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| Line | From | To | |
|---|---|---|---|
TRAINS RUMBLE | 0:00:21 | 0:00:24 | |
OVER TANNOY: 'Ladies and gentlemen, | 0:00:24 | 0:00:26 | |
'the service is operating on both lines. | 0:00:26 | 0:00:29 | |
'Thank you.' | 0:00:29 | 0:00:30 | |
PEOPLE SCREAM | 0:00:38 | 0:00:40 | |
Walter, where have you been? | 0:01:18 | 0:01:20 | |
You just missed the new boss's first briefing. | 0:01:20 | 0:01:22 | |
He wants to see you, right now. He's well stressed. | 0:01:22 | 0:01:25 | |
Stressed? He'll learn. Have you seen Anne? | 0:01:25 | 0:01:27 | |
Yeah, of course. | 0:01:27 | 0:01:28 | |
I mean this morning, Mark? | 0:01:29 | 0:01:31 | |
Oh. Right. No. | 0:01:31 | 0:01:33 | |
There she is. | 0:01:35 | 0:01:37 | |
Oh. | 0:01:37 | 0:01:38 | |
-What are you staring at? -Look at the state of you. | 0:01:39 | 0:01:41 | |
What state? | 0:01:41 | 0:01:43 | |
You've got some... | 0:01:43 | 0:01:44 | |
Anne, we're late. Come on, we've got to meet our baby-faced leader. | 0:01:45 | 0:01:49 | |
First impressions and all that. | 0:01:49 | 0:01:50 | |
Yeah. | 0:01:50 | 0:01:52 | |
Thanks, DI Gambon. DC Hopkins. | 0:01:52 | 0:01:55 | |
The death of a serving police officer throws up all | 0:01:55 | 0:01:58 | |
sorts of issues. | 0:01:58 | 0:02:00 | |
Detective Romney was an exemplary officer | 0:02:00 | 0:02:03 | |
heading into the twilight of a distinguished career. | 0:02:03 | 0:02:06 | |
Initial enquiries into his untimely death have deemed it | 0:02:06 | 0:02:08 | |
-non-suspicious. -Hmm. | 0:02:08 | 0:02:10 | |
As one of our most senior officers here, Gambon, I've chosen you | 0:02:10 | 0:02:14 | |
to take on Romney's existing caseload. | 0:02:14 | 0:02:16 | |
Sir, I am very busy at the moment... | 0:02:16 | 0:02:18 | |
We're all busy, Gambon. This is the modern police force. | 0:02:18 | 0:02:21 | |
Perhaps if you had made it to the briefing on time | 0:02:21 | 0:02:23 | |
we could have discussed it. | 0:02:23 | 0:02:25 | |
But you didn't. | 0:02:25 | 0:02:26 | |
DC Hopkins here can help. | 0:02:28 | 0:02:29 | |
Oh... Coffee. | 0:02:31 | 0:02:33 | |
You knew Rick Romney, I take it? | 0:02:34 | 0:02:36 | |
Dick. Dick Romney. | 0:02:36 | 0:02:38 | |
I had never actually worked with him, sir, but, yes, I knew him. | 0:02:38 | 0:02:41 | |
Yes. And you, Hopkins? | 0:02:41 | 0:02:43 | |
I met him once, I think, sir. He seemed nice. | 0:02:43 | 0:02:47 | |
-Nice? -Mm. -That is a meaningless and unhelpful statement. | 0:02:47 | 0:02:51 | |
Very nice? | 0:02:52 | 0:02:54 | |
He was running an investigation into a drugs gang in south London. | 0:02:54 | 0:02:57 | |
He had an undercover officer embedded in the gang. | 0:02:57 | 0:02:59 | |
Is that how he got the drugs last week, sir? | 0:02:59 | 0:03:02 | |
Yes. It's all here in the file. | 0:03:02 | 0:03:04 | |
He arrested the dealer through information | 0:03:04 | 0:03:06 | |
gathered from his undercover officer. | 0:03:06 | 0:03:09 | |
-So...? -So... | 0:03:09 | 0:03:11 | |
Rick... err Dick... | 0:03:12 | 0:03:14 | |
Dick was the only one who had contact with the undercover | 0:03:15 | 0:03:18 | |
and there is no record of the officer's name in the file. | 0:03:18 | 0:03:22 | |
And so you need to make contact with our man in the buyers' gang. | 0:03:22 | 0:03:25 | |
But we don't know who it is? | 0:03:25 | 0:03:28 | |
No. | 0:03:28 | 0:03:30 | |
Or how to contact him, sir? | 0:03:30 | 0:03:32 | |
No. | 0:03:32 | 0:03:34 | |
Yes. All right, we've lost him. We don't know where he is. | 0:03:34 | 0:03:36 | |
Our undercover officer is so deep undercover we can't find him. Satisfied? | 0:03:36 | 0:03:40 | |
Look, someone must know who he is. | 0:03:42 | 0:03:43 | |
Well, the previous Chief, Superintendent Creswell, | 0:03:43 | 0:03:46 | |
-he would know. -Yes, but as you are well aware, he has just retired | 0:03:46 | 0:03:50 | |
and is, for some reason, uncontactable. | 0:03:50 | 0:03:53 | |
Caving in the Basque country. | 0:03:53 | 0:03:56 | |
-What? -Oh, a mad caver was old Creswell. | 0:03:56 | 0:04:00 | |
He said he was going to spend most of his retirement down wet holes. | 0:04:00 | 0:04:03 | |
Wet holes? Well... | 0:04:05 | 0:04:07 | |
We will speak to him as soon as he surfaces, I'm sure. | 0:04:08 | 0:04:12 | |
So nobody above ground knows what's going on, sir? | 0:04:12 | 0:04:17 | |
Watch your tone, Gambon. | 0:04:17 | 0:04:19 | |
Find out who our undercover officer is | 0:04:19 | 0:04:21 | |
or they could be in a lot of trouble. | 0:04:21 | 0:04:23 | |
It's nothing short of a disgrace. | 0:04:23 | 0:04:24 | |
Start with the dealer who got busted with the drugs on him, | 0:04:24 | 0:04:27 | |
Dimitri... | 0:04:27 | 0:04:29 | |
Ah... Greek something. | 0:04:29 | 0:04:31 | |
Ask Romney's colleagues if they know anything. Ask his friends. | 0:04:31 | 0:04:34 | |
-Ask Romney's widow. Did he have a wife? -Yes, sir. | 0:04:34 | 0:04:37 | |
Well, maybe he told her. | 0:04:37 | 0:04:38 | |
You're married. Would you tell your wife? | 0:04:38 | 0:04:41 | |
Perhaps you should get that file updated, sir. | 0:04:41 | 0:04:44 | |
I'm telling you, love, you couldn't make it up. | 0:04:51 | 0:04:54 | |
We've got a policeman so deep undercover nobody can contact him. | 0:04:54 | 0:04:57 | |
The old Chief Super is down a cave in Spain, | 0:04:57 | 0:05:00 | |
totally incommunicado, which means the only person who had any | 0:05:00 | 0:05:03 | |
contact with the undercover was Dick, | 0:05:03 | 0:05:06 | |
and he falls underneath a train. | 0:05:06 | 0:05:08 | |
Sounds like a strange coincidence. | 0:05:08 | 0:05:11 | |
But how many times have you told me, Dad, | 0:05:11 | 0:05:13 | |
-there are no coincidences in the world of the police. -Mm-hmm. | 0:05:13 | 0:05:16 | |
Yet knowing what I know, ie - the police force is full of morons... | 0:05:16 | 0:05:20 | |
Careful. | 0:05:20 | 0:05:21 | |
There must be someone else who knows who the undercover policeman is. | 0:05:21 | 0:05:24 | |
Trust me. They always do, they always will. | 0:05:24 | 0:05:27 | |
Nobody knows anything. I put a detective in charge, | 0:05:27 | 0:05:30 | |
make a chance remark about his wife only to find out later | 0:05:30 | 0:05:33 | |
that she tragically died last year, leaving him as a single father. | 0:05:33 | 0:05:37 | |
All this in my first week. | 0:05:39 | 0:05:42 | |
One senior officer dead, and one undercover officer gone missing. | 0:05:42 | 0:05:45 | |
I may not be the youngest Chief Superintendent ever, | 0:05:51 | 0:05:55 | |
but I am certainly looking the most incompetent. | 0:05:55 | 0:05:58 | |
Oh, dear, poor you. | 0:05:58 | 0:06:00 | |
Here. | 0:06:00 | 0:06:02 | |
According to London Transport statistics for last year, | 0:06:02 | 0:06:04 | |
there were 37 deaths on the Tube. | 0:06:04 | 0:06:06 | |
19 suicides - "jumpers" I think they're called. | 0:06:06 | 0:06:09 | |
17 accidental deaths - whatever they are. And one murder. | 0:06:09 | 0:06:15 | |
Uno. That's a... 3.5% chance of skulduggery. | 0:06:15 | 0:06:21 | |
Highly unlikely. | 0:06:21 | 0:06:22 | |
Find Dick's notes and you'll find your lost undercover policeman. | 0:06:22 | 0:06:26 | |
It's that poncey school I send you to, isn't it? | 0:06:27 | 0:06:30 | |
