Grounds for Divorce Are You Being Served?


Grounds for Divorce

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# Ground floor - perfumery Stationery and leather goods

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# Wigs and haberdashery Kitchenware and food - Going up!

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# First floor - telephones Gents' ready-made suits

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# Shirts, socks, ties, hats Underwear and shoes - Going up!

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# Second floor - carpets Travel books and bedding

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# Materials, soft furnishing Restaurant and teas - Going down! #

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Morning, all.

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Mr Harman, as Captain Peacock isn't here, I feel it is up to me to tell

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you that I don't want you on the floor at this time in the morning.

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My wife will be pleased to hear that. She is a very jealous woman.

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HE SINGS TO HIMSELF

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Who told you he was short-sighted?

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Orders from above.

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To enhance the sale of the costume all-purpose spectacles, they

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are to go on display at all possible occasions.

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And you are on commission.

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Oh, hang on a minute. Here, try those on.

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How do I look?

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Oh, yes, people will respect you wearing those.

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-They make you look important.

-I'll have them.

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Mr Harman, get off the floor.

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On second thoughts, you can have them.

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Mrs Slocombe, Mr Humphries,

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you should know better than to gather centre floor for a chat.

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As a matter of fact, we was discussing why you were late.

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Yes, we was worried about you, wasn't we?

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We were about to phone the hospitals and the police station.

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And Battersea Dogs' Home.

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It is just eight minutes past nine. Hardly cause for panic.

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That spectacle display should have been ready first thing.

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I'm sorry, Colonel. Would you be looking for a new pair yourself?

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Or will you be sticking to your normal Neville Chamberlains?

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I shall be looking for a new member of packing

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-if you don't leave the floor.

-Just going, my lord.

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PHONE RINGS

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-DEEP VOICE:

-Menswear.

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Oh, Mrs Peacock. Yes, yes, he's here. It's for you, Captain Peacock.

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Yes?

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I have until five o'clock to decide. We agreed that.

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Yes, well, I can't speak in front of my staff.

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Don't all stand there gaping. Get back to your counters.

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The other side.

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Well...

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I can't talk now. I have to go. Goodbye.

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Captain Peacock, normally I would acquiesce with your command to

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return to my counter but if you are in any trouble, and I am

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unanimous in this, I would like you to know that we are all behind you.

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I'm not in any sort of trouble.

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If you're not, why is that muscle in your neck twitching?

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-I repeat, I have no problems whatsoever.

-I wouldn't say that.

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-Rumbold's on the warpath.

-Peacock?

-Yes, Mr Rumbold?

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It is well after opening time and I find you wearing your hat and coat.

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I can only conclude that you are late and setting a very bad example.

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If I may speak, Mr Rumbold, Captain Peacock isn't late.

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He was modelling this hat and coat for a customer.

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But it is his hat and coat.

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Yes, he was showing the customer how well they wear.

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-Well, where is the customer?

-They have gone away to think about it.

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I'm sorry but you have been late three times this week

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and a fourth time would have meant a severe reprimand.

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Oh, what poppycock! We are not still at school, you know.

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Really, Peacock, I won't be spoken to in that manner in front of the staff.

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And neither will I. And if you continue to get up my nose,

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I shall be forced to mention the number of days

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you leave early by the back entrance.

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Peacock, you are pushing my patience to its limits.

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Really?

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I may seem a good-natured person

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but I must warn you I am capable of blowing my top.

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Judging by appearances, you have already blown it.

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I really don't think senior management should

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engage in this kind of exchange in front of counter staff.

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Don't mind us, we are enjoying it.

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I shall expect an apology before I leave.

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Will that be at 5pm or are you slipping out early again?

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-That will be all. Get back to your places.

-You told him.

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Oh, do you know, I am really proud to be on your floor.

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I may not be on this floor much longer.

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I am thinking of making a change.

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Don't say that. It wouldn't be the same without you.

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PHONE RINGS

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-DEEP VOICE:

-Menswear.

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Accounts? Yes, Miss... Miss Bagnold. Just a moment.

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Captain Peacock?

