Browse content similar to Grounds for Divorce. Check below for episodes and series from the same categories and more!
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# Ground floor - perfumery Stationery and leather goods | 0:00:06 | 0:00:09 | |
# Wigs and haberdashery Kitchenware and food - Going up! | 0:00:09 | 0:00:12 | |
# First floor - telephones Gents' ready-made suits | 0:00:17 | 0:00:20 | |
# Shirts, socks, ties, hats Underwear and shoes - Going up! | 0:00:20 | 0:00:24 | |
# Second floor - carpets Travel books and bedding | 0:00:29 | 0:00:32 | |
# Materials, soft furnishing Restaurant and teas - Going down! # | 0:00:32 | 0:00:36 | |
Morning, all. | 0:00:41 | 0:00:43 | |
Mr Harman, as Captain Peacock isn't here, I feel it is up to me to tell | 0:00:43 | 0:00:47 | |
you that I don't want you on the floor at this time in the morning. | 0:00:47 | 0:00:50 | |
My wife will be pleased to hear that. She is a very jealous woman. | 0:00:50 | 0:00:54 | |
HE SINGS TO HIMSELF | 0:00:57 | 0:00:59 | |
Who told you he was short-sighted? | 0:01:01 | 0:01:03 | |
Orders from above. | 0:01:03 | 0:01:04 | |
To enhance the sale of the costume all-purpose spectacles, they | 0:01:04 | 0:01:07 | |
are to go on display at all possible occasions. | 0:01:07 | 0:01:10 | |
And you are on commission. | 0:01:10 | 0:01:11 | |
Oh, hang on a minute. Here, try those on. | 0:01:11 | 0:01:15 | |
How do I look? | 0:01:15 | 0:01:17 | |
Oh, yes, people will respect you wearing those. | 0:01:17 | 0:01:19 | |
-They make you look important. -I'll have them. | 0:01:19 | 0:01:22 | |
Mr Harman, get off the floor. | 0:01:22 | 0:01:24 | |
On second thoughts, you can have them. | 0:01:24 | 0:01:27 | |
Mrs Slocombe, Mr Humphries, | 0:01:27 | 0:01:28 | |
you should know better than to gather centre floor for a chat. | 0:01:28 | 0:01:31 | |
As a matter of fact, we was discussing why you were late. | 0:01:31 | 0:01:34 | |
Yes, we was worried about you, wasn't we? | 0:01:34 | 0:01:36 | |
We were about to phone the hospitals and the police station. | 0:01:36 | 0:01:39 | |
And Battersea Dogs' Home. | 0:01:39 | 0:01:41 | |
It is just eight minutes past nine. Hardly cause for panic. | 0:01:41 | 0:01:44 | |
That spectacle display should have been ready first thing. | 0:01:44 | 0:01:47 | |
I'm sorry, Colonel. Would you be looking for a new pair yourself? | 0:01:47 | 0:01:50 | |
Or will you be sticking to your normal Neville Chamberlains? | 0:01:50 | 0:01:53 | |
I shall be looking for a new member of packing | 0:01:53 | 0:01:55 | |
-if you don't leave the floor. -Just going, my lord. | 0:01:55 | 0:01:57 | |
PHONE RINGS | 0:01:57 | 0:01:59 | |
-DEEP VOICE: -Menswear. | 0:02:01 | 0:02:02 | |
Oh, Mrs Peacock. Yes, yes, he's here. It's for you, Captain Peacock. | 0:02:03 | 0:02:08 | |
Yes? | 0:02:08 | 0:02:11 | |
I have until five o'clock to decide. We agreed that. | 0:02:11 | 0:02:14 | |
Yes, well, I can't speak in front of my staff. | 0:02:15 | 0:02:18 | |
Don't all stand there gaping. Get back to your counters. | 0:02:19 | 0:02:23 | |
The other side. | 0:02:27 | 0:02:28 | |
Well... | 0:02:32 | 0:02:33 | |
I can't talk now. I have to go. Goodbye. | 0:02:33 | 0:02:35 | |
Captain Peacock, normally I would acquiesce with your command to | 0:02:35 | 0:02:38 | |
return to my counter but if you are in any trouble, and I am | 0:02:38 | 0:02:42 | |
unanimous in this, I would like you to know that we are all behind you. | 0:02:42 | 0:02:47 | |
I'm not in any sort of trouble. | 0:02:47 | 0:02:49 | |
If you're not, why is that muscle in your neck twitching? | 0:02:49 | 0:02:54 | |
-I repeat, I have no problems whatsoever. -I wouldn't say that. | 0:02:54 | 0:02:57 | |
-Rumbold's on the warpath. -Peacock? -Yes, Mr Rumbold? | 0:02:57 | 0:03:01 | |
It is well after opening time and I find you wearing your hat and coat. | 0:03:01 | 0:03:05 | |
I can only conclude that you are late and setting a very bad example. | 0:03:05 | 0:03:08 | |
If I may speak, Mr Rumbold, Captain Peacock isn't late. | 0:03:08 | 0:03:11 | |
He was modelling this hat and coat for a customer. | 0:03:11 | 0:03:14 | |
But it is his hat and coat. | 0:03:14 | 0:03:16 | |
Yes, he was showing the customer how well they wear. | 0:03:16 | 0:03:19 | |
-Well, where is the customer? -They have gone away to think about it. | 0:03:20 | 0:03:24 | |
I'm sorry but you have been late three times this week | 0:03:26 | 0:03:30 | |
and a fourth time would have meant a severe reprimand. | 0:03:30 | 0:03:32 | |
Oh, what poppycock! We are not still at school, you know. | 0:03:32 | 0:03:36 | |
