Browse content similar to New Year Compilation. Check below for episodes and series from the same categories and more!
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This programme contains strong language. | 0:00:02 | 0:00:04 | |
What is this thing we're doing? It's a clip show, so we've come to the end of the series | 0:00:04 | 0:00:09 | |
and now it's like a compilation of clips | 0:00:09 | 0:00:11 | |
and this is the bit we're going to link them. | 0:00:11 | 0:00:13 | |
What, like that thing, 'I'm Being Framed' or whatever it's called? | 0:00:13 | 0:00:17 | |
Not 'I'm Being Framed', no, it's 'You've Been Framed'. | 0:00:17 | 0:00:19 | |
Where they show you pictures of their babies falling through ice | 0:00:19 | 0:00:22 | |
and that sort of thing? No, I mean... No? It's not that. | 0:00:22 | 0:00:26 | |
I don't know when you last saw 'You've Been Framed', but there's... | 0:00:26 | 0:00:28 | |
I've never seen it. There's never been a clip of a baby falling through the ice. | 0:00:28 | 0:00:32 | |
They tend to be a little bit more jolly than that. | 0:00:32 | 0:00:35 | |
Anyway, it's not that, it's just us doing links in-between | 0:00:35 | 0:00:40 | |
the kind of highlights, the comedy highlights. | 0:00:40 | 0:00:44 | |
Well, there won't be many of those, then, will there? | 0:00:44 | 0:00:47 | |
CHEERING AND APPLAUSE | 0:01:01 | 0:01:04 | |
Good evening and welcome to Backchat. | 0:01:06 | 0:01:09 | |
So, this is the problem son you've told me about so many times? | 0:01:13 | 0:01:17 | |
What are you talking about? | 0:01:17 | 0:01:19 | |
No, please don't eat it! | 0:01:19 | 0:01:22 | |
You know when a dog sort of... | 0:01:22 | 0:01:25 | |
Boom, boom, boom, boom! | 0:01:27 | 0:01:29 | |
Kick our shoes off, let's open the gin. | 0:01:33 | 0:01:35 | |
I'm quite well hung. | 0:01:35 | 0:01:38 | |
That is the sleaziest thing I've ever seen! | 0:01:38 | 0:01:40 | |
I'm assuming that you're a virgin. | 0:01:40 | 0:01:43 | |
Sometimes it's best just to block it out. | 0:01:44 | 0:01:47 | |
Are we going to have a tear up? Me and Paxman? | 0:01:49 | 0:01:52 | |
Pow! Yeah, I'm Leth for the B, pow! | 0:01:52 | 0:01:55 | |
If you don't know about me... | 0:01:55 | 0:01:56 | |
I expected to come on here, because I've never met you before, | 0:01:56 | 0:01:59 | |
and I thought, "He's going to look like shit." | 0:01:59 | 0:02:01 | |
Now, come on, that was a fucking good question. | 0:02:01 | 0:02:04 | |
And the sex is good, too. Oh, for God's sake! | 0:02:04 | 0:02:07 | |
APPLAUSE | 0:02:07 | 0:02:11 | |
Here are some of our favourite moments. | 0:02:11 | 0:02:13 | |
My favourite thing about Jeremy Paxman | 0:02:13 | 0:02:16 | |
is the theatre of his interviews. | 0:02:16 | 0:02:18 | |
We've all seen it, right, he's grilling some politician | 0:02:18 | 0:02:20 | |
and he lets them waffle on until their pants | 0:02:20 | 0:02:23 | |
are filled to the brim with bullshit, | 0:02:23 | 0:02:25 | |
he reaches into his jacket pocket and he withdraws | 0:02:25 | 0:02:28 | |
his weapon of choice, the spectacles. | 0:02:28 | 0:02:32 | |
and when he takes those out, what he's saying to that politician is, | 0:02:32 | 0:02:35 | |
"Up until now, your face is so offensive to me, | 0:02:35 | 0:02:38 | |
"I can't even look at you in focus, | 0:02:38 | 0:02:42 | |
"but I've got a quote written down here, | 0:02:42 | 0:02:44 | |
"a quote of yours from SEVEN YEARS AGO. | 0:02:44 | 0:02:47 | |
"You probably don't even remember saying it, but Jeremy does. | 0:02:47 | 0:02:51 | |
"So, be a good boy, pull down your trousers and pants | 0:02:51 | 0:02:55 | |
"and bend over that barrel for me | 0:02:55 | 0:02:57 | |
"and prepare to take this like a man!" | 0:02:57 | 0:03:00 | |
But this is the masterstroke, right, he doesn't just put the glasses on | 0:03:00 | 0:03:03 | |
and leave them there, no, we get the trademark Paxman flourish. | 0:03:03 | 0:03:07 | |
The swoosh of the matador's cape, | 0:03:07 | 0:03:09 | |
just before making the execution, he whips them back off again. | 0:03:09 | 0:03:13 | |
This is how it plays, he's like "Minister, | 0:03:13 | 0:03:16 | |
"you're here supporting the closure of 15 hospitals... | 0:03:16 | 0:03:20 | |
GLASSES CLICK | 0:03:20 | 0:03:21 | |
"but, in 2006, you said that under no circumstances | 0:03:21 | 0:03:26 | |
"would you support cuts to the NHS. | 0:03:26 | 0:03:29 | |
GLASSES BOOM | 0:03:29 | 0:03:32 | |
"What's changed?" | 0:03:32 | 0:03:35 | |
CHEERING AND APPLAUSE | 0:03:35 | 0:03:39 | |
Do you know what grime is, Nick? | 0:03:39 | 0:03:41 | |
It's mainly MC-based rappers, kind of like... | 0:03:41 | 0:03:45 | |
a bit like poetry, like, street poetry over fast beats. | 0:03:45 | 0:03:49 | |
WHOOSH! | 0:03:49 | 0:03:50 | |
So, you've got something like this. | 0:03:50 | 0:03:52 | |
Pow! Yeah, I'm Leth to the B, pow! If you don't know about me, pow! | 0:03:52 | 0:03:56 | |
Better ask for the correct link up, pow! Yeah, I'll pow! | 0:03:56 | 0:03:58 | |
You don't, pow! | 0:03:58 | 0:04:01 | |
CHEERING AND APPLAUSE | 0:04:01 | 0:04:04 | |
That you were born on the same day as Winston Churchill? | 0:04:07 | 0:04:10 | |
Different year. Different year! | 0:04:10 | 0:04:13 | |
But, yeah, I share the same birth date, | 0:04:13 | 0:04:15 | |
and therefore have the middle name of Winston. | 0:04:15 | 0:04:18 | |
What I was going to say, though, about Winston, | 0:04:18 | 0:04:20 | |
because I'm a huge Winston fan. | 0:04:20 | 0:04:23 | |
Fan girl. Not quite the right word. | 0:04:23 | 0:04:26 | |
Groupie. Because you must be the only white man | 0:04:26 | 0:04:29 | |
to have been called Winston since... Since Winston, really. | 0:04:29 | 0:04:35 | |
And the show comes off air. | 0:04:35 | 0:04:39 | |
Thank you very much. This has been the end of Backchat. | 0:04:39 | 0:04:42 | |
It was a very short-lived series, but we enjoyed it while it lasted. | 0:04:42 | 0:04:46 | |
Please send your complaints to Ofcom. | 0:04:46 | 0:04:48 | |
I've been Jack Whitehall, good night. | 0:04:48 | 0:04:51 | |
Jeremy, he seems to be evading the question, | 0:04:51 | 0:04:54 | |
how would you suggest that I get the information out of Mr Dyer? | 0:04:54 | 0:04:58 | |
It's probably not even been written yet, has it? | 0:04:58 | 0:05:00 | |
Your character's sketched out, are the storylines there? | 0:05:00 | 0:05:03 | |
You shoot 12 episodes at a time. Do you? | 0:05:03 | 0:05:05 | |
You're three months in advance. Oh, really? You've filmed some of it? | 0:05:05 | 0:05:09 | |
Is he trying to get the thing out of me now? Is this a move? Yeah. | 0:05:09 | 0:05:12 | |
No. You've already filmed some of it? I've been doing it for a month. | 0:05:12 | 0:05:15 | |
And we'll be surprised? Yes. | 0:05:15 | 0:05:18 | |
What aspect will surprise us? Well, you watch it, though. | 0:05:18 | 0:05:21 | |
LAUGHTER | 0:05:21 | 0:05:24 | |
Yeah, I'm not fucking stupid, I know what you're doing. | 0:05:24 | 0:05:28 | |
Yeah, I'm all over this, I'm all over it. | 0:05:28 | 0:05:31 | |
APPLAUSE | 0:05:31 | 0:05:34 | |
There is an Apprentice CD where... No, this is true, this a real thing. | 0:05:34 | 0:05:38 | |
I didn't know that. Did you not know that? No. | 0:05:38 | 0:05:40 | |
You can buy all of the tracks from The Apprentice, | 0:05:40 | 0:05:42 | |
