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Ladies and gentlemen, girls and boys of London, are you ready to party?! | 0:00:02 | 0:00:07 | |
CHEERS | 0:00:07 | 0:00:10 | |
Then please welcome your hostess for this evening's entertainment. | 0:00:10 | 0:00:13 | |
It's me, Miranda Hart! | 0:00:13 | 0:00:16 | |
This programme contains some strong language | 0:00:18 | 0:00:26 | |
MUSIC: I Am The One And Only by Chesney Hawkes | 0:00:26 | 0:00:29 | |
Oh, yes! | 0:00:33 | 0:00:35 | |
Hello! | 0:00:35 | 0:00:37 | |
Hi! | 0:00:37 | 0:00:38 | |
Oh, yes. Hello! | 0:00:44 | 0:00:47 | |
Hoo-hoo. | 0:00:47 | 0:00:49 | |
Oh, lovely. Hello to you, the O2. | 0:00:49 | 0:00:52 | |
Fabulous. | 0:00:52 | 0:00:54 | |
This is great. This is going to be a show. It's going to be fun tonight. | 0:00:54 | 0:00:57 | |
I feel it in my waters. | 0:00:57 | 0:00:59 | |
I do, yes. | 0:00:59 | 0:01:01 | |
So, who's here? Who's been kind enough to pop along? | 0:01:01 | 0:01:03 | |
Any teenagers here? | 0:01:03 | 0:01:05 | |
SCREAMS | 0:01:05 | 0:01:07 | |
Did Justin Bieber just come on? | 0:01:09 | 0:01:10 | |
He shouldn't have done. He's in my dressing room, | 0:01:12 | 0:01:14 | |
tied to a radiator hoping to get his clothes back. | 0:01:14 | 0:01:17 | |
He isn't, he isn't. | 0:01:18 | 0:01:20 | |
Or is he? | 0:01:20 | 0:01:21 | |
He isn't, he isn't. | 0:01:24 | 0:01:26 | |
He's probably just in jail somewhere, isn't he? | 0:01:26 | 0:01:29 | |
Who else have we got? Any fellow single women? | 0:01:29 | 0:01:32 | |
SCREAMS AND CHEERS Yes? We're out! | 0:01:32 | 0:01:34 | |
We're actually out tonight. | 0:01:34 | 0:01:37 | |
Crying over a tub of Ben and Jerry's earlier, but we're out now! | 0:01:37 | 0:01:41 | |
Anything could happen. | 0:01:41 | 0:01:42 | |
Probably just a lot of white wine | 0:01:42 | 0:01:44 | |
and singing I Will Survive together later. | 0:01:44 | 0:01:46 | |
Any single men? | 0:01:48 | 0:01:49 | |
AUDIENCE HOOTS | 0:01:50 | 0:01:51 | |
Three down here! | 0:01:51 | 0:01:54 | |
Let's just clarify. | 0:01:54 | 0:01:56 | |
Any straight single men? | 0:01:56 | 0:01:58 | |
Nothing. | 0:01:59 | 0:02:01 | |
Literally nothing. | 0:02:02 | 0:02:03 | |
I mean, it's always the way, isn't it? | 0:02:05 | 0:02:07 | |
No, hang on... | 0:02:07 | 0:02:08 | |
Of all the people here, be really brave, | 0:02:08 | 0:02:11 | |
if there's one straight single man go, "Hwar"! | 0:02:11 | 0:02:14 | |
Here you go. One, two, three... | 0:02:14 | 0:02:17 | |
SOME MEN SHOUT Oh, there are! There are some! | 0:02:17 | 0:02:19 | |
Ladies, pounce down here. We've got two. | 0:02:19 | 0:02:22 | |
You're in big trouble tonight. That's exciting. | 0:02:22 | 0:02:25 | |
So, if you're here for a good time, give me a whoop! | 0:02:25 | 0:02:28 | |
AUDIENCE WHOOPS | 0:02:28 | 0:02:30 | |
Lovely. | 0:02:30 | 0:02:31 | |
If you're here, because somebody made you, | 0:02:31 | 0:02:33 | |
give me a grumble. | 0:02:33 | 0:02:35 | |
SOME GRUMBLES | 0:02:35 | 0:02:38 | |
That'll be all the dads, won't it? | 0:02:39 | 0:02:42 | |
Already thinking about the route home. | 0:02:42 | 0:02:45 | |
"Getting out of this car park's going to be hell, isn't it?" | 0:02:45 | 0:02:49 | |
Bet you are. | 0:02:49 | 0:02:51 | |
Perhaps you were hoping to see the supermodel Miranda Kerr. | 0:02:51 | 0:02:55 | |
You know, the one that was married to Orlando Bloom? | 0:02:55 | 0:02:57 | |
She's the most famous Miranda, isn't she? | 0:02:57 | 0:02:59 | |
Once in America, when Call The Midwife first aired there... | 0:02:59 | 0:03:02 | |
Any fans of Call The Midwife in? | 0:03:02 | 0:03:04 | |
SCREAMS AND CHEERS | 0:03:04 | 0:03:06 | |
Stop it, stop it. Seriously, stop it. | 0:03:06 | 0:03:09 | |
Well, they said in America, they made a mistake in the press release | 0:03:09 | 0:03:12 | |
and they said, "Starring in her first dramatic role as Chummy, | 0:03:12 | 0:03:16 | |
"Miranda Kerr" instead of my name. | 0:03:16 | 0:03:20 | |
Now, if you don't know what Miranda Kerr looks like, | 0:03:20 | 0:03:22 | |
this is what she looks like. | 0:03:22 | 0:03:25 | |
Yeah. They will have got a hell of a shock when this came on. | 0:03:25 | 0:03:29 | |
Yes. | 0:03:30 | 0:03:31 | |
But do you know, I like to think people thought, | 0:03:35 | 0:03:38 | |
"Wow! She bagged Orlando Bloom? | 0:03:38 | 0:03:40 | |
"Good on her." I've got the moves. | 0:03:41 | 0:03:43 | |
This is all right. They're quite special, aren't they? | 0:03:43 | 0:03:46 | |
Lots of pretty good flirt lines. | 0:03:46 | 0:03:48 | |
Is it too early to flirt? | 0:03:48 | 0:03:49 | |
No, it isn't. Hello to you, sir, and thanks for calling. | 0:03:49 | 0:03:53 | |
Lovely. | 0:03:54 | 0:03:55 | |
Slightly predatory lunge that, wasn't it? | 0:03:56 | 0:04:00 | |
What's your name? | 0:04:00 | 0:04:01 | |
Matthew, lovely. Is this your wife? | 0:04:01 | 0:04:04 | |
Not any more! | 0:04:04 | 0:04:05 | |
I'll try my best flirt line on you, OK? | 0:04:07 | 0:04:09 | |
It's pretty good. If you know me well, you'll know this. OK? | 0:04:09 | 0:04:12 | |
Are you ready, Matthew? | 0:04:12 | 0:04:14 | |
Hi. When I'm naked in bed and I roll over, | 0:04:14 | 0:04:17 | |
my breasts clap. | 0:04:17 | 0:04:19 | |
It's going to be exciting tonight, isn't it, Matthew? Yes! | 0:04:23 | 0:04:26 | |
And the reason tonight's going to be exciting, O2, | 0:04:26 | 0:04:29 | |
the reason is because, tonight, this isn't just a show. | 0:04:29 | 0:04:32 | |
No, no, no, no, no. | 0:04:32 | 0:04:34 | |
Tonight, I thought we could have a party. | 0:04:34 | 0:04:37 | |
Yes! | 0:04:37 | 0:04:39 | |
So will you accept the invitation to my party tonight? | 0:04:39 | 0:04:42 | |
CHEERS | 0:04:42 | 0:04:44 | |
I love it. | 0:04:44 | 0:04:45 | |
Let's play another classic tune to get it started. | 0:04:45 | 0:04:48 | |
MUSIC: Man! I Feel Like A Woman by Shania Twain | 0:04:48 | 0:04:51 | |
"Let's go, girls." That's fun, isn't it? | 0:04:51 | 0:04:53 | |
Ooh, what's this? | 0:04:53 | 0:04:55 | |
That's nice. It's exciting, isn't it? | 0:04:57 | 0:04:59 | |
MUSIC STOPS SUDDENLY | 0:05:03 | 0:05:05 | |
It's beyond camp now, isn't it? | 0:05:05 | 0:05:07 | |
I'm basically a gay man trapped inside a woman's body. | 0:05:07 | 0:05:10 | |
What can I say? | 0:05:10 | 0:05:11 | |
Yes! | 0:05:12 | 0:05:13 | |
Because it is a party, I am, of course, with buffet. Yeah! | 0:05:13 | 0:05:18 | |
So let's open the buffet, shall we? | 0:05:18 | 0:05:20 | |
We'll go savoury first, obviously. | 0:05:20 | 0:05:22 | |
Let's go Doritos. Lovely. | 0:05:22 | 0:05:24 | |
Do you want some Doritos? There you go. | 0:05:25 | 0:05:27 | |
Well, meet me halfway, you biatch, yeah? | 0:05:27 | 0:05:30 | |
That's lovely. | 0:05:30 | 0:05:32 | |
Meet me at the sort of rope here, | 0:05:32 | 0:05:33 | |
that looks like a National Trust rope. It's very odd. | 0:05:33 | 0:05:37 | |
It's making me feel like a portrait. | 0:05:37 | 0:05:39 | |
It's really weird. It's meant to be security. | 0:05:39 | 0:05:41 | |
I don't know who that's going to stop. Someone'll just be... | 0:05:41 | 0:05:44 | |
"I'm here to kill and assault you now." | 0:05:44 | 0:05:47 | |
It looks lovely, though, doesn't it? | 0:05:47 | 0:05:49 | |
Got the Doritos, lovely. | 0:05:49 | 0:05:51 | |
Take one, pass it on, yes? | 0:05:51 | 0:05:53 | |
This is going to be fun. | 0:05:55 | 0:05:56 | |
Because, I don't know about you, | 0:05:56 | 0:05:57 | |
but normally, I suffer from terrible party anxiety, normally. | 0:05:57 | 0:06:01 | |
The last party I went to, well, a myriad of disasters. | 0:06:01 | 0:06:05 | |
First, I had a nightmare with | 0:06:05 | 0:06:07 | |
the awkward one kiss or two kiss greeting thing, | 0:06:07 | 0:06:10 | |
which cheek to go for. "Oh, we nearly snogged." All that. | 0:06:10 | 0:06:12 | |
It's a nightmare, isn't it? | 0:06:12 | 0:06:14 | |
And then. at one point, I totally misjudged the situation | 0:06:14 | 0:06:17 | |
and, as this guy was coming in for two kisses, | 0:06:17 | 0:06:20 | |
I went in for the handshake. | 0:06:20 | 0:06:21 | |
Totally misjudged it. | 0:06:21 | 0:06:24 | |
So, as he was coming in for the kiss, | 0:06:24 | 0:06:26 | |
I realised that my hand was getting nearer and nearer his, erm, | 0:06:26 | 0:06:30 | |
crotch area, shall we say, | 0:06:30 | 0:06:33 | |
and then, as I went in for the first kiss, | 0:06:33 | 0:06:35 | |
I sort of slightly lost my balance | 0:06:35 | 0:06:37 | |
and I ended up steadying myself | 0:06:37 | 0:06:39 | |
on his belt! | 0:06:39 | 0:06:40 | |
Did the second kiss. | 0:06:43 | 0:06:44 | |
As I peeled back, I forgot to release. | 0:06:44 | 0:06:48 | |
I was still holding on to his belt. | 0:06:48 | 0:06:50 | |
I had to sort of turn it into something. You know how you do, | 0:06:50 | 0:06:53 | |
to try and get away with these situations? | 0:06:53 | 0:06:55 | |
In retrospect, I probably should have done something like, | 0:06:55 | 0:06:57 | |
"You're looking good. Have you lost weight?" | 0:06:57 | 0:07:01 | |
No, made a hell of a decision. | 0:07:01 | 0:07:03 | |
For some reason, I went... | 0:07:03 | 0:07:05 | |
"Jump!" | 0:07:06 | 0:07:07 | |
He's like, "What are you doing?" | 0:07:09 | 0:07:12 | |
But it gets worse. Oh, it gets worse, yes. | 0:07:13 | 0:07:16 | |
I then get introduced to a beyond-handsome man | 0:07:16 | 0:07:19 | |