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This is rather a private matter, if you wouldn't mind.

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Come along, everyone, away from the phone.

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I told you not to phone me.

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Yes, yes, she knows everything.

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Well, almost everything.

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No, no. I haven't made up my mind one way or the other.

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Listen, I think

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it was most unwise of you to get a position with this firm.

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We can be near each other after hours.

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No.

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No, I am not leaving the floor. Now, Edna, you must not come down here.

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Now listen, I am putting the phone down now.

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Now, please, do not ring me again.

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I hope none of you heard that.

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ALL: Pardon?

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I said I hope none of you heard that.

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-Of course not.

-Which Miss Bagnold was that?

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I expect the new one in accounts with the big knockers.

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I hope this tittle-tattle doesn't go any further.

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Oh, don't worry, you can trust us.

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Well, I...

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I have a slight problem but I'm sure I can...

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I can settle it all right.

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I would be obliged if you didn't mention it again.

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-It's rather delicate.

-Mum's the word.

-I hope not.

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PHONE RINGS

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Yes, who is it this time?

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Oh, Mrs Peacock.

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You don't want to disturb him? No. But you want to know what?

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Are you on or off for tonight?

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Tell her I haven't made up my mind.

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Hello? Whatever it is, he hasn't made up his mind.

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You'll be here at five o'clock anyway?

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She has hung up.

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I take it you're not on the best of terms with Mrs Peacock.

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That is correct. Now, if you don't mind,

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let us continue with our business as normal.

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Oh, poor Captain Peacock. I thought he was under a strain.

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-You can always tell when a man's got something worrying him.

-How?

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He looks furtive.

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Well, what do you think is up?

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Well, it's clear that he has got a problem at home.

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-And not for the first time.

-Oh.

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What about this Miss Bagnold from the accounts? She only joined this week.

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-Yes, well, obviously he has known her before.

-Oh!

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Do you mean known in the biblical sense? Or just socially?

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Oh, well, nowadays it's the same thing.

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But obviously she is preying on his mind.

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I wonder who he is thinking about now.

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His wife or Miss Bagnold?

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I sincerely hope it is his wife.

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But when people get to middle age, you know, they get desperate.

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They feel their youth escaping,

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the chill wind of autumn has started to blow.

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Well, I know that's how I felt.

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And did you kick over the traces when you felt the chill wind of autumn?

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No. I bought some thick knickers.

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Stephen. Psst.

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I must talk to you.

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-Not now.

-I'm not leaving until you do.

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Oh!

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Mr Humphries, are you free?

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I'm free.

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Would you take the floor for a moment?

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I have to discuss a matter with a member of the accounts department.

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Did you see that?

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It's like Dallas.

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He is asking for trouble.

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If you ask me, he has got it. The lift's stuck...

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The lift's stuck between floors.

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-What's going on?

-More like what's going off?

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No, no, I mean generally, between them.

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He hasn't confided in me.

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Obviously, he's thinking about leaving home for this other woman.

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She has only come to light since she joined accounts to be near him.

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And I expect, like most men,

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he doesn't mind a bit of shilly-shally on the side.

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As long as it is away from home.

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Or away from work.

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Oh, some men like it at work.

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You denied everything when they fired Mr Bentall.

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We all denied everything when they fired Mr Bentall.

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The point is that Captain Peacock's in a bit of a spot

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and I think we ought to stick by him.

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Yes, but if he won't confide in us, what can we do?

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Well, we'll find an opportunity to have a chat with him

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and assess his situation and try and advise him the best way we can.

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What a good idea.

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Now, see, I'll sit next to him in the canteen and draw him out.

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You lot pretend to be chatting amongst yourselves.

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It's probably just a passing crush this woman has got on him.

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It will all be over by coffee time.

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I think it's going to take a bit longer than that.

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Captain Peacock, would it help to have a woman's opinion?

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Don't talk to me about women. I have had women up to here.

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I've never seen one that tall.

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Be quiet.

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No, I mean about your problem.

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I mean, it is clear that you

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and Mrs Peacock aren't getting on as well as might be at the moment.