and it has them all, it's like 'Boardroom', 'Driving home'... | 0:05:42 | 0:05:47 | |
Do you think when Lord Sugar's having a quiet evening at home, | 0:05:47 | 0:05:51 | |
he says to Lady Sugar, | 0:05:51 | 0:05:54 | |
"Put the CD on, love, will you? There's nothing on the telly." | 0:05:54 | 0:05:58 | |
I think there's no moment in your life when you couldn't use a track | 0:05:58 | 0:06:02 | |
from The Apprentice to punctuate it. | 0:06:02 | 0:06:03 | |
If you're with your girlfriend and maybe things aren't going right, | 0:06:03 | 0:06:07 | |
and you need to have that complicated situation, | 0:06:07 | 0:06:09 | |
you sit her down and you're like, "Look, I'm really sorry, | 0:06:09 | 0:06:12 | |
"we have to talk about this, but just things aren't working..." | 0:06:12 | 0:06:15 | |
Sorry, before I go on, just stick this on. | 0:06:15 | 0:06:19 | |
MUSIC: APPRENTICE 'YOU'RE FIRED' THEME | 0:06:19 | 0:06:21 | |
We've been together for a long time now and, look, it's... | 0:06:21 | 0:06:25 | |
it's not you, it's me, it just isn't working out. | 0:06:25 | 0:06:30 | |
We're arguing too much at the moment, | 0:06:30 | 0:06:32 | |
so, with regret, | 0:06:32 | 0:06:35 | |
you're dumped. | 0:06:35 | 0:06:38 | |
Very good. | 0:06:38 | 0:06:40 | |
Then you get her a taxi. Perfect! | 0:06:40 | 0:06:44 | |
SLEIGH BELLS | 0:06:44 | 0:06:46 | |
What is that? Is that...? | 0:06:46 | 0:06:48 | |
Could it be? Maybe? Is it him? | 0:06:48 | 0:06:51 | |
Boom! Boom, boom! | 0:06:51 | 0:06:53 | |
Oh, my God, it's Santabusi! | 0:06:53 | 0:06:55 | |
Merry Christmas! | 0:06:55 | 0:06:57 | |
Boom, boom, boom, boom... | 0:06:57 | 0:07:00 | |
BOOM! | 0:07:00 | 0:07:03 | |
Pull your beard down! | 0:07:03 | 0:07:06 | |
Hey, what's up? Boom, boom, boom, boom! | 0:07:06 | 0:07:09 | |
What's up Jack? All right. | 0:07:09 | 0:07:11 | |
Come on, Santabusi. You can do this. | 0:07:11 | 0:07:13 | |
Can we have the music? Can we have the Chariots of Fire music? | 0:07:13 | 0:07:16 | |
MUSIC: 'CHARIOTS OF FIRE' THEME | 0:07:16 | 0:07:18 | |
Oh! Santabusi, let me take your shoes off for you. | 0:07:18 | 0:07:20 | |
Let me get the other one off. Oh, my God! | 0:07:20 | 0:07:24 | |
I think he's going to jump over. | 0:07:24 | 0:07:26 | |
OK, come on, guys! Believe! | 0:07:26 | 0:07:29 | |
Come on, Santabusi! | 0:07:29 | 0:07:32 | |
Go on! Yes! | 0:07:32 | 0:07:35 | |
Santabusi! Get in! Yes! | 0:07:35 | 0:07:42 | |
One of the things you seem to get a little bit irked by | 0:07:42 | 0:07:46 | |
was that Russell Brand was saying that he didn't vote, | 0:07:46 | 0:07:50 | |
yet in an interview with the Radio Times, | 0:07:50 | 0:07:55 | |
you said, "In one recent election, I decided not to vote, | 0:07:55 | 0:07:59 | |
"because I thought the choice was so unappetising." | 0:07:59 | 0:08:02 | |
GLASSES BOOM | 0:08:02 | 0:08:04 | |
What's changed? | 0:08:04 | 0:08:09 | |
Why don't you give the rest of the quote? | 0:08:09 | 0:08:12 | |
Well, that's the only bit that I had... | 0:08:12 | 0:08:16 | |
LAUGHTER AND APPLAUSE | 0:08:16 | 0:08:18 | |
That was just a taste of what we've got in store for you this evening. | 0:08:20 | 0:08:24 | |
One of the major problems with doing... | 0:08:24 | 0:08:26 | |
How long is this going to take, this thing? These links? | 0:08:26 | 0:08:29 | |
Well, not long, it's just a couple of short bits in between. | 0:08:29 | 0:08:33 | |
Because I don't particularly want to stand up for hours. | 0:08:33 | 0:08:36 | |
Yeah, but I thought it would be more casual if we're standing | 0:08:36 | 0:08:38 | |
rather than just sat in front of the camera. | 0:08:38 | 0:08:41 | |
Well, I'd prefer to sit, to be honest. OK, fine, right, we'll sit. | 0:08:41 | 0:08:44 | |
Let's go and find somewhere comfortable to sit. Don't walk off! | 0:08:44 | 0:08:47 | |
I'm not going to stand there for hours. Right, OK. We'll get a chair. | 0:08:47 | 0:08:50 | |
We'll get you a chair and then we'll... | 0:08:50 | 0:08:52 | |
Here are some times when my dad revealed more than he should have. | 0:08:52 | 0:08:57 | |
Since hitting the big time, Rylan splashed the cash | 0:08:57 | 0:09:00 | |
on a new set of porcelain veneers. | 0:09:00 | 0:09:02 | |
Apparently his new teeth are so bright that, this Christmas, | 0:09:02 | 0:09:05 | |
last year's X Factor runner-up, Jahmene Douglas, | 0:09:05 | 0:09:07 | |
has been booked to switch them on. | 0:09:07 | 0:09:09 | |
LAUGHTER | 0:09:09 | 0:09:11 | |
I wouldn't make remarks about people's teeth. | 0:09:11 | 0:09:14 | |
Remember what your teeth were like? | 0:09:14 | 0:09:16 | |
Your teeth were so bad, they were ENORMOUS! | 0:09:16 | 0:09:21 | |
Do you remember, when you were 14? | 0:09:21 | 0:09:23 | |
I mean, I nearly entered you into the Grand National one year. | 0:09:23 | 0:09:27 | |
LAUGHTER | 0:09:27 | 0:09:29 | |
So, recently the Oxford English Dictionary announced | 0:09:29 | 0:09:32 | |
the new words that have come in for 2013, | 0:09:32 | 0:09:35 | |
and would you know these words? | 0:09:35 | 0:09:37 | |
We have Emoji, that's a new word, do you ever Emoji? | 0:09:37 | 0:09:42 | |
Don't think so, not knowingly. | 0:09:42 | 0:09:44 | |
Selfie. | 0:09:44 | 0:09:45 | |
Yes, I know THAT one! | 0:09:45 | 0:09:48 | |
When... when he lived with us, | 0:09:48 | 0:09:51 | |
I went in to his bedroom one day | 0:09:51 | 0:09:55 | |
and he was... What did you find? | 0:09:55 | 0:09:57 | |
Well, he was lying on his bed, having a selfie. No! | 0:09:57 | 0:10:00 | |
No, no... | 0:10:00 | 0:10:04 | |
And what was... what was really peculiar, | 0:10:04 | 0:10:10 | |
what was really peculiar was that the television was on. | 0:10:10 | 0:10:13 | |
Wasn't on Countdown, was it? Well, no... Yeah, it was. | 0:10:13 | 0:10:16 | |
I was waiting to see Rachel Riley and it kept coming back to you. | 0:10:16 | 0:10:19 | |
It's cool. I call it a "danger selfie". | 0:10:19 | 0:10:21 | |
That'll put you off your stroke! | 0:10:21 | 0:10:24 | |
Now your list of gripes challenges even my father's. | 0:10:24 | 0:10:28 | |
Your list of gripes includes M underpants, | 0:10:28 | 0:10:31 | |
you did have a... Yes. ..a gripe with those. I did. | 0:10:31 | 0:10:34 | |
I was putting my underpants on in the gym one day | 0:10:34 | 0:10:38 | |
and I observed they had a hole in them. | 0:10:38 | 0:10:41 | |
I then remarked to the other blokes in the changing room, | 0:10:41 | 0:10:45 | |
"Have any of you noticed Marks Sparks pants having holes in them?" | 0:10:45 | 0:10:49 | |
Several of them had. What I hadn't reckoned on, of course, was | 0:10:49 | 0:10:52 | |
that I think the pants were probably rather old. | 0:10:52 | 0:10:56 | |
Do you...? There should be clearly a sell-by or use-by date | 0:10:56 | 0:11:00 | |
on your pants. And then you'd KNOW how old they were. | 0:11:00 | 0:11:02 | |
Well, the problem I have is with the elastic, because I'm very, um... | 0:11:02 | 0:11:08 | |
Lithe? No, I was going to say, | 0:11:08 | 0:11:10 | |
I shouldn't use this in front of you, but I'm quite well hung. | 0:11:10 | 0:11:13 | |
What the fu...! | 0:11:13 | 0:11:15 | |
LAUGHTER | 0:11:15 | 0:11:17 | |
And I... I need... | 0:11:17 | 0:11:20 | |
I need very strong elasticity, is it called? | 0:11:21 | 0:11:24 | |
In an underpant, and once it starts loosening up, | 0:11:24 | 0:11:28 | |
