 0:08:57 | 0:08:59 | |
"Have you met Stu-uart? This is Stew-art. | 0:09:00 | 0:09:02 | |
"Come and meet the others. | 0:09:02 | 0:09:04 | |
"It's Steven and Step-hen. Do say hello. | 0:09:04 | 0:09:07 | |
"This is Stew-art, Stu-uart and Sarah-hhhh, | 0:09:07 | 0:09:10 | |
"Steven and Step-hen. | 0:09:10 | 0:09:12 | |
"Oh, if it isn't Jeff and Ge-off, join the party! Come on! | 0:09:12 | 0:09:15 | |
"Jeff and Ge-off and your wives, Jill and Gill. | 0:09:15 | 0:09:18 | |
"I forget who's with who. | 0:09:18 | 0:09:19 | |
"Jill is with Ge-off and Jeff is with Gill. | 0:09:19 | 0:09:21 | |
"This is Stu-uart, Stew-art, Steven, Step-hen and Sarah-hhhhh." | 0:09:21 | 0:09:26 | |
LAUGHTER | 0:09:26 | 0:09:27 | |
"Oh, if it isn't the three Seans. | 0:09:27 | 0:09:29 | |
"Do join the party, we've got 'Shoun', 'Seen' and 'Sha-oon'. | 0:09:29 | 0:09:32 | |
"Come on in! | 0:09:32 | 0:09:34 | |
"Shoun, Seen and Sha-oon, this is Stu-uart, Stew-art," | 0:09:34 | 0:09:38 | |
"Steven, Step-hen, Jeff, Ge-off, Jill, Gill, and Sarah-hhhh." | 0:09:38 | 0:09:42 | |
What a waste of life! | 0:09:42 | 0:09:44 | |
APPLAUSE | 0:09:44 | 0:09:45 | |
Why bother?! | 0:09:45 | 0:09:47 | |
Just continue applauding | 0:09:52 | 0:09:54 | |
if you have one of these names that has comes into the little story. | 0:09:54 | 0:09:57 | |
You poor things, suffering. | 0:09:57 | 0:10:00 | |
-What's your name? -Hannah. | 0:10:00 | 0:10:01 | |
-Hannah? -With an H. | 0:10:01 | 0:10:03 | |
With an H? Yes. | 0:10:03 | 0:10:05 | |
Hannah with an H. Oh, at the end! Sorry! | 0:10:07 | 0:10:11 | |
I thought you'd been unnecessarily explaining | 0:10:15 | 0:10:17 | |
the spelling of your name. | 0:10:17 | 0:10:19 | |
It is like me going, "Michael, with an M." | 0:10:19 | 0:10:21 | |
Who else? What's your name? | 0:10:24 | 0:10:26 | |
-Wain. W-A-I-N. -W...? | 0:10:26 | 0:10:29 | |
Everybody's laughing because... | 0:10:29 | 0:10:30 | |
(There's only one way to spell it.) | 0:10:30 | 0:10:32 | |
But, let's see what your parents decided to do. | 0:10:32 | 0:10:35 | |
-W...? -..A-I-N. | 0:10:36 | 0:10:38 | |
..A-I-N? | 0:10:38 | 0:10:40 | |
That's... That's just a massive error. You need to change that. | 0:10:40 | 0:10:44 | |
Why would you do that? "Wain." | 0:10:44 | 0:10:47 | |
MICHAEL CHUCKLES | 0:10:49 | 0:10:51 | |
So I opened up the letter, right, you know, do you remember that? | 0:10:53 | 0:10:57 | |
This is now yesterday's post. | 0:11:00 | 0:11:02 | |
"Dear Michael. The Master..." I'm reading the letter now. | 0:11:04 | 0:11:07 | |
"Dear Michael, the Master of the Household." | 0:11:07 | 0:11:10 | |
That sounds very exciting. Who is this guy? | 0:11:10 | 0:11:11 | |
"The Master of the Household would like to invite you to | 0:11:11 | 0:11:14 | |
"Buckingham Palace to meet Her Majesty the Queen. | 0:11:14 | 0:11:16 | |
"RSVP, MasterOfTheHousehold @BuckinghamPalace.com." | 0:11:16 | 0:11:19 | |
Invited to Buckingham Palace. I e-mailed back almost immediately. | 0:11:19 | 0:11:22 | |
"Dear Master of the Household, I would love to meet the Queen. | 0:11:22 | 0:11:24 | |
"Thank you for your kind invitation." And then I signed it, | 0:11:24 | 0:11:27 | |
"Michael, Master of MY Household." | 0:11:27 | 0:11:29 | |
I have to say, I regretted it as soon as I sent it. | 0:11:29 | 0:11:31 | |
Why am I trying to be funny with the Master of Buckingham Palace? | 0:11:31 | 0:11:34 | |
It's obviously quite a serious person. | 0:11:34 | 0:11:36 | |
He's not going to e-mail me back, "LOL, can't wait to see you." | 0:11:36 | 0:11:39 | |
That's not going to happen. | 0:11:39 | 0:11:41 | |
What did I hope for? He was going to wake up the Queen? | 0:11:41 | 0:11:43 | |
"Wake up, Your Majesty, | 0:11:43 | 0:11:44 | |
"the most hilarious e-mail has just come through." | 0:11:44 | 0:11:46 | |
"Oh, get me my glasses." | 0:11:46 | 0:11:48 | |
HIGH-PITCHED LAUGHTER | 0:11:48 | 0:11:51 | |
"Philip, wake up, check this out." | 0:11:51 | 0:11:53 | |
"Oh, I love that Chinese comedian, he's such a hoot." | 0:11:53 | 0:11:57 | |
It's not going to happen. | 0:11:57 | 0:11:59 | |
She's got a good fake smile, the Queen. | 0:12:02 | 0:12:03 | |
A lot of fake smiling she has to do in life. It's honourable. | 0:12:03 | 0:12:06 | |
Cos I can't do that. | 0:12:06 | 0:12:07 | |
It's tough, isn't it, when someone says, "smile!" | 0:12:07 | 0:12:09 | |
When someone's taking a photo, "Smile!" | 0:12:09 | 0:12:12 | |
It's always annoying with digital cameras. | 0:12:12 | 0:12:14 | |
They take a photo of you, then they delete it in front of your face. It's really quite insulting. | 0:12:14 | 0:12:18 | |
They go, "That's terrible, can we try again?" | 0:12:18 | 0:12:21 | |
No, we can't try again. I've only got one face. | 0:12:21 | 0:12:23 | |
I'll be using this face for all the photos. Let's just take that one. | 0:12:23 | 0:12:26 | |
The one that really annoys me, | 0:12:26 | 0:12:27 | |
this has literally annoyed me since I was a toddler, | 0:12:27 | 0:12:29 | |
when people take a photo and they go, "Say cheese." | 0:12:29 | 0:12:32 | |
And everyone goes, "Cheeeese!" | 0:12:32 | 0:12:34 | |
Why are we behaving like that? That is not how people say cheese. | 0:12:34 | 0:12:37 | |
This is how people say cheese. | 0:12:37 | 0:12:39 | |
"Cheese." | 0:12:39 | 0:12:40 | |
What is wrong with all of us? | 0:12:42 | 0:12:44 | |
You're not in the supermarket with the trolley, | 0:12:44 | 0:12:46 | |
"Excuse me, mate, do you work here? I'm looking for the cheeeese." | 0:12:46 | 0:12:50 | |
"I think it's aisle four for cheeeese." | 0:12:52 | 0:12:54 | |
"Do you want salt and vinegar or cheeeese and onion?" Pathetic. | 0:12:56 | 0:13:01 | |
Here's some advice. I don't know if it's true. | 0:13:01 | 0:13:03 | |
It's more of a tip. My sister told me this. | 0:13:03 | 0:13:05 | |
Apparently, models who make a living out of looking good in photos, | 0:13:05 | 0:13:08 | |
they don't say cheese. They say, "prune." Prune. Prune. | 0:13:08 | 0:13:11 | |
Cos it makes them pout. Pruune. | 0:13:11 | 0:13:14 | |
Try it. I know you're dying to. | 0:13:16 | 0:13:18 | |
AUDIENCE: Pruuune. | 0:13:18 | 0:13:19 | |
Yes, you can feel it. Slightly awkward. | 0:13:19 | 0:13:22 | |
Obviously, I meant the women. It's a pouting thing. | 0:13:22 | 0:13:25 | |
All these blokes going, "Pruune. | 0:13:25 | 0:13:28 | |
"Yeah, I don't think I do pout enough in me photos." | 0:13:28 | 0:13:31 | |
"Prune!" | 0:13:31 | 0:13:32 | |
Yeah, models do that. They're very arrogant, aren't they, models. | 0:13:32 | 0:13:35 | |
I was watching one of those runway things the other day, | 0:13:35 | 0:13:38 | |
the way they walk. It is the most obnoxious walk I think I've ever seen anybody do. | 0:13:38 | 0:13:41 | |
They sort of thrust, "Check me out," you know. | 0:13:41 | 0:13:44 | |
Let's be honest, none of us | 0:13:46 | 0:13:48 | |
would ever have the arrogance to walk like that in public. | 0:13:48 | 0:13:52 | |
That's not actually strictly true. We all walk like that, | 0:13:52 | 0:13:54 | |
when we get a strike in tenpin bowling. | 0:13:54 | 0:13:56 | |
It's one of the oddest moments in life. | 0:13:56 | 0:13:59 | |
It doesn't matter who you are, you can be the hardest bloke on earth, | 0:13:59 | 0:14:02 | |
as you select the ball, walk down the lane in your normal walk. | 0:14:02 | 0:14:05 | |
Throw it down, do that leg thing for no reason at all. | 0:14:05 | 0:14:09 | |
If they all fall down, you're suddenly the campest man on earth. | 0:14:09 | 0:14:13 | |
"Well, who's the king of bowling, hey? Turns out, it's me! Boom!" | 0:14:13 | 0:14:18 | |
Complete personality shift. | 0:14:18 | 0:14:21 | |
In one strike. | 0:14:21 | 0:14:23 | |
I wouldn't remember that prune thing, if it wasn't for my wife. | 0:14:23 | 0:14:26 | |
She remembered it. She banked it, in her mind, to use it. | 0:14:26 | 0:14:29 | |
We went to one of these red-carpet things where | 0:14:29 | 0:14:32 | |
they have all these photographers. | 0:14:32 | 0:14:33 | |
She's got a new dress and everything. | 0:14:33 | 0:14:35 | |
She decided to bring out the prune. | 0:14:35 | 0:14:36 | |
But got it completely wrong. She said, "Plum." | 0:14:36 | 0:14:39 | |
Plum is a different fruit, | 0:14:39 | 0:14:40 | |
beginning with P and it ruined her face. | 0:14:40 | 0:14:42 | |
She looked like she was smelling something awful. | 0:14:42 | 0:14:45 | |
She was standing there going, "Plummmmm." | 0:14:45 | 0:14:47 | |
"Plummmmm." | 0:14:47 | 0:14:49 | |
There was like a whole bank of photographers. | 0:14:49 | 0:14:51 | |
I'm like, "What are you doing?" | 0:14:51 | 0:14:52 | |
"I'm doing that model thing, plum." | 0:14:52 | 0:14:54 | |
I said, "No, it's prune." Now I'm pouting. | 0:14:54 | 0:14:56 | |
There's actually a photo online of me going, "Pruuuune." | 0:14:56 | 0:14:59 | |
In her going, "I thought it was plummmm." | 0:14:59 | 0:15:01 | |
We don't go out very often. | 0:15:04 | 0:15:06 | |
But, when we do, it's a grand occasion. | 0:15:06 | 0:15:09 | |
Especially for her. | 0:15:09 | 0:15:10 | |
I marvel at all of you women, what you go through on a big night out. | 0:15:10 | 0:15:14 | |
Planning in advance, booking blow dries. | 0:15:14 | 0:15:17 | |
