Lia Being Human


Lia

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Transcript


LineFromTo

We're not coming back here again, are we?

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I saw your retaliation.

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Spirit, I command you leave here.

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-Aargh!

-No, no...!

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-Christ compels you.

-No! Please! No. I'm not ready!

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No, no...!

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No! No...!

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I don't know what's happened.

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Don't forget me, will you?

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I have to go.

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What do we do?

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We're going to get her back.

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This programme contains some strong language and some scenes which some viewers may find disturbing.

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..So she dies, and six months later, he dies. That's Catholics for you.

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So it goes to the son. I says to him, you want to get rid.

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He fancies himself as a landlord now.

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I says, you've been watching too much Property Ladder.

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He just shrugs and scratches himself with his keys.

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So, um, it was,

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-it was a bed and breakfast?

-I saw their ad in the free paper.

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"A slice of heaven in Barry."

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I bet heaven doesn't have chemical toilets.

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-So it's the three of you, is it?

-A friend will be joining us.

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Well, that's...

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Yeah, we hope so.

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It's not definite.

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No, no, she should be here pretty soon. I don't know what's taking her so long.

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Do what you want as long as the rent's covered.

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We've been trying to shift this place for months. I reckon it's haunted.

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No, there's nothing here.

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Do you know what really, really excited us?

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It was the, um, it was the basement gym.

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-Oh, yeah.

-See, she's excited.

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Could we have a have a look?

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Depends how good you are at handling disappointment.

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-Come on.

-I'll just go this way.

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"Basil!"

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'..Four weeks since the attack in Box Tunnel

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'that left 20 people dead, and the police have yet to make an arrest.

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'However...'

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'Mitchell? Mitchell?

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'Can you hear me?'

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-Annie!

-'Help, Mitchell, I'm so scared.'

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Annie, can you see me? Are you OK?

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Oh, God, Annie...!

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I think "gym" was more a statement of intent.

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Is it sound...?

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Is it soundproof?

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It's just, I can get pretty...

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Rarrr! Rarrr!

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..when I'm, er, working out. "Feel the burn." "Who's your daddy?"

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"Say what you see."

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-Oh, God.

-Do you want me to get his nibs from upstairs?

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Oh, no, you're fine, we're cool.

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They're looking at it now.

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I don't know, English or something. Working at the hospital, apparently.

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Isn't it brilliant?. We can transform in here.

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Not at the same time obviously but you can have it for the full moon tomorrow.

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I thought we were transforming in the country.

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Yeah, at a last resort.

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We don't know the area, we'd have to find two separate places, miles apart.

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No, this is ideal.

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I thought this is what you wanted - a place of our own.

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But it isn't, is it?

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It's you, me and Count Dupree upstairs.

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He saved our lives.

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He's changed.

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Something's, something's happened to him. You must have noticed.

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We've lost Annie, we're all over the place.

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'They call this the waiting room.

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'We wait here until...they know where they want us to go.'

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Have they told you where?

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'They're going to build a special room, just for me,

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'they're going to lock the door and they're going to burn the key.'

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-What, what does THAT mean?!

-'It's Hell, Mitchell.

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'They're going to take me to Hell.'

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Annie, Annie, listen to me. I'm coming to get you.

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-We just need to find out what...

-Ta-ra now.

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I know. There's tit all on these days. Thank God for Terry Pratchett, is all I'm saying.

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Annie was there. She was on the screen.

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-What? You're kidding.

-Is she OK? What did she say?

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We're running out of time.

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Um, it's our friend, she's in...

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..Midsomer Murders.

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OK, look. I've had a pow-wow with my boss, and how's this?

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Sign now and we'll give the place a spruce.

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Lose the swirly carpet, get some stripped floorboards, blinds and stuff. Make it look all catalogue-y.

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OK, how long will that take?

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Two weeks, tops.

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I know a couple of Polish fellas. Peasant stock. Very driven.

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-OK, right. No, we want to move in now.

-Really?

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-Mmm. Please, can we?

-Mitchell?

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Yeah, whatever.

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But it's... well, look at it!

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It's fine. We wouldn't want to change a thing, would we?

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We just can't wait to start...

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our Hawaiian dream.

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-And he's a werewolf?

-Benicio del something.

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He's a Spanish actor.

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The special effects are amazing, Dad. I've seen the pictures.

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Anyway, there's an 11am screening for OAPs.

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I thought you'd feel at home.

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I don't know.

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Makes it seem trivial.

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You liked The English Patient.

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Because there weren't any werewolves in The English Patient.

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It had elegance.

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Is there nudity?

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We shouldn't go if there's nudity.

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In The Wolfman, Dad? I doubt it.

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There's a lady on the poster, but she's wearing a blouse.

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Ah, we can't afford two tickets.

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I'll sneak you in through the fire exit.