How do you go about finding someone undercover? | 0:06:31 | 0:06:34 | |
I have no idea. | 0:06:34 | 0:06:35 | |
Wait for him to contact us? | 0:06:37 | 0:06:39 | |
Hmm. | 0:06:39 | 0:06:41 | |
Now you'll have to brush your teeth again. | 0:06:48 | 0:06:50 | |
HE SIGHS | 0:06:53 | 0:06:55 | |
SHE SPEAKS WELSH | 0:06:56 | 0:06:59 | |
Oh, Mam! | 0:07:14 | 0:07:16 | |
I haven't seen you in a very long time, Walter. | 0:07:26 | 0:07:28 | |
-Where've you been? -Slim... | 0:07:28 | 0:07:31 | |
Nobody knows any of these people. | 0:07:31 | 0:07:33 | |
You don't recognise any of them, do you? | 0:07:33 | 0:07:35 | |
No. | 0:07:38 | 0:07:40 | |
You can send the blonde one round though. | 0:07:40 | 0:07:42 | |
I just want Dick's personal effects. | 0:07:42 | 0:07:44 | |
I don't have 'em. | 0:07:44 | 0:07:46 | |
Forensics and the techies have still got them, | 0:07:46 | 0:07:48 | |
so I can't give them to you. | 0:07:48 | 0:07:50 | |
You must have a lot more work with all of Dick's cases | 0:07:50 | 0:07:53 | |
to follow up on then. | 0:07:53 | 0:07:55 | |
Sorry I'm late. | 0:07:57 | 0:07:58 | |
Looking good, DC Hopkins. | 0:08:00 | 0:08:03 | |
You're lucky there's a grill between us. | 0:08:03 | 0:08:05 | |
Not from where I'm standing. | 0:08:05 | 0:08:07 | |
Ever the charmer, Slim. | 0:08:07 | 0:08:09 | |
By the way, it's great to see you drinking the Diet Coke | 0:08:09 | 0:08:11 | |
with the Cheesy Wotsits. That'll really make the difference. | 0:08:11 | 0:08:15 | |
So how'd you get on? | 0:08:22 | 0:08:24 | |
No-one recognises anyone from the photos. | 0:08:24 | 0:08:26 | |
They're a bit rubbish here, aren't they? | 0:08:26 | 0:08:28 | |
-But...some good news too. -Yes? | 0:08:28 | 0:08:31 | |
-Yeah. -Well? | 0:08:31 | 0:08:34 | |
Oh, erm, the 24 bus was in one of the shots, | 0:08:34 | 0:08:36 | |
so I Googled the route and found a building that looks | 0:08:36 | 0:08:39 | |
exactly like the one in the photos. | 0:08:39 | 0:08:40 | |
Well get you, Miss Marple. Well done. | 0:08:40 | 0:08:42 | |
Could be the location of the gang. | 0:08:42 | 0:08:44 | |
And therefore our undercover. Good. Good. | 0:08:44 | 0:08:46 | |
But I suppose we better interview the Greek drug dealer first? | 0:08:46 | 0:08:49 | |
Dimitri, Konstantinos Thesadopoulas. No. He is snugly detained | 0:08:49 | 0:08:52 | |
in one of our finest prison cells and thus going nowhere. | 0:08:52 | 0:08:55 | |
No, what we are going to do is follow up on your excellent | 0:08:55 | 0:08:57 | |
detective work and go and visit that building. | 0:08:57 | 0:08:59 | |
-But the Chief told us to start with Dimitri. -The Chief? Ha. | 0:08:59 | 0:09:03 | |
Listen, you just follow my lead, young lady. | 0:09:03 | 0:09:06 | |
Learn from the master - the Yoda of the Force. | 0:09:06 | 0:09:09 | |
-Oh, Yoda, your bank called. Again. -Thanks, Jen. | 0:09:09 | 0:09:12 | |
-I am not your secretary. -Yeah, yeah. Thanks, Jen. | 0:09:12 | 0:09:15 | |
HE CLEARS THROAT | 0:09:15 | 0:09:16 | |
So it turns out the big bald bloke on the left is a known | 0:09:22 | 0:09:26 | |
villain from Manchester, Harry Isaacs. | 0:09:26 | 0:09:28 | |
12 years in Strangeways for murder, three separate | 0:09:28 | 0:09:31 | |
charges of assault with deadly weapon, blah-blah-blah. | 0:09:31 | 0:09:34 | |
A right little charmer and an active drugs dealer. | 0:09:34 | 0:09:37 | |
How did you find all this out so quickly? | 0:09:37 | 0:09:40 | |
I'm a detective? | 0:09:40 | 0:09:41 | |
Yes, yes. Detective. | 0:09:41 | 0:09:43 | |
'So what's this Isaacs doing down here in London then?' | 0:09:43 | 0:09:46 | |
Is that his modus operandi? | 0:09:46 | 0:09:48 | |
-CHUCKLING: -Modus operandi...? | 0:09:48 | 0:09:50 | |
He probably lives here, | 0:09:50 | 0:09:52 | |
and he is either buying or selling drugs, I suspect. | 0:09:52 | 0:09:54 | |
That's what he does, sir, and that's why Detective Romney | 0:09:54 | 0:09:57 | |
had a person undercover with him. | 0:09:57 | 0:09:59 | |
Have you spoken to Dimitri K... | 0:09:59 | 0:10:01 | |
the Greek gentleman? | 0:10:01 | 0:10:02 | |
Who was that, sir? | 0:10:02 | 0:10:04 | |
'You know who I mean.' | 0:10:04 | 0:10:05 | |
Dimitri Konstantinos Thesadopoulas. Yeah, later this afternoon. | 0:10:05 | 0:10:08 | |
'Well, get on with it.' | 0:10:08 | 0:10:09 | |
He looks like your best bet for identifying this lot. | 0:10:09 | 0:10:12 | |
HE GASPS | 0:10:14 | 0:10:16 | |
WALTER MOANING | 0:10:16 | 0:10:18 | |
What? | 0:10:18 | 0:10:19 | |
'What are you doing, Gambon? Where are you?' | 0:10:19 | 0:10:21 | |
I'm in a car outside the block of flats where we | 0:10:21 | 0:10:24 | |
think our undercover and the gang are hanging out, sir. | 0:10:24 | 0:10:27 | |
We are about to go in and investigate, sir. | 0:10:27 | 0:10:30 | |
What about the woman? | 0:10:30 | 0:10:33 | |
No idea, sir. Nobody recognises her. | 0:10:33 | 0:10:35 | |
So who is the other man? | 0:10:35 | 0:10:37 | |
'No idea, sir. Nobody recognises him either.' | 0:10:37 | 0:10:39 | |
Beauty and the Beast, eh? | 0:10:39 | 0:10:41 | |
Racism in the police force is a very live issue, Gambon. | 0:10:42 | 0:10:45 | |
-What? -'You heard me.' | 0:10:45 | 0:10:47 | |
Now get inside the place instead of fannying about outside. | 0:10:47 | 0:10:50 | |
Sorry. | 0:10:53 | 0:10:55 | |
I look like I wet myself. | 0:10:55 | 0:10:56 | |
Hang on... | 0:11:00 | 0:11:02 | |
That's Isaacs and the girl from the photo, isn't it? | 0:11:02 | 0:11:05 | |
He's done well. You wouldn't put them two together. | 0:11:06 | 0:11:09 | |
Could she be our cop? | 0:11:10 | 0:11:12 | |
Romney may have had a police woman undercover. Smart. | 0:11:13 | 0:11:16 | |
Smart?! | 0:11:16 | 0:11:17 | |
Why? | 0:11:17 | 0:11:19 | |
Because women can't be undercover cos it's too dangerous | 0:11:19 | 0:11:22 | |
and we might break a nail? | 0:11:22 | 0:11:23 | |
Did I say that? Did I say anything like that? | 0:11:23 | 0:11:26 | |
I mean, was I saying a racist remark earlier, or a sexist remark now? | 0:11:26 | 0:11:30 | |
No. No. Bloody hell! I am down with the sisters, Sister. | 0:11:30 | 0:11:34 | |
-I'm working with you, aren't I? -Just saying. | 0:11:34 | 0:11:36 | |
And I am just saying that our missing cop could've been a woman | 0:11:36 | 0:11:40 | |
and we had not thought of that. | 0:11:40 | 0:11:42 | |
You really do look like you've wet yourself. | 0:11:44 | 0:11:46 | |
And that is our third man. | 0:11:50 | 0:11:52 | |
Should we follow them? | 0:11:54 | 0:11:56 | |
No. | 0:11:56 | 0:11:57 | |
If she is our cop, let's let her stay undercover. | 0:11:57 | 0:12:00 | |
But let's take a nose around the flat, shall we. | 0:12:00 | 0:12:03 | |
Don't we need a warrant? | 0:12:10 | 0:12:13 | |
Nobody asks for a warrant. | 0:12:13 | 0:12:14 | |
DOOR BUZZES | 0:12:20 | 0:12:21 | |
Good morning, madam. | 0:12:21 | 0:12:22 | |
I am Detective Inspector Gambon and this is Detective Constable Hopkins. | 0:12:22 | 0:12:26 | |
We were just wondering who lives here. | 0:12:26 | 0:12:28 | |
Get a warrant or piss off. Filth! | 0:12:28 | 0:12:30 | |
Have you wet yourself? | 0:12:30 | 0:12:32 | |
It's the respect from within the community | 0:12:36 | 0:12:38 | |
that makes the job so rewarding. | 0:12:38 | 0:12:40 | |
Should we have another go? | 0:12:41 | 0:12:43 | |
