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This programme contains some strong language | 0:00:02 | 0:00:05 | |
-Daddy? -Yeah? -Basically, BBC Three want you to look a little bit less | 0:00:05 | 0:00:08 | |
like Penfold from Danger Mouse. | 0:00:08 | 0:00:10 | |
You know the way we've got Danny Dyer on the show later? | 0:00:10 | 0:00:13 | |
-Well, whoever he is. -Yeah, OK. | 0:00:13 | 0:00:15 | |
Basically, I thought you could dress a little bit more geezer-y | 0:00:15 | 0:00:18 | |
so that he feels at home. | 0:00:18 | 0:00:19 | |
So how do you feel about wearing that? | 0:00:19 | 0:00:21 | |
There is no way that I'm going to wear a tracksuit. | 0:00:22 | 0:00:25 | |
-I'd look like that awful disc jockey man. -No, don't go there. | 0:00:26 | 0:00:30 | |
-What about these trainers? -No. | 0:00:30 | 0:00:32 | |
No way I'm going to meet Jeremy Paxman | 0:00:32 | 0:00:34 | |
looking like a drug dealer. | 0:00:34 | 0:00:36 | |
All right, OK, hear me out. We could try something a lot more discreet. | 0:00:36 | 0:00:39 | |
But honestly, I think you'd look really good with an earring. | 0:00:39 | 0:00:44 | |
Just a little... | 0:00:44 | 0:00:45 | |
What about a nipple? | 0:00:52 | 0:00:54 | |
APPLAUSE AND CHEERING | 0:01:07 | 0:01:10 | |
Good evening and welcome to Backchat, | 0:01:14 | 0:01:16 | |
a brand-new chat show for BBC Three. | 0:01:16 | 0:01:18 | |
On tonight's show, finally, | 0:01:18 | 0:01:19 | |
after years of people wanting to see them team up, | 0:01:19 | 0:01:22 | |
Jeremy Paxman and Danny Dyer are going to be together at last | 0:01:22 | 0:01:25 | |
on that very sofa. | 0:01:25 | 0:01:27 | |
WHOOPING | 0:01:27 | 0:01:29 | |
Before the show, Danny was actually teaching me | 0:01:31 | 0:01:34 | |
a little bit of Cockney rhyming slang. | 0:01:34 | 0:01:36 | |
Phrases such as "Shut up, you lanky prick!" | 0:01:36 | 0:01:39 | |
I still haven't worked out what it's slang for, | 0:01:40 | 0:01:42 | |
but I'm certain it's lovely. | 0:01:42 | 0:01:43 | |
We're also going to be talking to Jeremy Paxman. | 0:01:43 | 0:01:46 | |
My favourite thing about Jeremy Paxman | 0:01:46 | 0:01:48 | |
is the theatre of his interviews. We've all seen it, right? | 0:01:48 | 0:01:51 | |
He's grilling some politician and he lets them waffle on | 0:01:51 | 0:01:54 | |
until their pants are filled to the brim with bullshit. | 0:01:54 | 0:01:57 | |
He reaches into his jacket pocket | 0:01:57 | 0:02:00 | |
and he withdraws his weapon of choice - | 0:02:00 | 0:02:03 | |
the spectacles. | 0:02:03 | 0:02:05 | |
And when he takes those out, | 0:02:05 | 0:02:06 | |
what he's saying to that politician is, "Up until now, | 0:02:06 | 0:02:09 | |
"your face is so offensive to me, I can't even look at you in focus. | 0:02:09 | 0:02:15 | |
"But I've got a quote written down here, | 0:02:15 | 0:02:17 | |
"a quote of yours from seven years ago. | 0:02:17 | 0:02:20 | |
"You probably don't even remember saying it, | 0:02:20 | 0:02:22 | |
"but Jeremy does. | 0:02:22 | 0:02:24 | |
"So be a good boy, pull down your trousers and pants, | 0:02:24 | 0:02:28 | |
"and bend over that barrel for me | 0:02:28 | 0:02:30 | |
"and prepare to take this like a man." | 0:02:30 | 0:02:32 | |
But this is the masterstroke, right. | 0:02:32 | 0:02:34 | |
He doesn't just put the glasses on and leave them there. | 0:02:34 | 0:02:37 | |
No, we get the trademark Paxman flourish, | 0:02:37 | 0:02:40 | |
the swoosh of the matador's cape. | 0:02:40 | 0:02:42 | |
Just before making the execution, he whips them back off again. | 0:02:42 | 0:02:46 | |
This is how it plays. | 0:02:46 | 0:02:48 | |
He's like, "Minister, you're here supporting | 0:02:48 | 0:02:50 | |
"the closure of 15 hospitals..." | 0:02:50 | 0:02:53 | |
GUN COCKS | 0:02:53 | 0:02:54 | |
"..but in 2006, you said that under no circumstances | 0:02:54 | 0:02:59 | |
"would you support cuts to the NHS." | 0:02:59 | 0:03:02 | |
CANNON BOOMS | 0:03:02 | 0:03:05 | |
"What's changed?" | 0:03:05 | 0:03:07 | |
Before we chat to our guests, | 0:03:12 | 0:03:13 | |
I need to, of course, bring out my co-host, my 75-year-old, | 0:03:13 | 0:03:17 | |
gout-ridden father, Michael. | 0:03:17 | 0:03:19 | |
I feel duty-bound to warn you about him. | 0:03:20 | 0:03:23 | |
The modern world kind of baffles him. | 0:03:23 | 0:03:25 | |
I'm talking about the kind of man here who, | 0:03:25 | 0:03:27 | |
when I took him to a KFC restaurant for the first time two years ago, | 0:03:27 | 0:03:31 | |
asked to see the wine list. | 0:03:31 | 0:03:32 | |
So, you have been warned. Anyway, let's bring him out. | 0:03:34 | 0:03:37 | |
You know the way people say, | 0:03:37 | 0:03:39 | |
"He's not just my dad, he's also my best friend"? | 0:03:39 | 0:03:42 | |