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We'd do that when I was a kid. Fine.

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But I want you to have a nap afterwards. And a proper lunch.

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Big day tomorrow.

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Where you going?

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Bit of window shopping.

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You know that funfair we passed? It's closed down.

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There might be copper wire in there.

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-Iron, maybe. Stuff we can sell.

-You want me to cause a distraction?

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Tom. These people, they work for a living.

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-They're really going to show The Wolfman to a load of OAPs?

-Mm-hm.

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Even old people are weird now.

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Hang about, here he comes.

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That's him.

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Yeah, that's got to be him, man.

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Let's roll. Ow-wooo!

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Come on, doggy!

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Where's the other one?

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Look...we heard there was two of you...

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..so...

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where...

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is...

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he?

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Dad!

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Dad!

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Dad!

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MUSIC: "Mad About The Boy" by Dinah Washington

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Ahem... What do you think?

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Mm? I had a little left over from the food shop,

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and I thought it might be nice to have something for, you know, us.

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Hence... and hence...

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It was either that or off-peak gym membership.

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-You made absolutely the right decision.

-Really?

-Mm.

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-Ow.

-What? What?

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What is that?

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Pen.

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-Hello.

-Hello.

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Ow! Hair stuck, glasses...!

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Oh, is it? Oh, shit, sorry. Oh, hang on, it's really tangled.

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-George! Ee, ow!

-Wait, wait, wait. Sssh, don't pull away.

-Quickly.

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Oh!

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-You all right?

-Yeah, fine.

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Right, where were we?

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-Hello.

-Hello.

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-Have you got a radio?.

-What?!

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I need a radio. I have an idea.

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-Mitchell.

-Ow! Mitchell.

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What are you doing?!

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Cheers.

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Just give me a bloody kiss.

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Oh, look, forget about it.

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He's ruined everything.

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Another night.

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Come on, Annie, come on.

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TRAIN HORN BLARES

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HORN BLARES

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MUSIC, THEN VOICES

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Sean Hancock. Diagnosed a year ago with malignant melanoma.

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Secondaries on the brain and lung. He's on a morphine infusion

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and maintenance fluids but his condition's deteriorating rapidly.

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-We're talking hours now.

-Wait a sec,

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you're doing this now? It's a full moon, we've just moved into a new house.

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There's enough going on without you crossing over into the afterlife.

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We could wait weeks for another opportunity like this.

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There could be consequences.

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I don't care about the consequences, she's our friend and we lost her.

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-And I don't want to lose you as well!

-I am doing this.

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I'll take everything they've got.

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Death, God, the Devil - none of it frightens me!

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-I feel totally reassured(!)

-We all saw Annie on that screen in the cottage,

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we saw how terrified she is, and this is the only idea we've got.

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-Thank you.

-But I want one of us in there with you.

-What?!

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Death is a personal, private moment and we're gate-crashing.

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I want that man treated with dignity and kindness.

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MONITOR BLEEPS

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# Shema Yisrael Adonai Eloheinu

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-# Adonai Echad... #

-What's that you're doing?

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It's a prayer. It's Jewish.

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Yeah, I'm not great with religious rituals.

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Aw. ..Tough.

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-GEORGE RESUMES PRAYER Is he even Jewish?

-It doesn't matter.

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His body's let him down, medicine's let him down. It's a gesture of sympathy.

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I'm trying to get in the zone here.

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I refer you to my earlier statement of "tough".

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# Shema Yisrael... #

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I can't remember the rest.

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Five letters. Something, 'A', something, something, something.

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The clue is just the letters H I J K L M N O.

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Mitchell!

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The answer's water.

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Yes, it's the letters H to O.

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H2O, it's the molecular formula for water.

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Get in.

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OK, give me another one.

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HE GASPS

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MONITOR EMITS CONSTANT TONE Is that it? Is he dead now?

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That's me.

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Shit, I look awful!

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Sean, isn't it?

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Sean, you've been very ill.

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I'm so sorry but I'm afraid you've just died.

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-What happens now?

-You're going on a journey.

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No, it's OK, it's cool.

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I'm coming with you.

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Are you...Death?

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No!

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No, I'm not Death.

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Sean... Hi. This is John.

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He's going to make sure you get there safely.

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SINISTER WHOOSHING

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What's that?

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That's for you.

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That's what happens next.

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OK, boys,

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let's get going.

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Oh, yeah, you need to get it.

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When you're ready, take your time.

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Goodbye, Sean.

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Is this it?

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Is it all over now?

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Yeah.

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You did good, Sean.

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You can rest now.

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None of this was your fault. Anything that happened would have happened a lot sooner

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and a lot worse if I hadn't have met you.

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Just come back.

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Mitchell, isn't it?

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I'm Lia. How's it going?

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-Where's the guy I was with?