She does off for a blow-dry | 0:15:17 | 0:15:18 | |
and she comes back completely unrecognisable, | 0:15:18 | 0:15:20 | |
huge, big hair. | 0:15:20 | 0:15:22 | |
You get the nails done. Tanning, lots of tanning going on. | 0:15:23 | 0:15:26 | |
Not all of you are very good at it. I don't want to be mean. | 0:15:26 | 0:15:29 | |
But you have to tan your entire body. | 0:15:29 | 0:15:31 | |
That's an essential part of trying to convince people you've been abroad. | 0:15:31 | 0:15:34 | |
Some people sort of leave their feet. | 0:15:34 | 0:15:37 | |
You need to tan all the way over the feet. | 0:15:37 | 0:15:39 | |
People come up to them and go, "You look well, have you been away, somewhere nice? | 0:15:39 | 0:15:43 | |
"In your socks?" | 0:15:43 | 0:15:44 | |
But the spray tan is good. It actually works quite well. | 0:15:46 | 0:15:48 | |
My wife's done some spray tans. It's a very odd process though. | 0:15:48 | 0:15:51 | |
They spray her like a very dark mahogany. | 0:15:51 | 0:15:54 | |
A colour no human being has ever been, right? | 0:15:54 | 0:15:57 | |
And then you have to wait 24 hours. | 0:15:57 | 0:15:59 | |
And then you wash off the mahogany | 0:15:59 | 0:16:01 | |
and then she's a beautiful golden brown colour. | 0:16:01 | 0:16:03 | |
But this 24-hour period, it's difficult. | 0:16:03 | 0:16:05 | |
It's difficult for the whole family. Cos she stinks as well. | 0:16:05 | 0:16:09 | |
She's a kind of stinking, mahogany blow-dried woman walking around. | 0:16:09 | 0:16:13 | |
The children don't know who it is. | 0:16:13 | 0:16:15 | |
"Daddy, who dat stinky dark lady downstairs?" | 0:16:15 | 0:16:17 | |
"That's your mother." "Dat not Mummy. | 0:16:19 | 0:16:21 | |
"I don't like that lady. She smells. | 0:16:21 | 0:16:23 | |
"Dark lady smells. Mahogany mummy, I don't like her. | 0:16:23 | 0:16:26 | |
"Please, I don't want her read me story." | 0:16:26 | 0:16:29 | |
It's terrible cos it comes off in like... She'll stain. | 0:16:29 | 0:16:32 | |
She'll touch soft furnishings and clothing | 0:16:32 | 0:16:34 | |
and literally leave brown stains on them. | 0:16:34 | 0:16:37 | |
And it's led to literally the most distressing mornings | 0:16:37 | 0:16:40 | |
of my entire life. | 0:16:40 | 0:16:42 | |
You know when you wake up in the morning | 0:16:42 | 0:16:44 | |
and you haven't yet adjusted to the day. | 0:16:44 | 0:16:46 | |
I sort of look over and... | 0:16:46 | 0:16:47 | |
"Oh, she's shat the bed." | 0:16:47 | 0:16:50 | |
HE GAGS | 0:16:51 | 0:16:55 | |
Jesus. | 0:16:58 | 0:17:00 | |
If I'm honest, that is probably not the first thing I think. | 0:17:00 | 0:17:02 | |
The first thing I do is confirm it's not me. "OK. | 0:17:02 | 0:17:05 | |
-"There's none on my side. -HE MOUTHS | 0:17:07 | 0:17:09 | |
"Darling, wake up, look at me. | 0:17:10 | 0:17:12 | |
"I'm just going to come straight out with this cos it's bad, OK? | 0:17:12 | 0:17:15 | |
"You're very sick. You're a very sick woman. | 0:17:15 | 0:17:17 | |
"I'm so sorry, we can't go out tonight. | 0:17:17 | 0:17:20 | |
"You've done a shit in your sleep, it's everywhere. | 0:17:20 | 0:17:23 | |
"It's even under your face. I'm not even sure how that has happened." | 0:17:23 | 0:17:27 | |
The children are coming in. | 0:17:27 | 0:17:28 | |
"Mahogany mummy did a poo in the bed!" | 0:17:28 | 0:17:30 | |
"Just get out, get out, get out and close the door!" | 0:17:30 | 0:17:33 | |
But of course, then she washes it off | 0:17:33 | 0:17:35 | |
and she's a beautiful golden brown, | 0:17:35 | 0:17:37 | |
to go with the blow-dry. Pow! And the nails. Yah! | 0:17:37 | 0:17:41 | |
That's before she's even got dressed yet. | 0:17:41 | 0:17:43 | |
Women getting dressed is an extraordinary procedure. | 0:17:43 | 0:17:45 | |
She needs privacy. "I'm getting ready now, leave me alone." | 0:17:45 | 0:17:48 | |
But men never want to leave women alone when they're getting dressed. | 0:17:48 | 0:17:51 | |
When there's some kind of nakedness involved, | 0:17:51 | 0:17:53 | |
we will always be lingering, lurking. | 0:17:53 | 0:17:55 | |
It is the privilege of every husband and boyfriend. | 0:17:55 | 0:17:58 | |
I'm always lurking when my wife's getting dressed. | 0:17:58 | 0:18:01 | |
Lying in bed, looking at the laptop but just leaning across. | 0:18:05 | 0:18:08 | |
Cos it's fun. It's fun to watch a girl getting dressed. | 0:18:11 | 0:18:13 | |
Not all of it. I'm not going to lie to you. | 0:18:13 | 0:18:15 | |
There are aspects of a woman getting dressed | 0:18:15 | 0:18:17 | |
that have decidedly mixed results. | 0:18:17 | 0:18:20 | |
Tights, for example, is a very 50-50 affair. | 0:18:20 | 0:18:24 | |
The first half is quite, I would say, almost erotic. | 0:18:24 | 0:18:27 | |
A very enjoyable spectator sport. | 0:18:27 | 0:18:29 | |
The lower leg, let's focus on the lower leg for now. | 0:18:29 | 0:18:32 | |
Sort of pointed toe, delicately scrunch up the tight, | 0:18:32 | 0:18:36 | |
glide it neatly over the lower leg. Lovely. Glide it over the other one. | 0:18:36 | 0:18:40 | |
Marvellous. | 0:18:40 | 0:18:41 | |
But once the tights reach the halfway point... | 0:18:42 | 0:18:45 | |
This is where I suggest you leave the room, OK? | 0:18:47 | 0:18:51 | |
Cos some shit goes on after that. | 0:18:51 | 0:18:54 | |
Sometimes she'd just tug at her crotch for like half an hour. | 0:18:59 | 0:19:03 | |
"Arrgh. Eurgh." | 0:19:03 | 0:19:05 | |
And just when you think it's over, she carries on. "Whoa! Whoa! | 0:19:07 | 0:19:10 | |
"Jesus, what are we doing up here now?" | 0:19:10 | 0:19:12 | |
She starts walking around like a baby taking their first steps. | 0:19:15 | 0:19:18 | |
Sometimes, she looks in the mirror and goes, "No, these aren't right." | 0:19:20 | 0:19:23 | |
Don't do it again! | 0:19:23 | 0:19:24 | |
Mixed results. | 0:19:27 | 0:19:28 | |
Like high heels as well. Amazing when stationary. | 0:19:30 | 0:19:33 | |
Sometimes she'll just stand there, "What you think of these new shoes? | 0:19:33 | 0:19:36 | |
"They're nice, aren't they?" "Oh, my God, those shoes are incredible." | 0:19:36 | 0:19:40 | |
"I just bought them. They're really nice, I really like them." | 0:19:40 | 0:19:43 | |
"Seriously, you look incredible in those shoes. | 0:19:43 | 0:19:45 | |
"I can't believe you married me. You're gorgeous. Come to me. | 0:19:45 | 0:19:49 | |
"Come to your husband." | 0:19:49 | 0:19:50 | |
"All right. | 0:19:52 | 0:19:53 | |
"OK, I've got it, I've got it." | 0:19:59 | 0:20:00 | |
"You know what? I'll come to you. Let's not spoil this." | 0:20:00 | 0:20:03 | |
Jesus Christ. | 0:20:03 | 0:20:04 | |
Mixed results. | 0:20:05 | 0:20:07 | |
That's before we've even got to the face. Incredible. | 0:20:07 | 0:20:11 | |
Women don't have to use the face they've been given. | 0:20:11 | 0:20:13 | |
I'm so envious of that. They sit and look in the mirror and go, | 0:20:13 | 0:20:16 | |
"No-one's going to be meeting this person. | 0:20:16 | 0:20:18 | |
"I'll be using these products to create a completely new identity." | 0:20:18 | 0:20:21 | |
Men don't have that luxury. | 0:20:23 | 0:20:25 | |
There's nothing more depressing than a man | 0:20:25 | 0:20:27 | |
looking in the mirror before he's going out at night. | 0:20:27 | 0:20:30 | |
"Well, that's it. | 0:20:30 | 0:20:31 | |
"Aagh!" | 0:20:36 | 0:20:37 | |
"I'm ready. Come on, darling. Can we go?" That's all we do, basically. | 0:20:39 | 0:20:42 | |
Hair management. That's our focus. We just hope hair stays on our head. | 0:20:42 | 0:20:47 | |
We hope it doesn't start popping out of our nose and our ears. | 0:20:47 | 0:20:50 | |
Human beings have a very odd relationship with hair. | 0:20:50 | 0:20:52 | |
Some hair we like on our body, others we find disgusting. | 0:20:52 | 0:20:55 | |
I think the oddest relationship with any hair on the human body, | 0:20:55 | 0:20:58 | |
in my opinion, has to be the eyelash. | 0:20:58 | 0:21:00 | |
I just don't understand eyelashes. | 0:21:00 | 0:21:02 | |
Why have we decided that eyelashes are magic? | 0:21:02 | 0:21:06 | |
They can change the future. | 0:21:06 | 0:21:09 | |
It's one of the most peculiar scenarios when somebody goes, | 0:21:09 | 0:21:12 | |
"Shh, don't move, don't move your face, stay still." | 0:21:12 | 0:21:16 | |
"What, what is it? What's on it?" | 0:21:16 | 0:21:19 | |
"Ssh, just stay completely still. Easy, careful... | 0:21:19 | 0:21:22 | |
"Eyelash." | 0:21:28 | 0:21:29 | |
"Oh. Thank you." | 0:21:29 | 0:21:32 | |
"Well, go on, then, make a wish." | 0:21:32 | 0:21:35 | |
Some people actually think about it. "Um, er... | 0:21:36 | 0:21:40 | |
"What do I need? OK, OK." | 0:21:41 | 0:21:44 | |
"Don't tell me." "I won't. | 0:21:47 | 0:21:49 | |
"Thank you." "Thank YOU." | 0:21:49 | 0:21:51 | |
What on earth is that all about? | 0:21:51 | 0:21:53 | |
Who decided that certain hair that falls off your body | 0:21:53 | 0:21:56 | |
can change destiny? | 0:21:56 | 0:21:58 | |
And why is it that hair anyway? It could be any hair. | 0:21:58 | 0:22:01 | |
You could be standing at the urinals going, "Excuse me, mate, don't move." | 0:22:01 | 0:22:04 | |
"What? Do I know you geezer?" "Ssh! Stay still. Easy, easy. | 0:22:04 | 0:22:09 | |
"Stay completely still." | 0:22:09 | 0:22:11 | |
