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# Make a date, don't be late | 0:00:02 | 0:00:03 | |
# Cos you know it's going to be great | 0:00:03 | 0:00:06 | |
# When the irrepressible Browns come to town | 0:00:06 | 0:00:09 | |
# To begin, just tune in | 0:00:11 | 0:00:13 | |
# And you'll wear a nuclear grin | 0:00:13 | 0:00:16 | |
# Watching Agnes and her clan act the clown | 0:00:16 | 0:00:20 | |
# Instead of feeling depressed | 0:00:22 | 0:00:24 | |
# Let laughter make you feel blessed | 0:00:24 | 0:00:26 | |
# So it's all round... | 0:00:26 | 0:00:29 | |
# To Mrs Brown's. # | 0:00:29 | 0:00:31 | |
CHEERING AND APPLAUSE | 0:00:32 | 0:00:34 | |
'Ladies and gentlemen, welcome to All Round To Mrs Brown's! | 0:00:34 | 0:00:40 | |
This programme contains some strong language. | 0:00:40 | 0:00:44 | |
-Hello! AUDIENCE: -Hello! | 0:00:46 | 0:00:49 | |
You're all very welcome to another evening round at my house. | 0:00:49 | 0:00:52 | |
It's been such a fun few weeks, and I'm very sad. | 0:00:52 | 0:00:55 | |
Tonight is the last Saturday night | 0:00:55 | 0:00:57 | |
we'll be sharing together for a while. | 0:00:57 | 0:00:59 | |
-AUDIENCE: -Aw! | 0:00:59 | 0:01:01 | |
I know, yeah. Feck it, I'm going for a rest. | 0:01:01 | 0:01:03 | |
LAUGHTER | 0:01:03 | 0:01:05 | |
I know, I know. It is sad, but it's all gone so quickly. | 0:01:05 | 0:01:09 | |
Cathy's showbiz blog has gone really from strength to strength. | 0:01:09 | 0:01:12 | |
She's had some wonderful guests on her show. | 0:01:12 | 0:01:14 | |
And she's got some fantastic guests on tonight too. You'll see. | 0:01:14 | 0:01:18 | |
Eh... Oh, hello, Rory! | 0:01:18 | 0:01:20 | |
CHEERING AND APPLAUSE | 0:01:20 | 0:01:23 | |
-How are you, Mammy? -Hello, chicken. | 0:01:28 | 0:01:30 | |
-Hello, Mrs Brown. -Hello, Dino. | 0:01:30 | 0:01:33 | |
Mammy, Cathy said she's got Michael Ball coming in to the show. | 0:01:34 | 0:01:37 | |
-AUDIENCE: -Whooooo! | 0:01:37 | 0:01:40 | |
Now, I'm just wondering if he's going to be in, you know, | 0:01:40 | 0:01:43 | |
-stage make-up or the usual? -Aye. | 0:01:43 | 0:01:45 | |
If it is stage make-up, then Rory has to do him. | 0:01:45 | 0:01:48 | |
And if it's regular, then I can give him a blow. | 0:01:51 | 0:01:54 | |
AUDIENCE SHRIEK | 0:01:54 | 0:01:57 | |
Dry. Blow-dry. | 0:02:02 | 0:02:05 | |
Aye! | 0:02:05 | 0:02:06 | |
Betty's picking Michael up from the station. Cathy's upstairs. | 0:02:08 | 0:02:11 | |
Why don't you go up and ask her what's going on? | 0:02:11 | 0:02:13 | |
APPLAUSE | 0:02:13 | 0:02:15 | |
It's boyband night at Foley's tonight. | 0:02:15 | 0:02:18 | |
-AUDIENCE: -Oooooh! | 0:02:18 | 0:02:20 | |
I'll be down there throwing my knickers. | 0:02:20 | 0:02:23 | |
LAUGHTER | 0:02:23 | 0:02:24 | |
Mind you, these days, there's less G-string and more double duvet. | 0:02:24 | 0:02:28 | |
LAUGHTER | 0:02:28 | 0:02:30 | |
CHEERING AND APPLAUSE | 0:02:30 | 0:02:33 | |
-Hello, Ma. -Hello, Mark, son. | 0:02:35 | 0:02:38 | |
-Has Betty been here yet? -Betty? No. | 0:02:38 | 0:02:41 | |
She's picking up Michael Ball from the station. | 0:02:41 | 0:02:43 | |
-Are you OK, son? -Not really. | 0:02:43 | 0:02:45 | |
Betty wants me to have the talk with Bono. | 0:02:45 | 0:02:48 | |
-What talk? -THE talk. | 0:02:48 | 0:02:50 | |
Oh. | 0:02:51 | 0:02:54 | |
THE talk. | 0:02:54 | 0:02:55 | |
-I don't know where to start. -Well, try and think back. | 0:02:55 | 0:02:58 | |
-Do you remember your father having THE talk with you? -Yeah. | 0:02:58 | 0:03:03 | |
LAUGHTER | 0:03:03 | 0:03:04 | |
And what did he say? | 0:03:04 | 0:03:06 | |
He said, "Son, some day you're going to meet a girl | 0:03:06 | 0:03:09 | |
-"and you're going to have... feelings." -And? | 0:03:09 | 0:03:12 | |
He said, "Just ignore them feelings because they'll ruin your life." | 0:03:12 | 0:03:16 | |
LAUGHTER | 0:03:16 | 0:03:18 | |
CHEERING AND APPLAUSE | 0:03:21 | 0:03:24 | |
Nice to see you. Hello. | 0:03:26 | 0:03:27 | |
Hello! | 0:03:30 | 0:03:32 | |
-This is Michael, Mrs Brown. -Oh, I know exactly who he is. | 0:03:36 | 0:03:38 | |
LAUGHTER | 0:03:38 | 0:03:41 | |
Well? Did you have the talk with Bono? | 0:03:41 | 0:03:43 | |
-Not yet. -Oh, for God's sake, Mark, | 0:03:43 | 0:03:45 | |
it's better hearing it from you than learning about it on the street. | 0:03:45 | 0:03:48 | |
Come on. I'll see you, Mrs Brown. | 0:03:48 | 0:03:50 | |
-I'll see you, Betty. -See you later, Ma. | 0:03:50 | 0:03:52 | |
Good luck, son. | 0:03:52 | 0:03:53 | |
CHEERING AND APPLAUSE | 0:03:53 | 0:03:56 | |
-Mark has to have the talk with my grandson, Bono. -Oh, THE talk. -Yes. | 0:03:57 | 0:04:02 | |
Yeah, well... | 0:04:02 | 0:04:05 | |
-HE LAUGHS -I'm sorry. | 0:04:05 | 0:04:06 | |
Well, now, it's good if he does have the co... | 0:04:08 | 0:04:11 | |
I learnt every... Talk. | 0:04:11 | 0:04:12 | |
LAUGHTER | 0:04:12 | 0:04:14 | |
-Can I give you a tip? -Yeah. | 0:04:14 | 0:04:15 | |
Fucking sing. | 0:04:15 | 0:04:17 | |
LAUGHTER | 0:04:17 | 0:04:20 | |
My Mark needs to have the talk with my grandson, Bono. | 0:04:27 | 0:04:30 | |
Well, it's good if they do, | 0:04:30 | 0:04:32 | |
-I learned most of what I know from my first girlfriend. -Really? | 0:04:32 | 0:04:35 | |
-What did she say? -She said... | 0:04:35 | 0:04:37 | |
# Slowly, gently | 0:04:37 | 0:04:42 | |
# Night unfurls its splendour... # | 0:04:42 | 0:04:45 | |
CHEERING AND APPLAUSE | 0:04:45 | 0:04:48 | |
# Grasp it, sense it | 0:04:48 | 0:04:51 | |
# Tremulous and tender... # | 0:04:51 | 0:04:56 | |
LAUGHTER | 0:04:56 | 0:04:59 | |
Please stop. | 0:04:59 | 0:05:00 | |
CHEERING AND APPLAUSE | 0:05:00 | 0:05:03 | |
I'm not going to lie to you. | 0:05:05 | 0:05:06 | |
I think a little bit of wee came out there. | 0:05:06 | 0:05:08 | |
LAUGHTER | 0:05:08 | 0:05:10 | |
So, in singing terms, you'd be a double bass. | 0:05:12 | 0:05:16 | |
I'm actually a baritone. | 0:05:16 | 0:05:17 | |
A high baritone, so I can go quite... | 0:05:17 | 0:05:19 | |
Excuse me, Your Grace, I'm so sorry. | 0:05:19 | 0:05:21 | |
LAUGHTER | 0:05:21 | 0:05:23 | |
Nobody told me. I wasn't expecting it. I'm so sorry. | 0:05:23 | 0:05:25 | |
You seem to be around for ever. When did you do your first...? | 0:05:25 | 0:05:28 | |
-My first professional job was in 1984. -God, that's... -Yeah. | 0:05:28 | 0:05:32 | |
-..a long time ago. -It's a long time ago. | 0:05:32 | 0:05:35 | |
-That's coming up for 33 years I'll have been doing this. -33 years? | 0:05:35 | 0:05:38 | |
-And the big show I did was Les Miserables in 1986. -Oh. | 0:05:38 | 0:05:42 | |
Did you like that? | 0:05:42 | 0:05:43 | |
1985. | 0:05:43 | 0:05:46 | |
-I saw it four times. -Did you? | 0:05:46 | 0:05:48 | |
I still don't know what the fuck was going on. | 0:05:49 | 0:05:52 | |
LAUGHTER | 0:05:52 | 0:05:53 | |
-But the music was amazing. -Amazing! Amazing. Basically, everyone dies. | 0:05:53 | 0:05:59 | |
Yeah. Yeah. And that's just the audience. | 0:05:59 | 0:06:01 | |
LAUGHTER | 0:06:01 | 0:06:04 | |
Oh, hello, Michael! | 0:06:04 | 0:06:06 | |
-Lovely to meet you. -How are you? | 0:06:06 | 0:06:09 | |
Come on, let's get you down to our salon. | 0:06:09 | 0:06:11 | |
Down you go, Michael, and grab your bit of make-up. | 0:06:11 | 0:06:13 | |
-See you at the talk show. -Will do. God bless. | 0:06:13 | 0:06:15 | |
-Will it be full stage make-up? -No, I think just the usual. | 0:06:15 | 0:06:19 | |
Right. | 0:06:19 | 0:06:20 | |
Looks like I'll be blowing. | 0:06:23 | 0:06:26 | |
LAUGHTER | 0:06:26 | 0:06:29 | |
CHEERING AND APPLAUSE | 0:06:29 | 0:06:31 | |
Family, eh? | 0:06:34 | 0:06:35 | |
Sometimes your own family are the strangest characters you'll meet. | 0:06:35 | 0:06:38 | |
Speaking about strange characters... | 0:06:38 | 0:06:40 | |
let's see who we have in the audience tonight. | 0:06:40 | 0:06:43 | |