Well, please welcome my dad, Michael Whitehall. | 0:03:42 | 0:03:46 | |
LAST OF THE SUMMER WINE THEME PLAYS | 0:03:46 | 0:03:49 | |
CHEERING | 0:03:49 | 0:03:50 | |
Sorry about the steps, by the way. | 0:04:07 | 0:04:09 | |
The BBC Three budget couldn't stretch to a stairlift. | 0:04:09 | 0:04:12 | |
-Very funny. -Spent it all on your chair. | 0:04:12 | 0:04:16 | |
I'm not 75. | 0:04:16 | 0:04:18 | |
-What are you talking...? -I don't have gout. | 0:04:18 | 0:04:20 | |
If I had gout, I wouldn't wear elegant shoes like this. | 0:04:20 | 0:04:23 | |
I'm 73, OK? | 0:04:23 | 0:04:25 | |
-Can I get on with the show? -73. | 0:04:25 | 0:04:27 | |
Yes, 73. | 0:04:27 | 0:04:30 | |
-Can we just have a word about restaurants too? -Why are you reading? | 0:04:30 | 0:04:34 | |
Because I've been making notes behind there... | 0:04:34 | 0:04:36 | |
-Making notes?! -..while you've been talking. | 0:04:36 | 0:04:38 | |
No, I need to.. Please, I need to bring out our... | 0:04:38 | 0:04:40 | |
-our guests... -"The KFC restaurants", you said, right? | 0:04:40 | 0:04:44 | |
You just can't comprehend that a fast food restaurant, | 0:04:44 | 0:04:46 | |
that is a restaurant. | 0:04:46 | 0:04:47 | |
You're the man that, when you went to McDonald's with me | 0:04:47 | 0:04:50 | |
and you ordered a Big Mac, | 0:04:50 | 0:04:51 | |
you asked the woman behind the till to have it cooked medium-rare. | 0:04:51 | 0:04:54 | |
And that is true, he did. You did do that. | 0:04:54 | 0:04:57 | |
-I did not. -Yes, you did! | 0:04:57 | 0:04:58 | |
-I did not. -You did! -No. | 0:04:58 | 0:05:00 | |
I asked for it rare. | 0:05:00 | 0:05:02 | |
And it didn't come back rare. | 0:05:04 | 0:05:06 | |
-Anyway... -Why don't you do the intro to Jeremy Paxman? | 0:05:09 | 0:05:11 | |
Why do you keep pointing over there? | 0:05:11 | 0:05:13 | |
Because there's an autocue over there | 0:05:13 | 0:05:14 | |
and you can read it off and it can be the start of the show. | 0:05:14 | 0:05:17 | |
-Where it says, "Backchat"? -No, that's... | 0:05:17 | 0:05:19 | |
Oh, that thing over there? | 0:05:19 | 0:05:20 | |
-There. -You don't seriously think that I would start reading from that? | 0:05:20 | 0:05:25 | |
I can't even see it! | 0:05:25 | 0:05:28 | |
Oh... Can you...? | 0:05:28 | 0:05:29 | |
Oh, can we move it in closer so he can read it? | 0:05:29 | 0:05:32 | |
Just say when you can read it. | 0:05:33 | 0:05:35 | |
No, keep going. | 0:05:36 | 0:05:39 | |
Are you literally joking? | 0:05:39 | 0:05:41 | |
Right, stop. | 0:05:43 | 0:05:45 | |
There. | 0:05:45 | 0:05:46 | |
Perfect. | 0:05:46 | 0:05:47 | |
-"Michael." -No. -"Our fir..." -No. | 0:05:47 | 0:05:52 | |
Michael, that's... Michael is your name. | 0:05:52 | 0:05:54 | |
-That's just to let you know that that's your bit of... -OK! | 0:05:54 | 0:05:57 | |
-Just read the bit after, "Michael". -Right. | 0:05:57 | 0:05:59 | |
Our first guest tonight is a man who needs no introduction. | 0:06:00 | 0:06:05 | |
But I'll give him one anyway. | 0:06:05 | 0:06:07 | |
He's the... | 0:06:07 | 0:06:08 | |
It's going far too fast. He's the bearded man... | 0:06:08 | 0:06:12 | |
-Sorry! -Ridiculous! | 0:06:12 | 0:06:13 | |
Could you spool it a little bit slower so he can read? | 0:06:13 | 0:06:17 | |
Cos he can't keep up, cos you're going too fast. Sorry. | 0:06:17 | 0:06:19 | |
Nobody could do it that quickly. Why didn't you get somebody...? | 0:06:19 | 0:06:22 | |
-I mean, your mother? -My mother... | 0:06:22 | 0:06:24 | |
Hilary... Hilary could have done that properly. | 0:06:24 | 0:06:27 | |
No, she couldn't, because my mother | 0:06:27 | 0:06:28 | |
is not a professional autocue operator. | 0:06:28 | 0:06:30 | |
She could have done it. You know your mother. She's got very strong wrists. | 0:06:30 | 0:06:34 | |
-She would have been very... -Oh, my God. | 0:06:34 | 0:06:37 | |
She would have been very good at operating that autocue. | 0:06:37 | 0:06:40 | |
I don't want to hear about my mother's wrists. Seriously. | 0:06:40 | 0:06:43 | |
Just read it and let's bring him out. | 0:06:43 | 0:06:46 | |
Ladies and gentlemen, please welcome | 0:06:46 | 0:06:49 | |
-Sir Jeremy Paxman. -He's not a sir! | 0:06:49 | 0:06:52 | |
-To me, he will always be Sir Jeremy Paxman. -Please welcome Jeremy Paxman! | 0:06:52 | 0:06:56 | |
CHEERING | 0:06:56 | 0:06:58 | |
So, this is the problem son you've told me about so many times. | 0:07:14 | 0:07:18 | |
Jeremy, please be nice to me. I'm very nervous. | 0:07:18 | 0:07:20 | |
This is my first ever interview and you're my interviewee | 0:07:20 | 0:07:23 | |
and I'm really worried so, please, would you be gentle with me? | 0:07:23 | 0:07:25 | |
-Of course! -You were quite harsh with Russell Brand. | 0:07:25 | 0:07:29 | |
I wasn't harsh with...! | 0:07:29 | 0:07:31 | |