"Pube." "Oh, cheers, mate, yeah." | 0:22:12 | 0:22:14 | |
"Well, go on, then make a wish." | 0:22:16 | 0:22:18 | |
"Er..." | 0:22:18 | 0:22:19 | |
"Try again." | 0:22:21 | 0:22:23 | |
"Try and ease it off in the blower. Stay there, mate." | 0:22:25 | 0:22:28 | |
I'm making a point. | 0:22:28 | 0:22:29 | |
It's illogical. | 0:22:31 | 0:22:33 | |
There's nothing men can do. There's nothing I can do. | 0:22:35 | 0:22:38 | |
It lends itself to laziness. | 0:22:38 | 0:22:39 | |
I can't speak for other men but I have become so incredibly lazy. | 0:22:39 | 0:22:42 | |
I'm in a long-term relationship now. | 0:22:42 | 0:22:44 | |
I've been with my wife a long time. | 0:22:44 | 0:22:46 | |
And I sort of do what I can get away with. The minimum. I do the minimum. | 0:22:46 | 0:22:50 | |
And I thought I was getting away with it. Until the other day. | 0:22:50 | 0:22:53 | |
She had a word. It was quite frightening. | 0:22:53 | 0:22:56 | |
It had obviously been like a build-up and I didn't see it coming. | 0:22:56 | 0:22:59 | |
She came up to me, "Michael, Michael." | 0:22:59 | 0:23:02 | |
Her eyes looked different. | 0:23:02 | 0:23:04 | |
"No, no, no." | 0:23:04 | 0:23:05 | |
"Can I have a word, please?" | 0:23:08 | 0:23:09 | |
"Um, OK, what is it? OK." | 0:23:09 | 0:23:12 | |
She said, "Michael, if you open one more milk... | 0:23:12 | 0:23:17 | |
"..when there's already a milk open, | 0:23:18 | 0:23:22 | |
"so help me, God, I'm going to divorce you." | 0:23:22 | 0:23:25 | |
"Really? We're this close to the edge over milk?" | 0:23:28 | 0:23:31 | |
"Yes, it's just a build-up. You just don't listen to me. | 0:23:31 | 0:23:34 | |
"I have asked you so many times and it's really winding me up. | 0:23:34 | 0:23:36 | |
"Why don't you do what I ask you?" | 0:23:36 | 0:23:39 | |
"I'm sorry, I just consider that there's an amount of milk | 0:23:39 | 0:23:42 | |
"in the house and you know, that level goes down as a whole." | 0:23:42 | 0:23:45 | |
"No, it doesn't go down as a whole. Just do as I ask you. | 0:23:45 | 0:23:48 | |
"Take the bottle that's already open. It really upsets me. | 0:23:48 | 0:23:51 | |
"Will you do that for me?" | 0:23:51 | 0:23:52 | |
"Yes, of course I will. Is there anything else?" | 0:23:52 | 0:23:55 | |
I should never have said that. | 0:23:55 | 0:23:56 | |
Why didn't I leave it there? | 0:23:56 | 0:23:58 | |
She said, "Yes, there are few things, now that you ask, | 0:23:58 | 0:24:02 | |
"that I don't understand, Michael, I don't understand about you." | 0:24:02 | 0:24:06 | |
"Well, what is it?" | 0:24:06 | 0:24:08 | |
"Sometimes, you do help - | 0:24:08 | 0:24:09 | |
"sometimes you put your dirty laundry in the basket | 0:24:09 | 0:24:12 | |
"and I'm grateful for that, thank you. | 0:24:12 | 0:24:14 | |
"But why, occasionally, do you just leave it near the basket? | 0:24:14 | 0:24:17 | |
"You need to put it IN the basket to help me. | 0:24:17 | 0:24:20 | |
"Why would you sometimes NOT help me and put it NEAR the basket. | 0:24:20 | 0:24:23 | |
"I just don't understand. Why is that, Michael?!" | 0:24:23 | 0:24:25 | |
"Cos I'm throwing it in. | 0:24:28 | 0:24:29 | |
"Sometimes I miss." | 0:24:32 | 0:24:34 | |
"Why then don't you go back and pick it up?" | 0:24:34 | 0:24:36 | |
"I do, I often go back and pick it up. | 0:24:36 | 0:24:38 | |
"Then I try again. | 0:24:38 | 0:24:39 | |
"Sometimes I'll do that for half an hour. | 0:24:44 | 0:24:47 | |
"I'm sorry, I won't do that again." | 0:24:47 | 0:24:48 | |
"Well, you'd better not cos it's really pissing me off. | 0:24:48 | 0:24:51 | |
"There's a few more things as well. | 0:24:51 | 0:24:53 | |
"Do you know that sometimes when you finish a packet of biscuits, | 0:24:53 | 0:24:55 | |
"you put the empty packet back in the cupboard? | 0:24:55 | 0:24:57 | |
"Why on earth would you do that?!" | 0:24:57 | 0:25:00 | |
"I didn't think you knew that was me." | 0:25:01 | 0:25:04 | |
"Who else is it going to be? | 0:25:05 | 0:25:07 | |
"And will you, please, Michael, I've literally... | 0:25:07 | 0:25:09 | |
"I know that I, for a fact, asked you this 100,000 times | 0:25:09 | 0:25:13 | |
"since we've been together, | 0:25:13 | 0:25:14 | |
"please will you put your plate in the dishwasher, not next to it. | 0:25:14 | 0:25:18 | |
"Because, next to it, I know you think you're helping, | 0:25:18 | 0:25:20 | |
"but you're not helping, cos it gets cleaned when it's in it, | 0:25:20 | 0:25:23 | |
"not next to it. Do you understand that?" | 0:25:23 | 0:25:25 | |
"Sorry, darling, I do always help, every time I finish my food, | 0:25:25 | 0:25:28 | |
"I always drop it off in the zone of the dishwasher." | 0:25:28 | 0:25:30 | |
"In the zone isn't helping me. | 0:25:30 | 0:25:32 | |
"You might as well put it in the fucking garden. | 0:25:32 | 0:25:34 | |
"It doesn't get cleaned in the garden | 0:25:34 | 0:25:36 | |
"and it doesn't get cleaned NEXT to the dishwasher. | 0:25:36 | 0:25:38 | |
"It gets cleaned IN the dishwasher. Do you understand? Why can't you understand that concept? | 0:25:38 | 0:25:42 | |
"When I unload the shopping, do I unload it next to the fridge, | 0:25:42 | 0:25:45 | |
"hoping someone's going to finish the job for me? No. | 0:25:45 | 0:25:47 | |
"When I cook the Sunday lunch, do I put the chicken next to the often? | 0:25:47 | 0:25:50 | |
"No, I put it IN THE OVEN! | 0:25:50 | 0:25:53 | |
"When I take the children to school, do we sit on the pavement next to the car? | 0:25:53 | 0:25:56 | |
"No, we get IN THE CAR! | 0:25:56 | 0:25:57 | |
"The only thing you clean in this house on a regular basis | 0:25:57 | 0:26:02 | |
"is your internet history and it's disgusting." | 0:26:02 | 0:26:04 | |
APPLAUSE | 0:26:04 | 0:26:06 | |
Cos we are in a long-term relationship. | 0:26:13 | 0:26:15 | |
13 years we've been together. You know, we're deliriously happy. | 0:26:15 | 0:26:18 | |
There are people here in long-term relationships. | 0:26:18 | 0:26:20 | |
There are people here in new relationships, people not in relationships. | 0:26:20 | 0:26:24 | |
I suppose what I'm asking is how do you know you're in a long-term relationship? | 0:26:24 | 0:26:27 | |
How do you know you can start terming your relationship as long-term? | 0:26:27 | 0:26:30 | |
I think, if you're interested, | 0:26:30 | 0:26:32 | |
I've actually pinpointed the exact moment | 0:26:32 | 0:26:34 | |
when a relationship goes long-term. | 0:26:34 | 0:26:36 | |
I think it's when, before sex, | 0:26:36 | 0:26:38 | |
you no longer take each other's clothes off, | 0:26:38 | 0:26:41 | |
but you take your own clothes off independently. | 0:26:41 | 0:26:43 | |
Cos you realise it is more practical and less time-consuming. | 0:26:43 | 0:26:47 | |
Cos in a new relationship, obviously, | 0:26:48 | 0:26:50 | |
you're filled with romance and passion, | 0:26:50 | 0:26:52 | |
lots of fiddling with bra straps and belts and ripping. | 0:26:52 | 0:26:55 | |
And then, one night, you don't even discuss it, | 0:26:55 | 0:26:58 | |
you'll just find yourself independently lying adjacent to one another | 0:26:58 | 0:27:01 | |
and slowly taking your clothes off. | 0:27:01 | 0:27:04 | |
Obviously, once you've established sex is on. | 0:27:04 | 0:27:07 | |
That's normally just a hopeful look towards her. | 0:27:07 | 0:27:10 | |
Or she'll do something sensationally erotic, | 0:27:15 | 0:27:17 | |
like mute the television. | 0:27:17 | 0:27:19 | |
"Ohhh! We were watching that. | 0:27:19 | 0:27:21 | |
"That can only mean one thing, yay!" | 0:27:21 | 0:27:23 | |
And then you just slowly take your clothes off. | 0:27:25 | 0:27:27 | |
She'll be there doing all her business. | 0:27:27 | 0:27:30 | |
Socks off, obviously, if it's a special occasion. | 0:27:30 | 0:27:32 | |
Confirm you're both entirely naked. | 0:27:34 | 0:27:38 | |
"Right. Let's begin." | 0:27:38 | 0:27:39 | |
And then you are in. Long-term relationship has begun! | 0:27:41 | 0:27:44 | |
And there's no going back. It's the same for afterwards as well. | 0:27:44 | 0:27:47 | |
In a new relationship after sex, | 0:27:47 | 0:27:48 | |
you remain naked for some period of time. Everything is new. | 0:27:48 | 0:27:52 | |
The covers off you, "Look at me, naked. | 0:27:52 | 0:27:55 | |
"I'm so comfortable to be naked with you." | 0:27:55 | 0:27:57 | |
Walking around completely naked, | 0:27:57 | 0:27:58 | |
"Look at me, completely naked "in my new relationship with you. | 0:27:58 | 0:28:01 | |
"I'm hungry, let's go downstairs naked. | 0:28:01 | 0:28:04 | |
"Look at me looking in the fridge with my chilly balls | 0:28:04 | 0:28:06 | |
"and my new relationship." | 0:28:06 | 0:28:07 | |
In a long-term relationship, literally, | 0:28:09 | 0:28:11 | |
the microsecond that it ends, you reassemble. | 0:28:11 | 0:28:15 | |
Everything goes back to where it was. | 0:28:15 | 0:28:17 | |
The book comes back out, the glasses are back on, | 0:28:19 | 0:28:21 | |
the laptop reopens, the television is unmuted. | 0:28:21 | 0:28:24 | |
It's like a magic trick. I don't know how couples do it. | 0:28:24 | 0:28:27 | |
Somebody could come into a room, survey the scene, | 0:28:27 | 0:28:29 | |
walk-out for three, maybe 3 1/2 minutes, walk back in, | 0:28:29 | 0:28:32 | |