and, when I discovered he was single, I got a little bit flustered. | 0:07:19 | 0:07:22 | |
I didn't go in for the handshake. | 0:07:22 | 0:07:24 | |
I didn't go in for the kiss. | 0:07:24 | 0:07:26 | |
I curtsied... | 0:07:27 | 0:07:28 | |
..forgetting that, when I'm in this position and rise up, | 0:07:30 | 0:07:34 | |
I will invariably | 0:07:34 | 0:07:36 | |
break wind. | 0:07:36 | 0:07:37 | |
Now, anyone over 35, you will know it. | 0:07:39 | 0:07:42 | |
It is the contract, relax... | 0:07:42 | 0:07:44 | |
BLOWS RASPBERRY ..position. Yes? | 0:07:44 | 0:07:47 | |
You turn 35, suddenly, getting off a chair is a risk factor, isn't it? | 0:07:48 | 0:07:53 | |
BLOWS RASPBERRY Oh, sorry, everyone. | 0:07:53 | 0:07:55 | |
Sorry, I wasn't expecting that. Apologies. | 0:07:55 | 0:07:57 | |
Stairs. | 0:07:57 | 0:07:58 | |
BLOWS SEVERAL RASPBERRIES | 0:07:58 | 0:08:00 | |
Sorry, do you want to go on ahead? That might be better. Yes. | 0:08:02 | 0:08:05 | |
BLOWS RASPBERRIES | 0:08:05 | 0:08:08 | |
A lot of laughter recognition going on here tonight. | 0:08:08 | 0:08:11 | |
So, at this last party, it was a question of, | 0:08:11 | 0:08:13 | |
"Hello, lovely to meet you, potential future husband." | 0:08:13 | 0:08:16 | |
BLOWS RASPBERRY "Goodbye!" | 0:08:16 | 0:08:18 | |
But let's, let's tonight call this an anxiety-free zone, | 0:08:20 | 0:08:24 | |
shall we, tonight? | 0:08:24 | 0:08:25 | |
Let's call this our cocoon. | 0:08:25 | 0:08:27 | |
Nay, a cocoon au fun. | 0:08:27 | 0:08:30 | |
That sounds lovely, doesn't it? | 0:08:30 | 0:08:32 | |
Good word, cocoon, isn't it? | 0:08:32 | 0:08:34 | |
Cocoon! | 0:08:34 | 0:08:36 | |
Well, that's lovely. | 0:08:36 | 0:08:38 | |
Not as good as my favourite word, which is still "plunge". | 0:08:38 | 0:08:41 | |
Plunge. | 0:08:43 | 0:08:45 | |
Plunge my cocoon, you! | 0:08:45 | 0:08:48 | |
Sorry about that! | 0:08:51 | 0:08:52 | |
Surprised myself, there, I'm not going to lie. | 0:08:52 | 0:08:55 | |
But anything goes in the cocoon. Anything goes. | 0:08:55 | 0:08:57 | |
You can wear what you like, | 0:08:57 | 0:08:59 | |
which is lucky for you, madam, isn't it? | 0:08:59 | 0:09:02 | |
I'm joking. You, of course, look fabulous. | 0:09:03 | 0:09:06 | |
I should add, by the way, | 0:09:09 | 0:09:10 | |
I've got the perfect buffet for our party tonight. | 0:09:10 | 0:09:13 | |
Perfect buffet. | 0:09:13 | 0:09:14 | |
Simple finger food, because that's another thing | 0:09:14 | 0:09:17 | |
I normally struggle with at parties - the nibbles. | 0:09:17 | 0:09:19 | |
The whole nibble department, like cocktail sausage sticks - | 0:09:19 | 0:09:22 | |
where to put them if you're left with them? | 0:09:22 | 0:09:24 | |
It's one advantage of being tall. | 0:09:24 | 0:09:26 | |
I tend to pop them on the head of a passing stranger. | 0:09:26 | 0:09:29 | |
They never feel it. | 0:09:30 | 0:09:33 | |
Because, if I think I'm honest with you, | 0:09:33 | 0:09:35 | |
I think the last party I really enjoyed and lasted the duration | 0:09:35 | 0:09:40 | |
was probably when I was six, | 0:09:40 | 0:09:42 | |
because anything goes at a party when you're six, doesn't it? | 0:09:42 | 0:09:46 | |
You can stuff your face till you're physically sick | 0:09:46 | 0:09:48 | |
and no-one will think you're greedy or bulimic. | 0:09:48 | 0:09:51 | |
You can gallop round the room laughing manically at yourself | 0:09:51 | 0:09:55 | |
and stand in a corner with your skirt above your head. | 0:09:55 | 0:09:58 | |
No-one bats an eyelid. | 0:09:58 | 0:10:00 | |
In your forties, people frown, take it from me. | 0:10:00 | 0:10:03 | |
"It's a good night." | 0:10:03 | 0:10:05 | |
The worst thing that would happen at a party when you're six, | 0:10:06 | 0:10:09 | |
the worst thing, is that you piss yourself, isn't it? | 0:10:09 | 0:10:11 | |
I mean, that's the worst thing. | 0:10:11 | 0:10:13 | |
But even then, you'd just whip your pants off and crack on, wouldn't you? | 0:10:13 | 0:10:16 | |
Again, in your forties, people are less forgiving. | 0:10:18 | 0:10:22 | |
Hang on, hang on. | 0:10:22 | 0:10:24 | |
In my defence, your honours, | 0:10:24 | 0:10:26 | |
there was a trampoline involved | 0:10:26 | 0:10:29 | |
and, again, anyone over 35, you will know it. | 0:10:29 | 0:10:32 | |
As well as contract... BLOWS RASPBERRY | 0:10:32 | 0:10:35 | |
..trampolining is, of course, a question of, | 0:10:35 | 0:10:38 | |
"Wee! Wee! Weeing! | 0:10:38 | 0:10:40 | |
"I am weeing now!" | 0:10:40 | 0:10:41 | |
But six-year-olds, six-year-olds are free, aren't they? | 0:10:47 | 0:10:49 | |
I think it's a great age that, | 0:10:49 | 0:10:50 | |
aged from sort of three to six, where anything goes. | 0:10:50 | 0:10:53 | |
They don't have party anxiety, do they? | 0:10:53 | 0:10:55 | |
They can just be who they are and do what they do. | 0:10:55 | 0:10:58 | |
I think we should be more like that. It would be great. | 0:10:58 | 0:11:00 | |
I mean how great would it be if you were at a party | 0:11:00 | 0:11:03 | |
and somebody came over to you that you didn't want to speak to, | 0:11:03 | 0:11:06 | |
it was socially acceptable to go, | 0:11:06 | 0:11:08 | |
"Oh, go away" and push them over! | 0:11:08 | 0:11:11 | |
It would be amazing. wouldn't it? | 0:11:13 | 0:11:15 | |
Or if, say, you were really bored in a post office queue, | 0:11:15 | 0:11:18 | |
it was socially acceptable to go into a ballet routine? | 0:11:18 | 0:11:21 | |
Five-year-olds start doing this. | 0:11:23 | 0:11:25 | |
If I did this in a post office, I'd be sectioned. | 0:11:25 | 0:11:28 | |
It's not fair. | 0:11:28 | 0:11:29 | |
But the key thing, the key thing, I, of course, | 0:11:31 | 0:11:34 | |
wish all adults to reclaim from toddlers | 0:11:34 | 0:11:38 | |
is | 0:11:38 | 0:11:39 | |
the gallop! | 0:11:39 | 0:11:40 | |
CHEERS Oh, yes. | 0:11:40 | 0:11:42 | |
I'm mounting my horse. I'm gathering my reins. | 0:11:42 | 0:11:45 | |
I'm galloping! MUSIC: Theme from Black Beauty | 0:11:45 | 0:11:48 | |
It's such a lovely way to move. | 0:11:48 | 0:11:51 | |
If you need the toilet from now on, gallop up the aisles, yes! | 0:11:51 | 0:11:54 | |
Imagine a world where adults could gallop. | 0:11:54 | 0:11:57 | |
Ministers arriving at Number 10, | 0:11:57 | 0:12:00 | |
then dismounting to go in. It would be fabulous. | 0:12:00 | 0:12:04 | |
Do you like my meadow, by the way? | 0:12:04 | 0:12:06 | |
Not a euphemism, I should say. | 0:12:06 | 0:12:09 | |
Cheeky. | 0:12:09 | 0:12:10 | |
I love the gallop, I love it. | 0:12:13 | 0:12:14 | |
I love it, in particular, because it's such a heady mix of camp | 0:12:14 | 0:12:18 | |
and drama. | 0:12:18 | 0:12:19 | |
That's why I like it. Like musicals. | 0:12:19 | 0:12:21 | |
Do you like musicals? | 0:12:21 | 0:12:22 | |
CHEERS Do you? | 0:12:22 | 0:12:24 | |
I love musicals. | 0:12:24 | 0:12:25 | |
I love, in particular, the way they bow | 0:12:25 | 0:12:28 | |
in very serious West End musical theatre. | 0:12:28 | 0:12:31 | |
So, they sort of bow like this. | 0:12:31 | 0:12:33 | |
Oh, thank you! | 0:12:36 | 0:12:38 | |
It's too much, really. | 0:12:40 | 0:12:42 | |
And they sort of "jazz-run" off, don't they? | 0:12:50 | 0:12:52 | |
It's classic. I love it. | 0:12:52 | 0:12:54 | |
They couldn't possibly just walk off. NO, they have to "jazz-run" off. | 0:12:54 | 0:12:58 | |
I think life would be better if it was all a bit musical theatre. | 0:12:58 | 0:13:02 | |
I think it would be brilliant. | 0:13:02 | 0:13:03 | |
Then, instead of walking your dog, say, in the morning like normal, | 0:13:03 | 0:13:06 | |
like this, | 0:13:06 | 0:13:08 | |
you'd have to walk it like this. | 0:13:08 | 0:13:09 | |
# Good morning, how is your dog? # | 0:13:13 | 0:13:15 | |
Swinging a dog there. | 0:13:18 | 0:13:20 | |
It would be fun. | 0:13:21 | 0:13:22 | |
I'm going to start giving myself a musical bow | 0:13:22 | 0:13:26 | |
after every small achievement in life. | 0:13:26 | 0:13:28 | |
I think we should all do it, it would be great. | 0:13:28 | 0:13:30 | |
So, it would be, | 0:13:30 | 0:13:31 | |
"Everybody, I have unloaded the dishwasher. | 0:13:31 | 0:13:35 | |
"Mum and Dad, thank you." "Oh, sit." "No, it's too much." | 0:13:35 | 0:13:39 | |
"Oh, well, if you all insist, then fine." | 0:13:39 | 0:13:41 | |
In the kitchen, like this. | 0:13:41 | 0:13:43 | |
It would be fun, wouldn't it? | 0:13:43 | 0:13:45 | |
Domestic life would be better if it was all a bit musical theatre. | 0:13:45 | 0:13:47 | |
It would be, | 0:13:47 | 0:13:49 | |
# "Darling, put the bins out." | 0:13:49 | 0:13:51 | |
# "Certainly, my LOVE!" # | 0:13:51 | 0:13:53 | |
Very high pitched man, there, wasn't it? | 0:13:57 | 0:13:59 | |
But then, you'd get a lovely image, wouldn't you, of middle aged men | 0:14:01 | 0:14:04 | |
in their boxers taking their bin liners down the street like this. | 0:14:04 | 0:14:07 | |
It would be lovely. | 0:14:10 | 0:14:12 | |
There's one moment in life that's already a little bit musical theatre. | 0:14:12 | 0:14:16 | |
Football training. | 0:14:16 | 0:14:18 | |
All right, now hear me out. | 0:14:18 | 0:14:20 | |
You know, sometimes, you see footballers warming up | 0:14:20 | 0:14:22 | |
before a match and they're doing all their ball skills and | 0:14:22 | 0:14:24 | |
their dribbling and their passing, all those skills, aren't they? | 0:14:24 | 0:14:27 | |