-Jeremy, already! -Did you see it? | 0:07:31 | 0:07:33 | |
-Yeah, I did. You called... -Why did you say it was harsh? | 0:07:33 | 0:07:35 | |
Cos you called him trivial. | 0:07:35 | 0:07:37 | |
Well, that was after he suggested | 0:07:37 | 0:07:39 | |
I knitted my beard into my armpit hair! | 0:07:39 | 0:07:42 | |
Will you not call me trivial this evening, please? | 0:07:42 | 0:07:45 | |
Well, it depends what you say. | 0:07:45 | 0:07:47 | |
You can earn the title of not being called trivial. | 0:07:47 | 0:07:50 | |
Question number one... | 0:07:50 | 0:07:52 | |
LAUGHTER | 0:07:52 | 0:07:54 | |
..who's your favourite member of One Direction? | 0:07:54 | 0:07:56 | |
The most ludicrous question to ask Jeremy! | 0:08:03 | 0:08:06 | |
-I know it's a silly question. -Can you ask proper questions now? | 0:08:06 | 0:08:10 | |
Were you surprised at how much interest people had in that clip? | 0:08:10 | 0:08:14 | |
Was I surprised? No, I wasn't. | 0:08:14 | 0:08:16 | |
The interesting thing about that Russell Brand business is | 0:08:16 | 0:08:19 | |
he is right about something. | 0:08:19 | 0:08:21 | |
He's definitely put his finger on | 0:08:21 | 0:08:23 | |
the fact that there are vast numbers of people | 0:08:23 | 0:08:26 | |
who are really turned off by the way that politics operates | 0:08:26 | 0:08:28 | |
in this country and that's right. | 0:08:28 | 0:08:30 | |
I think his prescription is wrong. | 0:08:30 | 0:08:34 | |
-Yep. -But I think he's absolutely right in anatomising something | 0:08:34 | 0:08:38 | |
that is really going on in society. | 0:08:38 | 0:08:41 | |
People are disenchanted. | 0:08:41 | 0:08:43 | |
One of the things you seemed to get a little bit irked by | 0:08:43 | 0:08:46 | |
was that Russell Brand was saying that he didn't vote. | 0:08:46 | 0:08:50 | |
Yet in an interview with the Radio Times... | 0:08:50 | 0:08:54 | |
GUN COCKS | 0:08:54 | 0:08:55 | |
..you said, "In one recent election, I decided not to vote | 0:08:55 | 0:08:59 | |
"because I thought the choice was so unappetising." | 0:08:59 | 0:09:01 | |
CANNON BOOMS | 0:09:01 | 0:09:04 | |
What's changed? | 0:09:04 | 0:09:06 | |
Why don't you do the rest of the quote? | 0:09:09 | 0:09:11 | |
Well, that's the only bit that I had from the quote. | 0:09:11 | 0:09:14 | |
Isn't that what you're meant to do? | 0:09:16 | 0:09:18 | |
I'll tell you what I think. I think if you can't be bothered to vote, | 0:09:22 | 0:09:26 | |
you absolutely disqualify yourself | 0:09:26 | 0:09:29 | |
from passing any comment at all | 0:09:29 | 0:09:32 | |
on what's happening in society at large, | 0:09:32 | 0:09:35 | |
in the government, in the statements of politicians. | 0:09:35 | 0:09:37 | |
It's a very minimal effort to go down to a polling station... | 0:09:37 | 0:09:40 | |
Sorry to interrupt you, but you wasted your vote last time. | 0:09:40 | 0:09:44 | |
-I didn't waste my vote, you voted for me! -You voted Green! | 0:09:44 | 0:09:48 | |
That is a waste of a vote. | 0:09:48 | 0:09:50 | |
He tried to steal my postal vote and force me to vote Tory | 0:09:50 | 0:09:53 | |
and I refused to let you do that. | 0:09:53 | 0:09:55 | |
You said to me, "Do you mind doing it for me and I'll vote Conservative..." | 0:09:55 | 0:09:58 | |
I did not! | 0:09:58 | 0:10:00 | |
..and then you changed your mind afterwards and said, | 0:10:00 | 0:10:02 | |
"Oh, no, I'm Lib Dem or Greens," and all that. | 0:10:02 | 0:10:05 | |
Rubbish. | 0:10:05 | 0:10:06 | |
Because you like, to your fanbase, | 0:10:06 | 0:10:08 | |
to appear to be sort of slightly socialisty, kind of Greeny... | 0:10:08 | 0:10:13 | |
Socialisty, Greeny. What the hell are you talking about? | 0:10:13 | 0:10:16 | |
-..whereas you're a good, old-fashioned Tory. -I'm not! | 0:10:16 | 0:10:19 | |
Stop outing me as a Tory! | 0:10:19 | 0:10:21 | |
Sorry I interrupted your conversation. | 0:10:21 | 0:10:24 | |
I want to ask you about University Challenge. | 0:10:24 | 0:10:26 | |
-I would love to be on University Challenge. -Why? | 0:10:26 | 0:10:29 | |
You were in university for, what, two terms? | 0:10:29 | 0:10:33 | |
Then you dropped out. | 0:10:33 | 0:10:34 | |
He got a very good place at Manchester University, Jeremy, | 0:10:34 | 0:10:39 | |
reading history of art. | 0:10:39 | 0:10:40 | |
Two terms later, he's out touring pubs round the north of England, | 0:10:40 | 0:10:46 | |
telling jokes about his penis. | 0:10:46 | 0:10:48 | |
And that's what he's done ever since. | 0:10:50 | 0:10:52 | |
You've got some really stupid answers on University Challenge. | 0:10:58 | 0:11:01 | |
This is one of my favourites. | 0:11:01 | 0:11:03 | |
Another starter question - the nicknames "cheesemongers", | 0:11:03 | 0:11:06 | |
"cherrypickers", "Bob's own", "the Emperor's chambermaids" | 0:11:06 | 0:11:09 | |