all hell is basically let loose. | 0:11:28 | 0:11:32 | |
And, of course, Jack has inherited | 0:11:32 | 0:11:34 | |
some very good things from me, and that's one of... | 0:11:34 | 0:11:37 | |
We can stop now. We can stop now. We've done enough of that. | 0:11:37 | 0:11:40 | |
You're actually being very trivial, so we're going to move on now, OK. | 0:11:40 | 0:11:44 | |
Italia '90. Yes. | 0:11:44 | 0:11:46 | |
The opening game of the group stages. Yes. | 0:11:46 | 0:11:48 | |
England are playing Ireland. Well, I... | 0:11:48 | 0:11:50 | |
19 minutes into the game, talk us through what happens. | 0:11:50 | 0:11:54 | |
I hadn't been very well the night before and after 15, 20 minutes, | 0:11:54 | 0:11:59 | |
the ball goes down the Republic of Ireland's left-hand side, | 0:11:59 | 0:12:03 | |
I came over, tried to tackle the fullback | 0:12:03 | 0:12:05 | |
which in itself is ridiculous, | 0:12:05 | 0:12:07 | |
but as I did, I slid along the grass | 0:12:07 | 0:12:10 | |
and I inadvertently relaxed. | 0:12:10 | 0:12:14 | |
You shat yourself during a game? | 0:12:14 | 0:12:16 | |
I did, Jack, yes. That's exactly what I did. But... | 0:12:16 | 0:12:19 | |
I mean, Gary, I don't begrudge you, we've all been there. | 0:12:19 | 0:12:23 | |
Provence, 1996, my brother Barnaby, | 0:12:23 | 0:12:28 | |
again, had eaten something that disagreed with him. | 0:12:28 | 0:12:31 | |
He was jumping into the pool and slightly overextended | 0:12:31 | 0:12:34 | |
on the star jump. | 0:12:34 | 0:12:35 | |
We had to evacuate the entire villa. | 0:12:35 | 0:12:38 | |
That was not Barney's turd, | 0:12:38 | 0:12:41 | |
it was yours and you know it. | 0:12:41 | 0:12:43 | |
APPLAUSE | 0:12:43 | 0:12:46 | |
And you know it. | 0:12:46 | 0:12:48 | |
You wasted your vote last time. | 0:12:48 | 0:12:50 | |
I didn't waste my vote, you voted for me. | 0:12:50 | 0:12:52 | |
You did, you voted Green! That is a waste of a vote. | 0:12:52 | 0:12:55 | |
He tried to steal my postal vote and force me to vote Tory. I did not. | 0:12:55 | 0:12:59 | |
And I refused to let you do that. | 0:12:59 | 0:13:01 | |
You said to me, "Do you mind doing it for me and I'll vote Conservative?" | 0:13:01 | 0:13:05 | |
No, I didn't! I did not! | 0:13:05 | 0:13:06 | |
And then you changed your mind | 0:13:06 | 0:13:08 | |
and said, "Oh, no, I'm Lib Dem or Green" and all that rubbish. | 0:13:08 | 0:13:11 | |
Because you like, to your fan base, to appear to be | 0:13:11 | 0:13:15 | |
sort of slightly socialisty, kind of greeny. | 0:13:15 | 0:13:19 | |
Socialisty greeny? What the hell are you talking about? | 0:13:19 | 0:13:21 | |
Whereas you're a good, old-fashioned Tory! I'm not! | 0:13:21 | 0:13:25 | |
Stop outing me as a Tory! | 0:13:25 | 0:13:28 | |
All right now then, our next word is PARTYHAT. | 0:13:28 | 0:13:31 | |
What is a partyhat? Partyhat? Lethal? | 0:13:31 | 0:13:36 | |
Is it maybe... | 0:13:36 | 0:13:40 | |
a thong on your head? I don't know. | 0:13:40 | 0:13:43 | |
I don't know. Michael, help us out here. | 0:13:43 | 0:13:46 | |
Definition, noun. | 0:13:46 | 0:13:49 | |
Erect or pointed nipples. | 0:13:49 | 0:13:53 | |
Wow. | 0:13:53 | 0:13:54 | |
Example. | 0:13:54 | 0:13:57 | |
"Yes, bled, must be cold outside, | 0:13:57 | 0:14:01 | |
"cos your mumma has her partyhats on." | 0:14:01 | 0:14:05 | |
LAUGHTER AND APPLAUSE | 0:14:05 | 0:14:08 | |
This better? | 0:14:11 | 0:14:13 | |
Yes, much better. Nice fire. | 0:14:13 | 0:14:16 | |
I mean, it's ridiculous. Why? | 0:14:16 | 0:14:18 | |
I wanted it to be like a casual thing in the kitchen, | 0:14:18 | 0:14:20 | |
just throwing to stuff. Right. | 0:14:20 | 0:14:23 | |
And this set-up is ludicrous, it's like Frost-Nixon. | 0:14:23 | 0:14:27 | |
You're Nixon. Fine. OK. | 0:14:27 | 0:14:30 | |
Happy now? Can I do it? Can I... can we start? | 0:14:30 | 0:14:32 | |
Yes, do, please start. | 0:14:32 | 0:14:34 | |
One of the things I wanted to achieve with Backchat... | 0:14:34 | 0:14:38 | |
Have you made any lunch plans today, incidentally? | 0:14:38 | 0:14:40 | |
I mean, is there a... some food on offer? Sort of catering? | 0:14:40 | 0:14:44 | |
No, you just... have something when we're finished. | 0:14:44 | 0:14:46 | |
This won't take long. But I always eat now. | 0:14:46 | 0:14:49 | |
What do you mean eat now? We've just started. It's one o'clock. | 0:14:49 | 0:14:52 | |
Well, it wasn't my fault we started at one o'clock. | 0:14:52 | 0:14:55 | |
I need something to eat, I'm sorry. Right, well... | 0:14:55 | 0:14:57 | |
Nothing huge, but just something nice, maybe a glass of wine. | 0:14:57 | 0:15:02 | |
OK. Well, I don't know, what do you...? | 0:15:02 | 0:15:05 | |
Well, I'll get Mummy to get me something. | 0:15:05 | 0:15:07 | |
OK. Hilary! | 0:15:07 | 0:15:10 | |
Hilary! | 0:15:10 | 0:15:14 | |
I don't think she's here. | 0:15:14 | 0:15:16 | |
Hilary? | 0:15:16 | 0:15:19 | |
Hilary! | 0:15:19 | 0:15:20 | |
I mean, she's obviously not here. Hilary? | 0:15:20 | 0:15:24 | |
No, I don't think she's here. | 0:15:24 | 0:15:27 | |
Right, if I get you some food? | 0:15:27 | 0:15:29 | |
Hmmm-hmmm. Will you then just behave and do the links? | 0:15:29 | 0:15:32 | |
Yes, OK. | 0:15:32 | 0:15:33 | |
Right. | 0:15:33 | 0:15:36 | |
Do you want me to come with you? No, stay there. | 0:15:36 | 0:15:39 | |
Oh, right, OK. | 0:15:39 | 0:15:41 | |
Now, here are some of our favourite guests. | 0:15:41 | 0:15:44 | |
Right, ready? Play it, play it. | 0:15:44 | 0:15:46 | |
MUSIC: APPRENTICE 'BOARDROOM' THEME | 0:15:46 | 0:15:48 | |
OK, shh, shh, shh. Now do the thing with the phone. | 0:15:48 | 0:15:51 | |
Would you send him in now, please, Francis? | 0:15:58 | 0:16:00 | |
No, no, no, no, no, no. No. No. | 0:16:00 | 0:16:04 | |
Sorry. No? What? What? Do the voice. No, don't be ridiculous. | 0:16:04 | 0:16:08 | |
There's no way I'm doing an Alan Sugar... | 0:16:08 | 0:16:10 | |
Come on, he's waiting out there, you have to do the voice. | 0:16:10 | 0:16:12 | |
Come on. | 0:16:12 | 0:16:15 | |
IMITATES ALAN SUGAR: Would you send him in now, please, Francis? | 0:16:20 | 0:16:24 | |
What, so she doesn't like people being flirtatious with her? | 0:16:24 | 0:16:28 | |
Oh, now hold on, I didn't say that. | 0:16:28 | 0:16:30 | |
She's great fun and actually quite flirty. | 0:16:30 | 0:16:33 | |
Margaret is, you know, she's got those beautiful... | 0:16:33 | 0:16:36 | |
Those beautiful Elizabeth Taylor violet eyes. | 0:16:36 | 0:16:40 | |
My Catherine, my adored Catherine said | 0:16:40 | 0:16:43 | |
that I really ought to have an affair with Margaret. | 0:16:43 | 0:16:46 | |
Knew it! I knew it, Nick! | 0:16:46 | 0:16:49 | |
And one Arsenal fan, in particular, that you have quite a lot of banter | 0:16:49 | 0:16:53 | |
with on Twitter is a guy who I happen to follow him on Twitter | 0:16:53 | 0:16:56 | |
and, as an Arsenal fan myself, the only silver lining | 0:16:56 | 0:16:59 | |
of Arsenal losing, is that I know | 0:16:59 | 0:17:01 | |
you'll wind up Piers Morgan. Yeah. | 0:17:01 | 0:17:03 | |
Is there any better feeling than baiting him when Arsenal have lost? | 0:17:03 | 0:17:06 | |
Very few. Very few. | 0:17:06 | 0:17:08 | |
You really go at him quite hard, though. | 0:17:08 | 0:17:10 | |
