On Stage: Live from Television Centre


On Stage: Live from Television Centre

Similar Content

Browse content similar to On Stage: Live from Television Centre. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

This programme contains strong language.

:00:00.:00:09.

Welcome to On Stage: Live from Television Centre.

:00:10.:00:11.

Tonight we're broadcasting a giant theatrical event live

:00:12.:00:12.

from the place that was the home of much of BBC Television

:00:13.:00:17.

It's from this historic site that the majority of the BBC's best loved

:00:18.:00:27.

live drama on TV - shows like Dixon of Dock Green and Play for Today.

:00:28.:00:31.

Tonight we are celebrating that tradition

:00:32.:00:34.

by returning to live performance - but with new works commissioned

:00:35.:00:37.

It is a huge experiment. Who knows what might ha. But whatever it is,

:00:38.:00:57.

it is going to be exciting. Shows like the ones we are about to

:00:58.:01:02.

see can be experienced in theatres all over the country every night,

:01:03.:01:05.

but never before on television. Next up, and also next to them

:01:06.:01:38.

in Studio 1, is Watford based moments from Television Centre's

:01:39.:01:41.

history as he recreates the scenes Well, it will be back, kind of.

:01:42.:01:51.

the peeing baby elephant on Our third show is set

:01:52.:02:00.

in the old Drama Block. No Guts, No Heart, No Glory from

:02:01.:02:03.

Common Wealth, a theatre company whose members come from Bradford

:02:04.:02:07.

and Cardiff, and whose show is based on the real life testimonies

:02:08.:02:12.

of young, female Muslim boxers. And finally

:02:13.:02:25.

in the old prop store we have Also known as Jess Thom, we've asked

:02:26.:02:27.

her to organise the grand finale, And just wait and see how her

:02:28.:02:43.

Tourette's Syndrome which means she says "biscuit "16,000 times a day,

:02:44.:02:44.

will be a positive advantage. Gecko started out life at Battersea

:02:45.:02:47.

Arts Centre more than ten years ago. Their shows have toured to more than

:02:48.:02:52.

20 countries all over the world, and they are now based at the New Wolsey

:02:53.:02:55.

Theatre in Ipswich, where you will The company is made up

:02:56.:02:59.

of an international group of performers who tell stories with

:03:00.:03:02.

physical gestures and dance. This evening's show has been created

:03:03.:03:05.

especially for Live From Television Centre and is

:03:06.:03:07.

called The Time of Your Life! . Hi. You got me, you got me. Are

:03:08.:03:48.

you surprised sweetie? Yes, I was sweetie. Did you, did you really?

:03:49.:03:58.

Amazing, incredible. OK. Hey, you. Hey. Buddy. Was it good? It was

:03:59.:04:08.

really, really, a big surprise. No, well, I can't, I haven't got a lot

:04:09.:04:13.

to say but, you know, really, in the end, thank you is really all I can

:04:14.:04:18.

say, thank you so much. Yeah, OK, OK. LAUGHS

:04:19.:04:27.

It is a really special feeling, you know, emotional as well, you know.

:04:28.:04:36.

Do you? Really? It's incredible, friendship, you know. Faces! I can't

:04:37.:04:44.

believe it. I can't believe what you said.

:04:45.:04:56.

LAUGHTER Thank you so much. That's a very special thing.

:04:57.:05:00.

Budge up. No way!

:05:01.:05:13.

I don't want to go to bed. I don't want to go to bed.

:05:14.:10:40.

. Beautiful. In the presence of your friends. Love and behold.

:10:41.:12:55.

All of these people. They were standing around.

:12:56.:16:00.

I am so proud of you. She always laughed her way through life. She

:16:01.:16:17.

was one of the most incredibly amazing human beings... We will miss

:16:18.:16:23.

her terribly. She was so generous to us over the years.

:16:24.:16:41.

We are here together in the presence of God.

:16:42.:17:10.

APPLAUSE Wonderful!

:17:11.:17:35.

A friend, a soul mate, I hope you are resting peacefully, my love. I

:17:36.:20:20.

Will always love you. I'm scared, I'm scared. Don't be

:20:21.:21:31.

scared. APPLAUSE

:21:32.:25:05.

Well done, Peter, congratulations. We trust you had The Time Of Your

:25:06.:25:13.

Life. Peter, we have captured images of your life and there are some

:25:14.:25:18.

great moments. Great friends, a loving upbringing and also the

:25:19.:25:22.

harder times that make you are more what you are. That is all available

:25:23.:25:28.

to you. Rest assured, we have a strict privacy policy. We have

:25:29.:25:33.

another opportunity... I cannot speak at the moment. Perhaps another

:25:34.:25:38.

time. We think this is the right direction for you. The exit is in

:25:39.:25:42.

front of you. Please do recommend us to all your friends. Thank you.

:25:43.:25:47.

Surprise! I just wanted to talk to you. You

:25:48.:26:44.

moved me so much, what you did... I just need to speak to you for one

:26:45.:26:46.

moment. Please sign this. Listen, you cannot

:26:47.:28:32.

be here. You will get me in trouble. Something incredible happened today

:28:33.:28:37.

and I think there is something going on between us. No. Peter, you have

:28:38.:28:43.

no idea how difficult this is for us. Every day we are giving

:28:44.:28:49.

everything. I feel nothing. I need to know... I have no feelings any

:28:50.:28:50.

more. What is going on here? Just tell me

:28:51.:29:02.

what is going on? I need to speak to you! I just

:29:03.:29:48.

needed to say, you don't need to do this. There are choices. You can

:29:49.:29:55.

make a choice! Come, out, out of this building now! You need to get

:29:56.:29:58.

out. You don't understand! Get out! right.

:29:59.:30:47.

HE BREATHS HEAVILY Surprise!

:30:48.:31:04.

SHOUTING One of you sort this out before I do it myself.

:31:05.:31:13.

This is going to be fantastic. THEY ALL TALK AT ONCE. They are

:31:14.:31:19.

together. Come, come. # THEY ALL TALK AT ONCE. They are

:31:20.:31:42.

going to have a great day together. Altogether. Do you understand what

:31:43.:31:44.

I'm saying? What an astonishing feature. And

:31:45.:32:29.

wherever you are watching, from Shetland to Southampton, I hope you

:32:30.:32:31.

were blown away by that performance. We're live from Television Centre,

:32:32.:32:37.

which was sold by the BBC in 2012 to developers

:32:38.:32:39.

and right now is a building site. It's the live television

:32:40.:32:44.

which was once created here in this huge atmospheric space which has

:32:45.:32:52.

inspired the next show, The Redux It's probably best that he explains

:32:53.:32:59.

things to you himself - oh, and by the way,

:33:00.:33:04.

expect some strong language. Richard.

:33:05.:33:06.

recreating some beloved moments Richard.

:33:07.:33:36.

TV centre's illustrious past. Richard.

:33:37.:33:38.

explain why in a minute. Christ, no, don't help me!

:33:39.:33:47.

Italian and is therefore very apt. It's important that I do this

:33:48.:33:58.

on my own. Yes,

:33:59.:34:02.

this is the Redux Project. You can tweet us at #TheReduxProject

:34:03.:34:29.

We're live at TV Centre and over the next 29 minutes we'll attempt

:34:30.:34:32.

to recreate some classic clips from the BBC Archives, in the exact

:34:33.:34:35.

locations where the originals took The redux project started two years

:34:36.:34:45.

ago. I tried another redux in Glasgow and the same thing happened.

:34:46.:34:53.

Since then I've made than 40 reduxes all around the world with the

:34:54.:35:00.

ultimate intention of destabilising Hollywood by making cheap versions

:35:01.:35:08.

of derivative blockbusters. My redux is attention to dale and perfection

:35:09.:35:12.

within limited means. Although people like the bits that aren't

:35:13.:35:17.

accurate best. This is a reproduction. My reduxes

:35:18.:35:22.

have been getting more and more ambitious and popular to the extent

:35:23.:35:28.

now they are on TV. Am I being absorbed into the mainstream or

:35:29.:35:31.

subbers having a national institution? Mind out over the next

:35:32.:35:33.