and "the Immortals" are or have been used for which groups of men? | 0:11:09 | 0:11:12 | |
-UMIST, Bright. -Homosexuals? | 0:11:14 | 0:11:16 | |
No... | 0:11:16 | 0:11:17 | |
Anyone to buzz? | 0:11:20 | 0:11:21 | |
-Balliol, Clark. -Composers? | 0:11:21 | 0:11:23 | |
No, they're regiments in the British Army. | 0:11:23 | 0:11:25 | |
I actually belong to that heretical minority that rather likes students. | 0:11:31 | 0:11:35 | |
-Yeah. -And I like the fact that they give the lie they know amazing things. | 0:11:35 | 0:11:40 | |
But they cast students in a very positive light. | 0:11:40 | 0:11:44 | |
I mean, the vast majority of students... | 0:11:44 | 0:11:46 | |
You speak as someone who didn't even manage to complete a course. | 0:11:46 | 0:11:49 | |
It is literally like having two of my dads here. | 0:11:51 | 0:11:54 | |
Now, your list of gripes challenges even my father's. | 0:11:54 | 0:11:58 | |
Your list of gripes includes Strictly Come Dancing... | 0:11:58 | 0:12:01 | |
It's not a gripe. I just wouldn't do it. | 0:12:01 | 0:12:03 | |
That doesn't mean I don't like it. It's a fantastically produced show. | 0:12:03 | 0:12:07 | |
Big Brother? | 0:12:07 | 0:12:08 | |
Social media. | 0:12:10 | 0:12:12 | |
I don't have a gripe about... | 0:12:12 | 0:12:13 | |
Where are you getting all this tripe from? | 0:12:13 | 0:12:16 | |
It's all from your Wikipedia page. | 0:12:16 | 0:12:18 | |
Probably written by you. | 0:12:20 | 0:12:21 | |
-Or someone even less educated. -Jeremy! | 0:12:22 | 0:12:25 | |
-AUDIENCE OOHS -Stop being so mean! | 0:12:25 | 0:12:28 | |
-Very good. No, no... -You were right. -I couldn't agree more. | 0:12:30 | 0:12:34 | |
-M&S underpants, you did have a gripe with those. -I did. | 0:12:34 | 0:12:38 | |
I was putting my underpants on | 0:12:38 | 0:12:40 | |
in the gym one day | 0:12:40 | 0:12:42 | |
and I observed they had a hole in them. | 0:12:42 | 0:12:45 | |
I then remarked to the other blokes in the changing room, | 0:12:45 | 0:12:49 | |
"Have any of you noticed Marks & Sparks pants having holes in them?" | 0:12:49 | 0:12:52 | |
Several of them had. | 0:12:52 | 0:12:53 | |
What I hadn't reckoned on, of course, | 0:12:53 | 0:12:55 | |
was I think the pants were probably rather old. | 0:12:55 | 0:12:57 | |
Do you...? | 0:12:59 | 0:13:01 | |
There should be, clearly, a sell-by or use-by date on your pants, | 0:13:01 | 0:13:04 | |
shouldn't there? Then you'd know how old they were. | 0:13:04 | 0:13:06 | |
The problem I have is with the elastic. | 0:13:06 | 0:13:09 | |
-Because I'm very... -Lithe? | 0:13:09 | 0:13:13 | |
No, I was going to say... | 0:13:13 | 0:13:14 | |
I shouldn't use this in front of you, | 0:13:14 | 0:13:16 | |
but I'm quite well hung. | 0:13:16 | 0:13:17 | |
What the fu...! | 0:13:17 | 0:13:19 | |
I need... | 0:13:21 | 0:13:24 | |
I need very strong elasticity, is it called? | 0:13:24 | 0:13:28 | |
In an underpant. | 0:13:28 | 0:13:30 | |
Once it starts loosening up, all hell is basically let loose. | 0:13:30 | 0:13:35 | |
Of course, Jack has inherited some very good things from me | 0:13:36 | 0:13:40 | |
-and that is one that we can... -Stop now. | 0:13:40 | 0:13:42 | |
We can stop now. We've done enough of that. | 0:13:42 | 0:13:44 | |
You're actually being very trivial, so we're going to move on. | 0:13:44 | 0:13:48 | |
-Jeremy, your book, which you have written about the Great War. -Yes. | 0:13:48 | 0:13:54 | |
People have written about the Great War before. | 0:13:54 | 0:13:56 | |
What makes your book different? | 0:13:56 | 0:13:58 | |
Now, come on. That was a fucking good question. | 0:13:58 | 0:14:00 | |
What makes...? | 0:14:03 | 0:14:04 | |
Well, I mean, | 0:14:04 | 0:14:05 | |
we come from a generation that's accustomed to... | 0:14:05 | 0:14:09 | |
all of us in this room, | 0:14:09 | 0:14:11 | |
is accustomed to pleasing ourselves, | 0:14:11 | 0:14:12 | |
and I think it's really hard to understand how it was | 0:14:12 | 0:14:17 | |
that so many people were seduced into this war in 1914, 1915, | 0:14:17 | 0:14:22 | |
and they kept faith with it right through to 1918, | 0:14:22 | 0:14:25 | |
and what I wanted to try to understand was why. | 0:14:25 | 0:14:30 | |
What was the first-person experience of this war? | 0:14:30 | 0:14:34 | |
-Well, my father, you've very much enjoyed the book. -Hugely. | 0:14:34 | 0:14:38 | |
Brought back a lot of memories for you as an eyewitness... | 0:14:38 | 0:14:41 | |
..of the Great War. | 0:14:42 | 0:14:43 | |
It's a really good book and I enjoyed it enormously. | 0:14:43 | 0:14:45 | |
-You're very kind. -As we're talking about books, | 0:14:45 | 0:14:48 | |
-Jack and I have written a book... -You can't plug our book. | 0:14:48 | 0:14:51 | |