Where's Barbara Ingham? Where's Barbara? Hello, Barbara. | 0:06:43 | 0:06:46 | |
-Oh, look at you. You look gorgeous. I love your scarf. -Thank you. | 0:06:46 | 0:06:49 | |
Is it Barbara and her niece, Beverly? Is Bev with you? | 0:06:49 | 0:06:52 | |
-Yes, Bev. -Oh! Two scarves! | 0:06:52 | 0:06:53 | |
It says you're amateur bird-watchers. | 0:06:55 | 0:06:57 | |
-And they call you twitchers. -Yes. -Describe a bird-watching day. | 0:06:57 | 0:07:01 | |
-What would you do? -Well, we've got the gear... -I bet you have. | 0:07:01 | 0:07:05 | |
LAUGHTER | 0:07:05 | 0:07:08 | |
No, let's go back to the bird-watching. | 0:07:08 | 0:07:11 | |
We've not much idea. | 0:07:11 | 0:07:12 | |
We can distinguish a robin from a tit, but that's it. | 0:07:12 | 0:07:16 | |
LAUGHTER | 0:07:16 | 0:07:18 | |
I wouldn't call myself a bird-watcher, | 0:07:22 | 0:07:24 | |
but I'm pretty good at distinguishing a robin from a tit. | 0:07:24 | 0:07:28 | |
Give them a round of applause. | 0:07:28 | 0:07:30 | |
APPLAUSE | 0:07:30 | 0:07:33 | |
Where's Nicola Dudgeon? Nicola? | 0:07:33 | 0:07:36 | |
Hello, Nicola, how are you? | 0:07:36 | 0:07:38 | |
Look at you! Hello. He-he-he-he! | 0:07:38 | 0:07:41 | |
-Now, Nicola won best-dressed lady at Newcastle Races. -Yes, I did. | 0:07:43 | 0:07:47 | |
-AUDIENCE: -Ooooh! | 0:07:47 | 0:07:49 | |
Mind you, it's Newcastle, it's not that hard. | 0:07:49 | 0:07:52 | |
LAUGHTER | 0:07:52 | 0:07:54 | |
The last two winners were horses. | 0:07:54 | 0:07:56 | |
LAUGHTER | 0:07:56 | 0:07:58 | |
Do you have a photograph of this? | 0:08:00 | 0:08:01 | |
Look at that! | 0:08:01 | 0:08:03 | |
-AUDIENCE: -Ooooh! | 0:08:03 | 0:08:05 | |
Absolutely beautiful, beautiful lampsha...er, dress. | 0:08:05 | 0:08:08 | |
Well, I have to say, | 0:08:10 | 0:08:11 | |
that photograph doesn't do you half as justice as standing there. | 0:08:11 | 0:08:14 | |
You're absolutely beautiful. Nice to meet you. | 0:08:14 | 0:08:16 | |
APPLAUSE | 0:08:16 | 0:08:20 | |
Where's Stephanie Sill, Stephanie Sill, where are you? | 0:08:20 | 0:08:22 | |
-Hello, Stephanie. How are you? -I'm good, thank you. | 0:08:22 | 0:08:25 | |
-It says here you're a PE teacher. -Yeah. | 0:08:25 | 0:08:27 | |
It's important for kids to get exercise and, you know, | 0:08:27 | 0:08:29 | |
do you do it in the mornings? Warm them up and all that? | 0:08:29 | 0:08:31 | |
-Yeah. -Come down for a second. Come here. | 0:08:31 | 0:08:34 | |
Give her a round of applause. | 0:08:34 | 0:08:35 | |
APPLAUSE | 0:08:35 | 0:08:37 | |
-Now, you can see our crew are all very stiff. -Yeah. | 0:08:42 | 0:08:46 | |
And the audience look a bit stiff. Why don't we all warm up together? | 0:08:47 | 0:08:51 | |
So you show us the exercise first. Show us. | 0:08:51 | 0:08:53 | |
Right, OK, so first one, | 0:08:53 | 0:08:54 | |
you're going to put your arm over your head. One hand on your hip. | 0:08:54 | 0:08:57 | |
Hand on your hip. I have to warn you before you start, | 0:08:57 | 0:08:59 | |
this is how my Rory started. | 0:08:59 | 0:09:02 | |
Right arm in the air. | 0:09:02 | 0:09:03 | |
Hold on, give us some music. | 0:09:03 | 0:09:06 | |
MUSIC: Shake It Off by Taylor Swift | 0:09:06 | 0:09:08 | |
Here we go! | 0:09:08 | 0:09:10 | |
Four, three, four... | 0:09:12 | 0:09:15 | |
MUSIC STOPS | 0:09:21 | 0:09:23 | |
I could hear hips clicking. | 0:09:27 | 0:09:30 | |
LAUGHTER | 0:09:30 | 0:09:31 | |
That was fantastic for a warm-up. Give her a big round of applause. | 0:09:31 | 0:09:34 | |
CHEERING AND APPLAUSE | 0:09:34 | 0:09:36 | |
Thank you, Stephanie. That was lovely to be... | 0:09:39 | 0:09:43 | |
CHEERING AND APPLAUSE | 0:09:43 | 0:09:46 | |
-What are you doing?! -Warming up. | 0:09:58 | 0:10:00 | |
-How are things coming for the show? -I can't wait, Mammy. | 0:10:03 | 0:10:06 | |
Michael Ball is going to be on the show tonight. | 0:10:06 | 0:10:08 | |
I know, I already met him, he's gorgeous. | 0:10:08 | 0:10:10 | |
Yeah, I've been wanting to have him on the sofa for a long time. | 0:10:10 | 0:10:14 | |
LAUGHTER | 0:10:14 | 0:10:16 | |
I could do to have him on the sofa for ten minutes. | 0:10:16 | 0:10:20 | |
-Oh, the curly locks on his head, look at him. Mwah! -Mammy! | 0:10:20 | 0:10:24 | |
And then all the things you can grab onto. Grrr! | 0:10:24 | 0:10:27 | |
-Mammy, stop it! -# All about the bass, 'bout the bass... # | 0:10:27 | 0:10:30 | |
-Sunetra Sarker is on, too. -Wow! | 0:10:32 | 0:10:34 | |
-AUDIENCE: -Oooooh! | 0:10:34 | 0:10:37 | |
-Oh, Mammy, I loved her in Casualty. -Yeah. -She's so much fun. | 0:10:37 | 0:10:40 | |
-And she does a lot of community work too. -She's a doctor, isn't she? | 0:10:40 | 0:10:44 | |
No, Mammy, she PLAYS a doctor. She's an actress. | 0:10:44 | 0:10:47 | |
That's something you'd be great at. | 0:10:47 | 0:10:49 | |
LAUGHTER | 0:10:49 | 0:10:52 | |
-Acting? -Jesus, no! | 0:10:52 | 0:10:54 | |
Community work. | 0:10:55 | 0:10:57 | |
LAUGHTER | 0:10:57 | 0:10:59 | |
I'll prepare somewhere else, thank you. | 0:10:59 | 0:11:02 | |
Prepare away. | 0:11:02 | 0:11:03 | |
CHEERING AND APPLAUSE | 0:11:03 | 0:11:07 | |
-Hello, Winnie. -How are you, Agnes? -Sit down. -Thanks, pet. | 0:11:09 | 0:11:13 | |
Listen, I just dropped in to say I have a very busy day, | 0:11:13 | 0:11:16 | |
so I won't get a chance to call over. | 0:11:16 | 0:11:19 | |
LAUGHTER | 0:11:19 | 0:11:21 | |
Do you know, if you're too busy to call over today, | 0:11:24 | 0:11:27 | |
why don't we go down to Foley's and have a coffee down there? | 0:11:27 | 0:11:29 | |
-Jesus, that's a great idea, Agnes. -I thought you might like it. | 0:11:29 | 0:11:33 | |
-Cathy, I'm heading out, I'll be back later! -Take your time. | 0:11:33 | 0:11:36 | |
I could do with a bit of peace and quiet. | 0:11:36 | 0:11:38 | |
CHEERING AND APPLAUSE | 0:11:41 | 0:11:43 | |
CHEERING | 0:11:45 | 0:11:47 | |
-Hey, Cathy. -Hey. -Do you have a minute? | 0:11:49 | 0:11:53 | |
What's wrong? | 0:11:53 | 0:11:54 | |
Nothing's wrong, it's just Betty thinks it's time for, you know, | 0:11:54 | 0:11:57 | |
the talk with Bono. | 0:11:57 | 0:11:59 | |
Betty's absolutely right. He's at a very impressionable age. | 0:12:00 | 0:12:05 | |
And the things he's learning now | 0:12:05 | 0:12:06 | |
need to come from a responsible adult. | 0:12:06 | 0:12:08 | |
Right. | 0:12:08 | 0:12:10 | |
So I'll send him over here, and you can tell him everything. | 0:12:12 | 0:12:16 | |
What?! No, Mark. His father needs to do it. | 0:12:16 | 0:12:20 | |
-Tell him about the birds and the bees. -Yeah... | 0:12:20 | 0:12:23 | |
We make... | 0:12:23 | 0:12:25 | |
LAUGHTER | 0:12:25 | 0:12:27 | |
Oh, Granda. | 0:12:28 | 0:12:30 | |
No. | 0:12:30 | 0:12:31 | |
CHEERING AND APPLAUSE | 0:12:34 | 0:12:36 | |
Two coffees, son, please. | 0:12:41 | 0:12:43 | |
-Hiya, Ma. -Hello, Mrs Brown. | 0:12:43 | 0:12:45 | |
Hello, boys. How did the haunted house thing go? | 0:12:45 | 0:12:48 | |
-It was great. -It was spooky. We even did a seance and everything. | 0:12:48 | 0:12:52 | |
Me and Winnie went to a seance once. | 0:12:52 | 0:12:54 | |
We went on this nudist spa thing. | 0:12:54 | 0:12:57 | |
Winnie said that she felt a couple of ghoulies going across her face. | 0:12:57 | 0:13:00 | |
LAUGHTER | 0:13:00 | 0:13:02 | |
So tell me, what happened? | 0:13:02 | 0:13:03 | |
HE CHUCKLES | 0:13:03 | 0:13:05 | |
-It was a...long story, Ma. -I know, I know, yeah, yeah. | 0:13:05 | 0:13:10 | |
I was going to go in with the long story, but you were laughing. | 0:13:10 | 0:13:13 | |
-So what happened? -It was a...long story, Ma. | 0:13:13 | 0:13:18 | |
LAUGHTER | 0:13:18 | 0:13:20 | |
It's always a long story. | 0:13:20 | 0:13:22 | |
-Will we do the wobble? -Let's do the wobble. | 0:13:22 | 0:13:24 | |
Buster, today is going to be a great day. | 0:13:46 | 0:13:48 | |
This is going to be the best Celebrity Haunted House Tour EVER. | 0:13:48 | 0:13:51 | |
