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This programme contains some strong language and adult humour | 0:00:02 | 0:00:06 | |
# When the irrepressible Browns come to town | 0:00:06 | 0:00:10 | |
# To begin, just tune in | 0:00:11 | 0:00:13 | |
# And you'll wear a nuclear grin | 0:00:13 | 0:00:16 | |
# Watching Agnes and her clan act the clown | 0:00:16 | 0:00:20 | |
# Instead of feeling depressed | 0:00:21 | 0:00:24 | |
# Let laughter make you feel best | 0:00:24 | 0:00:27 | |
# So it's... # | 0:00:27 | 0:00:29 | |
CHEERING AND APPLAUSE | 0:00:32 | 0:00:33 | |
-ANNOUNCER: -Ladies and gentlemen, welcome to All Round to Mrs Brown's. | 0:00:35 | 0:00:39 | |
VACUUM HUMS | 0:00:42 | 0:00:43 | |
Hello. | 0:00:48 | 0:00:50 | |
Welcome back for another night of fun and craic. | 0:00:50 | 0:00:53 | |
SHE GROANS | 0:00:54 | 0:00:56 | |
GRANDAD WHEEZES | 0:00:57 | 0:00:59 | |
It's been so busy here the last few weeks, I've barely | 0:01:05 | 0:01:07 | |
had time to have a sh... cup of tea. | 0:01:07 | 0:01:08 | |
-Hello, Buster. -Hello. -CHEERING | 0:01:11 | 0:01:13 | |
Will you give that to Cathy? | 0:01:18 | 0:01:19 | |
She needs it for her research. | 0:01:19 | 0:01:21 | |
-Oh, Peter Andre? -Yeah. -CHEERING | 0:01:21 | 0:01:23 | |
He's one of the guests on the show tonight. | 0:01:24 | 0:01:26 | |
I hope you didn't steal this, Buster. | 0:01:26 | 0:01:28 | |
You'll end up in prison. | 0:01:28 | 0:01:30 | |
I'll never forget what my dad said to me | 0:01:30 | 0:01:31 | |
the first time I went to prison. | 0:01:31 | 0:01:33 | |
I know - "How are you, son?" | 0:01:33 | 0:01:34 | |
Did we do that story before? | 0:01:37 | 0:01:38 | |
We got about three or four shows out of that story. | 0:01:38 | 0:01:40 | |
-See you later, Buster, bye. -Bye, Mrs Brown. Love you. | 0:01:40 | 0:01:42 | |
APPLAUSE | 0:01:42 | 0:01:43 | |
All the girls are super-excited about Peter Andre | 0:01:50 | 0:01:52 | |
being on Cathy's show later. CHEERING | 0:01:52 | 0:01:54 | |
I know. | 0:01:56 | 0:01:57 | |
Betty and Maria can barely contain themselves. | 0:01:58 | 0:02:00 | |
And who could blame them? Look at the muscles on that. | 0:02:00 | 0:02:03 | |
He looks like someone dipped him in Ronseal. | 0:02:03 | 0:02:05 | |
I must say, I have been having plenty of fun | 0:02:08 | 0:02:10 | |
with all these celebrities in the house, | 0:02:10 | 0:02:12 | |
but they do need so many rooms, don't they? | 0:02:12 | 0:02:14 | |
I mean, dressing rooms, green rooms, | 0:02:14 | 0:02:16 | |
sex dungeons. Well, at least I... | 0:02:16 | 0:02:18 | |
At least I had that one already. | 0:02:19 | 0:02:21 | |
50 Shades Of Brown. | 0:02:26 | 0:02:27 | |
APPLAUSE | 0:02:30 | 0:02:31 | |
Oh... | 0:02:34 | 0:02:36 | |
You must come down to Foley's later - it's guilty pleasures night | 0:02:36 | 0:02:39 | |
there this evening, and we've a great band playing, | 0:02:39 | 0:02:41 | |
you wait and see. | 0:02:41 | 0:02:42 | |
-AUDIENCE: -Ooh! | 0:02:42 | 0:02:43 | |
You know, I have some guilty pleasures myself. | 0:02:44 | 0:02:47 | |
# Oh-oh-oh, mysterious girl | 0:02:48 | 0:02:52 | |
# I want to get close to you... # | 0:02:52 | 0:02:55 | |
Reggae! | 0:02:55 | 0:02:56 | |
Hello, Mrs Brown. | 0:02:58 | 0:02:59 | |
CHEERING | 0:02:59 | 0:03:01 | |
-# Oh-oh-oh, mysterious girl... # -Come in, come in. | 0:03:01 | 0:03:03 | |
CHEERING AND SCREAMING | 0:03:03 | 0:03:05 | |
Mrs Bro-o-o-wn? | 0:03:08 | 0:03:09 | |
Jesus! | 0:03:09 | 0:03:10 | |
How are you? | 0:03:13 | 0:03:14 | |
MUSIC STOPS | 0:03:17 | 0:03:18 | |
Hello. | 0:03:18 | 0:03:20 | |
Have you seen Rory, Mrs Brown? | 0:03:20 | 0:03:22 | |
I thought he was with you, getting the guests washed and blown. | 0:03:22 | 0:03:25 | |
He was, but he popped out. | 0:03:25 | 0:03:26 | |
We had a fight. | 0:03:30 | 0:03:31 | |
Oh, not again. About what? | 0:03:31 | 0:03:33 | |
I said I wanted to be the one to finish Peter off... | 0:03:33 | 0:03:35 | |
And he wanted to finish Peter off all by himself. | 0:03:38 | 0:03:41 | |
So we agreed that we'd try and finish him off together. | 0:03:42 | 0:03:45 | |
CHEERING | 0:03:45 | 0:03:46 | |
Somebody better finish him off as quickly as possible, | 0:03:47 | 0:03:50 | |
otherwise, well, he'd have to finish himself off. | 0:03:50 | 0:03:52 | |
I'll go and find Rory, Mrs Brown. | 0:03:57 | 0:03:58 | |
-You do that. -Bye, Peter. | 0:03:58 | 0:04:00 | |
APPLAUSE | 0:04:00 | 0:04:01 | |
-It's lovely to have you here. -Aw. | 0:04:05 | 0:04:07 | |
-Would you like a cup of tea? -I would love a cup of tea. Thank you. | 0:04:07 | 0:04:10 | |
-Such lovely manners. -Oh, aren't you lovely? | 0:04:10 | 0:04:13 | |
Your mother must be very proud of you. | 0:04:13 | 0:04:15 | |
My Cathy, who's single, by the way... | 0:04:15 | 0:04:18 | |
Yeah, I can't wait to meet her, actually. | 0:04:18 | 0:04:20 | |
-Yes. Are you single? -Am I single? -Yes. | 0:04:20 | 0:04:23 | |
I had a couple - you know, records... | 0:04:23 | 0:04:25 | |
No, I'm not, I'm married. | 0:04:25 | 0:04:26 | |
-Fuck sake. -Yeah. | 0:04:28 | 0:04:30 | |
This will be a hard one. | 0:04:31 | 0:04:32 | |
It is a hard one, that's why you're going to finish me off. | 0:04:32 | 0:04:35 | |
CHEERING | 0:04:35 | 0:04:36 | |
I'm sorry, but who said it? Who started this? | 0:04:37 | 0:04:39 | |
If you're going to start it, I'm going to finish. | 0:04:39 | 0:04:43 | |
Let's play. | 0:04:43 | 0:04:44 | |
So, Peter, you're adored by women all around the world. | 0:04:46 | 0:04:49 | |
WOMAN WHOOPS | 0:04:49 | 0:04:50 | |
And that ugly bitch there as well. | 0:04:53 | 0:04:54 | |
When was the last time you went down under? | 0:04:59 | 0:05:01 | |
Shut up. | 0:05:01 | 0:05:02 | |
You know what I mean - Australia. | 0:05:04 | 0:05:06 | |
Down to the bush? The bush? | 0:05:06 | 0:05:07 | |
Yeah, well, I haven't been to the bush for a while. | 0:05:07 | 0:05:10 | |
-You stick with me, son. -Yeah. -APPLAUSE | 0:05:12 | 0:05:14 | |
CHEERING | 0:05:17 | 0:05:18 | |
-Hello, Rory. -How are you, Mammy? | 0:05:18 | 0:05:20 | |
I am so sorry about this, Peter. | 0:05:20 | 0:05:22 | |
-That's OK. -But it's all organised now. | 0:05:22 | 0:05:24 | |
Dino has finally agreed to allow me to finish you off in private. | 0:05:24 | 0:05:28 | |
Oh, come on, Peter. | 0:05:29 | 0:05:30 | |
Follow me down to the salon, we'll get started. Come on. | 0:05:30 | 0:05:34 | |
See you later, Peter. | 0:05:34 | 0:05:35 | |
CHEERING AND APPLAUSE | 0:05:35 | 0:05:36 | |
Let's see who we have in the audience tonight, shall we? | 0:05:43 | 0:05:46 | |
Oh, now, let me see. | 0:05:46 | 0:05:47 | |
-Where's Elaine Henley? -Here! | 0:05:47 | 0:05:49 | |
-Hello, Elaine, how are you? -I'm fine, thanks. | 0:05:49 | 0:05:51 | |
Sit down, love, it's not a fuckin' raffle. | 0:05:51 | 0:05:53 | |
You're a parrot psychologist? | 0:05:56 | 0:05:58 | |
Yes. | 0:05:58 | 0:05:59 | |
-Really? -Yeah. | 0:05:59 | 0:06:00 | |
MRS BROWN SUPPRESSES A LAUGH | 0:06:00 | 0:06:02 | |
-One of the most common things you deal with - parrots who won't stop swearing. -Yes. | 0:06:02 | 0:06:06 | |
Yes. Birds telling everybody to feck off. | 0:06:06 | 0:06:09 | |
Beautiful photograph I saw of you today. Look at this. | 0:06:10 | 0:06:13 | |
Isn't that gorgeous? | 0:06:13 | 0:06:14 | |
Beautiful. | 0:06:15 | 0:06:16 | |
Where do you start with a parrot? | 0:06:16 | 0:06:19 | |
I'd teach them some basic tricks, | 0:06:19 | 0:06:21 | |
like stepping up on your hand and I teach owners who have problems | 0:06:21 | 0:06:24 | |
with their parrots how to overcome those problems, | 0:06:24 | 0:06:27 | |
so that the parrots don't end up being re-homed. | 0:06:27 | 0:06:31 | |
I'm sure somewhere out there there's a parrot looking at TV, | 0:06:33 | 0:06:36 | |
going, "Oh, my God! | 0:06:36 | 0:06:37 | |
"It's my psychologist! | 0:06:39 | 0:06:40 | |
"Feck off! Feck off! Feck off!" | 0:06:42 | 0:06:44 | |
Nice to meet you. Thank you very much. | 0:06:45 | 0:06:47 | |
Where's Darren Hughes? | 0:06:50 | 0:06:52 | |
-Hello, Darren. How are you? -Hi. I'm good. | 0:06:52 | 0:06:53 | |