-PHONE BEEPS -Oh, hang on! | 0:12:43 | 0:12:46 | |
-Oh, God. -Is everything all right? | 0:12:47 | 0:12:49 | |
-What's the date today? -The 24th. -What? | 0:12:49 | 0:12:52 | |
-Why? -Oh, God... No. Nothing. | 0:12:52 | 0:12:53 | |
Listen, you just make sure you get Dimitri in to the station | 0:12:53 | 0:12:56 | |
tomorrow morning - early - and I'll see you there. | 0:12:56 | 0:13:00 | |
Now you get yourself off home. | 0:13:00 | 0:13:02 | |
Home? It's a bit early, isn't it? Where are you going? | 0:13:02 | 0:13:05 | |
What are you, my mother? I'm going to see a man about a dog. | 0:13:05 | 0:13:07 | |
I love dogs. Can I come? | 0:13:07 | 0:13:10 | |
No. Have you got money for a cab? | 0:13:10 | 0:13:11 | |
Yes. | 0:13:11 | 0:13:12 | |
No. | 0:13:14 | 0:13:16 | |
-Oh, come on, I'll give you a lift to the Tube. -Thank you. | 0:13:16 | 0:13:18 | |
Tell me it's good news, my friend. | 0:13:32 | 0:13:34 | |
Sadly, Hardip, there is no good news. | 0:13:34 | 0:13:37 | |
Then what are you doing here? | 0:13:39 | 0:13:41 | |
-I'm here to talk to them. -No. There's no talking to them. | 0:13:41 | 0:13:44 | |
If you don't have the money, it's over. | 0:13:44 | 0:13:47 | |
Why can't you find it? | 0:13:47 | 0:13:48 | |
I just need a little bit more time. | 0:13:48 | 0:13:50 | |
They're not going to give you any more time. No. This is it. | 0:13:50 | 0:13:54 | |
You come back here with the money. All of it. | 0:13:54 | 0:13:57 | |
-£9,000. Or.... -Or what? They're going to beat up a cop? | 0:13:57 | 0:14:01 | |
You think they care you're a copper? They bloody like it. | 0:14:01 | 0:14:04 | |
After they break your legs, you'll be in their pocket. | 0:14:04 | 0:14:07 | |
You want that? You better go and get the money. | 0:14:07 | 0:14:09 | |
I will get it eventually, I just don't have it now. That's all. | 0:14:09 | 0:14:12 | |
I like you, Walter, you've been a good friend | 0:14:14 | 0:14:18 | |
but I cannot help you on this one. | 0:14:18 | 0:14:20 | |
These guys, they are not like you and me. | 0:14:20 | 0:14:23 | |
-SHOUTING: -You take their money, you pay it back on time. | 0:14:26 | 0:14:29 | |
-SOFTLY: -Please, bring it tomorrow. | 0:14:34 | 0:14:36 | |
PEOPLE CHATTERING | 0:14:44 | 0:14:47 | |
Do you want to know what they all are? | 0:14:47 | 0:14:49 | |
Piles of paper? | 0:14:49 | 0:14:51 | |
This is his expenses, current cases. Closed cases. Training. | 0:14:51 | 0:14:56 | |
Court appearances. Personal. Personnel. Rubbish. | 0:14:56 | 0:15:01 | |
Did you do all this? | 0:15:01 | 0:15:03 | |
No. It was the tooth fairy. | 0:15:03 | 0:15:05 | |
HE CHUCKLES | 0:15:05 | 0:15:06 | |
Thanks, Jen. | 0:15:06 | 0:15:08 | |
Still no trace of his undercover? | 0:15:08 | 0:15:10 | |
No. | 0:15:11 | 0:15:12 | |
Closed cases. Not what you want. | 0:15:12 | 0:15:15 | |
-That shouldn't be there. -See what it says? | 0:15:15 | 0:15:17 | |
Is the Chief still in? | 0:15:20 | 0:15:22 | |
Yes. And he's very grumpy. He's getting a cold. | 0:15:22 | 0:15:26 | |
-This isn't going to help, is it? -Nope. | 0:15:26 | 0:15:28 | |
£45,000. In cash? Last week? Why didn't I know about this? | 0:15:30 | 0:15:34 | |
Well, the previous Chief Superintendent | 0:15:34 | 0:15:36 | |
signed off on it, Sir. Maybe the paperwork just came through. | 0:15:36 | 0:15:39 | |
The paperwork? It's good here, isn't it, the paperwork? | 0:15:39 | 0:15:42 | |
Christ, Romney takes nearly 50 grand out of the till, | 0:15:42 | 0:15:46 | |
-to give to his undercover man. -Or woman. | 0:15:46 | 0:15:48 | |
Or woman, to make the buy. | 0:15:48 | 0:15:50 | |
Then arrests the drug seller but no money is used, | 0:15:50 | 0:15:53 | |
then falls under a train. | 0:15:53 | 0:15:54 | |
It doesn't look good, does it? | 0:15:56 | 0:15:58 | |
Where is our money now? | 0:15:58 | 0:16:00 | |
Could still be with the undercover. | 0:16:00 | 0:16:02 | |
At least it's more than we knew yesterday. | 0:16:02 | 0:16:04 | |
I'm fighting a terrible cold. I feel lousy. | 0:16:04 | 0:16:07 | |
Tell me something positive. | 0:16:07 | 0:16:09 | |
Inflation's down to 2%, sir. | 0:16:09 | 0:16:12 | |
Is this smart-arse conversation normal, Detective? | 0:16:12 | 0:16:15 | |
Because I don't like it. I have to see the Commissioner tomorrow | 0:16:15 | 0:16:17 | |
and he is going to want to know what we are | 0:16:17 | 0:16:19 | |
doing about our undercover mystery man or woman, and where the | 0:16:19 | 0:16:23 | |
wretched £45,000 of taxpayers money is. | 0:16:23 | 0:16:25 | |
What would you have me tell him? | 0:16:25 | 0:16:26 | |
Well, we think we've found the gang's location, | 0:16:26 | 0:16:29 | |
we are about to interrogate the Greek drug dealer, | 0:16:29 | 0:16:31 | |
and have identified someone in the photograph, | 0:16:31 | 0:16:33 | |
as well as a possible police woman. | 0:16:33 | 0:16:35 | |
Think we've found something? About to interview somebody? | 0:16:35 | 0:16:38 | |
Possibly identify someone else? Hardly empirical, is it? | 0:16:38 | 0:16:40 | |
HE SNEEZES | 0:16:40 | 0:16:42 | |
-Bless you, sir. -God, I feel awful. | 0:16:42 | 0:16:44 | |
Who would have thought a common cold could be so debilitating? | 0:16:45 | 0:16:48 | |
You can get a terrible sting from a dying bee. | 0:16:48 | 0:16:51 | |
What? | 0:16:51 | 0:16:52 | |
I'll be on my way, sir. | 0:16:52 | 0:16:53 | |
Fabulous. | 0:16:53 | 0:16:55 | |
Fabulous? Is that what he said? Really? Fabulous. | 0:16:56 | 0:17:01 | |
I love this man. | 0:17:01 | 0:17:03 | |
Well, he's not a happy bunny. | 0:17:03 | 0:17:06 | |
Oh, the bank called. Again. | 0:17:06 | 0:17:08 | |
-What is it? Have we run out of money? -No. | 0:17:10 | 0:17:12 | |
I'm not stupid, Dad. Is it my school fees? | 0:17:14 | 0:17:17 | |
Because I'm happy to go somewhere else. | 0:17:17 | 0:17:19 | |
Absolutely not. It's just a little cash flow issue. | 0:17:19 | 0:17:22 | |
We had planned on two incomes | 0:17:22 | 0:17:24 | |
so we are just a little overstretched at the moment. | 0:17:24 | 0:17:26 | |
That's all. | 0:17:26 | 0:17:28 | |
Really? I can do without the extras. As we live in suburbia, | 0:17:28 | 0:17:31 | |
sailing is not technically a survival requirement. | 0:17:31 | 0:17:34 | |
We are fine. Honestly. How was your day? | 0:17:34 | 0:17:37 | |
Miracles will never cease, quite interesting. | 0:17:37 | 0:17:40 | |
In English we were discussing whether it is OK to do | 0:17:40 | 0:17:43 | |
a wrong thing in order to get a right thing done in the long run. | 0:17:43 | 0:17:45 | |
Oh, yeah... Like what? | 0:17:45 | 0:17:47 | |
Like tell a little lie to protect someone's feelings. | 0:17:47 | 0:17:50 | |
"Oh, your hair looks lovely." When in fact in looks like a turd's nest. | 0:17:50 | 0:17:54 | |
Or would it be OK to kill Fred West | 0:17:54 | 0:17:56 | |
because you knew he was going to murder loads of people later? | 0:17:56 | 0:17:59 | |
Kill Fred West? | 0:17:59 | 0:18:01 | |
That's a hell of a long way from, "Oh, your hair look nice." | 0:18:01 | 0:18:04 | |
So would it be OK for a policeman to kill him? | 0:18:04 | 0:18:07 | |
If they knew he was going to murder people. Yes. | 0:18:07 | 0:18:09 | |
The police can get it wrong occasionally, you know. | 0:18:09 | 0:18:12 | |
I am well aware of that. | 0:18:12 | 0:18:14 | |