Really, Peacock, I won't be spoken to in that manner in front of the staff. | 0:03:36 | 0:03:40 | |
And neither will I. And if you continue to get up my nose, | 0:03:40 | 0:03:43 | |
I shall be forced to mention the number of days | 0:03:43 | 0:03:45 | |
you leave early by the back entrance. | 0:03:45 | 0:03:47 | |
Peacock, you are pushing my patience to its limits. | 0:03:47 | 0:03:49 | |
Really? | 0:03:49 | 0:03:51 | |
I may seem a good-natured person | 0:03:51 | 0:03:53 | |
but I must warn you I am capable of blowing my top. | 0:03:53 | 0:03:56 | |
Judging by appearances, you have already blown it. | 0:03:56 | 0:03:59 | |
I really don't think senior management should | 0:04:00 | 0:04:03 | |
engage in this kind of exchange in front of counter staff. | 0:04:03 | 0:04:06 | |
Don't mind us, we are enjoying it. | 0:04:06 | 0:04:08 | |
I shall expect an apology before I leave. | 0:04:09 | 0:04:12 | |
Will that be at 5pm or are you slipping out early again? | 0:04:12 | 0:04:15 | |
-That will be all. Get back to your places. -You told him. | 0:04:15 | 0:04:19 | |
Oh, do you know, I am really proud to be on your floor. | 0:04:19 | 0:04:22 | |
I may not be on this floor much longer. | 0:04:22 | 0:04:26 | |
I am thinking of making a change. | 0:04:26 | 0:04:27 | |
Don't say that. It wouldn't be the same without you. | 0:04:27 | 0:04:30 | |
PHONE RINGS | 0:04:30 | 0:04:31 | |
-DEEP VOICE: -Menswear. | 0:04:34 | 0:04:36 | |
Accounts? Yes, Miss... Miss Bagnold. Just a moment. | 0:04:36 | 0:04:41 | |
Captain Peacock? | 0:04:41 | 0:04:42 | |
This is rather a private matter, if you wouldn't mind. | 0:04:44 | 0:04:47 | |
Come along, everyone, away from the phone. | 0:04:47 | 0:04:50 | |
I told you not to phone me. | 0:04:50 | 0:04:52 | |
Yes, yes, she knows everything. | 0:04:53 | 0:04:55 | |
Well, almost everything. | 0:04:55 | 0:04:57 | |
No, no. I haven't made up my mind one way or the other. | 0:04:57 | 0:05:01 | |
Listen, I think | 0:05:01 | 0:05:03 | |
it was most unwise of you to get a position with this firm. | 0:05:03 | 0:05:06 | |
We can be near each other after hours. | 0:05:08 | 0:05:11 | |
No. | 0:05:13 | 0:05:15 | |
No, I am not leaving the floor. Now, Edna, you must not come down here. | 0:05:15 | 0:05:19 | |
Now listen, I am putting the phone down now. | 0:05:19 | 0:05:22 | |
Now, please, do not ring me again. | 0:05:22 | 0:05:23 | |
I hope none of you heard that. | 0:05:27 | 0:05:29 | |
ALL: Pardon? | 0:05:29 | 0:05:30 | |
I said I hope none of you heard that. | 0:05:31 | 0:05:33 | |
-Of course not. -Which Miss Bagnold was that? | 0:05:33 | 0:05:36 | |
I expect the new one in accounts with the big knockers. | 0:05:36 | 0:05:40 | |
I hope this tittle-tattle doesn't go any further. | 0:05:40 | 0:05:42 | |
Oh, don't worry, you can trust us. | 0:05:42 | 0:05:45 | |
Well, I... | 0:05:45 | 0:05:47 | |
I have a slight problem but I'm sure I can... | 0:05:47 | 0:05:50 | |
I can settle it all right. | 0:05:50 | 0:05:51 | |
I would be obliged if you didn't mention it again. | 0:05:51 | 0:05:53 | |
-It's rather delicate. -Mum's the word. -I hope not. | 0:05:53 | 0:05:57 | |
PHONE RINGS | 0:05:57 | 0:05:58 | |
Yes, who is it this time? | 0:06:01 | 0:06:03 | |
Oh, Mrs Peacock. | 0:06:03 | 0:06:05 | |
You don't want to disturb him? No. But you want to know what? | 0:06:05 | 0:06:09 | |
Are you on or off for tonight? | 0:06:10 | 0:06:12 | |
Tell her I haven't made up my mind. | 0:06:12 | 0:06:14 | |
Hello? Whatever it is, he hasn't made up his mind. | 0:06:14 | 0:06:17 | |
You'll be here at five o'clock anyway? | 0:06:18 | 0:06:21 | |
She has hung up. | 0:06:21 | 0:06:23 | |
I take it you're not on the best of terms with Mrs Peacock. | 0:06:23 | 0:06:27 | |
That is correct. Now, if you don't mind, | 0:06:27 | 0:06:29 | |
let us continue with our business as normal. | 0:06:29 | 0:06:32 | |
Oh, poor Captain Peacock. I thought he was under a strain. | 0:06:33 | 0:06:38 | |
-You can always tell when a man's got something worrying him. -How? | 0:06:38 | 0:06:41 | |
He looks furtive. | 0:06:41 | 0:06:43 | |
Well, what do you think is up? | 0:06:45 | 0:06:47 | |
Well, it's clear that he has got a problem at home. | 0:06:47 | 0:06:51 | |
-And not for the first time. -Oh. | 0:06:51 | 0:06:54 | |
What about this Miss Bagnold from the accounts? She only joined this week. | 0:06:54 | 0:06:58 | |
-Yes, well, obviously he has known her before. -Oh! | 0:06:58 | 0:07:04 | |
Do you mean known in the biblical sense? Or just socially? | 0:07:04 | 0:07:10 | |