-SNIGGERS -A gloriously ghoulish guided group | 0:13:51 | 0:13:55 | |
gallivant around the gruesome garrisons and graves. | 0:13:55 | 0:13:59 | |
-The tips are going to be rolling in. -Yes, they will. | 0:14:01 | 0:14:05 | |
We have to be at the top of our game. | 0:14:05 | 0:14:07 | |
And I have the perfect celebrity to make this a success. | 0:14:07 | 0:14:10 | |
A real-life ghost hunter. | 0:14:10 | 0:14:12 | |
-Who? -I've managed to get Yvette... | 0:14:12 | 0:14:15 | |
Why? Is this place haunted by animals? | 0:14:15 | 0:14:18 | |
What? No, Buster. | 0:14:18 | 0:14:20 | |
Not a vet - Yvette Fielding. | 0:14:20 | 0:14:23 | |
-You know, the woman off the telly? Who finds all the ghosts? -Oh, yeah. | 0:14:23 | 0:14:28 | |
Here she is now. | 0:14:29 | 0:14:31 | |
# She's just a devil woman | 0:14:31 | 0:14:33 | |
# With evil on her mind | 0:14:33 | 0:14:35 | |
# Beware the devil woman | 0:14:35 | 0:14:37 | |
# She's gonna get you... # | 0:14:37 | 0:14:39 | |
-Hi, guys. -Jesus! | 0:14:42 | 0:14:44 | |
-What's up? You're very jumpy! -Nice to meet you, Yvette. | 0:14:44 | 0:14:48 | |
Nice to see you too. You're looking sexy. | 0:14:48 | 0:14:51 | |
So you can talk to dead animals? | 0:14:51 | 0:14:53 | |
No, Buster, I've just told you. She's not a vet. | 0:14:53 | 0:14:55 | |
She's Yvette. | 0:14:55 | 0:14:57 | |
-So what do they say to you? -What? -The animals. | 0:14:58 | 0:15:02 | |
I don't talk to dead animals. | 0:15:02 | 0:15:04 | |
Sometimes, I can speak to people from the other side. | 0:15:04 | 0:15:07 | |
The other side of what? | 0:15:07 | 0:15:09 | |
Shut up, Buster. | 0:15:09 | 0:15:11 | |
Right, Yvette, today, you work for us, | 0:15:11 | 0:15:14 | |
and we need you to help us to make lots of tips, all right? | 0:15:14 | 0:15:17 | |
Now, we know you are used to having the willies put up you... | 0:15:17 | 0:15:20 | |
but today, we are going to put the willies up those people. | 0:15:20 | 0:15:23 | |
-So are you ready to help us? -Sounds like a good plan. | 0:15:23 | 0:15:26 | |
-I like a good willy. -Right, let's get started. | 0:15:26 | 0:15:29 | |
Good afternoon, guys and GHOULS! | 0:15:32 | 0:15:35 | |
-PUBLIC: -Whooooo! | 0:15:35 | 0:15:37 | |
You're all very welcome to D&B's Celebrity Haunted House Tour. | 0:15:37 | 0:15:41 | |
-PUBLIC: -Whoooo! | 0:15:41 | 0:15:43 | |
OK, here's your host, Yvette Fielding. | 0:15:43 | 0:15:46 | |
CHEERING | 0:15:46 | 0:15:48 | |
Hello, everybody. Now then, who would like to find some ghosts? | 0:15:48 | 0:15:52 | |
-Yay! -Ssh! Quietly. | 0:15:52 | 0:15:55 | |
-LOUDLY: -Right, follow me! | 0:15:56 | 0:15:57 | |
# Scooby-Dooby-Doo | 0:16:00 | 0:16:01 | |
# Where are you? | 0:16:01 | 0:16:03 | |
# We got some work to do now | 0:16:03 | 0:16:06 | |
# Scooby-Dooby-Doo... # | 0:16:06 | 0:16:08 | |
So, now to our real highlight of the tour | 0:16:08 | 0:16:10 | |
where we are going to conduct a seance. | 0:16:10 | 0:16:12 | |
-PUBLIC: -Oooooh! | 0:16:12 | 0:16:14 | |
And to help us with this is Yvette | 0:16:14 | 0:16:16 | |
and this woman here who is a medium. | 0:16:16 | 0:16:18 | |
LAUGHTER | 0:16:19 | 0:16:22 | |
Extra large. | 0:16:22 | 0:16:23 | |
But it suits you. | 0:16:25 | 0:16:26 | |
Everybody hold hands. | 0:16:29 | 0:16:30 | |
Ghost! If you are there, give us a sign! | 0:16:32 | 0:16:35 | |
Expose yourself. | 0:16:35 | 0:16:37 | |
LAUGHTER | 0:16:37 | 0:16:40 | |
Shut up, Buster. | 0:16:40 | 0:16:41 | |
Just give us a sign that you are there. | 0:16:43 | 0:16:46 | |
PARP! | 0:16:46 | 0:16:49 | |
Sorry, Dermot. | 0:16:49 | 0:16:50 | |
LAUGHTER | 0:16:50 | 0:16:52 | |
I'm nervous. | 0:16:52 | 0:16:54 | |
Shut up, Buster. | 0:16:55 | 0:16:57 | |
Is there anybody here? | 0:16:57 | 0:16:58 | |
I'm sensing a presence. | 0:17:00 | 0:17:02 | |
-Can you show yourself to me? -Slowly. | 0:17:02 | 0:17:06 | |
LOUD BANG | 0:17:06 | 0:17:09 | |
They're here. They're in the room! They're here. | 0:17:09 | 0:17:11 | |
Hold tight, everybody, hold tight. Don't let yourselves go! | 0:17:11 | 0:17:15 | |
# Scooby-Dooby-Doo | 0:17:17 | 0:17:19 | |
# Where are you? | 0:17:19 | 0:17:20 | |
# We need some help from you now. # | 0:17:20 | 0:17:23 | |
WOLF HOWLS | 0:17:26 | 0:17:29 | |
OK, now its time for a spooky ghost story. | 0:17:31 | 0:17:36 | |
MUSIC: Theme from Psycho | 0:17:36 | 0:17:38 | |
-PUBLIC: -Oooh! -You're going to piss your pants. | 0:17:38 | 0:17:42 | |
I am... | 0:17:44 | 0:17:46 | |
A young boy was murdered, he was hanged, | 0:17:46 | 0:17:48 | |
drawn and quartered by Irish mercenaries. | 0:17:48 | 0:17:52 | |
He certainly was, and he was an Irish harpist. | 0:17:52 | 0:17:56 | |
Whoa. He should have played the guitar. | 0:17:56 | 0:17:58 | |
-PARP! -What's that? -It's me again. | 0:17:59 | 0:18:02 | |
OK, moving on, next room! | 0:18:04 | 0:18:06 | |
# Scooby-Dooby-Doo | 0:18:06 | 0:18:08 | |
# Where are you? | 0:18:08 | 0:18:10 | |
# We got some work to do now... # | 0:18:10 | 0:18:13 | |
Unfortunately, ladies and gentlemen, | 0:18:14 | 0:18:17 | |
we have come to the end of the Haunted House Tour. | 0:18:17 | 0:18:19 | |
-PUBLIC: -Aw! | 0:18:19 | 0:18:21 | |
We're sorry you didn't see any ghosts, | 0:18:21 | 0:18:23 | |
but please tell your friends you did. | 0:18:23 | 0:18:25 | |
-LAUGHTER -Please show your appreciation with a tip. | 0:18:25 | 0:18:29 | |
So, if we were scary and amazing, dip into those savings. | 0:18:29 | 0:18:33 | |
Don't be cheap if we gave you the creeps. | 0:18:33 | 0:18:36 | |
LAUGHTER | 0:18:36 | 0:18:38 | |
If our tour did the trick, don't be a... | 0:18:38 | 0:18:40 | |
A prick. | 0:18:40 | 0:18:42 | |
Thank you. Cheers. | 0:18:44 | 0:18:45 | |
Whatever, nice one. Cheers. Thanks. | 0:18:45 | 0:18:48 | |
-The bucket's heavy, Dermot. -OK, Yvette, thanks for today. | 0:18:48 | 0:18:52 | |
You were great. Here's a little token of our appreciation. | 0:18:52 | 0:18:55 | |
Oh, thank you very much. That's grea... | 0:18:55 | 0:18:57 | |
-It's empty. -Ooh! | 0:19:00 | 0:19:02 | |
It must have been the ghost. | 0:19:03 | 0:19:05 | |
-Let's go. -See you. Heh-heh! | 0:19:06 | 0:19:08 | |
Bastards. | 0:19:08 | 0:19:11 | |
WOLF HOWLS | 0:19:11 | 0:19:14 | |
Well... | 0:19:17 | 0:19:19 | |
-Dermot, that was scary. -Yeah, very. -But Yvette sounds lovely. | 0:19:20 | 0:19:24 | |
-She was great. -She's the nicest vet I ever met. | 0:19:24 | 0:19:27 | |
Buster, for the last time, it's not a vet, it's Yvette. | 0:19:28 | 0:19:32 | |
-Yvette? -Yeah. | 0:19:34 | 0:19:36 | |
-Not a vet. -Exactly. | 0:19:36 | 0:19:39 | |
Yvette. | 0:19:39 | 0:19:41 | |
Now you have it. | 0:19:41 | 0:19:42 | |
I can literally see the hamster falling off the wheel. | 0:19:42 | 0:19:45 | |
LAUGHTER | 0:19:45 | 0:19:47 | |
Don't look at me. You should go and see a... | 0:19:47 | 0:19:50 | |
THEY LAUGH | 0:19:50 | 0:19:52 | |
You should go and see a hamster. | 0:19:52 | 0:19:54 | |
THEY LAUGH | 0:19:54 | 0:19:57 | |
I can literally see a hamster committing suicide on the wheel. | 0:19:57 | 0:20:00 | |
THEY LAUGH | 0:20:00 | 0:20:02 | |
But don't look at me. You should take your hamster to a vet. | 0:20:02 | 0:20:05 | |
APPLAUSE AND CHEERING Shut up, Buster. | 0:20:05 | 0:20:08 | |
Yeah. | 0:20:08 | 0:20:09 | |
That's called sympathy. | 0:20:12 | 0:20:13 | |
-Well, bye-bye, boys. -See you, Ma. | 0:20:15 | 0:20:17 | |
Here, leave your glass, they're fucking short in here. | 0:20:17 | 0:20:20 | |
See you soon. | 0:20:20 | 0:20:23 | |
-Bye, love. -Love you, Mrs Brown. -Get away from me! | 0:20:23 | 0:20:25 | |
-There's your coffee, pet. -Thank you, dear girl. | 0:20:33 | 0:20:35 | |
-Agnes. -What, Winnie? | 0:20:35 | 0:20:37 | |
If you hadn't married Redser, who would you have married? | 0:20:37 | 0:20:40 | |
Well, I don't know. | 0:20:40 | 0:20:41 | |
But there was one fella. He was a fine thing. | 0:20:42 | 0:20:45 | |