You can't plug our book. We're on the BBC, you can't plug the book. | 0:14:51 | 0:14:54 | |
I'm not plugging it, I'm just introducing it to the audience | 0:14:54 | 0:14:58 | |
and to Jeremy, cos I have a copy here for him. | 0:14:58 | 0:15:03 | |
The book's called Him And Me. | 0:15:03 | 0:15:04 | |
Half the chapters are written by Jack | 0:15:04 | 0:15:07 | |
and the other half are written by me. | 0:15:07 | 0:15:10 | |
Now, I know that Jeremy is not going to be interested | 0:15:10 | 0:15:14 | |
in reading stuff that Jack has written, | 0:15:14 | 0:15:17 | |
so what I've done is I've filleted all my chapters... | 0:15:17 | 0:15:21 | |
-Filleted? -..out of the book and had them specially bound for you... | 0:15:21 | 0:15:26 | |
You're such a dick. | 0:15:26 | 0:15:28 | |
..in a book which I've called Me... | 0:15:28 | 0:15:31 | |
..and which I'd like you to have with my compliments. | 0:15:32 | 0:15:35 | |
I'd be absolutely thrilled. Thank you very much. | 0:15:35 | 0:15:38 | |
As people get older, they take different steps to ease | 0:15:42 | 0:15:44 | |
the impact of the passage of time on their looks. | 0:15:44 | 0:15:47 | |
Some people grow a beard. | 0:15:47 | 0:15:49 | |
Others, like my father, need something a little more drastic. | 0:15:49 | 0:15:53 | |
I took him to investigate one of those options. | 0:15:53 | 0:15:55 | |
I booked an appointment with one of London's top plastic surgeons. | 0:15:55 | 0:15:59 | |
Here's how it went down. | 0:15:59 | 0:16:00 | |
What's the name of our general practitioner? | 0:16:02 | 0:16:05 | |
I don't know. You're the one who's brought me here. | 0:16:05 | 0:16:07 | |
I don't know what we're doing here. | 0:16:07 | 0:16:09 | |
I'm very upset that Jack thinks | 0:16:09 | 0:16:11 | |
that I need to have anything done to my face. | 0:16:11 | 0:16:13 | |
I think my face, for a more mature man, is almost perfection. | 0:16:13 | 0:16:19 | |
"Do you drink alcohol?" Of course. That's a bloody stupid question. | 0:16:19 | 0:16:24 | |
Yeah, but if you drink and you do prescription drugs, | 0:16:24 | 0:16:26 | |
you'll end up like Kerry Katona on This Morning. | 0:16:26 | 0:16:28 | |
Do you want that? | 0:16:28 | 0:16:30 | |
I don't know who she is. | 0:16:30 | 0:16:32 | |
Are you going to be honest with this drink one? | 0:16:32 | 0:16:35 | |
-Well, I put one unit a day. -One unit a day? -Yeah. | 0:16:35 | 0:16:38 | |
A unit is not a bottle of red wine. | 0:16:38 | 0:16:40 | |
-Why should I tell the man how much I drink? -Cos he's your doctor. | 0:16:40 | 0:16:43 | |
-He's not going to go around telling everyone. -He's not my doctor. | 0:16:43 | 0:16:46 | |
I've never met the man. | 0:16:46 | 0:16:47 | |
I'll put three. | 0:16:47 | 0:16:49 | |
JACK SNORTS | 0:16:49 | 0:16:51 | |
Have I ever had a facial herpes infection? | 0:16:51 | 0:16:54 | |
This is getting really personal. | 0:16:54 | 0:16:56 | |
Have you? | 0:16:56 | 0:16:58 | |
Well, there was that time in Greece... | 0:17:00 | 0:17:02 | |
Oh, God, I don't want to hear it, actually. | 0:17:02 | 0:17:05 | |
'He didn't seem to be taking the medical questionnaire seriously | 0:17:05 | 0:17:08 | |
'and was definitely answering some of the questions incorrectly.' | 0:17:08 | 0:17:12 | |
Gentleman, thank you very much for coming along. How can I help you? | 0:17:13 | 0:17:16 | |
Basically, my father's looking a bit old in the face area, | 0:17:16 | 0:17:20 | |
so I thought we could maybe talk about getting a kind of MOT | 0:17:20 | 0:17:23 | |
done on that. | 0:17:23 | 0:17:24 | |
When you said MOT, could you specify a bit more? | 0:17:24 | 0:17:27 | |
Well, I don't know, I was just thinking his face at rest | 0:17:27 | 0:17:31 | |
looks like he's just smelled a bad fart. | 0:17:31 | 0:17:33 | |
-All the time. -Ridiculous. | 0:17:33 | 0:17:35 | |
'It's Jack that I'm worried about. When you think he's only just 25. | 0:17:35 | 0:17:40 | |
'When he gets to my age, God knows what he's going to look like.' | 0:17:40 | 0:17:44 | |
Patrick, tell it to me straight - | 0:17:44 | 0:17:45 | |
is this what I've got to look forward to? | 0:17:45 | 0:17:48 | |
That depends very much on how you lead your lifestyle. | 0:17:48 | 0:17:51 | |
-The ageing process is very complex. -Oh... | 0:17:51 | 0:17:54 | |
What I'd like to do is just illustrate some of the areas | 0:17:54 | 0:17:57 | |
that I think that we can improve upon. | 0:17:57 | 0:17:59 | |
So, let's start with the eyelids. | 0:17:59 | 0:18:01 | |
'Patrick was doing all of his pen shit on my dad and then I notice | 0:18:01 | 0:18:05 | |
'there was one part of his face that he'd carelessly overlooked.' | 0:18:05 | 0:18:09 | |
Can I just suggest as well, if you don't mind, Daddy, | 0:18:09 | 0:18:12 | |
if you took out some of the skin here and just thinned that area, | 0:18:12 | 0:18:18 | |