the same scene would greet them. | 0:28:32 | 0:28:34 | |
How is that even possible? | 0:28:34 | 0:28:35 | |
But you have to be careful. in a long-term relationship. | 0:28:37 | 0:28:39 | |
You have to respect women because they're so different. You can take them for granted. | 0:28:39 | 0:28:43 | |
She'll have a word, she'll say, you know, "Michael, | 0:28:43 | 0:28:46 | |
"you've got to be a bit more romantic with me, you know? | 0:28:46 | 0:28:49 | |
"We've been together a long time now, you've got to make a bit of effort sometimes. | 0:28:49 | 0:28:53 | |
"Be a bit more romantic cos I'm a woman. I'm a woman. | 0:28:53 | 0:28:56 | |
"I've been doing some reading as well, recently. | 0:28:57 | 0:28:59 | |
"I've read three books." | 0:28:59 | 0:29:00 | |
"And I'm a woman. | 0:29:03 | 0:29:05 | |
"And I need to be seduced." | 0:29:05 | 0:29:07 | |
This is very difficult for men to understand, | 0:29:07 | 0:29:10 | |
because men don't need to be seduced. | 0:29:10 | 0:29:12 | |
We can seduce ourselves when we're not even conscious. | 0:29:12 | 0:29:15 | |
Often, we just wake up in the morning and just, "Oh." | 0:29:15 | 0:29:19 | |
LAUGHTER | 0:29:19 | 0:29:20 | |
"I appear to have fully seduced myself during the night. | 0:29:20 | 0:29:23 | |
"Bonus! | 0:29:23 | 0:29:25 | |
"Darling, I'm up for it, if you're up for it." | 0:29:25 | 0:29:27 | |
"I'm asleep, what are you talking about? Piss off!" | 0:29:27 | 0:29:29 | |
"Oh. I think you've shat the bed anyway, let's leave it." | 0:29:29 | 0:29:32 | |
LAUGHTER AND APPLAUSE | 0:29:32 | 0:29:34 | |
Spontaneity. Women love spontaneity. | 0:29:36 | 0:29:39 | |
I just don't think men really know what it means. | 0:29:39 | 0:29:41 | |
"Got to be a bit more spontaneous, you know. | 0:29:41 | 0:29:44 | |
"Just be spontaneous once in awhile. Surprise me with something. | 0:29:44 | 0:29:47 | |
"Be spontaneous!" Men don't really know what that means. | 0:29:47 | 0:29:49 | |
We think it means do something when she least expects it. | 0:29:49 | 0:29:52 | |
That's all we've really come up with. | 0:29:52 | 0:29:53 | |
Sometimes she'll be bending down loading the dishwasher... | 0:29:53 | 0:29:57 | |
I just sort of catch her in the corner of my eye. | 0:29:57 | 0:29:59 | |
"Oh, yeah, hello! Shag in. 'Ello." | 0:29:59 | 0:30:01 | |
"Michael, what are you doing? I'm busy!" | 0:30:01 | 0:30:04 | |
"I'm being spontaneous." | 0:30:04 | 0:30:06 | |
"No, piss off!" | 0:30:06 | 0:30:07 | |
"Sorry, I don't know what's wrong with you. | 0:30:08 | 0:30:11 | |
"You wanted me to be spontaneous. | 0:30:11 | 0:30:12 | |
"I was reading the paper, then I tried to have sex with you. | 0:30:12 | 0:30:15 | |
"It's the definition of spontaneous. I can't win." | 0:30:15 | 0:30:18 | |
Once, I actually knocked her in by accident. | 0:30:18 | 0:30:20 | |
"Ow! Shit!" | 0:30:20 | 0:30:22 | |
"Jesus! Oh, Christ! | 0:30:23 | 0:30:26 | |
"There's a spoon in my eye! | 0:30:26 | 0:30:29 | |
"What the hell were you doing?!" | 0:30:29 | 0:30:31 | |
"Sorry, darling, I was trying to be spontaneous." | 0:30:31 | 0:30:33 | |
"Spontaneously nearly took my eye out, you idiot! | 0:30:33 | 0:30:36 | |
"You're such a dickhead. | 0:30:36 | 0:30:38 | |
"Oh, my God, I've got pasta in my hair. | 0:30:38 | 0:30:41 | |
"There's peas on my forehead! | 0:30:41 | 0:30:43 | |
"Such a twat! | 0:30:43 | 0:30:44 | |
"I wouldn't be here if you'd put your plate | 0:30:44 | 0:30:46 | |
"in the fucking dishwasher and not next to it!" | 0:30:46 | 0:30:49 | |
LAUGHTER AND APPLAUSE | 0:30:49 | 0:30:51 | |
I've got two children, Lucas and Oscar, Lucas with a "C". | 0:30:56 | 0:31:00 | |
They like Where's Wally, I don't know why, it's very boring. | 0:31:01 | 0:31:04 | |
Wally's basically a little person in a stripy top | 0:31:04 | 0:31:06 | |
and you have to find him in a crowded scene full of people | 0:31:06 | 0:31:09 | |
in stripy tops, but there's only one Wally. | 0:31:09 | 0:31:11 | |
It sounds boring, but my kids love looking for him. | 0:31:11 | 0:31:13 | |
It's great for my wife and I cos we can just open the book | 0:31:13 | 0:31:15 | |
and go, "You look for Wally, | 0:31:15 | 0:31:17 | |
"while we go and look for a life we left behind before we had you." | 0:31:17 | 0:31:20 | |
Then they just go, "Found him!" | 0:31:22 | 0:31:23 | |
We just turn the page, "Good, find another one. Come on!" | 0:31:23 | 0:31:26 | |
I have done something which I feel amazingly guilty about, | 0:31:26 | 0:31:28 | |
and I don't want you to judge me by this, but I think it highlights, | 0:31:28 | 0:31:31 | |
you know, how stressful and tired you can become as parents. | 0:31:31 | 0:31:34 | |
I coloured Wally in. Is that bad? | 0:31:36 | 0:31:37 | |
There's no Wally. | 0:31:41 | 0:31:43 | |
They've been looking for 11 days. | 0:31:43 | 0:31:45 | |
My wife and I went to Venice last weekend. | 0:31:45 | 0:31:47 | |
We needed the break! | 0:31:47 | 0:31:49 | |
I'm playing a great game with my children at the moment, | 0:31:51 | 0:31:53 | |
a game I'm immensely proud of | 0:31:53 | 0:31:55 | |
because they're loving it and I invented it. | 0:31:55 | 0:31:57 | |
I'm the inventor of this game. | 0:31:57 | 0:31:59 | |
It's called Pants Down, You're The Loser. | 0:31:59 | 0:32:01 | |
Now, the rules of the game are much like the title suggests. | 0:32:02 | 0:32:05 | |
I basically chase my children round the house | 0:32:05 | 0:32:07 | |
and, if I manage to pull their pants down, | 0:32:07 | 0:32:10 | |
they are declared the loser of the game. | 0:32:10 | 0:32:12 | |
But the real beauty in the playing of this game | 0:32:12 | 0:32:14 | |
is we don't plan on it, it's not like I say, | 0:32:14 | 0:32:16 | |
"This Sunday, who's up for a game of Pants Down, kids?" | 0:32:16 | 0:32:19 | |
"Before dinner shall we squeeze in some Pants Down?" | 0:32:19 | 0:32:21 | |
None of that shit. | 0:32:21 | 0:32:22 | |
Any time, day or night, | 0:32:22 | 0:32:24 | |
I'll just go, "PANTS DOWN! YOU'RE THE LOSER!" | 0:32:24 | 0:32:27 | |
And they go nuts. | 0:32:27 | 0:32:28 | |
They do this run where they don't know which way to go. | 0:32:28 | 0:32:30 | |
"Daddyyy! No! No!" | 0:32:30 | 0:32:34 | |
They sort of thrust their arse away from me - "No! Daddy!" | 0:32:34 | 0:32:38 | |
HE GROANS | 0:32:39 | 0:32:41 | |
I try to catch them off guard. | 0:32:41 | 0:32:42 | |
We'll sit down for dinner at the end of the day, | 0:32:42 | 0:32:44 | |
my wife will say, "Have you had a good day, children?" | 0:32:44 | 0:32:47 | |
And I'll just go, "PANTS DOWN!" The food goes everywhere... | 0:32:47 | 0:32:49 | |
"No!" ..they've still got their cutlery. | 0:32:49 | 0:32:52 | |
"No, Daddy! Daddy, no!!" | 0:32:52 | 0:32:53 | |
I did it once in the middle of the night. | 0:32:55 | 0:32:57 | |
My wife nearly killed me, but it was worth it. It was hysterical. | 0:32:57 | 0:33:00 | |
I got up to pee, I was like, "PANTS DOWN!" | 0:33:00 | 0:33:02 | |
They're up in their pyjamas in the dark... | 0:33:02 | 0:33:04 | |
"Daddy?" | 0:33:04 | 0:33:05 | |
"Daddy, where are you?" | 0:33:07 | 0:33:08 | |
-SOBBING: -"Daddy! Daddy?" | 0:33:09 | 0:33:12 | |
I think they collided with each other in the corridor. | 0:33:12 | 0:33:15 | |
I did it when they were in the bath, | 0:33:16 | 0:33:18 | |
they had no idea what I was talking about. | 0:33:18 | 0:33:20 | |
"I don't understand!" | 0:33:21 | 0:33:23 | |
It's nice to have something up your sleeve, you know? | 0:33:25 | 0:33:28 | |
I'll be walking up the stairs, I just go behind them, | 0:33:28 | 0:33:30 | |
"Pants down!" | 0:33:30 | 0:33:31 | |
"ARGH!" | 0:33:31 | 0:33:33 | |
Please don't think - this is very important to me - | 0:33:34 | 0:33:37 | |
that I play this game to the best of my ability. | 0:33:37 | 0:33:40 | |
I never actually pull their pants down, it's just the threat of it. | 0:33:40 | 0:33:43 | |
It's not like I go, "PANTS DOWN! | 0:33:43 | 0:33:44 | |
"Game over. | 0:33:47 | 0:33:49 | |
"A couple of naked losers." | 0:33:51 | 0:33:53 | |
"Go and look for Wally, you're embarrassing yourselves. Pathetic." | 0:33:54 | 0:33:57 | |
But the key to parenting, and you'll know this if you're a parent, | 0:34:00 | 0:34:03 | |
or you can remember being a child, basically, don't lose your children. | 0:34:03 | 0:34:06 | |
They're little, they try to escape | 0:34:06 | 0:34:08 | |
and don't know the dangers of the world. | 0:34:08 | 0:34:10 | |
So I will repeat myself all day, every day. | 0:34:10 | 0:34:12 | |
"Stay close to me, stay where I can see you, hold my hand, don't run off." | 0:34:12 | 0:34:15 | |
Sometimes you lose them, they go from here, to here | 0:34:15 | 0:34:17 | |
and you literally nearly have a heart attack. | 0:34:17 | 0:34:19 | |
PANICKY SOBBING | 0:34:22 | 0:34:24 | |
"AARGH! | 0:34:27 | 0:34:29 | |
"WHERE DID YOU GO!? | 0:34:29 | 0:34:31 | |
"I TOLD YOU TO BE THERE!" | 0:34:31 | 0:34:33 | |
This is why I don't understand hide and seek. | 0:34:35 | 0:34:38 | |
Who invented it? This is the stupidest game imaginable. | 0:34:38 | 0:34:40 | |
It revolves around losing your children. | 0:34:40 | 0:34:42 | |
Why would you ever want to lose your children? | 0:34:42 | 0:34:44 | |