A monster in the bedroom. | 0:20:45 | 0:20:47 | |
Yeah. He was a footballer for Bohemians FC. | 0:20:51 | 0:20:53 | |
Oh. My Jacko played for Bohemians. | 0:20:53 | 0:20:56 | |
This fellow was a centre forward. | 0:20:56 | 0:20:58 | |
My Jacko was a centre forward. | 0:20:59 | 0:21:02 | |
-Here. -What? | 0:21:07 | 0:21:08 | |
I've got some more letters in from people looking for me | 0:21:08 | 0:21:10 | |
-to solve their problems. -Oh! -Here, you take these ones. -Right. | 0:21:10 | 0:21:13 | |
And I'll take these. | 0:21:13 | 0:21:15 | |
The first one is from Pat Pearce. | 0:21:15 | 0:21:16 | |
Where's Pat? Hello, Pat! | 0:21:16 | 0:21:18 | |
-How are you, Pat? -Fine, thank you. | 0:21:18 | 0:21:20 | |
And she says, "Having a bake-off day in May | 0:21:20 | 0:21:22 | |
"and I'm wondering if Mrs Brown has any good recipes for tarts, | 0:21:22 | 0:21:26 | |
"muffins or crumpets." | 0:21:26 | 0:21:29 | |
Muffins is her department. | 0:21:35 | 0:21:37 | |
But if you're looking for a tart or crumpet, | 0:21:38 | 0:21:40 | |
you've come to the right place. | 0:21:40 | 0:21:42 | |
Any time. | 0:21:43 | 0:21:45 | |
Ian McArthur, have we got Ian? Hello, Ian, how are you? | 0:21:47 | 0:21:50 | |
-Fine, thank you. -Good to see you. | 0:21:50 | 0:21:51 | |
Ian says, "As a father of two teenage daughters, 18 and 15..." | 0:21:51 | 0:21:55 | |
That's odd names. | 0:21:55 | 0:21:57 | |
"..how do I deal with the potential boyfriend scenario | 0:21:59 | 0:22:02 | |
"without resorting to violence of a castration nature?" | 0:22:02 | 0:22:05 | |
Well, you know what? I have only one daughter and I swear to God, | 0:22:07 | 0:22:11 | |
if anybody, if the bin man asked to take her, | 0:22:11 | 0:22:13 | |
I'd bucking give her. | 0:22:13 | 0:22:14 | |
This one is from Janice, Janice Wallace. | 0:22:17 | 0:22:19 | |
-She says, "Dear, Agnes..." -Where's Janice? -"I..." | 0:22:19 | 0:22:21 | |
-Oh, sorry. Hello, Janice. How are you? -Fine, Agnes. | 0:22:21 | 0:22:23 | |
-You look fantastic. -Thank you. | 0:22:23 | 0:22:25 | |
She says, "I would like some advice. | 0:22:25 | 0:22:27 | |
"I have been playing with my husband's bowels." | 0:22:27 | 0:22:30 | |
Oh, boules! Boules! Sorry. | 0:22:30 | 0:22:34 | |
"I've been playing with my husband's bowls... | 0:22:34 | 0:22:36 | |
"..and they are too large for my hands and I..." | 0:22:38 | 0:22:41 | |
LAUGHTER | 0:22:41 | 0:22:42 | |
"And I keep dropping them on the grass | 0:22:42 | 0:22:45 | |
"which means I can't get anywhere near the jack to win the game." | 0:22:45 | 0:22:49 | |
APPLAUSE | 0:22:53 | 0:22:57 | |
-Janice. -Yes, Agnes. | 0:23:03 | 0:23:05 | |
If you get a ball in each hand | 0:23:05 | 0:23:08 | |
and clack them together | 0:23:08 | 0:23:10 | |
you will never see the jack again. | 0:23:10 | 0:23:13 | |
-Here! -What? | 0:23:19 | 0:23:20 | |
I'd better be off. I'd better be getting these tongs in the picker | 0:23:20 | 0:23:23 | |
and not for the first time either. | 0:23:23 | 0:23:25 | |
-I'll see you later, Winnie. Bye-bye. -I'll see you later. -Bye! | 0:23:25 | 0:23:28 | |
Is Mark going to be long in there? I'm starting my show any minute. | 0:23:34 | 0:23:37 | |
I don't know. He's having the talk with Bono. | 0:23:37 | 0:23:41 | |
Put the phone down, I want to have a chat. | 0:23:43 | 0:23:45 | |
Sure, Dad. | 0:23:45 | 0:23:46 | |
I want to talk to you about... | 0:23:48 | 0:23:50 | |
About what, Dad? | 0:23:50 | 0:23:51 | |
-About sex. -Sure, Dad. | 0:23:53 | 0:23:55 | |
What do you want to know? | 0:23:55 | 0:23:57 | |
APPLAUSE AND CHEERING | 0:23:59 | 0:24:02 | |
What? | 0:24:04 | 0:24:06 | |
Don't be afraid, Dad. You can ask me anything. | 0:24:06 | 0:24:08 | |
Betty, come on. We're going! | 0:24:10 | 0:24:12 | |
-Hi, Ma. -Hello, Mark, son. | 0:24:15 | 0:24:17 | |
-What's wrong? -It's Dad, he'll be fine. Love you. | 0:24:23 | 0:24:26 | |
-Love you more. -And, Granny? -Yes, love? | 0:24:26 | 0:24:29 | |
-Reggae! -Ooh! | 0:24:29 | 0:24:30 | |
MUSIC: Boombastic by Shaggy | 0:24:30 | 0:24:33 | |
RECORD SCRATCHES | 0:24:47 | 0:24:49 | |
So, Aly, you're making what? | 0:24:49 | 0:24:51 | |
Er, I'm making brown curry for Sunetra and her mum. | 0:24:51 | 0:24:56 | |
-But I'm putting a bit of twist in. -A bit of a twist in. | 0:24:56 | 0:24:58 | |
-Nice fusion, you know, something... -So, can have a look | 0:24:58 | 0:25:00 | |
at the curry, what it's like when it's finished? | 0:25:00 | 0:25:02 | |
Look at that. AUDIENCE OOHS | 0:25:02 | 0:25:05 | |
APPLAUSE | 0:25:06 | 0:25:08 | |
-And we're going to have a surprise dish. -A surprise dish? -Yes. | 0:25:08 | 0:25:10 | |
-What's that? -Surprise! | 0:25:10 | 0:25:12 | |
Reggae! | 0:25:14 | 0:25:16 | |
MUSIC: Boombastic by Shaggy | 0:25:16 | 0:25:18 | |
RECORD SCRATCHES Ooh. | 0:25:33 | 0:25:35 | |
Cathy's show is about to start. I should get in there. | 0:25:35 | 0:25:38 | |
Good luck with that, Mrs Brown. | 0:25:38 | 0:25:39 | |
Five, four, three, two, one. | 0:25:39 | 0:25:43 | |
# Lights aglow Here we go | 0:25:43 | 0:25:46 | |
# The Cathy Brown Show. # | 0:25:46 | 0:25:47 | |
APPLAUSE | 0:25:47 | 0:25:50 | |
And me, Mrs Agnes Brown. | 0:25:53 | 0:25:56 | |
Cathy's mother. | 0:25:56 | 0:25:58 | |
96 hours in labour. | 0:25:58 | 0:25:59 | |
Well, welcome to the show, | 0:26:01 | 0:26:03 | |
and please welcome my guests tonight, | 0:26:03 | 0:26:05 | |
the magnificent Michael Ball | 0:26:05 | 0:26:07 | |
and the supremely talented Sunetra Sarker. | 0:26:07 | 0:26:09 | |
APPLAUSE AND CHEERING | 0:26:09 | 0:26:12 | |
How are you? | 0:26:17 | 0:26:18 | |
Thank you. | 0:26:18 | 0:26:21 | |
-Hello! -Hello. | 0:26:21 | 0:26:23 | |
-Hello, Sunetra. -Hello! | 0:26:23 | 0:26:25 | |
Why can't you dress like that? | 0:26:28 | 0:26:31 | |
APPLAUSE AND CHEERING | 0:26:35 | 0:26:38 | |
Buster, what are you doing? That's terrifying. | 0:26:42 | 0:26:46 | |
It's for Michael. I wanted to show him my... | 0:26:46 | 0:26:49 | |
# Phantom of the opera! # | 0:26:49 | 0:26:52 | |
-That was good. -Wow! | 0:26:52 | 0:26:55 | |
Buster, get out. | 0:26:56 | 0:26:58 | |
-Out. -Aww. -AUDIENCE AWWS | 0:26:58 | 0:27:02 | |
And get the lights, Buster. | 0:27:02 | 0:27:04 | |
MUSIC: Phantom Of The Opera | 0:27:06 | 0:27:10 | |
The bells, the bells! | 0:27:12 | 0:27:15 | |
APPLAUSE | 0:27:15 | 0:27:17 | |
-Well, welcome to the show, both of you. -Thank you, Cathy. | 0:27:21 | 0:27:24 | |
-Thank you. -First up, Sunetra, | 0:27:24 | 0:27:25 | |
-you're probably best known for Casualty. -Yes. | 0:27:25 | 0:27:28 | |
-But since leaving, we've seen you in Broadchurch. -Oh, yeah. | 0:27:28 | 0:27:31 | |
-And in Death In Paradise. -Yes. | 0:27:31 | 0:27:33 | |
And we'll next see you in the ITV drama, Safe House. | 0:27:33 | 0:27:37 | |
-Yes. -Tell us a bit about that. | 0:27:37 | 0:27:38 | |
Yeah, well, it was interesting putting down my doctor's stethoscope | 0:27:38 | 0:27:41 | |
and becoming a detective instead, | 0:27:41 | 0:27:42 | |
which is what I'm playing in Safe House. | 0:27:42 | 0:27:44 | |
Yeah, I'm a detective in charge of a serial killer. | 0:27:44 | 0:27:46 | |
That's very, very different from being a doctor. | 0:27:46 | 0:27:49 | |
-Very different, yeah. -Was it hard to adjust, you know, to...? | 0:27:49 | 0:27:51 | |
Yeah, I'm so used to feeling people's pulses | 0:27:51 | 0:27:53 | |
and speaking medical gobbledygook | 0:27:53 | 0:27:55 | |
that it was quite a breath of fresh air to speak English all the time | 0:27:55 | 0:27:58 | |
and not have to go into medical jargon. | 0:27:58 | 0:28:00 | |
You started your career in Brookside | 0:28:00 | 0:28:02 | |
and I think, didn't you do a small role in Coronation Street? | 0:28:02 | 0:28:05 | |
-I did, yes. -Did you? -Yeah, I did two episodes. | 0:28:05 | 0:28:08 | |
But they... | 0:28:08 | 0:28:10 | |