Well, he deserves it, quite frankly, most of the time. | 0:17:10 | 0:17:13 | |
And it's quite playground stuff, | 0:17:13 | 0:17:15 | |
he makes quite a lot of jokes about the size of your... | 0:17:15 | 0:17:18 | |
Ears. | 0:17:18 | 0:17:19 | |
But you give your fair share of stuff back to him about his... | 0:17:19 | 0:17:23 | |
His many chins, for example. His many chins! | 0:17:23 | 0:17:25 | |
And his ample frame. His ample frame! | 0:17:25 | 0:17:27 | |
I think he's a total wanker, that man. | 0:17:27 | 0:17:31 | |
Most people would agree with you. | 0:17:31 | 0:17:33 | |
APPLAUSE | 0:17:33 | 0:17:37 | |
Two slices of bread. | 0:17:37 | 0:17:40 | |
What about this, Bear? AUDIENCE AND MICHAEL: Oh! | 0:17:40 | 0:17:43 | |
Two slices of bread, little Cecil. No! No, don't eat it! | 0:17:43 | 0:17:47 | |
Who wants to look after the dog for the rest of the show? | 0:17:50 | 0:17:54 | |
I don't trust you ladies over there... | 0:17:54 | 0:17:57 | |
Jack, why don't we keep the dog on here? It'd be quite sweet. | 0:17:57 | 0:17:59 | |
Are we not allowed to? No, there's a lot of that going on. | 0:17:59 | 0:18:03 | |
Yeah, they literally don't trust you near any kind of animal. | 0:18:03 | 0:18:08 | |
You look like you have warm, kind eyes, madam, you take that. | 0:18:08 | 0:18:11 | |
Jack, it seems to have weed down your front... | 0:18:14 | 0:18:16 | |
It's weed down my front? Oh, no, very funny. Only joking! | 0:18:16 | 0:18:18 | |
You did, actually, you genuinely got me. | 0:18:18 | 0:18:21 | |
APPLAUSE | 0:18:21 | 0:18:24 | |
Lee, what is the Lee Mack Christmas like? | 0:18:27 | 0:18:31 | |
Well, I'm ashamed to admit that I don't do much cooking in my house, | 0:18:31 | 0:18:34 | |
so it's the once a year that I do do it, | 0:18:34 | 0:18:37 | |
and for the last few years, I have religiously stuck by | 0:18:37 | 0:18:39 | |
Nigella Lawson's cookery book, I have, genuinely, | 0:18:39 | 0:18:42 | |
and I always thought... she asks you to get the turkey | 0:18:42 | 0:18:45 | |
and put it in a bucket of water and leave it in your cellar, | 0:18:45 | 0:18:48 | |
or outside, for five days, | 0:18:48 | 0:18:50 | |
and I've always thought that's a very odd thing to do, | 0:18:50 | 0:18:53 | |
leave a turkey soaking in a bucket of water, | 0:18:53 | 0:18:55 | |
but if she says, "Do it", do it. | 0:18:55 | 0:18:57 | |
Turns out she was just off her tits! | 0:18:57 | 0:19:00 | |
Are you a protective father to your...? | 0:19:00 | 0:19:02 | |
Yes, yes, of course I am, who isn't? | 0:19:02 | 0:19:04 | |
If she... if she... | 0:19:04 | 0:19:06 | |
If she brings back a boyfriend, what are you like with a boyfriend? | 0:19:06 | 0:19:09 | |
I'd be quite scared to meet Danny Dyer. | 0:19:09 | 0:19:11 | |
Listen, I'm sweet with him, as long | 0:19:11 | 0:19:14 | |
as a tear never drops from her fucking eye, | 0:19:14 | 0:19:18 | |
we're going to be good friends. So... | 0:19:18 | 0:19:20 | |
And you just say that to him... He knows it, I can do it in a look. | 0:19:20 | 0:19:24 | |
So, say I came home and I was... | 0:19:24 | 0:19:26 | |
Well, OK, so you walked in, I'd just be like that... | 0:19:26 | 0:19:28 | |
With your daughter. You're getting blanked, I'm blanking ya. | 0:19:28 | 0:19:31 | |
I'm looking at the telly and I'll just go... | 0:19:31 | 0:19:35 | |
Oh, dear God, that is quite... | 0:19:35 | 0:19:37 | |
And then pipe away again, so it's a little pipe... It's a little pipe? | 0:19:37 | 0:19:40 | |
A pipe, which is a look. Yeah. And then look away. And then I know. | 0:19:40 | 0:19:43 | |
Then have another look, right? Yeah. | 0:19:43 | 0:19:46 | |
And then say fuck all to him, d'you know what I mean? | 0:19:46 | 0:19:48 | |
So he knows. | 0:19:48 | 0:19:49 | |
And he knows in that moment. And then maybe... | 0:19:49 | 0:19:52 | |
and then he'll go to take his coat off. I'll give him another look, | 0:19:52 | 0:19:55 | |
to go, "Don't take your coat off!" Don't take your coat off? | 0:19:55 | 0:19:57 | |
"Who the fuck do you think you are, taking your coat off in my house?" | 0:19:57 | 0:20:00 | |
Is your house...is your house very cold? | 0:20:00 | 0:20:02 | |
Freezing. | 0:20:02 | 0:20:03 | |
Beauty regime - Bear, is there much time for a beauty regime | 0:20:04 | 0:20:07 | |
when you're in the wilderness? | 0:20:07 | 0:20:09 | |
Um...no is the straight answer. | 0:20:09 | 0:20:12 | |
I use a lot of kind of natural things... | 0:20:12 | 0:20:13 | |
Crack open an aloe vera. | 0:20:13 | 0:20:16 | |
Exactly. Exactly. Even at home now, I use olive oil as moisturiser. | 0:20:16 | 0:20:21 | |
Oh, I do that, because I had eczema, you know. | 0:20:21 | 0:20:23 | |
Sometimes a bit of avocado in my hair. | 0:20:23 | 0:20:24 | |
The olive oil is very good - | 0:20:24 | 0:20:26 | |
you need to make sure you rinse the bath with washing up liquid - | 0:20:26 | 0:20:28 | |
it's the only thing that gets rid of it, | 0:20:28 | 0:20:30 | |
otherwise you'll slip around like nobody's business. | 0:20:30 | 0:20:32 | |
But very good, olive oil, isn't it, for everywhere. | 0:20:32 | 0:20:34 | |
This is all going in Jack, I'm getting it. | 0:20:34 | 0:20:36 | |
I get toxed, so I will have a bit of Botox, | 0:20:36 | 0:20:38 | |
I've had mine last week so I'm not quite fully frozen yet. | 0:20:38 | 0:20:41 | |
Where does that happen? | 0:20:41 | 0:20:42 | |
I have a bit of a love heart round here | 0:20:42 | 0:20:44 | |
and I had three round the eyes. | 0:20:44 | 0:20:45 | |
Hasn't kicked in, only had it done on Sunday. | 0:20:45 | 0:20:48 | |
You know it's super-dangerous, that stuff? | 0:20:48 | 0:20:50 | |
Yeah, but so is what you do, Bear, but, you know, | 0:20:50 | 0:20:52 | |
we have to do it. Exactly. | 0:20:52 | 0:20:53 | |
Now as people get older, they take different steps | 0:20:58 | 0:21:01 | |
to ease the impact of the passage of time on their looks. | 0:21:01 | 0:21:04 | |
Some people grow a beard. | 0:21:04 | 0:21:06 | |
Others, like my father, | 0:21:06 | 0:21:08 | |
need something a little more drastic. | 0:21:08 | 0:21:10 | |
I took him to investigate one of those options. | 0:21:10 | 0:21:13 | |
I booked an appointment with one of London's top plastic surgeons. | 0:21:13 | 0:21:16 | |
Here's how it went down. | 0:21:16 | 0:21:17 | |
OK, what's the name of our general practitioner? | 0:21:19 | 0:21:22 | |
I don't know, you're the one who's brought me here. | 0:21:22 | 0:21:25 | |
I mean, I don't know what we're doing here. | 0:21:25 | 0:21:27 | |
I'm very upset that Jack thinks | 0:21:27 | 0:21:28 | |
that I need to have anything done to my face. | 0:21:28 | 0:21:30 | |
I think my face, for a more mature man, | 0:21:30 | 0:21:33 | |
is almost perfection. | 0:21:33 | 0:21:36 | |
"Do you drink alcohol?" | 0:21:36 | 0:21:38 | |
Well, of course, that's a bloody stupid question. | 0:21:38 | 0:21:40 | |
Yeah, but if you take... | 0:21:40 | 0:21:41 | |
If you drink and do prescription drugs, | 0:21:41 | 0:21:43 | |
you'll end up like Kerry Katona on This Morning. | 0:21:43 | 0:21:46 | |
Do you want that? | 0:21:46 | 0:21:47 | |
I don't know who she is. | 0:21:47 | 0:21:49 | |
Are you going to be honest with this drink one? | 0:21:49 | 0:21:52 | |
Well, I put one unit a day, that's about right, isn't it? Yeah. | 0:21:52 | 0:21:55 | |
