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# Make a date, don't be late | 0:00:02 | 0:00:03 | |
# Cos you know it's gonna be great | 0:00:03 | 0:00:05 | |
# When the irrepressible Browns come to town | 0:00:05 | 0:00:09 | |
# To begin, just tune in | 0:00:11 | 0:00:13 | |
# And you'll wear a nuclear grin | 0:00:13 | 0:00:16 | |
# Watching Agnes and the clan act the clown | 0:00:16 | 0:00:20 | |
# Instead of feeling depressed | 0:00:21 | 0:00:23 | |
# Let laughter make you feel blessed | 0:00:23 | 0:00:26 | |
# So it's all round to Mrs Brown's. # | 0:00:26 | 0:00:31 | |
CHEERING AND APPLAUSE | 0:00:31 | 0:00:34 | |
Ladies and gentlemen, welcome to All Round To Mrs Brown's! | 0:00:34 | 0:00:39 | |
This programme contains some strong language and adult humour from the start. | 0:00:39 | 0:00:44 | |
CHEERING | 0:00:44 | 0:00:47 | |
Hello! | 0:00:47 | 0:00:49 | |
Hello! | 0:00:49 | 0:00:50 | |
Oh, you're all very welcome to another Saturday night of cra... | 0:00:53 | 0:00:57 | |
of, er, fun and frolics. | 0:00:57 | 0:00:59 | |
SHE CHUCKLES | 0:00:59 | 0:01:01 | |
It's party night down at Foley's tonight. | 0:01:01 | 0:01:03 | |
Live music. I believe it's going to be wonderful. | 0:01:03 | 0:01:06 | |
Oh, and they're doing cocktails. | 0:01:06 | 0:01:08 | |
I don't drink much any more. | 0:01:08 | 0:01:10 | |
I used to - my mother said I had a hollow leg. | 0:01:10 | 0:01:13 | |
I don't any more. | 0:01:15 | 0:01:16 | |
I've often thought about drowning my troubles. | 0:01:16 | 0:01:19 | |
But Grandad won't go swimming. | 0:01:19 | 0:01:21 | |
A lot of people don't know, | 0:01:24 | 0:01:25 | |
but Grandad was actually born a Siamese twin. | 0:01:25 | 0:01:28 | |
Yeah, joined at the penis. | 0:01:28 | 0:01:30 | |
The operation was a complete failure! | 0:01:33 | 0:01:34 | |
But the prick survived. | 0:01:36 | 0:01:37 | |
-Are you there, Agnes? -I'm in here, Winnie. | 0:01:40 | 0:01:42 | |
-Get yourself a cuppa, I'll be in in a sec. -Right. | 0:01:42 | 0:01:45 | |
-How are you, love? -How are you, pet? | 0:01:46 | 0:01:48 | |
-SHE SIGHS -Lovely. | 0:01:48 | 0:01:50 | |
Here... I have a joke for you. | 0:01:50 | 0:01:54 | |
Really? Fire away. | 0:01:55 | 0:01:57 | |
Knock, knock! | 0:01:57 | 0:01:59 | |
Who's there? | 0:01:59 | 0:02:01 | |
An interrupting cow. | 0:02:01 | 0:02:02 | |
-An interrupting... -MOO! | 0:02:04 | 0:02:05 | |
SHE LAUGHS | 0:02:05 | 0:02:07 | |
Here... | 0:02:13 | 0:02:14 | |
Here, Sharon asked me to drop this in to you. | 0:02:15 | 0:02:17 | |
It's an invitation for the party night at Foley's. | 0:02:17 | 0:02:19 | |
-Oh, lovely. -She's doing cocktails and everything. -Yeah. | 0:02:19 | 0:02:23 | |
-Have you ever had cocktails? -No. -You'll love them. -Yeah? | 0:02:23 | 0:02:25 | |
They give them some weird names, | 0:02:25 | 0:02:27 | |
like a Sloe Comfortable Screw... | 0:02:27 | 0:02:29 | |
Ohh! | 0:02:29 | 0:02:31 | |
-Yeah, Sex On The Beach. -Right! | 0:02:31 | 0:02:33 | |
There's even one called a Blow Job. | 0:02:33 | 0:02:34 | |
No! | 0:02:34 | 0:02:36 | |
I remember the day after Reg's funeral, I brought his ashes home, | 0:02:36 | 0:02:40 | |
and I just took a little pinch out and I went, | 0:02:40 | 0:02:42 | |
"Pfff! There's the blow job you always wanted now!" | 0:02:42 | 0:02:45 | |
CHEERING | 0:02:49 | 0:02:52 | |
How are you, Mammy? | 0:02:54 | 0:02:56 | |
Is Cathy here? One of our guests wants to meet her before the show. | 0:02:56 | 0:03:00 | |
Cathy's upstairs. My God! | 0:03:00 | 0:03:01 | |
It's Dorothy Perkins, from the Great British Shake Off! | 0:03:01 | 0:03:05 | |
No, Mammy, SUE Perkins. | 0:03:05 | 0:03:07 | |
Will you keep an eye on her while I go and get Cathy? | 0:03:07 | 0:03:10 | |
-Absolutely, sit down, Dorothy. -It's-It's Sue. It's Sue. | 0:03:10 | 0:03:14 | |
And I'm PS, I'm post-sponge now. | 0:03:14 | 0:03:16 | |
This is my friend, Winnie. | 0:03:18 | 0:03:19 | |
-Hey, Winnie, how are you? -It's lovely to meet you, Sue. | 0:03:19 | 0:03:22 | |
-Nice to see you, darling, how are you? -Here, I'd better go, Agnes. | 0:03:22 | 0:03:26 | |
-OK, Winnie. -Oh, Sue? | 0:03:26 | 0:03:28 | |
If you drop into Foley's later, | 0:03:28 | 0:03:30 | |
I might treat you to a... | 0:03:30 | 0:03:32 | |
-Fuck! Sorry. -Wow! I'm in! | 0:03:32 | 0:03:36 | |
No, no, no! She didn't mean that. | 0:03:36 | 0:03:38 | |
Ha-ha! I didn't mean that! | 0:03:40 | 0:03:43 | |
Get in there! | 0:03:44 | 0:03:46 | |
This is a very different show from what I'm used to... | 0:03:48 | 0:03:52 | |
This... | 0:03:52 | 0:03:54 | |
-Well! -I'm sorry. -In for a penny, in for a penny... | 0:03:54 | 0:03:57 | |
Such a refreshing change from a drink. | 0:03:59 | 0:04:01 | |
-Sorry, Sue. -It's all right. | 0:04:05 | 0:04:06 | |
Many thresholds have been crossed! | 0:04:06 | 0:04:09 | |
She hasn't had sex in a long time, so... | 0:04:09 | 0:04:11 | |
-So nice to meet you, Sue. -Pleased to meet you too, darling. | 0:04:13 | 0:04:16 | |
-I'd better go, Agnes. -Oh, please, yeah. -Oh, and Sue? | 0:04:16 | 0:04:20 | |
If you pop into Foley's later, | 0:04:20 | 0:04:21 | |
I might treat you to a Blow Job. | 0:04:21 | 0:04:23 | |
-So, tell me, Sue... -Yes? | 0:04:28 | 0:04:30 | |
I don't want to pry into too many things, but Mary Berry, oh! | 0:04:30 | 0:04:33 | |
So, she's a bitch, is she? | 0:04:33 | 0:04:35 | |
Yourself and Mel, yous must have met very young, because there's | 0:04:36 | 0:04:39 | |
a chemistry there that you don't get with other people. | 0:04:39 | 0:04:42 | |
-We met up 30 years ago next year, 30 years. -You don't even look 30! | 0:04:42 | 0:04:45 | |
Oh, you are such a charmer. | 0:04:45 | 0:04:47 | |
And you need a new prescription! | 0:04:47 | 0:04:50 | |
No, you don't, but can I just... | 0:04:50 | 0:04:52 | |
Oh, no! | 0:04:52 | 0:04:53 | |
CHEERING AND APPLAUSE | 0:04:53 | 0:04:55 | |
He's nicked this off Mary Berry, you know! | 0:04:55 | 0:04:57 | |
Off her line! | 0:04:57 | 0:04:59 | |
Well, come on, let's get you down to Wash and Blow, | 0:04:59 | 0:05:01 | |
-Rory wants to get you ready for the show. -Let's do it. | 0:05:01 | 0:05:03 | |
I can't wait to hear about your new documentary, exploring the Ganges! | 0:05:03 | 0:05:08 | |
-Yes. -Sounds fascinating! -Thank you! -See you later. -Bye, darling. | 0:05:08 | 0:05:11 | |
Bye-bye. | 0:05:11 | 0:05:12 | |
Oh, great. | 0:05:12 | 0:05:14 | |
Exploring the Ganges! | 0:05:14 | 0:05:16 | |
You don't have to tell me about the Ganges. | 0:05:16 | 0:05:18 | |
I was young once, I used to... | 0:05:18 | 0:05:20 | |
I'm no stranger to the old jazz cigarettes. | 0:05:20 | 0:05:22 | |
Well, anyway, here we are, another Saturday night together. | 0:05:25 | 0:05:28 | |
And the best thing of all for me about these shows is | 0:05:28 | 0:05:31 | |
that I got to meet all of you, the audience. | 0:05:31 | 0:05:33 | |
You're fantastic, you really are marvellous. | 0:05:33 | 0:05:35 | |
In fact... | 0:05:38 | 0:05:40 | |
..I'm going to meet some of you now! | 0:05:41 | 0:05:44 | |
Let's see if we've got anyone interesting in tonight. | 0:05:44 | 0:05:47 | |
# Tonight, tonight... # | 0:05:47 | 0:05:50 | |
Terry Smith. Where's Terry? | 0:05:50 | 0:05:52 | |
-Here. -Hello, Terry. How are you? -Fine, thanks. | 0:05:52 | 0:05:55 | |
Terry is one of the people that we all should know and thank. | 0:05:55 | 0:05:58 | |
He's an emergency medical technician. Good to see you, Terry. | 0:05:58 | 0:06:01 | |
If you get a call from this house about a grandad... | 0:06:05 | 0:06:08 | |
..take your buckin' time. | 0:06:11 | 0:06:12 | |
Jackie and Chris Carter? | 0:06:15 | 0:06:16 | |
Oh, hi! How are you doing? | 0:06:16 | 0:06:19 | |
It says here, Jackie and Chris, mother and son. | 0:06:19 | 0:06:22 | |
-Oh, you're in a pipe band? -Yeah. | 0:06:22 | 0:06:23 | |
-And Chris is a world champion pipe player, well done! -Yeah. | 0:06:23 | 0:06:26 | |
Well done, give him a round of applause! | 0:06:26 | 0:06:28 | |
And Jackie, you play pipes as well? | 0:06:32 | 0:06:35 | |
-No, drums. -Drums? -Drums. | 0:06:35 | 0:06:38 | |
You know, in a band, nobody shags the drummer? | 0:06:41 | 0:06:44 | |
-Do you have your pipes with you? -Yeah, I do. | 0:06:45 | 0:06:48 | |
Why? | 0:06:48 | 0:06:49 | |
-Will you give us a demonstration? -Yeah. -Great stuff! | 0:06:51 | 0:06:54 | |