Oh, well, nowadays it's the same thing. | 0:07:10 | 0:07:13 | |
But obviously she is preying on his mind. | 0:07:13 | 0:07:18 | |
I wonder who he is thinking about now. | 0:07:18 | 0:07:20 | |
His wife or Miss Bagnold? | 0:07:20 | 0:07:22 | |
I sincerely hope it is his wife. | 0:07:22 | 0:07:25 | |
But when people get to middle age, you know, they get desperate. | 0:07:25 | 0:07:30 | |
They feel their youth escaping, | 0:07:30 | 0:07:33 | |
the chill wind of autumn has started to blow. | 0:07:33 | 0:07:36 | |
Well, I know that's how I felt. | 0:07:36 | 0:07:39 | |
And did you kick over the traces when you felt the chill wind of autumn? | 0:07:41 | 0:07:45 | |
No. I bought some thick knickers. | 0:07:45 | 0:07:48 | |
Stephen. Psst. | 0:07:51 | 0:07:53 | |
I must talk to you. | 0:07:53 | 0:07:55 | |
-Not now. -I'm not leaving until you do. | 0:07:55 | 0:07:58 | |
Oh! | 0:07:58 | 0:07:59 | |
Mr Humphries, are you free? | 0:08:01 | 0:08:04 | |
I'm free. | 0:08:04 | 0:08:05 | |
Would you take the floor for a moment? | 0:08:06 | 0:08:08 | |
I have to discuss a matter with a member of the accounts department. | 0:08:08 | 0:08:11 | |
Did you see that? | 0:08:24 | 0:08:26 | |
It's like Dallas. | 0:08:26 | 0:08:27 | |
He is asking for trouble. | 0:08:29 | 0:08:31 | |
If you ask me, he has got it. The lift's stuck... | 0:08:31 | 0:08:34 | |
The lift's stuck between floors. | 0:08:34 | 0:08:36 | |
-What's going on? -More like what's going off? | 0:08:36 | 0:08:40 | |
No, no, I mean generally, between them. | 0:08:40 | 0:08:44 | |
He hasn't confided in me. | 0:08:44 | 0:08:45 | |
Obviously, he's thinking about leaving home for this other woman. | 0:08:45 | 0:08:48 | |
She has only come to light since she joined accounts to be near him. | 0:08:48 | 0:08:51 | |
And I expect, like most men, | 0:08:51 | 0:08:52 | |
he doesn't mind a bit of shilly-shally on the side. | 0:08:52 | 0:08:56 | |
As long as it is away from home. | 0:08:56 | 0:08:58 | |
Or away from work. | 0:08:58 | 0:08:59 | |
Oh, some men like it at work. | 0:08:59 | 0:09:01 | |
You denied everything when they fired Mr Bentall. | 0:09:03 | 0:09:07 | |
We all denied everything when they fired Mr Bentall. | 0:09:07 | 0:09:11 | |
The point is that Captain Peacock's in a bit of a spot | 0:09:11 | 0:09:13 | |
and I think we ought to stick by him. | 0:09:13 | 0:09:15 | |
Yes, but if he won't confide in us, what can we do? | 0:09:15 | 0:09:17 | |
Well, we'll find an opportunity to have a chat with him | 0:09:17 | 0:09:20 | |
and assess his situation and try and advise him the best way we can. | 0:09:20 | 0:09:23 | |
What a good idea. | 0:09:23 | 0:09:24 | |
Now, see, I'll sit next to him in the canteen and draw him out. | 0:09:24 | 0:09:28 | |
You lot pretend to be chatting amongst yourselves. | 0:09:28 | 0:09:31 | |
It's probably just a passing crush this woman has got on him. | 0:09:31 | 0:09:33 | |
It will all be over by coffee time. | 0:09:33 | 0:09:35 | |
I think it's going to take a bit longer than that. | 0:09:41 | 0:09:45 | |
Captain Peacock, would it help to have a woman's opinion? | 0:09:50 | 0:09:54 | |
Don't talk to me about women. I have had women up to here. | 0:09:54 | 0:09:58 | |
I've never seen one that tall. | 0:09:58 | 0:09:59 | |
Be quiet. | 0:09:59 | 0:10:01 | |
No, I mean about your problem. | 0:10:01 | 0:10:02 | |
I mean, it is clear that you | 0:10:02 | 0:10:04 | |
and Mrs Peacock aren't getting on as well as might be at the moment. | 0:10:04 | 0:10:07 | |
Are you surprised? We have been married for over 30 years. | 0:10:07 | 0:10:10 | |
Well, you are bound to have your ups and downs. | 0:10:10 | 0:10:12 | |
I mean, my marriage had its ups and downs for years. | 0:10:12 | 0:10:16 | |
In fact, for the last few, there were hardly any ups at all. | 0:10:16 | 0:10:19 | |
I'm afraid... I'm afraid mine has got to the point where | 0:10:21 | 0:10:24 | |
I have either got to go now or stay for ever and make the best of it. | 0:10:24 | 0:10:28 | |
The trouble is, I can't go. | 0:10:28 | 0:10:29 | |
Why not? | 0:10:29 | 0:10:31 | |
This is just between us. | 0:10:31 | 0:10:33 | |
I don't care who knows. | 0:10:33 | 0:10:35 | |
Except Spooner. | 0:10:38 | 0:10:40 | |
I'll put some buns on my ears. | 0:10:41 | 0:10:43 | |
You look like an underdone hamburger. | 0:10:47 | 0:10:50 | |
The problem is... The problem is my wife won't give me a divorce. | 0:10:51 | 0:10:55 | |
-Have you asked for one? -What an idiotic question. Of course I have. | 0:10:55 | 0:10:59 | |
It is not just for myself, you understand. | 0:10:59 | 0:11:01 | |