A unit is not a bottle of red wine. | 0:21:55 | 0:21:57 | |
Well, why should I tell the man how much I drink? | 0:21:57 | 0:22:00 | |
Cos he's your doctor, he's not going to be telling everyone. | 0:22:00 | 0:22:02 | |
He's not my doctor, I've never met the man. | 0:22:02 | 0:22:04 | |
I'll put "three." | 0:22:04 | 0:22:05 | |
JACK SNORTS WITH LAUGHTER | 0:22:05 | 0:22:07 | |
Have I ever had a facial herpes infection? | 0:22:07 | 0:22:10 | |
I mean, this is getting really personal. | 0:22:10 | 0:22:14 | |
Have you? | 0:22:14 | 0:22:15 | |
Well, there was that time in Greece... | 0:22:17 | 0:22:19 | |
Oh, God, I don't...I don't want to know, actually. | 0:22:19 | 0:22:22 | |
He didn't seem to be taking the medical questionnaire seriously, | 0:22:22 | 0:22:26 | |
and was definitely answering some of the questions incorrectly. | 0:22:26 | 0:22:29 | |
Gentlemen, thank you very much for coming along. | 0:22:29 | 0:22:32 | |
How can I help you? | 0:22:32 | 0:22:33 | |
Basically, my father's looking a bit old in the face area, | 0:22:33 | 0:22:37 | |
so I thought we could maybe talk about getting | 0:22:37 | 0:22:40 | |
a kind of MOT done on that? | 0:22:40 | 0:22:41 | |
When you said "MOT", could you sort of specify a bit more? | 0:22:41 | 0:22:45 | |
I don't know, I was just thinking his face at rest | 0:22:45 | 0:22:48 | |
looks like he's just smelt a bad fart, all the time. | 0:22:48 | 0:22:51 | |
Ridiculous... | 0:22:51 | 0:22:52 | |
It's Jack that I'm worried about. | 0:22:52 | 0:22:54 | |
I mean, when you think he's only just 25, | 0:22:54 | 0:22:57 | |
I mean, when he gets to my age, | 0:22:57 | 0:22:59 | |
God knows what he's going to look like. | 0:22:59 | 0:23:01 | |
Patrick, tell it to me straight, | 0:23:01 | 0:23:03 | |
is this what I've got to look forward to? | 0:23:03 | 0:23:05 | |
You know, that depends very much on how you lead your lifestyle. | 0:23:05 | 0:23:08 | |
The ageing process is very complex. | 0:23:08 | 0:23:10 | |
Oh... | 0:23:10 | 0:23:12 | |
What I'd like to do is just illustrate | 0:23:12 | 0:23:13 | |
some of the areas that I think that we can improve upon. | 0:23:13 | 0:23:16 | |
So let's start with the eyelids. | 0:23:16 | 0:23:18 | |
Patrick was doing all of his, you know, pen shit on my dad, | 0:23:18 | 0:23:22 | |
and then I noticed there was one part of the face | 0:23:22 | 0:23:24 | |
that I think he'd carelessly overlooked. | 0:23:24 | 0:23:26 | |
Can I suggest as well - just if you don't mind, Daddy - | 0:23:26 | 0:23:29 | |
if you took out some of the skin here | 0:23:29 | 0:23:32 | |
and just thinned that area, | 0:23:32 | 0:23:35 | |
and then pulled it in a bit there, | 0:23:35 | 0:23:38 | |
you might get a more youthful kind of mouth area. | 0:23:38 | 0:23:42 | |
Yeah, no, I think that's probably not a good idea, | 0:23:42 | 0:23:45 | |
it's not really a conventional approach | 0:23:45 | 0:23:47 | |
and I don't think it's going to contribute | 0:23:47 | 0:23:50 | |
to...to Michael's overall rejuvenation. Look. | 0:23:50 | 0:23:52 | |
No, I don't think so. | 0:23:52 | 0:23:53 | |
I think we've probably done enough of this now, to be honest. | 0:23:53 | 0:23:57 | |
So, Patrick, can you work out some sort of price for this? | 0:23:57 | 0:24:01 | |
I'll get that information and then I'll get back to you. | 0:24:01 | 0:24:03 | |
Great, thanks. Great, thanks. Thanks. Back in a minute. | 0:24:03 | 0:24:06 | |
OK, gents, you'd be looking at something like this, | 0:24:13 | 0:24:16 | |
for all of it included. | 0:24:16 | 0:24:17 | |
Oh, thanks, Jack. | 0:24:19 | 0:24:20 | |
Oh, shit. | 0:24:25 | 0:24:26 | |
Total waste of time. Complete con artist. | 0:24:28 | 0:24:33 | |
Taxi. | 0:24:33 | 0:24:34 | |
Um, maybe don't put your arm up like that. | 0:24:34 | 0:24:37 | |
Don't mess up this suit, will you? | 0:24:41 | 0:24:43 | |
It cost me a lot of money, couldn't get BBC Three to pay for it. | 0:24:43 | 0:24:46 | |
Oh. | 0:24:48 | 0:24:49 | |
There, food. Right, thank you very much. | 0:24:49 | 0:24:52 | |
Can you get on with it? All right, OK... | 0:24:52 | 0:24:55 | |
We've had a lot of amazing guests over the course of the series. | 0:24:55 | 0:24:59 | |
Some of my favourites included Danny Dyer... | 0:24:59 | 0:25:01 | |
I'm not eating out of a box. | 0:25:01 | 0:25:04 | |
What? I'm not eating something out of a box. | 0:25:04 | 0:25:07 | |
It's all they had open, it's New Year's Day. | 0:25:07 | 0:25:09 | |
Oh, it looks very greasy in there, ugh... | 0:25:09 | 0:25:12 | |
Right, OK, fine, stop. At least put it on a plate. | 0:25:12 | 0:25:15 | |
Yeah, OK. It might get some of the grease off it. | 0:25:15 | 0:25:17 | |
Sorry. | 0:25:18 | 0:25:20 | |
The great thing about Backchat | 0:25:20 | 0:25:21 | |
is we never knew what was going to happen next. | 0:25:21 | 0:25:23 | |
Even when we did make a plan, | 0:25:23 | 0:25:25 | |
it never turned out like we expected. | 0:25:25 | 0:25:26 | |
It's terribly dry, this chicken. | 0:25:26 | 0:25:28 | |
I mean, it's as dry as a bone. | 0:25:29 | 0:25:32 | |
JACK SIGHS | 0:25:32 | 0:25:33 | |
Go back to the shop | 0:25:33 | 0:25:35 | |
and see if they've got some bearnaise sauce. | 0:25:35 | 0:25:37 | |
Bearnaise sauce? Yeah, bearnaise sauce. | 0:25:39 | 0:25:41 | |
At least it'll make it a little bit moister. | 0:25:41 | 0:25:43 | |
It's a Texan fried chicken. | 0:25:43 | 0:25:45 | |
They don't have bearnaise sauce. OK, well... | 0:25:46 | 0:25:49 | |
Hollandaise, then. | 0:25:49 | 0:25:50 | |
Just roll the clip. | 0:25:53 | 0:25:54 | |
Here are some of our favourite unseen moments. | 0:25:57 | 0:26:00 | |
Would we ever see Jeremy Paxman on Strictly? | 0:26:00 | 0:26:03 | |
No! Why? | 0:26:03 | 0:26:06 | |
Well, I've been asked twice | 0:26:06 | 0:26:07 | |
and I think you'd need to have your head examined | 0:26:07 | 0:26:10 | |
before going on something like that. | 0:26:10 | 0:26:11 | |
Oh, that's a shame. | 0:26:11 | 0:26:12 | |
You'd better tell Anton du Beke that... Stand him down, | 0:26:12 | 0:26:15 | |
we're not doing the ending of the show that we had planned. | 0:26:15 | 0:26:18 | |
We'd even gone to all the trouble of getting this. | 0:26:18 | 0:26:20 | |
ANNOUNCER: Will Jeremy Paxman and his partner Anton du Beke | 0:26:20 | 0:26:23 | |
please take to the floor? | 0:26:23 | 0:26:25 | |
We thought that might inspire you, but... | 0:26:26 | 0:26:29 | |
That was what we call a bad production idea. | 0:26:29 | 0:26:31 | |
I thought it was fabulous. | 0:26:34 | 0:26:35 | |
Thanks, Jack, I always thought you were a bit gay. | 0:26:35 | 0:26:38 | |
You are a little bit, though, aren't you? No. | 0:26:38 | 0:26:41 | |
Oh, come on, you're so camp. | 0:26:41 | 0:26:42 | |
No. No, I'm...I'm not. Yes, you are. | 0:26:42 | 0:26:44 | |
I was watching your Fresh Meat programme. | 0:26:44 | 0:26:46 | |
Now, I caught you in bed and I noticed you're very... | 0:26:46 | 0:26:50 | |
On the show. | 0:26:50 | 0:26:51 | |
You've got a lot of foliage going on, that's quite nice, | 0:26:51 | 0:26:54 | |
but then I looked and all I could see was this big, huge - | 0:26:54 | 0:26:57 | |
you know what I'm going to say, don't you? No. | 0:26:57 | 0:26:59 | |
Areola. | 0:26:59 | 0:27:00 | |
I was like, "Are they going to show us the full tit or not?" | 0:27:00 | 0:27:03 | |