and then pulled it in a bit there... | 0:18:18 | 0:18:20 | |
..you might get a more youthful mouth area. | 0:18:21 | 0:18:24 | |
Yeah, I think that's probably not a good idea. | 0:18:25 | 0:18:28 | |
It's not really a conventional approach and I don't think | 0:18:28 | 0:18:31 | |
it's going to contribute to Michael's overall rejuvenation. | 0:18:31 | 0:18:35 | |
-Look. -No, I don't think so. | 0:18:35 | 0:18:36 | |
I think we've probably done enough of this now, to be honest. | 0:18:36 | 0:18:40 | |
So, Patrick, can you work out some sort of price for this? | 0:18:40 | 0:18:44 | |
-I'll get that information and then I'll get back to you. -OK, thank you. | 0:18:44 | 0:18:47 | |
Thanks. | 0:18:47 | 0:18:48 | |
OK, gents, | 0:18:56 | 0:18:57 | |
you'd be looking at something like this for all of it included. | 0:18:57 | 0:19:00 | |
Oh, thanks, Jack. | 0:19:02 | 0:19:03 | |
Oh, shit. | 0:19:08 | 0:19:09 | |
Total waste of time. Complete con artist. | 0:19:11 | 0:19:15 | |
Taxi! | 0:19:15 | 0:19:17 | |
Um, maybe don't put your arm up like that. | 0:19:17 | 0:19:20 | |
Now it's time for my next guest. | 0:19:27 | 0:19:29 | |
The greatest actor of his generation. | 0:19:29 | 0:19:31 | |
His performances are so delicate, they come with a sign saying, | 0:19:31 | 0:19:34 | |
"Handle with care". | 0:19:34 | 0:19:35 | |
His range is so broad that when it travels on a plane, | 0:19:35 | 0:19:38 | |
it requires two tickets | 0:19:38 | 0:19:40 | |
and his delivery is so poetic | 0:19:40 | 0:19:42 | |
that it has won a Noble Prize for Literature. | 0:19:42 | 0:19:45 | |
Please welcome acting deus | 0:19:45 | 0:19:47 | |
Dame Danny Dyer. | 0:19:47 | 0:19:49 | |
CHEERING | 0:19:49 | 0:19:52 | |
Are you sure about this? I mean, this is very, very surreal. | 0:20:10 | 0:20:13 | |
Have your paths ever crossed before? | 0:20:13 | 0:20:15 | |
-No. -No, this is a rare opportunity. -Don't lie. | 0:20:15 | 0:20:18 | |
I've seen him down Stringfellows once. | 0:20:18 | 0:20:21 | |
Out of his nut, he was. Out of his nut. | 0:20:21 | 0:20:23 | |
Danny, a very busy man, | 0:20:24 | 0:20:26 | |
so we very much appreciate you coming on the show. | 0:20:26 | 0:20:28 | |
I'm very excited to have the two hardest men on television | 0:20:28 | 0:20:32 | |
on the same sofa tonight. | 0:20:32 | 0:20:33 | |
And then my dad, who's not hard, | 0:20:33 | 0:20:35 | |
but then a lot of men his age suffer from that kind of a problem. | 0:20:35 | 0:20:37 | |
Now, we're going to talk about your film. | 0:20:39 | 0:20:41 | |
-You've got a new film out, Vendetta. -Vendetta. | 0:20:41 | 0:20:43 | |
Like many of your films, it is a Regency comedy. | 0:20:43 | 0:20:46 | |
-Yes, yes. -It's not, is it? It's like a revenge flick. | 0:20:46 | 0:20:48 | |
It's a vigilante movie, it's like a remake of Death Wish. | 0:20:48 | 0:20:51 | |
It sort of raises the question of | 0:20:51 | 0:20:53 | |
if you had your parents horrifically murdered, | 0:20:53 | 0:20:56 | |
taken away from you, someone you love and cherish, | 0:20:56 | 0:20:59 | |
-and you were a highly trained killer, SAS, me... -Yep. | 0:20:59 | 0:21:04 | |
..and they get away with it, | 0:21:04 | 0:21:05 | |
would you take the law into your own hands? | 0:21:05 | 0:21:07 | |
Because I know I fucking would. I don't know about you, Paxman. | 0:21:08 | 0:21:11 | |
I think of little else. | 0:21:13 | 0:21:15 | |
I think if people took my father away... | 0:21:16 | 0:21:18 | |
-We have a clip of Vendetta. -Whack it on. | 0:21:22 | 0:21:25 | |
That's how you tee up a clip - "whack it on". | 0:21:25 | 0:21:29 | |
You know Jimmy Vickers, don't you? | 0:21:29 | 0:21:30 | |
Yeah. | 0:21:30 | 0:21:31 | |
You know what they did to his mum and dad? | 0:21:31 | 0:21:34 | |
Jimmy, you know, when they told me what happened, | 0:21:35 | 0:21:38 | |
I couldn't believe it. | 0:21:38 | 0:21:40 | |
There's nothing to stop them doing it again. | 0:21:40 | 0:21:43 | |
There's me. | 0:21:43 | 0:21:44 | |
He'll finish these guys and then... | 0:21:46 | 0:21:48 | |
..he'll vanish. | 0:21:49 | 0:21:51 | |
He's SAS. | 0:21:51 | 0:21:52 | |
It's a problem you do not want on your streets. | 0:21:52 | 0:21:55 | |
Let me go, man, please! | 0:21:55 | 0:21:57 | |
If you want to take a stand, you've got to be tall. | 0:21:57 | 0:21:59 | |
Taller than you've ever been. | 0:21:59 | 0:22:02 | |
WHOOPING | 0:22:02 | 0:22:04 | |
MICHAEL MURMURS PRAISE | 0:22:04 | 0:22:07 | |
There's some quite violent interrogation scenes in the film. | 0:22:09 | 0:22:12 | |
Talk us through some of the stuff that you... | 0:22:12 | 0:22:15 | |
My job in the SAS is that I'm an interrogator, | 0:22:15 | 0:22:19 | |
so that's my speciality, so I come up with the most creative deaths. | 0:22:19 | 0:22:22 | |