-Sean?

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Well, I don't know. He'll have his own stuff to do.

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-You're my guide, then?

-Yes.

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What's got two thumbs and just lucked out?

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Hello. No, I've always been lucky.

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You should rub me.

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I'm serious. Rub me.

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Do you know who I am, "Lia"?

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Well, I know you're a vampire.

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Can I say that? Or are you funny about the word?

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Because I've got this cousin who's in a wheelchair

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and I called him disabled once and he ran over my foot.

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What else?

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Just that you're really hot.

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Have we met...before?

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H12.

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H12?

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What does that mean?

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It's a riddle. I love riddles, don't you? Like the one about the midget.

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So there's this midget gets into a lift and...

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I've just given away the answer.

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Am I rambling?

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So this is Purgatory.

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I remember this.

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Well, strictly speaking it's YOUR purgatory.

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You know we've all got a corridor, filled with all the good things and the bad and...

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well, you've been busy.

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-So we choose a door?

-Do we?

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I'm asking you.

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Yes. It's like a quiz show.

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And tonight's star prize - someone's soul. Frickin' weird quiz show.

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After you. And just so you know, I will be looking at your arse.

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MUSIC ON RADIO: "Keep The Home Fires Burning"

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-Why are we here?

-I don't even know where here is.

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France. July 17th, 1917.

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Who's the guy?

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Corporal Arthur Hanley.

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Don't drink that.

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I wasn't going to.

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-It's poisoned.

-I wasn't going to.

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Poisoned?

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I didn't want him to feel any pain.

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You killed him?

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Shit, so you've been a vampire since...

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..since before my dad was born.

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DOOR RATTLES

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-What are you doing?

-Look, Annie isn't here. This is a waste of time.

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But we must be here for a reason.

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Maybe we're meant to find a clue or something.

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Who was he?

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Mitchell.

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Tell me about the guy.

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He was my first.

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I was recruited by the vampires about four weeks earlier.

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But I ran away,

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found my regiment again.

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I didn't want to believe what had happened to me.

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But then the hunger came.

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I'd steal from the medical supplies, a little bit every day.

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When I had enough,

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I slipped it into his tea... GUNSHOT OUTSIDE, MAN SHOUTING

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Where are you now?

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Running away. That's my captain.

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He thought I was deserting, but...

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I was running to find Herrick.

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I was one of them now.

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How did it make you feel?

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How do you think?

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I killed my friend. The shame of that.

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The horror. Knowing what I was now.

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You know it's funny,

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because most people would've walked into a minefield

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and found a way to end it all.

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But you didn't.

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And I think that's really brave.

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Sorry, why didn't you do that?

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I wasn't going to let it win.

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Quite right. I'm sure that's what Arthur would have wanted.

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-You running round with lots of girls and stuff for another century.

-What?

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Arthur wasn't the only victim, was he?

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I don't understand.

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You! You numpty!

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You're the other victim. You had your humanity ripped away from you.

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-Right. Yeah, yeah.

-What did you think I meant?

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Nothing. I knew what you meant.

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Actually...I'm the victim.

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A minute ago, you were in here wearing a uniform and I missed it.

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-Will you stop?!

-'Mitchell? Mitchell?'

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-Annie, I'm here.

-'They're getting ready to move me.

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'They're taking me to the room.'

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Which room? There are all these doors... Which room, Annie?

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'There's going to be a parade.

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'They'll scatter ashes in front of me like petals, they said...'

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I'm coming to get you. I swear, I'm on my way.

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-ANNIE WHIMPERS Annie?

-'They're coming.

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'They've got drums. They're cheering.

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'I can hear children cheering.'

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Must be a concept album.

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Hey, look. Come on.

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Spit spot.

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What are you doing?

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Why have you got a chicken on a string?.

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No, no, wait. I want to talk to you!

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MUSIC: "Reason Is Treason" by Kasabian

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# But I don't turn around Cos the reason is treason

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# Here come the morning And I'll say goodbye to you

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# Here come the morning And I'll say goodbye

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# But I don't turn around Cos the reason is treason... #

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Whoah! Whoah, easy soldier.

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There was a young guy, he ran through here.

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No need to panic, nothing happens till it gets dark. Now, then, are you here to watch or play?

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-Sorry? Play? Play what?

-See how the mood takes you.

0:25:400:25:42

My sciatica's back, so I'm just going to watch Sue and Peter in the Volvo and touch myself.

0:25:420:25:47

Um, no, sorry, there was a young guy, he came through here.

0:25:470:25:50

Whoa, what's this?

0:25:500:25:52

Listen, we don't do funny stuff here.

0:25:520:25:55

-You'll have to go to Swansea for that.

-Huh?

0:25:550:25:58

You'll catch on.