Not too loud. | 0:06:54 | 0:06:56 | |
CHEERING | 0:06:56 | 0:06:57 | |
HE STARTS TO PLAY THE BAGPIPES | 0:06:57 | 0:07:00 | |
That'll do, that'll do. | 0:07:00 | 0:07:02 | |
HE PLAYS 'SCOTLAND THE BRAVE' | 0:07:02 | 0:07:06 | |
AUDIENCE CLAPPING IN TIME | 0:07:06 | 0:07:09 | |
Thank you, well done! | 0:07:22 | 0:07:23 | |
I can see why you're a world champion. | 0:07:29 | 0:07:32 | |
Jackie, where was the buckin' drum? | 0:07:32 | 0:07:34 | |
Every week, we have people who are interesting in, it's lovely. | 0:07:37 | 0:07:42 | |
As well as their special... Oh, hello. | 0:07:42 | 0:07:44 | |
CHEERING AND APPLAUSE | 0:07:44 | 0:07:46 | |
Hello, Mammy. | 0:07:46 | 0:07:48 | |
Oh, Mammy, isn't Sue Perkins really lovely? | 0:07:48 | 0:07:51 | |
Oh, she's so nice, she really is. How's the show going? | 0:07:51 | 0:07:54 | |
Really well. As well as Sue Perkins, I'm going to have Ashley Banjo on. | 0:07:54 | 0:07:59 | |
Ashley Banjo! CHEERING | 0:07:59 | 0:08:02 | |
Who's Ashley Banjo? | 0:08:02 | 0:08:03 | |
Oh, Mammy! | 0:08:03 | 0:08:04 | |
You know, Ashley Banjo, from Diversity! | 0:08:04 | 0:08:06 | |
Oh, I remember! The dancer? | 0:08:06 | 0:08:08 | |
-Yeah! -Oh, yes. | 0:08:08 | 0:08:10 | |
He won Britain's Nearly Got Talent. | 0:08:10 | 0:08:12 | |
Oh, no, Mammy, I love all his Diversity dance routines. | 0:08:13 | 0:08:17 | |
And you should see him, | 0:08:17 | 0:08:18 | |
-he's a brilliant judge on all of his TV shows. -Is he? | 0:08:18 | 0:08:21 | |
Yeah, and then he teaches all those young kids how to dance. | 0:08:21 | 0:08:23 | |
-You seem to know an awful lot about him. -Mammy! | 0:08:23 | 0:08:26 | |
I'm just saying... Do you no harm to try a bit of perfume... | 0:08:26 | 0:08:30 | |
-Stop it, Mammy. -Just put on a wee bit of perfume, | 0:08:30 | 0:08:33 | |
might say to him, when you get the chance, | 0:08:33 | 0:08:35 | |
"Can I have a whack on your banjo?" | 0:08:35 | 0:08:38 | |
I'm going to do my research somewhere else. | 0:08:39 | 0:08:42 | |
-See you later. -See you. | 0:08:42 | 0:08:44 | |
-Are you here, Ma? -CHEERING AND APPLAUSE | 0:08:47 | 0:08:49 | |
Oh-ho, yeah, look who's here! | 0:08:49 | 0:08:51 | |
-Hello, son. -Hiya, Ma. | 0:08:53 | 0:08:55 | |
-Hello, Mrs Brown... -Don't even buckin' think about it. | 0:08:55 | 0:08:58 | |
How are you, son? Well, how did your Sherlock Holmes walk go? | 0:08:58 | 0:09:02 | |
A bit too much walking, if I'm honest, Ma. | 0:09:02 | 0:09:04 | |
Yeah, I don't blame you, son. | 0:09:04 | 0:09:05 | |
Dermot said the celebrity that we got couldn't talk. | 0:09:05 | 0:09:08 | |
But she could! I heard her. | 0:09:08 | 0:09:09 | |
No, Buster. I said she was in Silent Witness. | 0:09:09 | 0:09:13 | |
Well... | 0:09:15 | 0:09:17 | |
I'm sure I heard her speaking. | 0:09:17 | 0:09:19 | |
Mind you, I could have been lip reading. | 0:09:20 | 0:09:22 | |
It depends. Was she wearing tight trousers? | 0:09:24 | 0:09:26 | |
-Shut up, Buster. -Yeah, Buster, shut up, Buster! So, what happened, love? | 0:09:31 | 0:09:35 | |
Well, it's another long story, Ma. | 0:09:35 | 0:09:38 | |
Well, look here, I have to go down to Foley's on my bike, | 0:09:38 | 0:09:40 | |
you get on the crossbar and you can tell me on the way down. | 0:09:40 | 0:09:42 | |
Oh, here, hold on! We never gave it a wobble. | 0:09:42 | 0:09:45 | |
Oh, jeez! Yes, the wobble. | 0:09:45 | 0:09:47 | |
So, it's a long story? Well, tell me, son! | 0:09:47 | 0:09:50 | |
MUSIC: Watching The Detectives by Elvis Costello and the Attractions | 0:09:54 | 0:09:57 | |
# Watching the detectives | 0:09:57 | 0:09:59 | |
# Don't get cute... # | 0:10:00 | 0:10:02 | |
# It's just like watching the detectives... # | 0:10:02 | 0:10:05 | |
I'm not sure about this, Dermo. | 0:10:05 | 0:10:07 | |
Doesn't feel right, being dressed like this. | 0:10:07 | 0:10:09 | |
Our very own Sherlock Holmes walking tour. | 0:10:09 | 0:10:12 | |
The tips are going to come flooding in! | 0:10:12 | 0:10:14 | |
-Where's the celebrity? The customers are waiting. -Who? | 0:10:14 | 0:10:17 | |
Emilia Fox. From Silent Witness. | 0:10:17 | 0:10:20 | |
-Silent Witness? -Ssh! | 0:10:20 | 0:10:22 | |
Ah. | 0:10:23 | 0:10:25 | |
Here she is. | 0:10:25 | 0:10:26 | |
Come on, let's meet her. | 0:10:26 | 0:10:27 | |
MUSIC: She's A Lady by Tom Jones | 0:10:27 | 0:10:30 | |
# She's a lady | 0:10:30 | 0:10:32 | |
# Whoa, whoa, whoa | 0:10:32 | 0:10:34 | |
# She's a lady | 0:10:34 | 0:10:36 | |
# Talkin' about that little lady | 0:10:37 | 0:10:40 | |
# And the lady is mine.... | 0:10:41 | 0:10:44 | |
# Yeah, yay.... | 0:10:45 | 0:10:47 | |
# She's a lady... # | 0:10:47 | 0:10:49 | |
-'Allo, 'allo! -Oi, oi! | 0:10:49 | 0:10:50 | |
-EMILIA LAUGHS -I'm Emilia. | 0:10:50 | 0:10:52 | |
-Hello. -Hello, Emilia. -EMILIA LAUGHS | 0:10:52 | 0:10:55 | |
I thought you said she couldn't talk. | 0:10:55 | 0:10:57 | |
Shut up, Buster. | 0:10:57 | 0:10:59 | |
-You look fantastic. -Thanks so much! | 0:10:59 | 0:11:01 | |
You look pretty fantastic, too. | 0:11:01 | 0:11:03 | |
-Well, all you need now is the famous pipe. -Mm-hm. | 0:11:03 | 0:11:06 | |
Buster. | 0:11:06 | 0:11:07 | |
MUSIC | 0:11:07 | 0:11:09 | |
-Don't you mean this? -MUSIC WARPS AND STOPS | 0:11:09 | 0:11:11 | |
Put that away, Buster. | 0:11:11 | 0:11:12 | |
MUSIC: The Final Countdown by Europe | 0:11:12 | 0:11:14 | |
Hello, everybody! | 0:11:14 | 0:11:15 | |
Thank you for joining the D&B Sherlock Holmes walking tour! | 0:11:15 | 0:11:18 | |
CHEERING AND APPLAUSE | 0:11:18 | 0:11:20 | |
We will explore the crime-ridden streets of old London today | 0:11:20 | 0:11:23 | |
through the eyes and mind of the great Sherlock Holmes. | 0:11:23 | 0:11:27 | |
Just in case yous are all wondering, | 0:11:27 | 0:11:29 | |
we're not really coppers. We're just dressed up. | 0:11:29 | 0:11:32 | |
And I have never been to prison - and I'm not going back. | 0:11:32 | 0:11:36 | |
Please welcome our celebrity guide, star of Silent witness, | 0:11:36 | 0:11:40 | |
and indeed Sherlock Holmes expert, Emilia Fox. | 0:11:40 | 0:11:43 | |
-CHEERING AND APPLAUSE -Thank you so much. | 0:11:43 | 0:11:45 | |
Well, I suppose this is the best place to start, | 0:11:45 | 0:11:48 | |
the home of the great man himself, in Baker Street. | 0:11:48 | 0:11:52 | |
MUSIC: Baker Street by Gerry Rafferty | 0:11:52 | 0:11:54 | |
Thank you, Buster. | 0:11:54 | 0:11:56 | |
-MUSIC STOPS -Erm... | 0:11:56 | 0:11:58 | |
So, many of the Sherlock Holmes stories begin at the crime scene, | 0:11:58 | 0:12:02 | |
but the solving of those crimes begins right here, | 0:12:02 | 0:12:07 | |
in flat 221B...Baker Street. | 0:12:07 | 0:12:10 | |
MUSIC RESUMES | 0:12:11 | 0:12:13 | |
Stop it. | 0:12:13 | 0:12:15 | |
Buster, stop it. | 0:12:16 | 0:12:18 | |
Stop it! | 0:12:18 | 0:12:19 | |
MUSIC STOPS | 0:12:19 | 0:12:21 | |
-POLICE SIREN -Oi, oi, oi, oi! | 0:12:21 | 0:12:23 | |
Move, move, move, move! | 0:12:23 | 0:12:25 | |
Foxy, this way! | 0:12:25 | 0:12:27 | |
Come on, let's go! | 0:12:27 | 0:12:28 | |
MUSIC | 0:12:28 | 0:12:30 | |
-WHISTLE -Move it, move it! Let's go. | 0:12:35 | 0:12:37 | |
Time is money, time is money! On the double, at the double! | 0:12:37 | 0:12:40 | |
Move! We're walking here! | 0:12:40 | 0:12:42 | |
HIGH-PITCHED TIPTOE NOISES | 0:12:44 | 0:12:45 | |
Now, this door here is one of the more famous landmarks | 0:12:50 | 0:12:54 | |
in the Sherlock Holmes stories. | 0:12:54 | 0:12:55 | |
It is where Sherlock himself and Dr Watson... | 0:12:55 | 0:12:58 | |
MUSIC: The Fox by Ylvis | 0:13:00 | 0:13:03 | |
TIPTOE NOISES | 0:13:05 | 0:13:06 | |
# What the fox say? # | 0:13:06 | 0:13:08 | |
Faster! | 0:13:08 | 0:13:10 | |
Well, tonight they'll have heard of the walking tour, | 0:13:10 | 0:13:12 | |
because we get to sit down! | 0:13:12 | 0:13:13 | |
# What does the fox say? # | 0:13:13 | 0:13:16 | |
This is a reconstruction of Sherlock Holmes' study | 0:13:16 | 0:13:19 | |
as it appears in the books. | 0:13:19 | 0:13:21 | |
Well, Emilia, that is so interesting. | 0:13:21 | 0:13:23 | |
You should also know that this was Sherlock Holmes' local pub, | 0:13:23 | 0:13:27 | |
where he was on the darts team. | 0:13:27 | 0:13:29 | |
-No, he wasn't. -Shut up. | 0:13:29 | 0:13:31 | |
Drink, drink, drink, drink, drink! | 0:13:34 | 0:13:35 | |
Drink, drink, drink, drink! | 0:13:35 | 0:13:38 | |