So any policeman who thinks he knows who a murderer is, | 0:18:14 | 0:18:17 | |
can just decide to execute him, is that it? | 0:18:17 | 0:18:19 | |
It would be good to take pre-emptive action, wouldn't it? | 0:18:19 | 0:18:21 | |
Pre-emptive action? What am I raising here? | 0:18:21 | 0:18:24 | |
Donald bloody Rumsfeld. No. Look, it's simple. | 0:18:24 | 0:18:27 | |
A policeman has to act within the law. | 0:18:27 | 0:18:29 | |
He can't be the judge and jury as well. | 0:18:29 | 0:18:31 | |
You're no fun. | 0:18:31 | 0:18:33 | |
Fun? Eat your manky greens. | 0:18:33 | 0:18:36 | |
We are sure he's a big time drug lord? | 0:18:51 | 0:18:55 | |
I grant you he's less Ronnie Kray and more Ronnie Corbett, | 0:18:57 | 0:19:01 | |
but five kilos of heroin underneath your pillow is as solid as it gets. | 0:19:01 | 0:19:06 | |
KNOCK ON DOOR | 0:19:07 | 0:19:08 | |
-Walter? -Mark? -I've got to hide from the Chief. | 0:19:08 | 0:19:11 | |
He's looking for volunteers for some management training bollocks. | 0:19:11 | 0:19:14 | |
-Can I dodge in here? -Yeah. Course you can, come on. -Sweet. | 0:19:14 | 0:19:17 | |
Is that your Greek drug baron? | 0:19:22 | 0:19:25 | |
Scary, huh? | 0:19:25 | 0:19:26 | |
Don't accidently tread on him. | 0:19:26 | 0:19:28 | |
MARK AND ANNE LAUGH | 0:19:28 | 0:19:30 | |
I will try not to. | 0:19:33 | 0:19:34 | |
-Anne, how are you? -Um... | 0:19:40 | 0:19:42 | |
That good, eh? | 0:19:44 | 0:19:45 | |
So you are helping Walter break him down? | 0:19:47 | 0:19:49 | |
Efharisto. | 0:19:49 | 0:19:51 | |
What? | 0:19:51 | 0:19:53 | |
It means yes in Greek. I think. | 0:19:53 | 0:19:56 | |
Really? I did not know that. | 0:19:56 | 0:19:59 | |
So are you around for a bit? | 0:20:00 | 0:20:01 | |
Around? Yeah, I'm around. | 0:20:03 | 0:20:06 | |
Available. Free. | 0:20:06 | 0:20:09 | |
Not available. Obviously. | 0:20:09 | 0:20:12 | |
But I am around. Yeah. | 0:20:12 | 0:20:15 | |
-WALTER: -Anne! Anne! | 0:20:17 | 0:20:20 | |
I got to go. | 0:20:20 | 0:20:22 | |
Cool. | 0:20:23 | 0:20:24 | |
DEVICE BEEPS | 0:20:29 | 0:20:31 | |
Level three, here we come. | 0:20:31 | 0:20:33 | |
Morning, gentlemen. No, you stay right where you are. | 0:20:35 | 0:20:38 | |
Don't get up on my account. | 0:20:38 | 0:20:40 | |
I'd shake your hand only you are a filthy drug dealer | 0:20:40 | 0:20:43 | |
and I don't know where your hands have been. | 0:20:43 | 0:20:45 | |
Detective Inspector Walter Gambon interviewing suspect | 0:20:45 | 0:20:48 | |
Dimitri Konstantinos Thesadopoulas with his brief John Faber. | 0:20:48 | 0:20:52 | |
Also present is DC Hopkins. | 0:20:52 | 0:20:54 | |
Well, a lot of drugs found in your possession, eh? | 0:20:54 | 0:20:57 | |
Five kilos. | 0:20:57 | 0:20:59 | |
Did you have any help or was it a solo run? | 0:20:59 | 0:21:01 | |
Well, that means you're going to take all the blame | 0:21:07 | 0:21:10 | |
and receive all the punishment. | 0:21:10 | 0:21:12 | |
And British prisons, I have to tell you, Dimitri, are not nice places. | 0:21:12 | 0:21:17 | |
They are cold, damp, full of lowlife. Grim. And the food... | 0:21:17 | 0:21:20 | |
Well, no more tasty souvlaki for you any more, eh? | 0:21:20 | 0:21:25 | |
But you must be thinking, how did the police know I was there? | 0:21:25 | 0:21:30 | |
How did they know I had all those drugs on me? | 0:21:30 | 0:21:33 | |
Hmm? Would you like to know who gave you up to us? Hmm? | 0:21:33 | 0:21:39 | |
Oh, come on. We are not after you. | 0:21:39 | 0:21:40 | |
You're an unfortunate eejit who got caught baby-sitting a load of drugs. | 0:21:40 | 0:21:44 | |
We want the name and the whereabouts of your buyers. | 0:21:44 | 0:21:47 | |
The people who have got you going to prison for such a long time. | 0:21:47 | 0:21:51 | |
GARBLED: Let me see photos and maybe we can talk. | 0:21:55 | 0:21:57 | |
What? | 0:22:02 | 0:22:03 | |
GARBLED: Let me see photos and maybe we can talk. | 0:22:03 | 0:22:07 | |
You could have saved us a lot of time by informing us | 0:22:07 | 0:22:09 | |
that your client doesn't speak English. | 0:22:09 | 0:22:11 | |
HITS TABLE I speak English! | 0:22:11 | 0:22:13 | |
Jesus. All right. Calm down. Calm down. OK. | 0:22:13 | 0:22:16 | |
So... | 0:22:16 | 0:22:17 | |
Who's he then? | 0:22:22 | 0:22:23 | |
MUFFLED: Never seen. | 0:22:27 | 0:22:28 | |
What is he saying? | 0:22:30 | 0:22:31 | |
I think he said he's never seen them. | 0:22:32 | 0:22:34 | |
Oh... It's going to be like that, is it? | 0:22:34 | 0:22:36 | |
All right, well we know who this is. | 0:22:36 | 0:22:39 | |
This is Mr Convicted Murderer Harry Isaacs. But what about him? | 0:22:39 | 0:22:42 | |
Hmm? | 0:22:44 | 0:22:45 | |
All right, fine. | 0:22:47 | 0:22:50 | |
You have a think about it and we'll have a nice cup of tea. | 0:22:50 | 0:22:54 | |
It's going to be a long day. | 0:22:54 | 0:22:56 | |
Detective Inspector Gambon and DC Hopkins are leaving the room. | 0:22:56 | 0:23:00 | |
He doesn't say much, does he? | 0:23:06 | 0:23:08 | |
I can barely understand him when he does. | 0:23:08 | 0:23:11 | |
Could I ask him what efharisto means? | 0:23:11 | 0:23:14 | |
What? It means thank you, I think. Why? | 0:23:14 | 0:23:17 | |
Oh, no. Not yes? | 0:23:17 | 0:23:19 | |
No. What is this? Greek lessons? Were you paying attention in there? | 0:23:19 | 0:23:24 | |
Absolutely, I was. Gripped, as a matter of fact. | 0:23:24 | 0:23:28 | |
Right. He'll talk. Let's let him stew for a bit. | 0:23:28 | 0:23:33 | |
Hi. How's it going? | 0:23:47 | 0:23:49 | |
Fine... I think. Yeah. | 0:23:49 | 0:23:53 | |
Yeah. I'm good, thanks. | 0:23:53 | 0:23:55 | |
I meant the interrogation. | 0:23:56 | 0:23:58 | |
Oh, that's going good. Walter's doing really well. | 0:23:59 | 0:24:04 | |
He's the ace detective. You've done well to attach yourself to him. | 0:24:04 | 0:24:09 | |
I'm not attached, actually. | 0:24:09 | 0:24:11 | |
Ah. | 0:24:12 | 0:24:13 | |
GAME BLEEPS | 0:24:15 | 0:24:17 | |
HE TUTS | 0:24:20 | 0:24:22 | |
Level six. | 0:24:22 | 0:24:23 | |
(I hate that.) | 0:24:24 | 0:24:26 | |
It's a mess. This should test young Addison. | 0:24:33 | 0:24:37 | |
See if our high-flying homosexual has the balls to cope. | 0:24:37 | 0:24:41 | |
Send him in. | 0:24:41 | 0:24:43 | |
Come in. | 0:24:49 | 0:24:50 | |
-Morning, sir. -Have a seat. | 0:24:53 | 0:24:55 | |
It's been quite an eventful first week for you, hasn't it, Addison? | 0:24:58 | 0:25:02 | |
And now £45,000 of taxpayer's money disappears. | 0:25:02 | 0:25:06 | |
Any good news since you started? | 0:25:06 | 0:25:08 | |
Inflation's down to 2%. | 0:25:08 | 0:25:11 | |
We have leads and are following them up, but it does not look good. | 0:25:12 | 0:25:17 | |
No, sir. I think we should reassess how undercover officers | 0:25:17 | 0:25:21 | |
are tracked and contacted. We can't make this mistake again. | 0:25:21 | 0:25:24 | |
No, you certainly can't. | 0:25:24 | 0:25:26 | |
And the death of our detective on the Tube. | 0:25:26 | 0:25:29 | |
All clear on that? | 0:25:29 | 0:25:30 | |
No witnesses saw anything untoward but we're still looking into it. | 0:25:30 | 0:25:33 | |
The missing money makes it all the more significant. | 0:25:33 | 0:25:36 | |
Still no contact with your illustrious | 0:25:36 | 0:25:38 | |
predecessor about all this undercover operation? | 0:25:38 | 0:25:41 | |