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Are you surprised? We have been married for over 30 years.

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Well, you are bound to have your ups and downs.

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I mean, my marriage had its ups and downs for years.

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In fact, for the last few, there were hardly any ups at all.

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I'm afraid... I'm afraid mine has got to the point where

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I have either got to go now or stay for ever and make the best of it.

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The trouble is, I can't go.

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Why not?

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This is just between us.

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I don't care who knows.

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Except Spooner.

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I'll put some buns on my ears.

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You look like an underdone hamburger.

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The problem is... The problem is my wife won't give me a divorce.

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-Have you asked for one?

-What an idiotic question. Of course I have.

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It is not just for myself, you understand.

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I think it would be better for her. I have changed over the years.

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I am not the same gay, carefree fellow I was when we first met.

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You're certainly not as carefree.

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Then I met Miss Bagnold at the golf club.

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-Was this recent?

-No.

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Two summers ago. An old Army chum and his wife introduced us

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and we had a foursome that was most enjoyable.

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Hang on, I need some more buns.

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Then it turned out that Miss Bagnold and I have the same handicap.

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Oh, you was both married?

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Golf handicap.

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She was single, had a good job in a bank - the Midland.

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And, like a fool, I opened an account there

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and I always seemed to find myself at her window.

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Well, she became infatuated and, I think, so did I.

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Soon, the entire Midland Bank knew about it.

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Well, it is the listening bank.

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I found that I was thinking about her more and more and,

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unfortunately, I talked in my sleep.

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And apparently I kept repeating my account number.

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-My wife got suspicious.

-How do you know?

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She hit me with the bedside lamp.

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What did you do?

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Opened an account at the National Westminster and asked for a divorce.

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Of course, no wonder you have been looking peaky.

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The divorce is playing on your mind.

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No, no, no. As I said, my wife refuses to give me a divorce.

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On the contrary, she wants to forget the whole episode

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-and give it another try.

-Wouldn't it be worth giving it another try?

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Well, I thought so.

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Until Miss Bagnold gave up her former position

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-and joined the accounts department here.

-She shouldn't have done that.

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As long as I don't see her I am fine.

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But the sight of that desperate face plays old Harry with my conscience.

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-And I realise what a swine I have been.

-The strain must be awful.

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Oh, you don't know the anguish of making two women unhappy.

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No, no, I need a change.

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If you was younger, you could go off and join the Foreign Legion.

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That did cross my mind.

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Forgetting it all with a tough bunch of men.

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It's crossed my mind occasionally.

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But, well, when you get to my age, it's too late.

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What are you going to do?

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Well, whatever I do, I've got to do it today.

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I promised my wife that I'd make a decision one way or the other

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and as she is arriving here at 5pm, well,

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I expect there is only one course open to me.

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I should try the fire exit cos here's Miss Bagnold.

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Stephen, I must talk to you.

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Leave this to me. I'll deal with her.

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Not now, Miss Bagnold, I'm having my coffee with my staff.

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I've decided that, if you won't leave your wife,

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-there's only one thing left for me to do.

-Return to the bank?

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No, I shall wait for you for ever.

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No man can ever take your place.

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Wherever you go, I shall be there.

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Such is my love for you and I don't care who knows it.

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Just a moment, Miss Bagnold,

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you are not the only one that loves Captain Peacock, you know.

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Eh?

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He is very popular here so don't be selfish.

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Does your heart tremble when he takes your hand?

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Does your day suddenly fill with a rainbow when he smiles?

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Do you want to hold him in your arms and kiss him like this?

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You have got a submission.

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Excuse me. Excuse me. I only said he was very popular.

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I don't know him as well as that.

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Oh, well, that's it, I shall have to offer my resignation.

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-I can't stay here now.

-You will do nothing of the sort.

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-If anybody goes, it is her.

-Just a minute, I've got an idea.

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How about if she found you with another woman?

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Then she would go mad and go off you.

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Yes, yes, if she found out how shallow you are, she would leave.

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I don't want to hurt her. She really is in love.

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You know, I have often thought how much easier it would be to be

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a woman. They lead much more straightforward lives than we do.