Darren, it says here that you're a training major | 0:06:53 | 0:06:56 | |
at the Glasgow and Lancashire Battalion Army Cadet Force. | 0:06:56 | 0:06:58 | |
Yes, that's correct. | 0:06:58 | 0:07:00 | |
AUDIENCE MEMBERS WHOOP AND APPLAUD | 0:07:00 | 0:07:02 | |
-What's your rank? -Major. -Major? | 0:07:03 | 0:07:05 | |
So, do you do all the... SHOUTS UNINTELLIGIBLY | 0:07:05 | 0:07:09 | |
I can. Yes, I can. | 0:07:09 | 0:07:10 | |
Rory, Dean. Come here, come here. | 0:07:10 | 0:07:13 | |
AUDIENCE MEMBERS WHOOP, WHISTLE AND CHEER | 0:07:14 | 0:07:16 | |
Now, Darren is going to teach you how to be in the Army. | 0:07:17 | 0:07:20 | |
So, just stand to attention for us and he'll give you some orders. | 0:07:20 | 0:07:22 | |
OK. Darren, in your own time. | 0:07:22 | 0:07:24 | |
OK. So, stand at ease. That's it. Put your hands behind your back. OK. | 0:07:24 | 0:07:27 | |
I'm going to shout, "Squad 'shun!" and we'll do that. | 0:07:27 | 0:07:30 | |
You're going to come to attention. OK. Here we go. Try it. | 0:07:30 | 0:07:33 | |
Squad! Squad! | 0:07:33 | 0:07:34 | |
'Shun! | 0:07:34 | 0:07:35 | |
Stand still! You're supposed to stand still. | 0:07:42 | 0:07:44 | |
Feck off! | 0:07:52 | 0:07:53 | |
Sorry. It's OK. | 0:07:54 | 0:07:57 | |
You big bully! | 0:07:57 | 0:07:59 | |
I'll start tidying the place up. Get it ready for Cathy's show. | 0:08:06 | 0:08:11 | |
AUDIENCE MEMBERS CHEER | 0:08:11 | 0:08:12 | |
-Hello, son. -Hey, Ma. -Hello, Mrs Brown. | 0:08:16 | 0:08:18 | |
Yeah, hello, Buster. How was the | 0:08:18 | 0:08:19 | |
Loch Ness Monster Celebrity Guided Tour? Was it good? | 0:08:19 | 0:08:22 | |
Well, there would have been a lot more people there | 0:08:22 | 0:08:25 | |
if Buster had told people we were actually looking for the Loch Ness Monster, | 0:08:25 | 0:08:28 | |
like he was supposed to do. | 0:08:28 | 0:08:30 | |
-You told me not to tell them. -No, Buster, I didn't. | 0:08:30 | 0:08:33 | |
I'm sure you did, Dermo. | 0:08:33 | 0:08:35 | |
You said, "Remember, it's a big secret, yeah?" | 0:08:35 | 0:08:40 | |
"Big sea creature." | 0:08:40 | 0:08:41 | |
LAUGHTER AND APPLAUSE | 0:08:41 | 0:08:43 | |
Sorry. | 0:08:48 | 0:08:49 | |
Sorry, Dermo. | 0:08:50 | 0:08:52 | |
Well, it sounds like a long story. | 0:08:53 | 0:08:55 | |
-It is. -We should definitely do the wobble. -Wobble, it is. | 0:08:55 | 0:08:59 | |
# Somewhere beyond the sea | 0:09:10 | 0:09:14 | |
# Somewhere waiting for me... # | 0:09:15 | 0:09:18 | |
# If you want my body and you think I'm sexy | 0:09:20 | 0:09:24 | |
# Come on, sugar, let me know... # | 0:09:24 | 0:09:27 | |
This is a bad idea. This is going to be the worst celebrity tour ever. | 0:09:27 | 0:09:32 | |
No, Buster, it's going to be the best. | 0:09:32 | 0:09:34 | |
The D&B Celebrity Loch Ness Monster Tour. | 0:09:34 | 0:09:37 | |
A magical mystery mission. | 0:09:37 | 0:09:39 | |
Yeah, whatever. | 0:09:39 | 0:09:40 | |
I hope you got a really sexy celebrity to bring in the ladies. | 0:09:40 | 0:09:43 | |
I did. He's getting his uniform on. | 0:09:43 | 0:09:46 | |
Here he is now. | 0:09:46 | 0:09:47 | |
# Love lift us up where we belong... | 0:09:49 | 0:09:53 | |
# Where the eagles cry | 0:09:55 | 0:09:57 | |
# On a mountain high | 0:09:58 | 0:10:00 | |
# Love lift us up... # | 0:10:02 | 0:10:03 | |
-How are you doing? -Oh, my God! It's Nick Knowles! -How are you? | 0:10:04 | 0:10:07 | |
-Nice to meet you. -Hey, Mitch. | 0:10:07 | 0:10:09 | |
Are you ready to join the team? | 0:10:09 | 0:10:11 | |
I don't know what I'm doing, to be honest. | 0:10:11 | 0:10:12 | |
My agent just said, "Turn up and Top Gun and Cruise," or something. | 0:10:12 | 0:10:15 | |
Well, today you'll work for us | 0:10:15 | 0:10:16 | |
and we're going to give these people the best celebrity guided tour of Loch Ness ever. | 0:10:16 | 0:10:20 | |
-Come on! -OK. | 0:10:20 | 0:10:21 | |
Wait, wait, wait! Hang on! We have to do our warm-up routine. | 0:10:21 | 0:10:24 | |
-Warm up? -Hands in. -Hands in. | 0:10:24 | 0:10:27 | |
-Hoochie-mama! -Hoochie-mama! -Hoochie-mama! -You got to fight! | 0:10:27 | 0:10:31 | |
For your right! | 0:10:31 | 0:10:33 | |
To paaar-tay! | 0:10:33 | 0:10:36 | |
No, Nick. | 0:10:37 | 0:10:39 | |
Make money. Make money, Nick. Every time. | 0:10:39 | 0:10:42 | |
Well, you should have sung Money, Money, Money. That's all I'm saying. | 0:10:42 | 0:10:45 | |
# I am sailing | 0:10:45 | 0:10:47 | |
HE RETCHES | 0:10:48 | 0:10:49 | |
# I am sailing | 0:10:49 | 0:10:50 | |
That's it. Get it all up. Better out than in. | 0:10:50 | 0:10:54 | |
You're going to be in real trouble when we leave the dock, you know. | 0:10:54 | 0:10:57 | |
Good afternoon, ladies and gentlemen, | 0:10:57 | 0:10:59 | |
and welcome to the D&B Celebrity Loch Ness Monster Tour. | 0:10:59 | 0:11:03 | |
Och aye, the noo! | 0:11:05 | 0:11:06 | |
So, let me introduce you to the man with all the ker-nowledge. | 0:11:09 | 0:11:12 | |
Mr Nick Ker-nowles. | 0:11:14 | 0:11:16 | |
Thank you very much, madam. | 0:11:20 | 0:11:22 | |
-I think that was a man. -Shut up, Buster. -Right! | 0:11:22 | 0:11:24 | |
Ladies and gentlemen, shall we go monster hunting? | 0:11:24 | 0:11:27 | |
Yay! | 0:11:27 | 0:11:28 | |
Driver! | 0:11:28 | 0:11:30 | |
-HORN HOOTS -Jesus! | 0:11:30 | 0:11:32 | |
# Sail away, sail away, sail away! | 0:11:32 | 0:11:34 | |
# Sail away, sail away, sail away! # | 0:11:34 | 0:11:36 | |
Ladies and gentlemen, a quick reminder. | 0:11:36 | 0:11:38 | |
We have the best quality of seamen on board today, if you require. | 0:11:38 | 0:11:42 | |
Thank you. | 0:11:42 | 0:11:43 | |
Now, to give us more information on the Loch Ness Monster, | 0:11:47 | 0:11:50 | |
it's Nick Ker-nowles. | 0:11:50 | 0:11:52 | |
Thank you very much, ladies and gentlemen. | 0:11:53 | 0:11:55 | |
Nessie is adored by millions of people across the world. | 0:11:58 | 0:12:00 | |
Born on June 24th, 1987, | 0:12:00 | 0:12:03 | |
Nessie has become widely regarded as the greatest living footballer, | 0:12:03 | 0:12:08 | |
playing for both his home nation of Argentina and his club Barcelona. | 0:12:08 | 0:12:13 | |
Back of the net! | 0:12:15 | 0:12:16 | |
Right. | 0:12:20 | 0:12:22 | |
The boys will now demonstrate the official Nessie call to try | 0:12:22 | 0:12:25 | |
and attract the monster and to see if it answers back. | 0:12:25 | 0:12:29 | |
This is what you will hear when Nessie is sad. | 0:12:31 | 0:12:33 | |
PLAINTIVE DUCK WHISTLE | 0:12:36 | 0:12:37 | |
AUDIENCE: Aaah! | 0:12:37 | 0:12:39 | |
And this is Nessie when happy. | 0:12:39 | 0:12:41 | |
MIRTHFUL DUCK WHISTLE | 0:12:41 | 0:12:43 | |
# Rolling in the deep | 0:12:49 | 0:12:53 | |
# You had my heart and soul... # | 0:12:53 | 0:12:57 | |
Buster, could you help me here a moment? | 0:12:58 | 0:13:00 | |
There are, of course, many lochs all across the country. | 0:13:00 | 0:13:03 | |
Let me demonstrate my favourite. If you'd like to come in here. | 0:13:03 | 0:13:05 | |
Thank you very much. | 0:13:05 | 0:13:07 | |
Dermo! | 0:13:08 | 0:13:09 | |
SHIP'S HORN HOOTS | 0:13:09 | 0:13:11 | |
# What's that coming over the hill? Is it a monster? Is it a monster? | 0:13:12 | 0:13:17 | |
# What's that coming over the hill? Is it a monster? Is it a monster? | 0:13:18 | 0:13:23 | |
# What's that coming over the hill? Is it a monster? # | 0:13:25 | 0:13:28 | |
So, sadly, ladies and gentlemen, that is the end of our tour. | 0:13:28 | 0:13:32 | |
We hope you enjoyed yourselves. If anybody asks, this is what you saw. | 0:13:32 | 0:13:36 | |
If you did enjoy yourself today, | 0:13:44 | 0:13:46 | |
please to show your appreciation, dig deep. | 0:13:46 | 0:13:49 | |
A tiptop trip means a tiptop tip. | 0:13:51 | 0:13:55 | |
If you thought we were top of the range, give us your change. | 0:13:55 | 0:13:58 | |
We're the best on the block so don't be a... | 0:14:00 | 0:14:03 | |
Cock? | 0:14:03 | 0:14:04 | |
Absolutely disgraceful. | 0:14:08 | 0:14:09 | |
Come on! | 0:14:11 | 0:14:12 | |
I had no idea. Sorry. | 0:14:12 | 0:14:14 | |