And then, they do the stretches. | 0:14:27 | 0:14:29 | |
They do these and then they do this one. | 0:14:29 | 0:14:31 | |
We're not quite sure what that one is, are we? | 0:14:32 | 0:14:35 | |
I think it's them going, | 0:14:35 | 0:14:37 | |
"These are MY balls." | 0:14:37 | 0:14:38 | |
"THESE are my balls." | 0:14:40 | 0:14:41 | |
It's just my little theory, | 0:14:42 | 0:14:44 | |
but I like it. | 0:14:44 | 0:14:45 | |
And then, they do a move | 0:14:47 | 0:14:49 | |
that's suddenly all of bit musical theatre. | 0:14:49 | 0:14:51 | |
They do this one. | 0:14:51 | 0:14:53 | |
Come on, Wayne! Come on, Frank! Let's dance. | 0:14:57 | 0:14:59 | |
It's lovely! | 0:15:01 | 0:15:02 | |
Look, my walk has gone camp with excitement at the notion. | 0:15:03 | 0:15:07 | |
I do have a camp-when-excited walk. | 0:15:07 | 0:15:09 | |
We've all got a variety of walks | 0:15:09 | 0:15:11 | |
for different occasions in life, haven't we? | 0:15:11 | 0:15:14 | |
Does anybody else have the late-for-a-bus- | 0:15:14 | 0:15:16 | |
but-too-embarrassed-or-unfit-to- burst-into-a-run walk? | 0:15:16 | 0:15:21 | |
It's awful, isn't it? | 0:15:22 | 0:15:23 | |
You see your bus coming and you think, | 0:15:23 | 0:15:25 | |
"Oh, gosh! I just can't gather momentum. | 0:15:25 | 0:15:28 | |
"Wait, wait! | 0:15:29 | 0:15:30 | |
"No, wait!" | 0:15:31 | 0:15:33 | |
It's desperate, it's desperate. | 0:15:34 | 0:15:38 | |
What about the sweep-browse walk? | 0:15:38 | 0:15:41 | |
You know, the sweep-browse in a shop? | 0:15:41 | 0:15:43 | |
If you don't know what I mean, you will have all done it, OK. | 0:15:43 | 0:15:46 | |
So, when you walk into a shop and you immediately go, | 0:15:46 | 0:15:49 | |
"Oh, no. Hang on, I'm not meant to be in here. | 0:15:49 | 0:15:53 | |
"No, this isn't what I was expecting. | 0:15:53 | 0:15:55 | |
"No, I don't need to be in here at all." | 0:15:57 | 0:15:59 | |
But you can't suddenly leave, can you, because that would be rude? | 0:15:59 | 0:16:03 | |
And the terrifying 12-year-old shop assistant has seen you! | 0:16:03 | 0:16:06 | |
So, you do the sort of polite sweep-browse. | 0:16:07 | 0:16:11 | |
"I'll just touch that top there, just have a little look here. | 0:16:13 | 0:16:16 | |
"Oh, you do shoes, do you? That's nice." | 0:16:18 | 0:16:21 | |
LAUGHTER | 0:16:21 | 0:16:22 | |
"And handbags, that's lovely. | 0:16:22 | 0:16:24 | |
"Good afternoon!" and then you can leave! | 0:16:24 | 0:16:27 | |
The sweep-browse. | 0:16:27 | 0:16:30 | |
LAUGHTER AND APPLAUSE | 0:16:30 | 0:16:31 | |
We've all done it. | 0:16:31 | 0:16:32 | |
But my favourite walk, my favourite walk... | 0:16:34 | 0:16:36 | |
Forgive me, but it's still the classic teenage swagger. | 0:16:36 | 0:16:41 | |
The show-your-pants, do-the-rap, that one. | 0:16:41 | 0:16:44 | |
I love it, I love it. | 0:16:44 | 0:16:45 | |
I try and pull it off, I do. | 0:16:45 | 0:16:47 | |
I just look like a demented woman who's got a massive problem | 0:16:47 | 0:16:50 | |
with her tights. | 0:16:50 | 0:16:51 | |
We've all been there, one size does not fit all. | 0:16:51 | 0:16:56 | |
LAUGHTER | 0:16:57 | 0:16:59 | |
Word of advice, by the way, never imitate the teenage walk. | 0:16:59 | 0:17:02 | |
Don't do that. | 0:17:02 | 0:17:03 | |
Me and a friend were doing it in a park the other day, going, | 0:17:03 | 0:17:06 | |
"Classic! They're doing that walk still. Brilliant! | 0:17:06 | 0:17:08 | |
Not realising that one of them had turned round and was suddenly | 0:17:08 | 0:17:11 | |
coming towards us. | 0:17:11 | 0:17:13 | |
So we found ourselves sort of face-to-face with this | 0:17:13 | 0:17:17 | |
cool "yoot" sort of doing his walk, which was a bit awkward. | 0:17:17 | 0:17:21 | |
He came up, he was like, "Oi, are you like doing my walk?" | 0:17:21 | 0:17:24 | |
"Oh, gosh! No, young sir, chappie to you m'lud. | 0:17:25 | 0:17:30 | |
"No absolutely not. | 0:17:30 | 0:17:32 | |
BREAKS WIND | 0:17:33 | 0:17:34 | |
"Sorry, sorry!" | 0:17:34 | 0:17:35 | |
LAUGHTER | 0:17:37 | 0:17:38 | |
We can't snap, over 35s. | 0:17:38 | 0:17:40 | |
Contract, relax. Trampolining, weeing. | 0:17:40 | 0:17:43 | |
Are you also like me, suddenly terrified of the cool youth? | 0:17:44 | 0:17:49 | |
I'm terrified of a lot of teenagers, frankly. | 0:17:49 | 0:17:52 | |
Teenagers are like bears, aren't they? | 0:17:52 | 0:17:54 | |
They're either asleep and, when they're awake, they're angry. | 0:17:54 | 0:17:58 | |
And when they approach, you don't know whether to run, | 0:17:59 | 0:18:01 | |
hide up a tree or play dead. | 0:18:01 | 0:18:03 | |
LAUGHTER | 0:18:05 | 0:18:06 | |
There's two of them! Are there any parents of teenagers in? | 0:18:06 | 0:18:09 | |
AUDIENCE MEMBERS: YES! | 0:18:09 | 0:18:11 | |
You sound a bit tired. | 0:18:11 | 0:18:12 | |
UGH! | 0:18:12 | 0:18:14 | |
Don't worry, I have some advice for you, OK? | 0:18:14 | 0:18:19 | |
Give them a taste of their own medicine, | 0:18:19 | 0:18:22 | |
because it'll be really fun. | 0:18:22 | 0:18:24 | |
So get home from work one day, slam your front door, | 0:18:24 | 0:18:27 | |
kick your shoes off, leave them in the corridor, so they trip over them, | 0:18:27 | 0:18:32 | |
head to the kitchen, open the fridge, | 0:18:32 | 0:18:35 | |
eat everything out of it. | 0:18:35 | 0:18:38 | |
When they ask you a question go... | 0:18:39 | 0:18:40 | |
SHE MUMBLES INCOHERENTLY | 0:18:40 | 0:18:43 | |
LAUGHTER | 0:18:43 | 0:18:45 | |
..storm upstairs to your bedroom... | 0:18:45 | 0:18:48 | |
..slam your bedroom door, put on some music really loudly to annoy them. | 0:18:51 | 0:18:56 | |
I'm going to suggest Elaine Page's Radio 2 show, yes? | 0:18:56 | 0:19:00 | |
Come out two hours later, ask them for money, see how they like it. | 0:19:02 | 0:19:07 | |
Yes, parents? | 0:19:07 | 0:19:09 | |
Enjoy! It'll be fabulous. | 0:19:09 | 0:19:12 | |
CHEERING | 0:19:12 | 0:19:14 | |
I love Radio 2, don't you? I love pop. | 0:19:14 | 0:19:17 | |
I think we're friends enough for me to say now, | 0:19:17 | 0:19:20 | |
I've always wanted to be a pop star, I have. | 0:19:20 | 0:19:23 | |
Do you know who I want to be? | 0:19:23 | 0:19:24 | |
I think it's still possible. | 0:19:24 | 0:19:26 | |
Beyonce, yeah! | 0:19:27 | 0:19:29 | |
You laugh in support of this motion. | 0:19:30 | 0:19:33 | |
I love her. Don't you love Beyonce? | 0:19:33 | 0:19:35 | |
She's so ballsy and confident, isn't she? | 0:19:35 | 0:19:38 | |
Did you see her do Crazy In Love at the Super Bowl? | 0:19:38 | 0:19:40 | |
If you didn't, you must YouTube it when you get home. She was amazing! | 0:19:40 | 0:19:43 | |
She just started at the back like this, just owning it. | 0:19:43 | 0:19:47 | |
Bam! | 0:19:47 | 0:19:48 | |
I mean, obviously she's got a body to die for, hasn't she, Beyonce? | 0:19:48 | 0:19:51 | |
Hips, ten out of ten. Hips ten, thighs ten, arms ten... | 0:19:51 | 0:19:55 | |
That's just one of my KFC orders. | 0:19:55 | 0:19:57 | |
LAUGHTER | 0:19:57 | 0:20:00 | |
And proud! | 0:20:02 | 0:20:03 | |
And then the music starts. Ba, da da, da-da-da, da! | 0:20:05 | 0:20:09 | |
And she does the classic pop star walk. | 0:20:09 | 0:20:12 | |
You know, when they put sort of one leg in front of the other | 0:20:12 | 0:20:15 | |
and they make it look really sexy, sort of high boots. | 0:20:15 | 0:20:19 | |
Da da, da-da-da... | 0:20:19 | 0:20:20 | |
I can't do it. Da, mm mm, mm-mm... Basically. | 0:20:20 | 0:20:24 | |
If I try and do it, I just look like I'm scratching an awkward itch. | 0:20:25 | 0:20:29 | |
LAUGHTER | 0:20:29 | 0:20:32 | |
It's another walk! | 0:20:32 | 0:20:33 | |
You will have all done it. | 0:20:33 | 0:20:35 | |
It's when you're walking along and you think, "Oh, gosh! That's... Oh!" | 0:20:36 | 0:20:40 | |
LAUGHTER | 0:20:40 | 0:20:43 | |
Ah! That's better! | 0:20:45 | 0:20:46 | |
LAUGTHER | 0:20:46 | 0:20:48 | |
There, we've all done it. | 0:20:48 | 0:20:50 | |
And then...then Beyonce, she does a move | 0:20:52 | 0:20:54 | |
that I don't think any British woman feels sexy enough to do, OK? | 0:20:54 | 0:20:59 | |
So, when she's in a line with her dancers, and she starts doing | 0:20:59 | 0:21:03 | |
the sort of... | 0:21:03 | 0:21:04 | |
..the sort of thrusty one. | 0:21:07 | 0:21:09 | |
Sort of like... | 0:21:09 | 0:21:10 | |
I can't do it. | 0:21:11 | 0:21:12 | |
I mean, basically I look like I'm rowing a boat, it's hopeless. | 0:21:12 | 0:21:16 | |
Then she turns round | 0:21:16 | 0:21:17 | |
and then she really goes for it on this side, her bum moves perfectly. | 0:21:17 | 0:21:20 | |
She's really fast. | 0:21:20 | 0:21:22 | |
I can't... | 0:21:23 | 0:21:24 | |
And, basically, if I do it, it just looks like I'm drilling tarmac. | 0:21:26 | 0:21:30 | |
LAUGHTER | 0:21:30 | 0:21:32 | |
GALLOP! | 0:21:32 | 0:21:33 | |
Gallop, sir! Gallop down the aisle. | 0:21:33 | 0:21:35 | |
LAUGHTER AND APPLAUSE | 0:21:37 | 0:21:39 | |
Brilliant! | 0:21:40 | 0:21:41 | |
It's more of a trot. It's more of a trot. | 0:21:41 | 0:21:43 | |
He's going the whole way! | 0:21:46 | 0:21:48 | |
That is brilliant! | 0:21:50 | 0:21:51 | |
CHEERING | 0:21:52 | 0:21:57 | |
I love it! Oh, someone else is off now. | 0:21:57 | 0:21:59 | |
That's more of a gallop than a trot, though. | 0:22:00 | 0:22:02 | |
He was like this, wasn't he? | 0:22:02 | 0:22:04 | |
Everyone else here is thinking, Oh, my God! I'd rather piss myself. | 0:22:04 | 0:22:08 | |