0:25:580:26:00

No, I like to think we're a friendly bunch. We're on MySpace,

0:26:000:26:03

and last year all the fellas shaved their heads for Comic Relief.

0:26:030:26:06

So, that is Alan and Judith.

0:26:060:26:08

Now, Judith - and I hope she won't mind me telling you this - will give you a tit-wank you'll never forget!

0:26:080:26:13

Look, she's blushing. Sorry, Ju, but credit where credit's due, eh, love?

0:26:130:26:18

You don't understand. There was... I want a young guy...

0:26:180:26:21

So men are your preferred brand?

0:26:210:26:22

Well, in that case you'll be wanting Ian in the people carrier. Now...

0:26:220:26:25

SIRENS WAIL

0:26:250:26:27

Don't move! Just stop now.

0:26:330:26:36

We hadn't started.

0:26:380:26:40

Move, move.

0:26:420:26:44

MOBILE PHONE BUZZES

0:26:550:26:58

-'Please leave a message.'

-Nina.

0:27:040:27:06

I've been arrested.

0:27:060:27:08

I don't know what to do. I've been arrested! Listen, no.

0:27:080:27:12

You have to let me go. I have a very serious medical condition.

0:27:120:27:16

A medical condition, it's serious.

0:27:160:27:18

No!

0:27:180:27:20

Tell me where Annie is.

0:27:200:27:22

You're supposed to be my fucking guide, take me to her now!

0:27:220:27:26

Oh, that's nice. Toilet talk.

0:27:260:27:28

I'm missing Countryfile for this.

0:27:280:27:30

Is this a joke to you? Jesus Christ...!

0:27:300:27:33

There's no point, Mitchell, I'm already dead.

0:27:330:27:36

You'll get yourself all hot and sweaty for no...

0:27:360:27:40

Actually...try it.

0:27:410:27:44

Who are you?

0:27:440:27:46

-How do I know you?

-H12.

0:27:460:27:48

Why do you keep saying that?

0:27:480:27:50

We'd better make tracks.

0:27:500:27:53

Which door now for a Brucey Bonus?

0:27:570:28:00

I so should have worn a leotard.

0:28:000:28:03

OK.

0:28:040:28:06

That one.

0:28:090:28:11

BRASS BAND PLAYS A CAROL

0:28:150:28:18

-Oh, God.

-Where are we now?

0:28:180:28:21

Sheffield.

0:28:220:28:24

December 24th, 1960. This is ridiculous.

0:28:250:28:30

We're supposed to be finding Annie.

0:28:300:28:32

Well, maybe she's hiding. Yoo-hoo!

0:28:320:28:34

-Annie!

-Don't go around there.

0:28:340:28:37

Oh.

0:28:390:28:41

Guess you ran out of poison.

0:28:430:28:47

What was her name?

0:28:480:28:50

Sally.

0:28:500:28:52

We met in a pub, came back here.

0:28:520:28:55

We got pretty drunk.

0:28:550:28:57

-It was quite chaotic.

-Mitchell...

0:28:570:29:01

it's very important that you tell me the truth.

0:29:010:29:04

When it got chaotic with Sally,

0:29:040:29:08

were you topless?

0:29:080:29:11

I'm building up an image here that'll come in handy later, if you know what I'm saying!

0:29:110:29:15

I'm kidding, I'm kidding!

0:29:180:29:20

I'm not.

0:29:200:29:22

You know, I'm a bit confused.

0:29:220:29:25

With the soldier guy, you'd just become a vampire so it was all new and overwhelming...

0:29:250:29:31

-I was a victim.

-Yes, you were a victim, we agreed on that.

0:29:310:29:36

But this is different somehow.

0:29:360:29:39

You screwed her, I'm guessing.

0:29:410:29:44

Then what did you use to kill her?

0:29:460:29:48

Oh, my God,

0:29:540:29:56

you used the pot of her little Christmas tree.

0:29:560:30:00

So that's what people mean when they say, "Christmas does my head in!"

0:30:000:30:03

-I was out of control.

-You were in control enough to have sex.

0:30:030:30:06

-The soldier guy?

-His name was Arthur.

0:30:060:30:09

Oh, sorry, sorry.

0:30:090:30:12

I should be a bit more respectful about the people you kill.

0:30:120:30:15

There was stuff in his room you could've taken, money, but you didn't.

0:30:150:30:20

-It was all about the hunger.

-What are you getting at?

0:30:200:30:24

Nothing. I just think it's curious.

0:30:240:30:26

With Arthur, it was kind for him and torture for you.

0:30:260:30:32

But with Sally, there was drinks, there was sex...

0:30:320:30:37

Someone could look at this and think you enjoyed it.

0:30:390:30:43

Why are you bringing me to these places?

0:30:430:30:46

To punish me? Is that it?

0:30:460:30:47

You chose the door. Next time pick one where you're building an orphanage on the other side.