I think it would be better for her. I have changed over the years. | 0:11:01 | 0:11:05 | |
I am not the same gay, carefree fellow I was when we first met. | 0:11:05 | 0:11:09 | |
You're certainly not as carefree. | 0:11:09 | 0:11:11 | |
Then I met Miss Bagnold at the golf club. | 0:11:12 | 0:11:16 | |
-Was this recent? -No. | 0:11:16 | 0:11:18 | |
Two summers ago. An old Army chum and his wife introduced us | 0:11:18 | 0:11:21 | |
and we had a foursome that was most enjoyable. | 0:11:21 | 0:11:24 | |
Hang on, I need some more buns. | 0:11:25 | 0:11:27 | |
Then it turned out that Miss Bagnold and I have the same handicap. | 0:11:28 | 0:11:33 | |
Oh, you was both married? | 0:11:33 | 0:11:35 | |
Golf handicap. | 0:11:35 | 0:11:37 | |
She was single, had a good job in a bank - the Midland. | 0:11:37 | 0:11:41 | |
And, like a fool, I opened an account there | 0:11:41 | 0:11:44 | |
and I always seemed to find myself at her window. | 0:11:44 | 0:11:47 | |
Well, she became infatuated and, I think, so did I. | 0:11:47 | 0:11:51 | |
Soon, the entire Midland Bank knew about it. | 0:11:51 | 0:11:53 | |
Well, it is the listening bank. | 0:11:53 | 0:11:55 | |
I found that I was thinking about her more and more and, | 0:11:56 | 0:12:00 | |
unfortunately, I talked in my sleep. | 0:12:00 | 0:12:02 | |
And apparently I kept repeating my account number. | 0:12:02 | 0:12:06 | |
-My wife got suspicious. -How do you know? | 0:12:06 | 0:12:08 | |
She hit me with the bedside lamp. | 0:12:08 | 0:12:11 | |
What did you do? | 0:12:11 | 0:12:13 | |
Opened an account at the National Westminster and asked for a divorce. | 0:12:13 | 0:12:17 | |
Of course, no wonder you have been looking peaky. | 0:12:17 | 0:12:19 | |
The divorce is playing on your mind. | 0:12:19 | 0:12:22 | |
No, no, no. As I said, my wife refuses to give me a divorce. | 0:12:22 | 0:12:26 | |
On the contrary, she wants to forget the whole episode | 0:12:26 | 0:12:28 | |
-and give it another try. -Wouldn't it be worth giving it another try? | 0:12:28 | 0:12:32 | |
Well, I thought so. | 0:12:32 | 0:12:34 | |
Until Miss Bagnold gave up her former position | 0:12:34 | 0:12:36 | |
-and joined the accounts department here. -She shouldn't have done that. | 0:12:36 | 0:12:40 | |
As long as I don't see her I am fine. | 0:12:40 | 0:12:43 | |
But the sight of that desperate face plays old Harry with my conscience. | 0:12:43 | 0:12:47 | |
-And I realise what a swine I have been. -The strain must be awful. | 0:12:47 | 0:12:52 | |
Oh, you don't know the anguish of making two women unhappy. | 0:12:52 | 0:12:56 | |
No, no, I need a change. | 0:12:56 | 0:12:59 | |
If you was younger, you could go off and join the Foreign Legion. | 0:12:59 | 0:13:03 | |
That did cross my mind. | 0:13:03 | 0:13:05 | |
Forgetting it all with a tough bunch of men. | 0:13:05 | 0:13:08 | |
It's crossed my mind occasionally. | 0:13:08 | 0:13:10 | |
But, well, when you get to my age, it's too late. | 0:13:12 | 0:13:17 | |
What are you going to do? | 0:13:17 | 0:13:19 | |
Well, whatever I do, I've got to do it today. | 0:13:19 | 0:13:21 | |
I promised my wife that I'd make a decision one way or the other | 0:13:21 | 0:13:25 | |
and as she is arriving here at 5pm, well, | 0:13:25 | 0:13:26 | |
I expect there is only one course open to me. | 0:13:26 | 0:13:28 | |
I should try the fire exit cos here's Miss Bagnold. | 0:13:28 | 0:13:31 | |
Stephen, I must talk to you. | 0:13:31 | 0:13:34 | |
Leave this to me. I'll deal with her. | 0:13:34 | 0:13:36 | |
Not now, Miss Bagnold, I'm having my coffee with my staff. | 0:13:36 | 0:13:39 | |
I've decided that, if you won't leave your wife, | 0:13:39 | 0:13:42 | |
-there's only one thing left for me to do. -Return to the bank? | 0:13:42 | 0:13:45 | |
No, I shall wait for you for ever. | 0:13:45 | 0:13:49 | |
No man can ever take your place. | 0:13:49 | 0:13:52 | |
Wherever you go, I shall be there. | 0:13:52 | 0:13:54 | |
Such is my love for you and I don't care who knows it. | 0:13:54 | 0:13:57 | |
Just a moment, Miss Bagnold, | 0:13:57 | 0:13:59 | |
you are not the only one that loves Captain Peacock, you know. | 0:13:59 | 0:14:01 | |
Eh? | 0:14:01 | 0:14:03 | |
He is very popular here so don't be selfish. | 0:14:04 | 0:14:06 | |
Does your heart tremble when he takes your hand? | 0:14:07 | 0:14:10 | |
Does your day suddenly fill with a rainbow when he smiles? | 0:14:13 | 0:14:17 | |
Do you want to hold him in your arms and kiss him like this? | 0:14:19 | 0:14:23 | |
You have got a submission. | 0:14:30 | 0:14:32 | |