# We love you, Sherlock! We do! | 0:13:38 | 0:13:41 | |
# We love you, Sherlock! We do! | 0:13:41 | 0:13:45 | |
# We love you, Sherlock! We do! | 0:13:45 | 0:13:48 | |
# Whoa, Sherlock, we love you! # | 0:13:48 | 0:13:52 | |
-So, Emilia, quick question. -Mm-hm. | 0:13:52 | 0:13:55 | |
Let's say a friend had some top quality speakers... | 0:13:55 | 0:13:59 | |
-Mm-hm. -..stored in his shed, | 0:13:59 | 0:14:01 | |
but needed to move them, because he knew that the police | 0:14:01 | 0:14:04 | |
were looking for them, where would you suggest he should hide them? | 0:14:04 | 0:14:07 | |
I told you, I'm a pathologist, not a policeman. | 0:14:07 | 0:14:11 | |
Do you want to buy some speakers? | 0:14:13 | 0:14:15 | |
No! | 0:14:15 | 0:14:16 | |
Unfortunately, ladies and gentlemen, | 0:14:18 | 0:14:20 | |
that is the end of our Sherlock Holmes walking tour. | 0:14:20 | 0:14:22 | |
We hope you enjoyed yourselves. | 0:14:22 | 0:14:24 | |
If you did, show your appreciation with a tip. | 0:14:24 | 0:14:27 | |
If you are happy to join, throw in a coin. | 0:14:27 | 0:14:30 | |
If we raised the bar, fill up the jar! | 0:14:30 | 0:14:32 | |
-Fill up the hat and don't be a... -Twa... -Hey! | 0:14:32 | 0:14:36 | |
-Kids are watching, Emilia. Kids are watching. -Sorry. Sorry. | 0:14:36 | 0:14:39 | |
Keep it classy. | 0:14:39 | 0:14:41 | |
-Thank you. -Thank you. -Thank you. -Thank you. | 0:14:41 | 0:14:43 | |
-Thank you. -Thank you. Thank you so much. | 0:14:43 | 0:14:47 | |
Neigh! | 0:14:47 | 0:14:48 | |
Didn't we do well? | 0:14:48 | 0:14:50 | |
Didn't WE do well? | 0:14:50 | 0:14:53 | |
THE BILL THEME PLAYS | 0:14:57 | 0:15:01 | |
Well... | 0:15:12 | 0:15:14 | |
It sounds like you did a smashing job, boys. Well done! | 0:15:14 | 0:15:18 | |
Thanks, Ma. | 0:15:18 | 0:15:19 | |
I went on a murder mystery tour with Winnie once. | 0:15:19 | 0:15:21 | |
Yeah, for a weekend. | 0:15:21 | 0:15:23 | |
It's a mystery I didn't mucking kill her. | 0:15:23 | 0:15:26 | |
-Go on, I'll see you later. -See you, Ma. -See you, love. | 0:15:26 | 0:15:28 | |
-See you, Mrs Brown. -Get lost. | 0:15:28 | 0:15:30 | |
-All right, Winnie? -Oh, yeah. I got your coffee, pet. | 0:15:32 | 0:15:34 | |
Oh, thank you, love. | 0:15:34 | 0:15:36 | |
-Agnes. -What, Winnie? | 0:15:36 | 0:15:38 | |
Why do most women have problems with their husbands? | 0:15:38 | 0:15:41 | |
Some women do, but most women don't. | 0:15:41 | 0:15:43 | |
Well, who don't, then? | 0:15:43 | 0:15:44 | |
Widows. | 0:15:44 | 0:15:46 | |
-Speaking about problems... -Mm. | 0:15:48 | 0:15:50 | |
..we have some more in from the audience. | 0:15:50 | 0:15:52 | |
Let's see who we have here. | 0:15:52 | 0:15:54 | |
This one is from Marie Murray. | 0:15:54 | 0:15:56 | |
-Hello, Marie, how are you? -Hi. I'm fine. -Good to see you. | 0:15:56 | 0:15:59 | |
And she says, "Dear, Agnes, I have broken 11 bones in 11 years. | 0:15:59 | 0:16:04 | |
"I could fall over a feather. How do I stop being so clumsy?" | 0:16:04 | 0:16:08 | |
Stop drinking during the fecking day, Marie. | 0:16:11 | 0:16:13 | |
-Where's Tom Clan? -Yeah, here. -Hello, Tom. | 0:16:20 | 0:16:23 | |
"Dear, Agnes, people tell me my jokes aren't funny." | 0:16:23 | 0:16:26 | |
Aww! | 0:16:26 | 0:16:27 | |
"But I have to write a speech for my daughter's wedding, | 0:16:27 | 0:16:30 | |
"what's a good line to get them started?" | 0:16:30 | 0:16:33 | |
-That's it. -Try, erm... | 0:16:33 | 0:16:35 | |
"A lot of people don't know this, | 0:16:35 | 0:16:37 | |
"but she's adopted." | 0:16:37 | 0:16:39 | |
Always gets them going! Always does. | 0:16:42 | 0:16:44 | |
-What have you got? -Well, I've got one from Lynn Bisset. | 0:16:46 | 0:16:49 | |
Oh, Limp Bizkit, my favourite band! | 0:16:49 | 0:16:52 | |
Where are they? | 0:16:52 | 0:16:53 | |
-Well, no, Lynn Bisset. -Oh, her. | 0:16:53 | 0:16:56 | |
Where's Lynn? Where are you? Hello, Lynn. How are you? | 0:16:56 | 0:16:58 | |
-Hi. -It's lovely to see you. | 0:16:58 | 0:17:00 | |
She says, "Dear Agnes, my lovely cat Colin left me for another human. | 0:17:00 | 0:17:05 | |
"What's even worse is that the other woman is my friend." | 0:17:05 | 0:17:09 | |
-Oh. -"How do I get over this?" | 0:17:09 | 0:17:11 | |
Yeah! | 0:17:11 | 0:17:12 | |
Well, all I can say to you, Lynn, is it's not the first time | 0:17:12 | 0:17:15 | |
somebody's friend was jealous of their pussy. | 0:17:15 | 0:17:18 | |
Oh, God. Winnie, I have to go. I have to go. | 0:17:25 | 0:17:28 | |
No, Aly's coming over to cook for Cathy's guests. | 0:17:28 | 0:17:31 | |
-I have to go, go and meet him. -All right. -See you, love. | 0:17:31 | 0:17:33 | |
-See you later. -Bye. -Bye, love. Bye-bye. | 0:17:33 | 0:17:35 | |
Oh. Here's one we forgot to read. | 0:17:37 | 0:17:40 | |
"Dear Agnes, | 0:17:40 | 0:17:41 | |
"in an effort to jazz up our sex life, | 0:17:41 | 0:17:44 | |
"I bought some sexy underwear. | 0:17:44 | 0:17:47 | |
"When he came home, I stood there in a see-through negligee. | 0:17:47 | 0:17:53 | |
"You could see me vest." | 0:17:53 | 0:17:54 | |
Wait a minute. This is from me! | 0:17:57 | 0:17:59 | |
APPLAUSE | 0:18:03 | 0:18:05 | |
Ladies and gentlemen, Chef Aly! | 0:18:08 | 0:18:11 | |
-Hello, Aly. -Hello, Mrs Brown. | 0:18:13 | 0:18:16 | |
Reggae. | 0:18:16 | 0:18:17 | |
MUSIC: Boombastic by Shaggy | 0:18:17 | 0:18:20 | |
RECORD SCRATCHES OK. | 0:18:27 | 0:18:29 | |
Enough fun. | 0:18:29 | 0:18:30 | |
So, what are you cooking? | 0:18:30 | 0:18:32 | |
-I'm cooking spicy tuna tomato pasta. -OK. | 0:18:32 | 0:18:35 | |
Which is for Ashley Banjo, his mum, she used to cook for him, | 0:18:35 | 0:18:38 | |
-this one, it's his favourite dish. -Oh, lovely. | 0:18:38 | 0:18:40 | |
But I'm doing some twist in it, I'm doing like fresh tuna | 0:18:40 | 0:18:42 | |
and I sear the tuna and the fresh pasta... | 0:18:42 | 0:18:45 | |
-Fresh tuna? -Yeah. -For you at home, if... | 0:18:45 | 0:18:47 | |
-For you at home... Sorry. -No, no, please go ahead. | 0:18:47 | 0:18:49 | |
For you at home, you can use a tin of tuna, | 0:18:51 | 0:18:53 | |
-it will do the same job. -Yeah, there you go. | 0:18:53 | 0:18:55 | |
Join us next week, meet our new chef. | 0:18:57 | 0:19:00 | |
APPLAUSE | 0:19:00 | 0:19:03 | |
Now, we have one prepared that you've done earlier. | 0:19:03 | 0:19:05 | |
Have a look, have a look at this. | 0:19:05 | 0:19:08 | |
AUDIENCE OOHS | 0:19:08 | 0:19:10 | |
Reggae! | 0:19:12 | 0:19:14 | |
MUSIC: Boombastic by Shaggy | 0:19:14 | 0:19:17 | |
RECORD SCRATCHES OK! | 0:19:23 | 0:19:25 | |
The dancing chef. | 0:19:25 | 0:19:26 | |
So, are you getting all your ingredients together? | 0:19:26 | 0:19:29 | |
I have to go, Cathy's show is about to start | 0:19:29 | 0:19:31 | |
so I'll leave it with you, good luck. | 0:19:31 | 0:19:32 | |
Aly, make sure this kitchen's clean when you leave. | 0:19:32 | 0:19:34 | |
It was dirty when I came here. | 0:19:34 | 0:19:36 | |
-Well, it will be clean when you leave. -OK. | 0:19:41 | 0:19:45 | |
APPLAUSE | 0:19:45 | 0:19:47 | |
Five, four, three, two, one. | 0:19:47 | 0:19:52 | |
Cue Cathy. | 0:19:52 | 0:19:53 | |
# Time to go Here we go | 0:19:53 | 0:19:55 | |
# The Cathy Brown Show. # | 0:19:55 | 0:19:58 | |
Hello there again and welcome to The Cathy Brown Show, | 0:19:58 | 0:20:02 | |
with me, Cathy Brown... | 0:20:02 | 0:20:04 | |
-Me. -..and Mammy. | 0:20:04 | 0:20:06 | |
I'm giving you my inside scoop on the world of showbiz. | 0:20:06 | 0:20:09 | |
Please welcome the fantastically funny Sue Perkins | 0:20:09 | 0:20:13 | |
and dancing superstar Ashley Banjo. | 0:20:13 | 0:20:16 | |
APPLAUSE AND CHEERING | 0:20:16 | 0:20:19 | |
Hi. | 0:20:25 | 0:20:27 | |
-Hi, Ashley, how are you? -How are you? -Very good. | 0:20:27 | 0:20:29 | |
Come on, jump, jump! | 0:20:31 | 0:20:33 | |
Mammy. Sit down. | 0:20:38 | 0:20:41 | |
Oh, I haven't had a big jump like that in a long time. | 0:20:41 | 0:20:43 | |
APPLAUSE AND CHEERING | 0:20:46 | 0:20:49 | |
-Beautiful. -It's for you. | 0:20:51 | 0:20:53 | |
Buster, what the hell are you dressed like that for? | 0:20:53 | 0:20:55 | |
It's for Sue. It's my showstopper. | 0:20:55 | 0:20:57 | |
Buster, nobody wants to see your showstopper, OK? | 0:20:59 | 0:21:02 | |
AUDIENCE AWWS | 0:21:02 | 0:21:05 | |
Buster. | 0:21:05 | 0:21:06 | |