"I'm not getting up. I'm not getting up." | 0:22:08 | 0:22:11 | |
LAUGTHER | 0:22:11 | 0:22:12 | |
She's going to shout "gallop" at me! | 0:22:12 | 0:22:14 | |
You're a marvellous lady, I love it, free in the cocoon. | 0:22:14 | 0:22:16 | |
What on earth was I talking about? Matthew, what was I talking about? | 0:22:16 | 0:22:19 | |
Were you listening as well as looking?! | 0:22:19 | 0:22:22 | |
LAUGHTER | 0:22:22 | 0:22:24 | |
No, you weren't, were you? Beyonce, drilling, drilling. | 0:22:24 | 0:22:26 | |
Yeah, I love Beyonce. She'd be great at flirting, of course, Beyonce. | 0:22:26 | 0:22:29 | |
She'd be great. We can't have a party without flirting. | 0:22:29 | 0:22:32 | |
Done you, Matthew. You are putty. | 0:22:32 | 0:22:34 | |
Wife... bam! | 0:22:36 | 0:22:38 | |
Who else is there? Who else is there? | 0:22:38 | 0:22:40 | |
Hello to you, sir, you're nice. What's your name? | 0:22:40 | 0:22:44 | |
Hi, Henry. Lovely. You've got nice hair under that hat. | 0:22:44 | 0:22:47 | |
That'll be good for our kids. | 0:22:47 | 0:22:48 | |
Is that a bit much? Too soon. | 0:22:51 | 0:22:52 | |
Hang on, you look quite young. How old are you? | 0:22:54 | 0:22:56 | |
16! | 0:22:56 | 0:22:58 | |
LAUGHTER AND APPLAUSE | 0:22:58 | 0:23:01 | |
Awkward! | 0:23:04 | 0:23:05 | |
16. I'm so sorry, 16. | 0:23:07 | 0:23:10 | |
So, what year were you born, Henry? 1998! | 0:23:12 | 0:23:16 | |
I mean that's literally only just happened, hasn't it? | 0:23:18 | 0:23:22 | |
LAUGHTER | 0:23:22 | 0:23:23 | |
Oh, dear! | 0:23:23 | 0:23:24 | |
At least I didn't...at you. | 0:23:25 | 0:23:27 | |
I would have scarred him for life, wouldn't I? | 0:23:27 | 0:23:30 | |
Here's a lasting image for your teens, hey, Henry. | 0:23:30 | 0:23:32 | |
There you go! Enjoy that! | 0:23:32 | 0:23:35 | |
Whilst we're completely off piste, by the way, this... | 0:23:37 | 0:23:41 | |
the breast clap, yes? That, ladies, that can actually happen. | 0:23:41 | 0:23:45 | |
That is a real thing, so try that tonight. | 0:23:45 | 0:23:48 | |
That's my gift to you. | 0:23:48 | 0:23:49 | |
And if I may be briefly base, I have been told, men, | 0:23:51 | 0:23:55 | |
if you're very lucky, you can get a willy to thigh purchase. | 0:23:55 | 0:24:00 | |
RAUCOUS LAUGHTER | 0:24:00 | 0:24:02 | |
I've lost a few of you, I can tell! | 0:24:02 | 0:24:04 | |
But I like to think couples will be going home tonight going, | 0:24:04 | 0:24:08 | |
did we clap? | 0:24:08 | 0:24:09 | |
Have we clapped yet? | 0:24:11 | 0:24:13 | |
Enjoy your night. | 0:24:13 | 0:24:15 | |
Oh, dear! | 0:24:17 | 0:24:19 | |
Yes, where was I? | 0:24:19 | 0:24:20 | |
Oh, yeah, flirting, inappropriately. | 0:24:20 | 0:24:23 | |
But us Brits, generally, we're just not very good at flirting, are we? | 0:24:23 | 0:24:26 | |
We're not... Particularly us women. | 0:24:26 | 0:24:28 | |
If you know me, well, you know that I can't even say... | 0:24:28 | 0:24:31 | |
"sex". | 0:24:31 | 0:24:32 | |
I find it embarrassing. | 0:24:32 | 0:24:34 | |
I also struggle with... | 0:24:34 | 0:24:35 | |
"bikini wax". | 0:24:36 | 0:24:38 | |
I don't like saying that. | 0:24:38 | 0:24:39 | |
I rang the parlour the other day and said, | 0:24:39 | 0:24:41 | |
"Hi, I'd like to book a bi-ki-ni wa-wax, please." | 0:24:41 | 0:24:45 | |
She said, "Madam, I don't know what a wa-wa-wa is." | 0:24:45 | 0:24:47 | |
"Doesn't matter!" | 0:24:47 | 0:24:49 | |
Pathetic! | 0:24:49 | 0:24:51 | |
But I do try and flirt, I do, I do. | 0:24:51 | 0:24:52 | |
I've been single for so long now, if somebody says to me, | 0:24:52 | 0:24:55 | |
"Who are you with?" I automatically say, "Vodafone, and you?" | 0:24:55 | 0:24:59 | |
What? | 0:24:59 | 0:25:00 | |
So, yes, flirting... I blame my inability to flirt... | 0:25:03 | 0:25:06 | |
I blame it entirely on my education, | 0:25:06 | 0:25:08 | |
because I was educated at an all-girls' boarding school | 0:25:08 | 0:25:11 | |
on top of a hill in the middle of nowhere, no "sex" ed, | 0:25:11 | 0:25:14 | |
no life experience whatsoever. | 0:25:14 | 0:25:16 | |
We lived off rumours. | 0:25:16 | 0:25:18 | |
Rumours included, if you get caught French kissing in public, | 0:25:18 | 0:25:22 | |
you have to live in France for the rest of your life. | 0:25:22 | 0:25:24 | |
And I recently, I recently found my diaries. | 0:25:27 | 0:25:31 | |
Now these are my actual diaries from when I was 16. | 0:25:31 | 0:25:35 | |
This shows how sheltered my life was and how naive I was, OK. | 0:25:35 | 0:25:39 | |
My actual diaries, right. | 0:25:39 | 0:25:41 | |
"2nd of November, Tuesday, 19..." CLEARS HER THROAT | 0:25:41 | 0:25:46 | |
This is for his benefit there, OK. | 0:25:47 | 0:25:49 | |
"This is our last day of half term, which is annoying, | 0:25:51 | 0:25:54 | |
"but I don't mind getting back as everyone here is being annoying, | 0:25:54 | 0:25:57 | |
"except Olly, of course." | 0:25:57 | 0:25:59 | |
Olly was the cat. | 0:25:59 | 0:26:01 | |
How tragic is that? 16! | 0:26:02 | 0:26:05 | |
Chatting to a cat! Oh! | 0:26:05 | 0:26:07 | |
Right. | 0:26:07 | 0:26:08 | |
"We've just had lunch in the garden for some odd reason | 0:26:08 | 0:26:11 | |
"and all sat in a row in our coats along the table for some odd reason. | 0:26:11 | 0:26:16 | |
"V annoying." | 0:26:16 | 0:26:17 | |
And then, this is really embarrassing. | 0:26:19 | 0:26:21 | |
"Neighbours is getting really good." | 0:26:21 | 0:26:24 | |
LAUGHTER | 0:26:25 | 0:26:28 | |
"Mrs Mangel asked Harold to the church dance, which upset Madge | 0:26:28 | 0:26:33 | |
"and she is suing Des and Daph, because of her memory loss." | 0:26:33 | 0:26:37 | |
The detail! | 0:26:37 | 0:26:38 | |
And then it ends with, | 0:26:41 | 0:26:43 | |
"I am still pleased, but a little emotional, | 0:26:43 | 0:26:47 | |
"about Scott and Charlene's engagement." | 0:26:47 | 0:26:50 | |
Do you remember? | 0:26:50 | 0:26:52 | |
So naive! | 0:26:52 | 0:26:54 | |
Had no concept of dating rules. | 0:26:54 | 0:26:55 | |
I still don't really understand dating rules, do you? | 0:26:55 | 0:26:58 | |
You're meant to present a sort of perfect impressive you, aren't you? | 0:26:58 | 0:27:01 | |
But then, when do you start revealing the real you? | 0:27:01 | 0:27:03 | |
It seems too complicated. | 0:27:03 | 0:27:04 | |
When, age-old problem, forgive me, but it's true, isn't it? | 0:27:04 | 0:27:07 | |
When do you first fart? | 0:27:07 | 0:27:09 | |
Because there is nothing worse than trapped wind is there? | 0:27:09 | 0:27:13 | |
There's nothing worse. | 0:27:13 | 0:27:14 | |
It is a surprising painful condition that we don't talk about. | 0:27:14 | 0:27:19 | |
And I've never had it before until a first date. | 0:27:19 | 0:27:22 | |
So, things were going well. | 0:27:22 | 0:27:25 | |
We were dancing on stage in a club, he still seemed quite keen, | 0:27:25 | 0:27:28 | |
I was trying to impress him with my moves. | 0:27:28 | 0:27:30 | |
Dancing is not a forte by the way. | 0:27:30 | 0:27:31 | |
The one and only time I've gone for it on a dance floor, | 0:27:31 | 0:27:34 | |
I've done this move. | 0:27:34 | 0:27:35 | |
I thought, "Oh, yeah. Looking good. Signature move, yeah." | 0:27:35 | 0:27:38 | |
And then, people rushed over and I was like, what? | 0:27:38 | 0:27:40 | |
They said, "It looks like you're calling for help, | 0:27:40 | 0:27:43 | |
"cos someone's dead on the floor." | 0:27:43 | 0:27:44 | |
LAUGHTER | 0:27:44 | 0:27:47 | |
I'm trying to groove! | 0:27:47 | 0:27:49 | |
But I think dancing's harder if you're taller, though, isn't it? | 0:27:49 | 0:27:52 | |
Because you've got a lot of limb to try and control, haven't you? | 0:27:52 | 0:27:54 | |
Also, I don't know about taller people here, | 0:27:54 | 0:27:56 | |
but I often don't see this area in front of me here, | 0:27:56 | 0:28:00 | |
so I have been known to inadvertently knock children over | 0:28:00 | 0:28:03 | |
on the dance floor. | 0:28:03 | 0:28:04 | |
It's not good. | 0:28:04 | 0:28:05 | |
To anyone onlooking, it just looks like I'm going, "Piss off, kids!" | 0:28:05 | 0:28:09 | |
"Go away, this is my dance floor." Children flying everywhere. | 0:28:10 | 0:28:14 | |
Not the most embarrassing thing, though, that's happened to me | 0:28:17 | 0:28:20 | |
as a result of being tall and not seeing this area here. | 0:28:20 | 0:28:22 | |
The most embarrassing thing was | 0:28:22 | 0:28:24 | |
when I was at my niece's fifth birthday party, OK? | 0:28:24 | 0:28:27 | |
And we were all having a lovely time, | 0:28:27 | 0:28:29 | |
all the children were there, all the parents were there and the parents | 0:28:29 | 0:28:32 | |
happened to include a 42-year-old dwarf mother, one of the mothers. | 0:28:32 | 0:28:37 | |
As I say, we were all having a lovely time. | 0:28:37 | 0:28:39 | |
There was a barbecue going, all the kids were trampolining. | 0:28:39 | 0:28:42 | |
I wasn't. | 0:28:42 | 0:28:44 | |
Then the children all gathered for a game of pass the parcel | 0:28:44 | 0:28:47 | |
and I was having a conversation over here | 0:28:47 | 0:28:49 | |
and I could hear my five-year-old niece sort of mumbling and groaning | 0:28:49 | 0:28:52 | |
and I thought, "I'd better look after her. | 0:28:52 | 0:28:53 | |
"I don't want her upset on her birthday". | 0:28:53 | 0:28:55 | |
So, I finished my conversation here and I said, | 0:28:55 | 0:28:57 | |