0:30:470:30:52

It's a compulsion. It WAS a compulsion.

0:30:520:30:55

-I'm not that man any more.

-Brilliant. Then there should be nothing stopping you getting Annie back.

0:30:550:31:00

'Mitchell! Mitchell, please! Mitchell, they're outside!'

0:31:000:31:05

-Tell me where she is.

-You know what to do.

0:31:080:31:10

What are you...?! Of course I don't!

0:31:100:31:14

What happens next is your choice.

0:31:140:31:17

'Mitchell, they're coming for me now,

0:31:170:31:19

'They're going to take me to the room.

0:31:190:31:22

'Mitchell, please! I'm frightened... '

0:31:220:31:24

Coming?

0:31:240:31:26

'Mitchell, please! I'm so frightened.

0:31:260:31:29

'Mitchell...!'

0:31:290:31:32

PEOPLE SHOUT

0:31:320:31:34

Good evening, ladies and gentlemen. SPECTATORS CHEER

0:31:370:31:41

Are you all in for a mauling? CHEERS

0:31:410:31:45

Do the children of the night want to see a fight?

0:31:450:31:49

CHEERS

0:31:490:31:51

So shall I introduce you to tonight's combatants? CHEERS

0:31:510:31:54

Well, there ain't a lot I can tell you about our first noble warrior on account of the fact

0:31:540:31:59

we picked him up yesterday and he ain't said a word fucking since.

0:31:590:32:03

CHEERS AND LAUGHTER The silent but violent type,

0:32:030:32:08

no doubt. We're going to welcome him into our bosom, ain't we?

0:32:080:32:12

CHEERS

0:32:120:32:14

Treat him like a member of the family.

0:32:140:32:18

Our pet DOG!

0:32:180:32:21

CHEERS AND JEERS

0:32:210:32:24

He's hairy, oh, he's scary.

0:32:250:32:29

The mute most hirsute.

0:32:290:32:33

The canine destined for the big time.

0:32:330:32:37

The creature who's plea-ea-eased to meet ya!

0:32:370:32:41

Ladies and gentlemen...

0:32:490:32:51

..The Beast!

0:32:550:32:58

CHEERS AND JEERS

0:32:580:33:01

And facing him tonight...

0:33:250:33:28

plucked from the streets a mere two and a half hours ago.

0:33:280:33:32

He doesn't know where he is, bless him.

0:33:320:33:35

The Children of Darwin's champion.

0:33:350:33:38

The man with the plan.

0:33:380:33:40

The spunky monkey.

0:33:400:33:41

..Mr Paul Jameson.

0:33:500:33:52

CHEERS AND JEERS

0:33:520:33:55

SPECTATORS SHOUT

0:34:060:34:08

..Serious medical condition. No, please!

0:34:300:34:33

No. Please. Please, please, please, please you have to let me out.

0:34:340:34:39

We'll be fine. We hadn't even started.

0:34:390:34:41

It's a legal grey area. GEORGE SCREAMS

0:34:410:34:44

You all right there, chum?

0:34:440:34:45

It's coming.

0:34:480:34:50

Oi, soon as he turns, stick him one right in the bollocks.

0:34:560:34:59

I've got money on you to live for two minutes.

0:34:590:35:02

I'm sorry, I'm sorry...

0:35:060:35:09

A-a-argh!

0:35:090:35:12

Hello? HE WHISTLES

0:35:130:35:16

I think there's something wrong with this chap in here.

0:35:160:35:18

-Kill me.

-What did you say?

0:35:300:35:33

It's the only way you'll survive.

0:35:350:35:37

I'm not killing you!

0:35:380:35:40

Kill me or I will tear your fucking head off!

0:35:400:35:45

-Sorry, Miss, you shouldn't be down here.

-Have you got someone in custody called George Sands?

0:35:590:36:04

-Are you a friend of his?

-As I said to the nine-year-old in reception, he's a patient of mine.

0:36:040:36:08

He has a serious medical condition and needs constant supervision and medication.

0:36:080:36:13

Did he tell you that he's got a medical condition?

0:36:130:36:15

When we processed him, he might have mentioned something.

0:36:150:36:17

And you still brought him in. You didn't think to contact the hospital or...?

0:36:170:36:21

-Oh, man, we're going to have fun with you.

-We found him in a well-known dogging location.

0:36:210:36:25

-SCREAMING

-That man has serious mental problems.

0:36:250:36:29

He's a... Oh...!

0:36:290:36:32

He's...basically nuts, OK?

0:36:330:36:37

And it's, um, it's, it's...contagious.

0:36:370:36:41

-Are you all right, Miss?

-No, I am...really annoyed.

0:36:410:36:46

Gareth, maybe we should...sort of let this lady have him.