So, how did we do? | 0:14:17 | 0:14:19 | |
Not as well as I'd hoped, Buster. | 0:14:19 | 0:14:20 | |
You know, with overheads, costume hire, Nick's lunch. | 0:14:20 | 0:14:24 | |
What lunch? | 0:14:25 | 0:14:26 | |
-Here you are, Nick. -That's it? -Yeah. | 0:14:26 | 0:14:30 | |
Well, that wasn't worth it, was it? | 0:14:30 | 0:14:31 | |
-You can keep the suit. -I'll tell you what you can do with your suit. | 0:14:31 | 0:14:34 | |
I like him. | 0:14:40 | 0:14:41 | |
It's not even Loch Ness! | 0:14:43 | 0:14:45 | |
# Love lift us up where we belong...# | 0:14:45 | 0:14:47 | |
Nick! | 0:14:47 | 0:14:49 | |
# Where the eagles cry on a mountain high | 0:14:51 | 0:14:56 | |
-# Love lift us up where... # -Way to go, Buster, way to go! | 0:14:58 | 0:15:05 | |
# Far from the world we know... # | 0:15:05 | 0:15:08 | |
CHEERING AND APPLAUSE | 0:15:08 | 0:15:12 | |
-That sounds like it was a success. -Thanks, Ma. -Thanks, Mrs Brown. | 0:15:14 | 0:15:18 | |
Not you. Ahem. | 0:15:18 | 0:15:20 | |
You know, I dated a sailor once. | 0:15:20 | 0:15:22 | |
He was a lovely, rugged man. Ha-ha-ha! | 0:15:22 | 0:15:25 | |
It's the first time anyone had ever taken me up the galley... | 0:15:25 | 0:15:28 | |
He brought me up and showed me his porthole. | 0:15:29 | 0:15:32 | |
Oh, God, I tell you, I gave that porthole a good going over. | 0:15:32 | 0:15:36 | |
See you, Ma. | 0:15:37 | 0:15:38 | |
I've not finished me story! | 0:15:38 | 0:15:40 | |
CHEERING AND APPLAUSE | 0:15:40 | 0:15:43 | |
-Hello, Cathy. -Hey, Mammy. -A cup of tea, love? | 0:15:54 | 0:15:57 | |
OK, but look, just don't distract me, OK? | 0:15:57 | 0:16:00 | |
I've a lot of research to do. It's a big show this week. | 0:16:00 | 0:16:02 | |
Oh, I met Peter Andre. | 0:16:02 | 0:16:04 | |
Oh, he's a lovely boy. | 0:16:04 | 0:16:05 | |
-AUDIENCE: -Oooh! | 0:16:05 | 0:16:07 | |
-He's a real gentleman, isn't he? -Yes. | 0:16:07 | 0:16:09 | |
And I'm really excited because we also have Gareth Malone on tonight. | 0:16:09 | 0:16:12 | |
Gareth Malone? | 0:16:12 | 0:16:13 | |
-AUDIENCE: -Oooh! | 0:16:13 | 0:16:15 | |
-The choir man? -Yeah. -I'm not sure about him. | 0:16:15 | 0:16:17 | |
He's always messing around with all those poor soldiers' wives | 0:16:17 | 0:16:20 | |
when they're away. | 0:16:20 | 0:16:21 | |
Mammy, he's not messing around with them, | 0:16:23 | 0:16:25 | |
he was teaching them to be a choir. | 0:16:25 | 0:16:27 | |
-It's really emotional. -Really? Is it? | 0:16:27 | 0:16:29 | |
SHE SOBS | 0:16:29 | 0:16:31 | |
Mammy, that's exactly the kind of thing you promised you wouldn't do. | 0:16:31 | 0:16:35 | |
I'll do my research somewhere else. | 0:16:35 | 0:16:37 | |
I don't know why I start off in the kitchen every week. | 0:16:37 | 0:16:40 | |
-Because it's in the script. -Oh! | 0:16:40 | 0:16:42 | |
APPLAUSE | 0:16:44 | 0:16:47 | |
CHEERING | 0:16:47 | 0:16:49 | |
-Hello, Aly. -Hello, Mrs Brown. | 0:16:52 | 0:16:54 | |
I love it when you surprise me by popping through my back door. | 0:16:54 | 0:16:58 | |
-Mrs Brown? -Yes, love? -Reggae! | 0:16:58 | 0:17:01 | |
MUSIC: Boombastic by Shaggy | 0:17:01 | 0:17:05 | |
MUSIC STOPS | 0:17:11 | 0:17:13 | |
-My God, Aly, you're a devil on the dance floor. -Chef Aly. | 0:17:13 | 0:17:16 | |
-Sorry, Chef Aly. -We're getting too friendly here. | 0:17:16 | 0:17:18 | |
So, what are you cooking for Cathy's guests tonight? | 0:17:18 | 0:17:21 | |
-He is a lamb-lover. -Gareth? | 0:17:21 | 0:17:23 | |
-Yeah. -So you're going to cook lamb? That sounds wonderful. | 0:17:23 | 0:17:25 | |
Let's have a look at the finished dish. | 0:17:25 | 0:17:27 | |
-AUDIENCE: -Oooh! | 0:17:27 | 0:17:29 | |
God, that is absolutely beautiful. | 0:17:29 | 0:17:31 | |
I'm supposed to be meeting Winnie down the pub. | 0:17:32 | 0:17:34 | |
Buck! | 0:17:34 | 0:17:36 | |
Hurr! | 0:17:43 | 0:17:45 | |
-I'll see you later, Aly, OK? -See you later, Mrs Brown. | 0:17:45 | 0:17:48 | |
That plate's turned on, OK? | 0:17:48 | 0:17:49 | |
-Mrs Brown? -What, Aly? -Reggae! | 0:17:49 | 0:17:52 | |
MUSIC: Boombastic by Shaggy | 0:17:52 | 0:17:56 | |
CHEERING | 0:18:00 | 0:18:02 | |
Oh. | 0:18:11 | 0:18:13 | |
Oh, God bless you, Winnie, thank you very much, love, thank you. | 0:18:13 | 0:18:16 | |
-Winnie, what are you doing? -It's me pelvic floor. | 0:18:22 | 0:18:25 | |
-The doctor says I should exercise it. -Why, is it possessed? | 0:18:27 | 0:18:31 | |
No, the doctor said it would help with my bladder control, you know? | 0:18:32 | 0:18:37 | |
-What do you have to do? -Well, you have to... | 0:18:37 | 0:18:39 | |
tense your downstairs for two seconds and then release. | 0:18:39 | 0:18:43 | |
-Here, do it with me. -OK. | 0:18:43 | 0:18:45 | |
Tense, release. | 0:18:46 | 0:18:49 | |
Tense, release. | 0:18:49 | 0:18:52 | |
Oh, dear. I think I released a little bit too much! | 0:18:52 | 0:18:56 | |
Well, before you go and change your TENA... | 0:19:02 | 0:19:04 | |
More people writing in about problems. Here. You take those ones. | 0:19:06 | 0:19:09 | |
Craig Scott has written... Where's Craig? Hello, Craig, how are you? | 0:19:09 | 0:19:12 | |
Good, thank you. | 0:19:12 | 0:19:13 | |
Craig writes, "Dear Agnes, My daughter's gerbils don't like me. | 0:19:13 | 0:19:16 | |
"They won't come out of their cage for me. | 0:19:16 | 0:19:18 | |
"I just assumed they were broken. How do I make them love me? | 0:19:18 | 0:19:21 | |
Light a fire around the cage. | 0:19:23 | 0:19:25 | |
And when you blow it out, trust me, they will love you. | 0:19:27 | 0:19:29 | |
Where's Louise Attison? Louise? Hello, Louise. How are you? | 0:19:33 | 0:19:35 | |
-Not bad, thank you. -It says here, "Dear Agnes, my friend Stacey..." | 0:19:35 | 0:19:39 | |
Is that Stacey? Hello, Stacey, how are you? | 0:19:39 | 0:19:41 | |
"My friend Stacey's fiance | 0:19:41 | 0:19:43 | |
"keeps getting naked after a wine or two. | 0:19:43 | 0:19:45 | |
"She doesn't know how to combat this. | 0:19:47 | 0:19:49 | |
"It's very embarrassing for her, | 0:19:49 | 0:19:50 | |
"although everyone else in the wine bar finds it funny... | 0:19:50 | 0:19:53 | |
"..and encourage him." | 0:19:55 | 0:19:56 | |
Well, all I'd say to you is, when he's had the first one | 0:19:56 | 0:19:58 | |
and he starts on the second one, send him over to my house. | 0:19:58 | 0:20:01 | |
One night with me, and he'll never do it again! | 0:20:03 | 0:20:06 | |
-This one... This one is from Ann Taylor. -Hello, Ann. Hello, Ann. | 0:20:08 | 0:20:12 | |
How are you? | 0:20:12 | 0:20:13 | |
And Ann says, "Dear Agnes, I need help with my hairnet. | 0:20:13 | 0:20:17 | |
"It keeps getting caught in my vajazzle when I'm doing... | 0:20:17 | 0:20:20 | |
-"..when I'm at my yoga classes." -Hold it there. | 0:20:22 | 0:20:25 | |
Just hold it for a second. | 0:20:25 | 0:20:26 | |
You wear it on your head? | 0:20:28 | 0:20:29 | |
And it gets caught in the vajazzle? | 0:20:30 | 0:20:32 | |
That's not yoga, that's gymnastics, love. | 0:20:33 | 0:20:35 | |
-Well, she says, "It's my husband's hairnet." -Hold it there! | 0:20:37 | 0:20:40 | |
-Why does your husband need a hairnet? -He works in Greggs. | 0:20:42 | 0:20:45 | |
-Greggs? -Greggs the bakery. | 0:20:45 | 0:20:48 | |
I love their sausage rolls. | 0:20:48 | 0:20:50 | |
He can catch his hairnet in my vajazzle any time. | 0:20:51 | 0:20:53 | |
"I'm keen to perfect my downward dog. | 0:20:55 | 0:20:59 | |
"Can you help me?" | 0:21:00 | 0:21:02 | |
What is a downward dog? | 0:21:02 | 0:21:04 | |
Is it a yoga movement? | 0:21:05 | 0:21:06 | |
-AUDIENCE MEMBER: -Show us! | 0:21:06 | 0:21:08 | |
-Yeah, show us! -I know it. I know it. | 0:21:09 | 0:21:11 | |
-You know it, do you? -I know it. -Show us, Winnie. | 0:21:11 | 0:21:14 | |
CHEERING | 0:21:14 | 0:21:16 | |
Argh! | 0:21:19 | 0:21:21 | |
APPLAUSE | 0:21:24 | 0:21:25 | |
Was that it? | 0:21:30 | 0:21:31 | |
And how in the name of Jesus did you get your head to your vajazzle? | 0:21:32 | 0:21:35 | |
You need to see somebody professional. | 0:21:37 | 0:21:40 | |