25 minutes. And by 10:00 tonight we'll have

:35:34.:35:42.

hopefully made another 10 Reduxes. I've never tried to Redux live

:35:43.:35:45.

before, You might still recognise this car

:35:46.:35:46.

park though as the location And here's the camera that's going

:35:47.:36:00.

to film it, in precisely This is quite an easy one,

:36:01.:36:04.

so let's put the original clip on the left of the screen,

:36:05.:36:08.

and let's put us on the right. Good, that was quite good. Can I see

:36:09.:36:22.

what it looks like? Yeah, not bad. Do you mind trying a couple of more

:36:23.:36:26.

times. Faster and come around further. OK.

:36:27.:36:30.

Now all the other clips we'll be Reduxing tonight are

:36:31.:36:32.

from live non-scripted non-dramatic television, this is partially so we

:36:33.:36:35.

don't have to pay repeat fees to the actors and scriptwriters - if we did

:36:36.:36:38.

that we wouldn't be able to afford our big finale in....

:36:39.:36:41.

18 minutes everybody - but also because live, unscripted

:36:42.:36:43.

television is more exciting, because things can go wrong.

:36:44.:36:45.

Like the artist studio that I've just been evicted from,

:36:46.:36:48.

Television Centre is currently being turned into luxury properties.

:36:49.:36:51.

The BBC sold it for ?200 million and an Anglo Canadian Japanese

:36:52.:36:55.

consortium is currently busy transforming it into 950 apartments,

:36:56.:36:59.

townhouses and penthouses, starting at ?650,000

:37:00.:37:01.

for a one bedroom flat and rising to ?7 million

:37:02.:37:04.

About 15% of these will be affordable homes,

:37:05.:37:08.

in a separate building to be constructed later on, and priced

:37:09.:37:11.

It's the the the artists' fault. They move into dilapidated areas.

:37:12.:37:30.

Then rents go up. Artists have to move up and before you know it, you

:37:31.:37:37.

are surrounded by exotic three-syllable restaurant

:37:38.:37:41.

franchises. I'm trying to count they are problem by raising a record to

:37:42.:37:46.

raise awareness about the plight of British performance artists.

:37:47.:37:51.

Please help. And also, with be an aggressive programme of creative

:37:52.:38:03.

degentification. This may look like an unassuming street utility Cabane

:38:04.:38:08.

net, the kind we pass unnoticed every day but it is a flat pack

:38:09.:38:15.

micro-studio, capable of a workspace for artists and Syrian refugees.

:38:16.:38:17.

And I've already distributed hundreds of these around London.

:38:18.:38:19.

It may not look like much now but in 1963 TV Centre was the white heat

:38:20.:38:28.

of technology - the largest, most modern and well-equipped

:38:29.:38:30.

TV studio complex in the world, and to show it off to all the BBC

:38:31.:38:33.

The UK didn't win the previous year, France did but were unable to host

:38:34.:38:44.

in 1963, due to financial short comings. The BBC hired a helicopter

:38:45.:38:49.

to show off the soon to be iconic architecture of it. V centre. -- TV

:38:50.:38:56.

centre. Here are a classic of BBC moments

:38:57.:39:02.

that we are unable to redux tonight due to ongoing constructive work.

:39:03.:39:10.

And also, an insufficient quantity of red hoodies.

:39:11.:39:20.

We're now approaching the King Doors of Studio One of the former

:39:21.:39:23.

And as you can see it's a hive

:39:24.:39:26.

Excuse me, Richard, what do you think with this Dobby

:39:27.:39:47.

It's here in TC1 where the winning song of Eurovision 1963

:39:48.:39:54.

It's against BBC guidelines to broadcast in monochrome, so we've

:39:55.:39:58.

painted our performers black and white - but not in a racist way.

:39:59.:40:01.

I had to send an English translation of those lyrics to

:40:02.:40:50.

Tonight we'll be focusing on Reduxing pivotal TV moments - from

:40:51.:41:00.

my youth - that changed the way I look

:41:01.:41:02.

The first Song For Europe I can remember was won

:41:03.:41:08.

by the UK's most famous Eurovision act Bucks Fizz.

:41:09.:41:10.

Making Your Mind Up, famous for its skirt-ripping gimmick.

:41:11.:41:30.

# If you want to see some more... Force

:41:31.:41:39.

Sorry about that ladies and genitalmen,

:41:40.:41:41.

we seem to have been infiltrated by some radical feminists.

:41:42.:41:43.

And we're back with the Redux Project!

:41:44.:41:45.

Our attempt to restage 10 classic moments of BBC

:41:46.:41:47.

It's organised chaos behind me. I hope you like this set. It is

:41:48.:41:55.

designed to resolve but also evolve. That's a very expensive

:41:56.:41:58.

Alan Partridge joke there. Following the success of Bucks Fizz,

:41:59.:42:00.

other Eurovision acts introduced prop-based gimmicks

:42:01.:42:02.

into their performances. Such as 1983 UK finalists

:42:03.:42:10.

Sweet Dreams, who during a stool high-kick got rather tangled

:42:11.:42:14.

up in their microphone cables, but made an excellent recovery and

:42:15.:42:18.

endeared themselves to the nation. Well, tonight we're going to avoid

:42:19.:42:28.

such calamity by using Ladies and gentlemen,

:42:29.:42:31.

introducing Sweet Dreams. # But I keep holding on until I know

:42:32.:42:42.

the chance has gone # I'm never givin'

:42:43.:42:52.

up, not givin' in # If there's the slightest chance

:42:53.:42:56.

that I could win, # And get your lovin'

:42:57.:43:00.

back the way it was before # Three 12s. Amazing, that's great. We

:43:01.:43:31.

have changed history, ladies and gentlemen.

:43:32.:43:31.

Yes, boss! it for the original tape

:43:32.:43:38.

I haven't always made Reduxes you know.

:43:39.:43:57.

I haven't always made unp wanted baggage.

:43:58.:44:00.

I haven't always made the US Embassy in

:44:01.:44:03.

I haven't always made performance caused so much

:44:04.:44:05.

uncertainty that the police confiscated my torch. I'm also the

:44:06.:44:12.

uncertainty that the police inventor of a new sport called the

:44:13.:44:15.

swivel Olympics. The current World Record is 48-and-a-half spins in

:44:16.:44:21.

12 minutes until the grand finale everybody!

:44:22.:44:38.

# We couldn't be more than friends # I'm still in love you know.

:44:39.:44:41.

And it was here in 1981 - nine months after Bucks Fizz

:44:42.:45:01.

that I first realised that people mimed on Top of the Pops.

:45:02.:45:25.

The realisation that some elements of TV were artificial was initially

:45:26.:45:30.

upsetting and confusing, but ultimately liberating.

:45:31.:45:32.

Eight years after the Human League, I realised that these institutional

:45:33.:45:35.

facades, even celebrity itself, could be skewered

:45:36.:45:37.

In April 1989, platinum selling pop group five star made an infamous

:45:38.:46:00.

appearance on Going Live. During a phone in with Sarah Green, a young

:46:01.:46:07.

man called Eliot 's at them live on television. What is your question?

:46:08.:46:17.

After their appearance on Going Live, everything went downhill for

:46:18.:46:29.

five star. It peaked at a lowly number 53 and amid reports of

:46:30.:46:32.

bankruptcy, the family were forced to move from Berkshire to

:46:33.:46:37.

Hertfordshire. You cannot fall from grace much further than having to

:46:38.:46:40.

move from dark shape to Hertfordshire.

:46:41.:46:49.

No, I'm allowed to say that, I live there.

:46:50.:47:01.

Eight months later, Romanian dictator Nicolau try just do was

:47:02.:47:08.

making a televised speech in Bucharest. -- Nicolau try just goo.

:47:09.:47:17.

A disturbance calls to him backtrack a disturbance calls

:47:18.:47:27.

-- a disturbance caused him to abandon his speech. There was a

:47:28.:47:37.

report that a young man called Leon started the chance saying and other

:47:38.:47:49.

people joined in. He stood there on his balcony, frozen with

:47:50.:47:52.

uncertainty. Even the official camera shook. Within a week, he was

:47:53.:47:57.

dead. Leon, my theory is that you were

:47:58.:48:08.

motivated to act after hearing about what happened to Five Star on Going

:48:09.:48:11.