0:36:460:36:50

-Yeah, I think that would be a good idea... Argh!

-Get his belongings.

0:36:500:36:55

SCREAMING CONTINUES

0:36:570:37:00

No, this isn't anything to do with...what was going on.

0:37:050:37:09

Listen, I never...

0:37:090:37:11

Ah, come on!

0:37:130:37:15

Oh, good. All right, George?

0:37:200:37:22

Right, let's get you ba-a-a-ack to the ward.

0:37:220:37:24

But don't think for a moment that you've heard the last of this.

0:37:240:37:27

Thank you.

0:37:270:37:29

-Dogging? You were caught dogging?

-We need to find somewhere to transform.

0:37:330:37:37

I only got your message because I went upstairs to use the toilet.

0:37:440:37:48

SPECTATORS SHOUT

0:37:520:37:55

No. There is something down here.

0:38:090:38:11

You can transform in here.

0:38:130:38:15

-What will you do?

-I don't know. But we can't be together, we'll kill each other.

0:38:150:38:18

We haven't got a choice.

0:38:180:38:20

Oh, God. I'm so sorry for all this.

0:38:290:38:33

I know.

0:38:330:38:36

A-a-a-agh!

0:38:370:38:40

We could have had the house redecorated after all.

0:38:400:38:43

Oh, shit, yes.

0:38:430:38:45

I love you.

0:38:470:38:48

I love you too.

0:38:520:38:53

A-a-a-a-gh!

0:38:560:38:58

..Four, three, two, one...

0:39:000:39:04

full moon!

0:39:040:39:07

CHEERS

0:39:070:39:09

THEY SCREAM

0:39:090:39:12

HOWLING

0:39:280:39:30

GROWLING

0:39:300:39:33

GROWLING

0:39:410:39:43

SQUELCHING

0:39:430:39:46

You don't have to do this. You could go back to George

0:40:020:40:05

and your old life and say you tried to get Annie back but it was impossible.

0:40:050:40:09

They'll understand. It was brave of you to even try.

0:40:180:40:22

No.

0:40:220:40:23

I need to do this.

0:40:260:40:28

OK, then.

0:40:290:40:30

End of the line.

0:40:310:40:33

I've got to say I was kind of hurt that you didn't recognise me,

0:41:290:41:33

given you remembered so much about the other two.

0:41:330:41:36

I guess you were a bit preoccupied that night.

0:41:360:41:39

HE MUMBLES

0:41:390:41:40

-What? I didn't catch that.

-I'm sorry.

-Oh, you're sorry!

0:41:400:41:45

I couldn't help it.

0:41:450:41:47

I was angry and...

0:41:470:41:50

-The hunger...

-Yeah, yeah. No control.

0:41:500:41:53

It's a compulsion. Blah, blah, blah.

0:41:530:41:56

Anyway, let me introduce you to the guys.

0:41:560:42:00

Your "twelve good men and true",

0:42:000:42:02

although there is twenty of us, and nine are women. But I'll crack on.

0:42:020:42:08

So this is Donna. She was a primary school teacher.

0:42:080:42:11

All the kids in her class have been having nightmares since you killed her.

0:42:110:42:15

Some have even needed counselling.

0:42:150:42:18

Funny, isn't it - the ripples of your actions?

0:42:180:42:22

That's Glenn, the driver. Your first victim, remember him?

0:42:220:42:26

Five kids, can you believe it?

0:42:260:42:30

And that's Mary.

0:42:300:42:31

She'd just recovered from breast cancer.

0:42:310:42:34

She was given a whole new lease of life, she was.

0:42:340:42:37

Until you tore her throat out, obviously. Next to her is Dean...

0:42:370:42:42

Please... please stop.

0:42:420:42:45

I don't know what I can say.

0:42:460:42:48

Don't say anything. Because every word that comes out of your mouth

0:42:480:42:53

is a fucking excuse. It's misdirection.

0:42:530:42:56

-I'm not trying to trick you.

-Not us.

0:42:560:43:00

-You're lying to yourself.

-I'm trying to change.

0:43:000:43:03

How's that working out for you?

0:43:060:43:09

-It wasn't just me, anyway, it was Daisy.

-You're doing it again.

0:43:090:43:12

I was 22.

0:43:140:43:16

I had a peanut allergy. I wanted to be a vet.

0:43:160:43:19

I had a little brother that I loved more than anything in the world.

0:43:190:43:22

Those are the things that make a human being.

0:43:220:43:26

Do you taste THEM in our blood?

0:43:260:43:28

The arrogance, to call yourself the victim!

0:43:290:43:33

-How dare you insult us like that!

-I didn't mean to insult you.

0:43:330:43:35

-You were flirting with me.

-I just wanted you to like me.

0:43:350:43:38

And there we have it!

0:43:380:43:40

You want forgiveness, every day.