-Oh, listen, I'd better go. -Why? -Cathy's show is about to start. | 0:21:40 | 0:21:42 | |
I'm going to miss it. | 0:21:42 | 0:21:44 | |
-I'll see you later, Winnie. -See you later. | 0:21:44 | 0:21:46 | |
Keep your downward dog going, "Woof, woof." | 0:21:46 | 0:21:48 | |
APPLAUSE | 0:21:48 | 0:21:50 | |
-Good luck, Cathy. -You'll be great. -Aw, thanks, girls. | 0:21:54 | 0:21:58 | |
-It's about to start now! -We know. | 0:22:01 | 0:22:04 | |
And it's going to be great. | 0:22:04 | 0:22:05 | |
So when are you going to go? | 0:22:06 | 0:22:09 | |
When we get Peter all nice and settled. | 0:22:09 | 0:22:11 | |
Girls, get out, now! | 0:22:12 | 0:22:15 | |
-AUDIENCE: -Aw! | 0:22:15 | 0:22:17 | |
You're no fun! | 0:22:17 | 0:22:19 | |
APPLAUSE | 0:22:19 | 0:22:22 | |
I made it! I'm here. I'm here. | 0:22:22 | 0:22:24 | |
# Time to go | 0:22:24 | 0:22:25 | |
# Here we go, the Cathy Brown Show! # | 0:22:25 | 0:22:28 | |
Hello, there, again. And welcome to the Cathy Brown show... | 0:22:30 | 0:22:33 | |
# Cathy Brown show. # | 0:22:33 | 0:22:35 | |
OK, Mammy, settle down. | 0:22:35 | 0:22:37 | |
..bringing you all the latest showbiz gossip. | 0:22:37 | 0:22:39 | |
Goss, goss, goss, goss... | 0:22:39 | 0:22:41 | |
# The Cathy Brown Show. # | 0:22:41 | 0:22:44 | |
-OK, are you ready, Mammy? -Yes, yeah, I'm ready. | 0:22:44 | 0:22:45 | |
OK, well, I'm very excited to introduce my guests tonight. | 0:22:45 | 0:22:49 | |
Please welcome the brilliant Peter Andre | 0:22:49 | 0:22:52 | |
and the wonderful Gareth Malone. | 0:22:52 | 0:22:55 | |
CHEERING | 0:22:55 | 0:22:58 | |
Hello, lovely. How are you? | 0:23:02 | 0:23:04 | |
Hello. | 0:23:04 | 0:23:07 | |
CHEERING | 0:23:18 | 0:23:20 | |
Oh! Wow! | 0:23:21 | 0:23:23 | |
That is so cool. | 0:23:25 | 0:23:26 | |
-Yeah! -Buster, what are you doing?! | 0:23:26 | 0:23:28 | |
It's for Peter. | 0:23:28 | 0:23:29 | |
I've been working on my six-pack especially. | 0:23:30 | 0:23:33 | |
-AUDIENCE: -Oooh! | 0:23:33 | 0:23:35 | |
WOLF WHISTLING | 0:23:35 | 0:23:37 | |
Well, Buster, work on it somewhere else, | 0:23:37 | 0:23:39 | |
you'll put people off their dinner. | 0:23:39 | 0:23:40 | |
Go! | 0:23:40 | 0:23:42 | |
Out! | 0:23:42 | 0:23:43 | |
-AUDIENCE: -Aw! | 0:23:43 | 0:23:44 | |
Don't forget the lights. | 0:23:44 | 0:23:45 | |
MUSIC PLAYS | 0:23:48 | 0:23:50 | |
Get out! | 0:24:01 | 0:24:03 | |
Buster, get out! | 0:24:03 | 0:24:04 | |
And put that bleach back! | 0:24:06 | 0:24:08 | |
I'm so sorry about that, guys. Welcome to the show, both of you. | 0:24:10 | 0:24:13 | |
-It's great to have you here. -Thank you. | 0:24:13 | 0:24:14 | |
-Very good to be here. -Great to have you here. Lovely to have you here. | 0:24:14 | 0:24:17 | |
Thank you very much. Call me. | 0:24:17 | 0:24:19 | |
You've met Mammy. Yes, me and Peter had a tete-a-tete in the kitchen. | 0:24:19 | 0:24:24 | |
-It was a nice tete-a-tete. -It was a nice tete-a-tete. | 0:24:24 | 0:24:26 | |
I didn't have time to finish him off. He had to do it himself. | 0:24:26 | 0:24:29 | |
But, Peter, congratulations on the latest addition to your family. | 0:24:29 | 0:24:33 | |
Theo - is that that right? | 0:24:33 | 0:24:35 | |
-CHEERING AND APPLAUSE -Yes! | 0:24:35 | 0:24:38 | |
How are you finding fatherhood this time round? | 0:24:39 | 0:24:41 | |
Yeah, it's great. Beautiful. | 0:24:41 | 0:24:43 | |
We were just having this discussion outside, weren't we? | 0:24:43 | 0:24:45 | |
-It's constant bliss. -It is. -You're a dad, too, of course, Gareth. | 0:24:45 | 0:24:48 | |
-I have two, yeah. -You have two kids? -Yes. -Oh, wow. | 0:24:48 | 0:24:50 | |
-So you find it difficult? -Do you know what? It is. | 0:24:50 | 0:24:53 | |
-He didn't deliver them! -Yeah, yeah. It was quite painful but... | 0:24:53 | 0:24:56 | |
All he had to do was put his yoke in, and that was it! | 0:24:56 | 0:24:59 | |
-Mammy! -Set the oven to 40 weeks | 0:24:59 | 0:25:01 | |
and then he comes out. | 0:25:01 | 0:25:04 | |
I didn't ask him about BECOMING a father, | 0:25:04 | 0:25:06 | |
I asked him about BEING a father. | 0:25:06 | 0:25:08 | |
Do you find it difficult? | 0:25:08 | 0:25:09 | |
-No. No. My wife did. -Your wife finds it difficult being a father? | 0:25:09 | 0:25:13 | |
Yes, she found it difficult being a father, | 0:25:13 | 0:25:15 | |
-but I told her to shave the beard. She's fine now. -OK. | 0:25:15 | 0:25:18 | |
But honestly, it's such a joy. It is a beautiful, beautiful joy. | 0:25:18 | 0:25:22 | |
And I think we're done. Not me and you, obviously. | 0:25:22 | 0:25:25 | |
-I mean, I don't know. -All right. The night is young. | 0:25:25 | 0:25:28 | |
-Gareth, everyone loves your show. -Oh, thank you very much. | 0:25:30 | 0:25:33 | |
I mean, you're famous for putting choirs together. | 0:25:33 | 0:25:35 | |
-Do you actually enjoy singing yourself? -I do. I love to sing. | 0:25:35 | 0:25:38 | |
I mean, I sang as a kid. I sing at home. | 0:25:38 | 0:25:41 | |
In fact, if you asked my wife, she's had enough of it. | 0:25:41 | 0:25:44 | |
He-he-he! What about the singing? | 0:25:44 | 0:25:45 | |
-Do you think you're a good singer? -Well, I can sing in tune. Yeah. | 0:25:48 | 0:25:53 | |
I was in a choir when I was in school. I learned one... | 0:25:53 | 0:25:56 | |
# O'er the ocean flies a merry fay | 0:25:56 | 0:26:00 | |
# Soft her wings are as a cloud in day | 0:26:00 | 0:26:04 | |
# As she passes by the farmers say | 0:26:04 | 0:26:08 | |
# Marianina, do not roam | 0:26:08 | 0:26:10 | |
# Hither is thy home | 0:26:10 | 0:26:12 | |
# Come and turn us into foam. # | 0:26:12 | 0:26:15 | |
-OK, OK, OK, OK. -Great. | 0:26:15 | 0:26:16 | |
CHEERING | 0:26:16 | 0:26:18 | |
So, Gareth, could you work with that? | 0:26:19 | 0:26:22 | |
# Marianina | 0:26:22 | 0:26:23 | |
# Marianina... # | 0:26:23 | 0:26:25 | |
-Gareth, could you... -# When the... # -Mammy! | 0:26:25 | 0:26:28 | |
Now Gareth might be able to help you with that. | 0:26:28 | 0:26:30 | |
I don't need help. | 0:26:30 | 0:26:32 | |
-Could you give her a quick lesson, maybe? -Yes, what language was that? | 0:26:32 | 0:26:35 | |
It's an ancient language, very rarely spoken nowadays | 0:26:38 | 0:26:41 | |
called ENGLISH. | 0:26:41 | 0:26:43 | |
-I think it's a fine instrument there. -It IS a fine instrument. | 0:26:45 | 0:26:48 | |
-Thank you very much. Anybody can sing. -I mean, everyone can improve. | 0:26:48 | 0:26:51 | |
-Yeah, how would you improve Mammy? -How would I improve her? | 0:26:51 | 0:26:53 | |
Not that she needs much improvement. | 0:26:53 | 0:26:55 | |
I mean, she's slouched on the sofa. I'd get her to stand up... | 0:26:55 | 0:26:58 | |
-Ooh, stand up, Mammy. -..address the audience. I'd say... | 0:26:58 | 0:27:01 | |
CHEERING AND APPLAUSE | 0:27:01 | 0:27:04 | |
I'd, you know, I'd take the posture, | 0:27:04 | 0:27:07 | |
I'd get my feet apart, and, you know, tits and teeth. | 0:27:07 | 0:27:09 | |
And I think that would immediately improve the sound. Shall we try? | 0:27:12 | 0:27:15 | |
OK, try, Mammy. | 0:27:15 | 0:27:17 | |
MRS BROWN SINGS THROUGH HER TEETH | 0:27:17 | 0:27:21 | |
-I think I may have been optimistic, actually. -OK, that's lovely, Mammy. | 0:27:21 | 0:27:24 | |
That's lovely. | 0:27:24 | 0:27:25 | |
CHEERING AND APPLAUSE | 0:27:25 | 0:27:27 | |
Peter, your pop career, where did it all start for you? | 0:27:27 | 0:27:30 | |
I was 13, and I was riding home on my bike, | 0:27:30 | 0:27:33 | |
and I thought of a song. | 0:27:33 | 0:27:35 | |
I thought of something and I thought, | 0:27:35 | 0:27:36 | |
"Oh, I've heard this before, I must have heard it before." | 0:27:36 | 0:27:39 | |
I went home, said to my brother, who was a great musician, | 0:27:39 | 0:27:41 | |
and he was in his room playing bouzouki | 0:27:41 | 0:27:43 | |
which is a Greek instrument, | 0:27:43 | 0:27:44 | |
and I said to him, "Chris, I'm going to sing you something. | 0:27:44 | 0:27:47 | |
"Tell me where you've heard it before." And I sang it to him... | 0:27:47 | 0:27:49 | |
MRS BROWN SNORES | 0:27:49 | 0:27:51 | |
-I'm sorry. -I'm sorry. | 0:27:51 | 0:27:53 | |