It was like that! I've got...yeah, I've got... | 0:27:03 | 0:27:05 | |
Haven't you got...? I've got quite large nipples. | 0:27:05 | 0:27:07 | |
Then again, that's something I inherited... | 0:27:07 | 0:27:09 | |
Well, I just think...I just thought you were a little bit gay. | 0:27:11 | 0:27:14 | |
I'm not! I'm one of the straightest men... | 0:27:14 | 0:27:16 | |
Oh, come on, you're like spaghetti till it's boiled! | 0:27:16 | 0:27:18 | |
Oh, shut up, darling. Amongst my...no, that was not... | 0:27:18 | 0:27:20 | |
Father, did you feel like you got anything out of the experience? | 0:27:22 | 0:27:26 | |
I've got to fess up to something here, | 0:27:26 | 0:27:28 | |
and that is that when I left your surgery a week or two ago, | 0:27:28 | 0:27:35 | |
because there were quite a few of them around, | 0:27:35 | 0:27:38 | |
um...I took a couple of these... | 0:27:38 | 0:27:41 | |
I know you did, yeah - I counted. | 0:27:41 | 0:27:44 | |
I thought he won't miss two of them, because I thought | 0:27:44 | 0:27:47 | |
I haven't got anything for your mother for Christmas. | 0:27:47 | 0:27:50 | |
Litter bugs? | 0:27:51 | 0:27:53 | |
I don't like litter bugs, you're quite right. There, see? | 0:27:53 | 0:27:55 | |
Finally. One out of three. Yes! | 0:27:55 | 0:27:58 | |
Yeah, no, I... Oh, no, sorry. | 0:27:58 | 0:28:00 | |
What happened? Where's that camp run you've suddenly developed...? | 0:28:06 | 0:28:09 | |
I mean, Jeremy said, you know, in a few years' time, | 0:28:11 | 0:28:14 | |
you'll start looking like Brian Sewell, | 0:28:14 | 0:28:16 | |
and I think he's probably right. | 0:28:16 | 0:28:17 | |
I've never seen anything so camp. | 0:28:17 | 0:28:20 | |
Action. | 0:28:21 | 0:28:22 | |
"What are you doing in my pub? | 0:28:25 | 0:28:27 | |
"You ain't welcome here, you slag." | 0:28:27 | 0:28:29 | |
"I'm leaving you, Danny, | 0:28:31 | 0:28:33 | |
"cos you don't treat me like you should treat a woman." | 0:28:33 | 0:28:36 | |
A woman!? I'm not playing a woman. This is ridiculous. | 0:28:36 | 0:28:40 | |
Because you're his wife, you're not...it's either that or... | 0:28:40 | 0:28:43 | |
I'm his wife? Yes, in the story, it's a story. | 0:28:43 | 0:28:45 | |
This is for Danny's benefit, not yours. | 0:28:45 | 0:28:48 | |
Danny needs to practise this, just go. | 0:28:48 | 0:28:50 | |
Right, OK, right. | 0:28:50 | 0:28:51 | |
"We'll get you out of here. | 0:28:51 | 0:28:53 | |
"I'll take you down market with bubble and squeak | 0:28:53 | 0:28:55 | |
"till the cows come home. I love you, darling, all right? | 0:28:55 | 0:28:58 | |
"I love you more than life itself, all right? | 0:28:58 | 0:29:02 | |
"You slag." | 0:29:02 | 0:29:03 | |
"Danny, I'm in the full bloom of my womanhood." | 0:29:10 | 0:29:13 | |
I can't believe I'm saying all this stuff - who wrote this? | 0:29:15 | 0:29:19 | |
I wrote it! Oh. | 0:29:19 | 0:29:21 | |
"Sure, you're a phenomenal lover. | 0:29:21 | 0:29:24 | |
"But physical ecstasy is not enough. | 0:29:25 | 0:29:29 | |
"Exchange look of simmering sexual tension." | 0:29:30 | 0:29:34 | |
That was all right, that was quite fuckable, actually. | 0:29:40 | 0:29:43 | |
Danny! Well...! | 0:29:43 | 0:29:45 | |
"I'm taking the kids with me." | 0:29:45 | 0:29:47 | |
"You can't take me kids!" | 0:29:47 | 0:29:49 | |
"They're not your kids, Danny." | 0:29:49 | 0:29:52 | |
"But if they're not my kids, | 0:29:52 | 0:29:54 | |
"then whose are they, you slag?" | 0:29:54 | 0:29:57 | |
Jeremy's the daddy! | 0:29:59 | 0:30:00 | |
Oh...ooh... | 0:30:07 | 0:30:10 | |
Really bad heartburn. | 0:30:10 | 0:30:12 | |
It's that chicken. | 0:30:12 | 0:30:14 | |
Sh, stop it. | 0:30:14 | 0:30:15 | |
Um...so, Daddy, what were your highlights | 0:30:15 | 0:30:19 | |
of filming Backchat? | 0:30:19 | 0:30:20 | |
Well, I mean, it was difficult. | 0:30:20 | 0:30:22 | |
I mean, I couldn't make head or tail of the whole thing, | 0:30:22 | 0:30:24 | |
cos all the anecdotes that I told you | 0:30:24 | 0:30:27 | |
which I thought, you know, would have been the highlights, | 0:30:27 | 0:30:30 | |
seemed to get cut. | 0:30:30 | 0:30:31 | |
We had to edit some of them because they do... | 0:30:31 | 0:30:34 | |
Well, I mean, they're good, but some of them do tend to, | 0:30:34 | 0:30:37 | |
you know, go on a bit. No, they didn't. | 0:30:37 | 0:30:39 | |
They were quite long-winded, some of them. | 0:30:39 | 0:30:41 | |
They weren't. You can ramble... | 0:30:41 | 0:30:43 | |
There were lots of very, very good, short anecdotes I told. | 0:30:43 | 0:30:46 | |
You don't have any short anecdotes. | 0:30:46 | 0:30:48 | |
What about that one about Penelope Keith and Peter Bowles | 0:30:48 | 0:30:51 | |
when we went to the dog track in Catford, | 0:30:51 | 0:30:54 | |
the greyhound story? | 0:30:54 | 0:30:56 | |
You remember I had a greyhound? | 0:30:56 | 0:30:58 | |
Every time we went down to the training place | 0:30:58 | 0:31:00 | |
and met the trainer, who was called Randy Singleton, | 0:31:00 | 0:31:04 | |
the dog used to sort of come up and lick me | 0:31:04 | 0:31:07 | |
but I thought, "Well, how do I know that's my dog?" | 0:31:07 | 0:31:09 | |
And there were other people there, there was... | 0:31:10 | 0:31:13 | |
I have a feeling that Maureen Lipman might have been there, | 0:31:13 | 0:31:17 | |
but it was quite, you know, big names, | 0:31:17 | 0:31:19 | |
and Peter Bowles' mother was there. | 0:31:19 | 0:31:22 | |
So Peter and Penny were mortified | 0:31:24 | 0:31:27 | |
and, I mean, there was nothing else for it, | 0:31:27 | 0:31:29 | |
I just turned round and told Randy Singleton | 0:31:29 | 0:31:31 | |
that he could bloody well go and fuck himself. | 0:31:31 | 0:31:33 | |
Here are some more of my dad's best bits. | 0:31:37 | 0:31:40 | |
Did you ever, like, meet Maggie Thatcher? | 0:31:40 | 0:31:42 | |
No, I think I spotted her once across a room, aged eight, | 0:31:42 | 0:31:45 | |
and was quite intimidated. | 0:31:45 | 0:31:47 | |
You're not trying to get me to tell that story? | 0:31:47 | 0:31:50 | |
He's trying to get me to tell the story | 0:31:50 | 0:31:52 | |
because I went out a few times with Carol, their daughter. | 0:31:52 | 0:31:55 | |
Did you ever French kiss Carol Thatcher? | 0:31:55 | 0:31:57 | |
I don't want to hear...shut up! Yes, I did. I have to say I did. | 0:31:57 | 0:32:01 | |
Oh, brilliant. | 0:32:01 | 0:32:02 | |
I went from between French kissing and heavy petting. | 0:32:02 | 0:32:06 | |
But I never went further than that with her, | 0:32:07 | 0:32:10 | |
and she asked me back to Number 10 Downing Street | 0:32:10 | 0:32:13 | |
to meet the parents | 0:32:13 | 0:32:15 | |
and it was sort of midnight-ish | 0:32:15 | 0:32:17 | |
and I was beginning to get a little - I mean, not...I wasn't drunk... | 0:32:17 | 0:32:21 | |
You were pissed. I was not. | 0:32:21 | 0:32:23 | |
Anyway, I went out into the hall to order a cab | 0:32:23 | 0:32:25 | |
and I rang up the cab company and Carol was standing next to me, | 0:32:25 | 0:32:29 | |
and I said, "Oh, hello, I'd like a cab please | 0:32:29 | 0:32:32 | |
"to Number 10 Downing Street." | 0:32:32 | 0:32:33 | |
And the chap at the other end said, "Oh, yes, sir? 10 Downing Street? | 0:32:33 | 0:32:38 | |
"Right, and what would your name be?" | 0:32:38 | 0:32:39 | |