0:43:410:43:44

You get a smile from me, and it proves you're not completely evil.

0:43:440:43:47

You do a thousand small nice things and you put them against the bad.

0:43:470:43:51

You actually do the sums in your head, don't you?

0:43:510:43:54

Why did you come here?

0:43:570:44:00

-For Annie or for you?

-For Annie.

0:44:020:44:06

Crossing into Purgatory.

0:44:070:44:10

That's a big deposit in the 'good' account.

0:44:100:44:13

-No, I just want Annie back.

-Which one of us does that wipe off the slate?

0:44:130:44:18

Donna? Glenn? Me?

0:44:180:44:20

None of you.

0:44:200:44:22

-I don't know what you want me to do.

-I want you to stop hiding.

0:44:230:44:26

-I'm not hiding.

-"I'm a victim. I'm better now. Daisy made me do it."

0:44:260:44:30

-I'm not...

-You're not what?

-I'm not a victim.

0:44:300:44:32

So you're what? What, misunderstood?

0:44:320:44:35

I'M AN ANIMAL! I don't deserve mercy or forgiveness. I'm a murderer.

0:44:350:44:40

I couldn't help myself.

0:44:400:44:43

I loved it.

0:44:430:44:45

The sensation, the power.

0:44:450:44:49

I was dead but I'd never felt so alive.

0:44:490:44:54

I wasn't human any more.

0:44:560:44:58

I'd lost my conscience, I was free and that's what I was addicted to.

0:44:590:45:03

I hacked my way through the world.

0:45:060:45:09

I left a trail of blood a thousand miles long.

0:45:090:45:14

And I loved it.

0:45:140:45:15

I'm a disease.

0:45:210:45:23

I'm a plague.

0:45:230:45:25

I'm sorry.

0:45:270:45:29

I'm so sorry.

0:45:310:45:33

Budge up.

0:45:430:45:45

You can have Annie back.

0:45:570:46:00

But there's a price.

0:46:000:46:03

I'll stay.

0:46:030:46:05

I want you to take me to all my victims.

0:46:050:46:08

I want to feel it.

0:46:080:46:10

I want to suffer. I don't want to hide any more.

0:46:100:46:14

I just want her back.

0:46:140:46:16

It's not that simple.

0:46:160:46:18

The time and cause of your death have already been set

0:46:190:46:23

but there are things that need to happen first.

0:46:230:46:26

You see, you're the final piece in someone else's story.

0:46:260:46:30

And they need to complete their journey, and in order to do that...

0:46:310:46:35

..they have to kill you.

0:46:370:46:39

What?

0:46:400:46:42

You're going to be killed by a werewolf.

0:46:420:46:45

A wolf-shaped bullet.

0:46:470:46:49

Bang.

0:46:510:46:52

Who?

0:46:520:46:54

SHE CHUCKLES

0:46:540:46:56

-We'll see you soon, Mitchell.

-You're letting me go?

0:46:560:46:59

Well, as punishments go,

0:46:590:47:02

it's pretty cruel and interesting, isn't it?

0:47:020:47:07

HE SPITS

0:47:190:47:22

Loving that arse!

0:47:230:47:26

Oh, oh, oh!

0:47:260:47:29

-Hey, what's all this?

-Oh!

0:47:290:47:32

-Are you OK?

-Yeah.

0:47:320:47:35

For a second I thought...

0:47:350:47:37

No. It's OK, baby, we're OK.

0:47:370:47:40

-Oo...!

-Oo! Someone needs a Tic-Tac.

-Wolf breath!

-Oo!

0:47:420:47:47

Come on, let's get going.

0:47:470:47:49

When we transformed, did we...?

0:47:540:47:57

Oh.

0:48:020:48:04

Nice.

0:48:110:48:12

Annie, isn't it?

0:48:170:48:19

I'm Lia.

0:48:190:48:21

Sorry about all this palaver. It's been chaos here.

0:48:220:48:26

Lots of people turning up early, everyone's in a bit of a tizz.

0:48:260:48:30

You're going to take me to the room now?

0:48:300:48:33

Oh, the train station. Oh, sorry, this was for my three o'clock.

0:48:330:48:37

No, you're free to go.

0:48:370:48:41

-I... I can go? Really?

-Yeah.

0:48:410:48:43

You will still be dead. I should make that clear.

0:48:430:48:47

Your body...you know...

0:48:470:48:49

it's been over two years, nobody really wants to see that.

0:48:490:48:52

And, um...

0:48:520:48:54

..will I come back here one day?

0:48:560:48:58

Well, we all end up here eventually.

0:48:580:49:00

The problem with you was, you came through the wrong door.

0:49:000:49:03

But next time, you'll come through the right one and it'll be Boggle and pina coladas 24/7.