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Everything is in black and white to them.

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SHOUTING: You've got to be cruel to be... Sorry.

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You've got to be cruel to be kind. I mean, you'll be doing her a favour.

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I've often done it to get rid of birds.

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Huh! You? You've never had a bird to get rid of.

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I'll have you know I have them banging on my door every night.

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Yeah, trying to get out.

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No, you know, there might be something in it.

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Well, it might work but how can we arrange it?

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Well, you could be kissing Mrs Slocombe in the fitting room.

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And I'll get Miss Bagnold down on the floor on some pretext.

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Ask for change for the till. That's always a good one.

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Well, would she be jealous of Mrs Slocombe?

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Well, if we were in a passionate embrace.

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Don't you think she might be more inclined to be jealous

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if I was in a passionate embrace with Miss Brahms?

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No, Miss Brahms looks too easy.

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Ow!

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I mean, Mrs Slocombe's got that sort of unobtainable quality about her.

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No-one would believe anyone would be kissing her

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unless they was really serious.

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Ow! Leave it out.

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Here, actually, he might be right, you know.

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Yes, well, we'll keep that as a last resort.

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Firstly, I'm going to have to speak to Mr Rumbold

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and see if he can get Miss Bagnold moved to another branch.

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She quite clearly... She can't control herself working here.

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Can I ask you a personal question?

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Hm?

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What exactly do you do to get them in this state?

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Well, that's just it, I don't do anything.

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Neither do I.

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It doesn't seem to have the same effect.

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I can't just ask accounts to transfer Miss Bagnold without a good reason.

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I assure you, I have a good reason.

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But it's not one I can discuss in front of your secretary.

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I know the reason. You are in love with her.

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I am not in love with her.

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It's all over the store. It's even written on the wall of the ladies'.

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Is it indeed?

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We must have it off as soon as possible.

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You have seen it too.

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Do I gather that you, a married man, have been Casanova-ing around?

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No. I mean, unfortunately, that Miss Bagnold is more than

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infatuated with me, which is causing me great embarrassment.

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-Does your wife know?

-Yes. As a matter of fact, I have asked for a divorce.

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Ah, so you can marry Miss Bagnold.

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Miss Bagnold is driving me mad.

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Oh, and you said I drove you mad.

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Ah, you want to marry Miss Belfridge.

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I strongly advise against it.

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The age gap - it would never work.

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I don't want to marry anyone.

0:17:540:17:55

-Well, why ask for a divorce?

-Because I've had enough.

0:17:550:17:58

It would appear more than enough.

0:17:580:18:00

Oh, Miss Belfridge, I think you had better leave.

0:18:010:18:04

-This is clearly a very personal matter.

-It's getting a bit late now.

0:18:040:18:07

-She's heard everything.

-KNOCK ON DOOR

0:18:070:18:08

Well, I'm sorry, I can't help you.

0:18:080:18:10

Your executive tea and biscuits, sir.

0:18:100:18:12

Ah, I see you're entertaining The Red Shadow.

0:18:120:18:15

Miss Bagnold's looking for you.

0:18:170:18:18

I do not wish to discuss my private life with cellar people.

0:18:180:18:21

Well, you're the talk of the store.

0:18:210:18:23

They're calling you the Robert Redford of ready-mades.

0:18:230:18:27

In packing, they're running a book.

0:18:270:18:29

5 to 1 that you run off with Miss Bagnold.

0:18:290:18:31

That will do, Mr Harman.

0:18:310:18:33

You can see how intolerable my position is becoming.

0:18:330:18:36

I won't let you do it. I'll stand by you, Stephen.

0:18:360:18:41

I'll make a note of that.

0:18:440:18:45

20 to 1, Miss Belfridge. An outsider but a lot of form.

0:18:460:18:50

Right, I have phoned Miss Bagnold.

0:18:540:18:55

I have told her we need some change for the till.

0:18:550:18:57

Now, when she comes down on the floor, she will ask where you are.

0:18:570:19:00

I shall lower my eyes shiftily. Like this.