Sorry, I missed a bit, all right? | 0:27:55 | 0:27:57 | |
Are you still 13? Are we still at 13? | 0:27:57 | 0:27:59 | |
Yeah, listen, I'll really move up to up-to-date. | 0:27:59 | 0:28:02 | |
Anyway, he said to me he'd never heard it before | 0:28:02 | 0:28:05 | |
so it must be an original song. | 0:28:05 | 0:28:06 | |
Wrote my first song at 13, and then I started writing songs ever since. | 0:28:06 | 0:28:09 | |
You have a beautiful voice. | 0:28:09 | 0:28:11 | |
Yes, agreed. | 0:28:11 | 0:28:12 | |
CHEERING AND APPLAUSE | 0:28:12 | 0:28:15 | |
-Mammy, let go of him. -I'm sorry. -He came over and abused me. | 0:28:22 | 0:28:26 | |
He just... | 0:28:26 | 0:28:28 | |
He abused me. | 0:28:28 | 0:28:29 | |
-Was this in Cyprus? -Sorry? -Was this when you were living in Cyprus? | 0:28:30 | 0:28:34 | |
No, that was Australia. | 0:28:34 | 0:28:35 | |
Australia to Cyprus, Cyprus to Britain, | 0:28:35 | 0:28:37 | |
what made you go ping, ping, ping? | 0:28:37 | 0:28:39 | |
I was born in England, | 0:28:39 | 0:28:40 | |
and I emigrated to Australia when I was six. | 0:28:40 | 0:28:43 | |
But then when I was 13... No. | 0:28:43 | 0:28:44 | |
And spent a lot of time in Cyprus because that's my parents' home. | 0:28:46 | 0:28:50 | |
She lived in Cyprus for a while. About two weeks. | 0:28:50 | 0:28:53 | |
Gareth, one of your programmes, | 0:28:56 | 0:28:58 | |
one of your projects was The Naked Choir, | 0:28:58 | 0:29:00 | |
tell us a little bit about that. | 0:29:00 | 0:29:02 | |
The Naked Choir, slightly misleading title, there was no nudity. | 0:29:02 | 0:29:06 | |
Yeah, I know. I stood there watching for ages, not one penis. | 0:29:06 | 0:29:09 | |
-Not one penis in the whole place. -Sorry to disappoint. | 0:29:09 | 0:29:13 | |
It was about the naked sound of the human voice without adornment, | 0:29:13 | 0:29:17 | |
without being in a recording studio. | 0:29:17 | 0:29:20 | |
It was just people singing. | 0:29:20 | 0:29:22 | |
-And that for me... -What would otherwise be called A CHOIR. | 0:29:22 | 0:29:25 | |
A choir. Yeah. | 0:29:25 | 0:29:27 | |
Mammy, you had some tips for Gareth, didn't you? | 0:29:30 | 0:29:33 | |
Well, I have a warm-up technique I use. | 0:29:33 | 0:29:36 | |
If you want to try this, repeat after me, | 0:29:36 | 0:29:39 | |
I saw Suzy's Shine shop. | 0:29:39 | 0:29:41 | |
Where she sits, she shines, and where she shines, she sits. | 0:29:41 | 0:29:44 | |
I saw Suzy's Shine shop. Where she shines, | 0:29:45 | 0:29:50 | |
Suzy sh... Suzy shines... | 0:29:50 | 0:29:53 | |
-Shops. -..shops. | 0:29:53 | 0:29:55 | |
-Suzy has a Shine shop. -Oh, don't tell me the story. Jesus... | 0:29:55 | 0:29:59 | |
When Suzy was 13 years old... | 0:29:59 | 0:30:01 | |
Suzy is shining shoes in her shop, where she shines, she shops. | 0:30:02 | 0:30:08 | |
-No, she sits. -When she shits. | 0:30:08 | 0:30:12 | |
CHEERING AND APPLAUSE | 0:30:12 | 0:30:14 | |
-When she shines, she shits. Oh, shit. -You did very good. | 0:30:14 | 0:30:18 | |
You did very good. | 0:30:18 | 0:30:19 | |
OK, now, as you know, | 0:30:19 | 0:30:21 | |
we always welcome one of our guest's own mammies onto the show. | 0:30:21 | 0:30:25 | |
So this week, please welcome Gareth's gorgeous mammy, Sian. | 0:30:25 | 0:30:29 | |
CHEERING AND APPLAUSE | 0:30:29 | 0:30:32 | |
Hello, Sian. | 0:30:37 | 0:30:38 | |
-Lovely to have you. Thanks very much. -Hello. | 0:30:41 | 0:30:43 | |
Welcome to the show, Sian, it's lovely to have you here. | 0:30:44 | 0:30:47 | |
Thank you very much. | 0:30:47 | 0:30:48 | |
So tell us a little bit about Gareth. | 0:30:48 | 0:30:50 | |
Was he a show-off as a child? | 0:30:50 | 0:30:51 | |
Absolutely. | 0:30:51 | 0:30:53 | |
-Yes. From the beginning. -From the beginning? | 0:30:53 | 0:30:55 | |
-Was he a good singer as a child? -Very, yes. | 0:30:55 | 0:30:57 | |
From quite a young age, he could sing in tune. | 0:30:57 | 0:31:01 | |
That's what I just said. Yeah, I can sing in tune. | 0:31:01 | 0:31:03 | |
That's the only review I gave myself. | 0:31:03 | 0:31:05 | |
-Did he get that from you? -Yes. -Oh, did you? -And my dad as well. | 0:31:05 | 0:31:09 | |
But she sang all the time. | 0:31:09 | 0:31:10 | |
-I just remember the sound of her voice in a positive way. -Oh, good. | 0:31:10 | 0:31:13 | |
That's lovely. | 0:31:14 | 0:31:16 | |
A lot of people I know actually sing to the baby before it's born. | 0:31:16 | 0:31:19 | |
-Oh, I did that. -Yes, she did. -Did you? -Oh, yes. -I don't remember this. | 0:31:19 | 0:31:22 | |
I've just heard, obviously. | 0:31:22 | 0:31:23 | |
-Oh, you do remember, you just need to be taken back. -Oh, listen. | 0:31:23 | 0:31:26 | |
I've one or two of mine could be taken back, as well. | 0:31:26 | 0:31:29 | |
Peter, did you sing to your children before they were born? | 0:31:31 | 0:31:33 | |
Yes, I actually went a different route. | 0:31:33 | 0:31:35 | |
I used to play Greek music to them because I wanted them... | 0:31:35 | 0:31:38 | |
I know it sounds strange, I won't bore you... | 0:31:38 | 0:31:40 | |
Anything they watch in English, I go on YouTube | 0:31:41 | 0:31:44 | |
and find a version in Greek and play it to them | 0:31:44 | 0:31:46 | |
so that they absorb Greek. | 0:31:46 | 0:31:47 | |
-And they speak Greek. -It keeps them in touch with their culture. -Yes. | 0:31:47 | 0:31:51 | |
-That's lovely. -Music is so important. | 0:31:51 | 0:31:53 | |
We have a picture of you with your mam, here. | 0:31:53 | 0:31:55 | |
-Aw, look at that. -Isn't she gorgeous? | 0:31:55 | 0:31:58 | |
You know, her and my dad | 0:31:58 | 0:31:59 | |
-just celebrated their 61st wedding anniversary. -Wow. | 0:31:59 | 0:32:02 | |
APPLAUSE | 0:32:02 | 0:32:03 | |
-I love her. -And what is your mammy's name? | 0:32:06 | 0:32:08 | |
Well, it's a Greek name. | 0:32:08 | 0:32:10 | |
-But in English I would say it is like Thea. -Thea? | 0:32:10 | 0:32:13 | |
-What is it in Greek? -Theabisti. | 0:32:13 | 0:32:14 | |
-Sounds beautiful. -Which means faith in God. | 0:32:14 | 0:32:17 | |
-There you go. -Faith in God? | 0:32:17 | 0:32:19 | |
My name is Agnes. In English, it means sex for cash. | 0:32:19 | 0:32:24 | |
Sian, with all this success, you must be incredibly proud of him, | 0:32:26 | 0:32:29 | |
-with all the work he's done with the choirs. -Don't tell him. | 0:32:29 | 0:32:32 | |
-Don't tell him. -He doesn't seem to be lost about himself, | 0:32:32 | 0:32:34 | |
he seems to be very grounded. | 0:32:34 | 0:32:36 | |
Yes, he is, very grounded. Yes. | 0:32:36 | 0:32:38 | |
I think it was nice. | 0:32:38 | 0:32:39 | |
I had a nice little regular upbringing, | 0:32:39 | 0:32:41 | |
and then, suddenly, this craziness. | 0:32:41 | 0:32:43 | |
Were you surprised, as we all were, with the success of the show? | 0:32:43 | 0:32:46 | |
Yeah, I mean... | 0:32:46 | 0:32:47 | |
APPLAUSE | 0:32:51 | 0:32:53 | |
No, I think, I do believe in people, | 0:32:53 | 0:32:55 | |
and I love to see people stretch themselves. | 0:32:55 | 0:32:57 | |
You know, it's so important in life, isn't it, | 0:32:57 | 0:32:59 | |
to do something that you've not done before? | 0:32:59 | 0:33:01 | |
Like coming and sitting on this sofa here is for my mother. | 0:33:01 | 0:33:04 | |
Why I'm here. | 0:33:04 | 0:33:05 | |
Only her first ever experience of anything like this in her life. | 0:33:05 | 0:33:09 | |
-"Come on," he said, "it'll be fun." -How is it going? | 0:33:09 | 0:33:11 | |
APPLAUSE | 0:33:11 | 0:33:14 | |
So I did. | 0:33:14 | 0:33:16 | |
Oh, we won't confine you to the sofa. | 0:33:16 | 0:33:18 | |
Mammy, why don't you take Sian with you...? | 0:33:18 | 0:33:19 | |
-Come and meet chef Aly with me. -See how Chef Aly is doing. | 0:33:19 | 0:33:22 | |
And we can have a one-to-one talk, just the two of us. | 0:33:22 | 0:33:25 | |
CHEERING AND APPLAUSE | 0:33:25 | 0:33:28 | |
Come on round here. | 0:33:30 | 0:33:32 | |
Now, tell me a little bit about him behind his back. | 0:33:32 | 0:33:35 | |
Here are some gorgeous photographs of him. He was musically inclined. | 0:33:35 | 0:33:39 | |