Excuse me. Excuse me. I only said he was very popular. | 0:14:34 | 0:14:37 | |
I don't know him as well as that. | 0:14:37 | 0:14:39 | |
Oh, well, that's it, I shall have to offer my resignation. | 0:14:47 | 0:14:51 | |
-I can't stay here now. -You will do nothing of the sort. | 0:14:51 | 0:14:53 | |
-If anybody goes, it is her. -Just a minute, I've got an idea. | 0:14:53 | 0:14:57 | |
How about if she found you with another woman? | 0:14:57 | 0:15:00 | |
Then she would go mad and go off you. | 0:15:00 | 0:15:02 | |
Yes, yes, if she found out how shallow you are, she would leave. | 0:15:02 | 0:15:07 | |
I don't want to hurt her. She really is in love. | 0:15:07 | 0:15:11 | |
You know, I have often thought how much easier it would be to be | 0:15:11 | 0:15:14 | |
a woman. They lead much more straightforward lives than we do. | 0:15:14 | 0:15:17 | |
Everything is in black and white to them. | 0:15:17 | 0:15:20 | |
SHOUTING: You've got to be cruel to be... Sorry. | 0:15:20 | 0:15:22 | |
You've got to be cruel to be kind. I mean, you'll be doing her a favour. | 0:15:22 | 0:15:25 | |
I've often done it to get rid of birds. | 0:15:25 | 0:15:28 | |
Huh! You? You've never had a bird to get rid of. | 0:15:28 | 0:15:31 | |
I'll have you know I have them banging on my door every night. | 0:15:31 | 0:15:35 | |
Yeah, trying to get out. | 0:15:35 | 0:15:36 | |
No, you know, there might be something in it. | 0:15:38 | 0:15:40 | |
Well, it might work but how can we arrange it? | 0:15:40 | 0:15:43 | |
Well, you could be kissing Mrs Slocombe in the fitting room. | 0:15:43 | 0:15:46 | |
And I'll get Miss Bagnold down on the floor on some pretext. | 0:15:46 | 0:15:50 | |
Ask for change for the till. That's always a good one. | 0:15:50 | 0:15:53 | |
Well, would she be jealous of Mrs Slocombe? | 0:15:53 | 0:15:55 | |
Well, if we were in a passionate embrace. | 0:15:55 | 0:15:58 | |
Don't you think she might be more inclined to be jealous | 0:15:58 | 0:16:01 | |
if I was in a passionate embrace with Miss Brahms? | 0:16:01 | 0:16:04 | |
No, Miss Brahms looks too easy. | 0:16:04 | 0:16:07 | |
Ow! | 0:16:07 | 0:16:09 | |
I mean, Mrs Slocombe's got that sort of unobtainable quality about her. | 0:16:09 | 0:16:12 | |
No-one would believe anyone would be kissing her | 0:16:12 | 0:16:14 | |
unless they was really serious. | 0:16:14 | 0:16:16 | |
Ow! Leave it out. | 0:16:19 | 0:16:21 | |
Here, actually, he might be right, you know. | 0:16:21 | 0:16:24 | |
Yes, well, we'll keep that as a last resort. | 0:16:24 | 0:16:27 | |
Firstly, I'm going to have to speak to Mr Rumbold | 0:16:27 | 0:16:30 | |
and see if he can get Miss Bagnold moved to another branch. | 0:16:30 | 0:16:35 | |
She quite clearly... She can't control herself working here. | 0:16:35 | 0:16:38 | |
Can I ask you a personal question? | 0:16:38 | 0:16:40 | |
Hm? | 0:16:40 | 0:16:41 | |
What exactly do you do to get them in this state? | 0:16:41 | 0:16:45 | |
Well, that's just it, I don't do anything. | 0:16:45 | 0:16:48 | |
Neither do I. | 0:16:48 | 0:16:49 | |
It doesn't seem to have the same effect. | 0:16:51 | 0:16:53 | |
I can't just ask accounts to transfer Miss Bagnold without a good reason. | 0:16:56 | 0:17:01 | |
I assure you, I have a good reason. | 0:17:01 | 0:17:04 | |
But it's not one I can discuss in front of your secretary. | 0:17:04 | 0:17:06 | |
I know the reason. You are in love with her. | 0:17:06 | 0:17:09 | |
I am not in love with her. | 0:17:09 | 0:17:11 | |
It's all over the store. It's even written on the wall of the ladies'. | 0:17:11 | 0:17:15 | |
Is it indeed? | 0:17:15 | 0:17:16 | |
We must have it off as soon as possible. | 0:17:17 | 0:17:19 | |
You have seen it too. | 0:17:21 | 0:17:23 | |
Do I gather that you, a married man, have been Casanova-ing around? | 0:17:23 | 0:17:28 | |
No. I mean, unfortunately, that Miss Bagnold is more than | 0:17:28 | 0:17:32 | |
infatuated with me, which is causing me great embarrassment. | 0:17:32 | 0:17:36 | |
-Does your wife know? -Yes. As a matter of fact, I have asked for a divorce. | 0:17:36 | 0:17:40 | |
Ah, so you can marry Miss Bagnold. | 0:17:40 | 0:17:42 | |
Miss Bagnold is driving me mad. | 0:17:42 | 0:17:45 | |
Oh, and you said I drove you mad. | 0:17:45 | 0:17:48 | |
Ah, you want to marry Miss Belfridge. | 0:17:48 | 0:17:50 | |
I strongly advise against it. | 0:17:50 | 0:17:52 | |
The age gap - it would never work. | 0:17:52 | 0:17:54 | |
I don't want to marry anyone. | 0:17:54 | 0:17:55 | |
-Well, why ask for a divorce? -Because I've had enough. | 0:17:55 | 0:17:58 | |
