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APPLAUSE | 0:00:15 | 0:00:17 | |
Hello. | 0:00:34 | 0:00:35 | |
Well, here we are, then. | 0:00:35 | 0:00:37 | |
We made it. We're out of the house. | 0:00:37 | 0:00:40 | |
We said that's it, Tuesday night we're coming out. | 0:00:40 | 0:00:44 | |
We are not sitting in front of the television, | 0:00:44 | 0:00:47 | |
eating pizza straight out of the box. | 0:00:47 | 0:00:49 | |
Scraping bits of cold mozzarella cheese off the inside of the lid | 0:00:49 | 0:00:52 | |
two hours later and eating them. | 0:00:52 | 0:00:55 | |
We're coming out, we want glamour, glitter, excitement. | 0:00:55 | 0:00:59 | |
Well, we're here now, um... | 0:00:59 | 0:01:00 | |
Thank you very much for coming. Welcome to the beautiful, beautiful, | 0:01:02 | 0:01:05 | |
my favourite venue, the Royal Albert Hall. | 0:01:05 | 0:01:06 | |
I'm really, really pleased to be here. This is the third time that | 0:01:06 | 0:01:09 | |
I've played the Royal Albert Hall | 0:01:09 | 0:01:10 | |
and it's probably the last time I'll play it. | 0:01:10 | 0:01:12 | |
And when they asked me to come back again, I said, "Well, we'll have to | 0:01:12 | 0:01:15 | |
"have a set, because I have to have something between me | 0:01:15 | 0:01:18 | |
"and that huge organ, because it's very distracting." | 0:01:18 | 0:01:21 | |
So they've given me this, which I think is very nice. | 0:01:21 | 0:01:23 | |
It's been sent back twice because the lettering was wrong. | 0:01:23 | 0:01:26 | |
The first time the lettering was wrong, | 0:01:26 | 0:01:28 | |
the second time the spacing was wrong. | 0:01:28 | 0:01:30 | |
It said, "Victoria Wood: A Tit Again." | 0:01:30 | 0:01:32 | |
Anyway, so I'm really pleased to be here. | 0:01:39 | 0:01:41 | |
The woman that runs this place, she's really nice to me. | 0:01:41 | 0:01:43 | |
She said, when she knew I was coming back, she said, | 0:01:43 | 0:01:45 | |
"Do we need to make any special security arrangements? | 0:01:45 | 0:01:48 | |
"Are you likely to get mobbed?" | 0:01:48 | 0:01:49 | |
I said, "I don't think so." I said, "I do have fans, you know, | 0:01:49 | 0:01:51 | |
"but I don't have mad fans. I don't have people hanging around my house, | 0:01:51 | 0:01:54 | |
"trying to drink my bathwater or anything like that." | 0:01:54 | 0:01:57 | |
I said to the woman, I said, "You don't need to make any special arrangements for me." | 0:01:57 | 0:02:00 | |
I don't think of myself as any sort of celebrity. | 0:02:00 | 0:02:02 | |
You know, to me, celebrities are other people, | 0:02:02 | 0:02:05 | |
very showy-offy people who behave in a really bizarre way. | 0:02:05 | 0:02:07 | |
Like, they're always getting drunk and dancing naked on tables, | 0:02:07 | 0:02:10 | |
which I don't want to do. | 0:02:10 | 0:02:11 | |
Anyway, the tables of Pizza Hut are very wobbly. | 0:02:11 | 0:02:14 | |
But they always give their children really strange names, don't they? | 0:02:14 | 0:02:17 | |
They can't just call their babies things like Bob and Chris. | 0:02:17 | 0:02:20 | |
They have to be things like Mercedes and Rainforest. | 0:02:20 | 0:02:24 | |
You see, if I was a proper celebrity, I'd have to have at least four children. | 0:02:24 | 0:02:27 | |
One naturally, two adopted, one from sperm sent in by a well-wisher... | 0:02:27 | 0:02:32 | |
..and I'd call them Pinky, Perky, Monosodium Glutamate and Satsuma. | 0:02:34 | 0:02:36 | |
But the reason I had to cancel all my shows in the first place was | 0:02:39 | 0:02:41 | |
I had this lump. Well, I didn't know I had a lump, but in the end, | 0:02:41 | 0:02:44 | |
that's what it turned out to be. I had this lump. | 0:02:44 | 0:02:46 | |
And the Daily Mirror got hold of it. That was painful, in itself. | 0:02:46 | 0:02:48 | |
They did, they got hold of my lump and they put it all over | 0:02:49 | 0:02:51 | |
the front page of the Daily Mirror and I was so embarrassed. | 0:02:51 | 0:02:54 | |
They were desperate to get a story on me when I went into the hospital and I wouldn't let them have one. | 0:02:54 | 0:02:58 | |
So they sent two men into the hospital dressed as oil sheikhs | 0:02:58 | 0:03:02 | |
to try and get a story on me. | 0:03:02 | 0:03:03 | |
You know, which is stupid - they stood out a mile. | 0:03:03 | 0:03:06 | |
This was a gynaecology ward. | 0:03:06 | 0:03:07 | |
But when I first got something wrong with me, | 0:03:07 | 0:03:09 | |
I didn't know I had anything wrong with me, | 0:03:09 | 0:03:11 | |
because the first thing I noticed was I'd just got a bit bigger, | 0:03:11 | 0:03:13 | |
and I thought, "Well, there you are, I've just got a bit bigger. I'll have to get some new clothes." | 0:03:13 | 0:03:17 | |
I'm thinking, "What size I now?" I wasn't sure if I was 16, 18. | 0:03:17 | 0:03:20 | |
Look at Vanessa Feltz, she looks to be the same size as me, | 0:03:20 | 0:03:23 | |
she's a size 12, oddly enough... | 0:03:23 | 0:03:24 | |
LAUGHTER AND APPLAUSE | 0:03:24 | 0:03:27 | |
Anyway, I know I'm different sizes in different shops. | 0:03:31 | 0:03:33 | |
16 in some shops, 18 in some shops. | 0:03:33 | 0:03:35 | |
In Gap I'm only a size 12, because they're American. | 0:03:35 | 0:03:37 | |
In Marks & Spencer's I'm only a size 3, because they don't want to upset anybody. | 0:03:37 | 0:03:40 | |
In Topshop, my hips set off an alarm as I go through. | 0:03:41 | 0:03:43 | |
"Beep! Beep! Beep! Beep! Beep! Beep! Beep! Beep!" | 0:03:43 | 0:03:46 | |
"There's a big middle-aged woman trying to get in!" There's a grille coming down. Whoa! | 0:03:46 | 0:03:50 | |
I go, "Please, it's not for me, it's my daughter!" | 0:03:56 | 0:03:59 | |
"No, we can't help you, go, go, go! | 0:03:59 | 0:04:00 | |
"Evans is round the corner - please, go there!" | 0:04:00 | 0:04:02 | |
But I didn't realise at first there was anything wrong with me - I just felt a bit strange. | 0:04:04 | 0:04:08 | |
I remember saying to my friend, "I don't feel good." | 0:04:08 | 0:04:10 | |
And she said, "Have you ever thought it might be fibroids?" | 0:04:10 | 0:04:12 | |
I said, "Fibroids? That's a breakfast cereal, isn't it?" | 0:04:12 | 0:04:15 | |
Keeps you trim on the outside and regular on the inside. | 0:04:16 | 0:04:19 | |
And she said, "Well, if you get them and they go really, really big and bad, you have to have an operation." | 0:04:19 | 0:04:23 | |
And I said, "Oh, what?" She said, "You have to have a hysterectomy." | 0:04:23 | 0:04:27 | |
I said, "You have to have a what?" | 0:04:27 | 0:04:29 | |
She said, "You have to have a hysterectomy." | 0:04:29 | 0:04:32 | |
I said, "I'm not having one of those." | 0:04:32 | 0:04:34 | |
I said, "It's not even a proper word." | 0:04:34 | 0:04:36 | |
I said, "It's got half its letters missing." | 0:04:36 | 0:04:38 | |
It's got a big hole in the middle, appropriately enough. | 0:04:38 | 0:04:41 | |
Come on, keep up! | 0:04:42 | 0:04:43 | |
But I remembered what she said months later, you know, | 0:04:45 | 0:04:47 | |
when I was in Casualty and I was lying in this cubicle. | 0:04:47 | 0:04:49 | |
And this consultant came and he said, "I've looked at your scans, | 0:04:49 | 0:04:52 | |
"you know, it doesn't look good. You're going to have to have an operation." | 0:04:52 | 0:04:55 | |
And I said, "Oh, what?" He said, "You've got to have a hysterectomy." | 0:04:55 | 0:04:58 | |
But at the time, you know, I just put it down to the menopause. | 0:04:58 | 0:05:00 | |
You know, because I was that age and I put everything down to the menopause now - | 0:05:00 | 0:05:04 | |
tiredness, irritability, global warming. | 0:05:04 | 0:05:06 | |
Well, it could be, couldn't it? 200 lady Eskimos all having a hot flush at the same time. Whoa! | 0:05:07 | 0:05:11 | |
I was used to going a bit mad, you know, once a month. I was used to all that. I was used to that cycle, | 0:05:15 | 0:05:19 | |
you know, you're all right, you're getting your period, you've got your period, | 0:05:19 | 0:05:22 | |
I love you, I hate you, I'm really sorry... | 0:05:22 | 0:05:24 | |
And I had identified a little mini cycle within that | 0:05:24 | 0:05:27 | |
when you go like this, because you're ovulating. | 0:05:27 | 0:05:28 | |
I'm all right, I get my period, I've had my period, I'm ovulating, | 0:05:28 | 0:05:31 | |
I love you, I'm really sorry, get out of it... | 0:05:31 | 0:05:33 | |
And I thought, "Well, that's all right, you know, I have all that | 0:05:33 | 0:05:36 | |
"and then that'll stop, and then I'll get my menopause." | 0:05:36 | 0:05:38 | |
But what I didn't realise was, you get all this, I have my period... | 0:05:38 | 0:05:42 | |
and at the same time, you get your menopause coming the other way! | 0:05:42 | 0:05:47 | |
So you're going, "All right, I'm getting my period, | 0:05:47 | 0:05:49 | |
"I've had my period, I'm ovulating, is it hot or is it me?" | 0:05:49 | 0:05:51 | |
"What have I come in here for?" | 0:05:53 | 0:05:54 | |
LAUGHTER AND APPLAUSE | 0:05:54 | 0:05:58 | |
Well, it got so bad with me that in the end, | 0:06:02 | 0:06:05 | |
there was only 17 minutes in a month... | 0:06:05 | 0:06:08 | |
..when anybody could get any sense out of me! | 0:06:11 | 0:06:12 | |
So they're all queuing up for those 17 minutes, | 0:06:14 | 0:06:16 | |
because they know that I'll be nice and reasonable | 0:06:16 | 0:06:18 | |
and I won't burst into tears, so they're all queuing up, everybody. | 0:06:18 | 0:06:21 | |
You've got carol singers in April... # Deck the halls...! # | 0:06:21 | 0:06:23 | |
"Yes, come in!" I've got those men | 0:06:23 | 0:06:25 | |
who go door-to-door selling the dusters, | 0:06:25 | 0:06:27 | |
"Yes, I'll have your dusters. | 0:06:27 | 0:06:28 | |
"And your ironing board cover, anything you like!" My children are queuing up. | 0:06:28 | 0:06:31 | |
"Can I go to Ibiza, even though I'm only 12?" | 0:06:31 | 0:06:33 | |
"Yes, of course you can, my darling!" | 0:06:33 | 0:06:34 | |
"Can I have another two Game Boys?" "Yes, of course you can, my darling!" | 0:06:34 | 0:06:37 | |
My husband's at the back of the queue, "Hurry up, hurry up..." | 0:06:37 | 0:06:39 | |
"Yes?" "Can we have sex tonight?" | 0:06:43 | 0:06:45 | |
"Oh, ping! Time's up! What have I come in here for?" | 0:06:45 | 0:06:48 | |
So I thought, I'll go to a health food shop | 0:06:51 | 0:06:53 | |
and I'll ask them what I can take. | 0:06:53 | 0:06:56 | |
I want to know why the people who work in health food shops | 0:06:56 | 0:07:00 | |
have always got styes... | 0:07:00 | 0:07:02 | |
..and impetigo | 0:07:05 | 0:07:07 | |
and psoriasis and scurvy and rickets. | 0:07:07 | 0:07:13 | |
They're always the most droopy-looking little people, aren't they? | 0:07:13 | 0:07:16 | |
The men always look like they're saving up for a sex change, | 0:07:16 | 0:07:19 | |
and they've only got 22 quid | 0:07:19 | 0:07:20 | |
And the girls have got really teeny-weeny little wrists. | 0:07:22 | 0:07:26 | |
If they've got to ring up a big price, they have to call somebody in from the back. | 0:07:26 | 0:07:29 | |
"It was £19.99, I've done the 19..." | 0:07:31 | 0:07:34 | |
So I went into one and I said to this girl, "Hello, have you got anything about the menopause?" | 0:07:34 | 0:07:38 | |
And she's just looking at me, I can see she's puzzling over | 0:07:38 | 0:07:41 | |
the first part of the sentence, the "hello" part. | 0:07:41 | 0:07:44 | |
Anyway, I found this book, Natural Alternatives to HRT, | 0:07:44 | 0:07:46 | |
and I bought everything it said you should take. | 0:07:46 | 0:07:49 | |
And the next morning, I'm sitting there, I've got this really sad breakfast. | 0:07:49 | 0:07:52 | |
I've got this big bowl of sunflower seeds, linseeds and millet. | 0:07:52 | 0:07:58 | |
I'm thinking, "This is a bit sad, | 0:08:00 | 0:08:01 | |
"I've turned into a five foot five budgie all of a sudden." | 0:08:01 | 0:08:04 | |
All I need is the ladder and the flipping bell. | 0:08:04 | 0:08:06 | |
So I'm chomping away. My husband says, "What are you eating?" I said, "I'm eating linseeds." | 0:08:06 | 0:08:10 | |
He said, "You can't eat linseeds." I said, "You can, linseed oil, is very good for you." | 0:08:10 | 0:08:13 | |
He said, "Well, that's what you put on cricket bats, isn't it?" | 0:08:13 | 0:08:16 | |
I said, "At least you won't crack in the cold weather." | 0:08:16 | 0:08:18 | |
The trouble with linseeds is they're teeny, teeny little seeds | 0:08:20 | 0:08:22 | |
and they get stuck in the cracks between your teeth. So you spend all day... | 0:08:22 | 0:08:25 | |
..getting them out. What's better, really, HRT or linseeds? | 0:08:26 | 0:08:29 | |
I don't know. Who do you want to look like, Edwina Currie or Albert Steptoe? | 0:08:29 | 0:08:33 | |
Well, I was religiously chomping away. | 0:08:36 | 0:08:38 | |
I took this stuff every day for days and days and days | 0:08:38 | 0:08:40 | |
and I didn't feel any better. | 0:08:40 | 0:08:42 | |
And I didn't think I looked any better, but I couldn't really tell. | 0:08:42 | 0:08:44 | |
I can't really tell what I look like, because I have a very strange idea of my own body image, | 0:08:44 | 0:08:48 | |
because I used to suffer from an eating disorder. | 0:08:48 | 0:08:50 | |
If you've ever had an eating disorder, it gives you | 0:08:50 | 0:08:52 | |
a distorted view of what you look like. | 0:08:52 | 0:08:53 | |
Like, if somebody's a compulsive over-eater and they're very big, | 0:08:53 | 0:08:56 | |
they can look in the mirror and they see quite a normal person. | 0:08:56 | 0:08:59 | |
An anorexic looks in the mirror and they can see quite a fat person. | 0:08:59 | 0:09:02 | |
Michael Portillo looks in the mirror and sees quite a fat person. | 0:09:02 | 0:09:04 | |
It's Ann Widdecombe! Ha-ha! Afraid of you! | 0:09:04 | 0:09:07 | |
So I just, you know, I just struggle with this body image thing, | 0:09:07 | 0:09:10 | |
because of having suffered from this addiction. | 0:09:10 | 0:09:12 | |
But it's not a bad addiction to have. If anybody's thinking of taking up an addiction, you know, | 0:09:12 | 0:09:16 | |
compulsive overeating is not a bad one, because it's quite cheap. | 0:09:16 | 0:09:19 | |
You know, if you compare the prices | 0:09:19 | 0:09:21 | |
of a gram of coke and a bottle of vodka, | 0:09:21 | 0:09:22 | |
and a white sliced loaf and a pot of Hartley's strawberry jam, | 0:09:22 | 0:09:26 | |
you know, it comes out quite well. | 0:09:26 | 0:09:28 | |
But I just have this strange relationship with food, | 0:09:28 | 0:09:31 | |
partly because of the way I was brought up, | 0:09:31 | 0:09:33 | |
because my mother, like a lot of mothers in the 1950s, | 0:09:33 | 0:09:35 | |
she used sweets as a reward. | 0:09:35 | 0:09:36 | |
You know, if you were good, you got your sweets, if you did your jobs, | 0:09:36 | 0:09:39 | |
you got your sweets, if you did your dry-stone walling, you got your Maltesers... | 0:09:39 | 0:09:42 | |
You know, because I was brought up in rather a strange house on the top of the Moors, | 0:09:42 | 0:09:45 | |
miles from anywhere, just outside Rochdale in Lancashire, | 0:09:45 | 0:09:48 | |
and it was two miles from the nearest bus stop, | 0:09:48 | 0:09:50 | |
and there was just a really rough cart track to get our house, | 0:09:50 | 0:09:53 | |
which meant, when I was older, I could only really have a boyfriend | 0:09:53 | 0:09:56 | |
if he had his own transport | 0:09:56 | 0:09:57 | |