-they never asked me back. I was playing a tennis pro... -Oh. | 0:28:10 | 0:28:13 | |
..who was a love rival for Kevin Webster, Mike Le Vell, | 0:28:13 | 0:28:18 | |
-and he beat me up. -Mm. | 0:28:18 | 0:28:22 | |
And I do it in these tiny, little white shorts | 0:28:22 | 0:28:24 | |
with a great old '80s mullet. | 0:28:24 | 0:28:26 | |
-You don't have the shorts with you, do you? -No, I don't! | 0:28:26 | 0:28:30 | |
Stop it, Mammy. | 0:28:30 | 0:28:32 | |
-Would you be tempted to do any more...? -I would be so tempted! | 0:28:32 | 0:28:35 | |
Oh, Mammy, please! | 0:28:35 | 0:28:37 | |
-I didn't ask if you were tempted to... -New balls, please! New balls. | 0:28:37 | 0:28:41 | |
-APPLAUSE -I'll tell you what... | 0:28:42 | 0:28:44 | |
If I tried to wear those shorts, I'd need them. | 0:28:47 | 0:28:49 | |
-Michael. -Yes, Cathy. | 0:28:53 | 0:28:55 | |
-Your album with Alfie Boe... -Yeah. | 0:28:55 | 0:28:56 | |
-..it was a bestselling UK album of 2016. -It was. | 0:28:56 | 0:28:59 | |
I think that deserves a round of applause. | 0:28:59 | 0:29:01 | |
APPLAUSE AND CHEERING | 0:29:01 | 0:29:04 | |
There's no rivalry between the two of you? | 0:29:05 | 0:29:07 | |
Well, you know, if you work with someone that you like, | 0:29:07 | 0:29:10 | |
who's a mate but is also really good, | 0:29:10 | 0:29:12 | |
I think it kind of makes you work at the top of your game. | 0:29:12 | 0:29:15 | |
Oh, I wish I had that pleasure. | 0:29:15 | 0:29:17 | |
We have a clip of both of you performing one of the songs | 0:29:21 | 0:29:23 | |
-from the album. -OK. | 0:29:23 | 0:29:25 | |
# If I die | 0:29:25 | 0:29:30 | |
# Let me die | 0:29:30 | 0:29:35 | |
# Let him live | 0:29:35 | 0:29:39 | |
# Bring him home... # | 0:29:41 | 0:29:45 | |
APPLAUSE | 0:29:48 | 0:29:51 | |
MRS BROWN CRIES | 0:29:55 | 0:29:57 | |
-Did you enjoy that, Mammy? -No, I just... | 0:29:57 | 0:29:59 | |
I'm a music lover and it wasn't in key. | 0:29:59 | 0:30:02 | |
-Sorry, Michael. -I blame Alfie! | 0:30:05 | 0:30:07 | |
Yeah, it's his fault. | 0:30:07 | 0:30:09 | |
Sunetra, most actors, you know, | 0:30:09 | 0:30:12 | |
they're working for years and years and years | 0:30:12 | 0:30:14 | |
-before they can get discovered. -Mm-hm. | 0:30:14 | 0:30:15 | |
Where were you discovered? | 0:30:15 | 0:30:17 | |
I was discovered at the bus stop. | 0:30:17 | 0:30:19 | |
Yeah. When I was 15, yeah. | 0:30:21 | 0:30:23 | |
I think they were desperately looking for Asian Scousers | 0:30:23 | 0:30:25 | |
and they must've scoured the whole of Liverpool | 0:30:25 | 0:30:27 | |
and just not found anyone back in the '80s. | 0:30:27 | 0:30:30 | |
So the casting director sort of got in her car | 0:30:30 | 0:30:32 | |
and starting looking around the whole of Liverpool and... | 0:30:32 | 0:30:34 | |
-Yeah. -For Brookie? -For Brookie. She said, "Oh, you've got | 0:30:34 | 0:30:36 | |
"the right face for this character we've written. | 0:30:36 | 0:30:38 | |
"Give that card to your mum and dad and come along for an audition." | 0:30:38 | 0:30:41 | |
And here I am 27 years later. | 0:30:41 | 0:30:44 | |
APPLAUSE | 0:30:44 | 0:30:46 | |
Mammy, you were doing a little bit of research on Michael today too, | 0:30:50 | 0:30:53 | |
-weren't you? -I was. | 0:30:53 | 0:30:54 | |
I just want to ask, what were you thinking | 0:30:57 | 0:30:59 | |
when you were posing for this photograph? | 0:30:59 | 0:31:01 | |
My God. That's him on the right. | 0:31:03 | 0:31:05 | |
Blimey. I've never seen that photo in my life. | 0:31:06 | 0:31:09 | |
MRS BROWN LAUGHS | 0:31:09 | 0:31:10 | |
-That's Aspects Of Love. -Ooh! -Is it? -Yeah, yeah. | 0:31:10 | 0:31:13 | |
-What the hell was I wearing? -I know, I know. | 0:31:13 | 0:31:16 | |
I found it under Rory's mattress. | 0:31:16 | 0:31:18 | |
Well, Mammy, now it's time to bring out | 0:31:24 | 0:31:26 | |
one of our guests' own mammies onto the show. | 0:31:26 | 0:31:28 | |
So, this week, please welcome Sunetra's gorgeous mammy, Bisakha. | 0:31:28 | 0:31:33 | |
APPLAUSE AND CHEERING | 0:31:33 | 0:31:36 | |
You're so welcome. | 0:31:41 | 0:31:43 | |
Thank you. | 0:31:45 | 0:31:46 | |
Look at the glamour and grace of you. | 0:31:48 | 0:31:51 | |
You make your daughter look like a tramp. | 0:31:51 | 0:31:54 | |
Sit down here. Sit down. | 0:31:54 | 0:31:56 | |
APPLAUSE | 0:31:56 | 0:31:58 | |
Welcome to the show, Bisakha. It's lovely to have you with us. | 0:31:59 | 0:32:02 | |
You have to be the most interesting person we've ever had on the show. | 0:32:02 | 0:32:06 | |
-You have an MBE. -Yes. | 0:32:06 | 0:32:08 | |
APPLAUSE | 0:32:08 | 0:32:10 | |
For services in teaching Indian dance to the community. | 0:32:13 | 0:32:17 | |
And you're dancing... Were you a professional dancer? | 0:32:17 | 0:32:19 | |
Yes, I am. I've always danced, you know, from when I was very young. | 0:32:19 | 0:32:23 | |
I started and then I carried on. | 0:32:23 | 0:32:26 | |
-You're still dancing? -Yes, I am. -Wow! | 0:32:26 | 0:32:29 | |
Just age-appropriate, I must add. | 0:32:29 | 0:32:31 | |
-50s, 50s. -And you teach dance? -I do. -Wow! | 0:32:33 | 0:32:37 | |
I'm looking forward to, if any of you would like | 0:32:37 | 0:32:39 | |
-to learn a few moves. -Mum! | 0:32:39 | 0:32:42 | |
APPLAUSE You had me at hello. | 0:32:42 | 0:32:45 | |
Mammy, we have a little photo of when Bisakha | 0:32:48 | 0:32:50 | |
-was presented with her MBE. -Let's have a look at it. | 0:32:50 | 0:32:52 | |
-Aww. -Aww. -Aww. | 0:32:52 | 0:32:54 | |
And that's Sunetra and this is your sister, is that correct? | 0:32:54 | 0:32:58 | |
Yes, Sri. Yeah, we all went, it was a family outing. | 0:32:58 | 0:33:00 | |
-Three sisters. You look beautiful. -Aww. | 0:33:00 | 0:33:02 | |
But again, if you could just dress like your mother. | 0:33:02 | 0:33:05 | |
I think I look all right! | 0:33:07 | 0:33:08 | |
-You've got an MBE. MICHAEL: -No, I've got an OBE. | 0:33:09 | 0:33:11 | |
-You've got an OBE. Your father's... -His dad's got an MBE. | 0:33:11 | 0:33:13 | |
-My dad's an MBE. -That's right, yes. -For? | 0:33:13 | 0:33:16 | |
-Services to the motor industry. -He was involved with the Mini. | 0:33:16 | 0:33:19 | |
He launched the very first Mini. | 0:33:19 | 0:33:21 | |
And you brought him along when you received your OBE. | 0:33:21 | 0:33:23 | |
-Yeah. -Yeah, I think we have a photo of that. -Have you? | 0:33:23 | 0:33:26 | |
-Wow! -Aww. | 0:33:26 | 0:33:28 | |
He said it was the proudest day of his life. It was just brilliant. | 0:33:28 | 0:33:30 | |
-Very moving. -Perfect. | 0:33:30 | 0:33:32 | |
Now, Bisakha, what was Sunetra like as a little girl? | 0:33:32 | 0:33:35 | |
Erm... Well, she was my first child | 0:33:35 | 0:33:39 | |
so I think, you know, I didn't know what to expect. | 0:33:39 | 0:33:42 | |
-What she spoiled? -Yeah. | 0:33:42 | 0:33:44 | |
I wasn't spoiled! | 0:33:44 | 0:33:47 | |
-You were really strict. -No, no, no. -You were super strict. | 0:33:47 | 0:33:50 | |
-I don't think so. -Yes, you were. -I think you were very spoiled. | 0:33:50 | 0:33:52 | |
Take it outside, girls. Take it outside. | 0:33:52 | 0:33:55 | |
She was loud and boisterous. | 0:33:55 | 0:33:56 | |
Was she a good dancer when she was growing up? | 0:33:56 | 0:33:58 | |
Not maybe as good as she could've been. | 0:33:58 | 0:34:01 | |
Are you of the same opinion as the rest of us in that, | 0:34:03 | 0:34:06 | |
everything I've seen you in, Sunetra, | 0:34:06 | 0:34:08 | |
-the camera absolutely loves you. -Oh. | 0:34:08 | 0:34:10 | |
It just loves you. You look better on camera than you do now. | 0:34:10 | 0:34:13 | |
-Mammy. -Yes, love? | 0:34:15 | 0:34:16 | |
Would you like to take Bisakha into the kitchen | 0:34:16 | 0:34:18 | |
and see how Chef Aly is doing? | 0:34:18 | 0:34:20 | |
I would love to take Bisakha in the kitchen and have a little chat. | 0:34:20 | 0:34:23 | |
Please allow me. | 0:34:23 | 0:34:25 | |