It would appear more than enough. | 0:17:58 | 0:18:00 | |
Oh, Miss Belfridge, I think you had better leave. | 0:18:01 | 0:18:04 | |
-This is clearly a very personal matter. -It's getting a bit late now. | 0:18:04 | 0:18:07 | |
-She's heard everything. -KNOCK ON DOOR | 0:18:07 | 0:18:08 | |
Well, I'm sorry, I can't help you. | 0:18:08 | 0:18:10 | |
Your executive tea and biscuits, sir. | 0:18:10 | 0:18:12 | |
Ah, I see you're entertaining The Red Shadow. | 0:18:12 | 0:18:15 | |
Miss Bagnold's looking for you. | 0:18:17 | 0:18:18 | |
I do not wish to discuss my private life with cellar people. | 0:18:18 | 0:18:21 | |
Well, you're the talk of the store. | 0:18:21 | 0:18:23 | |
They're calling you the Robert Redford of ready-mades. | 0:18:23 | 0:18:27 | |
In packing, they're running a book. | 0:18:27 | 0:18:29 | |
5 to 1 that you run off with Miss Bagnold. | 0:18:29 | 0:18:31 | |
That will do, Mr Harman. | 0:18:31 | 0:18:33 | |
You can see how intolerable my position is becoming. | 0:18:33 | 0:18:36 | |
I won't let you do it. I'll stand by you, Stephen. | 0:18:36 | 0:18:41 | |
I'll make a note of that. | 0:18:44 | 0:18:45 | |
20 to 1, Miss Belfridge. An outsider but a lot of form. | 0:18:46 | 0:18:50 | |
Right, I have phoned Miss Bagnold. | 0:18:54 | 0:18:55 | |
I have told her we need some change for the till. | 0:18:55 | 0:18:57 | |
Now, when she comes down on the floor, she will ask where you are. | 0:18:57 | 0:19:00 | |
I shall lower my eyes shiftily. Like this. | 0:19:00 | 0:19:03 | |
Oh, yes, that's shifty. | 0:19:05 | 0:19:07 | |
And then I shall blurt out, "He's in there but don't go in!" | 0:19:07 | 0:19:11 | |
And then she will find us in a clinch | 0:19:11 | 0:19:13 | |
-and she will go right off you. -I'm sure she will. | 0:19:13 | 0:19:16 | |
I'll make it as realistic as I can. | 0:19:18 | 0:19:20 | |
And I'll attempt to do the same. | 0:19:20 | 0:19:23 | |
-Well, come on, let's have a quick practice. -Very well. | 0:19:23 | 0:19:25 | |
Now then, do you want it on the floor or shall we be standing up? | 0:19:29 | 0:19:32 | |
I'm not a sex maniac. I just suffer from the odd infatuation. | 0:19:34 | 0:19:38 | |
-I think standing up will be quite sufficient. -Right, well, come on. | 0:19:38 | 0:19:42 | |
Let's have a quick one. | 0:19:42 | 0:19:44 | |
I...I...I don't think we should smudge your lipstick | 0:19:44 | 0:19:47 | |
until we get the word from Mr Humphries. | 0:19:47 | 0:19:49 | |
Yes, but we must rehearse which way round we are going to do it. | 0:19:49 | 0:19:52 | |
What do you mean, "which way round"? | 0:19:52 | 0:19:54 | |
Well, I mean do you want my left arm around your right shoulder | 0:19:54 | 0:19:58 | |
or vice versa? | 0:19:58 | 0:19:59 | |
I mean, usually, when I kiss people good night, | 0:19:59 | 0:20:02 | |
I have got my handbag over my right arm | 0:20:02 | 0:20:05 | |
so I hang my umbrella on it and I put my right arm round their necks. | 0:20:05 | 0:20:10 | |
Like this. | 0:20:10 | 0:20:12 | |
How... How often do you kiss people good night? | 0:20:16 | 0:20:18 | |
Well, when someone gives one a lift home from the pub, | 0:20:18 | 0:20:21 | |
they expect a bit of a canoodle. | 0:20:21 | 0:20:24 | |
That seems a satisfactory position. All we have to do now is wait. | 0:20:24 | 0:20:29 | |
SHE SNIFFS | 0:20:29 | 0:20:30 | |
Mmm, what's that aftershave? | 0:20:30 | 0:20:33 | |
-It's just my usual. -Mmm, it's lovely. | 0:20:33 | 0:20:36 | |
You know, looking at you from this angle, Stephen, | 0:20:36 | 0:20:40 | |
you are really a very attractive man. | 0:20:40 | 0:20:42 | |
-I can quite see what they all see in you. -Can you? | 0:20:44 | 0:20:46 | |
And I suppose, looking at me so close, | 0:20:47 | 0:20:52 | |
you can see what some of them see in me as well. | 0:20:52 | 0:20:55 | |
Yes, even from here, I can see it. | 0:20:56 | 0:20:58 | |
No, don't put your face there. | 0:21:00 | 0:21:02 | |
-All the powder will come off. -It will make her more jealous. -Oh! | 0:21:02 | 0:21:06 | |
-Where is Captain Peacock? I have got good news for him. -What is it? | 0:21:06 | 0:21:09 | |
I have just phoned the accounts department. | 0:21:09 | 0:21:12 | |
Apparently Miss Bagnold is not very satisfactory | 0:21:12 | 0:21:14 | |
and they are giving her three months' notice. | 0:21:14 | 0:21:16 | |
I don't think he will survive three months. | 0:21:16 | 0:21:18 | |
I have put the money in the till. By the way, where is Captain Peacock? | 0:21:18 | 0:21:22 | |
I want a word with him. It's no business of yours, Miss Bagnold. | 0:21:22 | 0:21:25 | |