Maybe if you had a cherry on the top of it, it would work. | 0:21:06 | 0:21:09 | |
FANFARE, APPLAUSE AND CHEERING | 0:21:12 | 0:21:15 | |
Well, welcome to the show, both of you. | 0:21:19 | 0:21:21 | |
-Lovely to be on the show. -Great to have you here. -Yeah, it is. | 0:21:21 | 0:21:23 | |
We can feel each other's nerves. | 0:21:23 | 0:21:26 | |
The size of him - from here, I can feel more than his neck. | 0:21:26 | 0:21:28 | |
OK, settle down, Mammy. | 0:21:31 | 0:21:33 | |
Now, Ashley, at the moment, you're teaching male celebrities | 0:21:33 | 0:21:36 | |
to dance in a new show, The Real Full Monty. | 0:21:36 | 0:21:39 | |
-I am. -Tell us about that. | 0:21:39 | 0:21:41 | |
I'm teaching a group of male celebrities to dance and strip. | 0:21:41 | 0:21:45 | |
-Oh. -Ooh! -Oh, right. -Yeah. | 0:21:45 | 0:21:47 | |
Get me a ticket for that. | 0:21:47 | 0:21:49 | |
It's all for a good cause, it's all to raise awareness | 0:21:49 | 0:21:51 | |
for men's cancers because men just don't talk about it, you know. | 0:21:51 | 0:21:54 | |
They say, "Mine is bigger than yours," but they won't do it. | 0:21:54 | 0:21:57 | |
-Yeah, yeah! -They don't meet each other, go, | 0:21:57 | 0:21:59 | |
-"How's things? How's your prostate?" -Yeah, they don't. | 0:21:59 | 0:22:02 | |
This is about taking a group of men, | 0:22:02 | 0:22:03 | |
putting them out of their comfort zone | 0:22:03 | 0:22:05 | |
and celebrating the 20th anniversary of The Full Monty all in one go. | 0:22:05 | 0:22:08 | |
Are you actually taking part in it as well? | 0:22:08 | 0:22:10 | |
Well, you'll have to wait and see. | 0:22:10 | 0:22:12 | |
I would, I'd personally give money for that. | 0:22:12 | 0:22:14 | |
-That's... -She would give money for that! | 0:22:14 | 0:22:17 | |
To see any cock, for God's sake! | 0:22:17 | 0:22:19 | |
APPLAUSE | 0:22:20 | 0:22:22 | |
-Mammy! -It's for charity. -Please. | 0:22:22 | 0:22:24 | |
-It is for charity. -For charity. It's for charity. | 0:22:24 | 0:22:27 | |
Sue, tell us about your Ganges documentary. | 0:22:27 | 0:22:29 | |
-A couple of years ago, I went up the Mekong River. -OK. | 0:22:29 | 0:22:32 | |
And I went from the mouth of it in Vietnam, | 0:22:32 | 0:22:35 | |
all the way to the top of it in Tibet | 0:22:35 | 0:22:36 | |
and this time I'm doing the Ganges River. | 0:22:36 | 0:22:39 | |
Basically, the BBC are trying to kill me. | 0:22:39 | 0:22:40 | |
They're trying to make sure I go to very far away places... | 0:22:40 | 0:22:43 | |
-MRS BROWN SNORES -..and... Yep. | 0:22:43 | 0:22:44 | |
Ashley Banjo! | 0:22:47 | 0:22:48 | |
-I'm here! -Yeah. | 0:22:49 | 0:22:51 | |
-This is from your documentary, is it? -Oh! | 0:22:51 | 0:22:52 | |
Er, yes. | 0:22:52 | 0:22:54 | |
That's Baba Ramdev, he's a billionaire monk. | 0:22:54 | 0:22:58 | |
-Wow. -Yeah. | 0:22:58 | 0:22:59 | |
He's quite heavily armed, that was quite a nervous photograph for me, | 0:22:59 | 0:23:02 | |
cos there was no underwear there and a machinegun there | 0:23:02 | 0:23:05 | |
and that, for me, is a very frightening sandwich. | 0:23:05 | 0:23:09 | |
-Can I just do a little...? -A little what? | 0:23:09 | 0:23:11 | |
-Question. -Oh, no, Mammy, please. We discussed this, no. | 0:23:11 | 0:23:14 | |
-I just want to do a question. -No, Mammy. | 0:23:14 | 0:23:16 | |
-Oh, come on. -Oh, go on. | 0:23:16 | 0:23:17 | |
-Right. Er, Banjo. -Yes. | 0:23:17 | 0:23:20 | |
Ashley is his name, Mammy. | 0:23:20 | 0:23:21 | |
Banjo's all right, Banjo's all right. | 0:23:21 | 0:23:23 | |
Did you have a nickname when you were younger? | 0:23:23 | 0:23:25 | |
Banjo, a lot of people called me Banjo. | 0:23:25 | 0:23:27 | |
-So, yeah, there you go. -Ah-ha! | 0:23:27 | 0:23:29 | |
Does being so supple... | 0:23:30 | 0:23:32 | |
..mean that there are sexual positions that you have invented? | 0:23:33 | 0:23:37 | |
Stop it! | 0:23:39 | 0:23:40 | |
APPLAUSE | 0:23:40 | 0:23:42 | |
Seriously. | 0:23:42 | 0:23:44 | |
-I'm sorry, Ashley. -That's all right. | 0:23:44 | 0:23:46 | |
Ashley... | 0:23:46 | 0:23:47 | |
-Mammy. -Doing the banjo. -Oh, yes. -Oh. | 0:23:49 | 0:23:51 | |
How's your banjo? | 0:23:51 | 0:23:53 | |
-Intact. -Thank you for that, Mammy. -No problem. | 0:23:55 | 0:23:57 | |
-Yes. -Sue, you've worked with the children recently | 0:23:57 | 0:24:00 | |
on the spelling bee, The Big Spell. | 0:24:00 | 0:24:02 | |
-I cried every time one of them went out. -Oh! -Sobbed. | 0:24:02 | 0:24:05 | |
-It must've been heartbreaking. -Yes, that would be a shame. | 0:24:05 | 0:24:07 | |
-Sobbed. -How do you comfort a child | 0:24:07 | 0:24:09 | |
who doesn't know how to spell blancmange? | 0:24:09 | 0:24:11 | |
Emotionally, I'm sort of younger than they are. They're nine. | 0:24:11 | 0:24:14 | |
Sorry, I'm just trying to work out how to... I can't spell blancmange. | 0:24:14 | 0:24:17 | |
"Blanc mange." | 0:24:17 | 0:24:19 | |
-Blanc mange. -Blanc mange. | 0:24:19 | 0:24:21 | |
Ashley, you've talked a lot about inspiring | 0:24:21 | 0:24:23 | |
-the next generation of dancers. -Yes. | 0:24:23 | 0:24:26 | |
For me, you know, Diversity's motto's dream, believe, achieve | 0:24:26 | 0:24:28 | |
and we talk about inspiring kids | 0:24:28 | 0:24:29 | |
and some people just think it's a bit cliche. | 0:24:29 | 0:24:31 | |
-What's your motto again? -Dream, believe, achieve. | 0:24:31 | 0:24:34 | |
-That's Diversity's motto. -Can you say it a bit slower, love? | 0:24:34 | 0:24:36 | |
-Dream... -No, it sounded like cream cheese to me there. | 0:24:36 | 0:24:39 | |
-No. Dream, believe, achieve. -Dream... -Three words. | 0:24:39 | 0:24:42 | |
-Believe... -Believe, achieve. | 0:24:42 | 0:24:45 | |
And he can't spell bucking blancmange. | 0:24:45 | 0:24:47 | |
Sue, do you have any motto you live by? | 0:24:47 | 0:24:49 | |
Yes, my main motto is if it's head height or below, I'll eat it. | 0:24:49 | 0:24:53 | |
My motto is it's only the hair on the gooseberry | 0:24:55 | 0:24:58 | |
that stops it from being a grape. | 0:24:58 | 0:24:59 | |
So shave your groceries. | 0:25:01 | 0:25:03 | |
Ashley, is it true that you could teach anyone to dance? | 0:25:04 | 0:25:07 | |
I said that once and it's kind of stuck with me but I do believe it, | 0:25:07 | 0:25:10 | |
-I believe that everybody and anybody can do it. -Really? | 0:25:10 | 0:25:12 | |
-Mm-hm. -Really? If you can get that big lump to dance, | 0:25:12 | 0:25:15 | |
I will personally do a bucking backflip. | 0:25:15 | 0:25:19 | |
So if I can get him to dance, you'll do a backflip? | 0:25:19 | 0:25:21 | |
-Well, that sounds like a challenge I want to see. -No... | 0:25:21 | 0:25:24 | |
APPLAUSE | 0:25:24 | 0:25:26 | |
It was an offhand remark, all right? | 0:25:27 | 0:25:30 | |
Go on, Ashley, off you go. Wake Grandad up, Mammy. | 0:25:30 | 0:25:32 | |
-Grandad! -Grandad. -What? -This is Ashley. | 0:25:32 | 0:25:35 | |
He's going to teach you how to dance. Stand up. | 0:25:35 | 0:25:38 | |
Stand up, come on. Up you get. | 0:25:38 | 0:25:41 | |
-This should be good. -So what you're going to do is, | 0:25:41 | 0:25:43 | |
you're going to step to the side, we're going to take it old school | 0:25:43 | 0:25:45 | |
-like this, and we're going to click. -ASHLEY CLICKS | 0:25:45 | 0:25:48 | |
-GRANDAD CLICKS SILENTLY -That's it, yeah. | 0:25:48 | 0:25:50 | |
And now we're going to step to the left and we're going to click. | 0:25:50 | 0:25:54 | |
And then we're going to add some style. | 0:25:54 | 0:25:56 | |
Oh, smooth. | 0:25:56 | 0:25:57 | |
AUDIENCE OOHS AND APPLAUDS | 0:26:00 | 0:26:02 | |
Hold on, hold on. Wait a minute, wait a minute. | 0:26:02 | 0:26:05 | |
Have we music? Do it on your own. | 0:26:05 | 0:26:07 | |
MUSIC: You Should Be Dancing by Bee Gees | 0:26:07 | 0:26:11 | |
Oh! | 0:26:11 | 0:26:13 | |
Oh, yes. Let's go. Click, click! | 0:26:21 | 0:26:23 | |
-RECORD SCRATCHES -Well... | 0:26:27 | 0:26:29 | |
APPLAUSE AND CHEERING | 0:26:29 | 0:26:31 | |
He's a man who can't put a teabag into a bucking mug! | 0:26:33 | 0:26:37 | |
Well, Mammy, a bet's a bet. | 0:26:37 | 0:26:39 | |
-You're going to have to do the backflip. -No... | 0:26:39 | 0:26:41 | |
But first of all, you know that every week | 0:26:41 | 0:26:43 | |
-we welcome one of the guest's own mammies onto the show. -Oh, yes. | 0:26:43 | 0:26:47 | |
And this week we have Ashley's mammy. | 0:26:47 | 0:26:50 | |