Live months earlier, is this true? Sorry if I've just blown your mind.

:48:12.:48:14.

Here are some kittens. And we're back with the

:48:15.:48:41.

Redux Project! TV is disappearing up its own arse,

:48:42.:48:44.

but in an enjoyable One Star,

:48:45.:48:47.

would it be cathartic for you to If we've failed to entertain you,

:48:48.:48:50.

Elliot, it's not because we're crap - but because we

:48:51.:48:58.

don't care, not about you. You're not part

:48:59.:49:01.

of Five Star's core demographic, so while you may not like us,

:49:02.:49:04.

the fact is, this doesn't matter. Neither I nor my siblings believe

:49:05.:49:09.

you were genuinely curious as to why, in your consideration, we

:49:10.:49:12.

were "so crap", but in case you're wondering Elliot, it's because pop

:49:13.:49:17.

is a debased medium, structured and fed by the fickle sycophancy of the

:49:18.:49:21.

young and intellectually inert. So Elliot Fletcher causing

:49:22.:49:28.

a revolution in Romania was the first time I realised

:49:29.:49:34.

the ability of the individual to And these individuals don't even

:49:35.:49:37.

necessarily have to be human. Let's address the elephant

:49:38.:49:47.

in the room. But one thing we must do - one very

:49:48.:49:52.

important thing before we leave and that is to make sure our animals are

:49:53.:49:55.

going to be as happy as we're. Well, our animals are going to be

:49:56.:50:02.

happy in fact because they're going on holiday too. They're going

:50:03.:50:14.

to spend it out in the country. And there she goes,

:50:15.:50:17.

out of the studio! Ooh dear,

:50:18.:50:33.

I've trodden right in it. Well, let's have a saying

:50:34.:50:34.

about our animals. Well they say it's lucky, don't

:50:35.:50:36.

they, and we're having a lucky Obviously, we weren't allowed

:50:37.:50:39.

allowed a real elephant impressed by our real-time fully CGI

:50:40.:50:42.

rendered animal body there. The Six O'Clock News from the BBC

:50:43.:50:45.

With Sue Lawley Good evening, the headlines at 6

:50:46.:50:57.

O'Clock. In the House of Lords a vote is

:50:58.:51:03.

taking place now on a challenge We'll be going over to the

:51:04.:51:07.

House of Lords for the result. And repairing the roads,

:51:08.:51:12.

why the codes - cones - And I do apologise if you're hearing

:51:13.:51:14.

rather a lot of noise I'm afraid that, um, we have rather

:51:15.:51:20.

been invaded by some people, who we hope to be removing very

:51:21.:51:25.

shortly. if you could possibly

:51:26.:51:27.

ignore the background noise, we will bring you

:51:28.:51:30.

the news as best we can. I also have an as yet unproven

:51:31.:51:36.

theory that this same elephant, Lulu, vandalised the

:51:37.:51:50.

Blue Peter Garden in November 1983. Possibly with Sweet Dreams are upset

:51:51.:52:04.

about the failure of their follow-up single to chart three months

:52:05.:52:12.

earlier. We hope to repair the damage but it is very sad to think

:52:13.:52:16.

that a few people take such pleasure from harming their fellow human

:52:17.:52:20.

beings and from hurting animals as well.

:52:21.:52:21.

That's an interesting metaphor for what's happening to TVC, isn't it?

:52:22.:52:24.

Why would Lulu have done this Mr Zookeeper?

:52:25.:52:26.

Well, elephants are often painted with oil

:52:27.:52:28.

to protect their skin from cracking in winter.

:52:29.:52:33.

In the same way that 3D printers in every home promise to replace

:52:34.:52:39.

centralised factories, I propose The Redux Project as a method to

:52:40.:52:46.

A simple way for people to make their own versions of BBC clips.

:52:47.:52:59.

The Redux app uses geolocation to alert you to when you are close to

:53:00.:53:07.

the location where a BBC Click was shot. These clips are uploaded onto

:53:08.:53:13.

the BBC server. There's no better way to learn how

:53:14.:53:18.

to do something than by copying, and The Redux App can quickly

:53:19.:53:21.

teach you how to use a camera for your important

:53:22.:53:24.

role in the post-TV Centred I've recently been writing lyrics to

:53:25.:53:26.

popular instrumental TV theme tunes, '60s to legally relieve the composer

:53:27.:53:40.

out of half of his repeat fees. I am sure you will agree that shows

:53:41.:54:49.

off my great vocal range. Here is a cheque for all the

:54:50.:54:55.

Casualty back-royalties you're owed. Sorry for the delay in processing

:54:56.:54:58.

this payment. Good evening and welcome to

:54:59.:55:29.

Strictly Come Dancing, The Results! Now, some people have been tweeting

:55:30.:56:27.

that they don't believe Richard's show is still actually live because

:56:28.:56:30.

it's far too technically audacious. So to prove that it's not

:56:31.:56:42.

pre-recorded we're going to end with the opening number from tonight's

:56:43.:56:44.

Strictly results show that was just broadcast

:56:45.:56:53.

on BBC One less than 90 minutes ago. MUSIC: King

:56:54.:57:13.

by Years Years A big thank you to everyone that's

:57:14.:58:10.

already downloaded and tested out the Redux App that we

:58:11.:58:12.

launched earlier in the show. The switchboards have been inundated

:58:13.:58:16.

with your remakes of old Our favourite

:58:17.:58:18.

so far is this one, but if you could please stop

:58:19.:58:27.

sending them in, they rather do seem to be

:58:28.:58:29.

overloading our systems. Can everyone quickly

:58:30.:58:36.

and quietly exit the studio, the muster point

:58:37.:58:58.

is behind the drama block. No, not that quickly! Sorry about

:58:59.:59:12.

this, ladies and gentlemen, we will have to evacuate studio one. I hope

:59:13.:59:16.

this has been visible. We are going to have to leave now.

:59:17.:59:21.

which means we'll no longer be able to bring you these Reduxes tonight

:59:22.:59:28.

but we hope to see you again soon, in the meantime keep Reduxing,

:59:29.:59:31.

the future of television is in your capable hands!

:59:32.:59:33.

The hinterland between the edge of London and the M25 please!

:59:34.:59:37.

Next up is Common Wealth, who make site-specific theatre.

:59:38.:59:59.

This show would usually be performed in a boxing gym,

:00:00.:00:01.

but we've turned the derelict Drama Block into one instead.

:00:02.:00:04.

The show is called No Guts No Heart No Glory and was originally

:00:05.:00:08.

commissioned and co-produced by Contact Manchester,

:00:09.:00:11.

The show you are about to see is based on interviews with

:00:12.:00:20.

young female Muslim boxers in Bradford, and performed by a cast

:00:21.:00:23.

of five who were all new to theatre when the show was first made.

:00:24.:00:26.

They have since gone on to tour across the UK and internationally.

:00:27.:00:29.

Four of the original cast are performing tonight.

:00:30.:00:31.

You, the viewers, are being joined here in the studio

:00:32.:00:36.

by an audience from Morpeth School from Tower Hamlets in London.

:00:37.:00:39.

This is a show that deals with strong emotions,

:00:40.:00:41.

and there's some strong language in there as well.

:00:42.:00:45.

Snap it out. Go. One more. Yes, yes. One more, go, go, go. Jab. Let's go.

:00:46.:00:56.

One, two. Focus, everyone, focus. Mum, I'm

:00:57.:01:10.

thinking of taking up a new sport. Something new. Something exciting.

:01:11.:01:21.

I'm thinking of... Boxing. No, I won't get hurt. No I won't get hurt.

:01:22.:01:28.

It's amateur boxing. And there are all smaller than me. OK, they're not

:01:29.:01:33.

smaller than me but I'm a lightweight. I am not a lightweight.

:01:34.:01:38.