0:49:030:49:09

Well, spit-spot. Mitchell's waiting.

0:49:120:49:16

Is anything going on between you guys?

0:49:180:49:21

I mean, he came to Purgatory to find you.

0:49:210:49:24

Puts my ex-boyfriend's tattoo into perspective.

0:49:240:49:28

We're just friends.

0:49:280:49:31

You'd be so adorable, you two.

0:49:310:49:34

I could eat you up.

0:49:340:49:36

-I'm dead.

-So is he.

0:49:360:49:38

I think it's meant to happen.

0:49:400:49:42

I think it's... fate.

0:49:420:49:46

What happened to you, Lia?

0:49:570:49:59

A very bad thing.

0:50:010:50:03

But it's OK.

0:50:070:50:09

We play the long game here.

0:50:090:50:11

Mitchell?

0:50:290:50:30

Mitchell!

0:50:330:50:35

You saved me.

0:50:400:50:41

You saved me too.

0:50:410:50:43

And what happened? Did you...?

0:50:440:50:47

-Was there like, I don't know, some kind of trade-off?

-Nothing.

0:50:470:50:51

There was nothing. Mind games, that's all.

0:50:510:50:54

I don't believe a word of it.

0:50:540:50:56

Um...where are we? This isn't Bristol.

0:51:200:51:24

No. That's the, um, the other thing.

0:51:240:51:27

We've sort of moved to Wales.

0:51:270:51:30

-Wales?!

-Yeah, Barry Island.

0:51:300:51:31

I want to go back.

0:51:330:51:35

-To Bristol?

-No, to Purgatory!

0:51:350:51:38

'My name is Annie Claire Sawyer and two years ago I died.

0:52:280:52:33

'But in so many ways, that's when my life began.

0:52:350:52:39

'In the company of horrors, I learnt about friendship and loyalty,

0:52:440:52:49

'sacrifice and courage.

0:52:490:52:51

'Humanity isn't a species, it's a state of mind.

0:53:030:53:07

'It can't be defeated - it moves mountains, it saves souls.

0:53:090:53:14

'We were blessed as much as we were cursed.

0:53:160:53:19

'In this little enclave of the lost...

0:53:230:53:26

'..I witnessed the very best of being human.

0:53:300:53:33

'We were safe here...

0:53:380:53:41

'..while outside,

0:53:430:53:45

'the monsters prowled.'

0:53:450:53:48

You lost me 50 quid.

0:53:520:53:54

But am I cross? No.

0:53:570:53:59

No, I'm not, as it goes, cos it's clear to me you've got exceptional talent.

0:53:590:54:03

You're what's known in the trade

0:54:050:54:08

as a real animal.

0:54:080:54:09

I'm going to look after you.

0:54:200:54:23

Get you a chewy toy...

0:54:240:54:26

..a bowl?

0:54:270:54:30

Are you hungry? Hm?

0:54:310:54:33

No?

0:54:340:54:36

Well, you had a late supper, didn't you?

0:54:360:54:38

Hmm.

0:54:430:54:44

My name...

0:54:580:55:00

..is McNair.

0:55:020:55:04

McNair.

0:55:050:55:08

McNair the Bear would be a good name if you were a bear, but you're not, you're a dog!

0:55:080:55:13

You're MY dog,

0:55:160:55:18

my mad dog,

0:55:180:55:23

Mad Dog McNair.

0:55:230:55:25

Oi, did you hear me? Mad Dog McNair.

0:55:250:55:28

No, you misunderstand.

0:55:300:55:33

You see, I told you my name...

0:55:330:55:36

..because I want it to be the last thing you ever hear.

0:55:370:55:40

A-a-a-rgh!

0:55:410:55:44

Stake and chips, anyone?

0:55:500:55:53

-How did you know I was here?

-Spidey sense, Dad.

0:56:180:56:21

-It wasn't your fault.

-Right, come on.

0:56:250:56:28

There's more coming.

0:56:300:56:32

Tom.

0:56:340:56:36

Dad, I saw another one.

0:56:380:56:42

There's another one of us.

0:56:460:56:49

You're a worringly easy man to find.

0:56:520:56:55

I'm here to discuss the Box Tunnel twenty.

0:56:550:56:58

Do you want to know what I am feeling, George?

0:56:580:57:01

Hungry.

0:57:010:57:02

There's a wolf-shaped bullet with his name on it.

0:57:020:57:06

-Mitchell's going to get got.

-How am I going to manage if he's all...?

0:57:060:57:09

Let's go out with the lads, find some women, drink them dry.

0:57:090:57:12

Subtitles by Red Bee Media Ltd.

0:57:270:57:31

E-mail [email protected]

0:57:310:57:34

If Mitchell is to rescue Annie from purgatory, then first he must face up to his haunting past. Meanwhile, George is arrested moments before the full moon.


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