and he wasn't too bothered about his suspension. | 0:09:57 | 0:09:59 | |
Which meant I ended up going out with a load of old binmen, usually. | 0:09:59 | 0:10:02 | |
But I did have this strange relationship with my mother, | 0:10:04 | 0:10:06 | |
because the night I was born, I was born in a little nursing home. | 0:10:06 | 0:10:08 | |
It was when they used to take the babies away as soon as they were born | 0:10:08 | 0:10:11 | |
and there was a mix-up, and I was given to the woman in the next-door | 0:10:11 | 0:10:14 | |
room, and my mother was given this woman's appendix in a jar. | 0:10:14 | 0:10:17 | |
Which she was, you know, fine about. | 0:10:19 | 0:10:22 | |
She was just a little bit distant. | 0:10:22 | 0:10:23 | |
And you know when you're little and your mum takes you to the shop, | 0:10:23 | 0:10:26 | |
and you're like that. She takes you to the shop, and she always stops | 0:10:26 | 0:10:29 | |
for a very long conversation with somebody, and you're just, like, stood there. | 0:10:29 | 0:10:32 | |
And all you can hear are the distant voices that are booming somewhere | 0:10:32 | 0:10:35 | |
above your head. Well, I realised years later that in my case | 0:10:35 | 0:10:38 | |
that was a false arm, | 0:10:38 | 0:10:40 | |
and she'd tuned the radio to The Archers, | 0:10:40 | 0:10:42 | |
she'd gone, she was in a cafe half a mile away. | 0:10:42 | 0:10:44 | |
But it was a funny place to be brought up, | 0:10:44 | 0:10:46 | |
because there was nothing to do. Our main social life | 0:10:46 | 0:10:48 | |
when we were teenagers, there was a church nearby | 0:10:48 | 0:10:50 | |
and I used to go bell-ringing once a week to meet boys. | 0:10:50 | 0:10:53 | |
But it's not great preparation for a mutually fulfilling sex life, | 0:10:53 | 0:10:56 | |
bell-ringing. All that tugging - it's not good. | 0:10:56 | 0:11:00 | |
You know, the first proper boyfriend I had, I nearly killed him. "Oh, God, sorry!" | 0:11:01 | 0:11:05 | |
He didn't mind that so much as being expected to do it in a circle with seven other people. | 0:11:12 | 0:11:16 | |
But the trouble with my mother was that she never would encourage us to go to the doctor if we were ill. | 0:11:18 | 0:11:22 | |
She said, "You should never go to the doctor unless you've got something interesting." | 0:11:22 | 0:11:25 | |
So we were always going around kissing parrots, trying to get psittacosis. | 0:11:25 | 0:11:28 | |
Because she said that you should put up with everything, which is a very northern thing. | 0:11:28 | 0:11:32 | |
It's a very Lancashire thing. You put up with everything, | 0:11:32 | 0:11:34 | |
don't show your emotions, you don't show that you mind about anything. | 0:11:34 | 0:11:37 | |
If you look at the history of the north-west, you know, | 0:11:37 | 0:11:39 | |
they closed the mines, and they just went, "Oh, well, there you go." | 0:11:39 | 0:11:42 | |
And they closed the shipyards, "Oh, fair enough." | 0:11:42 | 0:11:44 | |
They closed the cotton mills, "That's that, then." | 0:11:44 | 0:11:46 | |
I mean, when they marched in the 1930s, | 0:11:46 | 0:11:48 | |
they marched from Jarrow in the north-east, | 0:11:48 | 0:11:50 | |
and the people from the north-west joined on at the end, because there | 0:11:50 | 0:11:53 | |
was, like, nothing else to do, "All right." | 0:11:53 | 0:11:55 | |
And when they got to 10 Downing Street they said, "Look, | 0:11:55 | 0:11:57 | |
"we're not that bothered about the unemployment, but could you please | 0:11:57 | 0:12:00 | |
"not send us any more Gracie Fields films? Thanks very much." That's how | 0:12:00 | 0:12:03 | |
she was brought up, you see, to put up with everything, because she was | 0:12:03 | 0:12:05 | |
brought up in the 1920s, very poor, little tiny house in Moss Side. | 0:12:05 | 0:12:08 | |
She said to me, one year, they were so poor, she didn't have a coat, | 0:12:08 | 0:12:11 | |
none of them had coats. She didn't have shoes, none of them had shoes. | 0:12:11 | 0:12:13 | |
She didn't have a sense of humour, that was just her. | 0:12:13 | 0:12:15 | |
So, you know, when I started to feel ill, | 0:12:15 | 0:12:18 | |
I really started to try and struggle on, but I was losing all my bounce. | 0:12:18 | 0:12:21 | |
You know, because normally, I get out of bed, have a shower, | 0:12:21 | 0:12:24 | |
I shampoo my hair twice, I put mousse and conditioner, I blow-dry it. I'd gone from that to, like, | 0:12:24 | 0:12:28 | |
slapping on a bit of Wash & Go and hoping it rained. | 0:12:28 | 0:12:31 | |
And I was losing all my interest in everything. | 0:12:33 | 0:12:35 | |
You know, because we have a bird table outside our kitchen window. | 0:12:35 | 0:12:38 | |
Normally I like to see what's on the bird table, and I just couldn't be bothered looking. | 0:12:38 | 0:12:41 | |
And my children were going, "Look, look, | 0:12:41 | 0:12:43 | |
"there's a robin!" I'm going, "I'll look later." | 0:12:43 | 0:12:45 | |
One night, we had a fox in the garden and my children were going, | 0:12:45 | 0:12:48 | |
"Look, look, there's a fox in the garden!" I'm going, "I'll look later." | 0:12:48 | 0:12:51 | |
One night, we had a unicorn and two pixies... | 0:12:51 | 0:12:53 | |
And my husband said, he said, "I know you don't feel good, but look, | 0:12:53 | 0:12:56 | |
"it's nearly half-term. We'll have a special treat." | 0:12:56 | 0:12:58 | |
He said, "Why don't we go to Florida and have a week at Disney World?" | 0:12:58 | 0:13:02 | |
I said, "I don't think I can go. I think something's wrong with me. | 0:13:02 | 0:13:04 | |
"I think my compulsive overeating has come back." | 0:13:04 | 0:13:07 | |
He said, "Honestly, we'll have a fantastic week at Disney World." | 0:13:07 | 0:13:10 | |
I said, "I don't think I can go. | 0:13:10 | 0:13:11 | |
"I think I need to be with other compulsive overeaters." | 0:13:11 | 0:13:14 | |
He said, "If you go to Disney World, you will be!" | 0:13:14 | 0:13:17 | |
Well, I've never seen so many huge arses in my whole life. | 0:13:21 | 0:13:27 | |
I mean, I'd never been there before. | 0:13:30 | 0:13:32 | |
I don't know if everybody there has a big arse, | 0:13:32 | 0:13:34 | |
or if everybody in Florida's got a big arse - | 0:13:34 | 0:13:37 | |
everybody in Disney World's got a big arse. | 0:13:37 | 0:13:39 | |
It was big-arse week and we got four cancellations, | 0:13:39 | 0:13:41 | |
I don't know what it was. | 0:13:41 | 0:13:44 | |
But they're all HUGE | 0:13:44 | 0:13:46 | |
and they're all very happily all walking around eating. | 0:13:46 | 0:13:49 | |
And I'm thinking, "Well, I'm sorry, we don't do that in our country!" | 0:13:49 | 0:13:53 | |
If you're very, very big, you don't walk around as if you didn't mind! | 0:13:53 | 0:13:56 | |
You certainly don't walk around eating. | 0:13:59 | 0:14:00 | |
If you're big in this country, eating is a very shameful thing. | 0:14:00 | 0:14:04 | |
You can't imagine this scenario in England. | 0:14:04 | 0:14:06 | |
A big woman goes into a cake shop | 0:14:06 | 0:14:07 | |
and she says, "I would like a cake, please. | 0:14:07 | 0:14:10 | |
"It is for me, I'm going to eat it myself." | 0:14:10 | 0:14:12 | |
It couldn't happen, could it? She would have to go in and say, | 0:14:15 | 0:14:18 | |
"Erm, can I have a cake, please? | 0:14:18 | 0:14:19 | |
"A woman's collapsed two streets away, and..." | 0:14:19 | 0:14:22 | |
"..I think it's a diabetic coma." | 0:14:25 | 0:14:26 | |
"On the other hand, it could be head injuries, in which case I'll eat it myself." | 0:14:28 | 0:14:32 | |
In Disney World, they're walking around, they've got food in this hand, | 0:14:32 | 0:14:35 | |
they've got food in that hand, | 0:14:35 | 0:14:36 | |
they've got a big wheelie bin full of popcorn... | 0:14:36 | 0:14:41 | |
they've got a sort of Bob Dylan harmonica-style thing with a turkey leg strapped to it. | 0:14:41 | 0:14:45 | |
And they're all wearing shorts! | 0:14:48 | 0:14:51 | |
APPLAUSE | 0:14:52 | 0:14:55 | |
And I'm thinking, "I'm sorry. | 0:14:58 | 0:15:00 | |
"We don't do that in our country!" | 0:15:00 | 0:15:02 | |
If you're very, very big, you're supposed to stay in! | 0:15:02 | 0:15:05 | |
If you have to come out, it's beige with an elasticated waist, | 0:15:07 | 0:15:10 | |
it's not shorts! | 0:15:10 | 0:15:12 | |
Shorts, really, in our country are reserved for little thin, weenie, weenie little people. | 0:15:15 | 0:15:19 | |
Little weenie, weenie little shorts. | 0:15:19 | 0:15:21 | |
With little weenie, weenie logos on the back. | 0:15:21 | 0:15:23 | |
"Levi." "M&S." "C&A." | 0:15:23 | 0:15:26 | |
In Disney World, they can write what they like on the back of their shorts! | 0:15:26 | 0:15:30 | |
"Procrastination is the thief of time." | 0:15:30 | 0:15:32 | |
Anyway, I came back from my holiday and I didn't feel any better. | 0:15:37 | 0:15:39 | |
I thought, "I'm so fed up with this now. | 0:15:39 | 0:15:41 | |
"I'm going to go to the doctor's, I'm going to phone the doctor." | 0:15:41 | 0:15:43 | |
I don't think I'd ever phoned the doctor for myself before. | 0:15:43 | 0:15:46 | |
So I phoned him and I said, "I'd like to make an appointment." | 0:15:46 | 0:15:48 | |
And she said, "That's fine, the first available appointment will be November 5th 2002." | 0:15:48 | 0:15:52 | |
She said, "Or, if you can turn up in five minutes, | 0:15:53 | 0:15:55 | |
"we're having a free-for-all." | 0:15:55 | 0:15:57 | |
So I turned up and there's a whole bunch of people waiting, | 0:15:57 | 0:16:00 | |
it's like first come, first served. | 0:16:00 | 0:16:01 | |
And there's five doors, there's five doctors' surgeries. | 0:16:01 | 0:16:04 | |
And there's a doctor behind one door, but you don't know which one. | 0:16:04 | 0:16:07 | |
So we're all there, on the blocks like this. | 0:16:12 | 0:16:14 | |
And I'm sizing up the opposition. | 0:16:16 | 0:16:18 | |
I've got a bronchitis, a varicose veins, a woman in a wheelchair - | 0:16:18 | 0:16:23 | |
I'm not too worried about her... | 0:16:23 | 0:16:26 | |
a manic depressive, I think, "Well, he could go either way, you know?" | 0:16:26 | 0:16:30 | |
He could be, like, sat slumped, or he could put on a burst | 0:16:30 | 0:16:32 | |
of adrenaline and get to the door first. | 0:16:32 | 0:16:34 | |
I think, "Well, I'll kick him out of the way, elbow the varicose veins, | 0:16:34 | 0:16:37 | |
"disable the bronchitis with a quick burst of Estee Lauder Youth Dew..." | 0:16:37 | 0:16:40 | |
So I reckon it's down to me and the woman in the wheelchair. | 0:16:44 | 0:16:48 | |
Well, she looks quite fit, actually, she's got a little sweatband on. | 0:16:48 | 0:16:51 | |
And she's got these little leather gloves, she's like this. | 0:16:51 | 0:16:54 | |
Big winner's medal from the London Marathon. | 0:16:56 | 0:16:58 | |
So I'm going home and I'm in a big huff, | 0:16:59 | 0:17:01 | |
and I go past this big billboard outside the doctor's, | 0:17:01 | 0:17:03 | |
and it's got this picture with a very smiley woman with a telephone headset, | 0:17:03 | 0:17:07 | |
and it says, "Medical Advice Helpline - let us do the worrying." | 0:17:07 | 0:17:10 | |
I think, "Well, I'll phone them. I'll phone them and tell them | 0:17:10 | 0:17:13 | |
"my symptoms and they can tell me what to do. | 0:17:13 | 0:17:15 | |
So I get out my new, very flashy, | 0:17:15 | 0:17:16 | |
little black, flippy-flippy mobile phone. | 0:17:16 | 0:17:18 | |
Flip, flip. Oh, it's stuck to my face! | 0:17:18 | 0:17:21 | |
Why is it stuck to my face? | 0:17:21 | 0:17:22 | |
Because it's not a mobile phone, it's a black panty liner with wings. | 0:17:22 | 0:17:26 | |
LAUGHTER AND APPLAUSE | 0:17:26 | 0:17:28 | |
Wrong pocket, start again. | 0:17:38 | 0:17:40 | |
Flippy, flippy, flippy, beep, beep, beep... | 0:17:42 | 0:17:45 | |
"Hello, you are through to the Medical Advice Helpline. | 0:17:45 | 0:17:49 | |
"Let us do the worrying. | 0:17:49 | 0:17:51 | |
"You have accessed the storehouse, nay treasure trove, | 0:17:51 | 0:17:53 | |
"of trained medical experts. | 0:17:53 | 0:17:55 | |
"Each one expertly trained, medically." | 0:17:55 | 0:17:58 | |
"With a medical training that has made them expert, in a trained way." | 0:17:59 | 0:18:02 | |
"We have over 5,000 top consultants all busting a gut, so to speak, | 0:18:04 | 0:18:08 | |
"to help you with any symptoms that may be worrying you. | 0:18:08 | 0:18:10 | |
"I'm afraid that at the moment, | 0:18:10 | 0:18:13 | |
"there is no-one available to take your call. | 0:18:13 | 0:18:16 | |
"You can either hang up, hang on, or, if symptoms worsen, | 0:18:16 | 0:18:19 | |
"dial 3-33-3-33-3-33 | 0:18:19 | 0:18:21 | |
"for our complete postmortem and funeral package." | 0:18:21 | 0:18:25 | |
I think, "Well, I'll hang on." | 0:18:25 | 0:18:27 | |
"You are now being held in a queue. | 0:18:27 | 0:18:28 | |
"If you have a tone phone, | 0:18:28 | 0:18:30 | |
"please press for your choice of relaxing listening. | 0:18:30 | 0:18:32 | |
"Press one for the Blue Danube, two for the Cuckoo Waltz, | 0:18:32 | 0:18:36 | |
"three for Tommy Steele having a crack at Phantom of the Opera." | 0:18:36 | 0:18:39 | |
"You have now reached the head of the queue | 0:18:41 | 0:18:43 | |
"and a trained consultant will be with you in... | 0:18:43 | 0:18:45 | |
"How long, Sheila?!" | 0:18:45 | 0:18:46 | |
"As soon as she's finished her pasty." | 0:18:49 | 0:18:50 | |
"Meanwhile, please press one for huge, worrying lumps..." | 0:18:52 | 0:18:56 | |
"..two for inexplicable flatulence..." | 0:18:58 | 0:19:00 | |
"..three for grumbling groins, back passage bother... | 0:19:02 | 0:19:06 | |
"and all enquiries for Washing Machine World." | 0:19:06 | 0:19:09 | |
"Please note that we are no longer dealing with diarrhoea or gonorrhoea, | 0:19:10 | 0:19:14 | |
"as these are causing repetitive strain injury in the girls typing the invoices." | 0:19:14 | 0:19:18 | |
"You are now through to huge, worrying lumps. | 0:19:22 | 0:19:26 | |
"Please state your symptoms in no more than three short words. | 0:19:26 | 0:19:30 | |
"Please speak slowly and clearly, and if it's something embarrassing, | 0:19:30 | 0:19:33 | |
"then speak up, because there'll be lots of us listening." | 0:19:33 | 0:19:36 | |
"Please state your symptoms in no more than three short words after the beep. Beep." | 0:19:39 | 0:19:43 | |
"Pain, lump, tired." | 0:19:43 | 0:19:45 | |
"Please repeat." | 0:19:45 | 0:19:47 | |
"Pain, lump, tired." | 0:19:47 | 0:19:48 | |
"Thank you. So sorry to hear | 0:19:48 | 0:19:50 | |
"you are suffering from, 'pain, lump, tired'." | 0:19:50 | 0:19:53 | |
"Please hold the line. We're connecting you to an expert who is | 0:20:00 | 0:20:03 | |
"specially trained to deal with, 'pain, lump, tired'." | 0:20:03 | 0:20:05 | |
And then a real person comes on the line. | 0:20:09 | 0:20:11 | |
"Hello? Oh, yes, hello, I'm looking at your problem now, | 0:20:11 | 0:20:13 | |
"I've got my computer up and running. Now just a few questions. | 0:20:13 | 0:20:16 | |
"Tell me, how long have you had it?" | 0:20:16 | 0:20:18 | |
"About a year." "About a year? And do you wear an under-wired bra?" | 0:20:18 | 0:20:21 | |
"Yes." "And have you noticed a wire gone missing?" | 0:20:21 | 0:20:25 | |
"No." "And since you've had the problem, | 0:20:29 | 0:20:31 | |
"have you tried jamming your hand in and seeing if anything moves round?" | 0:20:31 | 0:20:34 | |