It's dangerous, there's dangers out there. | 0:34:44 | 0:34:46 | |
I always cheat, OK? It's a big facade when I play hide and seek, | 0:34:46 | 0:34:49 | |
I'm not going to let my children hide, even in my own house. | 0:34:49 | 0:34:51 | |
There's danger - they could hide in the tumble dryer, they could dry themselves to death. | 0:34:51 | 0:34:55 | |
While I'm searching like an idiot, "Are you under the table?" | 0:34:55 | 0:34:58 | |
No, they're in the tumble dryer! I'm not having that. | 0:34:58 | 0:35:00 | |
They could just leave home, get their passports. | 0:35:00 | 0:35:02 | |
"I'm going to win this game. Taxi!" | 0:35:02 | 0:35:04 | |
No, I'm not risking that. | 0:35:04 | 0:35:06 | |
So I cheat, I always know exactly where they are. | 0:35:06 | 0:35:08 | |
Seven...eight...nine... | 0:35:08 | 0:35:10 | |
I see where they go, they go behind the curtains. | 0:35:10 | 0:35:12 | |
I see their little feet sticking out the bottom, they're safe. | 0:35:12 | 0:35:15 | |
They're behind the curtains. I fake the whole thing. | 0:35:15 | 0:35:18 | |
"Are you under the table? No." | 0:35:18 | 0:35:19 | |
I know where they are, they're behind the curtains. | 0:35:19 | 0:35:21 | |
"In the cardboard? No." They're behind the curtains, OK? | 0:35:21 | 0:35:24 | |
I'm faking the whole thing. "Are you in my wallet? No." | 0:35:24 | 0:35:27 | |
You can hear them giggling, "Hee-hee!" | 0:35:27 | 0:35:29 | |
They're behind the curtains. | 0:35:29 | 0:35:30 | |
And sooner or later I go, "Are you behind the curtains? Yay! | 0:35:30 | 0:35:32 | |
"Whose turn is it?" They come running out. | 0:35:32 | 0:35:34 | |
The other day we played this - I've no idea how they did it - | 0:35:34 | 0:35:37 | |
they outwitted me. | 0:35:37 | 0:35:39 | |
They weren't there, it was horrific. | 0:35:39 | 0:35:41 | |
I was like, "Are you under the table? No. | 0:35:41 | 0:35:43 | |
"Are you behind the curtains? | 0:35:43 | 0:35:44 | |
"WHERE ARE YOU?! | 0:35:44 | 0:35:46 | |
"This is no longer a game! Come to Daddy now!" | 0:35:47 | 0:35:50 | |
I couldn't find them, for about half an hour. | 0:35:50 | 0:35:52 | |
My wife and I were beside ourselves, frantic. | 0:35:52 | 0:35:54 | |
After 20 minutes, she seriously suggested to me | 0:35:54 | 0:35:57 | |
that we phoned the police, this is how mad it was. | 0:35:57 | 0:36:00 | |
This would have been one of the most embarrassing recorded | 0:36:00 | 0:36:02 | |
telephone conversations in history. | 0:36:02 | 0:36:05 | |
"Hello? Hello, is that the police? | 0:36:05 | 0:36:08 | |
"I'd like to report two missing children, please. | 0:36:08 | 0:36:10 | |
"Please, can you help me?" | 0:36:10 | 0:36:12 | |
"Just calm down, Sir, where did you last see them?" | 0:36:12 | 0:36:14 | |
"I was on the landing, I counted to ten... | 0:36:14 | 0:36:16 | |
"..then they just disappeared. | 0:36:17 | 0:36:19 | |
"Please, I don't know where they are." | 0:36:19 | 0:36:21 | |
"Were you playing hide and seek?" | 0:36:21 | 0:36:22 | |
"Yes, but that's not the point. The point is I lost them. You've got to send someone. | 0:36:22 | 0:36:26 | |
"I love my children so much, my God, they're missing!" | 0:36:26 | 0:36:28 | |
"I think they've won." | 0:36:28 | 0:36:29 | |
"Of course they've fucking won, you idiot! You're not listening to me!" | 0:36:29 | 0:36:32 | |
LAUGHTER | 0:36:32 | 0:36:34 | |
What am I supposed to do? But I hope I'm a good father. | 0:36:35 | 0:36:38 | |
I mean I am falling apart. | 0:36:38 | 0:36:39 | |
I've hurt myself a lot this year, don't feel sorry for me. | 0:36:39 | 0:36:42 | |
I tore my calf. | 0:36:42 | 0:36:43 | |
I've had an operation on my knee, I dislocated my shoulder last year. | 0:36:43 | 0:36:47 | |
I actually saw the same guy for my knee and shoulder, I didn't expect to. | 0:36:47 | 0:36:50 | |
A specialist, very good doctor, I can recommend him. | 0:36:50 | 0:36:52 | |
He helped my shoulder. | 0:36:52 | 0:36:53 | |
Then I went to the hospital with my knee and I opened the door, | 0:36:53 | 0:36:56 | |
it's the same guy behind the desk. "Hello." | 0:36:56 | 0:36:58 | |
"Oh, I know you. I know you." | 0:36:58 | 0:37:00 | |
He said, "Yes, how's your shoulder?" | 0:37:00 | 0:37:01 | |
"It's good. Really good, thank you. | 0:37:01 | 0:37:04 | |
"You really helped there, it feels fine. | 0:37:04 | 0:37:06 | |
"But I'm here for my knee, I've hurt my knee. | 0:37:06 | 0:37:08 | |
"Have I come to the wrong room?" He said, "No, no. | 0:37:08 | 0:37:11 | |
"I do shoulders and knees." | 0:37:11 | 0:37:12 | |
Obviously, as you can appreciate, in these circumstances | 0:37:12 | 0:37:15 | |
it's very difficult not to say... | 0:37:15 | 0:37:17 | |
"And toes?" | 0:37:17 | 0:37:18 | |
LAUGHTER | 0:37:18 | 0:37:20 | |
But he hadn't heard the rhyme! | 0:37:21 | 0:37:23 | |
What kind of a lunatic...? | 0:37:23 | 0:37:25 | |
What kind of person...?! I thought everyone knew the rhyme! | 0:37:25 | 0:37:28 | |
He just went, "No." | 0:37:28 | 0:37:29 | |
LAUGHTER | 0:37:29 | 0:37:31 | |
"I'm shoulders and knees." | 0:37:31 | 0:37:32 | |
"Knees and toes?" "No, I don't do toes. | 0:37:32 | 0:37:34 | |
"Do you have a problem with your toes? | 0:37:34 | 0:37:36 | |
"I could recommend someone, a toe specialist?" | 0:37:36 | 0:37:38 | |
"No, I was wondering - you do shoulders and knees, | 0:37:38 | 0:37:40 | |
"do you do knees and toes?" "No, I don't do toes." | 0:37:40 | 0:37:43 | |
"What about heads?" "Why would I do heads? | 0:37:43 | 0:37:44 | |
"There's no joints in the head, I'm a joint specialist. | 0:37:44 | 0:37:47 | |
"I do shoulders and knees." "Knees and toes." "I don't do toes!" | 0:37:47 | 0:37:50 | |
"What about eyes and ears and mouth and nose?" | 0:37:50 | 0:37:52 | |
"How many things are wrong with you?! | 0:37:52 | 0:37:54 | |
"I do shoulders and knees!" "Knees and toes." "GET OUT!" | 0:37:54 | 0:37:57 | |
I've also had five teeth out this year. OK? | 0:37:59 | 0:38:04 | |
That's bad, I know. | 0:38:04 | 0:38:05 | |
Four wisdom teeth, and another tooth I had to have out | 0:38:05 | 0:38:07 | |
because I've had terrible trouble with my teeth. | 0:38:07 | 0:38:10 | |
It all started last year, I had this pain in my tooth. | 0:38:10 | 0:38:12 | |
Last year I was fine, my knee was fine, | 0:38:12 | 0:38:14 | |
my calf was fine, my shoulder was fine, I was in pretty good nick. | 0:38:14 | 0:38:16 | |
Then I had this pain in my tooth and I went to the dentist, | 0:38:16 | 0:38:19 | |
as you do, opened my mouth - which is key. | 0:38:19 | 0:38:21 | |
Obviously, you have to wait to be asked! | 0:38:21 | 0:38:23 | |
You don't just walk in - "Haaaah?" | 0:38:23 | 0:38:25 | |
So I sat in the chair and he looked in my mouth and said, | 0:38:27 | 0:38:29 | |
"You've got a rotting wisdom tooth. I've got to take it out." | 0:38:29 | 0:38:32 | |
And I didn't really mind, I didn't even know I had wisdom teeth. | 0:38:32 | 0:38:35 | |
I know my wife's had them out, | 0:38:35 | 0:38:37 | |
so I'm like, "Yeah, fine, whatever you like." | 0:38:37 | 0:38:39 | |
Also, there's a TV there, I'm watching This Morning, | 0:38:39 | 0:38:41 | |
watching Phillip Schofield chatting away, "Yeah, go for your life." | 0:38:41 | 0:38:44 | |
So he just got to work and I just lay there, | 0:38:44 | 0:38:46 | |
and I was there for a while. Maybe an hour, maybe more. | 0:38:46 | 0:38:49 | |
I thought, "I've been here ages." | 0:38:49 | 0:38:50 | |
So I flicked my eyes over to see if the dentist was OK, and he wasn't. | 0:38:50 | 0:38:54 | |
Oh, my God, he was quite stressed. | 0:38:54 | 0:38:56 | |
Sort of sweat coming off his forehead, | 0:38:56 | 0:38:58 | |
he was straining like this - "Urrrr!" | 0:38:58 | 0:39:00 | |
So I tried to ask him if he was OK, which is hard | 0:39:00 | 0:39:02 | |
when your mouth is completely numb, and he had equipment in it. | 0:39:02 | 0:39:06 | |
It came out as one sort of sound - "AOO-OO-AY?" | 0:39:06 | 0:39:09 | |
LAUGHTER | 0:39:09 | 0:39:10 | |
"AOO-OO-AY?" | 0:39:10 | 0:39:12 | |
Just one noise. | 0:39:12 | 0:39:14 | |
Like a Northern Irishman saying "mirror". | 0:39:14 | 0:39:16 | |
That's an odd moment - "Merrrr." | 0:39:16 | 0:39:18 | |
"I was looking in the merrrrr." | 0:39:18 | 0:39:20 | |
They're not even in the dentist, I don't know what's going on there. | 0:39:21 | 0:39:24 | |
I was like, "AOO-OO-OH-AY?" | 0:39:24 | 0:39:26 | |
And he pulled back and went, "No, no." | 0:39:26 | 0:39:28 | |
-SOBBING: -"No, I'm not OK. I'm not OK at all." | 0:39:28 | 0:39:31 | |
I thought it was something personal. | 0:39:31 | 0:39:33 | |
I was like... | 0:39:33 | 0:39:34 | |
-SLURRING: -"Oh, my God. | 0:39:34 | 0:39:35 | |
"Dell me what de matter ith. | 0:39:35 | 0:39:37 | |
"You poor thing." | 0:39:37 | 0:39:39 | |
He said, "I've been a dentist for 30 years..." | 0:39:39 | 0:39:41 | |
"Congratulathionth, that'th exthellent. | 0:39:41 | 0:39:43 | |
"Exthellent career, really, well done." | 0:39:43 | 0:39:46 | |
"..and I've never not been able to get somebody's tooth out. | 0:39:46 | 0:39:49 | |
-SOBBING: -"I can't get your tooth out. It's stuck." | 0:39:49 | 0:39:51 | |
-SLURRING: -"OK, look, you need to calm yourthelf down. | 0:39:51 | 0:39:54 | |
"I am in no rush, OK? | 0:39:56 | 0:39:58 | |