-He definitely was. -Yes. -Look at this. | 0:33:39 | 0:33:42 | |
-AUDIENCE: -Aw! | 0:33:42 | 0:33:43 | |
Isn't that...? He was a very generous child, I believe. | 0:33:43 | 0:33:47 | |
He was, yes. Yes, you could always get to his heart. | 0:33:47 | 0:33:50 | |
I read a story about him when he was seven. | 0:33:50 | 0:33:52 | |
-He saved up his money to buy you a necklace. -Yes, he did. | 0:33:52 | 0:33:55 | |
He's a sap. Isn't he a sap? | 0:33:56 | 0:33:57 | |
You and your husband met, where? | 0:33:59 | 0:34:02 | |
-We met through an operatic society. -Ooh, excuse me! | 0:34:02 | 0:34:06 | |
And how did he get your name and address? | 0:34:06 | 0:34:08 | |
-I wrote it on a programme in pencil... -And gave it to him. | 0:34:08 | 0:34:10 | |
-And gave it to him. -Now... -Yes. | 0:34:10 | 0:34:13 | |
She gave out 14 of those programmes that night. | 0:34:13 | 0:34:15 | |
She only got one call. | 0:34:17 | 0:34:20 | |
-And married, when? -1972. | 0:34:20 | 0:34:22 | |
Oh, lovely, that was the year after Gareth was born. | 0:34:22 | 0:34:25 | |
SHE LAUGHS | 0:34:25 | 0:34:27 | |
Come over here and talk to me. Chef Aly, what are you doing? | 0:34:27 | 0:34:30 | |
We've got here rack of lamb, because I know, Gareth, he like lamb. | 0:34:30 | 0:34:34 | |
And we're going to put some twist in it, | 0:34:34 | 0:34:36 | |
which are going to make it like North African, | 0:34:36 | 0:34:38 | |
-with the herb, and Greek style with yoghurt. -Lovely. | 0:34:38 | 0:34:42 | |
It looks absolutely gorgeous. | 0:34:42 | 0:34:45 | |
Let's go back in and see... Reggae! | 0:34:45 | 0:34:47 | |
# Mr Boombastic, say me fantastic | 0:34:47 | 0:34:51 | |
# Touch me on the back, she says I'm Mr Ro | 0:34:51 | 0:34:54 | |
# Mantic, say me fantastic | 0:34:54 | 0:34:57 | |
# Touch me on the back, she says... # | 0:34:57 | 0:34:59 | |
CHEERS AND APPLAUSE | 0:34:59 | 0:35:01 | |
Let's go back in. | 0:35:01 | 0:35:03 | |
Did you do a bit of that while you were in London? | 0:35:08 | 0:35:10 | |
I did country dancing. Not actually Irish dancing. | 0:35:10 | 0:35:13 | |
But my relatives have done lots of Irish dancing. | 0:35:13 | 0:35:16 | |
I can see you have the moves, you definitely have them. | 0:35:16 | 0:35:19 | |
Peter, just one last thing, | 0:35:19 | 0:35:21 | |
you have become quite famous for having lots of muscles. | 0:35:21 | 0:35:24 | |
Yes! Look at you! Hm! | 0:35:24 | 0:35:26 | |
So we'd like to test to see just how strong you think you are. | 0:35:26 | 0:35:30 | |
Well, I know all about strength. | 0:35:30 | 0:35:32 | |
I used to be a wrestling champion, never beaten, | 0:35:32 | 0:35:35 | |
undefeated by man, woman, or beast. | 0:35:35 | 0:35:37 | |
-Perfect! That sounds like a challenge. -No, no, no. | 0:35:37 | 0:35:39 | |
I didn't mean that. I'm just saying. | 0:35:39 | 0:35:41 | |
-AUDIENCE: -Ooh! | 0:35:41 | 0:35:42 | |
Peter, are you up for arm wrestling with Mammy to see if you can | 0:35:42 | 0:35:45 | |
-challenge her undefeated run? -CHEERS AND APPLAUSE | 0:35:45 | 0:35:49 | |
Is that even...? Is that even respectful? | 0:35:50 | 0:35:53 | |
-I'm going to take this off for this. -Oh, my God! | 0:35:53 | 0:35:55 | |
-If we're going to do this. -AUDIENCE CHEERS AND WHISTLES | 0:35:55 | 0:35:58 | |
Let's do this, then, if we're going to do it. | 0:35:58 | 0:36:00 | |
Hang on. How do I do this respectfully? Let me get down here. | 0:36:00 | 0:36:03 | |
-AUDIENCE: -Ooh! | 0:36:03 | 0:36:05 | |
Ladies and gentlemen, Peter Andre is going down! | 0:36:05 | 0:36:09 | |
LAUGHTER AND APPLAUSE | 0:36:09 | 0:36:11 | |
Right, how are we going to do this? | 0:36:11 | 0:36:13 | |
Put your elbow there and I'll put my elbow here. | 0:36:13 | 0:36:16 | |
When I say three, don't start pushing straightaway. | 0:36:16 | 0:36:19 | |
-We take the strain first. And then we start pushing, OK? -OK. | 0:36:19 | 0:36:22 | |
I win, that's it. LAUGHTER AND APPLAUSE | 0:36:22 | 0:36:25 | |
-I knew this was going to happen! -# Champione! | 0:36:25 | 0:36:28 | |
# Champione! Ole, ole, ole! # | 0:36:28 | 0:36:32 | |
APPLAUSE DROWNS OUT SPEECH | 0:36:33 | 0:36:36 | |
-Well done, Mammy. Undefeated. -Unlucky, Peter. Unlucky. | 0:36:38 | 0:36:42 | |
-Unlucky. -Strong, though. -I think it's time now to see what | 0:36:42 | 0:36:45 | |
-Chef Aly has created for us. -Oh, yes. I'll go get it. -OK. | 0:36:45 | 0:36:48 | |
Oh! | 0:36:48 | 0:36:49 | |
Aly, this looks gorgeous. | 0:36:49 | 0:36:51 | |
Look at this! | 0:36:51 | 0:36:53 | |
-AUDIENCE: -Ooh! | 0:36:53 | 0:36:55 | |
APPLAUSE | 0:36:55 | 0:36:58 | |
Look at that. | 0:36:58 | 0:36:59 | |
So, what have we got here, Aly? | 0:37:01 | 0:37:03 | |
We've got lamb here, but different way with a lot of flavour in it. | 0:37:03 | 0:37:06 | |
I hope you enjoy that. | 0:37:06 | 0:37:08 | |
And we got the surprise dish, which is chocolate fondant for everyone. | 0:37:08 | 0:37:12 | |
Have we got any for the audience? Let's see what we've got. | 0:37:12 | 0:37:15 | |
It's absolutely... Look at that! | 0:37:15 | 0:37:16 | |
Isn't that gorgeous? No, you're not getting any. | 0:37:16 | 0:37:19 | |
Would you like to try that? Lovely bit of lamb. There you go. | 0:37:22 | 0:37:24 | |
Would you like to try a bit of lamb? There you go. Bah! | 0:37:24 | 0:37:27 | |
CHEERS AND APPLAUSE | 0:37:30 | 0:37:32 | |
Gareth, how does it compare to your mammy's? | 0:37:37 | 0:37:39 | |
-Oh, I mean, nowhere near as good, obviously. -Oh! | 0:37:39 | 0:37:43 | |
-Very good. -Beautiful! -Well done, Chef Aly. Well done. -Very good. | 0:37:43 | 0:37:46 | |
CHEERS AND APPLAUSE | 0:37:46 | 0:37:49 | |
Well, that's all we have time for on the Cathy Brown Show. | 0:37:52 | 0:37:56 | |
-AUDIENCE: -Aw! | 0:37:56 | 0:37:57 | |
Aw! A huge thanks to all my guests tonight, Peter Andre... | 0:37:57 | 0:38:01 | |
CHEERS AND APPLAUSE | 0:38:01 | 0:38:03 | |
-Gareth Malone... -CHEERS AND APPLAUSE | 0:38:03 | 0:38:05 | |
-..his mother, Sian... -CHEERS AND APPLAUSE | 0:38:05 | 0:38:07 | |
-..and of course Chef Ally! -CHEERS AND APPLAUSE | 0:38:07 | 0:38:10 | |
Join us next week when we'll be joined by Captain Cook | 0:38:12 | 0:38:15 | |
and Elton John and his auntie. | 0:38:15 | 0:38:16 | |
No, we won't, Mammy. | 0:38:18 | 0:38:19 | |
Maybe, you don't know for sure, maybe. | 0:38:19 | 0:38:21 | |
We'll see you soon, but for now, | 0:38:21 | 0:38:23 | |
it's over to Trevor and Father Damien | 0:38:23 | 0:38:25 | |
for Thought For The Day. | 0:38:25 | 0:38:27 | |
-Goodnight. -Goodnight. | 0:38:27 | 0:38:29 | |
APPLAUSE | 0:38:29 | 0:38:31 | |
Hello there. Yes, it's Thought For The Day again. | 0:38:34 | 0:38:39 | |
Think of it as a little head massage to send you off to bed | 0:38:39 | 0:38:41 | |
-with happy thoughts. -Hello. | 0:38:41 | 0:38:44 | |
I want to talk to you today about preparation and how important it is. | 0:38:44 | 0:38:48 | |
Very. | 0:38:48 | 0:38:50 | |
We all try to keep a little nest egg aside to be prepared in case | 0:38:50 | 0:38:53 | |
-of an emergency. -We do. | 0:38:53 | 0:38:55 | |
-Or we have a spare wheel in the car, to prepare for a puncture. -Exactly. | 0:38:55 | 0:38:59 | |
-So, repairing your soul by way of confession is a good idea. -It is. | 0:38:59 | 0:39:05 | |
Now, Damien here is doing the main mass tomorrow and I'm | 0:39:05 | 0:39:09 | |
helping him to prepare. So, Damien, get out your pad. | 0:39:09 | 0:39:13 | |
I don't need it, Trevor, just tell me. | 0:39:13 | 0:39:16 | |
-I have a photogenic memory. -OK. | 0:39:16 | 0:39:20 | |
-Next Friday is the First Friday. -First Friday. | 0:39:20 | 0:39:23 | |
There will be confessions on Thursday, | 0:39:23 | 0:39:26 | |
Tuesday is the feast of St Peter and St Paul. | 0:39:26 | 0:39:28 | |
On Saturday, Mary Malone will marry Mikey Nolan. | 0:39:28 | 0:39:32 | |
Anybody who thinks these two should not be married | 0:39:32 | 0:39:35 | |
should come forward as soon as possible. | 0:39:35 | 0:39:37 | |
We have christenings on Sunday. | 0:39:37 | 0:39:39 | |