It's a lightweight group, because we are all small. So, no-one really

:01:39.:01:44.

gets hurt. OK, there might be some small injuries. Like a broken nose

:01:45.:01:49.

or a splintered wrist. Nothing major. Nothing to worry about. I

:01:50.:01:59.

live. When you look at the earth, it's just rock. But how these rocks

:02:00.:02:04.

change over time, it captures our history, who we are and where we

:02:05.:02:09.

come from. All that information and in the rock, they are not even

:02:10.:02:14.

living things but they are solid. And they will always be there. If

:02:15.:02:19.

nothing else will. We can learn about anything, anything at all. The

:02:20.:02:23.

star, the moon, the sky, space, or underwater. We can look the a fish

:02:24.:02:26.

and fossils, we can learn things, make things better. It's trying to

:02:27.:02:35.

tell us, the Earth, it is seeing things, it's trying to tell us how

:02:36.:02:41.

we change, be better. It wants us to listen. I'm listening. Whos is

:02:42.:02:54.

listening to me. Yeah, I got on the bus and getting the bus. I wasn't

:02:55.:02:59.

sure if I wanted to G the bus took the same route, down the same

:03:00.:03:03.

street. The same street, street, the same people, fucking hell. Have I?

:03:04.:03:11.

Have I been here? Have I been here before? The bus goes round and then

:03:12.:03:22.

I'm back. Back to BG 3, where I live. This is where I live and this

:03:23.:03:27.

is my street and this is my door. My door is white and my curtains are

:03:28.:03:31.

black. Well, they are not black, just a bit - grey, because, well, my

:03:32.:03:38.

mum, well, she just hasn't changed them in since like, forever. I'm

:03:39.:03:44.

just sick of staring at those same old curtains and sometimes,

:03:45.:03:48.

sometimes I just wish, I just wish she'd get some fucking new ones.

:03:49.:03:53.

Mum, mum, get some fucking new curtains, will you? Do you know how

:03:54.:03:58.

old these are? Do you know how long I've been staring at these same old,

:03:59.:04:03.

same old curtains, oh my God. And they are polyester. Polyester! Let's

:04:04.:04:12.

open the windows. Maybe. Open a bloody window. Will you go and open

:04:13.:04:14.

it? Will you? Maybe I will. bloody window. Will you go and open

:04:15.:04:28.

I'll do it myself. Jab, straut punch. ALL TALK AT ONCE Feet

:04:29.:04:36.

shoulder width apart. One in front of the other.

:04:37.:04:40.

ALL TALK AT ONCE Moving around. Using your feet. Use your head. It's

:04:41.:04:43.

more like Using your feet. Use your head. It's

:04:44.:04:47.

mine had to keep looking behind her Using your feet. Use your head. It's

:04:48.:04:48.

back to make sure her Using your feet. Use your head. It's

:04:49.:04:52.

wasn't following the taxi we were in because Because he wasn't supposed

:04:53.:04:58.

to know she was out. And if he found out he would make her life shit.

:04:59.:05:01.

Another close friend of mine had out he would make her life shit.

:05:02.:05:10.

to her dad she was getting close to a guy friend. They chose to believe

:05:11.:05:15.

the others and not her Another was kicked out of her house because

:05:16.:05:19.

someone posted photos of her through the letterbox. Snoos that he That's

:05:20.:05:25.

family. Everyone is watching you. Community, know everything about

:05:26.:05:31.

you. Friends. A friend that works at the local shop where your mum gets

:05:32.:05:34.

the grossries. Or the taxi driver that lives at the top of your road.

:05:35.:05:39.

He goes - I know your dad. This and, that you know, I know your dad. So

:05:40.:05:42.

He goes - I know your dad. This and, what you know my dad? We stay clear

:05:43.:05:46.

of places around town. We watch where we eat, where we meet. We

:05:47.:05:48.

watch where he hang out. where we eat, where we meet. We

:05:49.:05:52.

we've evolved into this, into this being, like this collective

:05:53.:05:56.

consciousness of beings that react We talk, we wear what we want. We

:05:57.:06:01.

eat how we likes when we want, how we want! We watch. We watch

:06:02.:06:06.

everything we do and we can do It we can do it better, faster and

:06:07.:06:07.

stronger. It is not like we are even can do it better, faster and

:06:08.:06:11.

doing anything wrong. Sometimes we are just being ourselves And you

:06:12.:06:16.

talk behind our backs, you talk down at us. We can't even speak. We can't

:06:17.:06:21.

speak truth. Who's truth? Mine, yours, theirs? I get confused How

:06:22.:06:25.

can we be truthful if we are yours, theirs? I get confused How

:06:26.:06:31.

How can we be honest if you can't see our minds? How can we be

:06:32.:06:36.

truthful if we have to hide out of shame. Get in your car after a night

:06:37.:06:41.

out. It is not true. Watching your back because you think someone might

:06:42.:06:44.

be following you. Someone might be following you, trying to catch you

:06:45.:06:49.

out. Trying to watch you being used so they can report back, report back

:06:50.:06:52.

home, tell your mum, tell your dad that you have been up to no good,

:06:53.:06:56.

you have been sneaking around having a good time Having a good time. Yeah

:06:57.:07:02.

had a good time. I had a bloody good time. It's a night out. It's just A

:07:03.:07:07.

night. Fwrends. Don't discuss it. I was with the girls. With the girls

:07:08.:07:12.

My girls. I'm having a good time with my girls. I'm in the going to

:07:13.:07:17.

hide from you. Did I tell you about the good time I had? What will her

:07:18.:07:23.

parents think? I don't know, I had a good time will her dad say I don't

:07:24.:07:27.

care I'll tell her dad. Go on Tell my dad. My dad doesn't care and mum

:07:28.:07:33.

doesn't mind. What has it to do with you Make her feel insignificant? Who

:07:34.:07:37.

do you think you are. Who do they think they are? Is that a new car.

:07:38.:07:42.

Who do they think they are? Shame on your family. Did you see the car?

:07:43.:07:48.

Are they new carpets. Shame How often do you pray? Why don't you

:07:49.:07:54.

care a headscarf? Did you cut your toenails today. Tell you what...

:07:55.:08:01.

Tomorrow when I wake up, I'll put on my shoes, tracky bottoms and hooded

:08:02.:08:05.

top and I won't mind. At 6.00am I'll go for a jog, a run, I'll mean t

:08:06.:08:11.

harder than I have ever meant anything before because... It means

:08:12.:08:17.

more to me. When I'm a fighter, I'm fit and no-one can touch me. Yes,

:08:18.:08:23.

I'm in my gym kit. This is what I have to wear. Is it embarrassing

:08:24.:08:27.

you? Are you embarrassed? Am I? Embarsing you? Well, I'm in the

:08:28.:08:33.

embarrassed. I'm just being me. My mum doesn't mind. My dad doesn't

:08:34.:08:38.

care. They are cool with it. Why why aren't you? Who are you anyway? Who

:08:39.:08:46.

cares what you say? Talking behind your windscreen, behind my back,

:08:47.:08:50.

telling people I'm no good. I'm good. I'm bloody good. I'm the best

:08:51.:08:57.

and I can be. I can be better. I'll show you. I'm here. Aren't I? Still

:08:58.:09:06.

here. Standing. Well, come on then. What have you got? What have you

:09:07.:09:18.

got? The aggression in bags. You can hit him if you want. Get some power

:09:19.:09:24.

behind the shocks. Get the kicks into it. Come on, get a little bit

:09:25.:09:30.

busy girls. You are not busy enough. That's it. Girls, you have got to

:09:31.:09:36.

remember to keep the hands up. That bag is not hitting you back. Don't

:09:37.:09:38.

drop them. And time. HEAVY BREATHING

:09:39.:10:14.

I love my mum. And I love my dad. I want them to be happy. I'm happy

:10:15.:10:23.

because they are happy. That's it. I've met someone. Mum says I should

:10:24.:10:32.

meet someone. He is not that old. He's got a good job, they say. His

:10:33.:10:43.

mum is nice. His dad's nice, too. And it'll be fun. We'll do stick

:10:44.:10:50.

dancing and henna the night before party. My cousin also come and my

:10:51.:10:54.

grandmother from Pakistan. She's old but she'll come. And - then what?

:10:55.:11:01.

We'll go away. And stay somewhere nice. Together. Husband and wife.

:11:02.:11:17.