"I'm not in any pain whatthoever, I've got nowhere to be, | 0:39:58 | 0:40:01 | |
"I'm watching Thith Morning, I'm abtholutely completely fine. | 0:40:01 | 0:40:04 | |
"Go away, have a cup of tea, | 0:40:04 | 0:40:06 | |
"chill out, come back, try again. | 0:40:06 | 0:40:09 | |
"I believe in you." | 0:40:09 | 0:40:11 | |
He said, "The reason you don't feel any pain | 0:40:14 | 0:40:16 | |
"is I've numbed your mouth, OK? Look." | 0:40:16 | 0:40:18 | |
And he passed me a mirror. | 0:40:18 | 0:40:21 | |
I'm not going to lie to you, till the day I die, | 0:40:21 | 0:40:24 | |
I will never forget the image that greeted me in the reflection, OK? | 0:40:24 | 0:40:28 | |
This side of my face was literally twice the size of this side. | 0:40:28 | 0:40:32 | |
There was bruising, I hadn't even noticed, | 0:40:32 | 0:40:34 | |
my bib was covered in blood already. I didn't even see it. | 0:40:34 | 0:40:37 | |
There was blood dripping out the side of my face | 0:40:37 | 0:40:39 | |
like a sort of vampire, my eye was sort of closing. | 0:40:39 | 0:40:42 | |
I was like, "What the thuck have you done to me?!" | 0:40:42 | 0:40:45 | |
He said, "That's what I was trying to tell you. | 0:40:47 | 0:40:49 | |
"We've got to get you out of here and get you to hospital. Follow me!" | 0:40:49 | 0:40:52 | |
And he ran out of the room! | 0:40:52 | 0:40:54 | |
I just followed on behind him. | 0:40:54 | 0:40:55 | |
"Hello? Excuthe me? Hello?!" | 0:40:55 | 0:40:57 | |
I have to say, I felt particularly sorry, | 0:40:59 | 0:41:01 | |
the poor people in the waiting room, you know, | 0:41:01 | 0:41:03 | |
they're sitting there with the fish tank, reading old magazines, | 0:41:03 | 0:41:06 | |
reassuring their children | 0:41:06 | 0:41:07 | |
everything was going to be fine at the dentist visit. | 0:41:07 | 0:41:10 | |
I come out with bruising, blood all over my bib, | 0:41:10 | 0:41:13 | |
blood coming out of the side of my mouth. | 0:41:13 | 0:41:15 | |
"Excuthe me? | 0:41:18 | 0:41:19 | |
"Hath anybody theen the dentitht?" | 0:41:22 | 0:41:23 | |
They were like, "OK, children, you were right. Come with Mummy. | 0:41:25 | 0:41:28 | |
"Come on, come with Mummy now. Come on!" | 0:41:28 | 0:41:30 | |
I turn round to that idiot on reception, some woman there. | 0:41:30 | 0:41:33 | |
She was like, "Would you like to book an appointment with the hygienist?" | 0:41:33 | 0:41:36 | |
"The hydienitht?! | 0:41:36 | 0:41:38 | |
"I need a thucking plathtic thurgeon! | 0:41:38 | 0:41:41 | |
"Where'th my dentitht gone?" | 0:41:41 | 0:41:42 | |
I look out the door, this idiot is in his car. | 0:41:44 | 0:41:47 | |
He's in his car with the door open. He's still got his gloves on. | 0:41:47 | 0:41:49 | |
He's going, "Get in!" Get in!" | 0:41:49 | 0:41:52 | |
"Are you theriouth?" | 0:41:52 | 0:41:54 | |
"Just get in!" | 0:41:54 | 0:41:55 | |
"All right, all right!" So I get in the car with this man. | 0:41:55 | 0:41:58 | |
He starts hurtling through the streets. | 0:41:58 | 0:42:00 | |
Literally ten minutes earlier, I was in the dentist's chair | 0:42:00 | 0:42:02 | |
in relative comfort, watching This Morning, | 0:42:02 | 0:42:04 | |
now we're driving through traffic. He's hooting and... | 0:42:04 | 0:42:07 | |
My wife called me up on the phone, and I went, "Hello? Hello?" | 0:42:07 | 0:42:09 | |
"Hello, darling. Are you still at the dentist?" | 0:42:09 | 0:42:11 | |
"I'm WITH the dentitht." | 0:42:12 | 0:42:14 | |
"You mean you're AT the dentist?" | 0:42:16 | 0:42:18 | |
"I'm not AT dentitht. | 0:42:18 | 0:42:20 | |
"I'm WITH dentitht." | 0:42:20 | 0:42:21 | |
"You mean you're AT the dentist?" | 0:42:22 | 0:42:24 | |
"No, I'm not AT the dentitht. | 0:42:24 | 0:42:26 | |
"I'm WITH the dentitht." | 0:42:26 | 0:42:28 | |
"Why are you being so pedantic?" | 0:42:28 | 0:42:30 | |
"I'm not being...pan-dan-dan..." | 0:42:30 | 0:42:34 | |
LAUGHTER | 0:42:34 | 0:42:37 | |
"I'm in the car." | 0:42:37 | 0:42:40 | |
"Oh, you're on your way home?" | 0:42:40 | 0:42:42 | |
"I don't know where I'm going." | 0:42:42 | 0:42:44 | |
"Michael, what IS wrong with you?" | 0:42:47 | 0:42:48 | |
"The dentitht ith driding." | 0:42:48 | 0:42:50 | |
"The dentist is riding?" | 0:42:53 | 0:42:54 | |
"No, he'th WRIDING." | 0:42:54 | 0:42:55 | |
"He's writing?" | 0:42:57 | 0:42:59 | |
"The dentitht ith dwithing!" | 0:42:59 | 0:43:01 | |
"The dentist is rising?" | 0:43:01 | 0:43:03 | |
"The dentitht ith dwiding!" | 0:43:03 | 0:43:05 | |
"The dentist is writhing?" "I'll call you wayter!" | 0:43:05 | 0:43:08 | |
"You're calling a waiter? You're having lunch with the dentist?" | 0:43:08 | 0:43:11 | |
"Leave it!" | 0:43:11 | 0:43:12 | |
Finally, we show up at this door. He's like, "You see that door?" I'm like, "Yeah?" | 0:43:12 | 0:43:16 | |
"Go in there, that's a hospital, they'll treat you, you'll be fine. | 0:43:16 | 0:43:19 | |
"They're expecting you. Just tell them your name. | 0:43:19 | 0:43:21 | |
"Everything will be fine. Just get out. Get out!" | 0:43:21 | 0:43:24 | |
So I get out of his car, and he just drives off and leaves me, | 0:43:24 | 0:43:26 | |
and I'm standing on the pavement, right? | 0:43:26 | 0:43:28 | |
I've still got the blood-soaked bib on. I'm standing there, | 0:43:28 | 0:43:31 | |
I saw my reflection in the glass. I have to say, I looked horrific. | 0:43:31 | 0:43:34 | |
I was worried I was going to startle the receptionist, | 0:43:34 | 0:43:36 | |
so I came in at my best angle. | 0:43:36 | 0:43:38 | |
"Ah-da-da-da... | 0:43:38 | 0:43:39 | |
"Ah-da-da-da-da..." | 0:43:39 | 0:43:41 | |
"Hello, sir. Can I help you?" | 0:43:41 | 0:43:43 | |
-"Yes, I was wondering..." -HE SHRIEKS | 0:43:43 | 0:43:45 | |
She was like, "Oh, my God! | 0:43:45 | 0:43:47 | |
"Oh, my God! Have you been attacked?" | 0:43:47 | 0:43:50 | |
I was like, "No, I hathen't been attacked. | 0:43:50 | 0:43:52 | |
"I don't go out in a bib, expecting athault. | 0:43:52 | 0:43:55 | |
"I haven't been attacked tho many times | 0:43:57 | 0:43:59 | |
"I now wear abthorbent clothing. | 0:43:59 | 0:44:01 | |
"Apparently, you're expecting me." | 0:44:04 | 0:44:06 | |
She said, "OK, sir, can I take your name, please?" | 0:44:06 | 0:44:09 | |
The problem is, if you've had a local anaesthetic, you can't move your lips. | 0:44:09 | 0:44:12 | |
I had no control of my lips, and you need that for certain letters of the alphabet. | 0:44:12 | 0:44:16 | |
The M, for example, greatly requires lip work. Muh! | 0:44:16 | 0:44:19 | |
And I couldn't do that. I need that to identify myself. | 0:44:19 | 0:44:21 | |
So she was like, "Can I take your name, please?" | 0:44:21 | 0:44:23 | |
"Yes...Ackle Ackincacker." | 0:44:23 | 0:44:25 | |
"Ackle Ackincacker?" | 0:44:28 | 0:44:30 | |
"No! Ackle Agingager." | 0:44:32 | 0:44:35 | |
"Ackle Agingager?" | 0:44:37 | 0:44:38 | |
"No! Watch my lips!" | 0:44:38 | 0:44:40 | |
LAUGHTER | 0:44:43 | 0:44:46 | |
"M...M...A-rah-rah-rah-rah. | 0:44:46 | 0:44:51 | |
"Maaaa-kul... | 0:44:54 | 0:44:57 | |
"Ma-ma-ma-kur." | 0:44:57 | 0:44:59 | |
"Right, OK, the best thing for you to do, | 0:45:01 | 0:45:03 | |
"if you head down the corridor, sit in the waiting room, | 0:45:03 | 0:45:06 | |
"and we'll get the bottom of this." | 0:45:06 | 0:45:07 | |
I'm not going to lie to you, I was quite pissed off she didn't recognise me, OK? | 0:45:07 | 0:45:11 | |
I've done quite a lot of television. | 0:45:11 | 0:45:12 | |
I know that this side of my face was pretty much unrecognisable, | 0:45:12 | 0:45:15 | |
but this side was fine. | 0:45:15 | 0:45:16 | |
I tried to jog her memory as I went down the corridor. | 0:45:16 | 0:45:18 | |
"Unbewievable!" | 0:45:18 | 0:45:21 | |
She never even looked round. | 0:45:21 | 0:45:22 | |
So I get into the waiting room now, | 0:45:22 | 0:45:24 | |
and the anaesthetic starts to wear off, | 0:45:24 | 0:45:26 | |
and I start to feel a bit... you know, it hurts a bit now, | 0:45:26 | 0:45:29 | |
and I start making this low, sort of ET sound on my own in the corner. | 0:45:29 | 0:45:32 | |
HE GURGLES AND MOANS | 0:45:32 | 0:45:37 | |
"Elliott? Elliott?" | 0:45:37 | 0:45:39 | |
I'm trying to be nice, trying to look at other people in there. | 0:45:40 | 0:45:43 | |
HE GURGLES AND MOANS | 0:45:43 | 0:45:46 | |
Thankfully, I think for everybody, the nurse came in quite quickly. | 0:45:46 | 0:45:49 | |
"Ackle Ackincacker?" | 0:45:50 | 0:45:53 | |
I didn't respond. I just sat there. | 0:45:54 | 0:45:56 | |
HE GURGLES AND MOANS | 0:45:56 | 0:45:58 | |
She came right up to my face. "Excuse me?" | 0:45:58 | 0:46:00 | |
"Huh?" | 0:46:00 | 0:46:02 | |
"Are you Ackle Ackincacker?" | 0:46:02 | 0:46:04 | |
"No." | 0:46:04 | 0:46:05 | |
HE GURGLES AND MOANS | 0:46:05 | 0:46:08 | |
"So, what is your name?" | 0:46:08 | 0:46:09 | |
"Ackle Ackincacker." | 0:46:09 | 0:46:11 | |
LAUGHTER | 0:46:11 | 0:46:14 | |
"Oh, yeah, that ith actually me! Thorry, chaps. | 0:46:14 | 0:46:17 | |
"My weal name, obviouthly, is Ackle Ackincacker. | 0:46:18 | 0:46:22 | |
"But here, they know me as Ackle Ackincacker. | 0:46:22 | 0:46:25 | |
"I'm a co-MEH-dian." | 0:46:25 | 0:46:27 | |
So they take me up to this private room, | 0:46:30 | 0:46:32 | |
and she's really nice to me now. | 0:46:32 | 0:46:33 | |