"No." | 0:20:34 | 0:20:36 | |
"Because often what happens, you see, is a wire comes loose | 0:20:36 | 0:20:38 | |
"from your bra, gets stuck in the drum and then it can't spin." | 0:20:38 | 0:20:41 | |
I thought, "Right, I've had enough of this now. I feel so bad, | 0:20:48 | 0:20:51 | |
"I'm going to take myself down the hill, I'm going to go to hospital, | 0:20:51 | 0:20:54 | |
"I'm going to go to Casualty." | 0:20:54 | 0:20:55 | |
Now, I've never been to Casualty before, but I think, "Well, it's all right." | 0:20:55 | 0:20:58 | |
You know, I've seen ER on television. I think as soon as | 0:20:58 | 0:21:00 | |
I get there, I'll be on a stretcher, they'll run at me, they'll be cutting up the sides of my trousers. | 0:21:00 | 0:21:04 | |
You know, because they do that in ER all the time, | 0:21:04 | 0:21:06 | |
even if somebody's only looking for the antenatal clinic. | 0:21:06 | 0:21:08 | |
"Oh, they're on me!" | 0:21:08 | 0:21:10 | |
Anyway, I got in there and it wasn't quite like ER. | 0:21:10 | 0:21:12 | |
It was like these two grumpy women at the table, and they went, "Yes?" | 0:21:12 | 0:21:15 | |
I said, "Oh, I've got this really bad pain." | 0:21:15 | 0:21:18 | |
"Where?" I said, "Well, sort of here." | 0:21:18 | 0:21:20 | |
She said, "Oh, abdominal. I'll put leg, I can't spell abdominal." | 0:21:20 | 0:21:23 | |
She says, "You'll have to wait," so I'm sitting in Casualty | 0:21:27 | 0:21:31 | |
and I'm next to this really, really mad, rough-looking woman with no teeth, | 0:21:31 | 0:21:35 | |
who's out of her head on something. | 0:21:35 | 0:21:37 | |
And she keeps looking at me, going, "Hey, Pam Ayres, hey!" | 0:21:37 | 0:21:41 | |
And she's knocking something back out of a bottle, something purple. | 0:21:44 | 0:21:47 | |
I think probably meths, I'm guessing not Ribena Toothkind. | 0:21:47 | 0:21:50 | |
And then on my other side, | 0:21:51 | 0:21:52 | |
I've got this poor man who's got a Dustbuster jammed up his bottom. | 0:21:52 | 0:21:56 | |
He says he was hoovering the back of his boxer shorts and he fell over, | 0:22:00 | 0:22:03 | |
I don't know, I don't know. | 0:22:03 | 0:22:05 | |
Anyway, every time he gets up and we have to move to another chair, it sets it off. "Wahey!" | 0:22:10 | 0:22:14 | |
So we're sat there for hours and hours, there's nothing to do, there's nothing to read. | 0:22:15 | 0:22:19 | |
All we've got, we've got, like, a big television bolted to the wall | 0:22:19 | 0:22:21 | |
and it's showing this hospital information film over and over again, | 0:22:21 | 0:22:24 | |
"Taking care of hospital crutches." | 0:22:24 | 0:22:26 | |
So I'm just sitting there, "Hey, Pam Ayres!" Bzzzz! | 0:22:26 | 0:22:28 | |
And I'm thinking, "Who is that voice-over? It sounds like Susan Hampshire." | 0:22:28 | 0:22:32 | |
"Taking care of hospital crutches. Hospital crutches are not a toy." | 0:22:32 | 0:22:35 | |
"Hey, Pam Ayres!" Bzzzz! | 0:22:35 | 0:22:36 | |
I'm thinking, "Is it Susan Hampshire or is it Hannah Gordon?" | 0:22:36 | 0:22:39 | |
"Taking care of hospital crutches. | 0:22:39 | 0:22:41 | |
"Hospital crutches are not a Dustbuster, they must not be jammed up your bottom." | 0:22:41 | 0:22:44 | |
Yeah, I told you that. Anyway, I get called through | 0:22:44 | 0:22:46 | |
and I'm going through to see the nurse. | 0:22:46 | 0:22:48 | |
I have to go pass reception and I look round the corner, | 0:22:48 | 0:22:50 | |
and there she is, Hannah Gordon with a microphone, | 0:22:50 | 0:22:53 | |
"Taking care of hospital crutches." | 0:22:53 | 0:22:55 | |
And I go through and I see this nurse, | 0:22:55 | 0:22:56 | |
and by the time I get to see the nurse, I have got a really, | 0:22:56 | 0:22:58 | |
really bad pain and my hands have gone into spasm, like this, and I can't move anything. | 0:22:58 | 0:23:02 | |
This nurse says, "Right, you need a painkiller." She said, "Can you take paracetamol?" | 0:23:02 | 0:23:06 | |
I said, "Only crushed up in jam, sorry." | 0:23:06 | 0:23:07 | |
And she said, "Well, the quickest thing I can give you, | 0:23:07 | 0:23:10 | |
"I can give you a painkiller in a suppository. | 0:23:10 | 0:23:11 | |
"Do you know what one is?" And I just went, "Ah!" I didn't know what one was. | 0:23:11 | 0:23:14 | |
A suppository, I mean, I was guessing it wasn't somewhere | 0:23:14 | 0:23:17 | |
where you stored furniture, but I didn't know what it was. | 0:23:17 | 0:23:20 | |
Anyway, so she gives me this thing that's like the last sweet in the bag of Liquorice Allsorts, | 0:23:20 | 0:23:24 | |
and she says, "You know, you can put it where you like, within reason." | 0:23:24 | 0:23:26 | |
I thought, "Well, I'll put it behind my ear, that's all right." | 0:23:26 | 0:23:29 | |
She tells me what to do with it and says, "You can go in that "disabled toilet, | 0:23:29 | 0:23:32 | |
"and put it in in there." I said, "What disabled toilet?" | 0:23:32 | 0:23:34 | |
She said, "That toilet over there." I said, "Oh, is that disabled?" | 0:23:34 | 0:23:36 | |
She said, "It wasn't, but somebody smashed it with a sledgehammer last night." | 0:23:36 | 0:23:40 | |
So I go in and I can't move my hands. | 0:23:40 | 0:23:42 | |
I can't even get my trousers undone. I've got these button-fly Levi's | 0:23:42 | 0:23:46 | |
and they're really tight, because I've got this huge lump here. | 0:23:46 | 0:23:48 | |
I think, maybe I'll go whack and they might go ping, ping, ping, ping. | 0:23:48 | 0:23:51 | |
And I could go shimmy, shimmy, shimmy, and I could, like, throw it up and... | 0:23:51 | 0:23:54 | |
No, I can't do that. | 0:23:54 | 0:23:57 | |
I think if only I was one of those girls from the sex shows in Bangkok. | 0:23:57 | 0:24:01 | |
You know those girls that can take off the top of a bottle, | 0:24:01 | 0:24:04 | |
you know the one? No? | 0:24:04 | 0:24:06 | |
He's laughing, she's not, OK. | 0:24:08 | 0:24:10 | |
"I thought you were in Weston-Super-Mare - how dare you?!" | 0:24:16 | 0:24:19 | |
I thought that they'd find it really easy, wouldn't they? Those girls, they would just go whack, | 0:24:19 | 0:24:22 | |
ping, ping, ping, shimmy, shimmy, shimmy, up. But, you know, | 0:24:22 | 0:24:25 | |
I'm not from Bangkok, the sex capital of the world. | 0:24:25 | 0:24:27 | |
I'm from greater Manchester, the chip capital of the world, | 0:24:27 | 0:24:30 | |
which is why all the sex shows are in Bangkok and all the chip shops are in greater Manchester. | 0:24:30 | 0:24:34 | |
Because if all the sex shows were in greater Manchester, there would just be girls with their coats on, | 0:24:34 | 0:24:37 | |
with a chip pan, going, "Because I'm not in the mood, now leave it!" | 0:24:37 | 0:24:41 | |
Anyway, I can't do it, so I think I'm going to have to ask a nurse, | 0:24:47 | 0:24:49 | |
so I'm poking my head through the door hoping that a nurse will be going past and I can't see anybody, | 0:24:49 | 0:24:53 | |
I can just see a male nurse down the end of the corridor. | 0:24:53 | 0:24:56 | |
I think, "That's all right. A male nurse is a nurse, | 0:24:56 | 0:24:57 | |
"they're trained the same way. It doesn't make any difference." | 0:24:57 | 0:25:00 | |
I'm thinking, "Is it a nurse?" I'm not sure what they wear. | 0:25:00 | 0:25:02 | |
He's got, like, a pale blue shirt on and epaulettes and an ID thing. | 0:25:02 | 0:25:04 | |
Anyway, he comes to do it for me. | 0:25:04 | 0:25:06 | |
I see him a week later, driving a bus, but, anyway... | 0:25:06 | 0:25:08 | |
Anyway, so I get my painkiller and then I feel marvellous then, | 0:25:12 | 0:25:15 | |
and I'm all for going home, and they said, "No, no, no, | 0:25:15 | 0:25:17 | |
"you don't go home now, we have to find out what it was." | 0:25:17 | 0:25:19 | |
They said, "We'll have to do an internal examination. | 0:25:19 | 0:25:22 | |
"Do you mind if we bring in 16 students?" | 0:25:22 | 0:25:24 | |
I said, "Well, it depends what they are students of. | 0:25:24 | 0:25:27 | |
"If it's mechanical engineering, yes, I do mind." | 0:25:27 | 0:25:29 | |
She said, "What we can do, if you don't want a whole load of people coming in your room," | 0:25:29 | 0:25:32 | |
she said, "We got the new technology now, we've got this tiny, | 0:25:32 | 0:25:35 | |
"tiny, tiny little miniaturised camera on the end of this flexible cable | 0:25:35 | 0:25:38 | |
"and we put that up inside, that takes pictures, | 0:25:38 | 0:25:40 | |
"that goes through to a video monitor in another room, | 0:25:40 | 0:25:42 | |
"nobody needs to come in." I said, "All right, do that." | 0:25:42 | 0:25:45 | |
So the only person that's got to come in is the man that's got to put the camera in. | 0:25:45 | 0:25:48 | |
So in comes this poor man who's got to do it, | 0:25:48 | 0:25:49 | |
and he's so embarrassed when he sees me, he can't look me in the face, | 0:25:49 | 0:25:52 | |
which doesn't matter, because it's not my face he has to look me in, but... | 0:25:52 | 0:25:55 | |
But he's trying to put it in without looking, so he's like this. | 0:25:55 | 0:25:58 | |
So he's looking one way, I'm looking that way, I'm not looking at him, | 0:25:58 | 0:26:02 | |
I'm looking like I've got nothing below the waist at all, like this. | 0:26:02 | 0:26:05 | |
And he feels obliged to have a conversation with me. | 0:26:05 | 0:26:08 | |
You know, it's a bit like the dentist, whenever the dentist put that sucky tube in your mouth, | 0:26:08 | 0:26:12 | |
they always say, "Where are you going for your holidays?" | 0:26:12 | 0:26:15 | |
And you go, "Ibiza." | 0:26:15 | 0:26:16 | |
So he's looking like this, chatting away, says, "I see there | 0:26:16 | 0:26:19 | |
"was another accident in the high street the other day." | 0:26:19 | 0:26:21 | |
"Oh, was there?" "You know, that rather dangerous corner | 0:26:21 | 0:26:24 | |
"where the buses pull out near the pub." | 0:26:24 | 0:26:25 | |
"Oh, yes, I know where you mean." "What we really need is a big sign, danger, concealed entrance." | 0:26:25 | 0:26:29 | |
"Oh, where would you put it?" "Oh, I see what you mean..." | 0:26:29 | 0:26:32 | |
Anyway, he puts the camera in, takes the pictures, back I go to Casualty. | 0:26:33 | 0:26:36 | |
I'm sitting with my friends, "Hey, Pam Ayres!" | 0:26:36 | 0:26:38 | |
Bzzzz! And I said to them, "What are we watching on the television now? | 0:26:38 | 0:26:41 | |
"This isn't 'Taking care of hospital crutches', what is this on the television now?" | 0:26:41 | 0:26:45 | |
LAUGHTER | 0:26:45 | 0:26:48 | |
Well, they get the results from that and they send me down to the women's clinic. | 0:26:56 | 0:27:00 | |
So I'm sitting in the women's clinic and I'm thinking, "Well, | 0:27:00 | 0:27:02 | |
"I never knew there was so many ways for women to fall to pieces." | 0:27:02 | 0:27:05 | |
They're all sitting there, they've got their bosoms hanging out, pelvic floors dangling. | 0:27:05 | 0:27:09 | |
There's a woman with her cervix in a margarine tub, like this. | 0:27:10 | 0:27:14 | |
And she's going, "I took it out to wash it, | 0:27:21 | 0:27:23 | |
"I couldn't get it back in." | 0:27:23 | 0:27:24 | |
And there's a very select group of women, all with fibroids, | 0:27:30 | 0:27:34 | |
all vying with each other to see who's got the biggest one. | 0:27:34 | 0:27:36 | |
"How big was yours? Did the doctor say?" | 0:27:36 | 0:27:38 | |
"Yes, as big as a satsuma." | 0:27:38 | 0:27:39 | |
"Oh, mine was as big as a grapefruit." | 0:27:39 | 0:27:41 | |
"Oh, Spanish or Californian?" | 0:27:41 | 0:27:43 | |
Anyway, so they do another scan and they get the results from that, | 0:27:43 | 0:27:46 | |
and they say I can't go home, I have to go up to the ward for the night. | 0:27:46 | 0:27:49 | |
So I'm up to the ward, terrible pain, hands like this, and they say, | 0:27:49 | 0:27:52 | |
"We're really sorry, we can't give you a sleeping pill, it's too late." | 0:27:52 | 0:27:55 | |
But luckily, the two women in the two next beds to me are having a very long conversation | 0:27:55 | 0:27:59 | |
about how they went to see Elaine Paige at the London Palladium in The King and I, | 0:27:59 | 0:28:03 | |
and all those lovely little Siamese children... | 0:28:03 | 0:28:05 | |
Anyway, so I was asleep quite quickly. | 0:28:05 | 0:28:07 | |
I'd been asleep for about seven minutes, in comes the consultant, | 0:28:07 | 0:28:10 | |
on goes the light, dicky bow, 16 students behind him, washed his hands, | 0:28:10 | 0:28:13 | |
rubber glove, hand in, he said, "Now, what we'll do..." | 0:28:13 | 0:28:16 | |
I said, "Excuse me," | 0:28:19 | 0:28:21 | |
I said, "I don't expect you to take me out to dinner before you do that, | 0:28:21 | 0:28:24 | |
"but, you know, hello would be nice." | 0:28:24 | 0:28:28 | |
To which he took no notice, he said, "Now what we'll do, | 0:28:28 | 0:28:30 | |
"we'll take away the uterus, the ovaries, the cervix, | 0:28:30 | 0:28:32 | |
"ribs, might as well while we're there, | 0:28:32 | 0:28:34 | |
"spleen, never knew what that was for, | 0:28:34 | 0:28:35 | |
"ginger highlights, see you in the morning." | 0:28:35 | 0:28:37 | |
I thought, "No, I can't stay here." I was a bit worried anyway, | 0:28:39 | 0:28:41 | |
I was a bit worried about sleeping in the ward overnight, | 0:28:41 | 0:28:44 | |
because I talk in my sleep | 0:28:44 | 0:28:45 | |
and I didn't want to end up as "end of part one" on You've Been Framed. | 0:28:45 | 0:28:49 | |
So I thought, "Well, I'll check myself out," | 0:28:49 | 0:28:51 | |
because I'm sure I've got private health insurance | 0:28:51 | 0:28:53 | |
I took out years and years ago, and I've never had to use it, and I'm not sure who it's with, | 0:28:53 | 0:28:57 | |
because every insurance company I've ever been with has been bought up by a bigger company. | 0:28:57 | 0:29:00 | |
So I go home, and I'm sorting through all my bills, | 0:29:00 | 0:29:03 | |
it's very confusing now, | 0:29:03 | 0:29:04 | |
because I get my water from the electricity board now. | 0:29:04 | 0:29:06 | |
I think that's dangerous, though, don't you? | 0:29:06 | 0:29:09 | |
Anyway, so I make a few phone calls and it turns out, | 0:29:09 | 0:29:12 | |
once I've been re-routed via a few gay chatrooms, | 0:29:12 | 0:29:15 | |
that my health insurance is now with Kentucky Fried Chicken. | 0:29:15 | 0:29:19 | |
But that's all right, they say they'll cover all my costs and throw in a party bucket and dips, | 0:29:21 | 0:29:25 | |
so I'm quite happy. So I'm lying there the next week, waiting for my operation, | 0:29:25 | 0:29:28 | |
this little tiny private room, and I'm just lying there, | 0:29:28 | 0:29:31 | |
I've got about half an hour to go before they take me away, | 0:29:31 | 0:29:33 | |
and I've got a television up on the wall, | 0:29:33 | 0:29:35 | |
and I'm watching a Channel 5 documentary - | 0:29:35 | 0:29:37 | |
When Operations Go Wrong. | 0:29:37 | 0:29:38 | |
And it's all about, you know, | 0:29:39 | 0:29:41 | |
people who have gone in for a normal varicose vein operation | 0:29:41 | 0:29:44 | |
and they end up having their bladder re-routed by some maniac | 0:29:44 | 0:29:47 | |
that's come up from the boiler room and put a mask on. | 0:29:47 | 0:29:49 | |
The anaesthetist comes in to talk to me and he says, "Is there anything you're worried about?" | 0:29:49 | 0:29:53 | |
And I said, "Well, yes, I've just seen this thing." I said, | 0:29:53 | 0:29:56 | |