This is a deep and meaningful time for the parents. | 0:39:39 | 0:39:42 | |
So, parents should be at the church at 11 o'clock. | 0:39:42 | 0:39:45 | |
-Got it. -Great, let me hear it. | 0:39:47 | 0:39:51 | |
Next Wednesday is the First Friday, | 0:39:53 | 0:39:55 | |
there'll be confessions on Saturday, | 0:39:55 | 0:39:57 | |
Tuesday is the feast of Mary Malone and Mikey Nolan. | 0:39:57 | 0:40:00 | |
On Saturday, St Peter and St Paul will be getting married, | 0:40:00 | 0:40:04 | |
anybody who thinks they shouldn't be should be at the church at 11am | 0:40:04 | 0:40:07 | |
on Sunday with the parents for christening. | 0:40:07 | 0:40:09 | |
But bring a snorkel, because we're going deep. | 0:40:09 | 0:40:12 | |
-How's that? -Bang on, Damien. Bang on. | 0:40:13 | 0:40:17 | |
-Be prepared, it's important, goodnight. -Goodnight. | 0:40:18 | 0:40:23 | |
Such, such wise words there. | 0:40:28 | 0:40:30 | |
Wise words like a mother's words. | 0:40:30 | 0:40:32 | |
And it's not easy being a mother, despite all that wisdom. | 0:40:32 | 0:40:35 | |
I mean, so much wisdom to pass on to your children | 0:40:35 | 0:40:37 | |
or your child or your three children or your four children, | 0:40:37 | 0:40:40 | |
five, six, seven. | 0:40:40 | 0:40:42 | |
If you've been really going at it, eight fucking children. | 0:40:42 | 0:40:45 | |
Not to mention all the ones you might foster, | 0:40:45 | 0:40:47 | |
on top of all that, isn't that right, Elaine McGuire? | 0:40:47 | 0:40:50 | |
Isn't it? | 0:40:50 | 0:40:52 | |
CHEERING | 0:40:52 | 0:40:55 | |
Yes, Elaine. You are our Mammy Of The Week. | 0:40:55 | 0:40:59 | |
Come on down, come on. | 0:41:00 | 0:41:02 | |
Elaine! | 0:41:04 | 0:41:06 | |
Hello! | 0:41:06 | 0:41:09 | |
ELAINE LAUGHS | 0:41:09 | 0:41:12 | |
All that stuff I read out is true. I mean, it's all really true. | 0:41:14 | 0:41:17 | |
Yeah, I mean, I don't foster any more, but I did foster for years. | 0:41:17 | 0:41:20 | |
Elaine, every week we want to award somebody | 0:41:20 | 0:41:22 | |
with this wonderful mammy award. | 0:41:22 | 0:41:23 | |
And you've been nominated by your son Patrick and the rest of | 0:41:23 | 0:41:26 | |
the family who are up there. Look at them up there. Hello. | 0:41:26 | 0:41:30 | |
And if you at home are wondering | 0:41:30 | 0:41:32 | |
why she's been nominated, have a look at this. | 0:41:32 | 0:41:34 | |
Surprise, Mum. We've decided to nominate you as the mammy of | 0:41:37 | 0:41:39 | |
the week, because you're absolutely brilliant, | 0:41:39 | 0:41:41 | |
but you're also a little bit of a pain in the arse. | 0:41:41 | 0:41:44 | |
Whilst telling a story about how she was on the beach in Corfu, | 0:41:50 | 0:41:53 | |
she fell asleep on a Lilo and drifted out to sea | 0:41:53 | 0:41:56 | |
and the Albanian border police | 0:41:56 | 0:41:58 | |
picked her up on a boat and took her back to shore at gunpoint. | 0:41:58 | 0:42:01 | |
She was topless. | 0:42:01 | 0:42:03 | |
Yeah, fortunately we weren't around back then. | 0:42:03 | 0:42:07 | |
If she's talking to somebody important, | 0:42:08 | 0:42:10 | |
she's got a really posh voice, | 0:42:10 | 0:42:11 | |
if she's talking to a friend, she's got a really low Scottish voice. | 0:42:11 | 0:42:14 | |
A few years ago, my mum had a heart attack, | 0:42:16 | 0:42:18 | |
she's all fine now, but what she doesn't tell people, | 0:42:18 | 0:42:20 | |
just beforehand she was watching a documentary | 0:42:20 | 0:42:23 | |
called The Perfect Penis. | 0:42:23 | 0:42:24 | |
Mum, you love complaining, any time you're in a restaurant | 0:42:26 | 0:42:28 | |
and there's a crack in the plate, you'll be straight on to | 0:42:28 | 0:42:31 | |
the manager, complaining, wanting free meal, free money. | 0:42:31 | 0:42:33 | |
Drives us absolutely mad. | 0:42:33 | 0:42:34 | |
Mum, you can sometimes be a nightmare, I know we don't say it | 0:42:37 | 0:42:40 | |
enough, but we are so thankful for all the stuff you do for us. | 0:42:40 | 0:42:42 | |
We don't know what we'd do without you. | 0:42:42 | 0:42:44 | |
Typical mammy, after all those wise words, | 0:42:56 | 0:42:58 | |
she leaned into me and said, | 0:42:58 | 0:42:59 | |
"I'll kill him." | 0:42:59 | 0:43:01 | |
So tell me about this, the Albanian border police... | 0:43:02 | 0:43:05 | |
You drifted out to sea and then they had to send you back? | 0:43:05 | 0:43:09 | |
No, no, they were just moving in their boat quite close... | 0:43:09 | 0:43:13 | |
To you? | 0:43:13 | 0:43:15 | |
So nobody could see me, I was wanting a topless tan, | 0:43:15 | 0:43:18 | |
-so I went out to the far... -Is there enough sun to go around? | 0:43:18 | 0:43:21 | |
So, now, you've always put your kids first, | 0:43:24 | 0:43:26 | |
you're always making sure that they're fed and watered, | 0:43:26 | 0:43:29 | |
even if you weren't. | 0:43:29 | 0:43:30 | |
-Yeah. -You've literally done without food to feed the kids. -No. | 0:43:30 | 0:43:33 | |
I was going to say... | 0:43:35 | 0:43:36 | |
Does it look as though I've gone without it? | 0:43:36 | 0:43:39 | |
I'd eat the kids. | 0:43:39 | 0:43:40 | |
Listen, how would you like to come upstairs and I'll give you | 0:43:40 | 0:43:43 | |
a chance to have a poke around my box? | 0:43:43 | 0:43:45 | |
AUDIENCE OOHS | 0:43:45 | 0:43:47 | |
Follow me, up to Mrs Brown's boxroom. | 0:43:47 | 0:43:50 | |
# It's going to make your day | 0:43:50 | 0:43:51 | |
# It's going to rock your socks | 0:43:51 | 0:43:52 | |
# When you see what's in Mammy's Box. # | 0:43:52 | 0:43:55 | |
APPLAUSE AND CHEERING | 0:43:55 | 0:43:57 | |
Now, in order to take away the award and, of course, | 0:44:01 | 0:44:04 | |
as many prizes as you can, look at the prizes - flowers, | 0:44:04 | 0:44:06 | |
chocolates, cinema tickets, a year's supply of tea. | 0:44:06 | 0:44:09 | |
I'm sure you prefer Prosecco. | 0:44:09 | 0:44:11 | |
So, plenty of prizes and as much money as you can to knock off. | 0:44:12 | 0:44:15 | |
Now, you get a choice of three. You can pick either my son Trevor... | 0:44:15 | 0:44:19 | |
Hello, son. | 0:44:19 | 0:44:20 | |
..Father Damien or Buster. | 0:44:20 | 0:44:22 | |
APPLAUSE AND CHEERING | 0:44:24 | 0:44:26 | |
So, who are you going to pick? Trevor, Father Damien or Buster? | 0:44:27 | 0:44:31 | |
-Buster. Buster. -Buster it is, OK. | 0:44:33 | 0:44:35 | |
APPLAUSE AND CHEERING | 0:44:35 | 0:44:37 | |
I'm going to give you one of my best tea towels | 0:44:37 | 0:44:39 | |
and when he comes out, smack as hard as you can. | 0:44:39 | 0:44:43 | |
Believe me, anything that falls off, | 0:44:43 | 0:44:45 | |
even if it's his yonky-yonky, you get to keep it. | 0:44:45 | 0:44:49 | |
When I say, "Go!" - the time starts | 0:44:49 | 0:44:50 | |
and keep going until you hear the gong. | 0:44:50 | 0:44:52 | |
Oh, Jesus, you were winding up. | 0:44:52 | 0:44:54 | |
Patrick, son, you're dead, dead. | 0:44:56 | 0:44:58 | |
And here we go, the time starts now. | 0:44:59 | 0:45:01 | |
APPLAUSE AND CHEERING | 0:45:03 | 0:45:06 | |
BUSTER GROANS | 0:45:06 | 0:45:08 | |
BUSTER GROANS | 0:45:09 | 0:45:12 | |
And get him! | 0:45:19 | 0:45:21 | |
APPLAUSE AND CHEERING | 0:45:21 | 0:45:25 | |
Now, let's pick up these stars, | 0:45:29 | 0:45:32 | |
let's get these stars first of all. | 0:45:32 | 0:45:34 | |
Now, there we go. | 0:45:34 | 0:45:36 | |
Oh, good girl, well done, yeah, | 0:45:36 | 0:45:37 | |
you weren't missing anything, were you? | 0:45:37 | 0:45:40 | |
Buster, if you come out for a second, step out. | 0:45:40 | 0:45:42 | |
Just lie on the floor there for a second. | 0:45:42 | 0:45:44 | |
You've won 400 euro. | 0:45:46 | 0:45:48 | |
APPLAUSE AND CHEERING | 0:45:48 | 0:45:51 | |
A year's supply of tea. | 0:45:54 | 0:45:57 | |
Wine. | 0:45:57 | 0:45:59 | |
-Ooh! -AUDIENCE OOHS | 0:45:59 | 0:46:01 | |
Cinema tickets. | 0:46:01 | 0:46:04 | |
And the key to Mrs Brown's Box. | 0:46:04 | 0:46:06 | |
APPLAUSE | 0:46:06 | 0:46:09 | |
So, let me go and get my box ready, you lucky thing. | 0:46:09 | 0:46:12 | |
Come on, box. Here, box, here, box. | 0:46:12 | 0:46:14 | |