She's like, "Oh, my God, you've had a terrible day, haven't you? | 0:46:33 | 0:46:36 | |
"I have! I've had a real horrible day. | 0:46:36 | 0:46:39 | |
"Pleathe, are you gon' to help me?" | 0:46:40 | 0:46:42 | |
She was like, "Yes, don't worry. We do this all the time. | 0:46:42 | 0:46:44 | |
"We'll give you a general anaesthetic, | 0:46:44 | 0:46:46 | |
"take your tooth out, everything is going to be fine. | 0:46:46 | 0:46:48 | |
"Take all your clothes off and pop this hospital gown on, | 0:46:48 | 0:46:51 | |
"we'll take you straight through to surgery." | 0:46:51 | 0:46:53 | |
"Thorry, all my clothes off?" | 0:46:53 | 0:46:54 | |
"Take all your clothes off, pop the gown on and we'll take you through." | 0:46:54 | 0:46:57 | |
"Why do I have to take my clothes off? | 0:46:57 | 0:46:59 | |
"All the patients have to wear the hospital gown. That's hospital policy." | 0:46:59 | 0:47:02 | |
"Yeth, but you don't theem to underthtand the thituation. | 0:47:02 | 0:47:05 | |
"I've got a problem with my tooth. | 0:47:05 | 0:47:07 | |
"Which is located in my mouth. | 0:47:07 | 0:47:09 | |
"I don't have a tooth embedded in my arthe. | 0:47:11 | 0:47:14 | |
"Tho can I wear my own clothes?" | 0:47:15 | 0:47:16 | |
But, no. You know what it's like if you've been to hospital. | 0:47:16 | 0:47:19 | |
They humiliate you for no reason at all. | 0:47:19 | 0:47:21 | |
You have to put this sort of piece of shit floral, thin gown on, | 0:47:21 | 0:47:24 | |
the WRONG WAY ROUND, with your arse hanging out. | 0:47:24 | 0:47:28 | |
I had to go into the loo with this gown | 0:47:28 | 0:47:30 | |
with literally my bare bottom hanging out the back, | 0:47:30 | 0:47:33 | |
and you put this on for no reason. | 0:47:33 | 0:47:34 | |
Everyone in the hospital has their clothes on the right way round. | 0:47:34 | 0:47:37 | |
You have to put it on like that. I came out... | 0:47:37 | 0:47:39 | |
"Thatisfied?" | 0:47:44 | 0:47:45 | |
She was like, "Yes, that's perfect." | 0:47:45 | 0:47:47 | |
"Thuck off, it's perfect! | 0:47:47 | 0:47:49 | |
"I've got a tooth hanging out, and now I've got my bum out. | 0:47:50 | 0:47:54 | |
"There no reason why I have to have my bum out. | 0:47:54 | 0:47:58 | |
"It'th disgratheful, it'th dethpicable, | 0:47:58 | 0:48:01 | |
"it'th deplorable, it'th abhorrent. | 0:48:01 | 0:48:05 | |
"What on earth are you going to do to me | 0:48:05 | 0:48:07 | |
"under general anaeththetic that requires acceth to my arthe? | 0:48:07 | 0:48:11 | |
"Answer me! | 0:48:11 | 0:48:13 | |
"There will be repercuthions!" | 0:48:13 | 0:48:15 | |
"There'll be what?" | 0:48:16 | 0:48:17 | |
"Repercuthions!" | 0:48:17 | 0:48:19 | |
"Don't take that tone with me, Mr Ackincacker." | 0:48:19 | 0:48:21 | |
"For the latht time, my name... | 0:48:21 | 0:48:24 | |
"ith Ackincacker!" | 0:48:24 | 0:48:25 | |
Now, I have to follow this woman down the corridor, | 0:48:27 | 0:48:30 | |
and there is no way I'm going to walk down a hospital corridor | 0:48:30 | 0:48:33 | |
with my arse just flapping away here, | 0:48:33 | 0:48:35 | |
so people just happen to be behind me, looking at my arse. | 0:48:35 | 0:48:38 | |
No, that is not going to happen. So I go down the wall like this. | 0:48:38 | 0:48:41 | |
"Unbelievable! There's no reathon | 0:48:41 | 0:48:42 | |
"why I have to have my bum out. Why have I got my bum out?" | 0:48:42 | 0:48:45 | |
Somebody was doing the same thing towards me. | 0:48:45 | 0:48:47 | |
"All right, quickly...eathy! Thank you. Cheers, mate. Good luck." | 0:48:47 | 0:48:51 | |
Finally, they lie me down on a hospital bed, and I'm thrilled now, | 0:48:51 | 0:48:54 | |
because my arse is concealed. I'm happy. | 0:48:54 | 0:48:56 | |
The anaesthetist comes in, a very serious sort of quite old man. | 0:48:56 | 0:48:59 | |
"Hello. I'm the anaesthetist. | 0:48:59 | 0:49:01 | |
"I'm going to give you a general anaesthetic. | 0:49:01 | 0:49:03 | |
"I'm going to knock you out. | 0:49:03 | 0:49:04 | |
"I'm going to give you a small prick in your left arm. | 0:49:04 | 0:49:07 | |
"You're going to be knocked out immediately. | 0:49:07 | 0:49:09 | |
"Are you OK with that, Michael?" | 0:49:09 | 0:49:11 | |
-I'm like... -HE GASPS | 0:49:11 | 0:49:13 | |
"Ackle! | 0:49:13 | 0:49:14 | |
"That'th my name!" | 0:49:16 | 0:49:17 | |
He said, "Yes, I know exactly who you are. | 0:49:18 | 0:49:20 | |
"My three daughters are big fans of yours." | 0:49:20 | 0:49:22 | |
"Oh, that'th very kind. Thank you, thank you." | 0:49:22 | 0:49:24 | |
Then he put the needle in my arm, and he went, | 0:49:24 | 0:49:26 | |
"My wife and I, not so keen." And put me out! | 0:49:26 | 0:49:29 | |
-LAUGHTER -After the day I'd had! | 0:49:30 | 0:49:32 | |
I was like, "You mother...!" | 0:49:32 | 0:49:34 | |
I woke up I don't know how many hours later, | 0:49:36 | 0:49:38 | |
I didn't know where I was. | 0:49:38 | 0:49:40 | |
Sometimes I wake up at home in a deep sleep | 0:49:40 | 0:49:41 | |
and I don't know where I am. | 0:49:41 | 0:49:43 | |
This was the deepest sleep I've ever had, it was a general anaesthetic. | 0:49:43 | 0:49:46 | |
I woke up, it was in bed, it was bright, it was hot. | 0:49:46 | 0:49:48 | |
I'd come out of the covers. Like, in a heat wave, you come out. | 0:49:48 | 0:49:50 | |
When your arse is like your highest point. | 0:49:50 | 0:49:53 | |
You've come out of the duvet. | 0:49:53 | 0:49:55 | |
You know you're lying down, | 0:49:55 | 0:49:56 | |
at some stage during the night, | 0:49:56 | 0:49:58 | |
the duvet sort of tucks in and you just sort of roll out like this. | 0:49:58 | 0:50:01 | |
So, I wake up. | 0:50:03 | 0:50:04 | |
And, within moments, I feel this breeze coming in the back. | 0:50:05 | 0:50:09 | |
LAUGHTER | 0:50:09 | 0:50:12 | |
So I turn round to see | 0:50:13 | 0:50:15 | |
my entire family standing there. | 0:50:15 | 0:50:17 | |
At which point, my son said, | 0:50:19 | 0:50:20 | |
"Pants down, you're the loser." | 0:50:20 | 0:50:22 | |
LAUGHTER AND APPLAUSE | 0:50:22 | 0:50:23 | |
Oh, what fun we've had here tonight! | 0:50:23 | 0:50:25 | |
Thank you very much, ladies and gentlemen! Bravo! | 0:50:25 | 0:50:28 | |
-APPLAUSE AND CHEERING -Thank you! Thank you all! | 0:50:28 | 0:50:31 | |
Good night! Bravo! | 0:50:31 | 0:50:33 | |
Good night! | 0:50:33 | 0:50:34 | |
APPLAUSE AND CHEERING | 0:50:34 | 0:50:36 | |
LOUD CHEERING | 0:50:47 | 0:50:51 | |
HE LAUGHS | 0:50:51 | 0:50:53 | |
Thank you! | 0:50:53 | 0:50:55 | |
Um, first of all, I'd like to say | 0:50:56 | 0:50:58 | |
thank you to all of you for being here tonight, | 0:50:58 | 0:51:01 | |
for coming to see my show. I mean, I depend on you. | 0:51:01 | 0:51:04 | |
-APPLAUSE AND CHEERING -Without you, I'm nothing. | 0:51:04 | 0:51:06 | |
I enjoy this more than anything. Thank you so much. | 0:51:06 | 0:51:10 | |
Because, if you knew what my life entails, you'd realise how, | 0:51:10 | 0:51:15 | |
you know, how much this is the best part of my day. | 0:51:15 | 0:51:18 | |
I basically sit and wait. I've been touring round the country for ages. | 0:51:18 | 0:51:21 | |
It's great to be home. I live in London, obviously, | 0:51:21 | 0:51:23 | |
and I've been in hotels all the time. Endless hotels. | 0:51:23 | 0:51:26 | |
Hotels, you think they're fun, but a lot of them are quite... | 0:51:26 | 0:51:29 | |
a lot of shit hotels. | 0:51:29 | 0:51:30 | |
I had literally the most probably embarrassing experience I've ever had | 0:51:30 | 0:51:33 | |
the other day, when I was checking into this hotel. | 0:51:33 | 0:51:36 | |
There was this woman on reception, quite cute. Very cute, actually. | 0:51:36 | 0:51:38 | |
Sort of eyelashes... seemed to be flirting with me. | 0:51:38 | 0:51:41 | |
It was quite weird. | 0:51:41 | 0:51:42 | |
I came in, and she was like, "Hello! Hello!" | 0:51:42 | 0:51:44 | |
-HE GIGGLES GIRLISHLY -"Hello!" | 0:51:44 | 0:51:46 | |
Oh, my God! She had an accent. I don't know where she was from. | 0:51:46 | 0:51:49 | |
She was from somewhere ELSE. "Hello!" | 0:51:49 | 0:51:51 | |
I came in with all my bags, and she was like, | 0:51:51 | 0:51:53 | |
"Hello, are you checking in?" | 0:51:53 | 0:51:54 | |
It's always an odd question, | 0:51:54 | 0:51:55 | |
when you walk into a hotel for the first time with all your bags. | 0:51:55 | 0:51:58 | |
"No, I'm pole vaulting. Is this wrong?" | 0:51:58 | 0:52:01 | |
"Ha-ha! You're so funny! | 0:52:01 | 0:52:03 | |
"Can I take your name, please? Can I take your name?" | 0:52:03 | 0:52:06 | |
I was like, "Yes, it's McIntyre." | 0:52:06 | 0:52:07 | |
"McIntyre...Michael? Michael?" | 0:52:07 | 0:52:09 | |
"Yes, Michael McIntyre." | 0:52:09 | 0:52:11 | |
"OK. You're with us for just the one night?" | 0:52:11 | 0:52:13 | |
"Yes, I'm just with you for one night. Not with YOU! | 0:52:13 | 0:52:16 | |
"You understand, I mean the hotel. | 0:52:16 | 0:52:18 | |
"Ha-ha! You're so funny!" | 0:52:18 | 0:52:19 | |
"Would you like newspaper in the morning? Would you like newspaper?" | 0:52:21 | 0:52:24 | |
I was like, "No, thank you. I'll be fine. Fine without, thank you." | 0:52:24 | 0:52:27 | |
"Would you like wake-up call? Would you like wake-up call?" | 0:52:27 | 0:52:29 | |
"No, don't phone me, I'll be fine. Thank you." | 0:52:29 | 0:52:31 | |