"I'm worried I'm going to wake up in the middle of my operation, | 0:29:56 | 0:29:58 | |
"you know, paralysed, in terrible pain, unable to speak or move, | 0:29:58 | 0:30:01 | |
"with all my bits in a bowl on the sideboard, and somebody going, | 0:30:01 | 0:30:04 | |
"'Read me them instructions again, Joanne.'" | 0:30:04 | 0:30:06 | |
And he said, "That can't happen now." | 0:30:06 | 0:30:08 | |
He said, "We've got a new drug, "that can't happen." | 0:30:08 | 0:30:11 | |
I said, "What, I can't wake up?" | 0:30:11 | 0:30:13 | |
He said, "No, you can wake up." "What, I won't be paralysed?" | 0:30:13 | 0:30:16 | |
He said, "No, you will be." "What, I won't be in terrible pain?" | 0:30:16 | 0:30:18 | |
He said, "No, you will be." I said, "What does the new drug do?" | 0:30:18 | 0:30:20 | |
"Well, it's an amnesiac drug - if something goes wrong, you won't remember it, | 0:30:20 | 0:30:23 | |
"you won't know anything about it." I said, "Well, | 0:30:23 | 0:30:25 | |
"if I start weeing out of my left armpit | 0:30:25 | 0:30:27 | |
"I might notice something's gone wrong." | 0:30:27 | 0:30:29 | |
Anyway, so he goes, and then in comes the man that's going to do the operation. | 0:30:29 | 0:30:32 | |
He says to me, "Where would you like me to put your scar?" | 0:30:32 | 0:30:35 | |
I said, "Look, I don't know, where do you usually put it?" | 0:30:35 | 0:30:38 | |
He said, "Well, we do what we call a bikini-line incision." | 0:30:38 | 0:30:40 | |
He said, "Do you wear a bikini?" I said, "Oh, come on..." | 0:30:40 | 0:30:43 | |
I said, "I didn't take my coat off on a beach until I was 37." | 0:30:45 | 0:30:49 | |
He said, "We try and make sure that it sort of ends up | 0:30:51 | 0:30:54 | |
"being covered by your underwear. Where do your pants come to?" | 0:30:54 | 0:30:57 | |
I said, "It depends, you know? | 0:31:00 | 0:31:02 | |
"It depends where I am in my menstrual cycle, | 0:31:02 | 0:31:04 | |
"where I am in my laundry cycle, you know?" | 0:31:04 | 0:31:06 | |
Different pants for different moods, with me. | 0:31:08 | 0:31:11 | |
M&S, BHS, C&A, PMT - that's how I do it. | 0:31:11 | 0:31:15 | |
LAUGHTER AND APPLAUSE | 0:31:15 | 0:31:16 | |
And he said, "Well, we try and make sure it ends up being covered by your pubic hair." | 0:31:22 | 0:31:26 | |
I said, "Well, you can do it there, but I'll bleed to death." | 0:31:26 | 0:31:30 | |
So he goes away and I've got about half an hour to go before | 0:31:34 | 0:31:37 | |
they come to take me away, so I'm trying to think it through. | 0:31:37 | 0:31:39 | |
I'm thinking, "OK, so they take away your uterus, | 0:31:39 | 0:31:41 | |
"so you can't have any more children." | 0:31:41 | 0:31:43 | |
Well, that's all right, you know, I was 48, I wasn't expecting to have any more, | 0:31:43 | 0:31:46 | |
but if somebody tells me I can't do something, | 0:31:46 | 0:31:48 | |
I have to find a way to do it then. | 0:31:48 | 0:31:50 | |
I was thinking, if I wanted to have a baby, how could I have a baby? | 0:31:50 | 0:31:52 | |
I think, well, I've still got my ovaries, so I've still got my eggs, | 0:31:52 | 0:31:55 | |
all I need to do is to get my eggs and get them implanted into the womb | 0:31:55 | 0:31:58 | |
of another woman. I'm watching Friends at the time, and thinking, | 0:31:58 | 0:32:01 | |
I wouldn't get them implanted into the womb of any of those girls off Friends, | 0:32:01 | 0:32:04 | |
because they're too thin and neurotic-looking, aren't they? | 0:32:04 | 0:32:07 | |
You imagine a poor old foetus going, "For God's sake, breathe out!" | 0:32:07 | 0:32:10 | |
So I changed channel to Oprah Winfrey, I think, "Yes, | 0:32:11 | 0:32:13 | |
"I could get my eggs implanted into the womb of Oprah Winfrey." | 0:32:13 | 0:32:16 | |
She's a nice, big, sturdy, sensible-looking woman. | 0:32:16 | 0:32:18 | |
I think, all I've got to do now is get some sperm from somewhere, | 0:32:18 | 0:32:21 | |
which could be a bit awkward, | 0:32:21 | 0:32:22 | |
because my husband's had a vasectomy. | 0:32:22 | 0:32:24 | |
Didn't tell me, the bloody liar, | 0:32:24 | 0:32:26 | |
said he was going to the garden centre, thank you. | 0:32:26 | 0:32:28 | |
I think, well, | 0:32:30 | 0:32:31 | |
I could have a bit of a fling with the man in the corner shop, | 0:32:31 | 0:32:34 | |
because he's very attractive. We could have like a big smooch | 0:32:34 | 0:32:37 | |
and at the last minute, I could whip out a yoghurt pot. | 0:32:37 | 0:32:39 | |
It could be awkward, though, couldn't it? | 0:32:45 | 0:32:47 | |
The next morning, when I'm popping in for my bran flakes. "Morning!" | 0:32:47 | 0:32:50 | |
I think what I would need to do, really, what would be better, | 0:32:50 | 0:32:53 | |
I should do what a lot of people do, | 0:32:53 | 0:32:54 | |
I could get some sperm off a gay man. | 0:32:54 | 0:32:56 | |
You see, that would be better, because they wouldn't expect | 0:32:56 | 0:32:59 | |
any emotional commitment, you know, | 0:32:59 | 0:33:00 | |
and they might pop in a Dusty Springfield impression, | 0:33:00 | 0:33:03 | |
might make the bed afterwards. | 0:33:03 | 0:33:04 | |
Anyway, I've got about ten minutes to go before they come to take me away | 0:33:04 | 0:33:07 | |
and I'm just thinking, all right, so they take away your uterus, | 0:33:07 | 0:33:10 | |
so what's left? Is it just like a big hole? | 0:33:10 | 0:33:12 | |
I mean, am I supposed to put something in there, you know, | 0:33:12 | 0:33:14 | |
like an ornament or something like that? | 0:33:14 | 0:33:16 | |
Pot pourri, what? Nobody's said. | 0:33:16 | 0:33:18 | |
And, like, does it affect your sex life? | 0:33:20 | 0:33:21 | |
You know, what happens afterwards? Does your husband's penis panic | 0:33:21 | 0:33:24 | |
and say, "Go back, it's too big, it's too big!" | 0:33:24 | 0:33:26 | |
I've got so much to worry about. I've got to fill up a big hole, | 0:33:35 | 0:33:37 | |
I've still got to give pleasure to my husband, how can I do both? | 0:33:37 | 0:33:40 | |
I think, well, I could pop in a sausage sandwich | 0:33:40 | 0:33:42 | |
and a picture of Charlie Dimmock, that would probably do it. | 0:33:42 | 0:33:44 | |
Well, they come to take me away for the operation and what I didn't realise, | 0:33:49 | 0:33:52 | |
because I've never had an operation, they don't take you straight into the operating theatre | 0:33:52 | 0:33:56 | |
because they don't want you to see them clearing up from the operation before, | 0:33:56 | 0:33:59 | |
going, "Oh, no wonder he never responded to oxygen, never had it turned on. Oh, well." | 0:33:59 | 0:34:03 | |
Anyway, I come round after the operation and this nurse says to me, | 0:34:06 | 0:34:08 | |
"You don't have to get up, you don't have to do anything, | 0:34:08 | 0:34:11 | |
"you've got a catheter in and it's draining away to something under the bed, don't worry about it." | 0:34:11 | 0:34:14 | |
I said, "I'd rather get up." "No, there's a catheter in, draining away to something under the bed." | 0:34:14 | 0:34:18 | |
I'm thinking, "To WHAT under the bed? What is it?" | 0:34:18 | 0:34:20 | |
And I can hear this woman going, "Leanne, have you seen my mop bucket?" | 0:34:20 | 0:34:24 | |
They say, "All right." They take the catheter out and say, | 0:34:24 | 0:34:26 | |
"All right, you can get up and go to the bathroom now." I get up, the first time in two days, | 0:34:26 | 0:34:30 | |
and I'm stood there, looking at myself in the mirror. | 0:34:30 | 0:34:32 | |
I'm thinking, "For God's sake, what do you look like?" | 0:34:32 | 0:34:34 | |
I've got no bra on, J-cloth knickers. | 0:34:34 | 0:34:36 | |
I've got this terrible hospital gown, all flowery, | 0:34:38 | 0:34:42 | |
like a 1960s housecoat. I've not washed my hair for two days. | 0:34:42 | 0:34:45 | |
It's gone all flat and the brown bits are showing through. | 0:34:45 | 0:34:47 | |
I've not got my contact lenses in. I've got my glasses on, which are years old. | 0:34:47 | 0:34:50 | |
I'm just stood there thinking, "For God's sake. | 0:34:50 | 0:34:52 | |
"You didn't look so bad when you came in. You've turned into Olive from On The Buses!" | 0:34:52 | 0:34:56 | |
And I'm thinking, "I must get my own pyjamas on and then I'll feel a bit more like myself," | 0:35:01 | 0:35:05 | |
but I don't see how to get my gown off because, on this hand, | 0:35:05 | 0:35:07 | |
I've got a needle in the back of my hand with a drip | 0:35:07 | 0:35:09 | |
going up to this big drip stand on wheels | 0:35:09 | 0:35:11 | |
with a big bag of morphine on it. | 0:35:11 | 0:35:13 | |
Cos when I came round from the operation they said, | 0:35:13 | 0:35:15 | |
"If you need any pain relief, you press this little button | 0:35:15 | 0:35:17 | |
"and you'll get a measured dose of morphine every six minutes." | 0:35:17 | 0:35:20 | |
Well, I thought she meant you HAD to have it every six minutes. | 0:35:20 | 0:35:23 | |
That was a long night! Anyway, so... | 0:35:29 | 0:35:31 | |
So I get my gown off this arm and I get it down the front, | 0:35:31 | 0:35:34 | |
and then I get it down this arm, over the needle, | 0:35:34 | 0:35:37 | |
up the cable, onto the top of the drip stand. | 0:35:37 | 0:35:41 | |
Then I'm stark naked and it's dressed up as me! | 0:35:41 | 0:35:44 | |
So I get my pyjamas on and the nurses come in. | 0:35:50 | 0:35:52 | |
They're so nice. They say, "You're doing so well - you're dressed, | 0:35:52 | 0:35:55 | |
"you're up. You're doing better than anybody else on this whole floor." | 0:35:55 | 0:35:58 | |
Cos everybody on my floor's had the same operation on the same day. | 0:35:58 | 0:36:01 | |
They said, "You're doing really well. Why not take a walk up and down the corridor? Go on." | 0:36:01 | 0:36:04 | |
So I'm walking up and down the corridor like this... | 0:36:04 | 0:36:07 | |
I can see into all the other rooms with the women who had the same operation - all the doors are open. | 0:36:07 | 0:36:11 | |
And all these other women are hoovering and painting the ceiling! | 0:36:11 | 0:36:15 | |
I'm so cross. Anyway, so I get home, and when I get home I think, | 0:36:17 | 0:36:21 | |
"I've really got to have a look at my scar," | 0:36:21 | 0:36:23 | |
cos I especially avoided looking at it all the time I've been in hospital | 0:36:23 | 0:36:26 | |
cos I was a bit too scared to look at it. | 0:36:26 | 0:36:28 | |
I think, "What I'll do, I'll unpack my bag from hospital, | 0:36:28 | 0:36:30 | |
"put on my pyjamas, and then I'll have a look at it." | 0:36:30 | 0:36:32 | |
So I unpack my bag and I've got my pyjama trousers but I haven't got my pyjama jacket. I've left it behind. | 0:36:32 | 0:36:37 | |
I really like it, so I phone the hospital and say, "I'm really sorry. | 0:36:37 | 0:36:39 | |
"I've just checked myself out and I think I left my pyjamas." | 0:36:39 | 0:36:42 | |
She says, "Tell me what operation - I'll call you back." | 0:36:42 | 0:36:44 | |
So I tell her and she calls me back and says, "What floor was it? | 0:36:44 | 0:36:47 | |
"What ward was it? What operation? What are you missing?" | 0:36:47 | 0:36:49 | |
I said, "It's floor ten, ward three, hysterectomy, pyjama jacket." | 0:36:49 | 0:36:52 | |
"All right, I'll call you back." Bit later, the laundry phones | 0:36:52 | 0:36:55 | |
and says, "We think we've got what you want. Ward three, floor ten, | 0:36:55 | 0:36:57 | |
"hysterectomy, missing item. Sending it up now." | 0:36:57 | 0:36:59 | |
Up comes this taxi, refrigerated box - | 0:36:59 | 0:37:02 | |
not my pyjamas, my uterus! | 0:37:02 | 0:37:03 | |
No, no, no... | 0:37:03 | 0:37:04 | |
Yes, I know we have to stop. | 0:37:07 | 0:37:09 | |
I know. I know we have to have an interval. They're like this. I know. | 0:37:09 | 0:37:12 | |
Sorry, I'm getting like Ken Dodd. I can't come off! Anyway... | 0:37:12 | 0:37:14 | |
So I get changed. I think, "I'll have a look at it," and it's not as bad as I thought, actually. | 0:37:16 | 0:37:20 | |
I thought they shaved the whole thing, but they didn't - | 0:37:20 | 0:37:22 | |
they just shaved a little strip across here. | 0:37:22 | 0:37:24 | |
It's like they've shaved a bit and gone, "Come on, Maureen, half past six - karaoke. Come on." | 0:37:24 | 0:37:28 | |
There's, like, a really bald bit across here | 0:37:29 | 0:37:32 | |
and the rest is just sort of hanging down, you know. | 0:37:32 | 0:37:34 | |
No, cos I've more or less let it go, you know, the previous few weeks. | 0:37:34 | 0:37:38 | |
No, cos normally I try and keep up with it a bit, you know. | 0:37:38 | 0:37:42 | |
I chop the odd chunk off now and again. | 0:37:43 | 0:37:45 | |
You know, with the nail scissors. | 0:37:49 | 0:37:50 | |
LAUGHTER | 0:37:50 | 0:37:52 | |
Oh, not just me, then! Ha-ha! | 0:37:52 | 0:37:54 | |
No, I do, I chop bits off, and... | 0:38:00 | 0:38:02 | |
then I don't know what to do with them, so I put them out the window. | 0:38:02 | 0:38:05 | |
No, cos when I was little and we used to clean our hairbrushes, | 0:38:13 | 0:38:16 | |
my mum used to say, "Put the hair out of the window, cos then the birds can make their nests..." | 0:38:16 | 0:38:20 | |
There's some very annoyed birds where I live! | 0:38:29 | 0:38:31 | |
Tapping on the window, going, "Do you mind? | 0:38:33 | 0:38:35 | |
"Can we stick to twigs? People are talking." | 0:38:36 | 0:38:39 | |
Yes, I'm just coming. Anyway, so... | 0:38:40 | 0:38:43 | |
So I look at it, and what it is is, like, a really bald bit | 0:38:43 | 0:38:45 | |
and then the scar, actually, is not that bad. | 0:38:45 | 0:38:47 | |
It's like a little thin mouth, like this. | 0:38:47 | 0:38:50 | |
And if I twitch my stomach muscles at the side, I can make it go up. | 0:38:51 | 0:38:53 | |
I think, "Who does it look like?" | 0:38:58 | 0:38:59 | |
It's like a little mouth, stubbly chin and sidies coming down here. | 0:38:59 | 0:39:03 | |
"Who does it remind me of?" I think, If I had tweed knickers on, | 0:39:03 | 0:39:05 | |
"it would look like John McCririck from Channel 4 Racing." | 0:39:05 | 0:39:08 | |
I'm just coming. I've just got to tell you this, though. | 0:39:11 | 0:39:14 | |
I'm so annoyed, actually, cos it's all grown back now | 0:39:14 | 0:39:17 | |
and the way it's come out, | 0:39:17 | 0:39:18 | |
my scar is just above where my pubic hair comes to. | 0:39:18 | 0:39:21 | |
I'm having to do so much backcombing of a morning now. | 0:39:21 | 0:39:24 | |
Luckily, Nicky Clarke does a lovely pubic mousse, but... | 0:39:32 | 0:39:35 | |
Look, do you want to have a look? | 0:39:38 | 0:39:40 | |
MUSIC PLAYS | 0:39:49 | 0:39:51 | |
CHEERING AND APPLAUSE | 0:39:51 | 0:39:54 | |
Oh, thank you, thank you. | 0:39:59 | 0:40:02 | |
What a welcome. | 0:40:02 | 0:40:03 | |
There must be northern people in this audience tonight. | 0:40:05 | 0:40:09 | |
CHEERING AND APPLAUSE | 0:40:09 | 0:40:11 | |
The atmosphere is so warm. | 0:40:13 | 0:40:16 | |
I'm just getting these warm wafts coming up. | 0:40:16 | 0:40:19 | |
Talk about "on the wings of love". | 0:40:20 | 0:40:23 | |
I am floating two foot in the air, I really am. It's unbelievable. | 0:40:23 | 0:40:27 | |
Oh, I'm filling up now. What am I like? | 0:40:27 | 0:40:29 | |
So many people. Hi, Marion. | 0:40:32 | 0:40:34 | |
God! Not seen you for about 15 years. | 0:40:34 | 0:40:36 | |
How are you? You look gorgeous. | 0:40:36 | 0:40:38 | |
Are you still a prostitute? | 0:40:38 | 0:40:39 | |
What? A cashier? Oh, lovely. | 0:40:42 | 0:40:44 | |