And I'll do things. He'll work and I'll be just like doing other

:11:18.:11:23.

things. I've met the guy. I have seen him. He's all right. My dad

:11:24.:11:35.

knows. My mum knows, too. I know. It's the right thing to do. He's

:11:36.:11:47.

into engineering. No, I'm not going to miss university. No, I'm not

:11:48.:11:51.

going to miss making music. No, I'm not good, not that good, how could I

:11:52.:11:57.

be? I failed physics. I didn't pass my other exams. They said I was

:11:58.:12:03.

good. It's a waste of time anyway. It's a waste because I've got other

:12:04.:12:08.

commitments, dad says. He says there are other things out there. More

:12:09.:12:16.

important things. He says I'll understand. It'll be worth it. And I

:12:17.:12:24.

do understand. Who needs science anyway? I don't. I'm getting

:12:25.:12:28.

married. There's going to be a wedding. Bright lights, big music

:12:29.:12:32.

and all the girls will be there. We'll sing. There's always singing

:12:33.:12:37.

and colours and food. Lots of food. I love food. I love my mum. I love

:12:38.:12:55.

my dad, too. You'll see. We just want to be. Gentleman feel

:12:56.:12:58.

something. We just want to. Live a little. We just want to. Get out a

:12:59.:13:03.

bi. See the world Ask some questions. Do you know what I mean.

:13:04.:13:07.

We can't stay here We are 16. We spend our own money. We can discover

:13:08.:13:12.

you cities, explore new people, make new connections. We want to get out

:13:13.:13:16.

and see the world inr. Open doors and see what is there.

:13:17.:13:24.

and see the world inr. Open doors anything. We want to... Breathe. Why

:13:25.:13:29.

can't we? We get it. We want to be understood. Otherwise, it is not

:13:30.:13:33.

right, is it? Who are we anyway? Not how we should be. We are sick of it

:13:34.:13:39.

being ignored Being indoors. There are rules but... We want to do well

:13:40.:13:44.

in our studies so we can get out. We don't want to do boring 9-5. 12450

:13:45.:13:49.

we don't want to be cruel. We want to be ourselves. We don't want to

:13:50.:13:53.

settle We want to be free. We could be boxers. Girl boxers. Get our

:13:54.:13:57.

anger out, get our aggression out. Learn something, be somebody.

:13:58.:14:06.

more. You are doing. You are thinking. It is not like ballet or

:14:07.:15:11.

karate. Or when you wanted to be a doctor. This is real. It

:15:12.:15:14.

karate. Or when you wanted to be a as you can get. You are brave,

:15:15.:15:17.

you're excited, you want to leave your room, you want to go down the

:15:18.:15:24.

street and however one, you are a fighter. You are smart, use your

:15:25.:15:28.

brain as well as your fists. You duck and you punch and then you are

:15:29.:15:33.

wondering, what will she do next? Will she go left or right? Is she

:15:34.:15:35.

backing out? Is she backing out? Will she go left or right? Is she

:15:36.:15:42.

can smell the fear. She is backing out. She is backing out! You get one

:15:43.:15:48.

right square in the jaw. It hurts, it hurts, you pitch.

:15:49.:15:50.

right square in the jaw. It hurts, you scream. She looks scared, she

:15:51.:15:59.

looks terrified. You can see she is sweating. Spit hanging from her

:16:00.:16:05.

mouth guard. It is disgusting. She blocks it. You go again, you go

:16:06.:16:11.

again. She has fallen to the floor and she's just laying there and you

:16:12.:16:16.

are thinking, what on earth has happened to you? And then the bell

:16:17.:16:20.

goes and you feel sorry for her, for a minute. RU OK? You say. Then you

:16:21.:16:30.

realise you have still got your gumshield in and she cannot

:16:31.:16:37.

understand you. You take it out and help her up. Are you all right? You

:16:38.:16:44.

hug it out. For a minute, you did not know your own strength. For a

:16:45.:16:49.

minute you could have hurt someone. You think about it, you all right, I

:16:50.:16:56.

am all right. You can take it, I can take it. Today I saw someone

:16:57.:17:01.

fighting for what they believed in and it made me see.

:17:02.:17:41.

Rushes from my chest into my arms. My face gets hot. My legs are

:17:42.:17:55.

shaking. It's starting. I try to calm down. Hold her! They are

:17:56.:18:06.

kicking still, just going mad. I want to scream as well but I don't.

:18:07.:18:10.

I don't say a word. Get it together. I'm strong. Watch. You can't hurt

:18:11.:18:41.

me. Kick me, punch me, go on, swear! You can't do nothing. This isn't a

:18:42.:18:46.

real fight. There is a much bigger fight, something really worth

:18:47.:18:49.

fighting for out there in the real world, and you, in the playground,

:18:50.:18:56.

in the playground on my street! Kicking, punching, screaming,

:18:57.:19:02.

swearing! What are you going to do? Identity of a fuck about you! -- I

:19:03.:19:07.

don't give a fuck about you! Do you know what is going on? Have

:19:08.:19:25.

you seen it on TV? Have you heard it on the news? In Gaza?

:19:26.:19:34.

People are actually dying. Children are dying. On the streets, on

:19:35.:19:53.

beaches, in front of our eyes, lying on the streets after explosions,

:19:54.:20:02.

invasions. Occupations. It is our generation which is supposed to be

:20:03.:20:08.

changing. Then why is there no one stepping up? Why is no one helping?

:20:09.:20:13.

People should know what is going on out there. We have all got reasons

:20:14.:20:18.

to be here. We are lucky. Girls out there running for their lives.

:20:19.:20:25.

Overcome your challenges. They are overcoming challenges every single

:20:26.:20:29.

day. But then you missed the point. Just missed the point sometimes. It

:20:30.:20:35.

is hard when you don't have someone loving you, supporting you, holding

:20:36.:20:40.

your hand. It is hard when you don't have someone who believes in you.

:20:41.:20:44.

Even if you are not together all of the time and you cannot see them,

:20:45.:20:49.

but you can feel they are there. It matters. It carries you. You feel

:20:50.:20:55.

lighter. A weight off your shoulders. And you don't need to

:20:56.:21:01.

look behind you all watch your back. You don't need to hide or steal. You

:21:02.:21:06.

don't even need to borrow because this time is yours. You can do what

:21:07.:21:11.

you like with it. You can make it your own and you can be free. You

:21:12.:21:16.

don't owe anyone and no one knows you. But you are not worried any

:21:17.:21:20.

more. It is dealt with now and your calm and your cool, and you just get

:21:21.:21:29.

it. You're in control. You are in charge and... It is OK. It is

:21:30.:21:38.

located just be. And I am not going to apologise. I'm going to crowd

:21:39.:21:44.

surf now. Can you gather round? I need people to catch me.

:21:45.:22:05.

I came here and I thought to myself, what do I want? What do I really

:22:06.:23:15.

want? What do I need. But then I thought about it, I decided, you are

:23:16.:23:28.

16 for fuck's fake. Take your time. Take your time. People will get it,

:23:29.:23:33.

they will understand. Ayr I'm not going to make it up for fuck's

:23:34.:23:39.

fake. It is my life. You will work it out. People are listening now.

:23:40.:23:48.

Your parents understand. Understanding is important.

:23:49.:23:54.

Your parents understand. find someone. When you are ready. In

:23:55.:24:00.

my own time and my own space. Now it is like, I want my daughter to be

:24:01.:24:06.

like you. Thanks, Andy, that means a lot. Thank you. And really, if you

:24:07.:24:11.

really, really think about it, I am free. Free to be. Free to be me.

:24:12.:24:28.

Girls! Like your life depends on it, as if there is no tomorrow. There is

:24:29.:24:37.

no tomorrow. Tomorrow is today. It is happening now, before your eyes.

:24:38.:24:43.

Does depend on it, your life. It does. Every time you do something.

:24:44.:24:48.

Every time you throw a punch. Every time you go to school. This is it

:24:49.:24:56.

now. This one punch could end it. It all. This could change your life.

:24:57.:25:04.

You want your life life changing. The future. You want to be

:25:05.:25:07.

ambitious. Your future, your life. The future. You want to be

:25:08.:25:14.