Will you welcome Dani? | 0:26:50 | 0:26:52 | |
APPLAUSE AND CHEERING | 0:26:52 | 0:26:54 | |
Hello! | 0:27:09 | 0:27:10 | |
My God, you couldn't be his mother. | 0:27:12 | 0:27:15 | |
-You look far too young. -There you go, Mum. -Thank you. | 0:27:15 | 0:27:17 | |
See, see? Look, moisturise, moisturise. | 0:27:17 | 0:27:20 | |
-Dani, you're very welcome. -Yes, you are. | 0:27:24 | 0:27:27 | |
We're delighted to have you with us. You must be a very, very proud mum. | 0:27:27 | 0:27:31 | |
-Mm. -I am. -Yes. | 0:27:31 | 0:27:33 | |
Not just because of Ashley. | 0:27:33 | 0:27:35 | |
No, not at all. Obviously... | 0:27:35 | 0:27:37 | |
Oh, sorry! | 0:27:37 | 0:27:39 | |
I am. | 0:27:39 | 0:27:41 | |
You were a dancer yourself back in the day | 0:27:41 | 0:27:43 | |
so did that make you a pushy mum? | 0:27:43 | 0:27:45 | |
No. | 0:27:45 | 0:27:46 | |
-Oh! -No. -No, she was not a pushy mum. -No, no, no. | 0:27:46 | 0:27:49 | |
He didn't even really go into the studio | 0:27:49 | 0:27:51 | |
and it was just one Sunday, his nan couldn't look after him | 0:27:51 | 0:27:55 | |
so I said, "Well, you'll have to stay home, then, you can't come." | 0:27:55 | 0:27:57 | |
And the next day, bang, he was in the studio and he didn't stop... | 0:27:57 | 0:28:01 | |
-SUE: -So it was love at first sight, as soon as you started moving. | 0:28:01 | 0:28:04 | |
Dani, are you happy teaching dancing | 0:28:04 | 0:28:05 | |
or do you miss actually dancing yourself? | 0:28:05 | 0:28:08 | |
-DANI: -Yeah, I still sort of, you know, dip in and out of teaching | 0:28:08 | 0:28:12 | |
and putting the kids through their paces. | 0:28:12 | 0:28:14 | |
Oh, my God. I'll say what you can't say. | 0:28:14 | 0:28:17 | |
-Crazy. -Is she a bully? | 0:28:17 | 0:28:19 | |
-It's like... -No, that's terrible to say! | 0:28:19 | 0:28:22 | |
Our studios are next door, right? | 0:28:22 | 0:28:23 | |
Our studios are next door to each other so every now and again, | 0:28:23 | 0:28:26 | |
I'll pause the music, be like, "Right, good rehearsal, boys," | 0:28:26 | 0:28:28 | |
and just through the wall, just slightly, you just hear... | 0:28:28 | 0:28:31 | |
HE MIMICS GARBLED SHOUTING | 0:28:31 | 0:28:33 | |
"What are you doing? Leg up the wall!" | 0:28:33 | 0:28:35 | |
-You're like, "Whoa..." -SUE: -Leg up the wall? | 0:28:35 | 0:28:37 | |
-Yeah, she splits up the wall, yeah. -DANI: -It's good anger management. | 0:28:37 | 0:28:40 | |
Was your mam pushy, Sue, about getting you into showbiz? | 0:28:40 | 0:28:42 | |
-SUE: -No, well, they sold cars for a living. | 0:28:42 | 0:28:45 | |
-OK. -They sold second-hand cars. -Same thing. | 0:28:45 | 0:28:47 | |
-Oh, my dad sells cars. -Really? -Yeah. | 0:28:47 | 0:28:49 | |
So, I mean, they might've pushed me into that. | 0:28:49 | 0:28:50 | |
But it's the same sort of thing I do, really, it's, you know... | 0:28:50 | 0:28:53 | |
-I think we have a photograph of you when you were a child. -Oh. | 0:28:53 | 0:28:56 | |
-Yes. -Where did you get the fringe? AUDIENCE AWWS | 0:28:57 | 0:29:00 | |
I don't know why people are saying "aww". | 0:29:00 | 0:29:02 | |
That's a cry for help, that fringe. | 0:29:02 | 0:29:04 | |
-All my family had hair like that. -Wow. | 0:29:04 | 0:29:06 | |
-From the age of about four to about 16 and we never knew why. -Wow. | 0:29:06 | 0:29:09 | |
And then it transpired that the lady who came round on a Sunday | 0:29:09 | 0:29:12 | |
to cut our hair was a dog groomer and... | 0:29:12 | 0:29:16 | |
Watch Crufts, you'll see the same sort of sleek line | 0:29:17 | 0:29:20 | |
on a Pekingese. | 0:29:20 | 0:29:22 | |
It's really sinister, isn't it? | 0:29:22 | 0:29:24 | |
Come on, fetch, fetch, fetch! | 0:29:24 | 0:29:26 | |
What age were you when you...? I know this is a... | 0:29:28 | 0:29:31 | |
When I realised I didn't want to sell used cars? | 0:29:31 | 0:29:33 | |
-No. -I was this old. | 0:29:33 | 0:29:35 | |
When you twigged, "Gosh, I might be funny here"? | 0:29:35 | 0:29:37 | |
Oh, no, that's still, that's still yet to come. | 0:29:37 | 0:29:40 | |
Oh, no, it's... Just in case anybody who doesn't know, | 0:29:40 | 0:29:43 | |
you wrote French And Saunders, you wrote Ab Fab, | 0:29:43 | 0:29:46 | |
you wrote for... I mean, you're one of the funniest writers | 0:29:46 | 0:29:49 | |
I've ever seen in my... Like, you're funny. | 0:29:49 | 0:29:51 | |
APPLAUSE | 0:29:51 | 0:29:53 | |
It's only when you're with Mel that you're not funny. | 0:29:55 | 0:29:58 | |
Dani, tell us, was Ashley a bit of a ladies' man growing up? | 0:30:00 | 0:30:03 | |
Well, no - he had lots of girls as friends, but... | 0:30:03 | 0:30:06 | |
-I was friendzoned a lot. -Yes. | 0:30:06 | 0:30:08 | |
Would you like to be my Cathy's friend? | 0:30:08 | 0:30:10 | |
No, Mammy! | 0:30:10 | 0:30:12 | |
She has no friends, if you'd like to be her friend? | 0:30:12 | 0:30:15 | |
Mammy, Ashley is married. | 0:30:15 | 0:30:17 | |
(He's going to take his cock out.) | 0:30:17 | 0:30:19 | |
Stop...! | 0:30:19 | 0:30:20 | |
Seriously! | 0:30:22 | 0:30:24 | |
(Don't look a gift horse in the mouth.) | 0:30:24 | 0:30:26 | |
Mammy, why don't you go and see how Chef Aly is doing with the cooking? | 0:30:27 | 0:30:32 | |
Fine. Dani, you come with me. | 0:30:32 | 0:30:33 | |
-She obviously doesn't want us. -See you in a bit. -No, just you. | 0:30:33 | 0:30:36 | |
Bitch. | 0:30:36 | 0:30:37 | |
Not you, not you! | 0:30:37 | 0:30:39 | |
Come on, Dani, come on inside. We'll talk one-to-one. | 0:30:39 | 0:30:42 | |
My God, you're as tall as he is. | 0:30:42 | 0:30:45 | |
Come here, come here and talk to me. You were in the Royal Ballet. | 0:30:45 | 0:30:48 | |
Well, I outgrew the ballet when I was about ten, clearly, | 0:30:48 | 0:30:51 | |
cos I could lift the guys. | 0:30:51 | 0:30:53 | |
-You can't be tall and be a ballerina? -No, no. | 0:30:53 | 0:30:55 | |
About 5' 3", 5' 5"... | 0:30:55 | 0:30:57 | |
Well, if you're responsible for anything that Ashley does, | 0:30:57 | 0:31:00 | |
you must be an amazing trainer, because he's an amazing dancer. | 0:31:00 | 0:31:03 | |
-Oh, thank you. -He really is incredible. | 0:31:03 | 0:31:05 | |
I've got some photographs, here. | 0:31:05 | 0:31:06 | |
Look at it. Have a look at that. | 0:31:06 | 0:31:09 | |
-See, in the middle, there? AUDIENCE: -Aw! | 0:31:09 | 0:31:11 | |
I think that's your daughter in the tutu, is it? | 0:31:11 | 0:31:14 | |
No, that's Ashley. | 0:31:14 | 0:31:15 | |
LAUGHTER | 0:31:15 | 0:31:17 | |
That was his first big performance at school, | 0:31:20 | 0:31:23 | |
doing Swan Lake, in welly boots and... | 0:31:23 | 0:31:25 | |
I know, I was a bad mum. | 0:31:25 | 0:31:27 | |
Ladies and gentlemen, for those of you that are wondering, | 0:31:28 | 0:31:31 | |
this will be the poster for... | 0:31:31 | 0:31:33 | |
..The Full Monty. | 0:31:35 | 0:31:36 | |
And again, never mind the towel, | 0:31:36 | 0:31:39 | |
I point to the towel on the head. | 0:31:39 | 0:31:43 | |
And a tutu. | 0:31:43 | 0:31:45 | |
This is when he was really shy. You wouldn't believe. | 0:31:45 | 0:31:47 | |
-So he was a quiet child? -He was. Yeah. | 0:31:47 | 0:31:49 | |
I don't know where he gets that from. | 0:31:49 | 0:31:52 | |
SHE LAUGHS | 0:31:52 | 0:31:54 | |
Come on over and let's see what Aly's doing, here. | 0:31:54 | 0:31:56 | |
It sounds like he's poisoning us. | 0:31:56 | 0:31:58 | |
Now, Aly, this is Dani. Dani, this is Aly. | 0:31:58 | 0:32:00 | |
-Hello, Dani. Nice to meet you. -Lovely to meet you. Hello. | 0:32:00 | 0:32:03 | |
-We're doing a nice tuna pasta, spicy tuna pasta. -Oh, wow. | 0:32:03 | 0:32:06 | |
-But this is fresh tuna. -OK. | 0:32:06 | 0:32:09 | |
-And this is fresh pasta? -Yes. | 0:32:09 | 0:32:10 | |
-Look at this, look. -That's a pasta machine. | 0:32:10 | 0:32:13 | |
That would be handy for drying socks on. | 0:32:13 | 0:32:15 | |
-I'm taking with me this one. -Hold on, uh... | 0:32:15 | 0:32:18 | |
-Whoa, whoa, whoa... -Whoa, whoa, whoa, chef, now. | 0:32:18 | 0:32:20 | |
-Let's you and me do a bit of... -Mrs Brown, this is... | 0:32:20 | 0:32:22 | |
I won't hurt your knob. | 0:32:22 | 0:32:24 | |
You feed it into this one, here, and I'll turn the handle. | 0:32:26 | 0:32:30 | |
-There you go. -Now, now, now... | 0:32:30 | 0:32:32 | |