"Yes, absolutely. No, that's a school that she'll be going to | 0:28:57 | 0:29:00 | |
"if she gets in." | 0:29:00 | 0:29:01 | |
Picked up, yes. Not my five-year-old niece. | 0:29:01 | 0:29:04 | |
The 42-year-old dwarf woman! | 0:29:04 | 0:29:06 | |
LAUGHTER | 0:29:06 | 0:29:10 | |
"Hello!" | 0:29:15 | 0:29:17 | |
And then, for some reason, in the sheer panic of it all, | 0:29:18 | 0:29:23 | |
I went... | 0:29:23 | 0:29:24 | |
"Wee-ee-ee!" | 0:29:25 | 0:29:29 | |
"I'm sorry. I'll pop you back down. Here, I'll just pop you back. | 0:29:29 | 0:29:32 | |
"I'm so sorry, I apologise." | 0:29:32 | 0:29:34 | |
Luckily, she thought it hilarious and we're now firm friends, | 0:29:34 | 0:29:37 | |
but, oh, my word! | 0:29:37 | 0:29:38 | |
OK, right, right. So, this first date, OK. | 0:29:39 | 0:29:42 | |
So, as I say, things have been going well, we're in a club. | 0:29:42 | 0:29:45 | |
He's still thinking, even though I'm clearly doing an impression | 0:29:45 | 0:29:49 | |
of a horse doing dressage. | 0:29:49 | 0:29:50 | |
This is the trot, but carry on! | 0:29:53 | 0:29:54 | |
And then, then my stomach's sort of really hurting | 0:29:54 | 0:29:57 | |
and I thought, "What's happening?" | 0:29:57 | 0:29:59 | |
Honestly, it inflated to about the size of a football. | 0:29:59 | 0:30:01 | |
It was huge, I didn't know what was happening. | 0:30:01 | 0:30:03 | |
I then collapsed to the floor in pain. | 0:30:03 | 0:30:05 | |
It was that painful. | 0:30:05 | 0:30:07 | |
The band stopped, there was a live band, they stopped, | 0:30:07 | 0:30:09 | |
the lights went on in the club, everyone gathered around. | 0:30:09 | 0:30:12 | |
My date called an ambulance, | 0:30:12 | 0:30:14 | |
because he thought I might have appendicitis. | 0:30:14 | 0:30:16 | |
I thought I might have appendicitis, I didn't know what was happening. | 0:30:16 | 0:30:20 | |
He was sort of leaning over me to try and rub my back to try and help. | 0:30:20 | 0:30:22 | |
I crawled into a really tight ball, you know, | 0:30:22 | 0:30:25 | |
how you do to sort of alleviate the pain? | 0:30:25 | 0:30:28 | |
Tighter and tighter I got. | 0:30:28 | 0:30:29 | |
I did... | 0:30:31 | 0:30:33 | |
..the longest and loudest fart... | 0:30:35 | 0:30:38 | |
IMITATES BREAKING WIND | 0:30:41 | 0:30:44 | |
"I'm fine now, really, I'm fine now, crack on! | 0:30:46 | 0:30:50 | |
"Nothing to see here. | 0:30:50 | 0:30:52 | |
"Do you want to see me again? No, goodbye!" | 0:30:52 | 0:30:54 | |
Really letting our hair down at the party now, aren't we? | 0:30:56 | 0:30:59 | |
We're letting our hair down. | 0:30:59 | 0:31:00 | |
Parents, are you letting your hair down? | 0:31:00 | 0:31:02 | |
CHEERING Yes? Good! | 0:31:02 | 0:31:03 | |
I want the parents to have a good time. | 0:31:03 | 0:31:05 | |
You've a tough time, haven't you, parents? Much respect to you. | 0:31:05 | 0:31:08 | |
I don't think I'm ready for parenting - no, no. | 0:31:08 | 0:31:10 | |
For starters, kids can really show you up, can't they, parents? | 0:31:10 | 0:31:14 | |
"Yes!" | 0:31:14 | 0:31:17 | |
I heard this brilliant story recently, OK. | 0:31:17 | 0:31:19 | |
Now, forgive me, any young people in the audience, there is a swear word | 0:31:19 | 0:31:22 | |
in this, but because it's a true story, I have to impart, OK? | 0:31:22 | 0:31:26 | |
So this mother was taking her four-year-old daughter to a party. | 0:31:26 | 0:31:30 | |
And she arrived and the hostess opened the door and the mother | 0:31:30 | 0:31:33 | |
said to her daughter, "Say hello to Mrs Davis. Say hello to Mrs Davis." | 0:31:33 | 0:31:38 | |
But the daughter wasn't saying anything. | 0:31:38 | 0:31:40 | |
Mrs Davis was like, "Don't worry, you can call me Julie, call me Julie." | 0:31:40 | 0:31:43 | |
And the mother was like, "OK. Say hello to Julie! | 0:31:43 | 0:31:46 | |
"Say hello to Julie." | 0:31:46 | 0:31:47 | |
Because you want your daughter to be | 0:31:47 | 0:31:49 | |
the perfect princess, don't you? But she wasn't saying anything. | 0:31:49 | 0:31:52 | |
Julie was like, "Don't worry, it doesn't matter, don't worry." | 0:31:52 | 0:31:55 | |
The mother was like, "No, no, say hello to Julie!" | 0:31:55 | 0:31:57 | |
You poor parents. And then this four-year-old, honestly, just went, | 0:31:58 | 0:32:02 | |
DEADPAN: "Fuck off, Julie." | 0:32:02 | 0:32:04 | |
Imagine! | 0:32:07 | 0:32:09 | |
Imagine being the mother in that situation, going, "Oh, gosh, | 0:32:09 | 0:32:12 | |
"I'm so sorry, I don't know where she gets it from." | 0:32:12 | 0:32:16 | |
Now Julie's looking at her going - "I know exactly where she gets it from." | 0:32:16 | 0:32:20 | |
You poor parents! | 0:32:20 | 0:32:22 | |
Also, also, toddlers can really embarrass you, parents, can't they? | 0:32:22 | 0:32:26 | |
I was at a wedding recently and the three-year-old bridesmaid, | 0:32:26 | 0:32:29 | |
she completely embarrassed her parents. | 0:32:29 | 0:32:31 | |
She was kind of brilliant, though. | 0:32:31 | 0:32:33 | |
She was called Maisie and occasionally | 0:32:33 | 0:32:36 | |
she would go up to some of the older aunts of the wedding party and | 0:32:36 | 0:32:39 | |
she'd just stare at them and she'd just go, "I don't like your hat." | 0:32:39 | 0:32:42 | |
Imagine the freedom! | 0:32:45 | 0:32:47 | |
And then, she got bored at precisely the wrong moment, | 0:32:47 | 0:32:50 | |
just before the vows, and she started tottering up the church aisle | 0:32:50 | 0:32:55 | |
like this. And then, she started saying, "I'm really pretty!" | 0:32:55 | 0:33:00 | |
And then, just as the vows started, | 0:33:02 | 0:33:05 | |
she said really loudly, "Do you think I'm sexy?" | 0:33:05 | 0:33:10 | |
Which I thought was hilarious. | 0:33:12 | 0:33:14 | |
But what's even more hilarious is watching you poor parents | 0:33:14 | 0:33:17 | |
deal with your child in that situation. | 0:33:17 | 0:33:19 | |
Because you can't suddenly go, | 0:33:19 | 0:33:21 | |
"Maisie, will you come here?" and pick her up and deal with her. | 0:33:21 | 0:33:24 | |
People are doing their wedding vows, it's their wedding day, so you | 0:33:24 | 0:33:27 | |
go sort of rigid with the stress and the anger of the situation. | 0:33:27 | 0:33:31 | |
"Maisie, come here! | 0:33:33 | 0:33:35 | |
"Maisie! | 0:33:37 | 0:33:39 | |
"Maisie, come... Maisie! | 0:33:39 | 0:33:41 | |
"Maisie, will you come here? Come here, Maisie!" | 0:33:43 | 0:33:45 | |
Maisie's just thinking, "Why is my mother doing | 0:33:45 | 0:33:48 | |
"an impression of an angry chipmunk?" | 0:33:48 | 0:33:52 | |
"Maisie!" | 0:33:52 | 0:33:54 | |
A chipmunk that turns to her husband and goes, "You deal with her, | 0:33:54 | 0:33:58 | |
"you deal with her. Maisie! You deal with her." | 0:33:58 | 0:34:01 | |
He's like, "No, you deal with her. You deal with Maisie! | 0:34:01 | 0:34:04 | |
"You deal with her." | 0:34:04 | 0:34:06 | |
He turns into a sort of whispering gorilla, doesn't he? | 0:34:06 | 0:34:09 | |
"You deal with her. Maisie!" | 0:34:09 | 0:34:11 | |
She's like a chipmunk, "No, you deal with her. | 0:34:11 | 0:34:14 | |
"You deal with... Maisie! You deal with her. | 0:34:14 | 0:34:17 | |
"Tell you for why - who taught her Do You Think I'm Sexy?!" | 0:34:17 | 0:34:22 | |
To which the gorilla goes... | 0:34:22 | 0:34:25 | |
SIGHS | 0:34:25 | 0:34:27 | |
You know he has. | 0:34:27 | 0:34:29 | |
Then the chipmunk turns to dragon. | 0:34:29 | 0:34:32 | |
She does the classic wife face | 0:34:32 | 0:34:34 | |
that'll get any husband off his chair. | 0:34:34 | 0:34:37 | |
She goes... INHALES DEEPLY | 0:34:37 | 0:34:39 | |
EXHALES DEEPLY | 0:34:39 | 0:34:41 | |
I might have just snotted there, I'm not going to lie to you. | 0:34:43 | 0:34:46 | |
Another gift tonight, as well as clap, clap later. | 0:34:46 | 0:34:50 | |
So this husband leaps up off his chair, OK. | 0:34:51 | 0:34:54 | |
Maisie's at the other end of the church aisle at this point. | 0:34:54 | 0:34:56 | |
It was hilarious. | 0:34:56 | 0:34:58 | |
He did the classic British thing of bending at the waist | 0:34:58 | 0:35:03 | |
and therefore thinking he's invisible. | 0:35:03 | 0:35:05 | |
"Nobody can see me now." | 0:35:09 | 0:35:11 | |
We're high on life now at my party, aren't we? | 0:35:13 | 0:35:16 | |
High on life. | 0:35:16 | 0:35:17 | |
We don't need drugs here, no, no, no. | 0:35:17 | 0:35:19 | |
AUDIENCE MEMBER SHOUTS | 0:35:19 | 0:35:21 | |
Thank you very much, I love you too! | 0:35:21 | 0:35:23 | |
You've obviously had some drugs, God bless you! | 0:35:23 | 0:35:25 | |
Here's a story why you should never do drugs again. | 0:35:26 | 0:35:29 | |
The one and only time I smoked what I believe | 0:35:29 | 0:35:33 | |
they call "a funny cigarette"... | 0:35:33 | 0:35:35 | |
..was when I was camping with three friends | 0:35:37 | 0:35:39 | |
on the south coast of England. And it was a lovely weekend. | 0:35:39 | 0:35:42 | |
We pitched our two tents at this campsite | 0:35:42 | 0:35:44 | |
and we realised we were the only people at the campsite. | 0:35:44 | 0:35:47 | |
We thought, "Amazing, we'll have the whole site to ourselves. | 0:35:47 | 0:35:50 | |
"This is brilliant." | 0:35:50 | 0:35:51 | |
And then, when we went on top of a hill, OK, | 0:35:51 | 0:35:54 | |
we had a makeshift barbecue and we smoked a, um...spliff, yeah? | 0:35:54 | 0:35:58 | |
OK? LAUGHTER | 0:35:58 | 0:36:00 | |