0:19:000:19:03

Oh, yes, that's shifty.

0:19:050:19:07

And then I shall blurt out, "He's in there but don't go in!"

0:19:070:19:11

And then she will find us in a clinch

0:19:110:19:13

-and she will go right off you.

-I'm sure she will.

0:19:130:19:16

I'll make it as realistic as I can.

0:19:180:19:20

And I'll attempt to do the same.

0:19:200:19:23

-Well, come on, let's have a quick practice.

-Very well.

0:19:230:19:25

Now then, do you want it on the floor or shall we be standing up?

0:19:290:19:32

I'm not a sex maniac. I just suffer from the odd infatuation.

0:19:340:19:38

-I think standing up will be quite sufficient.

-Right, well, come on.

0:19:380:19:42

Let's have a quick one.

0:19:420:19:44

I...I...I don't think we should smudge your lipstick

0:19:440:19:47

until we get the word from Mr Humphries.

0:19:470:19:49

Yes, but we must rehearse which way round we are going to do it.

0:19:490:19:52

What do you mean, "which way round"?

0:19:520:19:54

Well, I mean do you want my left arm around your right shoulder

0:19:540:19:58

or vice versa?

0:19:580:19:59

I mean, usually, when I kiss people good night,

0:19:590:20:02

I have got my handbag over my right arm

0:20:020:20:05

so I hang my umbrella on it and I put my right arm round their necks.

0:20:050:20:10

Like this.

0:20:100:20:12

How... How often do you kiss people good night?

0:20:160:20:18

Well, when someone gives one a lift home from the pub,

0:20:180:20:21

they expect a bit of a canoodle.

0:20:210:20:24

That seems a satisfactory position. All we have to do now is wait.

0:20:240:20:29

SHE SNIFFS

0:20:290:20:30

Mmm, what's that aftershave?

0:20:300:20:33

-It's just my usual.

-Mmm, it's lovely.

0:20:330:20:36

You know, looking at you from this angle, Stephen,

0:20:360:20:40

you are really a very attractive man.

0:20:400:20:42

-I can quite see what they all see in you.

-Can you?

0:20:440:20:46

And I suppose, looking at me so close,

0:20:470:20:52

you can see what some of them see in me as well.

0:20:520:20:55

Yes, even from here, I can see it.

0:20:560:20:58

No, don't put your face there.

0:21:000:21:02

-All the powder will come off.

-It will make her more jealous.

-Oh!

0:21:020:21:06

-Where is Captain Peacock? I have got good news for him.

-What is it?

0:21:060:21:09

I have just phoned the accounts department.

0:21:090:21:12

Apparently Miss Bagnold is not very satisfactory

0:21:120:21:14

and they are giving her three months' notice.

0:21:140:21:16

I don't think he will survive three months.

0:21:160:21:18

I have put the money in the till. By the way, where is Captain Peacock?

0:21:180:21:22

I want a word with him. It's no business of yours, Miss Bagnold.

0:21:220:21:25

Kindly get back to your own department.

0:21:250:21:27

I shall be back at going-home time.

0:21:270:21:30

By the way, where is Captain Peacock?

0:21:300:21:33

He's in there but don't go in.

0:21:330:21:34

That's it! That's it! Come on.

0:21:340:21:36

Captain Peacock, have you gone mad?

0:21:380:21:40

Where is Miss Bagnold?

0:21:420:21:44

Isn't one at a time enough?

0:21:440:21:46

Unless you can change your ways, you're finished at Grace Brothers.

0:21:470:21:50

-Oh.

-Well, really!

0:21:500:21:52

What are you bringing those over here for?

0:21:560:21:58

Let's try and sell that customer some of these glasses.

0:21:580:22:01

Oh, yes, our commission.

0:22:010:22:02

Are you trying to tell me something?

0:22:270:22:29

As a matter of fact, I was trying to interest you in these glasses.

0:22:290:22:32

They are on special offer.

0:22:320:22:34

Really? Well, they're a little bit ordinary.

0:22:340:22:37

I prefer something big and dramatic.