The future is today. Never be ashamed, never give up. Never let

:25:15.:25:19.

anyone tell you you are not good enough. Because you are already good

:25:20.:25:26.

enough. You already are. Don't change that. Feel your arms, feel

:25:27.:25:33.

your legs. Feel your face. It is going to be hard, it is going to be

:25:34.:25:39.

very hard. It matters, it is important. You think, am I going to

:25:40.:25:44.

get through this? And am I going to make it? You are. Don't be afraid

:25:45.:25:50.

because you are not giving up. Don't give up. Be brave, beyond fire.

:25:51.:25:58.

You're thinking, feeling. Now you're feeling. That feels good. Person

:25:59.:26:08.

hears you, believes in you. It makes the world a difference to live in.

:26:09.:26:14.

It all makes sense now. You want to live now. You want to live. Now,

:26:15.:26:19.

let's go, let's go now. live now. You want to live. Now,

:26:20.:26:26.

happening. Here today. Here live now. You want to live. Now,

:26:27.:26:29.

now. We are doing it our way in our time. Like us, breathe and B. Like

:26:30.:26:42.

us. I am exhausted. I am tired. It hurts. My arms and my legs. I

:26:43.:26:47.

us. I am exhausted. I am tired. It I might cry. Work harder. Try

:26:48.:26:56.

harder. Harder than before, harder. It means... Never give up.

:26:57.:27:02.

harder. Harder than before, harder. important. Now someone is listening.

:27:03.:27:04.

Someone is there. important. Now someone is listening.

:27:05.:27:11.

me. Like people, like ours. important. Now someone is listening.

:27:12.:27:18.

like us. People like us who just... Just like... Just like me. No guts,

:27:19.:27:25.

no heart. Sir Ayr no heart, no glory. No guts, no heart, no glory.

:27:26.:27:37.

And how do you feel when you box? When I box I feel free like I can do

:27:38.:27:41.

CHEERING APPLAUSE

:27:42.:27:57.

If you've just joined us, we're in the BBC's former TV factory,

:27:58.:28:02.

Television Centre, for an evening of live

:28:03.:28:04.

theatre by some of today's most inventive theatre makers.

:28:05.:28:06.

Tonight has been produced by Battersea Arts Centre,

:28:07.:28:08.

which encourages independent theatre makers to test out new ideas.

:28:09.:28:11.

In theatreland the process is called scratch, and aims to get

:28:12.:28:14.

feedback from the audience, normally just sat in the theatre.

:28:15.:28:17.

But tonight from all of you watching,

:28:18.:28:20.

from wherever you are, and we would love to hear you.

:28:21.:28:24.

Here's the hashtags and Twitter handles.

:28:25.:28:26.

So we've moved deeper into the historic Television Studios.

:28:27.:28:29.

We're heading for the old prop store.

:28:30.:28:33.

It's from here we're going to watch the final performance tonight

:28:34.:28:36.

and thanks to a commission from Unlimited, a funding programme

:28:37.:28:44.

for disabled artists, she took her theatre show

:28:45.:28:46.

Backstage in Biscuit Land to the Edinburgh Fringe where it was a hit

:28:47.:28:50.

So here's Broadcast from Biscuit Land.

:28:51.:28:54.

with potentially strong language from the start.

:28:55.:29:02.

Hi, I'm Jess. I'm a writer, artist and part time superhero.

:29:03.:29:11.

I also have Tourette's Syndrome, which means I make movements

:29:12.:29:15.

and noises I can't control called tics.

:29:16.:29:21.

Chopin doesn't say biscuit very much, or bite her own arm

:29:22.:29:40.

She's here to help me out when I need it,

:29:41.:29:43.

and she's going to do her very best to keep us both on track.

:29:44.:29:49.

Welcome to our broadcast from Biscuit Land!

:29:50.:30:00.

So, I've been asked to close tonight's celebration of live

:30:01.:30:09.

theatre from Television Centre with an all singing, all dancing,

:30:10.:30:12.

And for that to make even a bit of sense,

:30:13.:30:20.

When I'm not showing people round Biscuit Land or

:30:21.:30:25.

I love you lampposts. Get a job ramp posts. Get a solar panel, lampposts.

:30:26.:30:38.

OK let's not get distracted by lampposts.

:30:39.:30:38.

I work full time at Children's play project in London.

:30:39.:30:41.

I live in a converted pub in Peckham affectionately known as The Castle.

:30:42.:30:44.

And rumour has it Engelbert Humperdinck used to

:30:45.:30:46.

There are three things you need to know straight away.

:30:47.:30:51.

Biscuits. I love cats. Not one of them. Biscuits. I hate cats.

:30:52.:31:05.

Biscuits. Firstly you are going to hear biscuit and cats a lot in the

:31:06.:31:07.

next half hour. Secondly, if I say something funny

:31:08.:31:10.

you're absolutely allowed to laugh. In fact I'll be a bit offended

:31:11.:31:13.

if you don't! Finally, several times a day my tics

:31:14.:31:15.

intensify to a point where I completely lose control of my body

:31:16.:31:18.

and speech. look seizure-like

:31:19.:31:20.

and need similar management. If Jess has a fit during the show

:31:21.:31:33.

she'll go off set As an acrobatic dinosaur. Best of

:31:34.:31:48.

luck with that. We don't have the costume.

:31:49.:31:49.

You'll know something's gone wrong because you'll see this...

:31:50.:31:55.

neurologically incapable of staying on script.

:31:56.:32:03.

So a lot of Biscuit, hedgehog, biscuit. what

:32:04.:32:09.

While spontaneity's great for live theatre,

:32:10.:32:13.

it tends to make TV people very nervous.

:32:14.:32:16.

the risk assessment for our grand finale went a bit off track.

:32:17.:32:27.

Biscuit, hedgehog, biscuit. Thanks for doing this. It won't take long.

:32:28.:32:33.

In fact we don't have long but everyone always says no to anything

:32:34.:32:40.

here? Will there be any use of dust? Dung re's fart. Will anyone be

:32:41.:32:45.

falling? Willows will fall in the woods but no-one will hear them

:32:46.:32:49.

screen. If anyone would fall, what on to? Poisoned arrows. Lasers. No

:32:50.:32:56.

lasers. Battery acid. Any use thereof of the No batteries, except

:32:57.:33:00.

the Darrel he can. There is a Darrel he can? No, yes, it is very

:33:01.:33:03.

dangerous. Biscuit. It has a sports bra. Biscuit. We have looked it it,

:33:04.:33:12.

it is fine. It is a pretend Darlek I love cats, Alan. Can we move on to

:33:13.:33:18.

balloons? Bang. If I can ask to you sign off there. OK. No. I love T we

:33:19.:33:27.

have never considered a pen one of the hazardous objects before. Fuck

:33:28.:33:28.

it. Biscuit. While Tourette's is the only

:33:29.:33:30.

superpower I'll ever need, it's also one of the most

:33:31.:33:33.

frequently misunderstood but most of what they know is

:33:34.:33:37.

based on myths and stereotypes. Let's get some of these

:33:38.:33:42.

out of the way now. In fact only 10% of people with

:33:43.:33:46.

Tourette's have obscene tics. I am one of them,

:33:47.:34:03.

but even so, I'm as likely to shout about domestic appliances,

:34:04.:34:07.

dinosaurs or B-list celebrities, It's estimated to

:34:08.:34:08.

affect 300,000 people in the UK. Biscuit. And eight penguins. Not

:34:09.:34:23.

strictly true. But it's on a spectrum so it affects

:34:24.:34:28.

each person differently. Some people's tics are barely

:34:29.:34:32.

noticeable, like mine! While others behave in a way that

:34:33.:34:38.

makes them stand out. It isn't simply

:34:39.:34:42.

"saying what's on your mind." I don't think about biscuits

:34:43.:34:53.

nearly as much as I talk about them. It's a neurological condition not

:34:54.:34:56.

a mental health disorder bad parenting,

:34:57.:34:58.

nervousness or demonic possession. occasionally obscene verbal

:34:59.:35:01.

ejaculations and gestures. There may a be witty, innovatory,

:35:02.:35:08.

phantasmagoric picture, with mimicry, antics,

:35:09.:35:11.

and playfulness." As a child they were much less

:35:12.:35:16.

noticeable. The earliest thing

:35:17.:35:27.