And it just had the general effects of absolute hysteria. | 0:36:00 | 0:36:03 | |
I remember us getting completely hysterical, | 0:36:03 | 0:36:05 | |
because, at one point, we were convinced there was a tree | 0:36:05 | 0:36:07 | |
that looked just like Ailsa from Home and Away. | 0:36:07 | 0:36:10 | |
Remember Ailsa? Quite defined features, bless her. | 0:36:11 | 0:36:15 | |
And then, I remember thinking, "We must find an Alf Bush!" | 0:36:15 | 0:36:19 | |
AUSTRALIAN ACCENT: "You flaming galahs!" | 0:36:19 | 0:36:22 | |
Don't think he walked like that, but anyway... | 0:36:22 | 0:36:25 | |
And then, and then I had a moment free of all inhibition | 0:36:25 | 0:36:31 | |
and I took all my clothes off. | 0:36:31 | 0:36:34 | |
Yes, and I ran back down to the campsite not realising that, | 0:36:34 | 0:36:40 | |
since we'd been up there, 20 other tents had pitched, | 0:36:40 | 0:36:46 | |
Not just any tents, I jest ye not, Boy Scouts. | 0:36:46 | 0:36:53 | |
Who were now witnessing an oversized woman rushing towards them | 0:36:56 | 0:37:01 | |
stark bollock naked... | 0:37:01 | 0:37:03 | |
Or rather, stark no-bollocks naked. | 0:37:05 | 0:37:07 | |
Obviously, I was giving myself a round of applause as I came down. | 0:37:08 | 0:37:12 | |
There's an image! | 0:37:12 | 0:37:14 | |
Education for Henry there, lovely. | 0:37:16 | 0:37:20 | |
Had I been sober, had I been sober, | 0:37:20 | 0:37:22 | |
I would have dived into the tent for the sheer embarrassment of it all. | 0:37:22 | 0:37:27 | |
No, no, no, no! I made a unique decision. | 0:37:27 | 0:37:32 | |
It was dusk, I got two torches | 0:37:34 | 0:37:38 | |
and I went, "All right, lads! | 0:37:38 | 0:37:42 | |
"These are the key lady areas. Get used to them." | 0:37:42 | 0:37:46 | |
I will have scarred them for life. | 0:37:52 | 0:37:56 | |
The next day at the breakfast buffet queue, I was going - | 0:37:56 | 0:37:59 | |
"Has anybody seen my identical twin sister, Melissa, anywhere?" | 0:37:59 | 0:38:03 | |
Don't do drugs. We don't need drugs, though, do we? | 0:38:04 | 0:38:08 | |
AUDIENCE MEMBER: NO! | 0:38:08 | 0:38:09 | |
We really don't need drugs, do we? | 0:38:11 | 0:38:14 | |
We don't, we've got Doritos, the crack cocaine of the crisp world. | 0:38:14 | 0:38:18 | |
There you go. I love food. Don't you love food? | 0:38:20 | 0:38:23 | |
AUDIENCE: Yeah! | 0:38:23 | 0:38:24 | |
I love food. | 0:38:24 | 0:38:26 | |
I couldn't be friends with anyone who doesn't really love food. | 0:38:26 | 0:38:28 | |
I also find it hard to be friends with somebody who's | 0:38:28 | 0:38:31 | |
always on a diet, who doesn't need to be. | 0:38:31 | 0:38:34 | |
It drives me mad. | 0:38:34 | 0:38:35 | |
I say, "Why are you on a diet?" | 0:38:35 | 0:38:36 | |
"It's just that my thighs and my bum are still a bit out of proportion." | 0:38:36 | 0:38:39 | |
Grow up! | 0:38:39 | 0:38:41 | |
That's how you were beautifully made, | 0:38:41 | 0:38:43 | |
so stop comparing yourself to other people, | 0:38:43 | 0:38:45 | |
celebrate your unique beauty and have a pudding once in a while. | 0:38:45 | 0:38:49 | |
CHEERING Drives me mad. | 0:38:49 | 0:38:51 | |
I love it, all the girls going - "I love my food! The tights! | 0:38:51 | 0:38:55 | |
"The tights and the food!" | 0:38:55 | 0:38:57 | |
I love my girlfriends, it's important to have them. | 0:38:57 | 0:39:00 | |
I love going out to dinner with them | 0:39:00 | 0:39:02 | |
but I dread the moment we get to the dessert menu, don't you? | 0:39:02 | 0:39:04 | |
And they're all going - "Oh, apple crumble, I'd love to, but I mustn't. | 0:39:04 | 0:39:07 | |
"Creme brulee, I would love to, but I can't. | 0:39:07 | 0:39:10 | |
"Sticky toffee pudding, I would love to, but I shouldn't." | 0:39:10 | 0:39:13 | |
I'm thinking, "I must, I should and I will." | 0:39:13 | 0:39:16 | |
And then the even-more dreaded moment where one of them | 0:39:16 | 0:39:19 | |
pipes up and goes, "I've just had a cheeky little thought, | 0:39:19 | 0:39:22 | |
"there's four of us, shall we get one pudding and four spoons? | 0:39:22 | 0:39:26 | |
"Shall we, shall we all dip in? Shall we get one pudding and four spoons? | 0:39:26 | 0:39:29 | |
"Shall we just be a bit cheeky and get one pudding and four spoons?" | 0:39:29 | 0:39:32 | |
I'm thinking, "NO! | 0:39:32 | 0:39:33 | |
"What's wrong with four puddings and one spoon? | 0:39:34 | 0:39:38 | |
"Just from time to time." | 0:39:39 | 0:39:41 | |
My grandmother, | 0:39:44 | 0:39:45 | |
she was never really into food, which I could never quite understand. | 0:39:45 | 0:39:49 | |
Once she cooked my sister and I a chicken and banana crumble. | 0:39:49 | 0:39:53 | |
I know, it was just sweet crumble on top. | 0:39:53 | 0:39:56 | |
We were like, "Gran, what's this?" | 0:39:56 | 0:39:58 | |
She said, "Oh, I couldn't be bothered to do a main and a pudding, | 0:39:58 | 0:40:00 | |
"so that's it all in one." | 0:40:00 | 0:40:01 | |
"Thanks, it's great." I know! | 0:40:03 | 0:40:06 | |
But I have started eating in moderation a bit recently, | 0:40:06 | 0:40:09 | |
because the metabolism isn't quite what it was. | 0:40:09 | 0:40:12 | |
Teenagers who can eat what they like without it sticking. | 0:40:12 | 0:40:15 | |
It won't last! | 0:40:15 | 0:40:16 | |
Sorry, was that a bit bitter, there? | 0:40:18 | 0:40:20 | |
Sorry about that, little bit bitter. | 0:40:20 | 0:40:22 | |
I did put on a lot of weight a few years ago. | 0:40:22 | 0:40:24 | |
That's when I had the first joys of shopping for the larger lady | 0:40:24 | 0:40:29 | |
in shops like Long Tall Sally, Big and Long... | 0:40:29 | 0:40:32 | |
..Huge and Gross. | 0:40:33 | 0:40:35 | |
Why do they call them things like that? | 0:40:35 | 0:40:37 | |
There's a shop for the larger lady in Surrey, this is true, | 0:40:37 | 0:40:40 | |
because someone sent me a photo because they knew I'm | 0:40:40 | 0:40:42 | |
obsessed with it. A shop for the larger lady called - | 0:40:42 | 0:40:44 | |
Jolly and Flabby. | 0:40:44 | 0:40:47 | |
LAUGHTER | 0:40:47 | 0:40:48 | |
"Just off to Jolly and Flabby now, everybody!" | 0:40:48 | 0:40:52 | |
I mean, what next? | 0:40:52 | 0:40:53 | |
Are they going to call it Past Caring? | 0:40:53 | 0:40:56 | |
"Oh, that's a nice top, Miranda." | 0:40:56 | 0:40:58 | |
"Oh, thank you very much, yeah, I got it from Past Caring. | 0:40:58 | 0:41:02 | |
"I don't know if you know it, | 0:41:02 | 0:41:03 | |
"it's next to the shop for the larger lady called Beyond Help." | 0:41:03 | 0:41:08 | |
Once a friend of mine, for my birthday, | 0:41:08 | 0:41:11 | |
she got me a store card for | 0:41:11 | 0:41:12 | |
Big is Beautiful, which was kind(!) | 0:41:12 | 0:41:15 | |
But it's great now, I get great special offers. | 0:41:15 | 0:41:18 | |
The latest one was buy two size-20 tops, | 0:41:18 | 0:41:22 | |
get a free Sara Lee gateau - so it's worked out. | 0:41:22 | 0:41:26 | |
But I've never been one of those people, you know, | 0:41:28 | 0:41:30 | |
those people who are really properly into diets and fad diets | 0:41:30 | 0:41:33 | |
and speak really seriously don't they, like this? | 0:41:33 | 0:41:35 | |
At the moment, everything's about juicing, that's what they do in LA. | 0:41:35 | 0:41:38 | |
They juice everything. I mean, sure, have a chicken casserole, | 0:41:38 | 0:41:41 | |
but you must juice it, it's better for you. | 0:41:41 | 0:41:43 | |
I think the reason these people speak so sort of low | 0:41:43 | 0:41:46 | |
and slow like this is because they're so weak... | 0:41:46 | 0:41:52 | |
Because they've only eaten sunflower seeds for a month, haven't they? | 0:41:54 | 0:41:58 | |
And even then, they've had to juice the seeds. | 0:41:58 | 0:42:03 | |
But they have, they have just enough energy, | 0:42:03 | 0:42:06 | |
just enough energy to offer us mere mortals some advice, don't they? | 0:42:06 | 0:42:10 | |
So they go, "Miranda, Miranda, hi. Hi, so here's the thing. | 0:42:10 | 0:42:14 | |
"If ever I feel like a sugar binge or a cake binge, | 0:42:14 | 0:42:17 | |
"which you obviously do a lot..." | 0:42:17 | 0:42:19 | |
HUGE LAUGHTER | 0:42:21 | 0:42:23 | |
"Then I say to myself, 'Lucinda... | 0:42:24 | 0:42:27 | |
" 'Lucinda, I say to myself, no. No sugar. | 0:42:27 | 0:42:29 | |
" 'Sit down, have some Ryvita. | 0:42:29 | 0:42:32 | |
" 'I'm full, it's delicious.' " | 0:42:32 | 0:42:36 | |
To which I want to respond, "Ryvita isn't delicious, Lucinda, is it? | 0:42:36 | 0:42:40 | |
"Because if it was, people would binge on it, wouldn't they?" | 0:42:40 | 0:42:42 | |
You don't get people going, "I had such a bad night last night." | 0:42:42 | 0:42:45 | |
"Oh, did you, what did you have?" | 0:42:45 | 0:42:47 | |
"Three packets of Ryvita! | 0:42:47 | 0:42:48 | |
"Once you get that dry, sawdusty crispbread, you can't stop." | 0:42:49 | 0:42:54 | |
I don't think so. | 0:42:54 | 0:42:55 | |
Ryvita is only delicious with a large Dairy Milk on top of it. | 0:42:55 | 0:43:00 | |
Fact! | 0:43:00 | 0:43:01 | |
Oh, look, my walk has gone camp with excitement | 0:43:03 | 0:43:05 | |
at the notion of chocolate. | 0:43:05 | 0:43:08 | |
Other walks I want to share. | 0:43:08 | 0:43:09 | |
Now, I have two airport walks. | 0:43:09 | 0:43:13 | |
Does anybody else have a nothing-to-declare walk? | 0:43:13 | 0:43:19 | |
LAUGHTER It's not just me. | 0:43:19 | 0:43:21 | |