No, sir. | 0:25:41 | 0:25:42 | |
Pity. He would have been across what's going on. | 0:25:42 | 0:25:46 | |
Is he still down a cave? | 0:25:46 | 0:25:47 | |
We're not sure. Still trying to get hold of him. | 0:25:47 | 0:25:50 | |
HE SNEEZES | 0:25:50 | 0:25:52 | |
Sorry. Awful cold. | 0:25:52 | 0:25:54 | |
You are still technically on probation in this post, Addison. | 0:25:55 | 0:25:59 | |
Losing a police officer is both incompetent and embarrassing. | 0:25:59 | 0:26:03 | |
I'm not sure you're up to this. | 0:26:03 | 0:26:06 | |
Get to the bottom of it. | 0:26:06 | 0:26:08 | |
You can manage that, can't you? | 0:26:11 | 0:26:13 | |
That's all. | 0:26:14 | 0:26:16 | |
HE SIGHS | 0:26:31 | 0:26:33 | |
OK. You want to do some questioning? | 0:26:39 | 0:26:42 | |
Really? Yes, please. | 0:26:42 | 0:26:46 | |
Good. Time to talk turkey. | 0:26:46 | 0:26:48 | |
I thought he was Greek. | 0:26:52 | 0:26:54 | |
SHE LAUGHS | 0:26:54 | 0:26:56 | |
Did I say something? | 0:26:57 | 0:26:59 | |
No. | 0:26:59 | 0:27:01 | |
So is he Turkish? | 0:27:01 | 0:27:02 | |
No, he's Greek. | 0:27:02 | 0:27:04 | |
There you are then. | 0:27:04 | 0:27:05 | |
-WALTER: -Anne. | 0:27:07 | 0:27:09 | |
Detective Inspector Gambon and DC Hopkins back in the room. | 0:27:14 | 0:27:19 | |
OK, you are going to tell us | 0:27:19 | 0:27:20 | |
who these people are and we are going to go easy on you. | 0:27:20 | 0:27:23 | |
Recognise anyone yet? Who is he? | 0:27:23 | 0:27:26 | |
Partner to Isaacs. | 0:27:27 | 0:27:29 | |
Partner to...partner of Isaacs. See, we can do this. Efharisto. | 0:27:31 | 0:27:37 | |
Thug. | 0:27:37 | 0:27:38 | |
A tug? | 0:27:39 | 0:27:40 | |
A thug. | 0:27:40 | 0:27:42 | |
Right. | 0:27:42 | 0:27:43 | |
-Violent! -OK. All right. You do not have to shout. | 0:27:43 | 0:27:47 | |
You know, it is not going to make anything any clearer. | 0:27:47 | 0:27:49 | |
What else do we know about him? What's his name? | 0:27:49 | 0:27:51 | |
-Black bastard. -None of that language in here, if you don't mind. | 0:27:51 | 0:27:55 | |
Racism is a very live issue in the police force. | 0:27:55 | 0:27:57 | |
So you know him as Isaacs' partner and a thug. | 0:27:57 | 0:28:01 | |
Good. DC Hopkins. | 0:28:01 | 0:28:03 | |
What? | 0:28:03 | 0:28:05 | |
Oh. | 0:28:05 | 0:28:06 | |
You're being very helpful, Dimitri. Efharisto very much. | 0:28:06 | 0:28:11 | |
But who is the woman? | 0:28:11 | 0:28:13 | |
Isaacs' girl. I don't know her. | 0:28:16 | 0:28:20 | |
What's she like? | 0:28:20 | 0:28:21 | |
I don't know her. She says nothing. | 0:28:21 | 0:28:26 | |
A clever bitch to keep her mouth shut. | 0:28:26 | 0:28:28 | |
All women should be like this. | 0:28:28 | 0:28:30 | |
You what?! | 0:28:30 | 0:28:31 | |
Well, on behalf of gagged women everywhere, | 0:28:31 | 0:28:34 | |
Dimitri, I extend my heartfelt thanks. | 0:28:34 | 0:28:36 | |
I think we have established you do not know the woman. | 0:28:36 | 0:28:39 | |
Hmm? So let's go over the time-line again, shall we? | 0:28:39 | 0:28:43 | |
You arrive at Southampton docks on the 14th, | 0:28:43 | 0:28:46 | |
on a boat out of Piraeus, Athens, you race up to London with | 0:28:46 | 0:28:48 | |
the drugs and then you're arrested three days later. | 0:28:48 | 0:28:51 | |
What were you doing hanging around in London for three days? | 0:28:51 | 0:28:53 | |
Visiting the Elgin Marbles? | 0:28:53 | 0:28:56 | |
You don't want to be sitting around with five kilos of heroin | 0:28:56 | 0:28:59 | |
-up your jacksie for any longer than you have to. Eh? -HE LAUGHS | 0:28:59 | 0:29:01 | |
I should say.... | 0:29:01 | 0:29:03 | |
That was a rhetorical question. Why were you waiting? | 0:29:03 | 0:29:05 | |
I wait for the money. Idiot. | 0:29:05 | 0:29:07 | |
Idiot? | 0:29:07 | 0:29:09 | |
I want to go back to Athens, but I have to wait for the money. | 0:29:11 | 0:29:17 | |
Three days, I wait. Three long days. | 0:29:19 | 0:29:24 | |
So what, your friends kept you hanging around for three days | 0:29:24 | 0:29:26 | |
-waiting, doing nothing? -They don't have money. | 0:29:26 | 0:29:29 | |
Good. Detective Inspector Gambon terminating the interview. | 0:29:31 | 0:29:35 | |
Thank you, gentlemen, | 0:29:35 | 0:29:36 | |
you have helped us more than you will ever know. | 0:29:36 | 0:29:39 | |
So what day exactly did Dick sign out the money? | 0:29:44 | 0:29:48 | |
-A Tuesday, I think. -No, what date? What date? Check. Quickly. | 0:29:48 | 0:29:51 | |
Oh, right. I know. | 0:29:51 | 0:29:53 | |
You on to something, Walter? | 0:29:54 | 0:29:56 | |
Yes, Mark. I'm on to something. | 0:29:56 | 0:29:58 | |
-Actually, we're both on to something. -Ace. | 0:29:58 | 0:30:01 | |
PHONE RINGS | 0:30:01 | 0:30:03 | |
Hello. | 0:30:03 | 0:30:05 | |
Oh, hi, Mum. Yeah. No. No. Everything is fine. | 0:30:05 | 0:30:08 | |
I'll do it for you when I get home. It's just... | 0:30:08 | 0:30:11 | |
I'm at work. Yes. | 0:30:12 | 0:30:15 | |
It is ironed. Look, I'll ring you later, OK? | 0:30:15 | 0:30:18 | |
Ta-rah. | 0:30:18 | 0:30:20 | |
I like a girl who keeps in touch with her mum. | 0:30:20 | 0:30:23 | |
You only get one mother in this life. | 0:30:23 | 0:30:26 | |
You are so right, Mark. You are so right. | 0:30:26 | 0:30:29 | |
-Whoops. I'd better get on. -Yeah. | 0:30:30 | 0:30:33 | |
Anne. The date? Anne? Anne? Anne? | 0:30:36 | 0:30:40 | |
-Anne! -Huh? -The date! | 0:30:40 | 0:30:42 | |
Oh, err... | 0:30:42 | 0:30:43 | |
The 15th. | 0:30:43 | 0:30:44 | |
The 15th. The day after Dimitri arrives. So the money was available. | 0:30:44 | 0:30:49 | |
What were they doing hanging around for two days? | 0:30:49 | 0:30:51 | |
Dimitri arrives with the drugs on the Monday, | 0:30:51 | 0:30:54 | |
Dick signs out for the cash on the Tuesday. | 0:30:54 | 0:30:56 | |
Then Dimitri gets arrested on the Thursday, | 0:30:56 | 0:30:58 | |
then Dick falls under a train on Friday. I mean, what went wrong? | 0:30:58 | 0:31:01 | |
Everything? | 0:31:01 | 0:31:02 | |
Look, it is standard procedure, right. You take the money out | 0:31:02 | 0:31:05 | |
at the last possible moment. So Dick signs out for the cash, | 0:31:05 | 0:31:08 | |
hands it over to the operative, this woman, we presume, and then what? | 0:31:08 | 0:31:11 | |
Nothing happens for two days, | 0:31:11 | 0:31:13 | |
then Dimitri is arrested in the hotel. What happened to the money? | 0:31:13 | 0:31:18 | |
Still with our undercover cop? | 0:31:18 | 0:31:20 | |
Or it never left Dick's possession. | 0:31:20 | 0:31:24 | |
I think it's time for us to have a word with Dick's widow, don't you? | 0:31:26 | 0:31:30 | |
Here. You can drive. | 0:31:30 | 0:31:33 | |
-Who's that? Do you know him? -Don't ask. | 0:31:46 | 0:31:48 | |
-So, who...? -I said, don't, ask. | 0:31:48 | 0:31:51 | |
That's all I do now. Make cups of tea for people. | 0:32:09 | 0:32:12 | |
I am sorry. It's a terrible time. | 0:32:12 | 0:32:15 | |
They've all been round to say hello, even the new Superintendent. | 0:32:15 | 0:32:19 | |
He's so young, isn't he? | 0:32:19 | 0:32:20 | |
You must be the oldest copper on the force now. | 0:32:22 | 0:32:25 | |
Oh! | 0:32:25 | 0:32:26 | |
Sorry. | 0:32:26 | 0:32:27 | |
Dick used to say you were the perfect detective. | 0:32:29 | 0:32:32 | |
Old school, he'd say. | 0:32:32 | 0:32:33 | |