0:22:370:22:40

Something bold that makes a statement.

0:22:400:22:42

Oh, so do I.

0:22:420:22:44

Like these.

0:22:440:22:46

Oh!

0:22:460:22:47

Oh, now they do make a statement.

0:22:490:22:53

You can have them for a fiver.

0:22:530:22:55

Done.

0:22:550:22:56

By the way, get rid of him.

0:23:000:23:02

He's very bad for your image.

0:23:020:23:04

-He's... Ahem.

-DEEP VOICE:

-He's right, you know.

0:23:080:23:11

Take them off. You look ridiculous.

0:23:110:23:13

You know, he hasn't said a word since lunch.

0:23:130:23:16

You can see his mind turning over.

0:23:160:23:18

He keeps muttering to himself, "Shall I or shan't I?"

0:23:180:23:21

Here, I heard him on the phone outside the canteen,

0:23:210:23:24

you know, talking to his wife.

0:23:240:23:25

It seems she is trying to get him to go back.

0:23:250:23:28

Anyway, she is coming in about five to see if it's on or off.

0:23:280:23:31

Well, he'll have to make up his mind one way or another before then

0:23:310:23:34

but if she won't give him a divorce, that's that.

0:23:340:23:37

May I use your mirror?

0:23:400:23:42

There you are.

0:23:430:23:44

Could I try the one with the bow?

0:23:480:23:50

You've got it on the wrong way round.

0:23:570:23:59

It's the way I like it.

0:23:590:24:01

-I'll take it.

-Bag, Miss Brahms.

0:24:020:24:05

-And I'd like to look at some tights as well.

-Size?

-Large.

0:24:050:24:10

Large tights, Miss Brahms.

0:24:100:24:12

Colour?

0:24:120:24:13

Something dark. Without seams.

0:24:130:24:16

-I just had a terrible thought.

-What?

0:24:160:24:18

You know you said there was no way Captain Peacock would get a divorce

0:24:180:24:21

-unless he changed completely?

-Mm.

0:24:210:24:23

-I think he's found a way of doing it.

-What way?

0:24:230:24:27

-Well, it's been done before.

-What has?

0:24:270:24:29

Well, he's had all these terrible problems with women.

0:24:290:24:32

I mean, it's not easy being a man. I should know.

0:24:320:24:35

You don't think he is thinking of changing, do you?

0:24:360:24:39

Well, he has already tried two hats and now he's into the underwear.

0:24:390:24:41

He's come unhinged.

0:24:410:24:44

It's always the strong ones.

0:24:440:24:47

-There is one thing I can do before it's too late.

-What's that?

0:24:470:24:50

Talk him out of it.

0:24:500:24:51

Well, I'll take the hat and the underwear.

0:24:510:24:55

-Now, do you have a smart skirt? Something short.

-How short?

0:24:550:24:59

Well, about there.

0:24:590:25:01

No, not to there.

0:25:040:25:07

They're not fashionable any more, you know.

0:25:080:25:10

Ladies, to cocktail parties, are wearing trousers

0:25:100:25:12

and a smart white shirt and a little tie.

0:25:120:25:15

Well, I think a short skirt is more fun.

0:25:150:25:18

And it'll go with this blouse.

0:25:180:25:21

Oh, very nice. A bit see-through, isn't it?

0:25:210:25:24

Well, perhaps a black one.

0:25:240:25:26

Like that one over there.

0:25:260:25:28

Thank you.

0:25:300:25:31

Hmm. Are ladies wearing collars this high?

0:25:320:25:35

Ladies are, yes. But I don't think anybody else is.

0:25:350:25:38

Put them both in my bag, will you, and put it all on my staff account?

0:25:400:25:44

Oh, those suspender belts look rather fun.

0:25:440:25:48

Yes, I'll take stockings instead of tights.

0:25:480:25:51

Which one do you want? The white frilly one or the pink frilly one?

0:25:520:25:57

The black frilly one.

0:25:570:25:59

-They're rather common.

-But fun.

0:26:010:26:04

Don't argue with the customer, Miss Brahms, just put them in a bag.