I get them back one by one. There's five of these hoodies. | 0:22:22 | 0:22:25 | |
They all get it differently. | 0:22:25 | 0:22:28 | |
I think my favourite one is probably the cement down the throat. | 0:22:28 | 0:22:31 | |
-That's a good 'un. -Oh! | 0:22:31 | 0:22:33 | |
No, listen, he's a wrong 'un, this kid. Don't feel for him. | 0:22:33 | 0:22:35 | |
I sort of capture them, I tie them up. | 0:22:36 | 0:22:39 | |
They sort of come round tied to a chair | 0:22:39 | 0:22:40 | |
and I have a little speech to them to explain to them who I am | 0:22:40 | 0:22:43 | |
-and why they're there. -Yep. | 0:22:43 | 0:22:44 | |
Very calm, very nice. And then I do something horrific to them. | 0:22:44 | 0:22:48 | |
And at one point, someone makes a glib remark about your beard | 0:22:48 | 0:22:51 | |
and you call them trivial. | 0:22:51 | 0:22:52 | |
There's everything there that you do. | 0:22:52 | 0:22:55 | |
And your daughter's in the film. | 0:22:55 | 0:22:57 | |
Yeah, she's in it. She wants to be an actor. It's a tough job. | 0:22:57 | 0:23:00 | |
It's a lot of rejection and heartbreak and, you know, | 0:23:00 | 0:23:03 | |
she's a teenage girl, so she's... | 0:23:03 | 0:23:05 | |
She doesn't take it too well if she doesn't get the part, | 0:23:05 | 0:23:08 | |
as none of us do. | 0:23:08 | 0:23:09 | |
For every one part I get, I lose out on 20 and it hurts, | 0:23:09 | 0:23:12 | |
but you've got to be more determined. | 0:23:12 | 0:23:14 | |
-Are you a protective father to your...? -Yes, course I am. | 0:23:14 | 0:23:17 | |
Who isn't? | 0:23:17 | 0:23:19 | |
If she... | 0:23:19 | 0:23:21 | |
If she brings back a boyfriend, what are you like with the boyfriend? | 0:23:21 | 0:23:24 | |
I'd be quite scared to meet Danny Dyer. | 0:23:24 | 0:23:26 | |
Listen, I'm sweet with him. | 0:23:26 | 0:23:27 | |
As long as a tear never drops from her fucking eye, | 0:23:27 | 0:23:32 | |
we're going to be good friends. | 0:23:32 | 0:23:33 | |
So, you just say that to him, and it's just... | 0:23:34 | 0:23:37 | |
-I could do it in a look. -Say I came home and I was... | 0:23:37 | 0:23:40 | |
OK, so you walked in, I'd just be like that, | 0:23:40 | 0:23:43 | |
you get blanked straight away. | 0:23:43 | 0:23:44 | |
I'm blanking you. I'm looking at the telly and I just go... | 0:23:44 | 0:23:47 | |
-Oh, dear God, that is quite... -And then pipe away again. | 0:23:50 | 0:23:52 | |
-So it's like a little pipe. -It's a little pipe. -A pipe. | 0:23:52 | 0:23:54 | |
-Which is a look. -Yeah. -And then look away, then have another look. | 0:23:54 | 0:23:59 | |
-Right? -Yeah. -And then say fuck-all to him, do you know what I mean? | 0:23:59 | 0:24:03 | |
-So he knows. -And he knows in that moment, if a tear... | 0:24:03 | 0:24:05 | |
And then maybe he'll go to take his coat off and I'd give him | 0:24:05 | 0:24:07 | |
another little look and go, "Don't take your coat off!" | 0:24:07 | 0:24:10 | |
-Don't take your coat off? -"Don't take your coat off. | 0:24:10 | 0:24:12 | |
"Who the fuck do you think you are, taking your coat off in my house?!" | 0:24:12 | 0:24:15 | |
-Is your house very cold? -Freezing. | 0:24:15 | 0:24:17 | |
If you'd misbehaved, Jack, and you came home, | 0:24:19 | 0:24:22 | |
which of these two fathers would you be most scared of? | 0:24:22 | 0:24:25 | |
Well, that's the thing, I think Jeremy would be more | 0:24:26 | 0:24:30 | |
psychological torment and you'd break me down gradually. | 0:24:30 | 0:24:35 | |
And he'd just break you. | 0:24:35 | 0:24:37 | |
-It'd just be a simple... -There'd be no dialogue from me. | 0:24:38 | 0:24:41 | |
-Just be a quick nutting. -Yeah, just a quick nut. | 0:24:41 | 0:24:43 | |
I like that, he's getting into it now, see. | 0:24:43 | 0:24:46 | |
In fact, you work very well as a kind of good cop, bad cop, | 0:24:46 | 0:24:50 | |
in a household. | 0:24:50 | 0:24:51 | |
Who's the good cop? | 0:24:51 | 0:24:52 | |
OK, bad cop, naughty cop. | 0:24:53 | 0:24:57 | |
You've had it really easy with me. | 0:24:57 | 0:25:00 | |
I mean, have I ever nutted you? | 0:25:00 | 0:25:02 | |
I wouldn't even know what it was or what it meant. | 0:25:05 | 0:25:09 | |
You don't know what..? You must know what nutting is. | 0:25:09 | 0:25:11 | |
Well, when I was a boy, it was something quite different. | 0:25:11 | 0:25:14 | |
Don't! | 0:25:14 | 0:25:15 | |
Now, I'm going to talk to you about EastEnders. | 0:25:16 | 0:25:21 | |
Everyone who's a fan of EastEnders is very excited | 0:25:21 | 0:25:24 | |
-that you are joining the show. -Yeah. | 0:25:24 | 0:25:26 | |
So talk me through it, | 0:25:26 | 0:25:27 | |
you get a call on the dog and bone from your agent. | 0:25:27 | 0:25:30 | |
-On the old dog. On the old dog. -Could you Adam and Eve it? | 0:25:30 | 0:25:33 | |