Kindly get back to your own department. | 0:21:25 | 0:21:27 | |
I shall be back at going-home time. | 0:21:27 | 0:21:30 | |
By the way, where is Captain Peacock? | 0:21:30 | 0:21:33 | |
He's in there but don't go in. | 0:21:33 | 0:21:34 | |
That's it! That's it! Come on. | 0:21:34 | 0:21:36 | |
Captain Peacock, have you gone mad? | 0:21:38 | 0:21:40 | |
Where is Miss Bagnold? | 0:21:42 | 0:21:44 | |
Isn't one at a time enough? | 0:21:44 | 0:21:46 | |
Unless you can change your ways, you're finished at Grace Brothers. | 0:21:47 | 0:21:50 | |
-Oh. -Well, really! | 0:21:50 | 0:21:52 | |
What are you bringing those over here for? | 0:21:56 | 0:21:58 | |
Let's try and sell that customer some of these glasses. | 0:21:58 | 0:22:01 | |
Oh, yes, our commission. | 0:22:01 | 0:22:02 | |
Are you trying to tell me something? | 0:22:27 | 0:22:29 | |
As a matter of fact, I was trying to interest you in these glasses. | 0:22:29 | 0:22:32 | |
They are on special offer. | 0:22:32 | 0:22:34 | |
Really? Well, they're a little bit ordinary. | 0:22:34 | 0:22:37 | |
I prefer something big and dramatic. | 0:22:37 | 0:22:40 | |
Something bold that makes a statement. | 0:22:40 | 0:22:42 | |
Oh, so do I. | 0:22:42 | 0:22:44 | |
Like these. | 0:22:44 | 0:22:46 | |
Oh! | 0:22:46 | 0:22:47 | |
Oh, now they do make a statement. | 0:22:49 | 0:22:53 | |
You can have them for a fiver. | 0:22:53 | 0:22:55 | |
Done. | 0:22:55 | 0:22:56 | |
By the way, get rid of him. | 0:23:00 | 0:23:02 | |
He's very bad for your image. | 0:23:02 | 0:23:04 | |
-He's... Ahem. -DEEP VOICE: -He's right, you know. | 0:23:08 | 0:23:11 | |
Take them off. You look ridiculous. | 0:23:11 | 0:23:13 | |
You know, he hasn't said a word since lunch. | 0:23:13 | 0:23:16 | |
You can see his mind turning over. | 0:23:16 | 0:23:18 | |
He keeps muttering to himself, "Shall I or shan't I?" | 0:23:18 | 0:23:21 | |
Here, I heard him on the phone outside the canteen, | 0:23:21 | 0:23:24 | |
you know, talking to his wife. | 0:23:24 | 0:23:25 | |
It seems she is trying to get him to go back. | 0:23:25 | 0:23:28 | |
Anyway, she is coming in about five to see if it's on or off. | 0:23:28 | 0:23:31 | |
Well, he'll have to make up his mind one way or another before then | 0:23:31 | 0:23:34 | |
but if she won't give him a divorce, that's that. | 0:23:34 | 0:23:37 | |
May I use your mirror? | 0:23:40 | 0:23:42 | |
There you are. | 0:23:43 | 0:23:44 | |
Could I try the one with the bow? | 0:23:48 | 0:23:50 | |
You've got it on the wrong way round. | 0:23:57 | 0:23:59 | |
It's the way I like it. | 0:23:59 | 0:24:01 | |
-I'll take it. -Bag, Miss Brahms. | 0:24:02 | 0:24:05 | |
-And I'd like to look at some tights as well. -Size? -Large. | 0:24:05 | 0:24:10 | |
Large tights, Miss Brahms. | 0:24:10 | 0:24:12 | |
Colour? | 0:24:12 | 0:24:13 | |
Something dark. Without seams. | 0:24:13 | 0:24:16 | |
-I just had a terrible thought. -What? | 0:24:16 | 0:24:18 | |
You know you said there was no way Captain Peacock would get a divorce | 0:24:18 | 0:24:21 | |
-unless he changed completely? -Mm. | 0:24:21 | 0:24:23 | |
-I think he's found a way of doing it. -What way? | 0:24:23 | 0:24:27 | |
-Well, it's been done before. -What has? | 0:24:27 | 0:24:29 | |
Well, he's had all these terrible problems with women. | 0:24:29 | 0:24:32 | |
I mean, it's not easy being a man. I should know. | 0:24:32 | 0:24:35 | |
You don't think he is thinking of changing, do you? | 0:24:36 | 0:24:39 | |
Well, he has already tried two hats and now he's into the underwear. | 0:24:39 | 0:24:41 | |
He's come unhinged. | 0:24:41 | 0:24:44 | |
It's always the strong ones. | 0:24:44 | 0:24:47 | |
-There is one thing I can do before it's too late. -What's that? | 0:24:47 | 0:24:50 | |
Talk him out of it. | 0:24:50 | 0:24:51 | |
Well, I'll take the hat and the underwear. | 0:24:51 | 0:24:55 | |
-Now, do you have a smart skirt? Something short. -How short? | 0:24:55 | 0:24:59 | |
Well, about there. | 0:24:59 | 0:25:01 | |
No, not to there. | 0:25:04 | 0:25:07 | |
They're not fashionable any more, you know. | 0:25:08 | 0:25:10 | |
Ladies, to cocktail parties, are wearing trousers | 0:25:10 | 0:25:12 | |
and a smart white shirt and a little tie. | 0:25:12 | 0:25:15 | |
Well, I think a short skirt is more fun. | 0:25:15 | 0:25:18 | |
And it'll go with this blouse. | 0:25:18 | 0:25:21 | |
Oh, very nice. A bit see-through, isn't it? | 0:25:21 | 0:25:24 | |
Well, perhaps a black one. | 0:25:24 | 0:25:26 | |
Like that one over there. | 0:25:26 | 0:25:28 | |
Thank you. | 0:25:30 | 0:25:31 | |