Look, I know this isn't a good time to ask | 0:32:33 | 0:32:36 | |
but did Dick say anything about what he was up to? | 0:32:36 | 0:32:39 | |
I mean, specifically this undercover job he was doing? | 0:32:39 | 0:32:41 | |
-No. -Did he mention anything about any money or...? | 0:32:41 | 0:32:45 | |
Money? No. What sort of money? | 0:32:45 | 0:32:47 | |
Oh, I don't know, you know, | 0:32:47 | 0:32:49 | |
something to do with this case he was running or erm... | 0:32:49 | 0:32:51 | |
Nothing that I can remember. We don't have any money. | 0:32:51 | 0:32:56 | |
You know what it's like on a policeman's wage. | 0:32:56 | 0:32:58 | |
HE MURMERS IN AGREEMENT | 0:32:58 | 0:33:00 | |
He did have a rich uncle in America who died recently, | 0:33:00 | 0:33:04 | |
and we were going to get something, Dick said. | 0:33:04 | 0:33:06 | |
"Bit of a windfall, love". Might not see any of that now. | 0:33:06 | 0:33:10 | |
Lucky Dick, eh? | 0:33:10 | 0:33:11 | |
Not really. Given the circumstances. | 0:33:12 | 0:33:15 | |
I can't believe I said that. How stupid am I? | 0:33:21 | 0:33:24 | |
I know. Poor woman. But really? The uncle? | 0:33:24 | 0:33:27 | |
The rich uncle? | 0:33:28 | 0:33:30 | |
I know. Who has a rich uncle in America? | 0:33:30 | 0:33:32 | |
Bill Gates' nephew? | 0:33:32 | 0:33:34 | |
Very good. I hope she doesn't spend her windfall | 0:33:34 | 0:33:37 | |
on any more hideous china figurines. | 0:33:37 | 0:33:39 | |
Oh, I loved them. | 0:33:39 | 0:33:41 | |
CAR BEEPS | 0:33:41 | 0:33:42 | |
Yeah, but so many? | 0:33:42 | 0:33:44 | |
Do you think I'm old school? | 0:33:46 | 0:33:48 | |
No. Just old. | 0:33:48 | 0:33:50 | |
Are we going to go? | 0:34:05 | 0:34:06 | |
What do you know about Mark's personal life? | 0:34:08 | 0:34:11 | |
What? | 0:34:12 | 0:34:13 | |
Is he, you know, you know is he...? | 0:34:13 | 0:34:18 | |
-Gay? -Never! | 0:34:18 | 0:34:20 | |
No, of course not. | 0:34:21 | 0:34:22 | |
Not that it would matter if he were. But is he, you know, free? | 0:34:22 | 0:34:28 | |
I think he plays the field and I really don't think he's your type. | 0:34:30 | 0:34:34 | |
-Yeah, I am just asking. -Yeah. I know. I know. | 0:34:35 | 0:34:38 | |
-Drive on. -HE CLEARS THROAT | 0:34:39 | 0:34:41 | |
Drop me off near Lidl's. I've got something really fun to do. | 0:34:41 | 0:34:44 | |
I hope one day they give me an office as big as this one. | 0:34:52 | 0:34:54 | |
Anything I can get you while you're here? | 0:34:54 | 0:34:57 | |
Yep. Money. A big bag of money. | 0:34:57 | 0:34:59 | |
We have had trouble getting hold of you, Mr Gambon. | 0:34:59 | 0:35:02 | |
-Detective Inspector Gambon. -Obviously it can't go on like this. | 0:35:02 | 0:35:05 | |
You simply will not be able to repay the loans. | 0:35:05 | 0:35:07 | |
There's nothing more to mortgage on your property. | 0:35:07 | 0:35:10 | |
Something has to give. | 0:35:10 | 0:35:11 | |
Yes. It will. I just need a little bit more time. | 0:35:11 | 0:35:14 | |
-Time for what? -Time for a big bag of money to fall out of the sky. | 0:35:14 | 0:35:17 | |
It was my predecessor who granted you this loan. | 0:35:17 | 0:35:21 | |
I must say that I would not have done so, | 0:35:21 | 0:35:23 | |
as clearly it has got you into severe difficulties. | 0:35:23 | 0:35:26 | |
We know why you took out the loan. | 0:35:26 | 0:35:28 | |
To pay off your wife's extensive medical expenses. | 0:35:28 | 0:35:31 | |
Although I thought we had a perfectly good National Health Service. | 0:35:31 | 0:35:34 | |
But you have to start paying it back. Now. | 0:35:34 | 0:35:37 | |
Yes. And I've thought of a few ways to achieve that. | 0:35:37 | 0:35:40 | |
Yes? | 0:35:41 | 0:35:42 | |
Yes. | 0:35:44 | 0:35:46 | |
This is the end of the line, do you understand? | 0:35:48 | 0:35:52 | |
You must drastically cut down your expenses, | 0:35:52 | 0:35:55 | |
and find some way to pay your mortgage instalments. | 0:35:55 | 0:35:58 | |
I see your daughter goes to a fee paying school... | 0:35:59 | 0:36:03 | |
Yes, and she is staying there. | 0:36:03 | 0:36:05 | |
Default on this and we have no option but to take the house, | 0:36:05 | 0:36:08 | |
at which point you will have to declare yourself bankrupt. | 0:36:08 | 0:36:11 | |
Is that a problem for a serving police officer? | 0:36:11 | 0:36:13 | |
Take a wild guess. | 0:36:13 | 0:36:15 | |
PHONE RINGS | 0:36:16 | 0:36:17 | |
Excuse me. | 0:36:17 | 0:36:18 | |
Fat Slim. | 0:36:20 | 0:36:22 | |
'Always a pleasure. What news?' | 0:36:22 | 0:36:23 | |
Thought you'd want to know that Dick's personal effects have | 0:36:23 | 0:36:27 | |
been turned in by the techies. | 0:36:27 | 0:36:29 | |
I'll keep them safe for you. | 0:36:29 | 0:36:31 | |
I'm on my way. | 0:36:31 | 0:36:32 | |
-I've got to go. -Ah... | 0:36:33 | 0:36:36 | |
Government business. | 0:36:36 | 0:36:37 | |
Slim, you're going to explode one day. | 0:36:57 | 0:36:59 | |
You should at least try and stop eating that rubbish. | 0:36:59 | 0:37:02 | |
One man's rubbish is another man's coq au vin, Walter. | 0:37:02 | 0:37:07 | |
What? | 0:37:07 | 0:37:08 | |
I suppose you want Dick's mangled effects? | 0:37:08 | 0:37:11 | |
Two phones. | 0:37:20 | 0:37:22 | |
Usually the sign of a naughty boy. | 0:37:22 | 0:37:24 | |
Come on. | 0:37:30 | 0:37:31 | |
"Convert Java to Citrix Gateway?" What the hell's that? | 0:37:41 | 0:37:44 | |
Move over, Cro-Magnon. | 0:37:44 | 0:37:46 | |
Oh, yeah. Yeah, I would have got round to that, yeah. | 0:37:48 | 0:37:52 | |
'Hello, love. | 0:37:52 | 0:37:53 | |
'Sorry, but do you press the red button thing or record? | 0:37:53 | 0:37:57 | |
'I'm trying to get the Man U match recorded for you. | 0:37:57 | 0:37:59 | |
'Call me. Bye.' | 0:37:59 | 0:38:01 | |
BEEP | 0:38:01 | 0:38:03 | |
'I've done it. | 0:38:03 | 0:38:04 | |
'Missed the kick-off but nothing's happened so far. I think. | 0:38:04 | 0:38:07 | |
'Or maybe somebody did score. See you later. Bye.' | 0:38:07 | 0:38:10 | |
BEEP | 0:38:10 | 0:38:11 | |
-ROBOTIC VOICE: -'End of new messages.' | 0:38:12 | 0:38:14 | |
Try the other one. | 0:38:14 | 0:38:15 | |
WOMAN: 'Dick. What have you done? Why did you arrest Dimitri? | 0:38:18 | 0:38:21 | |
'They've gone mental. They're going to bloody kill you.' | 0:38:21 | 0:38:24 | |
-ROBOTIC VOICE: -'End of new messages.' | 0:38:24 | 0:38:26 | |
That's our undercover cop. | 0:38:26 | 0:38:28 | |
Yeah, trying to tip him off. She knew he was in danger. | 0:38:28 | 0:38:31 | |
MOBILE PHONE BEEPS | 0:38:31 | 0:38:33 | |
Oh, look, I'm sorry, Anne. Look, erm... | 0:38:33 | 0:38:36 | |
-Let's call it a day. It's late. All right? -What? | 0:38:36 | 0:38:39 | |
Yeah, listen, you finish up here, I'll call you tomorrow. | 0:38:39 | 0:38:43 | |
MARK: Walter leave you in the lurch, Anne? | 0:38:45 | 0:38:47 | |
-What? -I'd never do that to a girl. | 0:38:47 | 0:38:49 | |
-MAN: -Come on, Mark, my round. | 0:38:51 | 0:38:53 | |
Weekend starts right here, boys. | 0:38:53 | 0:38:55 | |
Great. | 0:38:57 | 0:38:58 | |
RADIO: 'It's the weekend. If you're not out of bed yet, | 0:39:10 | 0:39:13 | |
'here's something to get you going.' | 0:39:13 | 0:39:15 | |
PHONE RINGS | 0:39:15 | 0:39:18 | |
'Hi, Anne? Hello?' | 0:39:24 | 0:39:26 | |
SHE MUMBLES | 0:39:26 | 0:39:27 | |