This box is like a parrot, has a lot of psychological problems. | 0:46:17 | 0:46:20 | |
MRS BROWN CHUCKLES | 0:46:22 | 0:46:25 | |
Now, you can open it, see what you've won. | 0:46:25 | 0:46:27 | |
APPLAUSE AND CHEERING | 0:46:30 | 0:46:33 | |
A little hug, I think! | 0:46:33 | 0:46:35 | |
Thank you very much. | 0:46:35 | 0:46:36 | |
And, of course, most important, | 0:46:37 | 0:46:40 | |
you also get Mammy Of The Week - | 0:46:40 | 0:46:42 | |
Elaine McGuire. | 0:46:42 | 0:46:43 | |
Do you want your tea towel back? | 0:46:47 | 0:46:49 | |
Now, you're going to have to get the rest of that stuff off Buster, | 0:46:49 | 0:46:53 | |
put him back in the closet, | 0:46:53 | 0:46:54 | |
I am going down to the pub, see you later, Elaine. | 0:46:54 | 0:46:57 | |
-Elaine McGuire! -Thank you. | 0:46:57 | 0:47:00 | |
APPLAUSE AND CHEERING | 0:47:00 | 0:47:02 | |
Excuse me. This bar is getting busier and busier. | 0:47:09 | 0:47:12 | |
Sharon, pint of cider, please, love. | 0:47:12 | 0:47:14 | |
Oh, my God, it's Steps! | 0:47:14 | 0:47:16 | |
This is magnificent. | 0:47:24 | 0:47:26 | |
I thought you were dead. | 0:47:26 | 0:47:29 | |
Oh, this is fantastic. So the band is back together? | 0:47:29 | 0:47:31 | |
-ALL: -Yes. | 0:47:31 | 0:47:33 | |
Why? | 0:47:33 | 0:47:35 | |
-We have a celebration this year. -Oh, what's the celebration? | 0:47:35 | 0:47:37 | |
-We are 20 years old. -We wish. -We wish we were. | 0:47:37 | 0:47:42 | |
We're looking good, yeah? | 0:47:42 | 0:47:44 | |
And the new CD is fabulous. | 0:47:44 | 0:47:46 | |
I mean, to be doing new music in your 60s, that's incredible. | 0:47:46 | 0:47:48 | |
Well, I can't wait to hear your single, | 0:47:50 | 0:47:52 | |
but before you sing the single, all of our guests so far have done | 0:47:52 | 0:47:55 | |
a little serenade of some of my favourite songs. | 0:47:55 | 0:47:58 | |
I wonder, do you know the song - | 0:47:58 | 0:48:00 | |
# Unforgettable... # | 0:48:00 | 0:48:01 | |
Cos you guys are unforgettable. | 0:48:01 | 0:48:03 | |
-Shall we sing that about you, though, maybe? -Oh, I'd love that. | 0:48:03 | 0:48:06 | |
Do I need to put on a TENA Lady or anything? | 0:48:06 | 0:48:10 | |
-Hopefully not. -We'll see how we go. | 0:48:10 | 0:48:11 | |
We'll see how we go. Who's going to start? | 0:48:11 | 0:48:13 | |
-We're all going to start. -Oh, lovely. | 0:48:13 | 0:48:15 | |
H, you can lead us in. | 0:48:15 | 0:48:16 | |
# Unforgettable, that's what you are... | 0:48:16 | 0:48:22 | |
# Unforgettable, tho' near or far | 0:48:22 | 0:48:29 | |
# Tho' near or far | 0:48:29 | 0:48:31 | |
# That's why, Agnes, it's incredible | 0:48:31 | 0:48:37 | |
# That someone so unforgettable... | 0:48:37 | 0:48:41 | |
All together. | 0:48:41 | 0:48:43 | |
# Thinks that I am unforgettable too. # | 0:48:43 | 0:48:50 | |
Group hug, group hug, group hug. APPLAUSE AND CHEERING | 0:48:50 | 0:48:53 | |
That was great. | 0:48:55 | 0:48:57 | |
There you go. I hope the singing is fucking better than that. | 0:49:00 | 0:49:04 | |
You go get yourselves ready to sing and put some clothes on, please. | 0:49:04 | 0:49:08 | |
I was actually going to take this for you. | 0:49:08 | 0:49:09 | |
Oh, you can take it off if you like. | 0:49:09 | 0:49:11 | |
Thank you very much, Lee. | 0:49:11 | 0:49:13 | |
Singing Scared Of The Dark, it's real, true pop legends - Steps. | 0:49:13 | 0:49:18 | |
APPLAUSE AND CHEERING | 0:49:18 | 0:49:20 | |
# What you can't see can't hurt you, they say | 0:49:39 | 0:49:43 | |
# But I've been blind too many times before | 0:49:43 | 0:49:47 | |
# Never see it coming your way | 0:49:47 | 0:49:50 | |
# Shadows and secrets hide | 0:49:50 | 0:49:54 | |
# Give me the bright lights of the dance floor | 0:49:54 | 0:49:58 | |
# To shine inside this broken heart of mine | 0:49:58 | 0:50:02 | |
# The way you move I'm forgetting all the ghosts in my mind | 0:50:02 | 0:50:07 | |
# Just say you're mine | 0:50:07 | 0:50:10 | |
# And stay by my side | 0:50:10 | 0:50:13 | |
# Don't say you're leaving | 0:50:13 | 0:50:18 | |
# Don't turn out the lights | 0:50:18 | 0:50:21 | |
# I scream, I scream, I scream | 0:50:21 | 0:50:26 | |
# Don't let the darkness come and hold me | 0:50:26 | 0:50:30 | |
# I need someone cos I can't be lonely tonight | 0:50:30 | 0:50:33 | |
# Come on, baby, come and take me in your arms | 0:50:33 | 0:50:38 | |
# I'll never be scared of the dark | 0:50:38 | 0:50:41 | |
# And when the shadows creep up on me | 0:50:41 | 0:50:45 | |
# If I shiver, keep your body close to mine | 0:50:45 | 0:50:49 | |
# Come on, baby, come and take me in your arms | 0:50:49 | 0:50:55 | |
# I'll never be scared of the dark | 0:50:55 | 0:50:57 | |
# I'm the kind who's always falling | 0:50:57 | 0:51:01 | |
# Into trouble and into paradise | 0:51:01 | 0:51:05 | |
# I don't love by half, I'm all in | 0:51:05 | 0:51:08 | |
# I wanna be yours | 0:51:08 | 0:51:10 | |
# Just say you're mine | 0:51:10 | 0:51:13 | |
# And stay by my side | 0:51:13 | 0:51:16 | |
# Don't say you're leaving | 0:51:16 | 0:51:20 | |
# Don't turn out the lights | 0:51:20 | 0:51:23 | |
# I scream, I scream, I scream | 0:51:23 | 0:51:28 | |
# Don't let the darkness come and hold me | 0:51:28 | 0:51:32 | |
# I need someone cos I can't be lonely tonight | 0:51:32 | 0:51:36 | |
# Come on, baby, come and take me in your arms | 0:51:36 | 0:51:41 | |
# I'll never be scared of the dark | 0:51:41 | 0:51:44 | |
# And when the shadows creep up on me | 0:51:44 | 0:51:48 | |
# If I shiver, keep your body close to mine | 0:51:48 | 0:51:52 | |
# Come on, baby, come and take me in your arms | 0:51:52 | 0:51:57 | |
# I'll never be scared of the dark | 0:51:57 | 0:52:00 | |
# In your arms, in your arms | 0:52:00 | 0:52:04 | |
# In your arms | 0:52:04 | 0:52:06 | |
# In your arms, in your arms | 0:52:06 | 0:52:10 | |
# In your arms, in your arms | 0:52:10 | 0:52:12 | |
# I'll never be scared of the dark | 0:52:12 | 0:52:15 | |
# Don't let the darkness come and hold me | 0:52:15 | 0:52:19 | |
# I need someone cos I can't be lonely tonight | 0:52:19 | 0:52:21 | |
# Come on, baby, come and take me in your arms | 0:52:21 | 0:52:27 | |
# I'll never be scared of the dark | 0:52:27 | 0:52:30 | |
# And when the shadows creep up on me | 0:52:30 | 0:52:35 | |
# If I shiver, keep your body close to mine | 0:52:35 | 0:52:38 | |
# Come on, baby, come and take me in your arms | 0:52:38 | 0:52:44 | |
# I'll never be scared of the dark. # | 0:52:44 | 0:52:47 | |
APPLAUSE AND CHEERING | 0:52:47 | 0:52:50 | |
My God, my God. Well, what are we getting today? | 0:53:07 | 0:53:10 | |
With Steps singing in Foley's and it's been a lovely day. | 0:53:10 | 0:53:14 | |
It's not often we get two gentleman in the house at the same time, | 0:53:14 | 0:53:17 | |
but that's exactly what Peter and Gareth turned out to be - | 0:53:17 | 0:53:20 | |
gentleman. | 0:53:20 | 0:53:21 | |
And as for Sian, what a lovely mother and a lovely woman. | 0:53:21 | 0:53:25 | |
And speaking of gentleman, what about An Officer And A Gentleman | 0:53:25 | 0:53:28 | |
with K-nick K-nowles? | 0:53:28 | 0:53:30 | |
I often dreamt it's me in that movie and I'm there and I say, | 0:53:30 | 0:53:33 | |
"Take me now. I'm yours." | 0:53:33 | 0:53:37 | |
And then he says, "We're going to need a bigger boat." | 0:53:37 | 0:53:40 | |
Enjoy the rest of your night, sweet dreams, goodnight. | 0:53:42 | 0:53:46 | |
APPLAUSE AND CHEERING | 0:53:46 | 0:53:48 | |
# Make a date | 0:53:51 | 0:53:53 | |
# Don't be late | 0:53:53 | 0:53:54 | |
# Cos you know it's going to be great | 0:53:54 | 0:53:56 | |
# When the irrepressible Browns come to town | 0:53:56 | 0:54:01 | |
# To begin, just tune in | 0:54:01 | 0:54:03 | |
# And you'll wear a new toothy grin | 0:54:03 | 0:54:07 | |
# Watching Agnes and the clan act the clown | 0:54:07 | 0:54:11 | |
# Instead of feeling depressed | 0:54:12 | 0:54:14 | |
# Let laughter make you feel best | 0:54:14 | 0:54:17 | |
# So it's All Round To Mrs Brown's. # | 0:54:17 | 0:54:22 | |
APPLAUSE AND CHEERING | 0:54:22 | 0:54:24 |