Which bank? Barclays? | 0:40:44 | 0:40:46 | |
Aw. AUDIENCE MEMBER CACKLES | 0:40:46 | 0:40:48 | |
That's a short skirt. Are you moonlighting? | 0:40:53 | 0:40:55 | |
I don't think Nick's had sex for a few nights. Give him a discount. | 0:40:56 | 0:41:00 | |
I can't believe I'm in this hall with all you lovely people. | 0:41:00 | 0:41:04 | |
Oh, there's my mum. Love you, Mum. | 0:41:04 | 0:41:05 | |
Put your knees together. | 0:41:05 | 0:41:07 | |
No, but what a year I have had. | 0:41:09 | 0:41:11 | |
I mean, a year ago I was nobody. | 0:41:11 | 0:41:14 | |
Yes, I was gifted. Yes, I was gorgeous. | 0:41:14 | 0:41:18 | |
But, basically, nobody knew who the Kentucky Fried Fricking Chicken I was. | 0:41:18 | 0:41:22 | |
PHONE BLEEPS | 0:41:22 | 0:41:24 | |
Oh, text message. | 0:41:24 | 0:41:25 | |
SHE CHUCKLES | 0:41:27 | 0:41:29 | |
Anyway... | 0:41:29 | 0:41:30 | |
To plunge into a little Lancashire idiom, last year I was nobody, | 0:41:33 | 0:41:37 | |
I had nothing and, as we say, I didn't have a pot to piss in. | 0:41:37 | 0:41:42 | |
No, I'm not trying to be offensive when I say that. We speak as we find in Radcliffe. | 0:41:42 | 0:41:46 | |
I did not have a pot to piss in, did I, Mum? | 0:41:46 | 0:41:49 | |
A pot to piss in, I did not have. | 0:41:49 | 0:41:52 | |
If somebody'd come to me for a pot, wanting a piss, | 0:41:54 | 0:41:56 | |
I couldn't help them. | 0:41:56 | 0:41:57 | |
Pot-wise, piss-wise... | 0:42:01 | 0:42:04 | |
I was nowhere. | 0:42:04 | 0:42:06 | |
No piss, no pot - that was me, big time. | 0:42:06 | 0:42:09 | |
Anyway, it's a nice little expression, isn't it? | 0:42:09 | 0:42:11 | |
We've got those sayings like that, haven't we, Mum? | 0:42:11 | 0:42:14 | |
What did we use to say to my dad? | 0:42:14 | 0:42:15 | |
"Don't leave your teeth in the bed. My bum's bad enough as it is." | 0:42:15 | 0:42:19 | |
And my own particular favourite... | 0:42:21 | 0:42:22 | |
"If you think you'll have a shag, pop a johnny in your bag." | 0:42:22 | 0:42:27 | |
But what a fantastic chance for me. | 0:42:31 | 0:42:34 | |
There I am singing on our luxury liner, The Watery Queen, | 0:42:34 | 0:42:37 | |
on comes this docu-soap crew, and I didn't realise what a chance it was, | 0:42:37 | 0:42:40 | |
you know. I was quite ambivalatious about them. | 0:42:40 | 0:42:43 | |
I said to them, "You can film me, if you like." | 0:42:44 | 0:42:47 | |
I said, "I've got nothing to hide." I said to them, "I am what I am. | 0:42:47 | 0:42:51 | |
"And what I am needs no excuses." | 0:42:51 | 0:42:53 | |
That is a line from a song from my favourite, favourite, | 0:42:53 | 0:42:56 | |
fabulous all-time show, Cage Aux Folles. | 0:42:56 | 0:42:59 | |
It's a gorgeous show. It's French. It's about these... | 0:42:59 | 0:43:02 | |
It's about these two gay frogs. | 0:43:02 | 0:43:03 | |
Oh, no, sorry - we're not allowed to say that. | 0:43:03 | 0:43:05 | |
It's about these two French poofs and, er... | 0:43:05 | 0:43:07 | |
No, I love... I love gay people. | 0:43:09 | 0:43:11 | |
I couldn't be a gay man, though, could you? | 0:43:11 | 0:43:13 | |
I couldn't face all that ironing. | 0:43:13 | 0:43:15 | |
But what a fantastic chance for me. | 0:43:17 | 0:43:19 | |
And I am truly grateful. | 0:43:19 | 0:43:21 | |
That's one of our mottos, isn't it, Mum? | 0:43:21 | 0:43:23 | |
"Longitude or latitude, | 0:43:23 | 0:43:25 | |
"my attitude is gratitude." | 0:43:25 | 0:43:28 | |
And that has got us through some very sticky situations, hasn't it, Mum? | 0:43:31 | 0:43:34 | |
Last year when my dad was arrested, charged with insulting behaviour, | 0:43:34 | 0:43:38 | |
liable to cause a breach of the peace - | 0:43:38 | 0:43:40 | |
ie running into Sainsbury's stark bollock naked, shouting, "Your Jaffa cakes are crap..." | 0:43:40 | 0:43:45 | |
..and he had to be led into court with a blanket over his head, | 0:43:47 | 0:43:50 | |
I said to my mum, "No, come on, be fair." | 0:43:50 | 0:43:52 | |
I said, "Attitude is gratitude. | 0:43:52 | 0:43:53 | |
"Let's be grateful we've got a bloody blanket." | 0:43:53 | 0:43:56 | |
Anyway, I'm going to finish this part of the show now with a little song. | 0:43:56 | 0:43:59 | |
I think you can all guess what type of song it's going to be. | 0:43:59 | 0:44:02 | |
I am becoming known for my big ballads. | 0:44:02 | 0:44:05 | |
This song is written for, and is dedicated to, | 0:44:10 | 0:44:14 | |
my fiance, Sven. | 0:44:14 | 0:44:16 | |
Lars! God! | 0:44:16 | 0:44:17 | |
What am I like, getting my engagements mixed up now? Sven was another cruise altogether. | 0:44:18 | 0:44:22 | |
Lars, who I met recently in a chip shop in Brindisi. | 0:44:22 | 0:44:26 | |
We were being filmed at the time and he hutched up against me in the queue, | 0:44:26 | 0:44:29 | |
so I think the whole world knows my first words to him were, | 0:44:29 | 0:44:32 | |
"Would you mind not shoving my arse? We're all waiting on battered saveloys." | 0:44:32 | 0:44:36 | |
Since which time, of course, we've had a whirlwind romance. | 0:44:37 | 0:44:40 | |
We've become engaged, we're buying a big house together | 0:44:40 | 0:44:42 | |
just outside Huddersfield, with a granny annexe for my mother | 0:44:42 | 0:44:45 | |
and a secure unit for my father. | 0:44:45 | 0:44:47 | |
And, er... | 0:44:47 | 0:44:49 | |
you know, we've only known each other ten days, but as I said to... | 0:44:49 | 0:44:53 | |
him, I said, | 0:44:53 | 0:44:55 | |
"This was meant to be. | 0:44:55 | 0:44:57 | |
"This was written in the stars. | 0:44:57 | 0:44:59 | |
"This was our destination." | 0:44:59 | 0:45:02 | |
Because before I met him, I was quite... | 0:45:02 | 0:45:04 | |
I was quite soft on the outside | 0:45:04 | 0:45:07 | |
but quite hard and cold on the inside. | 0:45:07 | 0:45:10 | |
A bit like an Arctic roll. | 0:45:10 | 0:45:12 | |
And so I'd like to dedicate this song to my fiance - | 0:45:15 | 0:45:19 | |
I will get his bloody name right, Lars, Lars, Lars - | 0:45:19 | 0:45:22 | |
with thanks for all his care and his love and his dedication. | 0:45:22 | 0:45:25 | |
Plus I must say, he is absolutely top-notch in the underpants department. | 0:45:25 | 0:45:30 | |
This song is called Filling My World. | 0:45:30 | 0:45:33 | |
LAUGHTER | 0:45:35 | 0:45:37 | |
Are you from Barclays as well? | 0:45:38 | 0:45:40 | |
Cos that is what he has done for me. | 0:45:43 | 0:45:45 | |
Filling My World. | 0:45:45 | 0:45:47 | |
# I was lost, I was cold | 0:45:53 | 0:45:54 | |
# Oh, my life was a mockery | 0:45:54 | 0:45:58 | |
# Had no future, no past and no colour but grey | 0:45:58 | 0:46:02 | |
# Stood alone like a gnome not at home in a rockery | 0:46:03 | 0:46:09 | |
# When you came Sent that same grey away | 0:46:09 | 0:46:12 | |
# I was sad, I was dead I was Emily Bronte | 0:46:14 | 0:46:19 | |
# Always looking for love in the mists on the moor | 0:46:19 | 0:46:24 | |
# But my heart held a shard of dead-hard diamante | 0:46:24 | 0:46:30 | |
# Till your knob did the job on my door | 0:46:30 | 0:46:34 | |
# You | 0:46:35 | 0:46:38 | |
# Lightened my life and you frightened my demons away | 0:46:38 | 0:46:43 | |
# You heighten my feelings | 0:46:43 | 0:46:44 | |
# My bust is on fire night and day | 0:46:44 | 0:46:48 | |
# What can I say? | 0:46:48 | 0:46:50 | |
# Since you gave my arse that shove... # | 0:46:50 | 0:46:55 | |
Duh-duh-duh. Get it next time. | 0:46:55 | 0:46:57 | |
# There's blue in the sky above | 0:46:57 | 0:47:02 | |
# Filling my world | 0:47:02 | 0:47:04 | |
# Filling my world with love | 0:47:04 | 0:47:08 | |
# I had nothing, had no-one to even get pissed with | 0:47:12 | 0:47:18 | |
# Lived my life like a fool on a hill or a cloud | 0:47:18 | 0:47:23 | |
# Out of place as Anne Robinson in Aberystwyth | 0:47:23 | 0:47:29 | |
# When you came My defences were down... # | 0:47:29 | 0:47:32 | |
MUSICAL FLOURISH Ooh, I like that! | 0:47:32 | 0:47:34 | |
# Life was dull, life was cheap Like the programmes on Carlton | 0:47:34 | 0:47:40 | |
# Always hoping for something exciting to start | 0:47:40 | 0:47:44 | |
# But my love had grown bald and so, like Bobby Charlton | 0:47:44 | 0:47:49 | |
# I combed across the top of my heart | 0:47:49 | 0:47:53 | |
# But you | 0:47:55 | 0:47:57 | |
# Lighted my dark, you ignited a spark deep inside | 0:47:57 | 0:48:02 | |
# Requited a love in a heart that was unoccupied... # | 0:48:02 | 0:48:07 | |
SHE GROWLS | 0:48:07 | 0:48:08 | |
# I had nowhere to hide | 0:48:08 | 0:48:10 | |
# Just with a single kiss... # | 0:48:10 | 0:48:15 | |
Duh-duh-d... Thank you. | 0:48:15 | 0:48:16 | |
# You plunged into my abyss | 0:48:16 | 0:48:21 | |
# Filling my world | 0:48:21 | 0:48:24 | |
# Filling my world | 0:48:25 | 0:48:27 | |
# With bliss | 0:48:27 | 0:48:28 | |
# Worshipped nothing and no-one | 0:48:32 | 0:48:34 | |
# Had no god or totem | 0:48:34 | 0:48:37 | |
# There was literally no-one for whom I could care | 0:48:38 | 0:48:43 | |
# Then last Feb on the web I caught sight of your scrotum | 0:48:43 | 0:48:48 | |
# As I looked, I was hooked then and there | 0:48:49 | 0:48:53 | |
# But you... # SHE MISSES HIGH NOTE | 0:48:53 | 0:48:56 | |
# Lighten my lumps and you heighten my bumps like a dream | 0:48:56 | 0:49:01 | |
# You whiten the pumps of my life like Meltonian cream | 0:49:01 | 0:49:06 | |
# Until I could scream | 0:49:06 | 0:49:08 | |
# You're King in a world of Kongs | 0:49:08 | 0:49:14 | |
# A big pants in a world of thongs | 0:49:14 | 0:49:19 | |
# Filling my world... # | 0:49:19 | 0:49:21 | |
Let's go for a key change. Go up. | 0:49:21 | 0:49:23 | |
# Filling my wor... | 0:49:23 | 0:49:25 | |
# You | 0:49:25 | 0:49:28 | |
# Your eyes are the size of the fries at the Hollywood Bowl | 0:49:28 | 0:49:33 | |
# It's not a surprise that you managed to fill up the hole | 0:49:33 | 0:49:38 | |
# That's deep in my soul | 0:49:38 | 0:49:41 | |
# When faced with a clitoris | 0:49:41 | 0:49:46 | |
# You don't go, "Oh, cripes, what's this?" | 0:49:46 | 0:49:52 | |
# Filling my world... # | 0:49:52 | 0:49:53 | |
Let's go for another one. Go up a bit. | 0:49:53 | 0:49:55 | |
# Filling my w... | 0:49:55 | 0:49:57 | |
# You... # It's too high! | 0:49:57 | 0:50:00 | |
# You conquer my mountains | 0:50:00 | 0:50:01 | |
LOW-PITCHED: # You fill up my fountains with coins | 0:50:01 | 0:50:05 | |
VARYING PITCH: # Times without counting I'm lost | 0:50:05 | 0:50:07 | |
# In the lust of your loins | 0:50:07 | 0:50:10 | |
# A groin amongst groins | 0:50:10 | 0:50:13 | |
# The minute we kissed | 0:50:13 | 0:50:15 | |
# I knew | 0:50:15 | 0:50:18 | |
# Right there in that chip-shop queue... # | 0:50:18 | 0:50:22 | |
SHE SNORTS | 0:50:22 | 0:50:23 | |
# I'd be filling my world... # | 0:50:23 | 0:50:26 | |
Big finish. | 0:50:26 | 0:50:27 | |
# Filling my world... # Big long note. | 0:50:27 | 0:50:29 | |
# With you. # | 0:50:29 | 0:50:41 | |
CHEERING AND APPLAUSE | 0:50:41 | 0:50:44 | |
God! Give us a drink. | 0:50:57 | 0:50:59 | |
No, just the vodka. | 0:50:59 | 0:51:00 | |
Don't bother with the Orangina. | 0:51:00 | 0:51:02 | |
Oh, God! Couldn't remember his flipping name on the keyboard. | 0:51:02 | 0:51:04 | |
What's his name? Put my microphone back on. | 0:51:04 | 0:51:06 | |
Oh, is it on? Ladies and gentlemen, | 0:51:06 | 0:51:08 | |
will you please join me in thanking my musical director | 0:51:08 | 0:51:11 | |
and keyboard player for this evening only, Mr Nicholas Gilbert? | 0:51:11 | 0:51:16 | |
CHEERING AND APPLAUSE | 0:51:16 | 0:51:19 | |
You know, I've been thinking about giving it up, you know, being a stand-up comedian. | 0:51:30 | 0:51:34 | |
I was thinking about stopping doing it. | 0:51:34 | 0:51:36 | |
-AUDIENCE: -No! -Oh! | 0:51:36 | 0:51:39 | |
No, not tonight. I'll wait till you've gone home. But, er... | 0:51:39 | 0:51:41 | |
No, I don't want to get too middle-aged to do it, you know, | 0:51:44 | 0:51:47 | |
cos I've got really middle-aged lately. | 0:51:47 | 0:51:49 | |
I can't read the paper. I'm doing this with the paper now. | 0:51:49 | 0:51:51 | |
I can't really read it unless the woman in the house across the street holds it up at the bedroom window. | 0:51:51 | 0:51:56 | |
And I can't read the A To Z. Can't read the small streets. | 0:51:57 | 0:52:00 | |
If you don't live on a main road, I'm not coming to see you. | 0:52:00 | 0:52:03 | |
And I can't thread a needle. | 0:52:03 | 0:52:05 | |
One of my children changed schools a bit ago and I had all these name tags to sew on. | 0:52:05 | 0:52:09 | |
I got the needle and I got the thread and I'm like this. | 0:52:09 | 0:52:12 | |
I said, "Right, you're not going to that school now." | 0:52:18 | 0:52:20 | |
No, but you don't want to get too old and out of touch to do it, do you? | 0:52:24 | 0:52:27 | |
I don't want to do all that terrible boasting that people do when they get old. | 0:52:27 | 0:52:31 | |
Like, if you ever see Raquel Welch on a chat show, | 0:52:31 | 0:52:33 | |
she always has to say, "These are my own breasts, you know." | 0:52:33 | 0:52:36 | |
I don't want to be coming on saying, "I've still got my own hips." | 0:52:36 | 0:52:39 | |
I used to do a thing in my show - | 0:52:40 | 0:52:41 | |
I used to say I knew when I was getting older | 0:52:41 | 0:52:43 | |
when I went past a rack of Dr Scholl sandals and went, "Oh, they look comfy." | 0:52:43 | 0:52:47 | |
Now I'm going past going, "Oh, too modern, too modern." | 0:52:49 | 0:52:51 | |
It was a strange year for worrying, really, | 0:52:53 | 0:52:56 | |
because when I came back from hospital they said to me, | 0:52:56 | 0:52:58 | |
"You can't work for eight weeks, | 0:52:58 | 0:53:00 | |
"you can't go to the gym, you can't exercise, you can't lift anything. | 0:53:00 | 0:53:03 | |
"You can't do anything. You can't even do housework." | 0:53:03 | 0:53:05 | |
I said, "I've got to do some housework." They said, "No. | 0:53:05 | 0:53:07 | |
"If you need anything doing, you have to ask your husband to do it." | 0:53:07 | 0:53:10 | |
I said, "Doctor, will I still be able to criticise?" They said yep. | 0:53:10 | 0:53:12 | |
Terrible for me, though. No housework! | 0:53:15 | 0:53:17 | |
I love a bit of a poke round with a toilet brush first thing in the morning. | 0:53:17 | 0:53:21 | |
Some people say that's not the best way to clean the teapot, but I don't care! | 0:53:21 | 0:53:24 | |
My friends said to me, "What are you moaning about? | 0:53:29 | 0:53:31 | |
"You get to lie on the bed. You can read any book you like." | 0:53:31 | 0:53:34 | |
I said, "I can't read any book I like." | 0:53:34 | 0:53:36 | |
I've got a whole stack of books I would like to read | 0:53:36 | 0:53:38 | |
and every time I pick up one of mine, | 0:53:38 | 0:53:40 | |
looking at me very reproachfully from the bedside table | 0:53:40 | 0:53:43 | |
is my copy of Captain Corelli's frigging Mandolin. | 0:53:43 | 0:53:46 | |
Which I cannot be doing with. | 0:53:51 | 0:53:53 | |
Every time I pick up one of mine it's looking at me going, | 0:53:53 | 0:53:55 | |
"Ding-da-ding-ding-ding." So in the end I did not read anything. | 0:53:55 | 0:53:59 | |
I thought, "I'll just lie here. I'll watch the TV. That's all I can do." | 0:53:59 | 0:54:02 | |
I don't know if you've ever tried watching television throughout a whole day. | 0:54:02 | 0:54:07 | |
Oh, it's draining. Just awful. | 0:54:07 | 0:54:09 | |