Hmm. Are ladies wearing collars this high? | 0:25:32 | 0:25:35 | |
Ladies are, yes. But I don't think anybody else is. | 0:25:35 | 0:25:38 | |
Put them both in my bag, will you, and put it all on my staff account? | 0:25:40 | 0:25:44 | |
Oh, those suspender belts look rather fun. | 0:25:44 | 0:25:48 | |
Yes, I'll take stockings instead of tights. | 0:25:48 | 0:25:51 | |
Which one do you want? The white frilly one or the pink frilly one? | 0:25:52 | 0:25:57 | |
The black frilly one. | 0:25:57 | 0:25:59 | |
-They're rather common. -But fun. | 0:26:01 | 0:26:04 | |
Don't argue with the customer, Miss Brahms, just put them in a bag. | 0:26:08 | 0:26:12 | |
-Yes, Mrs Slocombe. There you are. -Thank you. | 0:26:12 | 0:26:15 | |
-Would you look after the floor, Mr Humphries? -Yes, Captain Peacock. | 0:26:15 | 0:26:19 | |
-I wonder what he wants with that lot. -Oh, don't you know? | 0:26:19 | 0:26:22 | |
He has found the only way he can get a divorce. | 0:26:22 | 0:26:24 | |
Mark my words, that lot's on its way | 0:26:24 | 0:26:26 | |
for a wild weekend in Brighton with someone. | 0:26:26 | 0:26:28 | |
With that lot, you could have a wild weekend by yourself. | 0:26:28 | 0:26:32 | |
You know, I did wonder and then I thought, | 0:26:32 | 0:26:35 | |
"No, not Captain Peacock." | 0:26:35 | 0:26:37 | |
Well, not with that moustache. | 0:26:37 | 0:26:39 | |
Well, his wife won't want him in the house dressed like that. | 0:26:39 | 0:26:41 | |
-She'll be sure to give him a divorce. -Yes, but to go to those lengths? | 0:26:41 | 0:26:45 | |
Oh, no, I don't believe it. | 0:26:45 | 0:26:46 | |
Unless they're for Miss Bagnold. | 0:26:46 | 0:26:49 | |
She is about that size. | 0:26:49 | 0:26:50 | |
-Or Miss Belfridge. -I bet it's Miss Bagnold. | 0:26:50 | 0:26:52 | |
He has decided to chuck it all in and make hay while he can. | 0:26:52 | 0:26:55 | |
Well, anyway, his wife's coming in about five. It's nearly that now. | 0:26:55 | 0:26:59 | |
Mind you, there's going to be fireworks. | 0:26:59 | 0:27:02 | |
Oh, well, stand by for blasting. | 0:27:02 | 0:27:03 | |
Here's Miss Bagnold for the showdown. | 0:27:03 | 0:27:05 | |
-You know, it's the busiest Tuesday I've known. -Where is Stephen? | 0:27:05 | 0:27:09 | |
He's in the fitting room. I'll get him for you. | 0:27:09 | 0:27:12 | |
Captain Peacock? Are you free? | 0:27:13 | 0:27:15 | |
I'm free. | 0:27:15 | 0:27:16 | |
No! Not you! Not Stephen! | 0:27:27 | 0:27:31 | |
Say it isn't you. | 0:27:31 | 0:27:33 | |
I'm afraid it is, Miss Bagnold. | 0:27:33 | 0:27:35 | |
I never want to see you again. | 0:27:35 | 0:27:37 | |
Thank heavens for that. | 0:27:40 | 0:27:42 | |
So that's why you did it. | 0:27:42 | 0:27:44 | |
Not entirely, no. | 0:27:44 | 0:27:45 | |
Oh, it's Mrs Peacock. | 0:27:47 | 0:27:48 | |
-Stephen? -Ah, there you are. | 0:27:49 | 0:27:52 | |
Darling, I've made up my mind. | 0:27:52 | 0:27:55 | |
I'm very glad to hear it. And may I say you look wonderful? | 0:27:55 | 0:28:00 | |
Thank you, my dear. And so do you. | 0:28:00 | 0:28:02 | |
Have I missed something? | 0:28:03 | 0:28:05 | |
I gave him one last chance. | 0:28:08 | 0:28:10 | |
We had tickets for a fancy dress ball in Chelsea and if he decided | 0:28:10 | 0:28:14 | |
to go with me, it meant that he would stay with me for ever. | 0:28:14 | 0:28:19 | |
Have you got any more tickets? | 0:28:19 | 0:28:20 | |
Two, actually. | 0:28:20 | 0:28:22 | |
Thank you. There is a little number I've been dying to try for ages. | 0:28:25 | 0:28:29 | |
Mrs Slocombe, are you free? | 0:28:33 | 0:28:35 | |
Yes, if you'll help me with my dicky and studs. | 0:28:35 | 0:28:37 | |
Thank goodness we are all back to normal. Come on. | 0:28:39 | 0:28:42 | |
# Ground floor - perfumery Stationery and leather goods | 0:28:49 | 0:28:53 | |
# Wigs and haberdashery Kitchenware and food. Going up! | 0:28:53 | 0:28:56 | |
# First floor - telephones Gents' ready-made suits | 0:29:01 | 0:29:04 | |
# Shirts, socks, ties, hats Underwear and shoes. Going up! | 0:29:04 | 0:29:07 | |
# Second floor - carpets Travel goods and bedding | 0:29:13 | 0:29:15 | |
# Materials, soft furnishing Restaurant and teas. Going down! | 0:29:15 | 0:29:19 | |
# First floor - telephones Gents' ready-made suits | 0:29:24 | 0:29:27 | |
# Shirts, socks, ties, hats Underwear and shoes. Going down! | 0:29:27 | 0:29:31 | |
# Ground floor - perfumery Stationery and leather goods | 0:29:36 | 0:29:39 | |
# Wigs and haberdashery Kitchenware and food. Going up! # | 0:29:39 | 0:29:42 | |
Subtitles by Red Bee Media Ltd | 0:29:42 | 0:29:46 |