I can identify was a simple squeak. The observant amongst you will've

:35:28.:35:32.

noticed two types of tic: vocal, involuntary noises,

:35:33.:35:38.

and motor, involuntary movements. Tics will feel slightly different to

:35:39.:35:40.

each person with Tourette's. Mine create a whole

:35:41.:35:47.

range of sensations. Like a moose massaging a pea. Not

:35:48.:35:57.

exactly like that. Hedgehog, biscuit. I remember a lovely

:35:58.:36:08.

conversation with a child at work. We were sitting in the garden

:36:09.:36:13.

near the pond. patches of sunlight made their way

:36:14.:36:15.

through the leaves. Together we were

:36:16.:36:20.

looking at the water, discussing what might

:36:21.:36:23.

live beneath the surface. I'd explained Tourette's to

:36:24.:36:25.

her before, so I asked what her body did

:36:26.:36:26.

all the time without her noticing. She couldn't think of anything

:36:27.:36:32.

so I pointed out how she blinked. She laughed and said,

:36:33.:36:36.

"If I don't blink it hurts! I said, "That's a bit like how

:36:37.:36:38.

it feels for me She suggested we had a

:36:39.:36:42.

"no blinking competition", carefully pointing out that

:36:43.:36:47.

biscuits were OK. We sat on the grass next to the pond

:36:48.:36:51.

and stared at each other. By my early Biscuit. twenties,

:36:52.:36:57.

my tics had become harder to ignore. Other people didn't mention it

:36:58.:37:07.

though, and I found it difficult to

:37:08.:37:10.

talk about without tears. But five years ago

:37:11.:37:12.

they increased to the point where I had to move home and start using

:37:13.:37:15.

a wheelchair just to stay safe. And when my "fits" became

:37:16.:37:18.

an everyday reality I realised it was time to stop ignoring my tics,

:37:19.:37:23.

and turn my problem into my power. Because I can have a fit any time,

:37:24.:37:27.

including when I'm asleep, a different support worker stays

:37:28.:37:33.

with me every night. There are a lot of toothbrushes

:37:34.:37:35.

in my bathroom! This idea took root and transformed

:37:36.:37:38.

how I thought about my life. The first time he supported me

:37:39.:37:59.

I had a fit in the bathroom. Because my head was

:38:00.:38:07.

next to the toilet I love you, u-bend, I hate you

:38:08.:38:17.

u-bend. You don't have to take that shit, u-bend. Hedgehog, oh,

:38:18.:38:20.

lactating. Not a breast pump. I could tell from how

:38:21.:38:26.

much this made him I'm a backwards Darlek. At least

:38:27.:38:39.

that's appropriate. Bloody breast pump Biscuit, hedgehog.

:38:40.:38:41.

If I have a fit on her watch she gets into bed

:38:42.:38:45.

She's the first person I spoke to about Tourette's in detail.

:38:46.:38:53.

thinks she's won a prize every time she hears my emergency buzzer.

:38:54.:39:03.

She's my real sister but she's not really fat.

:39:04.:39:11.

That's a ticced name that stuck years ago when she was on a diet.

:39:12.:39:17.

I'm particularly fond of Fat Sister's laidback,

:39:18.:39:24.

occasionally haphazard, approach to my care.

:39:25.:39:26.

She says because she's my sister she's not bound by the usual

:39:27.:39:29.

conventions of good support work practice.

:39:30.:39:35.

She's the first other person with Tourette's I ever met.

:39:36.:39:44.

Meeting Ruth made me much more accepting of myself.

:39:45.:39:46.

I realised I'd never expect her to hold her tics in

:39:47.:39:49.

But none of this support would be possible without

:39:50.:39:55.

That's the NHS, my Disability Living Allowance, Access to Work

:39:56.:40:04.

Asking for help isn't a sign of weakness,

:40:05.:40:11.

it's a sign of openness and knowing what I need.

:40:12.:40:16.

Talking of need Chopin, I need a wee!

:40:17.:40:18.

Er, you do know this is live, don't you?

:40:19.:40:20.

Hedgehog. Cats. Be bloody kick, OK. I always leave it to late. There is

:40:21.:40:40.

somebody in there. I really need to go Who is in the accessible toilet

:40:41.:40:46.

today. Sharon Stone. Nicholas hind Hurst. Aladdin.

:40:47.:40:52.

# I can show you the world# Fore Amos. The whole of a marching

:40:53.:40:59.

band. The semen of a antelope. Let's in the talk about semen again. David

:41:00.:41:05.

Cameron. Definitely not. Come on, come on. Oh, hello. Oh, sorry, there

:41:06.:41:15.

was no-one in there, so I thought it was all right to go in. Very

:41:16.:41:19.

accessible in there. I have seen a lot of accessible toilets. This is

:41:20.:41:22.

one of the most accessible I have been N don't go in there for a

:41:23.:41:27.

couple of minutes. It wasn't me, it was the previous person. All right

:41:28.:41:31.

see, see you, bye. Oh, please, not you as well. Yikes!

:41:32.:41:39.

Weird. Why does everyone think it is OK to use the accessible toilet. I'm

:41:40.:42:02.

afraid there is someone in there. Exterminate, exterminate.

:42:03.:42:03.

Exterminate. Evacuate. Yes, that's right,

:42:04.:42:20.

she just said "piss". But we did a warning

:42:21.:42:22.

before the programme We're allowed seven "wankers,"

:42:23.:42:24.

two "bastards" and a "shit". Jess, Jess, can I come in? You

:42:25.:42:39.

didn't mention at any point about getting a Darlek, did you? Bloody

:42:40.:42:42.

hell, that was strange. OK. Get into your monologue

:42:43.:43:06.

position. I'm going to talk about an

:43:07.:43:08.

experience at the theatre from 2011. I'd heard Mark Thomas was

:43:09.:43:12.

doing a show called Extreme Rambling

:43:13.:43:14.

at the Tricycle Theatre in London. Loads of friends had talked about it

:43:15.:43:16.

so I was really keen to see it. At that point I hadn't been to the

:43:17.:43:20.

theatre for several years. I'd had some upsetting conversations

:43:21.:43:22.

about my right to see stuff over other people's right not

:43:23.:43:25.

to be interrupted. But it felt right to see

:43:26.:43:27.

Extreme Rambling because it was about something I was interested

:43:28.:43:30.

in - Mark Thomas walking the Loads of thought

:43:31.:43:32.

and planning went into our trip. I got in touch with Mark by email,

:43:33.:43:36.

I spoke to the theatre, and I went with two people I know

:43:37.:43:39.

very well, Leftwing Idiot and Poppy. so he had a chance to see

:43:40.:43:42.

what my tics were like. I was still walking at the time

:43:43.:43:46.

but was very wobbly and needed help. At the start of the show Mark

:43:47.:43:50.

introduced me and let the audience know I'd

:43:51.:43:52.

be making noise. The first half was fantastic

:43:53.:43:54.

and completely absorbing. Then in the interval the Biscuit.

:43:55.:43:56.

front of house manager came and "We've had some complaints

:43:57.:44:00.

about the noises you've been making and people are threatening not

:44:01.:44:02.

to come back unless you move, so you know, would you move to the sound

:44:03.:44:06.

booth at the side of the stage?" He was careful to point out

:44:07.:44:10.

I didn't have to, but at that point I felt if people are complaining

:44:11.:44:15.

about me they don't want I knew I wouldn't be able to

:44:16.:44:18.

concentrate because I'd know I was unwelcome

:44:19.:44:22.

and being judged. My only option, having had that

:44:23.:44:26.

conversation, was to move. So Poppy, Leftwing Idiot

:44:27.:44:28.

and I got up. We were taken backstage through a

:44:29.:44:32.

narrow corridor to the sound booth. Mark was getting ready to do

:44:33.:44:37.

the second half and was clearly uncomfortable with

:44:38.:44:40.

what was happening. Because it was visible

:44:41.:44:42.

from the stalls it had slatted blinds like the type you

:44:43.:44:52.

get in offices. I could see Leftwing Idiot was

:44:53.:44:53.

really tense. We'd paid for the tickets

:44:54.:44:57.

and the view well we couldn't really see

:44:58.:45:01.

what was happening. We were surrounded by equipment

:45:02.:45:02.

and I thought, 'Oh God, I could really muck things

:45:03.:45:06.

up if I press anything!' The sound technician, who must've

:45:07.:45:09.

seen the show 100 times, She moved up and we sat

:45:10.:45:13.

on an assortment of computer chairs. We were watching something

:45:14.:45:18.

about segregation, about separation, and I wasn't welcome to watch it

:45:19.:45:25.

with other people. The show started again and I sobbed.