Did you run straight up the apples and pears | 0:25:34 | 0:25:36 | |
to tell your trouble and strife | 0:25:36 | 0:25:38 | |
or was it down the rub-a-dub-dub to have a few pig's ears | 0:25:38 | 0:25:40 | |
-with your china plates, that's mates. -Well done. | 0:25:40 | 0:25:43 | |
-Eloquently delivered, that was. -Fluent in Cockney. -Beautiful. | 0:25:51 | 0:25:55 | |
Yeah, it was a moment for me. | 0:25:55 | 0:25:57 | |
I think I was inevitably going to go there. | 0:25:57 | 0:26:00 | |
-I think it was inevitable, really. -Jeremy, are you a fan of EastEnders? | 0:26:00 | 0:26:05 | |
-Do you watch the show? -I have seen it. | 0:26:05 | 0:26:08 | |
I can't count myself as a regular viewer, no. | 0:26:08 | 0:26:11 | |
-More Emmerdale. -People seem so aggressive in it, don't they? | 0:26:12 | 0:26:16 | |
Poor Danny's clearly going to lighten it up. | 0:26:16 | 0:26:19 | |
The Queen and the Duke of Edinburgh | 0:26:19 | 0:26:21 | |
were once made to go around the set of EastEnders | 0:26:21 | 0:26:23 | |
and Prince Philip is said to have remarked to the producer, he said, | 0:26:23 | 0:26:27 | |
"I don't really understand EastEnders. | 0:26:27 | 0:26:31 | |
"Your Cockney's a cheery chappy, isn't he?" | 0:26:31 | 0:26:34 | |
He didn't get it at all. | 0:26:34 | 0:26:35 | |
-What, he felt they were too aggressive on the show? -Yes. | 0:26:35 | 0:26:39 | |
-I'm honoured. It's an honour, to be fair... -Oh, I'm not... | 0:26:39 | 0:26:42 | |
I'm coming in and.... Good. | 0:26:42 | 0:26:44 | |
I'm coming in and... | 0:26:44 | 0:26:46 | |
What are you going to do about it? | 0:26:46 | 0:26:48 | |
Are we going to have a tear-up? Me and Paxman? | 0:26:49 | 0:26:51 | |
That's telly, innit? | 0:26:51 | 0:26:53 | |
Yeah, that would be telly, if you two had a full-on fight | 0:26:53 | 0:26:55 | |
and Paxman nutted you on your pipe. | 0:26:55 | 0:26:57 | |
And then the old man sticks the boot in, you know what I mean? | 0:26:58 | 0:27:01 | |
Now, Danny... | 0:27:01 | 0:27:03 | |
Danny, you say you're very excited to be in EastEnders... | 0:27:03 | 0:27:06 | |
GUN COCKS | 0:27:08 | 0:27:09 | |
..yet in an interview in 2009, you said you would only join the show | 0:27:09 | 0:27:13 | |
when you're fat, bald and 50. | 0:27:13 | 0:27:15 | |
CANNON BOOMS | 0:27:15 | 0:27:17 | |
I don't even remember saying that, though. | 0:27:25 | 0:27:27 | |
I don't remember saying that. I've said so many stupid things. | 0:27:27 | 0:27:30 | |
Are there any storyline exclusives you can give us | 0:27:30 | 0:27:33 | |
about EastEnders, cos I'm sure the fans tuning in will be excited. | 0:27:33 | 0:27:35 | |
You know that I do like to speak my mind and be honest, | 0:27:35 | 0:27:40 | |
but my hands are tied. | 0:27:40 | 0:27:42 | |
I just can't really tell you. | 0:27:42 | 0:27:45 | |
You will be surprised, though, at my character. It's not obvious. | 0:27:45 | 0:27:49 | |
All right, I'm a Cockney and all that, | 0:27:49 | 0:27:51 | |
but I'm not what you think I'm going to be. | 0:27:51 | 0:27:53 | |
Jeremy, he seems to be evading the question. | 0:27:53 | 0:27:56 | |
How would you suggest that I get the information out of Mr Dyer? | 0:27:56 | 0:27:59 | |
It's probably not even been written yet, has it? | 0:27:59 | 0:28:02 | |
I mean, your character's been sketched out, | 0:28:02 | 0:28:04 | |
-but are all the storylines there? -You shoot 12 episodes at a time. | 0:28:04 | 0:28:07 | |
-You're three months in advance. -Oh, really? | 0:28:07 | 0:28:08 | |
So you've already filmed some of it? | 0:28:08 | 0:28:10 | |
Is he trying to get the thing out of me now? Is this a move? | 0:28:10 | 0:28:13 | |
No. You've already filmed some of it? | 0:28:13 | 0:28:14 | |
Yeah, I've been doing it for a month, yeah. | 0:28:14 | 0:28:17 | |
-And we'll be surprised? -Yes. | 0:28:17 | 0:28:20 | |
-What aspect will surprise us? -Will you watch it, though? | 0:28:20 | 0:28:23 | |
I'm not fucking stupid. I know what he's doing. | 0:28:26 | 0:28:28 | |
I'm all over this. I'm all over it. | 0:28:30 | 0:28:32 | |
I'll leave you two to exchange details. | 0:28:35 | 0:28:37 | |
-I'm sure you'll be meeting up after the show. -Yeah, we'll swap digits. | 0:28:37 | 0:28:41 | |
-Swap digits. -Digits? | 0:28:41 | 0:28:43 | |
-No, no, no, numbers. -Numbers. | 0:28:43 | 0:28:45 | |
Thought things were looking up there for a moment. | 0:28:48 | 0:28:51 | |
A big round of applause to both of my wonderful guests this evening. | 0:28:53 | 0:28:56 | |
CHEERING | 0:28:56 | 0:28:59 | |
This has been Backchat. | 0:28:59 | 0:29:01 | |
Join me next week, with my guests Gary Lineker | 0:29:01 | 0:29:03 | |
and the cast of Geordie Shore. | 0:29:03 | 0:29:04 | |
Good night. | 0:29:04 | 0:29:06 | |
Subtitles by Red Bee Media Ltd | 0:29:12 | 0:29:15 |