I'd start about half past nine, once my children had gone to school. | 0:54:09 | 0:54:12 | |
I started with a discussion programme, | 0:54:12 | 0:54:14 | |
one of those whingeing programmes, like Trisha. | 0:54:14 | 0:54:17 | |
And even with the sound off, they're depressing. | 0:54:17 | 0:54:19 | |
You can see the captions. "I'm embarrassed by my dad's nose hair." | 0:54:19 | 0:54:23 | |
"We haven't spoken for 30 years. We fell out over yogurt." | 0:54:23 | 0:54:26 | |
So I always turn over then to the American ones | 0:54:26 | 0:54:28 | |
and they're much, much worse - things like Jerry Springer. | 0:54:28 | 0:54:30 | |
All these huge, horrible, dysfunctional people all thumping each other. | 0:54:30 | 0:54:34 | |
You turn it on and think, "Who told those sumo wrestlers to wear those blouses?" | 0:54:34 | 0:54:38 | |
"Oh, they're women!" They're women! | 0:54:38 | 0:54:39 | |
They've all done really horrible things to each other and they're really proud of themselves. | 0:54:39 | 0:54:43 | |
The woman's going, "So you actually made love with your sister's husband?" "Uh-huh." | 0:54:43 | 0:54:47 | |
"And this was in a church?" | 0:54:48 | 0:54:50 | |
"Uh-huh." | 0:54:50 | 0:54:51 | |
"And this was during your mother's funeral?" "Uh-huh." | 0:54:51 | 0:54:54 | |
Or there'll be some bloke sat there. "So, Frank, you cut off your own penis to win an argument?" "Uh!" | 0:54:55 | 0:54:59 | |
"So you have no penis?" | 0:55:00 | 0:55:01 | |
"No, but I won an argument." "Oh, good." | 0:55:01 | 0:55:03 | |
They had a thing on mismatched couples. | 0:55:03 | 0:55:06 | |
They had loads of these little teeny, wizened old men of about 99 | 0:55:06 | 0:55:09 | |
married to these huge girls of about 17 with huge silicone breasts. | 0:55:09 | 0:55:13 | |
And I turned it over and there was one about women and boys | 0:55:13 | 0:55:16 | |
and there was this woman of about 65 married to a boy of about 13 | 0:55:16 | 0:55:19 | |
and it said, "I'm 65, he's 13. He's the best lover I ever had." | 0:55:19 | 0:55:23 | |
And then another one came on. "I'm 65, he's 13. | 0:55:23 | 0:55:25 | |
"He's the best pimp I ever had." | 0:55:25 | 0:55:27 | |
I'm sorry - whatever happened to, | 0:55:27 | 0:55:29 | |
"I'm 65, he's 13. I'm his piano teacher"? | 0:55:29 | 0:55:31 | |
Wouldn't that be nicer? | 0:55:31 | 0:55:33 | |
And on Jerry Springer, any excuse to bring women on in their underwear. | 0:55:34 | 0:55:39 | |
And on Jerry Springer, the bigger the better. | 0:55:39 | 0:55:41 | |
There's always some item like, | 0:55:41 | 0:55:43 | |
"My wife is too heavy for skimpy lingerie." | 0:55:43 | 0:55:46 | |
And they say, "Well, let's have a look at her." On she comes. "Whoo!" | 0:55:46 | 0:55:49 | |
And I'm thinking, "No, she is. She is too heavy." | 0:55:51 | 0:55:54 | |
I'm thinking, "She'll not get that G-string off without a tyre lever." | 0:55:57 | 0:56:01 | |
Then I have to turn back onto the main channels. | 0:56:03 | 0:56:05 | |
In the middle of the morning, it's all makeover programmes. | 0:56:05 | 0:56:08 | |
All your house programmes and your garden programmes. | 0:56:08 | 0:56:10 | |
Then I'm just lying there racked with guilt. | 0:56:10 | 0:56:12 | |
I'm thinking, "I shouldn't be lying here. | 0:56:12 | 0:56:14 | |
"I should be tacking a bit of chicken wire over my kitchen cupboards. | 0:56:14 | 0:56:17 | |
"I should be cutting wacky shapes in MDF and spraying them silver. | 0:56:18 | 0:56:22 | |
"I should be nailing sheets of perforated zinc over my bathroom windows." | 0:56:22 | 0:56:26 | |
I thought they only did that when you'd been evicted, but no. | 0:56:26 | 0:56:29 | |
There's so many of them. There's too many of them. | 0:56:30 | 0:56:32 | |
I used to really like it when there was just one garden makeover programme. | 0:56:32 | 0:56:36 | |
There was just Ground Force. It used to be on BBC Two and nobody much watched it. I really liked that. | 0:56:36 | 0:56:40 | |
They'd turn up to a little house and this poor bloke would be sent away | 0:56:40 | 0:56:42 | |
on some pretext and then they'd go into this little overgrown back garden and - whoosh - | 0:56:42 | 0:56:46 | |
two days later, it would all be just covered in planks. | 0:56:46 | 0:56:49 | |
With one zinc bucket in the middle with a cactus in it. | 0:56:51 | 0:56:53 | |
And this poor unsuspecting bugger would come back and go, | 0:56:55 | 0:56:58 | |
"Oh, I've always wanted to sit on a load of two-by-one looking at a wet pebble." | 0:56:58 | 0:57:02 | |
"By the way, where are my gooseberry bushes?" | 0:57:06 | 0:57:10 | |
They're all over the place, these makeover programmes. | 0:57:10 | 0:57:12 | |
And the people who present them are now considered to be stars in their own right, | 0:57:12 | 0:57:16 | |
and they're not - most of them are just builders. | 0:57:16 | 0:57:18 | |
The only difference between those builders and our builders | 0:57:18 | 0:57:20 | |
is that those builders have turned up. | 0:57:20 | 0:57:22 | |
I saw this terrible programme a bit ago | 0:57:26 | 0:57:28 | |
and it was called All-Star Family Fortunes, | 0:57:28 | 0:57:31 | |
and it had two teams. It was makeover people. | 0:57:31 | 0:57:33 | |
It had a makeover team, a house team and a garden team, | 0:57:33 | 0:57:35 | |
and you'd never heard of any of them. | 0:57:35 | 0:57:37 | |
I thought, "I'm sorry - they're not stars." | 0:57:37 | 0:57:38 | |
To me, stars are people like Madonna or Elizabeth Taylor. | 0:57:38 | 0:57:41 | |
You can't be a star if your only claim to fame is that you've got your own spirit level. | 0:57:41 | 0:57:45 | |
I think the worst programme I saw | 0:57:47 | 0:57:48 | |
the whole time I was lying on the bed was this thing called | 0:57:48 | 0:57:51 | |
Touch The Truck, which I don't think a lot of people saw. | 0:57:51 | 0:57:54 | |
It was a truck, right? | 0:57:54 | 0:57:57 | |
And there was a lot of people stood round touching it... | 0:57:57 | 0:57:59 | |
..like, for a long time. | 0:58:00 | 0:58:02 | |
And the last person left touching it got it. | 0:58:02 | 0:58:05 | |
I'm probably making it sound more interesting than what it was, but... | 0:58:06 | 0:58:09 | |
It was just a lot of people stood round a truck like this. | 0:58:12 | 0:58:14 | |
They tried to make it interesting - | 0:58:14 | 0:58:16 | |
they had a gay person, a black person, a homeless person, | 0:58:16 | 0:58:18 | |
a person with a bad wrist. Ooh, they couldn't do it. | 0:58:18 | 0:58:21 | |
And it wasn't even in a studio, | 0:58:21 | 0:58:23 | |
so you didn't have a studio audience going, "Whoo!" | 0:58:23 | 0:58:25 | |
It was in a shopping centre. | 0:58:25 | 0:58:27 | |
So all you had is an audience with people going past going... | 0:58:27 | 0:58:30 | |
They wouldn't stop, cos they'd come to do their shopping. | 0:58:35 | 0:58:38 | |
They'd stop for a bit and then go, "Come on. Brown jacket, Marks's." | 0:58:38 | 0:58:41 | |
You get some terrible, terrible adverts on in the afternoon | 0:58:43 | 0:58:46 | |
and they're so depressing cos they're all aimed at people in debt. | 0:58:46 | 0:58:49 | |
"Are you finding it difficult to get credit? | 0:58:51 | 0:58:54 | |
"County Court Judgment? | 0:58:54 | 0:58:56 | |
"Struggling with several small, manageable loans? | 0:58:56 | 0:58:58 | |
"Let us lend you some money | 0:58:58 | 0:58:59 | |
"and then you can struggle with one huge unmanageable loan." | 0:58:59 | 0:59:02 | |
And there's always quite a few aimed at elderly people. | 0:59:05 | 0:59:08 | |
"Would you like to release some capital? | 0:59:08 | 0:59:10 | |
"Sell your house, bugger your grandchildren, go on." | 0:59:10 | 0:59:13 | |
And there's always one for a stairlift in the afternoons. | 0:59:14 | 0:59:17 | |
I love those. I would never be off my stairs if I had one of those. | 0:59:17 | 0:59:20 | |
There's always another one. | 0:59:20 | 0:59:22 | |
Have you seen this one? I don't know if it's just me. | 0:59:22 | 0:59:25 | |
Have you seen the one with the bath that opens at the front? | 0:59:25 | 0:59:28 | |
Am I missing something with that? | 0:59:31 | 0:59:33 | |
It can't just be that you open it up, | 0:59:35 | 0:59:37 | |
whoosh, rubber ducks all over the carpet! | 0:59:37 | 0:59:39 | |
There must be some system | 0:59:41 | 0:59:43 | |
whereby the water drains out, the door opens, | 0:59:43 | 0:59:45 | |
you're sitting there. So instead of ruining your carpet, | 0:59:45 | 0:59:47 | |
you get hypothermia, I suppose. | 0:59:47 | 0:59:49 | |
The ones I really can't bear | 0:59:51 | 0:59:52 | |
are the ones that encourage you to sue for compensation. | 0:59:52 | 0:59:55 | |
You know the ones that say, | 0:59:55 | 0:59:56 | |
"Have you had an injury and it wasn't your fault? | 0:59:56 | 0:59:59 | |
"Have you been hit over the head with a brick?" | 0:59:59 | 1:00:02 | |
"I was hit over the head with a brick. | 1:00:03 | 1:00:05 | |
"I was awarded £3,000." | 1:00:05 | 1:00:06 | |
"I chipped a front tooth on a piece of a neighbour's home-made flapjack. | 1:00:09 | 1:00:11 | |
"I was awarded £5,000." | 1:00:11 | 1:00:13 | |
"Somebody said my arse looked like the loading bay of Do It All. | 1:00:15 | 1:00:18 | |
"I was awarded £10,000." | 1:00:18 | 1:00:19 | |
"I opened my bath when it was still full, and flooded my carpet | 1:00:23 | 1:00:26 | |
"and got nothing at all." | 1:00:26 | 1:00:28 | |
But usually in the afternoons on Channel 5 there's a nice movie | 1:00:30 | 1:00:33 | |
and they show the movie right the way through with no adverts, | 1:00:33 | 1:00:35 | |
so I usually turn onto that. They're not terribly good movies. | 1:00:35 | 1:00:38 | |
Some of them are American and they're usually starring girls | 1:00:38 | 1:00:41 | |
who've got too old to be in Charlie's Angels. | 1:00:41 | 1:00:44 | |
Or there's often that woman who used to be in Cagney And Lacey. | 1:00:44 | 1:00:46 | |
I can't remember. Not the one that used to go, "Christine!" | 1:00:46 | 1:00:49 | |
Not that one. The other one. | 1:00:49 | 1:00:50 | |
Remember? I used to love her. "Christine!" I liked her. | 1:00:50 | 1:00:53 | |
I could do that voice. | 1:00:53 | 1:00:54 | |
The only other voice I've ever been able to do | 1:00:54 | 1:00:56 | |
was Mrs Bridges from Upstairs Downstairs. | 1:00:56 | 1:00:59 | |
"Oh, Ruby." I can do that. | 1:01:00 | 1:01:02 | |
But lately on the television, they've had these terrible, | 1:01:06 | 1:01:08 | |
terrible English thrillers. | 1:01:08 | 1:01:10 | |
Murder mysteries from the mid 1970s, and they're just awful | 1:01:10 | 1:01:12 | |
but they're very easy to follow. | 1:01:12 | 1:01:14 | |
I'm not very good with plots, and they're usually set in London. | 1:01:14 | 1:01:17 | |
They're about two girls looking for a flat to rent. | 1:01:17 | 1:01:19 | |
They'll be looking through the paper and it'll say, "flats to rent". | 1:01:19 | 1:01:22 | |
Good, I'm with it so far. | 1:01:22 | 1:01:24 | |
And they look through the paper | 1:01:25 | 1:01:26 | |
and one of them says, "Oh, this is a cheap flat. | 1:01:26 | 1:01:28 | |
"Carlton Towers." And the other one goes, "Carlton Towers? | 1:01:28 | 1:01:31 | |
"That's the block of flats where eight girls who looked | 1:01:31 | 1:01:34 | |
"just like you have been murdered." | 1:01:34 | 1:01:36 | |
And I think, "If that was me, I wouldn't even go and look at it," | 1:01:40 | 1:01:42 | |
you know? | 1:01:42 | 1:01:44 | |
"It's all right. I'll stick on the inflatable bed | 1:01:44 | 1:01:46 | |
"in my mum's front room." | 1:01:46 | 1:01:47 | |
But they always go and have a look, don't they? | 1:01:47 | 1:01:50 | |
And they have to duck under scene-of-crime tape to get in. | 1:01:50 | 1:01:53 | |
There'll be bloody handprints dragging down the walls | 1:01:53 | 1:01:56 | |
and a chalk silhouette of a dead girl on the kitchen floor. | 1:01:56 | 1:02:00 | |
And they're still going, "It's nice and airy. | 1:02:00 | 1:02:04 | |
"Do you think my dresser would fit in there between those two mocking | 1:02:04 | 1:02:08 | |
"death threats that somebody's painted on the wall?" | 1:02:08 | 1:02:10 | |
And she always moves in, the girl. | 1:02:10 | 1:02:11 | |
Within minutes, there's a man with an infrared telescope trained on her | 1:02:11 | 1:02:14 | |
from across the road. | 1:02:14 | 1:02:16 | |
There's a pig's head behind the shower curtain, with a blonde wig | 1:02:16 | 1:02:19 | |
and lipstick. There's a death threat on the answerphone from her | 1:02:19 | 1:02:22 | |
psychopathic twin sister who was killed ten years ago in a car crash. | 1:02:22 | 1:02:25 | |
Does she run screaming from the flat? | 1:02:25 | 1:02:27 | |
No. She answers the front door in her bra and pants... | 1:02:27 | 1:02:30 | |
..to a delivery boy with no identification | 1:02:31 | 1:02:33 | |
holding a ticking fruit basket. | 1:02:33 | 1:02:35 | |
And then some hours later, when she is unaccountably still alive, | 1:02:36 | 1:02:39 | |
she's the only person in the block of flats that night. | 1:02:39 | 1:02:41 | |
Everybody else is out at a fireworks display in the middle of Regent's Park. | 1:02:41 | 1:02:44 | |
A freak electric storm has wiped out the entire emergency telephone system, | 1:02:44 | 1:02:47 | |
the lift isn't working, the basement lights, | 1:02:47 | 1:02:49 | |
where the washing machine is, are flickering on and off, | 1:02:49 | 1:02:52 | |
and she still goes down there in the middle of the night | 1:02:52 | 1:02:54 | |
to do her bloody washing. | 1:02:54 | 1:02:55 | |
And I'm going, "Don't go! | 1:02:57 | 1:02:59 | |
"You can wear the same pair of tights two days running. | 1:02:59 | 1:03:03 | |
"Just dip the crotch in the washbasin | 1:03:03 | 1:03:05 | |
"and hang them over the grill." | 1:03:05 | 1:03:07 | |
Anyway, the trouble is, I wake up properly | 1:03:11 | 1:03:13 | |
about four o'clock in the morning, the worst time. | 1:03:13 | 1:03:15 | |
If you suffer from any sort of depression, | 1:03:15 | 1:03:17 | |
four o'clock is the worst time. | 1:03:17 | 1:03:19 | |
I start churning over everything in my mind about my job, my career, | 1:03:19 | 1:03:21 | |
my children, my marriage, everything. | 1:03:21 | 1:03:23 | |
And I'm thinking about the therapist and what she said to me. | 1:03:23 | 1:03:26 | |
She said to me, "If you want to put a little bit of the spark back in your marriage," | 1:03:26 | 1:03:29 | |
because I've been married a long time, | 1:03:29 | 1:03:31 | |
"have you ever thought of booking a session with a sex therapist? | 1:03:31 | 1:03:34 | |
"You can book half an hour with them and they'll teach you new sexual techniques." | 1:03:34 | 1:03:37 | |
I said, "I don't think I could learn any now. | 1:03:37 | 1:03:40 | |
"I think it would take me too long. It's taken me about 20 years | 1:03:40 | 1:03:43 | |
"to remember when we are making love not to say, | 1:03:43 | 1:03:45 | |
" 'Did you do the bins?' " | 1:03:45 | 1:03:46 | |
But I said to her, "Anyway, it's not about sex. It's about romance. | 1:03:57 | 1:03:59 | |
"I have been married a long time and I would like to put a little bit of | 1:03:59 | 1:04:02 | |
"the romance back." She said, "What about, one evening, | 1:04:02 | 1:04:04 | |
have you ever thought about cooking a little romantic supper just for | 1:04:04 | 1:04:07 | |
"you and your husband?" I said, "Yes, I've thought about it." | 1:04:07 | 1:04:10 | |