And I said, "Whitehall", and he said, "Oh, right." | 0:32:39 | 0:32:43 | |
She then grabbed the phone off me, Carol, | 0:32:43 | 0:32:46 | |
because she could see I wasn't coping very well with it, | 0:32:46 | 0:32:49 | |
and she said, "Hello?" | 0:32:49 | 0:32:50 | |
And the guy at the other end says, "Yes, hello?" | 0:32:50 | 0:32:53 | |
And she said, "Have you got all those details?" | 0:32:53 | 0:32:55 | |
And he said, "Yes I've got Mr Whitehall from 10 Downing Street. | 0:32:55 | 0:32:58 | |
"Who would you be, madam?" | 0:32:58 | 0:32:59 | |
And she said "My name is Thatcher." | 0:32:59 | 0:33:02 | |
At which point the man put the phone down | 0:33:02 | 0:33:04 | |
and I didn't get a cab. | 0:33:04 | 0:33:05 | |
That is the worst excuse I have ever heard | 0:33:05 | 0:33:07 | |
for sleeping with Carol Thatcher. | 0:33:07 | 0:33:09 | |
What's the furthest north you've ever been? | 0:33:10 | 0:33:13 | |
Worcester? | 0:33:13 | 0:33:14 | |
So, Worcester is the furthest north... | 0:33:16 | 0:33:17 | |
You went to school in Yorkshire. Yeah. | 0:33:17 | 0:33:20 | |
Well, that is further north than Worcester. | 0:33:20 | 0:33:22 | |
No, but I never went, sort of, into Yorkshire, as it were. | 0:33:22 | 0:33:28 | |
We used to go up from King's Cross Station to York | 0:33:28 | 0:33:32 | |
in a private train... | 0:33:32 | 0:33:33 | |
Whoa, whoa, whoa - sorry, you went to school | 0:33:33 | 0:33:35 | |
on a private train from King's Cross? | 0:33:35 | 0:33:37 | |
Did you have to run through a wall to get to the platform? | 0:33:37 | 0:33:40 | |
We went up to York Station and when we got out... | 0:33:41 | 0:33:46 | |
And then Hagrid put you in the boats. | 0:33:46 | 0:33:48 | |
And then we spent the term there | 0:33:49 | 0:33:51 | |
and then we came back at the end of term. | 0:33:51 | 0:33:53 | |
To the muggles. | 0:33:53 | 0:33:54 | |
If I may just have a word with you about - | 0:33:57 | 0:33:59 | |
because you've got a very, very attractive younger wife, | 0:33:59 | 0:34:03 | |
and I had the same - well, I still do have the same. | 0:34:03 | 0:34:06 | |
But where you've got this to look forward to | 0:34:06 | 0:34:09 | |
is the benefit of having a younger wife | 0:34:09 | 0:34:12 | |
when you're getting near my age... Yeah. | 0:34:12 | 0:34:15 | |
Because then you've got somebody to carry the heavy shopping... | 0:34:15 | 0:34:18 | |
..the heavy suitcases on holiday, | 0:34:21 | 0:34:24 | |
the car puncture, out of the car, fixes the puncture. | 0:34:24 | 0:34:29 | |
And, dare I say...in the bedroom. | 0:34:31 | 0:34:35 | |
OK, we don't, we don't... | 0:34:35 | 0:34:38 | |
We don't want to hear about in the bedroom, | 0:34:38 | 0:34:40 | |
with you and my mother. | 0:34:40 | 0:34:41 | |
In the bedroom, light bulb goes out... | 0:34:41 | 0:34:44 | |
Oh, thank God. | 0:34:44 | 0:34:45 | |
She's up the ladder, changes the light bulb. Phew! | 0:34:45 | 0:34:50 | |
I thought you were going somewhere different. | 0:34:50 | 0:34:52 | |
And the sex is good too. Oh, for... | 0:34:52 | 0:34:54 | |
Let me tell you about the night of your conception... Whoa! | 0:34:58 | 0:35:02 | |
Then we won't have any more of this "Are you my daddy?" | 0:35:02 | 0:35:05 | |
We don't want that...let's move on. | 0:35:05 | 0:35:07 | |
It was the night of the Great Storm, you remember that night? | 0:35:07 | 0:35:10 | |
None of you want to hear it. When Michael Fish... | 0:35:10 | 0:35:12 | |
I do. I want to hear it. Shut up, Lee. | 0:35:12 | 0:35:14 | |
Michael Fish wasn't... The storm. Yes. | 0:35:14 | 0:35:16 | |
He said there wasn't going to be a storm, | 0:35:16 | 0:35:18 | |
there was this huge storm... Yeah. | 0:35:18 | 0:35:19 | |
And we had some people for dinner, we had six people for dinner. | 0:35:19 | 0:35:23 | |
Was one of them Nigel? Just wondering. | 0:35:23 | 0:35:24 | |
No. No, no. | 0:35:24 | 0:35:26 | |
Just wondering. Don't encourage him. | 0:35:26 | 0:35:28 | |
We had six people for dinner and then they left at about midnight | 0:35:28 | 0:35:31 | |
and that's when the storm started, | 0:35:31 | 0:35:33 | |
and there was sort of rumbling and...and it got... | 0:35:33 | 0:35:36 | |
It got very, very hot that night, and it started raining | 0:35:36 | 0:35:40 | |
and Hilary - that's my wife, Hilary, and his mother - | 0:35:40 | 0:35:43 | |
we went for a walk round the block | 0:35:43 | 0:35:45 | |
and then we got to the front door, having had our walk and... | 0:35:45 | 0:35:49 | |
You remember that big tree in front of the front door? | 0:35:49 | 0:35:52 | |
I wasn't born. No, but there was a big tree, | 0:35:52 | 0:35:54 | |
and your mother leant against the tree | 0:35:54 | 0:35:56 | |
and her dress was beginning to slightly ride up... | 0:35:56 | 0:35:59 | |
Oh, my God! Because of the heat and because... | 0:35:59 | 0:36:02 | |
And of course she's got rain on her as well | 0:36:02 | 0:36:04 | |
and she looked very, you know, exciting, | 0:36:04 | 0:36:06 | |
and I thought, just for a moment, | 0:36:06 | 0:36:08 | |
I thought "Could this be a knee trembler opportunity?" | 0:36:08 | 0:36:11 | |
Oh, my God! | 0:36:11 | 0:36:12 | |
OK, I believe you. I believe you. | 0:36:12 | 0:36:14 | |
Nigel's not my dad. Nigel's not my dad, I believe you. | 0:36:14 | 0:36:18 | |
Please carry on, this is saving me ?2.50 a minute. | 0:36:18 | 0:36:20 | |
She walked up the stairs... I believe you. | 0:36:20 | 0:36:22 | |
We got to the top of the stairs, which was our bedroom, | 0:36:22 | 0:36:25 | |
and she lay on the bed... | 0:36:25 | 0:36:26 | |
OK, shall we bring out Santabusi? | 0:36:26 | 0:36:28 | |
She started to - well, she didn't undress exactly... Kriss, help! | 0:36:28 | 0:36:31 | |
She just lay there, and I got so excited... Kriss! | 0:36:31 | 0:36:34 | |
I mean, so excited, | 0:36:34 | 0:36:36 | |
that I jumped the gun. | 0:36:36 | 0:36:38 | |
OH, MY GOD! | 0:36:38 | 0:36:39 | |
Why are you laughing? | 0:36:43 | 0:36:45 | |
Because we've just seen a bit. | 0:36:45 | 0:36:46 | |
But you haven't seen it - you don't know whether it's funny or not. | 0:36:46 | 0:36:49 | |
No, it's just how it works. OK. | 0:36:49 | 0:36:50 | |
So, let's talk about guests. | 0:36:50 | 0:36:53 | |
Of all the people we had on... | 0:36:53 | 0:36:54 | |
DOOR BELL RINGS | 0:36:54 | 0:36:55 | |
What? Who's that? | 0:36:55 | 0:36:57 | |
Oh, excuse me, this is Morris. | 0:36:57 | 0:36:59 | |
Who the fuck is Morris? The upholsterer. | 0:36:59 | 0:37:02 | |
Sorry, you've booked an upholsterer to come round? | 0:37:02 | 0:37:04 | |
Yeah, he's just - he won't be here very long. | 0:37:04 | 0:37:06 | |
You knew we were going to do... | 0:37:06 | 0:37:08 | |
Ah, Morris - hello, hi, lovely to see you. | 0:37:08 | 0:37:12 | |
Right, OK, can I have a word, please? Yes, OK. | 0:37:12 | 0:37:16 | |
No, not you. | 0:37:16 | 0:37:18 | |
What the hell is this? You knew we were doing this today. | 0:37:20 | 0:37:23 | |
Yes. You couldn't have had him coming over on another day? | 0:37:23 | 0:37:26 | |
But I didn't think we'd be doing it all day. | 0:37:26 | 0:37:28 | |
We're only doing it for a couple of hours. | 0:37:28 | 0:37:30 | |
He said he was in the area, he could come over, look at some... | 0:37:30 | 0:37:33 | |
We're not doing a whole show based on Morris's schedule. | 0:37:33 | 0:37:35 | |