Then she asked me, which I suppose is a normal question, | 0:52:31 | 0:52:34 | |
cos it was just me for the one night, how many keys I wanted for the room. | 0:52:34 | 0:52:38 | |
And she went, "Do you want wan-key?" | 0:52:38 | 0:52:39 | |
LAUGHTER | 0:52:39 | 0:52:42 | |
LAUGHTER CONTINUES | 0:52:44 | 0:52:47 | |
"I'm sorry, I'm sorry. What did you say? | 0:52:49 | 0:52:51 | |
"Do you want wan-key?" | 0:52:51 | 0:52:53 | |
"Do I want wanky?!" | 0:52:54 | 0:52:56 | |
"Yes, I can give you wan-key if you want." | 0:52:57 | 0:52:59 | |
LAUGHTER | 0:52:59 | 0:53:02 | |
"Is that included in the wake-up call? | 0:53:02 | 0:53:04 | |
"Because I might actually go for that." | 0:53:04 | 0:53:06 | |
Not that they give you a key, anyway. | 0:53:07 | 0:53:09 | |
Keys work fine. We all have keys, | 0:53:09 | 0:53:11 | |
we'll go home and use a key to get into our home. | 0:53:11 | 0:53:13 | |
But in hotels, they give you these key cards, | 0:53:13 | 0:53:15 | |
these pieces of plastic that work 50% of the time. | 0:53:15 | 0:53:17 | |
You go all the way to the room, | 0:53:17 | 0:53:19 | |
it goes from red to red, red to red... | 0:53:19 | 0:53:20 | |
Sometimes I spend my whole stay there, | 0:53:20 | 0:53:22 | |
cos I don't want to go back to reception. Red, red... | 0:53:22 | 0:53:24 | |
Sometimes it goes green and you get your bags, | 0:53:24 | 0:53:26 | |
and it's red again. "Just let me in!" | 0:53:26 | 0:53:29 | |
I always come in and have a little peruse of my new home. | 0:53:29 | 0:53:31 | |
What's it going to be like? Walk around... | 0:53:31 | 0:53:33 | |
Certain aspects of hotel rooms greatly depress me. | 0:53:33 | 0:53:36 | |
Tea and coffee making facilities. | 0:53:36 | 0:53:37 | |
That's a bit of a low point, isn't it? You know, sort of... | 0:53:37 | 0:53:40 | |
-IN WEEDY VOICE: -Tea and coffee making facilities | 0:53:40 | 0:53:42 | |
with your mini kettle. | 0:53:42 | 0:53:44 | |
It's one of the very boring moments in life | 0:53:44 | 0:53:46 | |
when you have to take your mini kettle into the bathroom. | 0:53:46 | 0:53:48 | |
You should never fill a kettle in a bathroom. | 0:53:48 | 0:53:51 | |
You take it in there, you put it under the tap, right? | 0:53:51 | 0:53:53 | |
Fill it up entirely with water, then to get it out, | 0:53:53 | 0:53:56 | |
you have to empty all the water and take the kettle out. | 0:53:56 | 0:53:59 | |
You fill up the whole kettle, empty the entire kettle, take kettle out. | 0:53:59 | 0:54:02 | |
I'll go through that for, like, half an hour. | 0:54:02 | 0:54:04 | |
Then I have to turn to the bath. It's a very depressing situation. | 0:54:04 | 0:54:07 | |
And those mini milks. What is with those little UHT milks? | 0:54:07 | 0:54:10 | |
It looks like a magic trick. | 0:54:10 | 0:54:11 | |
It doesn't matter how many UHT milks you put into a coffee, | 0:54:11 | 0:54:14 | |
it will never change colour. | 0:54:14 | 0:54:16 | |
You can see the white fluid landing in the coffee | 0:54:16 | 0:54:19 | |
and then just disappearing. What's happened? | 0:54:19 | 0:54:21 | |
I've just used 13 mini milks, and I've still got a black coffee. | 0:54:21 | 0:54:24 | |
The liquid isn't even rising. How is that even possible?! | 0:54:24 | 0:54:28 | |
But the biscuit is really rather thrilling, cos it's free. | 0:54:28 | 0:54:31 | |
I eat the biscuit as soon as I see it. | 0:54:31 | 0:54:34 | |
I don't know why I get so attracted to a free biscuit. | 0:54:34 | 0:54:36 | |
Shortbread - I don't even eat shortbread at home. | 0:54:36 | 0:54:39 | |
If I walk into a hotel and there's shortbread... | 0:54:39 | 0:54:41 | |
HE GOBBLES ENTHUSIASTICALLY | 0:54:41 | 0:54:43 | |
"Yummy shortbread!" | 0:54:43 | 0:54:45 | |
Just drop the wrapper. | 0:54:45 | 0:54:46 | |
I'm not at home now. Yeah! | 0:54:46 | 0:54:48 | |
LAUGHTER | 0:54:48 | 0:54:51 | |
Opening drawers at random. Empty... | 0:54:51 | 0:54:53 | |
And I check them all. | 0:54:53 | 0:54:54 | |
There's never anything in them. Empty, empty, empty. | 0:54:54 | 0:54:57 | |
There's a Bible next to the bed, | 0:54:57 | 0:54:58 | |
so you can pray for an upgrade. Thanks for your help(!) | 0:54:58 | 0:55:01 | |
Oh, and can I just ask, while I have you all here, | 0:55:02 | 0:55:05 | |
who, at home on their beds, by way of applause, has a duvet? | 0:55:05 | 0:55:09 | |
Duvet people, reveal yourselves! | 0:55:09 | 0:55:12 | |
-LOUD CHEERING -Duvet people! | 0:55:12 | 0:55:14 | |
This is much what I expected. | 0:55:14 | 0:55:16 | |
Who doesn't have a duvet? | 0:55:16 | 0:55:18 | |
SPARSE CHEERS | 0:55:18 | 0:55:20 | |
One person. OK? | 0:55:20 | 0:55:22 | |
So what I want to know is, | 0:55:22 | 0:55:23 | |
why literally in every hotel room I stay in, | 0:55:23 | 0:55:26 | |
am I strapped into sheets?! | 0:55:26 | 0:55:28 | |
LAUGHTER | 0:55:28 | 0:55:30 | |
Sometimes with a brown blanket on the top. | 0:55:30 | 0:55:33 | |
I'm not a World War II evacuee, | 0:55:33 | 0:55:34 | |
give me a duvet like everybody else has! | 0:55:34 | 0:55:38 | |
And they make the bed so tight that when you get in it, | 0:55:38 | 0:55:40 | |
you're sort of trapped in it. | 0:55:40 | 0:55:42 | |
"I can't...I can't move!" | 0:55:42 | 0:55:45 | |
-SCREAMS: -"HELP ME!" | 0:55:45 | 0:55:47 | |
There are people outside the door going, | 0:55:47 | 0:55:49 | |
"As soon as we get in, Mr McIntyre, we will come to your aid. | 0:55:49 | 0:55:51 | |
"Just sit tight. Have you had enough to eat?" | 0:55:51 | 0:55:53 | |
"I had the shortbread!" | 0:55:53 | 0:55:56 | |
I'm praying on the Bible. | 0:55:56 | 0:55:57 | |
"Save me, God, from these shit sheets!" | 0:55:57 | 0:56:00 | |
And the things they think you need in hotels, oh, my God! | 0:56:01 | 0:56:04 | |
Sewing kits. Sewing kits, are they kidding?! | 0:56:04 | 0:56:07 | |
Who is sewing in hotel rooms? What do they think we're doing? | 0:56:07 | 0:56:11 | |
What kind of people are they expecting to book? | 0:56:11 | 0:56:14 | |
"I booked a nice hotel for us this weekend. | 0:56:14 | 0:56:16 | |
"Going to catch up on our tailoring, I thought." | 0:56:16 | 0:56:18 | |
"Maybe do some bible studies, have some black coffee, | 0:56:18 | 0:56:20 | |
"sleep on the outside of the sheets - it's party night!" | 0:56:20 | 0:56:23 | |
Are you kidding?! | 0:56:23 | 0:56:24 | |
Have you ever forgotten your toothpaste in a hotel? | 0:56:26 | 0:56:28 | |
They give you enough toothpaste for one tooth. | 0:56:28 | 0:56:30 | |
Thanks for your generosity. That's lovely. | 0:56:30 | 0:56:33 | |
And the bathroom...oh, my God, it's unbelievable. | 0:56:33 | 0:56:35 | |
The more expensive the hotel you stay in, | 0:56:35 | 0:56:37 | |
there will be lotions and potions and bottles | 0:56:37 | 0:56:39 | |
for things you didn't even know existed. Bottles everywhere. | 0:56:39 | 0:56:42 | |
The cheaper the hotel, there will be, like, | 0:56:42 | 0:56:44 | |
one bottle that claims to be everything. | 0:56:44 | 0:56:46 | |
"Oh! The shampoo conditioning body wash shaving cream toothpaste milk." | 0:56:46 | 0:56:53 | |
LAUGHTER | 0:56:53 | 0:56:55 | |
"Milk? I might try a bit in my coffee. You never know." | 0:56:57 | 0:57:00 | |
And inappropriately sized towels. These drive me crazy. | 0:57:01 | 0:57:04 | |
You come out of the shower and there's, like, 15 towels | 0:57:04 | 0:57:07 | |
that get smaller and smaller and smaller. | 0:57:07 | 0:57:09 | |
Towels that don't go round the human body. | 0:57:09 | 0:57:11 | |
What is the point of a towel that won't go round a human being? | 0:57:11 | 0:57:14 | |
Sometimes I have to just use the mat. | 0:57:14 | 0:57:16 | |
"At least this fits!" | 0:57:16 | 0:57:17 | |
People tend to go for the side open. | 0:57:19 | 0:57:20 | |
That tends to be the internationally recognised solution for the short towel. | 0:57:20 | 0:57:24 | |
Sort of leave that open. | 0:57:24 | 0:57:26 | |
Come out, complaining to my wife. "Look at these towels. | 0:57:26 | 0:57:28 | |
"They don't even go the whole way round me." | 0:57:28 | 0:57:31 | |
It's very rare to go front open. | 0:57:31 | 0:57:32 | |
"Can you believe this?! They don't even go the whole way round." | 0:57:32 | 0:57:35 | |
"Just hurry up. We're late anyway." | 0:57:35 | 0:57:38 | |
Once, I got the sewing kit | 0:57:41 | 0:57:43 | |
and I sewed up all the towels to make a huge towel. | 0:57:43 | 0:57:45 | |
"Yes! Look at me in my huge towel!" | 0:57:45 | 0:57:49 | |
Lying on the outside of my sheets in my enormous, newly-sewed towel. | 0:57:49 | 0:57:53 | |
Reading Genesis, drinking black coffee, phoning reception, | 0:57:53 | 0:57:56 | |
"I think I'm ready for that wan-key now, | 0:57:56 | 0:57:58 | |
"if you want to send someone up." | 0:57:58 | 0:58:00 | |
Thank you very much, ladies and gentlemen, for being here tonight. | 0:58:00 | 0:58:02 | |
Best night we've had! Thank you, at the back! | 0:58:02 | 0:58:05 | |
Thank you on the sides! | 0:58:05 | 0:58:07 | |
Thank you so much for coming! Safe journey home. | 0:58:07 | 0:58:10 | |
Thank you all! Good night! Bravo! | 0:58:10 | 0:58:13 | |
What fun we've had! Good night! | 0:58:13 | 0:58:15 | |
LOUD CHEERING AND APPLAUSE | 0:58:15 | 0:58:18 | |
Woo-hoo! | 0:58:21 | 0:58:23 |