"I've got children. Like a lot of people, | 1:04:10 | 1:04:12 | |
"I work all day, I finish work, | 1:04:12 | 1:04:13 | |
"I go to get my children from school, I bring them back. | 1:04:13 | 1:04:16 | |
"One's not got their PE kit. We go back, we come back again. | 1:04:16 | 1:04:18 | |
"One's not got their homework, we go back, we come back again. | 1:04:18 | 1:04:21 | |
"One's got one of his new shoes missing | 1:04:21 | 1:04:23 | |
"and he's wearing another child's hearing aid..." | 1:04:23 | 1:04:25 | |
I go, "What are you doing with that?" And he's going, "He lets me." | 1:04:30 | 1:04:33 | |
"But, yeah, I know..." | 1:04:33 | 1:04:34 | |
We take that back, we come back. | 1:04:40 | 1:04:42 | |
There's 12 Cubs on the doorstep waiting to be driven to Whipsnade. | 1:04:42 | 1:04:45 | |
They're going, "Didn't you get the letter?" | 1:04:46 | 1:04:48 | |
I'm going, "What letter? What letter?" | 1:04:48 | 1:04:50 | |
We take them, we come back. I say, "Right, where is this letter?" | 1:04:52 | 1:04:55 | |
He shows me a drawer - ten years' worth of letters I've never seen. | 1:04:55 | 1:04:58 | |
The bottom one, from ten years ago, says, | 1:04:58 | 1:05:00 | |
"Your child has been identified as the source of the outbreak of nits." | 1:05:00 | 1:05:03 | |
Oh, well, too late now. | 1:05:03 | 1:05:05 | |
The top one says, "Your child has been given three parts in the school play | 1:05:08 | 1:05:11 | |
"and we need three costumes by tomorrow morning." Oh, good. | 1:05:11 | 1:05:14 | |
"A satsuma, a skyscraper and Lady Jane Grey." | 1:05:14 | 1:05:16 | |
So, there's me, there's your romantic evening going, there is me | 1:05:16 | 1:05:19 | |
trying to make the costume. My other child is walking around | 1:05:19 | 1:05:21 | |
with a mobile phone clamped to its head. | 1:05:21 | 1:05:23 | |
I'm going, "Where did you get the money to buy that?" | 1:05:23 | 1:05:26 | |
She says, "I hope you don't mind, I sold my bunk beds." "I do mind!" | 1:05:26 | 1:05:29 | |
So I'm there with a piece of shirt cardboard trying to make | 1:05:29 | 1:05:31 | |
an Elizabethan frill, trying to get the one on the phone | 1:05:31 | 1:05:34 | |
to come off the phone and clear the table. | 1:05:34 | 1:05:36 | |
Won't come off the phone, have to send her a text message, "Please..." | 1:05:36 | 1:05:40 | |
I said to this woman, I said, "It's very hard to be romantic | 1:05:43 | 1:05:46 | |
"when you've got children." I said, "Rightly or wrongly, | 1:05:46 | 1:05:48 | |
"I've put a huge amount of energy into my children because I've always | 1:05:48 | 1:05:51 | |
"tried to be the perfect mummy." I mean, I'm not, I'm not, | 1:05:51 | 1:05:55 | |
I'm terrible, I'm so bossy and naggy and shouty, | 1:05:55 | 1:05:57 | |
but I've always wanted to be like a mummy in a book. | 1:05:57 | 1:06:00 | |
Well, I am, but it's that book about Joan Crawford, unfortunately. | 1:06:00 | 1:06:04 | |
I mean, I do try. | 1:06:08 | 1:06:10 | |
I try and do everything that they want to do. | 1:06:10 | 1:06:12 | |
Like, you know, for years they've all had their birthday parties | 1:06:12 | 1:06:15 | |
in these terrible soft-play places. | 1:06:15 | 1:06:17 | |
You know, like Wacky Warehouse and Clown Town, Monkey Business, | 1:06:17 | 1:06:19 | |
Pirates' Playhouse... | 1:06:19 | 1:06:20 | |
All their friends have had all their birthday parties in the same places. | 1:06:20 | 1:06:24 | |
And I think, "For God's sake, | 1:06:24 | 1:06:25 | |
"have I got to spend every Saturday afternoon in my life | 1:06:25 | 1:06:27 | |
"in a shed off the North Circular?" | 1:06:27 | 1:06:30 | |
I can't hear myself think with mad children screaming, | 1:06:30 | 1:06:33 | |
the whole place stinking of old wee-wee and Monster Munch. | 1:06:33 | 1:06:35 | |
My trouble is, I read too much Enid Blyton when I was little. | 1:06:41 | 1:06:44 | |
I've got a very idealised view of what a mummy should be like. | 1:06:44 | 1:06:47 | |
I'm always wanting to run in and say, "Look, darlings, the sun is shining, | 1:06:47 | 1:06:50 | |
"let's pack a bag, let's go for a picnic, come on." | 1:06:50 | 1:06:53 | |
And they're supposed to go, | 1:06:53 | 1:06:55 | |
"Oh, Mummy, you're the best mummy in the world." | 1:06:55 | 1:06:57 | |
Hasn't happened yet. | 1:06:59 | 1:07:01 | |
Sometimes, I try - I go in, "I say, look, look, it's a really nice day. | 1:07:01 | 1:07:04 | |
"Shall we go for a picnic? And they go..." | 1:07:04 | 1:07:06 | |
SHE BEEPS | 1:07:06 | 1:07:07 | |
Once I managed to get them out. | 1:07:10 | 1:07:12 | |
Once. I said to them, this summer, I said, | 1:07:12 | 1:07:14 | |
"Look, Daddy's away tomorrow. Why don't we all get in the car, | 1:07:14 | 1:07:16 | |
"really early, tomorrow morning, we'll drive out to the seaside, really early, beat all the traffic, | 1:07:16 | 1:07:20 | |
"go somewhere we've never been before, we'll play on the beach, | 1:07:20 | 1:07:23 | |
"we'll have a paddle, we'll have ice creams, have a fantastic time - | 1:07:23 | 1:07:25 | |
"what do you say?" And they said, "All right." | 1:07:25 | 1:07:27 | |
The next morning we got up really, really early, we got in the car, | 1:07:27 | 1:07:30 | |
we drove out of London, no traffic, we found a beach, | 1:07:30 | 1:07:32 | |
somewhere we'd never been before, we paddled, we played, | 1:07:32 | 1:07:34 | |
we had ice creams, I looked at my watch, | 1:07:34 | 1:07:36 | |
it was half past nine in the morning... | 1:07:36 | 1:07:39 | |
I'm thinking, "What are we going to do now?" | 1:07:41 | 1:07:43 | |
Now, if you're ever tempted to try this sort of mad escapade, | 1:07:43 | 1:07:46 | |
I'd just say, don't do it in East Anglia. | 1:07:46 | 1:07:50 | |
There's nothing to do. I'd never been there before. | 1:07:50 | 1:07:52 | |
I'm never going there again. | 1:07:52 | 1:07:55 | |
I'd never seen the point of it as a place. | 1:07:55 | 1:07:57 | |
To me, it was just a big landmass. | 1:07:57 | 1:07:59 | |
I thought it was designed to stop the people of Hull | 1:07:59 | 1:08:02 | |
doing their shopping in London. I didn't know what it was for. | 1:08:02 | 1:08:05 | |
So there was nothing to do. So I went to the Tourist Information. | 1:08:08 | 1:08:11 | |
I got all these leaflets and brought them back, | 1:08:11 | 1:08:13 | |
and we're sitting in the car, and it's pissing down by this point, | 1:08:13 | 1:08:15 | |
of course. And everything is shut, because of the foot-and-mouth. | 1:08:15 | 1:08:18 | |
I'm going, "We've got animal farm, butterfly farm, zoo - closed, closed, closed. | 1:08:18 | 1:08:22 | |
"Here we are, this is open - slipper factory. | 1:08:22 | 1:08:25 | |
"Quiz trail for the under-12s. | 1:08:25 | 1:08:27 | |
"Chance to buy rejects and misshapes." | 1:08:27 | 1:08:29 | |
All right, then. "Here we are, this looks good - | 1:08:29 | 1:08:32 | |
"all-year-round adventure park. | 1:08:32 | 1:08:33 | |
"Water rides, roller-coasters, | 1:08:33 | 1:08:35 | |
"open every day of the year except Christmas Day, Boxing Day and... | 1:08:35 | 1:08:39 | |
"today". So, in the end, | 1:08:39 | 1:08:41 | |
there's only one place left open in the whole of East Anglia. | 1:08:41 | 1:08:44 | |
I'm driving towards it. | 1:08:44 | 1:08:46 | |
I've got the little... I'm trying to read the little map with one hand, | 1:08:46 | 1:08:49 | |
I'm trying to steer with the other hand | 1:08:49 | 1:08:50 | |
and smack my children with another hand I haven't got. | 1:08:50 | 1:08:53 | |
And the rain is sheeting down, | 1:08:53 | 1:08:54 | |
they've been eating nonstop all day, | 1:08:54 | 1:08:56 | |
the car is littered with old tin cans | 1:08:56 | 1:08:58 | |
and crisp packets, sweet wrappers... | 1:08:58 | 1:09:00 | |
The whole car is like a shantytown. | 1:09:00 | 1:09:02 | |
It's like a shantytown - you wouldn't be surprised to see | 1:09:02 | 1:09:05 | |
Davina McCall down by the gear lever for Comic Relief, crying, | 1:09:05 | 1:09:08 | |
"These poor people..." | 1:09:08 | 1:09:11 | |
And my children are in the back, numb with sugar. | 1:09:11 | 1:09:15 | |
Cadbury's Creme Eggs hanging out their mouths... | 1:09:24 | 1:09:27 | |
I think, "How has this happened? | 1:09:28 | 1:09:30 | |
"I never actually meant to bring them up like this." | 1:09:30 | 1:09:32 | |
You know, when they were born I was really, really strict | 1:09:32 | 1:09:35 | |
about everything, you know? They were brought up on these, like, | 1:09:35 | 1:09:37 | |
filtered water and organic stone-ground muesli. | 1:09:37 | 1:09:40 | |
Now they won't even eat chips because a little know-all bastard | 1:09:40 | 1:09:43 | |
at school told them a potato was a vegetable. | 1:09:43 | 1:09:46 | |
Anyway, I finally get to this place and I say, "Come on, kids, out we get." | 1:09:51 | 1:09:55 | |
We're standing there in the rain. | 1:09:55 | 1:09:56 | |
I say, "Look, this is going to be good - | 1:09:56 | 1:09:58 | |
"The Tungsten and Ball Bearing Experience." | 1:09:58 | 1:10:01 | |
And all it is is just a big old factory, | 1:10:03 | 1:10:05 | |
and they've just crossed out the word "factory" | 1:10:05 | 1:10:08 | |
and written in the word "experience". | 1:10:08 | 1:10:10 | |
And there are two cartoon figures, | 1:10:10 | 1:10:11 | |
two cardboard cut-outs, in the doorway - | 1:10:11 | 1:10:13 | |
Tommy Tungsten and Bobby Ball Bearing. | 1:10:13 | 1:10:15 | |
And I'm just stood in the middle - I just wanted to burst into tears, | 1:10:15 | 1:10:18 | |
I wanted to go, "I'm cold, I'm wet, | 1:10:18 | 1:10:20 | |
"I've dented the back of my car reversing into a bollard | 1:10:20 | 1:10:23 | |
"because I was so busy smacking my children I wasn't looking where I was going. | 1:10:23 | 1:10:26 | |
"I'm in the middle of a big old shed in East Anglia, | 1:10:26 | 1:10:29 | |
"looking at ball bearings!" | 1:10:29 | 1:10:31 | |
But you don't do that, you try and hold it together, you know? | 1:10:31 | 1:10:34 | |
You're a mother - you try and make it a fun, interesting, | 1:10:34 | 1:10:36 | |
educational experience. | 1:10:36 | 1:10:38 | |
"Kids, and come and look at this glass case, | 1:10:38 | 1:10:39 | |
"come and look at this, look - see how the design of | 1:10:39 | 1:10:42 | |
"the protective telephone casing has altered since 1916?" | 1:10:42 | 1:10:45 | |
I said to the woman, "It is very hard, actually, | 1:10:48 | 1:10:50 | |
"to be romantic when you spend your whole days doing things like that." | 1:10:50 | 1:10:53 | |
And she said, "Well, I wouldn't recommend this to everybody, | 1:10:53 | 1:10:56 | |
"but have you ever thought - if you want to put a little bit of a spark back in your marriage, | 1:10:56 | 1:10:59 | |
"have you ever thought of having an affair? It can work." I said, "What, sleeping with somebody else?" | 1:10:59 | 1:11:03 | |
And she said, "Yeah." I said, "No, I haven't thought about it. | 1:11:03 | 1:11:06 | |
I said, "A - because I don't want to, and B - | 1:11:06 | 1:11:08 | |
"I've been sleeping with the same person now since I was 23," | 1:11:08 | 1:11:11 | |
I said, "have you any idea of the work I would have to do on myself?" | 1:11:11 | 1:11:15 | |
I said, "I'm already doing everything I know how to do. | 1:11:22 | 1:11:24 | |
"I am already exercising all the time, I'm always doing new things, | 1:11:24 | 1:11:27 | |
"and every new thing I do I have to, you know, spend some money. | 1:11:27 | 1:11:30 | |
"Like, I do cycling, I've had to buy a bike. | 1:11:30 | 1:11:32 | |
"I do yoga, I've had to buy a mat. | 1:11:32 | 1:11:34 | |
"I do step classes, I've had to buy special trainers. | 1:11:34 | 1:11:36 | |
"There's only about one thing left I haven't done that wouldn't | 1:11:36 | 1:11:38 | |
"cost me any more money, and that would be belly dancing. | 1:11:38 | 1:11:41 | |
"In fact, I could supply spares for them." | 1:11:41 | 1:11:43 | |
And she said, "No, no, you don't need to do anything like that. | 1:11:43 | 1:11:46 | |
"There's marvellous underwear now. | 1:11:46 | 1:11:47 | |
"You can get these special support tights that hold your legs in | 1:11:47 | 1:11:50 | |
and special body-shaper things that squinch you in in the middle." | 1:11:50 | 1:11:53 | |
I said, "If they squinch me in the middle, where will the rest of me go? | 1:11:53 | 1:11:56 | |
"My breasts will be up here - | 1:11:56 | 1:11:58 | |
"I'll have to breathe through a straw, like this." | 1:11:58 | 1:12:01 | |
I said, "I know you can get these knickers that do everything - | 1:12:04 | 1:12:07 | |
"what happens when you take them off?" | 1:12:07 | 1:12:09 | |
I said, "It would be like a dinghy coming down from air-sea rescue." | 1:12:12 | 1:12:15 | |
I said, "And even if I could sleep with somebody, | 1:12:21 | 1:12:24 | |
"which I don't think I can, what's going to happen the next morning?" | 1:12:24 | 1:12:26 | |
I said, "He's not going to understand our bathroom arrangements, is he? | 1:12:26 | 1:12:30 | |
"You know, it's all very well having a night of passion - | 1:12:30 | 1:12:33 | |
"the next morning he gets up and I'm going, 'Don't flush, I want one.' " | 1:12:33 | 1:12:36 | |
I said to her, "It's not about sex. It's about romance. | 1:12:45 | 1:12:47 | |
She said, "All right, I hear what you're saying. | 1:12:47 | 1:12:50 | |
She said, "Now, you have a little roof terrace in your house." | 1:12:50 | 1:12:53 | |
I said, "Yeah, we have a little roof terrace outside our bedroom. | 1:12:53 | 1:12:55 | |
She said, "Well, one evening, nice moonlit night, | 1:12:55 | 1:12:58 | |
"when the children are asleep, go up to your roof terrace, | 1:12:58 | 1:13:00 | |
"nice bottle of champagne, | 1:13:00 | 1:13:01 | |
"why don't you read romantic poetry to each other?" | 1:13:01 | 1:13:04 | |
I said, "Because we won't be able to bloody read it, that's why!" | 1:13:04 | 1:13:07 | |
"I can't see anything, he always has his wrong glasses on. | 1:13:10 | 1:13:14 | |
"He's got glasses for work, glasses for reading, glasses for television. | 1:13:14 | 1:13:17 | |
"He's never got the right glasses on | 1:13:17 | 1:13:18 | |
"in the right room at the right time. | 1:13:18 | 1:13:20 | |
"You say to him, what does that say, Geoff?" | 1:13:20 | 1:13:22 | |
"Oh, I don't know, need to get my other glasses." | 1:13:22 | 1:13:24 | |
"Who's that on the television, Geoff?" "Oh, I don't know, need to get my other glasses." | 1:13:24 | 1:13:28 | |
I said, "And anyway, actually, we're falling to pieces now." | 1:13:28 | 1:13:30 | |
And this is true. I said, "In the same month as I had a hysterectomy | 1:13:30 | 1:13:33 | |
"he had a hernia repair." | 1:13:33 | 1:13:35 | |
I said, "What's happening to us? | 1:13:35 | 1:13:37 | |
"We're turning into, like, a joke couple off a seaside postcard." | 1:13:37 | 1:13:41 | |
Hysterectomies and hernias - | 1:13:41 | 1:13:43 | |
we're only missing varicose veins and dentures, | 1:13:43 | 1:13:45 | |
we'll have the full set. | 1:13:45 | 1:13:47 | |
I said to her, "We are falling to pieces. | 1:13:47 | 1:13:49 | |
"He's got his hernia, plus he's got something wrong his Achilles tendon, | 1:13:49 | 1:13:52 | |
"so he limps. I've got my hysterectomy, | 1:13:52 | 1:13:54 | |
"plus I damaged my hip exercising too soon after my operation." | 1:13:54 | 1:13:57 | |
They were quite cross with me. They said, "Didn't you realise | 1:13:57 | 1:13:59 | |
"your hip was joined onto your pelvis?" | 1:13:59 | 1:14:01 | |
I said, "No, nobody ever mentioned that." | 1:14:01 | 1:14:03 | |