:45:26.:45:27.

I absolutely sobbed. I couldn't concentrate on what

:45:28.:45:37.

Mark was saying because I felt utterly, utterly

:45:38.:45:39.

humiliated, embarrassed and alone. I wanted to leave straight away

:45:40.:45:43.

and never come back. It felt like an experience

:45:44.:45:49.

I could not or should not access It didn't just

:45:50.:45:52.

speak about the theatre - it was about everything, like,

:45:53.:45:55.

"You don't have the right to be in public space

:45:56.:45:57.

in the same way as anyone else - your experiences can only happen if

:45:58.:46:00.

they don't impact on other people." Later that evening

:46:01.:46:06.

I looked on Twitter, and I found a really nasty

:46:07.:46:09.

Tweet by a woman who'd been there. "Went to political comedy thing

:46:10.:46:14.

tonight, might have learnt something but for Tourette's person shouting,

:46:15.:46:18.

Fuck you, Merry Christmas." Jess, look what's turned

:46:19.:46:21.

up in our dressing room! It's a giant

:46:22.:46:27.

biscuit for our grand finale! Oh yeah,

:46:28.:46:31.

we'd better start getting ready. Hello, biscuits. I guess we have

:46:32.:47:03.

done the bit about the... Bears? We like bears. Allen during? We have

:47:04.:47:14.

done the cantilever bridge mass debating scene? The horrible Tory

:47:15.:47:19.

government? Salad dressing? That is always nice to get a shout out to

:47:20.:47:28.

salad dressing. I love peas. We have done the cantilever bridge scene?

:47:29.:47:33.

The milk of magnesia Yassin? We have done the toothbrush seen for

:47:34.:47:41.

definite. We have just grown a whole forest. That is nice. The thought

:47:42.:47:45.

police forest. That is nice. The thought

:47:46.:48:07.

better than a sandy dog. Why? Because it is edible. You know

:48:08.:48:18.

Fred? Yes. I love him. How long has it been going on with Fred? Nine

:48:19.:48:27.

days and four weeks. Let's not bring my mum into this. Mummy's tips. We

:48:28.:48:40.

have not mentioned how we first met. You should go and get ready. I will

:48:41.:48:45.

see you out there. Biscuit! A few years ago I was in an X-rated

:48:46.:48:51.

version of Beauty the Beast at the Young Vic

:48:52.:48:55.

theatre in London. Towards the end of the run

:48:56.:48:56.

we had a relaxed performance. "Especially for audience members who

:48:57.:48:59.

find it difficult to observe the regular rules of theatre

:49:00.:49:03.

etiquette, those with a learning difficulty, Autism

:49:04.:49:06.

or for people who may make noises." This was the show Jess

:49:07.:49:10.

and Leftwing Idiot came to see. I knew Jess was coming

:49:11.:49:14.

but this was before I'd met her. As we waited in the wings

:49:15.:49:18.

we could hear her tics; During the show I remember hearing

:49:19.:49:21.

"duck egg" There's a bit where Beast is lying,

:49:22.:49:30.

possibly dead, on the floor and the two puppeteers -

:49:31.:49:37.

myself and Jonny - are looking at each other, it's a

:49:38.:49:42.

very tender, suspended moment. Then Jess tics

:49:43.:49:46.

"Keith Chegwin is dead!" I just looked dead. This is so

:49:47.:49:57.

surreal! Afterwards we all agreed it was

:49:58.:50:01.

probably one of the best performances we'd done because we

:50:02.:50:04.

had to really listen to each other. And the whole audience was having

:50:05.:50:07.

a totally different experience too. If they found something funny

:50:08.:50:11.

they really laughed, and we got all this clapping and cheering

:50:12.:50:13.

in places we'd never had it before. After the show I met Jess

:50:14.:50:18.

and Leftwing Idiot for a drink. While we were getting to know

:50:19.:50:25.

each other a woman made a beeline for Jess and said, "I have

:50:26.:50:28.

to thank you, I have to thank you. Throughout the show you were saying

:50:29.:50:32.

'Alan'." She said a few years back she'd

:50:33.:50:33.

fallen in love with a man called Alan and shortly afterwards

:50:34.:50:37.

he was diagnosed with terminal cancer

:50:38.:50:39.

and he didn't live much longer. This was the love of her life,

:50:40.:50:44.

in later life, and that night she'd come

:50:45.:50:51.

out to the theatre to see a story about love, and all the

:50:52.:50:55.

while Jess was saying, "Alan, Alan". And to her it was almost as

:50:56.:50:59.

if he was there, giving her permission to go out

:51:00.:51:02.

and fall in love again. It was such a profound and beautiful

:51:03.:51:07.

thing she shared with us - and in stark contrast to the reactions

:51:08.:51:11.

you might expect of an audience. It was a demonstration

:51:12.:51:17.

of the unexpected things that can come from a performance where

:51:18.:51:20.

everyone's welcome. Hello, my friends,

:51:21.:51:26.

this is it, we've made it. Welcome to the grand finale,

:51:27.:51:45.

our big ending, the crescendo! and hold tight as we go fast and

:51:46.:51:47.

loose into the mind of a mongoose. I'm Touretteshero, the world's first

:51:48.:51:52.

fully-fledged Tourette's superhero. And these guys?

:51:53.:51:57.

They're Jonny and the Baptists. I love snowflakes on the back

:51:58.:52:04.

of your hands, I love info-graphics,

:52:05.:52:08.

I love diagrams, I love fiends, I love, bears,

:52:09.:52:10.

I love Alan in socks, Shape-shifting robots, I love

:52:11.:52:13.

scattered stars! It's almost sickening how much

:52:14.:52:18.

she loves... So we know what you love,

:52:19.:52:55.

you love cats. That's easy Jonny,

:52:56.:52:59.

cats love biscuits! Bring on the biscuits, bring on the

:53:00.:53:02.

biscuits, bring on the biscuits! Bring on the biscuits, bring on the

:53:03.:53:05.

biscuits, bring on the biscuits now! Bring on the biscuits, bring on the

:53:06.:53:14.

biscuits, bring on the biscuits! Bring on the biscuits, bring on the

:53:15.:53:21.

biscuits, bring on the biscuits now! Bring on the biscuits,

:53:22.:53:39.

bring on the biscuits, Bring on the biscuits, bring on the

:53:40.:53:42.

biscuits, bring on the biscuits now! That's it my friends.

:53:43.:53:46.

We're out of time. I hope you've enjoyed being

:53:47.:53:52.

in Biscuit Land as much but if this show has one take

:53:53.:53:54.

home message it's... Love cats more than you love

:53:55.:54:10.

doorways! Never think about courage in a different universe. Art should

:54:11.:54:15.

be invested in with every fibre of your energy beam.

:54:16.:54:17.

We love Fountain pens in different hues!

:54:18.:55:03.

CHEERING This has been On Stage: Live

:55:04.:55:09.

from Television Centre - I hope you had as much fun as I did,

:55:10.:55:12.

watching Gecko, Richard DeDedomenici, Common

:55:13.:55:15.

Wealth and Touretteshero. You can catch all of these

:55:16.:55:17.

artists live on tour. meet some of the actors

:55:18.:55:20.

from Islington Community Theatre. They made a show here

:55:21.:55:27.

at Television Centre earlier called Brainstorm, and so if you've enjoyed

:55:28.:55:30.

this evening go straight to It's a group of teenagers

:55:31.:55:32.

exploring exactly what it's like inside an adolescent

:55:33.:55:37.

brain. From all of us here

:55:38.:55:43.

at Television Centre - good night.

:55:44.:55:47.

Download Subtitles

SRT

ASS