-There you go. -Look at this, look at this, look at this. | 0:32:32 | 0:32:36 | |
My God. | 0:32:36 | 0:32:37 | |
Yeah! CHEERING | 0:32:37 | 0:32:39 | |
They're my rastas... Reggae! | 0:32:39 | 0:32:42 | |
MUSIC: Mr Boombastic by Shaggy | 0:32:42 | 0:32:45 | |
RECORD SCRATCHES | 0:32:53 | 0:32:55 | |
For all of you that don't know at home, | 0:32:55 | 0:32:58 | |
the best way to try and see if spaghetti is cooked | 0:32:58 | 0:33:00 | |
is to throw it at the wall. | 0:33:00 | 0:33:02 | |
Right, so, that's not cooked, yet. So I tell you what we'll do. | 0:33:05 | 0:33:08 | |
Why don't we leave Aly with his dish? | 0:33:08 | 0:33:10 | |
We have to go, we'll go inside and see what they're doing, | 0:33:10 | 0:33:13 | |
-Bye-bye, Aly. -Thank you. Bye. | 0:33:13 | 0:33:15 | |
Come on, Dani, let's go. | 0:33:15 | 0:33:17 | |
He is a very... He's a very emotional chef. | 0:33:17 | 0:33:19 | |
Welcome back. | 0:33:21 | 0:33:22 | |
Mammy, I don't think any of us have forgotten | 0:33:24 | 0:33:26 | |
that you made a bet earlier on. | 0:33:26 | 0:33:28 | |
Oh, hang on, I think I hear Aly calling. | 0:33:28 | 0:33:30 | |
No, Mammy. | 0:33:30 | 0:33:32 | |
Are we going to see this backflip or not? | 0:33:32 | 0:33:34 | |
-SHOUTS OF ENCOURAGEMENT -Come on. -Come on. | 0:33:34 | 0:33:36 | |
APPLAUSE | 0:33:36 | 0:33:38 | |
DRUM ROLL | 0:33:42 | 0:33:44 | |
WHOOPING | 0:33:49 | 0:33:51 | |
-You can do this. -Come on. -Come on, Mammy, come on! | 0:33:59 | 0:34:03 | |
DRUM ROLL AND CHEERING | 0:34:03 | 0:34:05 | |
CYMBALS CLASH | 0:34:08 | 0:34:11 | |
-Did I spin? -Yes. -Yes, yes. -Almost. | 0:34:15 | 0:34:18 | |
-You did, well done! -Thank you! | 0:34:18 | 0:34:20 | |
Well done, it was good, it was good, it was good. | 0:34:20 | 0:34:24 | |
Well done, Mammy. | 0:34:24 | 0:34:27 | |
I think you should see what Chef Aly has cooked for everybody. | 0:34:27 | 0:34:30 | |
Oh, look at this - this is the surprise dish. | 0:34:30 | 0:34:32 | |
OOHING | 0:34:32 | 0:34:34 | |
-My mum is going to love that. -Me, too. | 0:34:34 | 0:34:37 | |
-Now... -OK. | 0:34:38 | 0:34:41 | |
Oh, my God, Chef Aly - well done. | 0:34:41 | 0:34:44 | |
APPLAUSE | 0:34:44 | 0:34:46 | |
So, tell us, what have we got here, Aly? | 0:34:46 | 0:34:47 | |
We've got a surprise dish, which is lemon meringue. | 0:34:47 | 0:34:50 | |
-I love lemon. -And we've got Ashley's favourite pasta, | 0:34:50 | 0:34:53 | |
which is spicy tuna pasta. | 0:34:53 | 0:34:55 | |
Yours didn't look quite like that, Mum. | 0:34:55 | 0:34:57 | |
I'm sure it looked like that. | 0:34:57 | 0:34:58 | |
Yeah, yours... Yeah. | 0:34:58 | 0:35:00 | |
You dish up and I'll just get some lemon meringue pie. | 0:35:00 | 0:35:02 | |
Would anyone in the audience like to try lemon meringue pie? | 0:35:02 | 0:35:05 | |
-AUDIENCE: -Yes! -Let me look, let me have a look. | 0:35:05 | 0:35:07 | |
Let me... Do you want to go...? | 0:35:07 | 0:35:09 | |
I saw a woman up the back, waving, there. | 0:35:09 | 0:35:12 | |
Here you go. | 0:35:16 | 0:35:18 | |
One. | 0:35:18 | 0:35:19 | |
4.99. | 0:35:22 | 0:35:23 | |
Looks beautiful, doesn't it? Looks beautiful. | 0:35:25 | 0:35:28 | |
Excuse me, excuse me. | 0:35:28 | 0:35:29 | |
Excuse me, excuse me. | 0:35:31 | 0:35:33 | |
Would you like to try some? | 0:35:40 | 0:35:42 | |
Thank you. | 0:35:44 | 0:35:46 | |
Fuck. I have to go back. | 0:35:46 | 0:35:48 | |
Would you like to try that? | 0:35:48 | 0:35:51 | |
Thank you very much, yes, very nice. | 0:35:51 | 0:35:53 | |
WHOOPING | 0:35:54 | 0:35:56 | |
CRASHING | 0:35:56 | 0:35:58 | |
So, what's the verdict? What do you think, Dani? | 0:35:58 | 0:36:02 | |
-Delicious. -Is it? -Absolutely. Very different to mine. | 0:36:02 | 0:36:05 | |
- I need the recipe. - Thank you very much. | 0:36:05 | 0:36:07 | |
And Ashley? | 0:36:07 | 0:36:08 | |
-My mum's is just as good. -AUDIENCE: Aw! | 0:36:08 | 0:36:10 | |
APPLAUSE | 0:36:10 | 0:36:12 | |
OK? | 0:36:15 | 0:36:17 | |
That's all we have time for on The Cathy Brown Show. | 0:36:17 | 0:36:20 | |
Thank God. | 0:36:20 | 0:36:21 | |
A huge thanks to all my guests tonight - Sue Perkins... | 0:36:23 | 0:36:27 | |
..Ashley Banjo... | 0:36:29 | 0:36:31 | |
..and Mammy, Dani... | 0:36:33 | 0:36:34 | |
..and, of course, Chef Aly. | 0:36:36 | 0:36:38 | |
CHEERING AND APPLAUSE | 0:36:38 | 0:36:40 | |
Join Cathy next week, when her guests will be | 0:36:40 | 0:36:42 | |
Austin Powers | 0:36:42 | 0:36:43 | |
and Judi Dench's dog's mother. | 0:36:43 | 0:36:45 | |
-No, they won't, Mammy. -Maybe. Maybe they will. | 0:36:47 | 0:36:49 | |
-Mammy! -It might be. -Mammy! | 0:36:49 | 0:36:51 | |
We'll see you soon. | 0:36:53 | 0:36:54 | |
But, for now, it's Father Damien and Trevor with Thought For The Day, | 0:36:54 | 0:36:58 | |
so it's over to St Jarlath's Church. | 0:36:58 | 0:37:00 | |
-Good night, everybody. -Good night. | 0:37:00 | 0:37:02 | |
APPLAUSE | 0:37:02 | 0:37:04 | |
ORGAN PLAYS | 0:37:04 | 0:37:06 | |
-Hello there. -Hi. | 0:37:09 | 0:37:11 | |
Tonight, I'd like to talk to you about choirs. | 0:37:11 | 0:37:14 | |
Homosexuals are welcome in the church. | 0:37:14 | 0:37:17 | |
CHOIRS. | 0:37:18 | 0:37:19 | |
Oh... | 0:37:19 | 0:37:21 | |
If you know anybody that is in a choir, | 0:37:22 | 0:37:23 | |
or maybe you're a member of one, | 0:37:23 | 0:37:25 | |
you'll see that it is made up of very different people. | 0:37:25 | 0:37:28 | |
-The butcher, the baker, the milkman. -Exactly. | 0:37:28 | 0:37:31 | |
Builder, carpenter, the taxi driver with the funny eye. | 0:37:31 | 0:37:34 | |
-They get the point, Damien. -Great. | 0:37:34 | 0:37:37 | |
Regardless of what they do for a living... | 0:37:37 | 0:37:39 | |
..or who they love... | 0:37:39 | 0:37:41 | |
..the point is that once the choirmaster | 0:37:41 | 0:37:44 | |
takes out his baton... | 0:37:44 | 0:37:45 | |
FATHER DAMIEN SNIGGERS | 0:37:45 | 0:37:47 | |
Takes out his baton...! | 0:37:47 | 0:37:49 | |
..they all have the same goal. | 0:37:49 | 0:37:52 | |
Get finished as quick as possible and get out for a pint. | 0:37:52 | 0:37:55 | |
No, Damien. | 0:37:55 | 0:37:56 | |
Harmony. | 0:37:56 | 0:37:57 | |
A choir is a great example | 0:37:57 | 0:37:59 | |
of how many people from different backgrounds | 0:37:59 | 0:38:01 | |
can bring their own unique voice to create harmony. | 0:38:01 | 0:38:05 | |
So, don't be afraid to add your voice. | 0:38:05 | 0:38:08 | |
Be yourself, speak up, | 0:38:08 | 0:38:09 | |
and join in the harmony of God's life. | 0:38:09 | 0:38:12 | |
# The harmony of God's life...! # | 0:38:12 | 0:38:14 | |
Stop. | 0:38:14 | 0:38:15 | |
HE IMITATES DRUMMER | 0:38:15 | 0:38:18 | |
Good night. | 0:38:18 | 0:38:19 | |
Yo! | 0:38:19 | 0:38:20 | |
APPLAUSE | 0:38:20 | 0:38:22 | |
You know... | 0:38:25 | 0:38:27 | |
It's funny, being a mother, you know, | 0:38:27 | 0:38:30 | |
right from the start to the end. | 0:38:30 | 0:38:31 | |
From the very moment that... | 0:38:31 | 0:38:33 | |
I remembered me and my first time, lying there, | 0:38:33 | 0:38:35 | |
and he's standing beside me and I'm going... | 0:38:35 | 0:38:38 | |
STRAINED: "Ye-e-eagh! | 0:38:38 | 0:38:40 | |
"Y-Y-Y-AARGH! | 0:38:40 | 0:38:41 | |
"You baldy little bastard!" | 0:38:41 | 0:38:44 | |
And that was the conception. | 0:38:46 | 0:38:47 | |
And then the... | 0:38:51 | 0:38:52 | |
And then you take them to school, and then they grow up, | 0:38:52 | 0:38:55 | |
and, you know, you think you want them out of the house, | 0:38:55 | 0:38:57 | |
and then they go, and, just... Life's not fair, I suppose. | 0:38:57 | 0:38:59 | |
But if I mean, it wouldn't be fair, for example, if... | 0:38:59 | 0:39:02 | |
Say, if you were a mother and you were to give one child of your children pocket money, | 0:39:02 | 0:39:05 | |
and not the other one, that wouldn't be fair, would it? | 0:39:05 | 0:39:07 | |
-AUDIENCE: -No. -No, it wouldn't. | 0:39:07 | 0:39:09 | |
Sure, it wouldn't, Christina Cooper? Sure it wouldn't? | 0:39:09 | 0:39:11 | |
SHE GASPS | 0:39:11 | 0:39:12 | |
LAUGHTER | 0:39:12 | 0:39:14 | |
Yes, Christina Cooper, you are Mammy of the Week. | 0:39:14 | 0:39:16 | |
Christina Cooper! | 0:39:16 | 0:39:18 | |
CHEERING AND APPLAUSE Come on, come down. | 0:39:18 | 0:39:20 | |
Every week, we're going to award a fine mammy with this - | 0:39:33 | 0:39:36 | |
the Mammy Award. | 0:39:36 | 0:39:38 | |