"Neither of us can see anything. | 1:14:03 | 1:14:04 | |
"We've both got good teeth but our gums are falling to pieces. | 1:14:04 | 1:14:07 | |
"There's something wrong with my back - | 1:14:07 | 1:14:09 | |
"if I stay too long in the same position it locks | 1:14:09 | 1:14:11 | |
"and then I can't bend over. | 1:14:11 | 1:14:12 | |
"I've lately become allergic to things like pollution and perfume, | 1:14:12 | 1:14:15 | |
"and if I breathe them in it makes me sneeze. | 1:14:15 | 1:14:17 | |
"And if I sneeze I wet myself." | 1:14:17 | 1:14:19 | |
"Plus I've got a bunion, so..." | 1:14:29 | 1:14:30 | |
I said, "Don't tell us to have a romantic evening at home. | 1:14:32 | 1:14:36 | |
I said, "If we get all dressed up, he'll have a dinner jacket on | 1:14:36 | 1:14:38 | |
"and tracksuit bottoms because of his hernia." | 1:14:38 | 1:14:40 | |
"I'll have a nice dress, tights and slippers | 1:14:44 | 1:14:46 | |
"with a big hole cut in them." | 1:14:46 | 1:14:48 | |
I said, "Don't tell us to go out dancing - | 1:14:50 | 1:14:52 | |
"we've only got one fully operative leg between us." | 1:14:52 | 1:14:55 | |
I said, "He could stand on it and I could push him around on it. | 1:14:55 | 1:14:58 | |
"But I'm not allowed to push anything! | 1:14:58 | 1:15:02 | |
"He could carry me upstairs, but he's not allowed to lift anything!" | 1:15:02 | 1:15:04 | |
I said, "If we do manage to get upstairs, | 1:15:04 | 1:15:07 | |
"by roping ourselves to the banisters and going hand-over-hand, | 1:15:07 | 1:15:10 | |
"we'll get to the top, get out the romantic poetry, | 1:15:10 | 1:15:12 | |
"he'll have his wrong glasses on, | 1:15:12 | 1:15:14 | |
"I'll have to come back down again. | 1:15:14 | 1:15:16 | |
"By the time I've got them and gone back up again, | 1:15:16 | 1:15:19 | |
"he'll have nodded off." | 1:15:19 | 1:15:20 | |
"If I lie there too long waiting for him to wake up, | 1:15:23 | 1:15:25 | |
"my back will lock and I won't be able to bend over. | 1:15:25 | 1:15:28 | |
"If we have a bottle of champagne, he'll be able to read the label | 1:15:28 | 1:15:31 | |
"but he won't be able to pull the cork out. | 1:15:31 | 1:15:32 | |
"I'll be able to get it out of the ice bucket | 1:15:32 | 1:15:34 | |
"but I won't be able to bend forward to pour it. | 1:15:34 | 1:15:36 | |
"If we have a big smooch, our teeth will bang together | 1:15:36 | 1:15:39 | |
"and he'll lose two of his back molars. | 1:15:39 | 1:15:41 | |
"Then I'll breathe in his aftershave, | 1:15:41 | 1:15:43 | |
"and then I'll sneeze | 1:15:43 | 1:15:44 | |
"and then I'll wet myself." | 1:15:44 | 1:15:46 | |
"And then...if, by God's good grace, we do manage to get it together, | 1:15:59 | 1:16:04 | |
"at the end I'll say to him, 'Did you have an orgasm?' | 1:16:04 | 1:16:06 | |
"And he'll say, 'Oh, I don't know - I need to get my other glasses.' " | 1:16:06 | 1:16:09 | |
That's it. Goodnight! | 1:16:09 | 1:16:10 | |
CHEERING AND APPLAUSE | 1:16:10 | 1:16:12 | |
LAUGHTER | 1:16:44 | 1:16:46 | |
Oh, caught us on the hop, there. | 1:16:49 | 1:16:52 | |
Oh, do you think I'm awful? | 1:16:53 | 1:16:55 | |
Bonking my keyboard player and I'm getting married in a week! | 1:16:55 | 1:16:57 | |
No, I'm only kidding, I'm not getting married for ten days. | 1:16:57 | 1:17:00 | |
Are we all covered up? | 1:17:00 | 1:17:02 | |
Yes. The baps are back in the bread bin. | 1:17:02 | 1:17:04 | |
Now, we're going to finish with a little holiday song, which I wrote. | 1:17:07 | 1:17:11 | |
Now, before I wrote this, we used to finish, on our luxury liner, | 1:17:11 | 1:17:14 | |
The Watery Queen, with a very emotional medley of Ave Maria, | 1:17:14 | 1:17:18 | |
Bless This House and Agadoo. | 1:17:18 | 1:17:20 | |
And my friend Alison, who is a complete scream, she says, | 1:17:24 | 1:17:26 | |
"Considering what most folk go on holiday to do, never mind Agadoo, | 1:17:26 | 1:17:29 | |
"it should be Shag-adoo." | 1:17:29 | 1:17:32 | |
And I said, "Well, that's given me an idea now." | 1:17:32 | 1:17:34 | |
So I've written this little song, which I'm dedicating to my mother, | 1:17:34 | 1:17:37 | |
who actually had a holiday romance, | 1:17:37 | 1:17:38 | |
which resulted in the birth of my good self, ie myself. | 1:17:38 | 1:17:42 | |
She actually fell pregnant in the middle of one of the first | 1:17:42 | 1:17:45 | |
package holidays out of Manchester to Torremolinos, | 1:17:45 | 1:17:48 | |
in the middle of a swimming pool, on a Lilo, so, well done, Mum. | 1:17:48 | 1:17:52 | |
Now, this song, I have to say, | 1:17:52 | 1:17:54 | |
however much we love this country of ours, | 1:17:54 | 1:17:56 | |
and I do, you have to admit it rains, doesn't it? | 1:17:56 | 1:17:59 | |
Water comes out of the sky, she added, pointlessly. | 1:17:59 | 1:18:02 | |
And when it rains we just want to get away, don't we? | 1:18:02 | 1:18:06 | |
We want to get somewhere hot - | 1:18:06 | 1:18:07 | |
we want to get hot, get wet, get pissed, get shagging. | 1:18:07 | 1:18:10 | |
Take it away, my darling. | 1:18:10 | 1:18:12 | |
Now, it's got a bit of a sort of Randy Crawford feel about it, | 1:18:12 | 1:18:16 | |
to start with. Sort of Rainy Night In Georgia sort of feel, | 1:18:16 | 1:18:19 | |
and then it hots up. OK. | 1:18:19 | 1:18:21 | |
# Empty days and rainy nights | 1:18:21 | 1:18:24 | |
# Could rinse out a pair of tights | 1:18:24 | 1:18:27 | |
# Or have a beer but you're not here | 1:18:27 | 1:18:32 | |
# I work all night and work all day | 1:18:32 | 1:18:35 | |
# Looks good on my resume | 1:18:35 | 1:18:39 | |
# I'm tired of rain I'm gonna catch a plane today | 1:18:39 | 1:18:43 | |
# I'm having a holiday | 1:18:43 | 1:18:45 | |
# I'm packing my blues away | 1:18:45 | 1:18:47 | |
# My dreams can go hip-hooray | 1:18:47 | 1:18:49 | |
# Cos they're coming too | 1:18:49 | 1:18:51 | |
# My ticket's right in my hand | 1:18:51 | 1:18:53 | |
# I'm headed for sun and sand | 1:18:53 | 1:18:55 | |
# It's a pity I'm on remand | 1:18:55 | 1:18:57 | |
# But what can you do? | 1:18:57 | 1:18:59 | |
# Don't tell me who's called or faxed | 1:18:59 | 1:19:02 | |
# Don't tell me whose job's been axed | 1:19:02 | 1:19:04 | |
# I'm having my hoo-ha waxed | 1:19:04 | 1:19:06 | |
# That's top of my list | 1:19:06 | 1:19:08 | |
# I'm leaving my plants behind | 1:19:08 | 1:19:10 | |
# All my uncles and aunts behind | 1:19:10 | 1:19:12 | |
# I could leave my pants behind | 1:19:12 | 1:19:14 | |
# They'll never be missed | 1:19:14 | 1:19:16 | |
# Shed those superstitions | 1:19:17 | 1:19:19 | |
# Find some new positions | 1:19:19 | 1:19:21 | |
# Let your inhibitions take flight | 1:19:21 | 1:19:25 | |
# Oh-ah, lose your armour | 1:19:25 | 1:19:27 | |
# And ditch that last pyjama | 1:19:27 | 1:19:29 | |
# Let's go shag-a-rama tonight | 1:19:29 | 1:19:32 | |
# You know, time was when nobody gave a damn | 1:19:33 | 1:19:37 | |
# Nobody looked my way and nobody cared | 1:19:37 | 1:19:42 | |
# But now because I am what I damn well am | 1:19:42 | 1:19:44 | |
# I'm saying | 1:19:44 | 1:19:45 | |
# Who are you? Look out, I'm coming through | 1:19:45 | 1:19:49 | |
# I'm having a holiday | 1:19:49 | 1:19:51 | |
# I'm packing the cold away | 1:19:51 | 1:19:53 | |
# My cherry is dead glace | 1:19:53 | 1:19:55 | |
# I wanna get hot, hot, hot | 1:19:55 | 1:19:57 | |
# I'm going where Brits are found | 1:19:57 | 1:19:59 | |
# Where glamour and glitz abound | 1:19:59 | 1:20:01 | |
# I'll be waving my bits around | 1:20:01 | 1:20:03 | |
# As likely as not | 1:20:03 | 1:20:06 | |
# Don't be arty-farty | 1:20:06 | 1:20:08 | |
# Let's get down and party | 1:20:08 | 1:20:10 | |
# Smell that Hai Karate way-hay | 1:20:10 | 1:20:14 | |
# Ooh, don't be monastic | 1:20:14 | 1:20:16 | |
# Your hand, my elastic | 1:20:16 | 1:20:18 | |
# Let's go shag-a-tastic today | 1:20:18 | 1:20:21 | |
# You know, time was when nobody gave a damn | 1:20:23 | 1:20:26 | |
# Nobody looked my way and nobody cared | 1:20:26 | 1:20:31 | |
# But now, because I'm womanly warm and glam | 1:20:31 | 1:20:34 | |
# You'll never see me cry | 1:20:34 | 1:20:36 | |
# Because I'm flying high | 1:20:36 | 1:20:38 | |
# I'm having a holiday | 1:20:38 | 1:20:40 | |
# As soon as I land I'll say | 1:20:40 | 1:20:42 | |
# Dip your ladle in my consomme | 1:20:42 | 1:20:44 | |
# Come and see what I've got | 1:20:44 | 1:20:47 | |
# Come on, hold me tightly | 1:20:47 | 1:20:49 | |
# Let's go five times nightly | 1:20:49 | 1:20:51 | |
# Are you Richard Whitely or not? | 1:20:51 | 1:20:54 | |
# Don't be arty-farty | 1:20:55 | 1:20:57 | |
# Let's get down and party | 1:20:57 | 1:20:59 | |
# Smell that Hai Karate way-hay | 1:20:59 | 1:21:04 | |
# Ooh, don't be monastic | 1:21:04 | 1:21:05 | |
# Your hand, my elastic | 1:21:05 | 1:21:07 | |
# Let's go shag-a-tastic today | 1:21:07 | 1:21:11 | |
# I'm gonna wear halternecks | 1:21:11 | 1:21:13 | |
# I'm gonna have specs like Becks | 1:21:13 | 1:21:15 | |
# I'm gonna have oral sex to the sound of the sea | 1:21:15 | 1:21:19 | |
# Wimp, wet, weed or wanker | 1:21:19 | 1:21:22 | |
# On the Costa Blanca | 1:21:22 | 1:21:24 | |
# You can drop your anchor with me | 1:21:24 | 1:21:27 | |
# Shed those superstitions | 1:21:27 | 1:21:30 | |
# Find some new positions | 1:21:30 | 1:21:32 | |
# Let your inhibitions take flight | 1:21:32 | 1:21:36 | |
# Oh-ah, lose your armour | 1:21:36 | 1:21:38 | |
# Ditch that last pyjama | 1:21:38 | 1:21:40 | |
# Let's go shag-a-rama tonight | 1:21:40 | 1:21:43 | |
# We're having a holiday | 1:21:43 | 1:21:46 | |
# We're gonna go all the way | 1:21:46 | 1:21:47 | |
# Get sand in your crack, I say | 1:21:47 | 1:21:50 | |
# And don't make a fuss | 1:21:50 | 1:21:52 | |
# Don't be melancholy | 1:21:52 | 1:21:54 | |
# You can get drunk, frig and frolic | 1:21:54 | 1:21:56 | |
# Shag, shag, shag-a-holic with us | 1:21:56 | 1:21:59 | |
# Shed those superstitions | 1:22:01 | 1:22:03 | |
# Find some new positions | 1:22:03 | 1:22:05 | |
# Let your inhibitions take flight | 1:22:05 | 1:22:09 | |
# Oo-ah, lose your armour | 1:22:09 | 1:22:11 | |
# Ditch that last pyjama | 1:22:11 | 1:22:13 | |
# Let's go shag-a-rama... # | 1:22:13 | 1:22:15 | |
AUDIENCE CLAP IN TIME | 1:22:15 | 1:22:17 | |
# Tonight | 1:22:17 | 1:22:19 | |
# Shag-a-rama tonight! # | 1:22:19 | 1:22:22 | |
CHEERING | 1:22:22 | 1:22:23 | |
Welcome to Body-Conscious Fitness Facility. | 1:22:50 | 1:22:52 | |
Sorry I'm a bit late. | 1:22:54 | 1:22:56 | |
Sorry if you were expecting to see Marilyn, her with the breasts. | 1:22:56 | 1:22:59 | |
I'm afraid she had a bit of an accident. | 1:22:59 | 1:23:01 | |
You might have noticed we had, like, a bit of a power cut in the gym | 1:23:01 | 1:23:04 | |
about an hour ago. If you were working on any of the machines, | 1:23:04 | 1:23:06 | |
you might have noticed, like, they cut out, dead suddenly. | 1:23:06 | 1:23:10 | |
Well, Marilyn was, unfortunately, | 1:23:10 | 1:23:12 | |
running on the treadmill at the time. | 1:23:12 | 1:23:14 | |
Luckily, the door she was catapulted through was open, | 1:23:14 | 1:23:17 | |
and she landed in the middle of a body-conditioning class - | 1:23:17 | 1:23:20 | |
Bums And Tums, on two newcomers, so she's all right. | 1:23:20 | 1:23:24 | |
Anyway, I'm Pat. I've been working at Body-Conscious Fitness Facility, | 1:23:24 | 1:23:27 | |
woo, for three days now. | 1:23:27 | 1:23:29 | |
Oh, hello. | 1:23:29 | 1:23:30 | |
FITNESS MUSIC PLAYS | 1:23:30 | 1:23:32 | |
You've probably seen me, like, | 1:23:42 | 1:23:45 | |
topping up the shower gel in the changing rooms, and I'm the one who, | 1:23:45 | 1:23:49 | |
like, fishes out the long hairs out the wash basin. | 1:23:49 | 1:23:52 | |
Pins them up on the notice board in case anybody wants them back. | 1:23:52 | 1:23:56 | |
That red one with the grey end is still there, by the way. | 1:23:56 | 1:23:59 | |
Anyway, I've just got to tell you, | 1:23:59 | 1:24:01 | |
I've never actually done this aerobics class before. | 1:24:01 | 1:24:05 | |
In fact, I've never done any aerobics class before. | 1:24:05 | 1:24:08 | |
In fact, I've never done any exercise before. | 1:24:08 | 1:24:10 | |
Because up until three days ago, I was working in a bakery, | 1:24:10 | 1:24:13 | |
on the sandwich counter. | 1:24:13 | 1:24:15 | |
But as I said to Marilyn, you know, "I'm quite strong because of, like, | 1:24:15 | 1:24:18 | |
"bringing in the bread? And I'm quite flexible because of, like, | 1:24:18 | 1:24:22 | |
"reaching forward for the tomatoes | 1:24:22 | 1:24:23 | |
"and twisting round for the margarine. | 1:24:23 | 1:24:26 | |
"Tomatoes, margarine. | 1:24:26 | 1:24:28 | |
"Tuna and sweetcorn, paper bags." | 1:24:28 | 1:24:30 | |
Try it! Tomatoes, margarine, tuna and sweetcorn, paper bags. | 1:24:30 | 1:24:35 | |
Tomatoes, margarine, tuna and sweetcorn, paper bags. | 1:24:35 | 1:24:40 | |
And stretch. | 1:24:45 | 1:24:47 | |
SHE SNIFFS | 1:24:47 | 1:24:49 | |
That Impulse body spray, it's not working on me. | 1:24:49 | 1:24:53 | |
And stretch. Actually, I'm not going to do that one, | 1:24:53 | 1:24:55 | |
cos I had jacket, beans and cheese for my dinner. | 1:24:55 | 1:24:58 | |
OK... | 1:24:58 | 1:25:00 | |
Right, well, this is a "fusion" class. | 1:25:00 | 1:25:02 | |
It combines the spirituality of yoga | 1:25:02 | 1:25:04 | |
with the viciousness of urban street fighting. | 1:25:04 | 1:25:08 | |
Starts like this, "As if you're on two mobile phones," she says to me. | 1:25:08 | 1:25:11 | |
I said, "That's a first - I haven't seen anybody with two, | 1:25:11 | 1:25:14 | |
"even in a poncey dump like this." | 1:25:14 | 1:25:16 | |
That means counting down from four. | 1:25:16 | 1:25:18 | |
That means take it from the top. | 1:25:18 | 1:25:20 | |
That means take it from the top halfway through. | 1:25:20 | 1:25:22 | |
That means call an ambulance - I'm having a bleeding heart attack. | 1:25:22 | 1:25:25 | |
OK, keep it small. | 1:25:25 | 1:25:26 | |
Four, three, don't knacker yourselves. | 1:25:26 | 1:25:29 | |
Here's your yoga. | 1:25:44 | 1:25:46 | |
Very, very spiritual. | 1:25:46 | 1:25:48 | |
Think about your breathing. | 1:25:48 | 1:25:49 | |
Think about your boyfriend. | 1:25:52 | 1:25:55 | |
What a stupid bastard. | 1:25:55 | 1:25:57 | |
Kick him in the goolies. | 1:25:57 | 1:25:58 | |
And punch. | 1:25:58 | 1:26:00 | |
Can't see my watch now. I've got to stop in a minute, anyway. | 1:26:00 | 1:26:04 | |
I've got to go and unblock the drain in the men's shower. | 1:26:04 | 1:26:06 | |
Some poncey bastard shaving his back again. | 1:26:07 | 1:26:10 | |
Anyway, let's take it from the top. | 1:26:10 | 1:26:12 | |
Last chance. Get your heart rate up, give it some welly. | 1:26:12 | 1:26:16 | |
OK. I'm going too. | 1:26:16 | 1:26:17 | |
Are we ready? Counting down. | 1:26:17 | 1:26:20 | |
Four, three, four, three, two and go. | 1:26:20 | 1:26:24 | |
AUDIENCE CLAP IN TIME | 1:26:33 | 1:26:36 | |
Now, don't forget, if you're working at the correct level, | 1:26:41 | 1:26:45 | |
you should never, ever get out of... | 1:26:45 | 1:26:48 | |
You should always be able to carry on a... | 1:26:54 | 1:26:56 | |
Carry on a... | 1:26:57 | 1:26:59 | |
Carry on a... | 1:27:00 | 1:27:01 | |
normal... | 1:27:01 | 1:27:03 | |
Oh, bugger. I'm having a laugh. Thank you! | 1:27:06 | 1:27:09 | |
CHEERING | 1:27:09 | 1:27:11 |