It's weird, isn't it? | 0:43:21 | 0:43:23 | |
You're fine at baggage reclaim, everything's fine there. | 0:43:23 | 0:43:26 | |
And then, suddenly, you approach Nothing To Declare and you sort of | 0:43:26 | 0:43:30 | |
don't know how to walk for fear of appearing in any way suspicious. | 0:43:30 | 0:43:37 | |
I end up walking like a camp tightrope walker for some reason, | 0:43:39 | 0:43:43 | |
which ironically does make me look like I'm smuggling drugs up my arse. | 0:43:43 | 0:43:47 | |
That's the irony. It's a terrifying walk, though, isn't it? | 0:43:48 | 0:43:52 | |
And then you get to the last ten metres | 0:43:52 | 0:43:54 | |
and you see the Promised Land - WH Smith. | 0:43:54 | 0:43:57 | |
"We're nearly free! We're nearly free! | 0:43:58 | 0:44:00 | |
"We're nearly out! We're out! We're out!" | 0:44:00 | 0:44:02 | |
And then my second airport walk kicks in. | 0:44:02 | 0:44:05 | |
You know, when you're faced with a barrage of people | 0:44:05 | 0:44:07 | |
meeting their nearest and dearest off the flight | 0:44:07 | 0:44:09 | |
and all the minicab drivers with their placards? | 0:44:09 | 0:44:11 | |
I suddenly become incredibly self-conscious which is | 0:44:11 | 0:44:14 | |
invariably when your wheelie case flips over, isn't it? | 0:44:14 | 0:44:17 | |
You're trying to flip it back, | 0:44:17 | 0:44:19 | |
so the wheels are the right way on the floor. | 0:44:19 | 0:44:21 | |
It's behaving like a drunk teenager, your case. | 0:44:21 | 0:44:24 | |
And then my second airport walk proper kicks in. | 0:44:24 | 0:44:27 | |
Something really weird starts happening. | 0:44:27 | 0:44:29 | |
I start thinking, "I wonder if there's somebody here to meet me?" | 0:44:29 | 0:44:33 | |
I know they're not, my car's in the car park! | 0:44:33 | 0:44:37 | |
I can't help it, I'm looking at the placards thinking, | 0:44:37 | 0:44:39 | |
"Am I Mrs Shish Keba?" | 0:44:39 | 0:44:42 | |
"I don't know." Weird, weird airport walks. | 0:44:42 | 0:44:46 | |
But the king of all walks, the king of all walks, | 0:44:46 | 0:44:50 | |
OK, is when you walk purposefully in one direction, | 0:44:50 | 0:44:54 | |
say out of a shop, you walk purposefully in one direction. | 0:44:54 | 0:44:58 | |
You immediately realise you're going in the wrong direction. | 0:44:58 | 0:45:02 | |
You can't suddenly turn round, that would look weird, | 0:45:03 | 0:45:06 | |
so you turn it into something. | 0:45:06 | 0:45:08 | |
And we have all done it. OK, it goes like this. | 0:45:08 | 0:45:11 | |
"Oh, no, I'm meant to be going over there. | 0:45:13 | 0:45:16 | |
"Oh, I'll just look at my watch. | 0:45:16 | 0:45:18 | |
"Oh, right, OK, that's interesting, it's ten past 12 | 0:45:19 | 0:45:24 | |
"and that means, yeah, no, that's probably right. | 0:45:24 | 0:45:27 | |
"Yeah, no, that means that I think I'm probably meant to be | 0:45:27 | 0:45:30 | |
"going in that direction, yeah, that's it." | 0:45:30 | 0:45:33 | |
APPLAUSE | 0:45:33 | 0:45:35 | |
We've all done it. | 0:45:35 | 0:45:38 | |
Sometimes I do a whole role play for no reason whatsoever. | 0:45:38 | 0:45:41 | |
I'll go, "I'm meant to be going over there. | 0:45:41 | 0:45:44 | |
"I'll just get my phone out. | 0:45:44 | 0:45:46 | |
"Oh, that's interesting, Zoe's texted. | 0:45:46 | 0:45:48 | |
"And she says she doesn't want to meet in the library which is... | 0:45:48 | 0:45:52 | |
"Oh, that's over there, right, OK. | 0:45:52 | 0:45:53 | |
"She wants to meet in the cafe. | 0:45:53 | 0:45:55 | |
"Which cafe could she be talking about, I wonder, which cafe? | 0:45:55 | 0:45:59 | |
"Oh, it's over there, lovely." | 0:45:59 | 0:46:03 | |
Nobody knows what I'm doing, but it's because we're all too shy to do this. | 0:46:03 | 0:46:07 | |
"No!" | 0:46:09 | 0:46:11 | |
Which is a shame, isn't it? | 0:46:15 | 0:46:17 | |
It's a shame, because I think we should be freer to deal with | 0:46:17 | 0:46:20 | |
life-awkward moments like that. | 0:46:20 | 0:46:22 | |
There are always life-awkward moments like that, aren't there? | 0:46:22 | 0:46:25 | |
There's always that moment when you're on your own | 0:46:25 | 0:46:27 | |
and you trip up in the street, do one of those. | 0:46:27 | 0:46:30 | |
Go to turn that into something, haven't you? | 0:46:30 | 0:46:32 | |
I see a lot of people do this one. | 0:46:32 | 0:46:34 | |
"Hmm... | 0:46:38 | 0:46:40 | |
"That's odd." | 0:46:40 | 0:46:42 | |
"There's something there. | 0:46:43 | 0:46:45 | |
"Yeah. There's something there." | 0:46:46 | 0:46:48 | |
That's a very bold manoeuvre, I think that's very brave. | 0:46:50 | 0:46:53 | |
I'm not brave enough to do that one. | 0:46:53 | 0:46:55 | |
I favour the pretending you meant to do it one. So you go... | 0:46:55 | 0:47:00 | |
I mean, sure, you've got to walk the whole way up this street like that! | 0:47:07 | 0:47:11 | |
That's the only disadvantage of that one, but I prefer it. | 0:47:11 | 0:47:14 | |
Life-awkward moments. There's always that moment, isn't there, | 0:47:14 | 0:47:17 | |
when you're walking on your own in the park and some men are playing | 0:47:17 | 0:47:19 | |
football and suddenly their football comes towards you and they're like, | 0:47:19 | 0:47:23 | |
"Oi, oi, oi, can we have our football back?" | 0:47:23 | 0:47:26 | |
And you're like, "Oh, God, right, yes. | 0:47:26 | 0:47:28 | |
"Yeah, just bear with, OK, hang on, oh! | 0:47:28 | 0:47:31 | |
"Oh, sorry, sorry, sorry! | 0:47:34 | 0:47:37 | |
"Oh, gosh, sorry, it's a bit slippy, it's a really slippy ball, sorry. | 0:47:37 | 0:47:41 | |
"Oh, sorry, your ball's over there. I mean, your ball is over there. | 0:47:41 | 0:47:45 | |
"Not your balls are over there. | 0:47:45 | 0:47:47 | |
"You know where your balls are, your balls are here." | 0:47:47 | 0:47:51 | |
"Here are your balls, we know that." | 0:47:51 | 0:47:53 | |
Life-awkward moments! | 0:47:54 | 0:47:56 | |
There's always that moment, although this might be unique to me. | 0:47:56 | 0:48:00 | |
I was recently in a shop changing room trying on a swimming costume. | 0:48:00 | 0:48:04 | |
And you know a swimming costume has a, erm... | 0:48:04 | 0:48:07 | |
..sticky hygiene sticker? | 0:48:08 | 0:48:10 | |
Well, erm, hum... | 0:48:12 | 0:48:13 | |
The sticky hygiene sticker... | 0:48:15 | 0:48:18 | |
got stuck... | 0:48:18 | 0:48:19 | |
..to my, erm... | 0:48:22 | 0:48:24 | |
..vestibule area, shall we say. | 0:48:24 | 0:48:26 | |
As I removed it, it caused so much pain | 0:48:28 | 0:48:30 | |
I shot out onto the shop floor going, | 0:48:30 | 0:48:33 | |
"I've just given myself a Brazilian! | 0:48:33 | 0:48:35 | |
"Apologies, do carry on with your shopping, sorry!" | 0:48:37 | 0:48:40 | |
Life-awkward moments. | 0:48:40 | 0:48:43 | |
When I was younger, when I was younger, | 0:48:43 | 0:48:44 | |
I naively thought that, if you were famous, | 0:48:44 | 0:48:46 | |
that maybe somehow you'd be above these life-awkward moments | 0:48:46 | 0:48:49 | |
and somehow you'd have the confidence to deal with them. | 0:48:49 | 0:48:52 | |
That's just nonsense, isn't it? | 0:48:52 | 0:48:53 | |
Cos anyone who's famous is still silly old them. | 0:48:53 | 0:48:55 | |
It makes no sense at all. And my most embarrassing moment was | 0:48:55 | 0:48:58 | |
when I was on a train from Edinburgh to London and I went | 0:48:58 | 0:49:01 | |
to the toilet at one point and I closed the cubicle door | 0:49:01 | 0:49:04 | |
and I pulled down my trousers and my pants and I went to sit... | 0:49:04 | 0:49:08 | |
And as I was sort of hovering in the squatting position, before I sat, | 0:49:08 | 0:49:13 | |
the train did one of those lurches, | 0:49:13 | 0:49:14 | |
you know, like they do, like it's going to stop. | 0:49:14 | 0:49:17 | |
I fell towards the door, | 0:49:17 | 0:49:20 | |
then through it... | 0:49:20 | 0:49:21 | |
I obviously hadn't locked the door properly! | 0:49:23 | 0:49:25 | |
..onto the train corridor in front of the buffet queue. | 0:49:25 | 0:49:30 | |
People were going, "Oh, don't look at that woman, | 0:49:30 | 0:49:33 | |
"that is absolutely mortifying. Don't look at her, don't look at her. | 0:49:33 | 0:49:36 | |
"Is that Miranda off the television? | 0:49:36 | 0:49:38 | |
"Oh, no, that is awful, that is awful." | 0:49:38 | 0:49:40 | |
You do not want to be recognised in that situation, let me tell you! | 0:49:40 | 0:49:44 | |
And also, you find yourself in situations | 0:49:44 | 0:49:46 | |
unique to being recognised. | 0:49:46 | 0:49:48 | |
So, the other day, somebody came up to me | 0:49:48 | 0:49:50 | |
and said, "Oh, oh, it's you! | 0:49:50 | 0:49:52 | |
"Oh, I love that show, Miranda." | 0:49:52 | 0:49:54 | |
I said, "Thank you very much, that means a lot, thank you." | 0:49:54 | 0:49:57 | |
And she said, "So, what's your name?" | 0:49:57 | 0:50:00 | |
"Er, Miranda." | 0:50:02 | 0:50:04 | |
"No, dear, that's the name of the show. | 0:50:04 | 0:50:06 | |
"What is your name?" | 0:50:06 | 0:50:08 | |
"Miranda." | 0:50:09 | 0:50:11 | |
"No, dear." And then, she said to her friend, | 0:50:11 | 0:50:13 | |
"She might be off the telly, but she's a little bit thick." | 0:50:13 | 0:50:17 | |
"What is YOUR name?" | 0:50:18 | 0:50:20 | |
So, for an easy life, I just found myself going, "Jean." | 0:50:20 | 0:50:24 | |
"Well, it's nice to meet you, Jean. | 0:50:24 | 0:50:25 | |
"What's your surname?" | 0:50:25 | 0:50:27 | |