-Is that you? -Mm-hmm. | 0:39:27 | 0:39:29 | |
-Are you all right? You sound kind of weird. -No, no. | 0:39:29 | 0:39:31 | |
Listen. I know it's Saturday | 0:39:31 | 0:39:33 | |
but I've been thinking about that phone message and how Dick died. | 0:39:33 | 0:39:36 | |
Can you meet me at the station | 0:39:36 | 0:39:38 | |
-and get hold of the CCTV footage of the Underground? -Mm-hmm. | 0:39:38 | 0:39:41 | |
Now? Is that OK? | 0:39:41 | 0:39:43 | |
Mmmm. | 0:39:43 | 0:39:44 | |
Do you want to know why? | 0:39:44 | 0:39:45 | |
Mmm. | 0:39:45 | 0:39:46 | |
Are you sure you're all right? Are you doing something? | 0:39:46 | 0:39:49 | |
-MUMBLING: -No... No... | 0:39:49 | 0:39:51 | |
Anne? What are you doing? | 0:39:51 | 0:39:53 | |
Nothing. | 0:39:53 | 0:39:55 | |
FACE MASK CRACKS | 0:39:55 | 0:39:56 | |
I'll...I'll see you there. | 0:39:56 | 0:39:58 | |
Why do I bother? | 0:39:59 | 0:40:01 | |
Everything dandy? | 0:40:04 | 0:40:05 | |
Um, yeah. Anne is... | 0:40:05 | 0:40:08 | |
..odd. | 0:40:09 | 0:40:11 | |
Listen, I have to go down to the station. | 0:40:11 | 0:40:13 | |
-Will you be all right here for a while? -Sure. | 0:40:13 | 0:40:16 | |
Have you got the number for social services, | 0:40:16 | 0:40:19 | |
-cos I'm feeling seriously abandoned? LAUGHING: -Stop it. | 0:40:19 | 0:40:21 | |
Lily... | 0:40:25 | 0:40:26 | |
What? | 0:40:26 | 0:40:28 | |
Dad, what? | 0:40:29 | 0:40:30 | |
On the money front, things really are bad. | 0:40:31 | 0:40:34 | |
We may have to move and... | 0:40:34 | 0:40:38 | |
And what? | 0:40:38 | 0:40:39 | |
Leave here. | 0:40:39 | 0:40:41 | |
Leave school... | 0:40:41 | 0:40:43 | |
That's OK. | 0:40:45 | 0:40:46 | |
I'm tired of this house anyway. And school? | 0:40:46 | 0:40:50 | |
How much Latin and "phwaor-phwaor" can a girl take? | 0:40:50 | 0:40:53 | |
I'm sorry, darling, I don't know what to say. | 0:40:53 | 0:40:55 | |
It'll be fine. We'll have an adventure. | 0:40:55 | 0:40:58 | |
Look, I'll only be an hour. | 0:41:00 | 0:41:02 | |
We'll talk about it when I get back. All right? | 0:41:02 | 0:41:05 | |
So we're looking for people coming in and out of the station | 0:41:06 | 0:41:09 | |
before or after Dick died? | 0:41:09 | 0:41:11 | |
-Yes. Dick was warned by a woman... -Presumably our cop. | 0:41:11 | 0:41:14 | |
..that he was in danger... | 0:41:14 | 0:41:16 | |
And hours later he falls under a train. | 0:41:16 | 0:41:19 | |
You've got a bit of something there on your... | 0:41:21 | 0:41:23 | |
Oh. | 0:41:23 | 0:41:25 | |
He walks into this Tube station and... | 0:41:25 | 0:41:28 | |
it's... | 0:41:28 | 0:41:29 | |
..the end. | 0:41:31 | 0:41:32 | |
-There's Dick. -Yeah. | 0:41:34 | 0:41:37 | |
Right, let's see who else is in here. | 0:41:37 | 0:41:39 | |
Is this the only entrance to the platform? | 0:41:40 | 0:41:42 | |
It's the only one with a working camera. | 0:41:42 | 0:41:44 | |
HE TUTS | 0:41:44 | 0:41:45 | |
Ah, stop. Wait. Look at the time. | 0:41:47 | 0:41:49 | |
The accident happened right now at 8.04. | 0:41:49 | 0:41:52 | |
So we see people leave the platform as it's all shut down. | 0:41:52 | 0:41:58 | |
Oh! Oh, my God, that's him. That's Isaacs' mate. | 0:41:59 | 0:42:03 | |
Did he kill Dick? | 0:42:03 | 0:42:05 | |
He must have done. And £45,000 goes missing. | 0:42:05 | 0:42:08 | |
The undercover has it, presumably, but can't give it back yet. | 0:42:08 | 0:42:11 | |
If she doesn't have it, she's in real danger | 0:42:11 | 0:42:13 | |
because the deal's gone sour. And if she does have it... | 0:42:13 | 0:42:16 | |
She's in real danger, cos she's got the money and she's all alone. | 0:42:16 | 0:42:19 | |
With Dick's killer. Time to pull her out. | 0:42:19 | 0:42:21 | |
You find some back up and meet me at Isaac's flat as soon as possible. | 0:42:21 | 0:42:24 | |
What? Action? | 0:42:24 | 0:42:25 | |
I hope not. | 0:42:25 | 0:42:26 | |
Action. Yes! | 0:42:26 | 0:42:28 | |
Come on, Mark. Where are you? | 0:42:31 | 0:42:34 | |
TYRES SCREECH | 0:42:40 | 0:42:42 | |
Hello. Hello, Poli.... | 0:42:57 | 0:42:58 | |
DOOR BUZZES | 0:42:58 | 0:43:00 | |
Hello, Evel Knievel. | 0:43:02 | 0:43:04 | |
Get on. We're in a rush. | 0:43:04 | 0:43:06 | |
All right. | 0:43:06 | 0:43:08 | |
Don't kill me. | 0:43:08 | 0:43:09 | |
Budge up then. | 0:43:13 | 0:43:15 | |
You again. Bugger off. | 0:43:32 | 0:43:34 | |
-WOMAN: -How many times? I have not spoken to him. | 0:43:50 | 0:43:53 | |
MAN: You must have done. | 0:43:53 | 0:43:55 | |
No, I have not. I have no idea. | 0:43:55 | 0:43:57 | |
Rachel, talk to me. | 0:43:57 | 0:43:59 | |
I have had enough of this. | 0:43:59 | 0:44:00 | |
-Rachel, come back. -You can sort it out. | 0:44:00 | 0:44:02 | |
Where are you going? | 0:44:02 | 0:44:04 | |
INDISTINCT SHOUTS | 0:44:06 | 0:44:09 | |
Never mind what I've done or not done. | 0:44:17 | 0:44:19 | |
You have screwed up your end of the deal, son. | 0:44:19 | 0:44:22 | |
There would be no deal if I had not set this whole thing up. | 0:44:22 | 0:44:25 | |
Set up what? We lost the drugs because your mate lost his bottle. | 0:44:25 | 0:44:28 | |
Where is the 45 grand? | 0:44:28 | 0:44:29 | |
I don't know. Dick had it. | 0:44:29 | 0:44:31 | |
Have you got the money? | 0:44:31 | 0:44:33 | |
No, of course not. | 0:44:33 | 0:44:34 | |
-Then what use are you? -What? | 0:44:34 | 0:44:37 | |
Come on. Don't. You are kidding, right? Please don't! | 0:44:37 | 0:44:39 | |
GUNSHOT | 0:44:39 | 0:44:42 | |
Hey! Hey! | 0:44:47 | 0:44:49 | |
SIRENS APPROACH | 0:44:56 | 0:44:59 | |
WATER RUNS | 0:45:03 | 0:45:05 | |
That's... | 0:45:33 | 0:45:34 | |
Police! | 0:45:34 | 0:45:35 | |
I'll get her. You stay here. | 0:45:36 | 0:45:38 | |
As if. | 0:45:38 | 0:45:39 | |
TYRES SCREECH | 0:45:46 | 0:45:48 | |
George? Vehicle is a dark blue Audi... | 0:45:50 | 0:45:53 | |
HE GRUNTS | 0:45:58 | 0:46:00 | |
Where do you think you're going, Baldy? | 0:46:00 | 0:46:02 | |
SIRENS WAIL | 0:46:04 | 0:46:06 | |
Mind out, everybody. Police coming through. | 0:46:39 | 0:46:42 | |
Did you do that? | 0:46:44 | 0:46:45 | |
-He's a pussy cat really. Aren't you? -HE GRUNTS | 0:46:45 | 0:46:48 | |
He just killed a policeman and then shot at me. | 0:46:48 | 0:46:50 | |
I nearly died on the toilet, for Christ's sake. | 0:46:50 | 0:46:52 | |
Hang on. What do you mean, killed a policeman? | 0:46:52 | 0:46:55 | |
-It wasn't the girl. It was the man. -What? | 0:46:55 | 0:46:57 | |
It was the man who was the undercover cop. | 0:46:57 | 0:46:58 | |
He's lying dead upstairs because this fella just shot him. | 0:46:58 | 0:47:01 | |
What a bloody mess. Gambon, are you all right? | 0:47:12 | 0:47:15 | |
-Yes, thank you, sir. More than can be said of some. -Hmm. | 0:47:15 | 0:47:18 | |
Have we found our officer? | 0:47:20 | 0:47:22 | |
The woman was not the police officer? | 0:47:27 | 0:47:29 | |
No, sir. | 0:47:29 | 0:47:31 | |
But this man, the undercover, is dead? | 0:47:31 | 0:47:35 | |
Yes. | 0:47:35 | 0:47:36 | |
-And Isaacs? -Arrested, sir. | 0:47:40 | 0:47:43 | |
Ah. I see. | 0:47:43 | 0:47:44 | |
A second policeman dead? | 0:47:48 | 0:47:50 | |
Not a great first week then. | 0:47:58 | 0:48:00 | |
SIREN WAILS | 0:48:02 | 0:48:04 | |
Are you sure you're all right, Walter? | 0:48:09 | 0:48:12 | |
Shock can do terrible things to a man. | 0:48:12 | 0:48:16 | |