0:26:080:26:12

-Yes, Mrs Slocombe. There you are.

-Thank you.

0:26:120:26:15

-Would you look after the floor, Mr Humphries?

-Yes, Captain Peacock.

0:26:150:26:19

-I wonder what he wants with that lot.

-Oh, don't you know?

0:26:190:26:22

He has found the only way he can get a divorce.

0:26:220:26:24

Mark my words, that lot's on its way

0:26:240:26:26

for a wild weekend in Brighton with someone.

0:26:260:26:28

With that lot, you could have a wild weekend by yourself.

0:26:280:26:32

You know, I did wonder and then I thought,

0:26:320:26:35

"No, not Captain Peacock."

0:26:350:26:37

Well, not with that moustache.

0:26:370:26:39

Well, his wife won't want him in the house dressed like that.

0:26:390:26:41

-She'll be sure to give him a divorce.

-Yes, but to go to those lengths?

0:26:410:26:45

Oh, no, I don't believe it.

0:26:450:26:46

Unless they're for Miss Bagnold.

0:26:460:26:49

She is about that size.

0:26:490:26:50

-Or Miss Belfridge.

-I bet it's Miss Bagnold.

0:26:500:26:52

He has decided to chuck it all in and make hay while he can.

0:26:520:26:55

Well, anyway, his wife's coming in about five. It's nearly that now.

0:26:550:26:59

Mind you, there's going to be fireworks.

0:26:590:27:02

Oh, well, stand by for blasting.

0:27:020:27:03

Here's Miss Bagnold for the showdown.

0:27:030:27:05

-You know, it's the busiest Tuesday I've known.

-Where is Stephen?

0:27:050:27:09

He's in the fitting room. I'll get him for you.

0:27:090:27:12

Captain Peacock? Are you free?

0:27:130:27:15

I'm free.

0:27:150:27:16

No! Not you! Not Stephen!

0:27:270:27:31

Say it isn't you.

0:27:310:27:33

I'm afraid it is, Miss Bagnold.

0:27:330:27:35

I never want to see you again.

0:27:350:27:37

Thank heavens for that.

0:27:400:27:42

So that's why you did it.

0:27:420:27:44

Not entirely, no.

0:27:440:27:45

Oh, it's Mrs Peacock.

0:27:470:27:48

-Stephen?

-Ah, there you are.

0:27:490:27:52

Darling, I've made up my mind.

0:27:520:27:55

I'm very glad to hear it. And may I say you look wonderful?

0:27:550:28:00

Thank you, my dear. And so do you.

0:28:000:28:02

Have I missed something?

0:28:030:28:05

I gave him one last chance.

0:28:080:28:10

We had tickets for a fancy dress ball in Chelsea and if he decided

0:28:100:28:14

to go with me, it meant that he would stay with me for ever.

0:28:140:28:19

Have you got any more tickets?

0:28:190:28:20

Two, actually.

0:28:200:28:22

Thank you. There is a little number I've been dying to try for ages.

0:28:250:28:29

Mrs Slocombe, are you free?

0:28:330:28:35

Yes, if you'll help me with my dicky and studs.

0:28:350:28:37

Thank goodness we are all back to normal. Come on.

0:28:390:28:42

# Ground floor - perfumery Stationery and leather goods

0:28:490:28:53

# Wigs and haberdashery Kitchenware and food. Going up!

0:28:530:28:56

# First floor - telephones Gents' ready-made suits

0:29:010:29:04

# Shirts, socks, ties, hats Underwear and shoes. Going up!

0:29:040:29:07

# Second floor - carpets Travel goods and bedding

0:29:130:29:15

# Materials, soft furnishing Restaurant and teas. Going down!

0:29:150:29:19

# First floor - telephones Gents' ready-made suits

0:29:240:29:27

# Shirts, socks, ties, hats Underwear and shoes. Going down!

0:29:270:29:31

# Ground floor - perfumery Stationery and leather goods

0:29:360:29:39

# Wigs and haberdashery Kitchenware and food. Going up! #

0:29:390:29:42

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0:29:420:29:46

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