I know we're not. I'm quite busy as well. | 0:37:35 | 0:37:37 | |
OK, well... Where can we...? | 0:37:37 | 0:37:39 | |
We're not doing it in there whilst he's doing... | 0:37:39 | 0:37:41 | |
OK, well, I'm not going in that kitchen, | 0:37:41 | 0:37:43 | |
it stinks of that ghastly chicken. | 0:37:43 | 0:37:45 | |
Oh, yes, I know where we could go. | 0:37:45 | 0:37:47 | |
This is weird. Why? | 0:37:51 | 0:37:54 | |
Doing it in your bedroom. Odd. | 0:37:54 | 0:37:58 | |
Not really. | 0:37:58 | 0:37:59 | |
It's good enough for Morecambe and Wise, | 0:37:59 | 0:38:01 | |
it'll be good enough for us. | 0:38:01 | 0:38:04 | |
OK. | 0:38:04 | 0:38:05 | |
This bed's got some slightly dodgy springs. | 0:38:05 | 0:38:09 | |
I'm afraid your mother got very over-excited | 0:38:09 | 0:38:11 | |
during the Christmas holiday period. Oh, my God... | 0:38:11 | 0:38:15 | |
BBC Three felt the show might be feeling a little bit posh | 0:38:15 | 0:38:18 | |
and a little bit old, | 0:38:18 | 0:38:19 | |
so we decided that we would do the best thing | 0:38:19 | 0:38:21 | |
and book a 92-year-old member of the House of Lords. | 0:38:21 | 0:38:24 | |
She's 92 - that is amazing, right? | 0:38:24 | 0:38:27 | |
Sh... | 0:38:27 | 0:38:29 | |
I'm not 92, I'm 91. | 0:38:29 | 0:38:32 | |
Sorry! | 0:38:32 | 0:38:34 | |
I'm sorry, Baroness. | 0:38:34 | 0:38:35 | |
Where are you getting all this tripe from? | 0:38:35 | 0:38:38 | |
It's all from your Wikipedia page. | 0:38:38 | 0:38:40 | |
Probably written by you, | 0:38:41 | 0:38:44 | |
or someone even less educated. | 0:38:44 | 0:38:46 | |
Jeremy! Stop being so mean! | 0:38:46 | 0:38:50 | |
Also can I just say - you won't know this - | 0:38:50 | 0:38:52 | |
Lee Mack used to be a Redcoat at Butlins, | 0:38:52 | 0:38:55 | |
so he too...you know... | 0:38:55 | 0:38:57 | |
Could I just say...? | 0:38:57 | 0:38:59 | |
APPLAUSE | 0:38:59 | 0:39:01 | |
You made a schoolboy error there. | 0:39:03 | 0:39:04 | |
I appreciate you are a schoolboy, | 0:39:04 | 0:39:06 | |
but I was not a Redcoat at Butlins - | 0:39:06 | 0:39:10 | |
I was a Bluecoat at Pontins. | 0:39:10 | 0:39:12 | |
So of..of the three words you needed, | 0:39:12 | 0:39:14 | |
you only got the word "coat" correct. | 0:39:14 | 0:39:17 | |
Now, one thing I want to talk to you about | 0:39:18 | 0:39:20 | |
is you have just opened a boutique | 0:39:20 | 0:39:23 | |
in...or you're about to open a boutique... | 0:39:23 | 0:39:25 | |
I'm not, but I'll say, "Yes." You're not? No. Am I? | 0:39:25 | 0:39:28 | |
Fucking Wikipedia is bullshit. | 0:39:28 | 0:39:31 | |
What the fuck's Wikipedia saying now? | 0:39:31 | 0:39:33 | |
Apparently my home was invaded | 0:39:33 | 0:39:34 | |
by false widow spiders the other week, | 0:39:34 | 0:39:36 | |
that was bollocks. | 0:39:36 | 0:39:38 | |
There goes my next question. | 0:39:38 | 0:39:40 | |
Your life and career is just fantastic. | 0:39:40 | 0:39:44 | |
You were basically a spy. | 0:39:44 | 0:39:46 | |
No. | 0:39:46 | 0:39:47 | |
Do you want me to do this? Yeah - no, put that down, | 0:39:49 | 0:39:52 | |
we'll do that in a sec. Right. | 0:39:52 | 0:39:53 | |
So we're pretending Kriss Akabusi has just gone... | 0:39:53 | 0:39:56 | |
Sorry, this sets up something at the end of the show | 0:39:56 | 0:39:59 | |
and someone forgot what they were meant to be talking about. | 0:39:59 | 0:40:02 | |
Oh, cheers. | 0:40:02 | 0:40:03 | |
The trouble is, someone isn't always told | 0:40:03 | 0:40:05 | |
what they're supposed to do. | 0:40:05 | 0:40:07 | |
I have to keep it all in my young head. | 0:40:08 | 0:40:11 | |
Right. | 0:40:12 | 0:40:13 | |
You made a lot of mistakes at the beginning. | 0:40:13 | 0:40:16 | |
I've been writing them down - you made one, two, three... | 0:40:16 | 0:40:20 | |
This has been Backchat. Good night. | 0:40:23 | 0:40:26 | |
You've all had a good show. | 0:40:29 | 0:40:32 | |
Nick, I particularly enjoyed some of your anecdotes | 0:40:32 | 0:40:35 | |
towards the beginning, | 0:40:35 | 0:40:36 | |
but worry that on some of the tasks, you took a bit of a back seat. | 0:40:36 | 0:40:40 | |
Mr Biz, you remind me of a younger me, | 0:40:41 | 0:40:45 | |
even though you're older than me and a grime rapper. | 0:40:45 | 0:40:48 | |
Father, you were very grumpy at the beginning of the evening, | 0:40:50 | 0:40:53 | |
but you warmed up a little bit | 0:40:53 | 0:40:55 | |
and I did enjoy some of your interjections. | 0:40:55 | 0:40:57 | |
However, your reference to my mother's party hats | 0:40:57 | 0:41:01 | |
will haunt me for the rest of my life. | 0:41:01 | 0:41:03 | |
It's for this reason that, with regret, | 0:41:04 | 0:41:07 | |
Father, you're fired. | 0:41:07 | 0:41:09 | |
Why are we up here? It's bloody freezing. | 0:41:20 | 0:41:22 | |
Because this is nice, picturesque, | 0:41:22 | 0:41:24 | |
so I thought we could have, like, a reflective moment | 0:41:24 | 0:41:26 | |
for the end of the series, so... Reflective about what, though? | 0:41:26 | 0:41:29 | |
Just being reflective, you know? We're looking back on the series, | 0:41:29 | 0:41:32 | |
I thought it'd be nice to have a reflective moment to end on. | 0:41:32 | 0:41:35 | |
So just look out... | 0:41:35 | 0:41:36 | |
No, not over there, just look towards the river | 0:41:36 | 0:41:39 | |
and just be reflective, OK? | 0:41:39 | 0:41:40 | |
That's not reflective, you look angry. | 0:41:41 | 0:41:44 | |
I'm not, I'm just thinking about... Sh, sh, sh. | 0:41:44 | 0:41:47 | |
Those bloody cyclists. | 0:41:47 | 0:41:49 | |
They're not taxed, like we are - I pay tax, my car... | 0:41:49 | 0:41:52 | |
This isn't about cyclists. ..insurance... | 0:41:52 | 0:41:55 | |
Just shut up and be reflective. | 0:41:55 | 0:41:57 | |
Well, that's it, the end of the series. | 0:41:59 | 0:42:02 | |
I hope you've enjoyed it as much as we've enjoyed making it, | 0:42:02 | 0:42:05 | |
and with any luck, we'll see you again soon. | 0:42:05 | 0:42:09 | |
I'm not sure I'll be around for that. | 0:42:09 | 0:42:12 | |
Don't end the series on that. | 0:42:12 | 0:42:15 | |
What do you mean? Could you be any more morbid? | 0:42:15 | 0:42:16 | |
You will, if you look after yourself, | 0:42:16 | 0:42:19 | |
you know, cut down on the alcohol a bit, | 0:42:19 | 0:42:22 | |
I'm sure you'll keep going for a lot longer. | 0:42:22 | 0:42:25 | |
I'm not talking about that. | 0:42:25 | 0:42:27 | |
You don't seriously think I'm going to do another series for BBC Three | 0:42:27 | 0:42:31 | |
at the money they've been paying me? | 0:42:31 | 0:42:33 | |
OK - well, we won't see you again soon. | 0:42:35 | 0:42:38 | |
Good night. | 0:42:38 | 0:42:39 | |
Well, you might. Good night. | 0:42:39 | 0:42:40 | |
Why is your name before mine? | 0:42:44 | 0:42:46 | |
Because... | 0:42:46 | 0:42:47 | |
Ridiculous. What do all these people do? | 0:42:47 | 0:42:50 | |
They all work on the show. | 0:42:50 | 0:42:52 | |
But we do all the work on the... | 0:42:52 | 0:42:53 | |
No, we don't, these are the amazing people... | 0:42:53 | 0:42:55 | |
If it wasn't for them, we wouldn't be able to make the show. | 0:42:55 | 0:42:58 | |
Well, where do they come from? | 0:42:58 | 0:43:00 | |
A bunch of freeloaders, are they? | 0:43:00 | 0:43:02 | |
I've never met any of these people. | 0:43:02 | 0:43:04 |