Then I panicked and I went, "Spleen." | 0:50:27 | 0:50:30 | |
"Jean Spleen? | 0:50:33 | 0:50:35 | |
"It's very nice to meet you, Jean Spleen." | 0:50:35 | 0:50:37 | |
Then I heard her say to her friend, "You would have thought | 0:50:37 | 0:50:40 | |
"she'd have changed her name for being on the telly." | 0:50:40 | 0:50:42 | |
"Miranda, starring Jean Spleen" is what that woman thought. | 0:50:42 | 0:50:45 | |
So, whoever you are, | 0:50:45 | 0:50:47 | |
you'll always find yourself in life-awkward moments, won't you? | 0:50:47 | 0:50:50 | |
So I say, people, I say, jolly life up, yes? | 0:50:50 | 0:50:53 | |
Be more three to six-year-old, be more musical theatre, | 0:50:53 | 0:50:57 | |
do something every day just to make you happy. | 0:50:57 | 0:50:59 | |
Jolly life up! | 0:50:59 | 0:51:01 | |
CHEERING | 0:51:01 | 0:51:02 | |
I advocate... Bless you, I advocate, for example, | 0:51:02 | 0:51:05 | |
leaping into a revolving door, from time to time, | 0:51:05 | 0:51:08 | |
with a complete stranger. | 0:51:08 | 0:51:09 | |
"Sir! Hello!" | 0:51:11 | 0:51:12 | |
Be fun, jolly life up! | 0:51:13 | 0:51:15 | |
How about, once a month, if you work in an office, | 0:51:16 | 0:51:19 | |
once-a-month office Olympics? | 0:51:19 | 0:51:23 | |
The rules being, if you need to get from A to B in the office, | 0:51:23 | 0:51:26 | |
you're not allowed to touch the floor. | 0:51:26 | 0:51:29 | |
Go from chair to desk, kick a colleague over, tread on them. | 0:51:29 | 0:51:32 | |
It'll be fun. Jolly life up. | 0:51:32 | 0:51:35 | |
How about once a week - weird name day. | 0:51:35 | 0:51:38 | |
Think of a weird name you'd like to call yourself, | 0:51:38 | 0:51:41 | |
then go to your coffee shop that morning, give them your name, | 0:51:41 | 0:51:43 | |
then somebody has to read out, "Oh, erm... | 0:51:43 | 0:51:46 | |
"cappuccino for Corinthia the Indestructible." | 0:51:46 | 0:51:51 | |
"That is I, I is she!" | 0:51:51 | 0:51:54 | |
It'll be fun. | 0:51:55 | 0:51:57 | |
But the key thing to jollying life up, the key thing, | 0:51:57 | 0:51:59 | |
and I think, frankly this should be a law, | 0:51:59 | 0:52:02 | |
is that I think all train drivers | 0:52:02 | 0:52:05 | |
should have to do the Muppet song after every tannoy announcement. | 0:52:05 | 0:52:10 | |
Because I defy anyone not to want to sing along to the Muppet song. | 0:52:11 | 0:52:15 | |
So it would go, um, "This is the 16:41 to London's Waterloo. | 0:52:15 | 0:52:20 | |
"Mahna Mahna." | 0:52:20 | 0:52:21 | |
-Mahna Mahna. SOME PEOPLE: -# Do do-do do! # | 0:52:24 | 0:52:27 | |
Mahna Mahna. | 0:52:27 | 0:52:28 | |
-ALL: -# Do doo de-do-do de-do-do, de-do-do! | 0:52:28 | 0:52:31 | |
# De-do-do-doodle do do do-doo do! # | 0:52:31 | 0:52:34 | |
"Change at Clapham Junction for Victoria." | 0:52:34 | 0:52:36 | |
It would be lovely, wouldn't it? That sounded amazing. | 0:52:36 | 0:52:39 | |
CHEERING | 0:52:39 | 0:52:40 | |
That train driver's making those people in those carriages | 0:52:40 | 0:52:43 | |
happier at that moment in time. | 0:52:43 | 0:52:45 | |
So I say be the best version of you for the others around you. | 0:52:45 | 0:52:49 | |
I'm going to love you and leave you with this, OK. | 0:52:49 | 0:52:52 | |
I was recently in a public swimming pool, I'm not a massive fan | 0:52:52 | 0:52:54 | |
of public swimming pools, the whole, "Please shower before you get in." | 0:52:54 | 0:52:58 | |
I find that offensive, I'm perfectly clean, thank you, perfectly clean. | 0:52:58 | 0:53:02 | |
And then which lane to go in! | 0:53:02 | 0:53:04 | |
The fast lane is just way too intimidating, isn't it? | 0:53:04 | 0:53:06 | |
The medium lane's always packed. | 0:53:06 | 0:53:08 | |
You think, "Fine, I'll go in the slow lane." | 0:53:08 | 0:53:10 | |
Invariably, you've got an octogenarian's foot | 0:53:10 | 0:53:12 | |
in your face, haven't you? If you try and overtake, | 0:53:12 | 0:53:15 | |
you're doing this with a complete stranger. The whole thing. | 0:53:15 | 0:53:18 | |
So I thought, I know, just for once, I'm going to practise what I preach. | 0:53:18 | 0:53:21 | |
I am. | 0:53:21 | 0:53:22 | |
I'm going to be more three to six-year-old, | 0:53:22 | 0:53:24 | |
"I'm going to be more free. | 0:53:24 | 0:53:26 | |
"For a moment, I'm not going to swim lengths, no. | 0:53:26 | 0:53:30 | |
"I am going to swim widths." | 0:53:30 | 0:53:34 | |
So, just for a moment, I went up and down those lane dividers, | 0:53:35 | 0:53:40 | |
like a crazy rebel dolphin, free and happy. | 0:53:40 | 0:53:44 | |
It did backfire though, because, as I went over the last lane divider, | 0:53:44 | 0:53:47 | |
I went over with such velocity, it removed my bikini bottoms | 0:53:47 | 0:53:52 | |
without me realising. | 0:53:52 | 0:53:55 | |
Got onto the edge of the swimming pool to celebrate, I was... | 0:53:55 | 0:53:57 | |
"Oh, my word!" | 0:53:57 | 0:53:59 | |
Jumped into the fast lane upon a very buff gentleman, | 0:53:59 | 0:54:03 | |
I nearly drowned him. | 0:54:03 | 0:54:04 | |
But I still celebrate it, because it caused merriment and | 0:54:04 | 0:54:08 | |
I was free of the drug of approval, and I call it and - | 0:54:08 | 0:54:10 | |
wait for it, because this is a hell of a way to end a show - | 0:54:10 | 0:54:13 | |
I call it my muff upon buff moment! | 0:54:13 | 0:54:18 | |
CHEERING Thank you! | 0:54:18 | 0:54:21 | |
Thank you so much! | 0:54:21 | 0:54:23 | |
Thank you. | 0:54:25 | 0:54:27 | |
CHEERING AND APPLAUSE | 0:54:27 | 0:54:29 | |
MUSIC: Bring Me Sunshine by Morecambe & Wise | 0:54:32 | 0:54:36 | |
# Bring me sunshine | 0:54:36 | 0:54:38 | |
# In your smile | 0:54:39 | 0:54:41 | |
# Bring me laughter | 0:54:42 | 0:54:45 | |
# All the while | 0:54:45 | 0:54:46 | |
# In this world where we live | 0:54:48 | 0:54:51 | |
# There should be more happiness | 0:54:51 | 0:54:54 | |
# So much joy you can give | 0:54:54 | 0:54:56 | |
# To each brand-new bright tomorrow | 0:54:56 | 0:55:00 | |
# Make me happy | 0:55:00 | 0:55:02 | |
# Through the years | 0:55:02 | 0:55:04 | |
# Never bring me | 0:55:06 | 0:55:08 | |
# Any tears... # | 0:55:08 | 0:55:10 | |
Oh, no, this isn't right, no, I have no need of your shop. | 0:55:10 | 0:55:13 | |
EVERYONE, I WOULD LIKE A BIKINI WAX. | 0:55:15 | 0:55:20 | |
# Bring me sunshine | 0:55:25 | 0:55:28 | |
# In your smile | 0:55:28 | 0:55:30 | |
# Bring me laughter | 0:55:31 | 0:55:34 | |
# All the while | 0:55:34 | 0:55:35 | |
# In this world where we live | 0:55:35 | 0:55:38 | |
# There should be more happiness... # | 0:55:38 | 0:55:41 | |
I need to get that, um, graphic. | 0:55:41 | 0:55:43 | |
Can you...? Thank you. | 0:55:49 | 0:55:51 | |
# Never bring me... # | 0:55:53 | 0:55:55 | |
After you. | 0:55:55 | 0:55:57 | |
MUSIC: Anything Goes | 0:55:57 | 0:55:59 | |
Oh, OK, you going over there? | 0:56:05 | 0:56:08 | |
Chris, could you...? | 0:56:08 | 0:56:09 | |
I'm just off to buy a top at Past Caring. | 0:56:12 | 0:56:15 | |
# Anything goes... # | 0:56:18 | 0:56:21 | |
Cappuccino for Dame Gertrude the Gorgeous of Sexyville? | 0:56:29 | 0:56:33 | |
That is I! I is she. | 0:56:33 | 0:56:36 | |
-# Anything goes... # -Oh, go away! | 0:56:39 | 0:56:41 | |
Hi, put me in a designated area, for I am smokin'! | 0:56:46 | 0:56:51 | |
Gallop! | 0:56:57 | 0:56:59 | |
# Anything goes... # | 0:57:11 | 0:57:13 | |
Go on! | 0:57:21 | 0:57:23 | |
CHEERING | 0:57:23 | 0:57:24 | |
MUSIC: Crazy In Love by Beyonce | 0:57:24 | 0:57:26 | |
Come on! | 0:57:32 | 0:57:34 | |
CHEERING | 0:57:37 | 0:57:39 | |
# Got me looking so crazy right now | 0:57:47 | 0:57:49 | |
# Your love's got me looking so crazy right now... # | 0:57:49 | 0:57:52 | |
CHEERING | 0:57:52 | 0:57:53 | |
# Got me looking so crazy right now | 0:57:53 | 0:57:54 | |
# Your touch got me looking so crazy right now | 0:57:54 | 0:57:57 | |
# Got me hoping you'll page me right now | 0:57:57 | 0:57:59 | |
# Your kiss, got me hoping you'll save me right now | 0:57:59 | 0:58:02 | |
# Looking so crazy in love's | 0:58:02 | 0:58:04 | |
# Got me looking Got me looking so crazy in love! # | 0:58:04 | 0:58:06 | |
CHEERING | 0:58:06 | 0:58:08 | |
MUSIC: Proud by Heather Small | 0:58:11 | 0:58:13 | |
# What have you done today to make you feel proud? | 0:58:13 | 0:58:18 | |
# It's never too late to try | 0:58:19 | 0:58:22 | |
# What have you done today to make you feel proud? # | 0:58:22 | 0:58:27 | |
Thank you so much, you've been amazing. | 0:58:31 | 0:58:33 | |
Thank you. | 0:58:33 | 0:58:36 | |
Thank you so much. Thank you to you at home. | 0:58:38 | 0:58:41 | |
# What have you done today to make you feel proud? # | 0:58:41 | 0:58:45 | |
Thank you so much for coming along. Thank you. | 0:58:45 | 0:58:48 | |
I love you. Goodnight! | 0:58:48 | 0:58:51 | |
CHEERING AND APPLAUSE | 0:58:51 | 0:58:53 | |
# I can feel my soul ascending | 0:59:03 | 0:59:07 | |
# I am on my way | 0:59:07 | 0:59:09 | |
# Can't stop me now | 0:59:09 | 0:59:12 | |
# You can do the same, yeah | 0:59:12 | 0:59:17 | |
# What have you done today to make you feel proud? | 0:59:17 | 0:59:23 | |
# It's never too late to try | 0:59:23 | 0:59:26 | |
# What have you done today to make you feel proud? | 0:59:26 | 0:59:32 | |
# Mm-hm! Mm-hm! | 0:59:32 | 0:59:35 | |
# You could be so many people | 0:59:35 | 0:59:40 | |
# If you make that break for freedom... # | 0:59:40 | 0:59:44 |