I'm fine, Anne. | 0:48:16 | 0:48:17 | |
Hey. We did good today. | 0:48:19 | 0:48:21 | |
You think? One arrested, one missing, one dead. | 0:48:21 | 0:48:25 | |
Well, I suppose when you put it like that, | 0:48:26 | 0:48:28 | |
this was a bit of a balls up. | 0:48:28 | 0:48:30 | |
Deftly put. | 0:48:30 | 0:48:32 | |
Well, tragic news concerning Detective Sergeant Lenny Rice | 0:48:36 | 0:48:40 | |
of the Manchester Drugs Squad. | 0:48:40 | 0:48:42 | |
You should know that my predecessor, now out of his cave, | 0:48:42 | 0:48:45 | |
has confirmed that he didn't know about Lenny Rice either. | 0:48:45 | 0:48:48 | |
Well, at least we're consistent. | 0:48:48 | 0:48:51 | |
Thank you, Gambon. | 0:48:51 | 0:48:52 | |
Dick Romney not informing his superior about this man | 0:48:52 | 0:48:55 | |
is way off procedure. A complete re-working of how we manage | 0:48:55 | 0:48:57 | |
undercover officers is desperately needed. | 0:48:57 | 0:49:00 | |
It seems totally unconnected to Dick falling under the train. | 0:49:00 | 0:49:03 | |
You were right about that from the start, sir. A tragic accident. | 0:49:03 | 0:49:07 | |
You sure there's no connection? | 0:49:07 | 0:49:09 | |
No proof at all. | 0:49:09 | 0:49:10 | |
Isaacs' arrest is, of course, a Godsend. | 0:49:12 | 0:49:15 | |
The public are much safer with him put away. | 0:49:15 | 0:49:17 | |
The blonde girl, Rachel Hillenbrand, claims to be no more than | 0:49:17 | 0:49:20 | |
Isaacs' girlfriend and there's no evidence to contradict her. | 0:49:20 | 0:49:24 | |
No sign of the money. I suppose that's long gone. | 0:49:24 | 0:49:27 | |
But a bit of a turnaround. | 0:49:28 | 0:49:30 | |
It has been a hell of a week. Well done, you two. | 0:49:30 | 0:49:34 | |
DC Hopkins, nice arrest of Isaacs. | 0:49:34 | 0:49:36 | |
Thank you, sir. | 0:49:36 | 0:49:37 | |
Anne was very helpful, sir. Clear headed and thorough. | 0:49:37 | 0:49:40 | |
I don't doubt it. Now, paperwork. It doesn't do itself, you know. | 0:49:40 | 0:49:45 | |
What is it, Gambon? | 0:49:49 | 0:49:51 | |
It's the money... | 0:49:53 | 0:49:54 | |
It sits in last year's accounts. Don't worry about it. | 0:49:54 | 0:49:57 | |
Who knows, maybe it will turn up. | 0:49:57 | 0:49:59 | |
-Mmmm. -Good work, Detective. Really. | 0:50:01 | 0:50:03 | |
It's going to be an honour working for you, sir. | 0:50:03 | 0:50:05 | |
-Don't over do it. -Quite right, sir. | 0:50:05 | 0:50:07 | |
-Shall I...? -Yes, please, shut it. | 0:50:08 | 0:50:10 | |
It's best to keep Dick's death as a terrible accident then? | 0:50:19 | 0:50:23 | |
You are sure? | 0:50:24 | 0:50:25 | |
Yeah. I am sure. No-one will ever find out. | 0:50:26 | 0:50:29 | |
Even the man who murdered him is dead. | 0:50:29 | 0:50:31 | |
But was Dick corrupt? | 0:50:31 | 0:50:33 | |
Him and Lenny must have been in on it from the start. | 0:50:33 | 0:50:36 | |
They were all in on it together. | 0:50:36 | 0:50:38 | |
Yes, but then something made Dick change his mind | 0:50:38 | 0:50:41 | |
and he wanted to do the right thing. | 0:50:41 | 0:50:42 | |
He arrested Dimitri. He got that heroin off the street. | 0:50:42 | 0:50:46 | |
It was Lenny Rice who was the bad guy. | 0:50:46 | 0:50:48 | |
Neat as a pin, eh? SHE GIGGLES | 0:50:53 | 0:50:55 | |
Slam dunk. | 0:50:55 | 0:50:56 | |
Brilliant. Ace detective Walter. | 0:50:56 | 0:50:59 | |
Thank you, Mark. And Anne. | 0:50:59 | 0:51:02 | |
Anne was fan-bloody-tastic. | 0:51:02 | 0:51:05 | |
No. You are the one. | 0:51:05 | 0:51:07 | |
I know, yeah. | 0:51:08 | 0:51:10 | |
Well, you know, paperwork doesn't do itself, Anne, does it? | 0:51:10 | 0:51:13 | |
Yeah... | 0:51:13 | 0:51:15 | |
You saved the day. Could've been a massive cock-up there. | 0:51:15 | 0:51:17 | |
A massive c... | 0:51:17 | 0:51:19 | |
Nice trick with the helmet, by the way. | 0:51:19 | 0:51:21 | |
Brutal. You must teach me that one day. | 0:51:21 | 0:51:23 | |
SHE SIGHS | 0:51:23 | 0:51:25 | |
THEY LAUGH | 0:51:25 | 0:51:27 | |
Look, I don't want any arguments and don't ask too many questions. | 0:51:31 | 0:51:35 | |
But you really must accept this. | 0:51:35 | 0:51:37 | |
You've been to Sainsbury's? | 0:51:37 | 0:51:40 | |
No. Not exactly. | 0:51:40 | 0:51:41 | |
Is it stolen? | 0:51:55 | 0:51:56 | |
Not from anybody in particular. It should have been Dick's. | 0:51:56 | 0:51:59 | |
Just think of it like it's from his uncle in America. | 0:51:59 | 0:52:02 | |
Take it and spend it slowly. | 0:52:02 | 0:52:04 | |
We never had a rich uncle in America, you know. | 0:52:06 | 0:52:08 | |
I know. | 0:52:08 | 0:52:10 | |
-Was Dick a bad copper? -Definitely not. | 0:52:12 | 0:52:14 | |
He had a bit of a wobble but he tried to put it right. | 0:52:14 | 0:52:17 | |
Thank you, Walter. | 0:52:21 | 0:52:22 | |
I don't know what to say. | 0:52:25 | 0:52:27 | |
Good food costs less at Sainsbury's? | 0:52:27 | 0:52:29 | |
Hardip. | 0:52:35 | 0:52:36 | |
You want the good news or the good news? | 0:52:38 | 0:52:40 | |
Walter...? | 0:52:40 | 0:52:42 | |
Nine grand? A tad late so interest must be paid. | 0:52:42 | 0:52:45 | |
Ten grand it is. | 0:52:45 | 0:52:48 | |
There you go. Don't spend it all on fabric conditioner. | 0:52:48 | 0:52:51 | |
You won't be seeing me again. | 0:52:54 | 0:52:55 | |
Hardip. | 0:52:55 | 0:52:56 | |
Pshhh... | 0:53:04 | 0:53:05 | |
Booom.... | 0:53:06 | 0:53:10 | |
Brutal. | 0:53:11 | 0:53:12 | |
VASE SHATTERS | 0:53:12 | 0:53:14 | |
Whoops. | 0:53:14 | 0:53:15 | |
Anne! Anne! > | 0:53:15 | 0:53:17 | |
IN WELSH | 0:53:17 | 0:53:18 | |
So I just may have turned it round after all. | 0:53:27 | 0:53:30 | |
Oh, yes! | 0:53:33 | 0:53:34 | |
That Gambon is a strange one though. | 0:53:36 | 0:53:38 | |
Best detective in the squad, | 0:53:38 | 0:53:40 | |
but a problem with authority on a par with... | 0:53:40 | 0:53:44 | |
Miley Cyrus. | 0:53:44 | 0:53:46 | |
SNORING SOFTY | 0:53:46 | 0:53:48 | |
It's lonely at the top. | 0:53:56 | 0:53:57 | |
Mmm. | 0:54:13 | 0:54:14 | |
LILY: Dad. Come on, I'm starving. | 0:54:20 | 0:54:22 | |
Yeah. Yeah. In a minute. | 0:54:22 | 0:54:24 | |
Detective Inspector Walter Gambon, I would like to eat some | 0:54:27 | 0:54:29 | |
time before midnight. | 0:54:29 | 0:54:31 | |
All right, I am coming. | 0:54:31 | 0:54:33 | |
There you go. | 0:54:35 | 0:54:36 | |
One pot of Dad's finest chilli con carne. | 0:54:36 | 0:54:42 | |
You've actually excelled yourself. It looks...almost edible. | 0:54:42 | 0:54:47 | |
He solves the case, he cooks the supper. | 0:54:47 | 0:54:51 | |
Is there no end to this man's talents? | 0:54:51 | 0:54:54 | |
So I've been thinking about where we could live more cheaply... | 0:54:58 | 0:55:02 | |
I'm don't think that's going to be necessary. | 0:55:02 | 0:55:05 | |
Really? I don't mind. If we need... | 0:55:05 | 0:55:08 | |
No, no. I've had a word with the bank, they seem more flexible. | 0:55:08 | 0:55:11 | |
-I think we can manage. -Really? | 0:55:11 | 0:55:13 | |
I'm going to find a way. | 0:55:13 | 0:55:15 | |
I knew you'd think of something. | 0:55:15 | 0:55:17 | |
You're cleverer than you look, you know. | 0:55:17 | 0:55:19 | |
HE CHUCKLES | 0:55:19 | 0:55:20 | |
-We'll have to be careful though. -Of course. | 0:55:20 | 0:55:23 | |
Very careful. | 0:55:23 | 0:55:24 |