No, you're only just over knee surgery, | 0:34:25 | 0:34:27 | |
so I want to make it nice and easy for you. | 0:34:27 | 0:34:29 | |
-You fall with me. -Well, if I fall with you, we fall together. | 0:34:29 | 0:34:32 | |
LAUGHTER AND APPLAUSE | 0:34:32 | 0:34:34 | |
Now, she said Sunetra wasn't a precocious child. | 0:34:45 | 0:34:47 | |
Have a look at that. | 0:34:49 | 0:34:51 | |
LAUGHTER AND APPLAUSE | 0:34:51 | 0:34:54 | |
I was about ten! | 0:34:54 | 0:34:56 | |
-So this would have been one of her first head shots, I think? -Yes. | 0:34:56 | 0:35:00 | |
She really photographs so well. | 0:35:00 | 0:35:01 | |
When you see her up close, it's different. | 0:35:01 | 0:35:03 | |
Isn't that beautiful? Look at that! | 0:35:05 | 0:35:06 | |
-AUDIENCE: -Oooh! -I know! | 0:35:06 | 0:35:09 | |
You look at that and you think, "Casualty." | 0:35:09 | 0:35:11 | |
LAUGHTER AND APPLAUSE | 0:35:11 | 0:35:14 | |
Tell me about the basics for Indian dancing. | 0:35:14 | 0:35:16 | |
-Could you teach me some small moves? I don't want to go mad. -Yes. | 0:35:16 | 0:35:19 | |
-Aly! Come on, come on! -I'm busy now! -Come on! | 0:35:19 | 0:35:24 | |
You're going to learn to dance. | 0:35:24 | 0:35:26 | |
-OK. -Put one hand on your waist. | 0:35:27 | 0:35:30 | |
Aly, come on! | 0:35:30 | 0:35:32 | |
-One hand on your waist. -And one over there. | 0:35:32 | 0:35:34 | |
-And one over there, like this? -And we'll just move our hips like that. | 0:35:34 | 0:35:37 | |
-I can do this! -Yeah, that's right. -Yes! | 0:35:39 | 0:35:42 | |
-That is a movement. -OK. | 0:35:42 | 0:35:45 | |
Time for a bit of music, let me try that. | 0:35:45 | 0:35:47 | |
MUSIC: Jai Ho (You Are My Destiny) by The Pussycat Dolls | 0:35:47 | 0:35:51 | |
AUDIENCE CLAP ALONG | 0:35:51 | 0:35:53 | |
CHEERING AND APPLAUSE | 0:36:12 | 0:36:15 | |
Let's go and see what Aly's... | 0:36:15 | 0:36:18 | |
So... Now, my mother used to do a... | 0:36:19 | 0:36:21 | |
-So, I see peppers in here. -Yeah. -Is that a Dublin Bay prawn? | 0:36:23 | 0:36:27 | |
-He's a big boy, a big prawn, yeah. -They are big boys! -Yes. | 0:36:27 | 0:36:30 | |
-So this is the prawn and this is the sauce? -This is the curry sauce. | 0:36:30 | 0:36:33 | |
Be very careful at home. | 0:36:33 | 0:36:34 | |
It's not easy to cook and you don't want to buy your curry | 0:36:34 | 0:36:37 | |
from anywhere. Don't buy it from a garage, for instance. | 0:36:37 | 0:36:39 | |
Buy it in a garage, you think it's hot going down, | 0:36:39 | 0:36:41 | |
you want to feel it coming out! I'm looking forward to tasting that. | 0:36:41 | 0:36:44 | |
Will we go back in and see what the girls are doing? | 0:36:44 | 0:36:47 | |
-Thank you very much. -Ladies and gentlemen, Bisakha. | 0:36:47 | 0:36:49 | |
APPLAUSE | 0:36:49 | 0:36:51 | |
-Now, Michael. -Yeah? -You're famous for your powerful voice. -Thank you. | 0:36:58 | 0:37:02 | |
I think we'd all love to hear it at full force. | 0:37:02 | 0:37:05 | |
CHEERING | 0:37:05 | 0:37:07 | |
-I've an idea. -What? | 0:37:09 | 0:37:10 | |
Powerful or not, with your voice, from there, | 0:37:10 | 0:37:13 | |
I bet you can't wake up Sleepy Dopey here. | 0:37:13 | 0:37:16 | |
-Well, let's find out! -Yes, go on, try it! | 0:37:16 | 0:37:19 | |
Shall I do the last bit of Love Changes Everything? | 0:37:23 | 0:37:25 | |
-Oh, that would be beautiful, yes. -The big money note, as it's known. | 0:37:25 | 0:37:29 | |
Take it away, Michael. | 0:37:29 | 0:37:31 | |
# Love will never, never let you be | 0:37:32 | 0:37:36 | |
# The.... | 0:37:36 | 0:37:38 | |
# Sa-aa-aa-aa-aa-aa-me... # | 0:37:38 | 0:37:41 | |
APPLAUSE | 0:37:41 | 0:37:42 | |
He's still alive! It didn't work. Ladies and gentlemen, Michael Ball. | 0:37:52 | 0:37:56 | |
CHEERING AND APPLAUSE | 0:37:56 | 0:37:57 | |
Mammy, I think we should get Chef Aly in with today's dishes. | 0:38:05 | 0:38:08 | |
Well, let me go and help him. It's beautiful. | 0:38:08 | 0:38:10 | |
Wait till you see what he has. Aly, bring it in. | 0:38:10 | 0:38:12 | |
APPLAUSE | 0:38:14 | 0:38:16 | |
There's an awful lot of balls! | 0:38:20 | 0:38:22 | |
Oh... Oh... | 0:38:24 | 0:38:26 | |
I'm joking! | 0:38:26 | 0:38:28 | |
-That looks amazing. -Are they real? | 0:38:30 | 0:38:32 | |
Wow, Aly. Well, what have we got here? | 0:38:32 | 0:38:34 | |
We've got prawn curry with all the condiments. | 0:38:34 | 0:38:37 | |
We've got profiter-balls... for Michael Ball. | 0:38:37 | 0:38:40 | |
-APPLAUSE -Aww, profiter-balls! | 0:38:40 | 0:38:43 | |
Well, while Aly dishes up some of the curry, I'm going to take | 0:38:46 | 0:38:49 | |
some up to the audience and see what the audience think of them. | 0:38:49 | 0:38:52 | |
Let me just try that one there. | 0:38:52 | 0:38:53 | |
Would you like a...? | 0:38:59 | 0:39:00 | |
Hey, hey! | 0:39:00 | 0:39:02 | |
LAUGHTER AND APPLAUSE | 0:39:02 | 0:39:03 | |
Step away from the eclairs! | 0:39:06 | 0:39:08 | |
Just cos it went past you doesn't mean it's for you! | 0:39:10 | 0:39:13 | |
There you go. Isn't it lovely? Look at that, the presentation. | 0:39:13 | 0:39:17 | |
Look at the way the roses... It's gorgeous, isn't it? No. | 0:39:17 | 0:39:20 | |
There you go. Our PE teacher. | 0:39:23 | 0:39:25 | |
So, guys, what do you think? | 0:39:35 | 0:39:37 | |
It's stunning. I'm so glad I came. | 0:39:37 | 0:39:41 | |
-Beautiful. -Sunetra, is it better than your mammy's? | 0:39:41 | 0:39:44 | |
I can't say that with mum sitting next to me. | 0:39:44 | 0:39:47 | |
-It's just as good as, honestly. -As good as. That's a great compliment. | 0:39:47 | 0:39:50 | |
-Bisakha, is that nice? -Very nice. | 0:39:50 | 0:39:53 | |
-It's really something I've never tasted before. -Thank you very much. | 0:39:53 | 0:39:58 | |
It's supposed to be fuckin' curry! | 0:39:58 | 0:40:00 | |
LAUGHTER AND APPLAUSE | 0:40:00 | 0:40:02 | |
Aly, you blew it! | 0:40:05 | 0:40:08 | |
Well, that's all we have time for on The Cathy Brown Show tonight. | 0:40:08 | 0:40:11 | |
A huge thanks to all my guests - Michael Ball, | 0:40:11 | 0:40:15 | |
Sunetra Sarker... | 0:40:15 | 0:40:16 | |
APPLAUSE | 0:40:16 | 0:40:18 | |
..Bisakha... | 0:40:18 | 0:40:21 | |
and, of course, Chef Aly! | 0:40:21 | 0:40:25 | |
Next week, we'll be joined by... Oh, no. There is no next week. | 0:40:26 | 0:40:31 | |
AUDIENCE MOAN | 0:40:31 | 0:40:32 | |
We'll see you again soon, but, for now, | 0:40:32 | 0:40:34 | |
it's over to Father Damien and Trevor for Thought For The Day. | 0:40:34 | 0:40:38 | |
Goodnight! | 0:40:38 | 0:40:39 | |
APPLAUSE | 0:40:39 | 0:40:41 | |
Good evening. And God bless you all. | 0:40:48 | 0:40:52 | |
I'm sure some of you are tired after a long day's work. | 0:40:52 | 0:40:56 | |
And some of you are just going to work now. Night people. | 0:40:56 | 0:40:59 | |
People we know, like Martin in the fire service, | 0:40:59 | 0:41:02 | |
or Liam, who's a police officer. | 0:41:02 | 0:41:04 | |
Or Jennifer Murphy, who's in personal security or, | 0:41:04 | 0:41:07 | |
-as she likes to call it, the escort service. -Whatever. | 0:41:07 | 0:41:11 | |
The point is, whether you work day or night, ask yourself, | 0:41:11 | 0:41:15 | |
what questions did you ask God today? | 0:41:15 | 0:41:18 | |
He's there to answer all of your questions. | 0:41:18 | 0:41:20 | |
Questions like, which is better - the iPhone or the Samsung 7? | 0:41:20 | 0:41:23 | |
-No. -No. | 0:41:23 | 0:41:25 | |
Serious questions like, am I living up to my potential? | 0:41:25 | 0:41:28 | |
Or should I visit a friend who may be in prison? | 0:41:28 | 0:41:31 | |
-Or is it worth buying my mother out of the army? -What? | 0:41:31 | 0:41:35 | |
God is, like, there for you. | 0:41:35 | 0:41:38 | |
Like that extra bit of leverage you need | 0:41:38 | 0:41:40 | |
when your nuts are too tight and you're trying to change a flat tyre. | 0:41:40 | 0:41:44 | |