You've been nominated by your daughters, | 0:39:38 | 0:39:39 | |
Bianca and Stephanie, | 0:39:39 | 0:39:41 | |
who are sitting up there - look at them. | 0:39:41 | 0:39:42 | |
They wanted you to be Mammy of the Week, | 0:39:42 | 0:39:44 | |
and if you're wondering why, have a look at this. | 0:39:44 | 0:39:46 | |
Hi, Mum, surprise! | 0:39:50 | 0:39:52 | |
I've nominated you to be Mammy of the Week, | 0:39:52 | 0:39:54 | |
because you are an amazing mum. | 0:39:54 | 0:39:56 | |
But...you do have some flaws. | 0:39:56 | 0:39:59 | |
Mum is so nosy. | 0:40:06 | 0:40:08 | |
She walks the dogs a particular route | 0:40:08 | 0:40:10 | |
just so she can have a nosy at other people's houses. | 0:40:10 | 0:40:13 | |
She's always opening me and my sister's post. | 0:40:13 | 0:40:16 | |
"Accidentally." | 0:40:16 | 0:40:17 | |
It has to stop. | 0:40:17 | 0:40:19 | |
She tells the whole world what me and Bianca are up to | 0:40:19 | 0:40:21 | |
on her Facebook page, without even asking. | 0:40:21 | 0:40:24 | |
Mum has this really weird habit. | 0:40:26 | 0:40:28 | |
When she is pouring her daily juice, | 0:40:28 | 0:40:30 | |
she clenches her bum cheeks | 0:40:30 | 0:40:32 | |
to the rhythm of the juice glugging out of the carton. | 0:40:32 | 0:40:35 | |
SHE GLUGS | 0:40:35 | 0:40:37 | |
When we're ill, she won't go anywhere near us. | 0:40:42 | 0:40:44 | |
How's that for parenting?! | 0:40:44 | 0:40:46 | |
So, she claims she used to be a model for Rolls-Royce. | 0:40:48 | 0:40:51 | |
We're not convinced. | 0:40:51 | 0:40:53 | |
Mum, despite all these flaws, | 0:40:55 | 0:40:57 | |
you truly are an amazing person. | 0:40:57 | 0:40:58 | |
And we don't know what we'd do without you. | 0:40:58 | 0:41:01 | |
CHEERING AND APPLAUSE | 0:41:05 | 0:41:08 | |
CHRISTINA LAUGHS | 0:41:11 | 0:41:12 | |
I don't care about anything else that was in that whole video... | 0:41:13 | 0:41:18 | |
Turn around. | 0:41:18 | 0:41:19 | |
OK, you do your butt cheeks. | 0:41:20 | 0:41:23 | |
# Shake, baby, shake | 0:41:23 | 0:41:26 | |
# I said shake, baby, shake... # | 0:41:26 | 0:41:28 | |
APPLAUSE | 0:41:28 | 0:41:30 | |
Tell me about your dogs. | 0:41:34 | 0:41:36 | |
Oh, my dogs. | 0:41:36 | 0:41:37 | |
Maisie and Keira. | 0:41:37 | 0:41:39 | |
-Maisie and Keira. -Yeah. | 0:41:39 | 0:41:41 | |
The girls kind of think you might love the dogs | 0:41:41 | 0:41:43 | |
more than you love them. | 0:41:43 | 0:41:45 | |
I do love my dogs, yeah. | 0:41:45 | 0:41:46 | |
I love my girls, too, but I do love my dogs. | 0:41:46 | 0:41:49 | |
I don't blame you loving your girls. | 0:41:49 | 0:41:51 | |
They obviously adore you. That's why you're Mammy of the Week. | 0:41:51 | 0:41:53 | |
Now, would you like to come up to my boxroom | 0:41:53 | 0:41:55 | |
and have a look at my box? | 0:41:55 | 0:41:57 | |
-Yes. -A round of applause. Come on, let's go. | 0:41:57 | 0:42:00 | |
APPLAUSE | 0:42:00 | 0:42:02 | |
# It's going to make you float | 0:42:02 | 0:42:03 | |
# It's going to rock your socks | 0:42:03 | 0:42:05 | |
# When you see what's in | 0:42:05 | 0:42:06 | |
# Mammy's Box. # | 0:42:06 | 0:42:08 | |
Close that door. | 0:42:09 | 0:42:10 | |
Those stairs kill me every time. | 0:42:13 | 0:42:16 | |
Now, this is the way it works, Christina. | 0:42:16 | 0:42:18 | |
As you can see, our three people are covered with prizes | 0:42:18 | 0:42:21 | |
and they've got money, etc, etc. | 0:42:21 | 0:42:23 | |
Now, you get to pick one to flick off, | 0:42:23 | 0:42:26 | |
and whenever you flick off, you win. | 0:42:26 | 0:42:28 | |
There is a star prize in there, which is the key to my box. | 0:42:28 | 0:42:31 | |
Oh... | 0:42:31 | 0:42:33 | |
I have to tell you, it's very rare that anyone gets the key to my box. | 0:42:33 | 0:42:37 | |
So, you flick off as much as you possibly can. | 0:42:37 | 0:42:39 | |
Now, you can pick any one of them. | 0:42:39 | 0:42:40 | |
You can pick Father Damien, who's lovely, my son, or Buster. | 0:42:40 | 0:42:46 | |
So, that's Damien, him, or Buster. | 0:42:46 | 0:42:49 | |
Have a think, now, have a think. | 0:42:49 | 0:42:51 | |
Actually, do you know what? Why don't we do all three? | 0:42:51 | 0:42:54 | |
-Yes. -Yeah! -Here's what's going to happen. | 0:42:54 | 0:42:57 | |
Buster... Buster... | 0:42:57 | 0:42:59 | |
They weren't expecting this. | 0:42:59 | 0:43:00 | |
Stand up, stand up! | 0:43:03 | 0:43:04 | |
You get one of Mrs Brown's tea towels to do this | 0:43:04 | 0:43:08 | |
and you knock off as much as you can. | 0:43:08 | 0:43:11 | |
I really mean... | 0:43:11 | 0:43:12 | |
WHOOPING | 0:43:12 | 0:43:14 | |
Now, me and Christina have been talking... | 0:43:14 | 0:43:17 | |
..and Christina's mother is of Irish descent. | 0:43:18 | 0:43:22 | |
And where normal people use a tea towel like that, | 0:43:22 | 0:43:25 | |
Irish mothers don't. | 0:43:25 | 0:43:26 | |
They do that. WHIPPING SOUND | 0:43:26 | 0:43:28 | |
Oh, yes! | 0:43:28 | 0:43:29 | |
My mother could slice a pan. | 0:43:29 | 0:43:31 | |
So, when I say go, the time starts, | 0:43:33 | 0:43:35 | |
and keep going until you hear my bong. | 0:43:35 | 0:43:38 | |
Your time starts... | 0:43:38 | 0:43:39 | |
Now. Go. | 0:43:39 | 0:43:42 | |
SHOUTS OF ENCOURAGEMENT | 0:43:42 | 0:43:44 | |
GONG REVERBERATES | 0:44:01 | 0:44:03 | |
CHEERING AND APPLAUSE | 0:44:03 | 0:44:05 | |
Hey, hey, hey! | 0:44:07 | 0:44:08 | |
My calculations, they are all fivers, | 0:44:09 | 0:44:11 | |
so you've won 283 Euro. | 0:44:11 | 0:44:15 | |
LAUGHTER | 0:44:15 | 0:44:17 | |
Now, get me up the stars, boys. | 0:44:20 | 0:44:22 | |
Get me up the stars, we'll see what you've won. | 0:44:22 | 0:44:24 | |
Let's have a look at the stars. | 0:44:24 | 0:44:26 | |
There must be more stars than that, she's knocked off every fecker... Oh, there's one. | 0:44:26 | 0:44:30 | |
I've never said this to a man before - | 0:44:30 | 0:44:31 | |
here's your helmet back. | 0:44:31 | 0:44:33 | |
So...a facial. | 0:44:35 | 0:44:36 | |
OOHING You don't need that. | 0:44:36 | 0:44:38 | |
-Oh, yeah. -Yes, they'll go well. | 0:44:39 | 0:44:41 | |
-Oh, maybe. -Maybe. | 0:44:42 | 0:44:44 | |
-Yeah, mm-hm. -What kind of tea do you like? | 0:44:46 | 0:44:48 | |
-Prosecco. -Prosecco? | 0:44:48 | 0:44:50 | |
LAUGHTER AND APPLAUSE | 0:44:50 | 0:44:52 | |
I'm not sure that comes in bags. | 0:44:54 | 0:44:56 | |
Oh... And Mrs Brown's box key. | 0:44:56 | 0:44:59 | |
FANFARE | 0:44:59 | 0:45:01 | |
I need to go and get Mrs Brown's box. | 0:45:03 | 0:45:05 | |
Now, come over and have a look at my box. | 0:45:11 | 0:45:14 | |
Where's the key? Good girl. | 0:45:14 | 0:45:15 | |
If it doesn't work, we can get Buster out to pick it. | 0:45:15 | 0:45:18 | |
Oh, look, it's opened first time. | 0:45:19 | 0:45:20 | |
I'll let you open the box, let's see what you've won. | 0:45:20 | 0:45:23 | |
Open the box. | 0:45:23 | 0:45:24 | |
Luxury doggie clothes! | 0:45:25 | 0:45:28 | |
Whoa! | 0:45:28 | 0:45:30 | |
Well done, well done. | 0:45:31 | 0:45:33 | |
And, most important of all, | 0:45:33 | 0:45:35 | |
she gets the Mammy of the Week Award. | 0:45:35 | 0:45:37 | |
Aw! | 0:45:37 | 0:45:38 | |
CHEERING AND APPLAUSE | 0:45:38 | 0:45:41 | |
Now, while we're here, | 0:45:41 | 0:45:43 | |
the boys can help tidy up. | 0:45:43 | 0:45:45 | |
I have to go. I'll see you later. | 0:45:45 | 0:45:47 | |
Bye! | 0:45:47 | 0:45:49 | |
-Hi, Winnie. -You're late, Agnes. | 0:46:01 | 0:46:03 | |
Aston Merrygold's going to be here any minute. | 0:46:03 | 0:46:06 | |
Oh, he is! | 0:46:08 | 0:46:09 | |
Come on...come on. | 0:46:13 | 0:46:15 | |
-So good to have you back. -Thank you so much. | 0:46:20 | 0:46:22 | |
I'm just after having a Slippery Nipple. | 0:46:22 | 0:46:24 | |
-A what? -Do you fancy a Slippery Nipple? | 0:46:24 | 0:46:27 | |
If you'd like one, she'll treat you to a Blow Job, won't you, Winnie? | 0:46:30 | 0:46:34 | |
-Winnie is a huge fan, aren't you, Winnie? -I'm a huge fan. | 0:46:34 | 0:46:36 | |
A huge fan. Look what she has - look, look. | 0:46:36 | 0:46:38 | |
She has your disk and she has your Marigold gloves. | 0:46:38 | 0:46:42 | |
Maybe you might sign the gloves. | 0:46:42 | 0:46:44 | |
I'll sign the gloves. You know I'm Merrygold, though, right? | 0:46:44 | 0:46:47 | |
-OK, it doesn't matter. -Just sign the bucking glove, son. | 0:46:47 | 0:46:49 | |