You ask the question, He'll find the answer. | 0:41:44 | 0:41:47 | |
Yes. Many of the answers you're looking for, they're in here. | 0:41:47 | 0:41:51 | |
Is like a Wikipedi-Jesus. | 0:41:51 | 0:41:54 | |
Well, that's my tip for the day. | 0:41:54 | 0:41:57 | |
And don't thank me - thank Jesus... | 0:41:57 | 0:42:00 | |
AMERICAN ACCENT: ..for puttin' the love in ma heart. | 0:42:00 | 0:42:03 | |
-Goodnight. -Goodnight. | 0:42:03 | 0:42:05 | |
APPLAUSE | 0:42:05 | 0:42:06 | |
You do know the Samsung Galaxy 7 goes on fire? | 0:42:06 | 0:42:09 | |
Only your one, Damien. | 0:42:10 | 0:42:12 | |
Pfff! | 0:42:12 | 0:42:14 | |
Ooh-ooh! Ah! Ooh! | 0:42:14 | 0:42:16 | |
APPLAUSE | 0:42:19 | 0:42:21 | |
You know, the best thing about being a mammy is doing the lovely things | 0:42:23 | 0:42:26 | |
for your children that make them happy, like buying them pets. | 0:42:26 | 0:42:29 | |
You know, yeah... Children. | 0:42:29 | 0:42:32 | |
It's only when Christmas comes you understand why some animals | 0:42:32 | 0:42:34 | |
eat their buckin' young. | 0:42:34 | 0:42:36 | |
When you buy your pet, you might hurt the pet, like, kill it. | 0:42:38 | 0:42:41 | |
Well, you just buy them another pet, just like that. | 0:42:42 | 0:42:45 | |
Sometimes you might accidentally kill that one, too. | 0:42:45 | 0:42:48 | |
Isn't that right, Anita Kelly? | 0:42:48 | 0:42:50 | |
Oh, no! | 0:42:50 | 0:42:52 | |
Yes, Anita Kelly, you're our Mammy of the Week! | 0:42:52 | 0:42:55 | |
Come on down and join me. Come on. | 0:42:59 | 0:43:00 | |
CHEERING | 0:43:04 | 0:43:06 | |
Anita, every week, we reward a wonderful mother with this, | 0:43:13 | 0:43:16 | |
the Mammy of the Week Award, | 0:43:16 | 0:43:17 | |
and you've been nominated by your beautiful daughter. | 0:43:17 | 0:43:20 | |
Look at her up there. Charlotte. | 0:43:20 | 0:43:22 | |
She wanted you to be our Mammy of the Week, and this is why. | 0:43:22 | 0:43:24 | |
Hi, Mam, I've nominated you to be Mammy of the Week, | 0:43:28 | 0:43:31 | |
because I think you're simply the best. | 0:43:31 | 0:43:33 | |
But you're also a total nightmare. | 0:43:33 | 0:43:36 | |
My mam thinks it's really funny to loudly fart in public and blame us! | 0:43:42 | 0:43:47 | |
She does it all the time. Totally gross. | 0:43:47 | 0:43:51 | |
We used to have a really cute little hamster when I was young. | 0:43:53 | 0:43:56 | |
One day, Mam got it out of the cage | 0:43:56 | 0:43:58 | |
and accidentally dropped me on top of it, | 0:43:58 | 0:44:01 | |
completely squashing the poor thing. | 0:44:01 | 0:44:03 | |
She just ends up bumping into everything - | 0:44:04 | 0:44:07 | |
bollards, other cars, even walls. | 0:44:07 | 0:44:10 | |
Then we got a second hamster and this time, | 0:44:12 | 0:44:15 | |
she accidentally cooked it in the oven. | 0:44:15 | 0:44:18 | |
Hamsters really don't do so well in our house. | 0:44:18 | 0:44:20 | |
She really likes to throw things and it's Dad that gets the brunt of it. | 0:44:22 | 0:44:26 | |
He's had pretty much everything thrown at him over the years - | 0:44:26 | 0:44:30 | |
toasters, hairdryers, you name it. | 0:44:30 | 0:44:33 | |
There's still a dent in the wall from where she threw a knife at him, | 0:44:33 | 0:44:36 | |
which he says is a constant reminder to stay on her good side. | 0:44:36 | 0:44:39 | |
So, despite all those things that drive us crazy, | 0:44:41 | 0:44:44 | |
you really are a superwoman that does everything for us. | 0:44:44 | 0:44:48 | |
You've helped me so much and we all think you're amazing. | 0:44:48 | 0:44:51 | |
She's really been a rock for all of us. | 0:44:51 | 0:44:52 | |
We don't know what we'd do without you. | 0:44:52 | 0:44:54 | |
APPLAUSE AND LAUGHTER | 0:44:57 | 0:45:00 | |
Well, our last show and we end up giving an award to a serial killer. | 0:45:08 | 0:45:12 | |
Apart from killing pets and trying to assassinate your husband, | 0:45:19 | 0:45:22 | |
they say you're a very cool mum. You're a big fan of Olly Murs. | 0:45:22 | 0:45:24 | |
-I am, yeah. -Have you got all his albums? -Yeah. | 0:45:24 | 0:45:28 | |
Well, Anita, how would you like to come upstairs with me | 0:45:28 | 0:45:31 | |
and I'll show you what's in my box? | 0:45:31 | 0:45:32 | |
-I'd love to see what's in your box. -Follow me. | 0:45:34 | 0:45:37 | |
LAUGHTER AND APPLAUSE | 0:45:37 | 0:45:38 | |
# It's going to make you think | 0:45:38 | 0:45:39 | |
# It's going to rock your socks | 0:45:39 | 0:45:41 | |
# When you see what's in Mammy's Box. # | 0:45:41 | 0:45:44 | |
APPLAUSE | 0:45:44 | 0:45:46 | |
Anita, it's time for you to play Mrs Brown's Box. Are you ready? | 0:45:49 | 0:45:53 | |
-Yeah. -Let me tell you what's going to happen here now. | 0:45:53 | 0:45:56 | |
They're all covered in... | 0:45:56 | 0:45:58 | |
A knife! You threw a feckin' knife! | 0:45:58 | 0:46:00 | |
OK, so you can pick, you know, if you want, Grandad, | 0:46:01 | 0:46:04 | |
-who's very weak and frail. -Yeah. | 0:46:04 | 0:46:06 | |
Dino, who, God love him, he's very little...or Buster. | 0:46:06 | 0:46:10 | |
They all have chocolates, manicures, flowers, wine, | 0:46:10 | 0:46:13 | |
chocolate, flowers, a year's supply of tea, manicure, | 0:46:13 | 0:46:16 | |
and the golden key. | 0:46:16 | 0:46:17 | |
You have to hit that really hard when you're doing it. | 0:46:17 | 0:46:21 | |
That key is really well stuck on, you have to hit that so hard, | 0:46:21 | 0:46:24 | |
but I don't have to tell you that, because you throw knives. | 0:46:24 | 0:46:27 | |
So it's up to you if you want Dino, Grandad or Buster. | 0:46:28 | 0:46:31 | |
-Dino. -Dino? | 0:46:31 | 0:46:33 | |
I'll just do it one more time. | 0:46:34 | 0:46:36 | |
Do you want Dino, Grandad or Buster? | 0:46:39 | 0:46:44 | |
Dino. | 0:46:44 | 0:46:45 | |
CHEERING AND APPLAUSE | 0:46:45 | 0:46:49 | |
You two, get out. | 0:46:50 | 0:46:52 | |
OK, Dino it is! Dino! | 0:46:52 | 0:46:54 | |
Come into the middle, Dino. | 0:46:54 | 0:46:56 | |
Dino, she's obviously a big fan, | 0:46:56 | 0:46:58 | |
she's going to beat the shit out of you. | 0:46:58 | 0:47:00 | |
Now, there's your magic tea towel and I have mine here | 0:47:00 | 0:47:03 | |
just in case you need backup. | 0:47:03 | 0:47:05 | |
LAUGHTER | 0:47:05 | 0:47:08 | |
It wasn't supposed to be like this! | 0:47:08 | 0:47:10 | |
Knock off as many as you can, as hard as you can. | 0:47:11 | 0:47:14 | |
Don't forget - as hard as you can. | 0:47:14 | 0:47:15 | |
Your time starts when I say "go" and it ends when you hear the gong. | 0:47:15 | 0:47:19 | |
You have to hit them really hard to get them off. | 0:47:19 | 0:47:22 | |
OK, and go! | 0:47:22 | 0:47:24 | |
CHEERING | 0:47:24 | 0:47:25 | |
That was close! | 0:47:47 | 0:47:49 | |
Now, let's see what's left. | 0:47:49 | 0:47:50 | |
I make it 361 euros. | 0:47:53 | 0:47:57 | |
APPLAUSE | 0:47:57 | 0:47:59 | |
Pick up all these stars. | 0:48:00 | 0:48:03 | |
You did really well. You did really, really well. | 0:48:03 | 0:48:06 | |
Let's see what you've got here. | 0:48:06 | 0:48:07 | |
-Chocolates, lovely. AUDIENCE: -Oooh! | 0:48:09 | 0:48:11 | |
-A year's supply of tea. -Ooh! | 0:48:11 | 0:48:13 | |
You look like you prefer whisky. | 0:48:13 | 0:48:15 | |
Cinema tickets, there you go, very nice. | 0:48:16 | 0:48:19 | |
-Oh, a manicure! -Ooh! | 0:48:19 | 0:48:21 | |
Look at her nails, she doesn't need a manicure. | 0:48:21 | 0:48:24 | |
And the key to Mrs Brown's Box! | 0:48:25 | 0:48:27 | |
CHEERING AND APPLAUSE | 0:48:27 | 0:48:29 | |
You take the key off that now and I'll go and get Mrs Brown's Box. | 0:48:29 | 0:48:33 | |
Lovely stuff. | 0:48:38 | 0:48:39 | |
I'll open this like that. Dino's taking his breath there. | 0:48:39 | 0:48:43 | |
OK, let's see what you've won. | 0:48:44 | 0:48:45 | |
APPLAUSE | 0:48:47 | 0:48:50 | |
Olly Murs tickets! | 0:48:52 | 0:48:53 | |
-Congratulations, Anita Kelly, our Mammy of the Week. -Thank you! | 0:48:55 | 0:48:59 | |
If you could just tidy him up a bit, I'd appreciate it. | 0:49:05 | 0:49:08 | |
And, actually, tidy the place up a bit as well. | 0:49:08 | 0:49:10 | |
I have to go to the pub. Anita Kelly, ladies and gentlemen! | 0:49:10 | 0:49:13 | |
APPLAUSE | 0:49:13 | 0:49:16 | |
Thank you so much. | 0:49:16 | 0:49:17 | |
Can I help you, son? | 0:49:42 | 0:49:45 | |
Erm, we're here to play for you, I think. | 0:49:45 | 0:49:47 | |
SHE CHUCKLES | 0:49:47 | 0:49:49 | |
Show me buckin' ID. | 0:49:49 | 0:49:51 | |
No, Mammy, that's our band. They're playing here tonight. | 0:49:52 | 0:49:56 | |
It's The Vamps! | 0:49:56 | 0:49:57 | |
THEY SQUEAL | 0:49:57 | 0:49:58 | |
CHEERING AND APPLAUSE | 0:49:58 | 0:50:02 | |
A gay band, fantastic. | 0:50:02 | 0:50:03 | |
Tell me, now, I know you boys are going to sing your, er... | 0:50:05 | 0:50:08 | |
-What's the hit called? -All Night is the song, yeah. | 0:50:08 | 0:50:10 | |
You're going to sing all night? No, not all night, son, you can only... | 0:50:10 | 0:50:13 | |
Four minutes, that's it, you're out of here. | 0:50:13 | 0:50:16 | |
-But can I ask you for a special request? -Of course, yeah. | 0:50:16 | 0:50:19 | |
I like the oldies, you know? | 0:50:19 | 0:50:21 | |
One of my favourites of all time is a song called Mack The Knife. | 0:50:21 | 0:50:25 | |
-Would you know it? -We do, actually, yeah. -You do know it? | 0:50:25 | 0:50:27 | |
Would you mind giving me a couple of bars? | 0:50:27 | 0:50:30 | |
# Oh, the shark, babe | 0:50:30 | 0:50:32 | |
# Has such teeth, dear | 0:50:32 | 0:50:35 | |
# And it shows them | 0:50:35 | 0:50:38 | |
# Pearly white | 0:50:38 | 0:50:41 | |
# Just a jack-knife | 0:50:41 | 0:50:44 | |
# Has old MacHeath, babe | 0:50:44 | 0:50:47 | |
# And he keeps it out of sight. # | 0:50:47 | 0:50:53 | |
APPLAUSE | 0:50:53 | 0:50:55 | |
You go get ready and you can tell me a little bit more about the band. | 0:51:01 | 0:51:05 | |
Where are you gigging next? | 0:51:05 | 0:51:06 | |
We've got, er, we go on tour. We're doing an arena tour around the UK, | 0:51:06 | 0:51:09 | |
-so feel free to come along if you're free. -Oh, you're very kind. | 0:51:09 | 0:51:12 | |
-The "free" bit is the bit I'm interested in. -Free, yeah. | 0:51:12 | 0:51:15 | |
You're a fine young man. | 0:51:15 | 0:51:17 | |
-In a few years, you're going to get feelings, son. -OK. | 0:51:18 | 0:51:22 | |
-You're going to want to be around girls and that. -OK, OK. | 0:51:22 | 0:51:25 | |
-If any of you need any advice... -Come to you? | 0:51:25 | 0:51:27 | |
You'd better believe it. | 0:51:27 | 0:51:29 | |
I'm going to go and get ready now, OK? | 0:51:31 | 0:51:33 | |
APPLAUSE | 0:51:33 | 0:51:35 | |
Here they are, singing All Night, The Vamps! | 0:51:38 | 0:51:40 | |
RORY SQUEALS | 0:51:40 | 0:51:42 | |
Here we go! | 0:51:46 | 0:51:47 | |
# I've been up all night, no sleep | 0:51:47 | 0:51:51 | |
# Cos I feel like I'm always dreaming | 0:51:51 | 0:51:55 | |
# All night, no sleep | 0:51:55 | 0:51:57 | |
# Cos I feel like I'm always dreaming... # | 0:51:57 | 0:52:01 | |
How are we feeling tonight? | 0:52:03 | 0:52:05 | |
CHEERING | 0:52:05 | 0:52:07 | |
Let me see you off your feet, stand up, stand up! | 0:52:07 | 0:52:09 | |
# Cos I feel like I'm always dreaming | 0:52:11 | 0:52:15 | |
# Sometimes I tend to lose myself | 0:52:15 | 0:52:18 | |
# Out there on my own | 0:52:18 | 0:52:21 | |
# I never seem to get it right | 0:52:21 | 0:52:24 | |
# But I guess that's how it goes, yeah | 0:52:24 | 0:52:28 | |
# Ever since you came around | 0:52:28 | 0:52:31 | |
# Can't nobody hold me down | 0:52:31 | 0:52:35 | |
# You showed me how to find myself | 0:52:35 | 0:52:38 | |
# When I needed it the most | 0:52:38 | 0:52:40 | |
# I've been up all night, no sleep | 0:52:40 | 0:52:44 | |
# Cos I feel like I'm always dreaming | 0:52:44 | 0:52:48 | |
# All night, no sleep | 0:52:48 | 0:52:50 | |
# Cos I feel like I'm always dreaming | 0:52:50 | 0:52:54 | |
# Wide awake, that's OK | 0:52:54 | 0:52:58 | |
# As long as I'm with you | 0:52:58 | 0:53:00 | |
# I'll be up all night, no sleep | 0:53:00 | 0:53:04 | |
# Cos I feel like I'm always dreaming... # | 0:53:04 | 0:53:07 | |
Make some noise! | 0:53:07 | 0:53:10 | |
CHEERING | 0:53:10 | 0:53:13 | |
# As long as I'm with you | 0:53:13 | 0:53:16 | |
# I feel like I'm always dreaming | 0:53:17 | 0:53:21 | |
# And I'm never going to find my way | 0:53:21 | 0:53:24 | |
# If I don't learn to let go | 0:53:24 | 0:53:27 | |
# The past is the past Today is today | 0:53:27 | 0:53:30 | |
# And there's things I can't control | 0:53:30 | 0:53:34 | |
# The circles underneath my eyes | 0:53:34 | 0:53:37 | |
# Tell the truth that I've been trying to hide | 0:53:37 | 0:53:41 | |
# See, I've been waiting for you way too long | 0:53:41 | 0:53:44 | |
# Won't you come and take me home? | 0:53:44 | 0:53:47 | |
# Oh, I, I'm praying this ain't all a dream | 0:53:47 | 0:53:53 | |
# Can you, you | 0:53:53 | 0:53:57 | |
# Wake me up before you leave? | 0:53:57 | 0:54:00 | |
# I've been up all night, no sleep | 0:54:00 | 0:54:03 | |
# Cos I feel like I'm always dreaming | 0:54:03 | 0:54:07 | |
# All night, no sleep | 0:54:07 | 0:54:10 | |
# Cos I feel like I'm always dreaming | 0:54:10 | 0:54:14 | |
# Wide awake, that's OK | 0:54:14 | 0:54:17 | |
# As long as I'm with you | 0:54:17 | 0:54:21 | |
# I'll be up all night, no sleep | 0:54:21 | 0:54:23 | |
# Cos I feel like I'm always dreaming... # | 0:54:23 | 0:54:27 | |
Let me hear you screaming! | 0:54:27 | 0:54:29 | |
CHEERING | 0:54:29 | 0:54:31 | |
# As long as I'm with you | 0:54:33 | 0:54:35 | |
# I feel like I'm always dreaming | 0:54:36 | 0:54:40 | |
# No-oo-oo, na-na | 0:54:43 | 0:54:46 | |
# As long as I'm with you | 0:54:46 | 0:54:48 | |
# Cos I feel like I'm always dreaming. # | 0:54:49 | 0:54:54 | |
Thank you very much! | 0:54:54 | 0:54:55 | |
CHEERING AND APPLAUSE | 0:54:55 | 0:54:58 | |
Well... | 0:55:04 | 0:55:05 | |
Well, another wonderful night with Sunetra Sarker, Michael Ball | 0:55:08 | 0:55:11 | |
and The Vamps. Weren't they just magnificent? | 0:55:11 | 0:55:14 | |
For children, they were wonderful! | 0:55:14 | 0:55:17 | |
And, of course, Yvette, who was in the haunted house. | 0:55:17 | 0:55:19 | |
Wonderful, wonderful guests, and that's it now for this series. | 0:55:19 | 0:55:22 | |
I hope you enjoyed it all. AUDIENCE MOAN | 0:55:22 | 0:55:25 | |
Well, I hope you enjoyed some of it anyway. | 0:55:25 | 0:55:28 | |
I have to tell you, I enjoyed every bit of it. | 0:55:28 | 0:55:30 | |
We had the most wonderful guests | 0:55:30 | 0:55:31 | |
and the thing that they all had in common... | 0:55:31 | 0:55:33 | |
is that none of them took themselves seriously. | 0:55:33 | 0:55:36 | |
Sometimes you have to do that, you know. Let go. Try it. Go on. | 0:55:36 | 0:55:40 | |
Open your heart and take a risk. | 0:55:40 | 0:55:42 | |
There's no feeling like it in the world. | 0:55:42 | 0:55:44 | |
Well, maybe making love to George Clooney. | 0:55:44 | 0:55:46 | |
But, apart from that... Or Matt Damon. Maybe Matt... | 0:55:48 | 0:55:51 | |
Yes, OK, Matt Damon. | 0:55:51 | 0:55:53 | |
Be good to each other. Goodnight. | 0:55:53 | 0:55:55 | |
APPLAUSE | 0:55:55 | 0:55:56 | |
# Make a date, don't be late | 0:56:00 | 0:56:02 | |
# Cos you know it's going to be great | 0:56:02 | 0:56:05 | |
# When the irrepressible Browns come to town | 0:56:05 | 0:56:09 | |
# To begin, just tune in | 0:56:10 | 0:56:12 | |
# And you'll wear a nuclear grin | 0:56:12 | 0:56:15 | |
# Watching Agnes and her clan act the clown | 0:56:15 | 0:56:19 | |
# Instead of feeling depressed | 0:56:21 | 0:56:23 | |
# Let laughter make you feel blessed | 0:56:23 | 0:56:26 | |
# So it's all round to Mrs Brown's. # | 0:56:26 | 0:56:30 | |
APPLAUSE | 0:56:30 | 0:56:33 |