-"To Winnie..." -"To Winnie..." | 0:46:49 | 0:46:51 | |
-"Have a wonderful night..." -"Have a wonderful night..." | 0:46:51 | 0:46:54 | |
"I'll perform for you, any time..." | 0:46:54 | 0:46:56 | |
That's enough, Winnie, love. | 0:46:56 | 0:46:58 | |
-"Anywhere." -"Anywhere", yeah. | 0:46:58 | 0:46:59 | |
-"Wonderful..." -"And I'll do it free." | 0:46:59 | 0:47:02 | |
It's not the first time you've signed a rubber, son. | 0:47:04 | 0:47:06 | |
LAUGHTER AND APPLAUSE | 0:47:06 | 0:47:09 | |
So, who have you got with you? Who's with you? | 0:47:12 | 0:47:14 | |
Um, Dwayne is here, and Jeff. | 0:47:14 | 0:47:17 | |
Hello, Jeff. | 0:47:17 | 0:47:18 | |
OOHING | 0:47:18 | 0:47:20 | |
What's that little thing in Jeff's hand? | 0:47:20 | 0:47:22 | |
-Oh, the ukulele. -Oh, he's going to strum his ukulele. | 0:47:24 | 0:47:27 | |
-Yes. -Is he? | 0:47:27 | 0:47:28 | |
Well, it's actually mine, but anyway... | 0:47:28 | 0:47:30 | |
He's going to strum your ukulele. | 0:47:30 | 0:47:32 | |
Hey, we all have to do things to keep our job. | 0:47:32 | 0:47:35 | |
If it means strumming your ukulele, away you go. | 0:47:36 | 0:47:38 | |
Oh! | 0:47:38 | 0:47:39 | |
-Now, why don't you...? -I've got to sing the high bit, now, as well... | 0:47:42 | 0:47:45 | |
Oh, yes, you do! No problem. | 0:47:45 | 0:47:47 | |
Would you sing me one of my favourites, | 0:47:47 | 0:47:49 | |
one of my all-time favourites? | 0:47:49 | 0:47:50 | |
-Of course. -What are you going to sing for me? | 0:47:50 | 0:47:52 | |
You're Just Too Good To Be True, I suppose that works. | 0:47:52 | 0:47:55 | |
WINNIE SNORTS WITH LAUGHTER | 0:47:55 | 0:47:56 | |
Fuck off, Winnie! | 0:47:56 | 0:47:57 | |
-Can I start? -Oh, yes, please. | 0:47:59 | 0:48:00 | |
LAUGHTER | 0:48:04 | 0:48:05 | |
It's hard when you're looking right at me as well. | 0:48:09 | 0:48:12 | |
# You're just too good to be true | 0:48:19 | 0:48:23 | |
# Can't take my eyes off of you... # | 0:48:23 | 0:48:26 | |
Who can blame you? | 0:48:26 | 0:48:27 | |
# You feel like heaven to touch | 0:48:29 | 0:48:32 | |
-# I want to hold you so... # -Oh! | 0:48:39 | 0:48:42 | |
LAUGHTER | 0:48:42 | 0:48:44 | |
# At long last love has arrived... # | 0:48:49 | 0:48:51 | |
I'm arriving, I'm arriving. | 0:48:51 | 0:48:53 | |
# And I thank God that I'm alive... # | 0:48:55 | 0:48:57 | |
Me, too. | 0:48:57 | 0:48:59 | |
# You're just too good to be true | 0:48:59 | 0:49:03 | |
# Can't take my eyes off of you. # | 0:49:03 | 0:49:05 | |
-Everybody! -# Doo-doo, doo-doo, doo-doo-doo-doo | 0:49:05 | 0:49:10 | |
# Doo-doo-doo, doo-doo, doo... | 0:49:10 | 0:49:14 | |
# I love you, baby | 0:49:14 | 0:49:17 | |
# And if it's quite all right | 0:49:17 | 0:49:18 | |
# I need you, baby | 0:49:18 | 0:49:20 | |
# To warm one lonely night | 0:49:20 | 0:49:22 | |
# Oh, lovely baby | 0:49:22 | 0:49:25 | |
# Trust in me when I say | 0:49:25 | 0:49:29 | |
# Oh, pretty baby... # | 0:49:29 | 0:49:31 | |
Hold it! Hold it, please! | 0:49:31 | 0:49:33 | |
Please, stop. My nipples can't take any more. | 0:49:33 | 0:49:35 | |
I swear to God, they're, like, trying to break out of prison. | 0:49:38 | 0:49:41 | |
Aston, if you get yourself ready on the stage, I will announce you. | 0:49:43 | 0:49:46 | |
-Thank you. Thanks. -Thanks, son. | 0:49:46 | 0:49:50 | |
Now, here he is, singing his new single, | 0:49:50 | 0:49:54 | |
Precious - and he is precious - Mr Aston Merrygold. | 0:49:54 | 0:49:59 | |
Rubber gloves. | 0:49:59 | 0:50:00 | |
Right, there's this girl... | 0:50:08 | 0:50:10 | |
# Ooh | 0:50:12 | 0:50:13 | |
# Hey | 0:50:14 | 0:50:16 | |
# My little brother you're special, too | 0:50:16 | 0:50:18 | |
# My momma said getting you is one of my better moves | 0:50:18 | 0:50:20 | |
# And my older brother's saying you wanna find the love of your life | 0:50:20 | 0:50:25 | |
# Don't know where he planned to take it, though | 0:50:26 | 0:50:28 | |
# I ain't even expecting me to make it home | 0:50:28 | 0:50:31 | |
# Without something that I got to say | 0:50:32 | 0:50:36 | |
# Oh, yeah | 0:50:36 | 0:50:38 | |
# Better than myself you are to me | 0:50:38 | 0:50:41 | |
# Ain't nothing wrong with a little soul philanthropy | 0:50:41 | 0:50:45 | |
# Oh, touch me now, baby | 0:50:45 | 0:50:48 | |
# But everybody wants to be a lover | 0:50:48 | 0:50:51 | |
# So when you're out there | 0:50:51 | 0:50:53 | |
# Do this one for me | 0:50:53 | 0:50:56 | |
# Oh, yeah | 0:50:56 | 0:50:58 | |
# Darling, don't be so precious | 0:50:58 | 0:51:00 | |
# Darling, don't be so cute | 0:51:00 | 0:51:03 | |
# I don't want nobody else | 0:51:03 | 0:51:05 | |
# Loving you | 0:51:05 | 0:51:08 | |
# Darling, don't be so wonderful | 0:51:08 | 0:51:11 | |
# They might get confused | 0:51:11 | 0:51:13 | |
# I don't want nobody else | 0:51:13 | 0:51:15 | |
# Loving you | 0:51:15 | 0:51:18 | |
# Yeah | 0:51:19 | 0:51:21 | |
# Cos now that heaven don't feel so far away | 0:51:21 | 0:51:23 | |
# Steady love is at the heart of the party | 0:51:23 | 0:51:26 | |
# Girl, I promise I wanna, I'mma show up | 0:51:26 | 0:51:29 | |
# Cos now the highway don't feel so lonely | 0:51:31 | 0:51:33 | |
# With Miss Independent depending on me | 0:51:33 | 0:51:37 | |
# To be the water in her well of love | 0:51:37 | 0:51:40 | |
# Oh, yeah | 0:51:40 | 0:51:42 | |
# Well, everybody wants to be a lover | 0:51:42 | 0:51:45 | |
# So do this one for me | 0:51:47 | 0:51:50 | |
# When you're out there, pretty baby | 0:51:50 | 0:51:52 | |
# Darling, don't be so precious | 0:51:52 | 0:51:54 | |
# Darling, don't be so cute | 0:51:54 | 0:51:57 | |
# Don't want nobody else | 0:51:57 | 0:51:59 | |
# Loving you | 0:51:59 | 0:52:02 | |
# Darling, don't be so wonderful | 0:52:02 | 0:52:05 | |
# They might get confused | 0:52:05 | 0:52:07 | |
# I don't want nobody else | 0:52:07 | 0:52:09 | |
# Loving you | 0:52:09 | 0:52:13 | |
# Everybody wants to be a lover | 0:52:13 | 0:52:16 | |
# So when you're out there | 0:52:16 | 0:52:18 | |
# Do this one for me | 0:52:18 | 0:52:21 | |
# Oh, yeah | 0:52:21 | 0:52:23 | |
# Don't be so precious | 0:52:23 | 0:52:25 | |
# Darling, don't be so cute | 0:52:25 | 0:52:28 | |
# Don't want nobody else | 0:52:28 | 0:52:30 | |
# Loving you | 0:52:30 | 0:52:33 | |
# Darling, don't be so wonderful | 0:52:33 | 0:52:36 | |
# They might get confused | 0:52:36 | 0:52:38 | |
# I don't want nobody else | 0:52:38 | 0:52:41 | |
# Loving you | 0:52:41 | 0:52:43 | |
# I don't want nobody else | 0:52:43 | 0:52:47 | |
# Nobody else Nobody else | 0:52:47 | 0:52:51 | |
# Whoo! Ooh-ooh | 0:52:53 | 0:52:55 | |
# Oh | 0:52:55 | 0:52:57 | |
# Sienna, oh, baby... # | 0:52:57 | 0:52:59 | |
Thank you so much. Peace and love. | 0:52:59 | 0:53:02 | |
CHEERING AND APPLAUSE | 0:53:02 | 0:53:04 | |
Loving this Saturday night of fun. | 0:53:10 | 0:53:12 | |
Ashley Banjo and his mammy were just perfect guests. | 0:53:12 | 0:53:15 | |
It's not just the dancing that runs through that family. | 0:53:15 | 0:53:18 | |
It's the kindness and the personality, too. | 0:53:18 | 0:53:20 | |
And Sue Perkins - oh, my God. She's wonderful. | 0:53:20 | 0:53:23 | |
For me, she's not a sponge. | 0:53:23 | 0:53:25 | |
She was the cherry on the top. | 0:53:25 | 0:53:28 | |
It was nice to see What's-his-name Merriweather back. | 0:53:28 | 0:53:32 | |
Even without his JCB. | 0:53:32 | 0:53:33 | |
And his friend, strumming his banjo, | 0:53:35 | 0:53:37 | |
and the other fella going "Oh-oh-oh" on the microphone. | 0:53:37 | 0:53:40 | |
Hm... It was nice. | 0:53:40 | 0:53:42 | |
Enjoy the rest of the weekend. | 0:53:42 | 0:53:43 | |
Oh, and by the way, don't get caught. | 0:53:43 | 0:53:46 | |
Good night! | 0:53:46 | 0:53:48 | |
CHEERING AND APPLAUSE | 0:53:48 | 0:53:50 | |
# Make a date, don't be late | 0:53:54 | 0:53:57 | |
# Cos you know it's gonna be great | 0:53:57 | 0:53:59 | |
# When the irrepressible Browns come to town | 0:53:59 | 0:54:04 | |
# To begin, just tune in | 0:54:04 | 0:54:07 | |
# And you'll wear an ear-to-ear grin | 0:54:07 | 0:54:10 | |
# Watching Agnes and her clan act the clown | 0:54:10 | 0:54:14 | |
# Instead of feeling depressed | 0:54:15 | 0:54:18 | |
# Let laughter make you feel blessed | 0:54:18 | 0:54:20 | |
# So it's all round | 0:54:20 | 0:54:22 | |
# To Mrs Brown's! # | 0:54:22 | 0:54:25 |