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I'm coming to get you! | 0:00:02 | 0:00:03 | |
There's enough going on without you crossing over into the afterlife. | 0:00:03 | 0:00:05 | |
Mitchell, isn't it? | 0:00:05 | 0:00:06 | |
-So, this is purgatory? -Strictly speaking, it's your purgatory. | 0:00:06 | 0:00:10 | |
-Mitchell! -Is anything going on between you guys? | 0:00:10 | 0:00:12 | |
-You saved me. -It was nothing. Mind games, that's all. | 0:00:12 | 0:00:15 | |
-SHE WHISPERS: -You're going to be killed by a werewolf. | 0:00:15 | 0:00:18 | |
A wolf-shaped bullet. | 0:00:18 | 0:00:20 | |
Some strong language and scenes which some viewers may find upsetting. | 0:00:21 | 0:00:25 | |
TAP RUNS | 0:00:24 | 0:00:26 | |
I still don't see why we have to move. | 0:00:26 | 0:00:29 | |
You know why, son. | 0:00:29 | 0:00:30 | |
But I was starting to settle. | 0:00:30 | 0:00:32 | |
And there's a girl in upper sixth. | 0:00:32 | 0:00:34 | |
I think she likes me. You should see her, Dad. | 0:00:34 | 0:00:36 | |
She's like a Bangle. You know, the band. | 0:00:36 | 0:00:38 | |
If we move, I'll never get to see her knocks. | 0:00:38 | 0:00:41 | |
Hey! Less of that talk. | 0:00:41 | 0:00:43 | |
-What? You say it when Anneka Rice is on. -Yeah, I'm a grown-up. -Like you're allowed to be?! | 0:00:43 | 0:00:47 | |
-This is all for you, Adam, all of it. -I know. | 0:00:47 | 0:00:53 | |
You think me and your mother want to move again? | 0:00:53 | 0:00:56 | |
I know. | 0:00:56 | 0:00:58 | |
Oh, look, we don't blame you, son. | 0:00:59 | 0:01:03 | |
We don't. | 0:01:03 | 0:01:04 | |
It's just people are already asking questions. | 0:01:04 | 0:01:08 | |
-Fine. -Where are you going? | 0:01:08 | 0:01:09 | |
-I'm hungry. -No. No, son. Look, I'll see to you. | 0:01:09 | 0:01:13 | |
-It's Mum's turn. -No, I said I'll do it. | 0:01:13 | 0:01:16 | |
Come on, son. | 0:01:16 | 0:01:18 | |
# I'm only human | 0:01:24 | 0:01:26 | |
# Born to make mistakes... # | 0:01:26 | 0:01:29 | |
Annie? | 0:01:41 | 0:01:42 | |
-How are you feeling? -Feeling? | 0:01:44 | 0:01:47 | |
I'm fine. Why? | 0:01:47 | 0:01:49 | |
I just wanted to say that if you ever want to talk about it, you know... | 0:01:49 | 0:01:54 | |
Oh, yeah, no. It...it wasn't actually all that bad. | 0:01:54 | 0:01:57 | |
Annie, you were in purgatory. | 0:01:57 | 0:02:00 | |
Yeah, I know, but I've...I've been to the Isle of Wight... | 0:02:00 | 0:02:03 | |
-SHE CHUCKLES -..so it's not really that much of a culture shock. | 0:02:03 | 0:02:07 | |
SHE CLEARS THROAT | 0:02:07 | 0:02:09 | |
OK. | 0:02:10 | 0:02:12 | |
Well, um...good luck with the interview, Mitchell. | 0:02:13 | 0:02:17 | |
-Interview? -Cheers, matey. | 0:02:17 | 0:02:19 | |
Yeah, when they started at the hospital they put my name down for a cleaning job | 0:02:19 | 0:02:23 | |
-and the interview's this morning. -Oh. | 0:02:23 | 0:02:27 | |
-Bye, see you later! -See you later. | 0:02:27 | 0:02:29 | |
-Bye! -See you! | 0:02:29 | 0:02:31 | |
In that case, you'd better build your strength up. | 0:02:31 | 0:02:33 | |
-I'll get started on the pancakes. -Hey! | 0:02:33 | 0:02:35 | |
I didn't drag you back from that place to make me breakfast, Annie. | 0:02:35 | 0:02:38 | |
No, but I do think I was brought back for a reason. | 0:02:42 | 0:02:45 | |
I missed you. | 0:02:45 | 0:02:47 | |
We missed you. Everyone...we all missed you. | 0:02:50 | 0:02:53 | |
Well, think about it. Not everyone can say they've been to hell and back. | 0:02:56 | 0:02:59 | |
Well, they can say it. | 0:02:59 | 0:03:00 | |
It's a very common saying. But actually mean it... | 0:03:00 | 0:03:04 | |
Ooh, that reminds me. I have to iron your free paper. | 0:03:04 | 0:03:08 | |
-Why? -Why? Well, I'm not quite sure. | 0:03:11 | 0:03:15 | |
-But I saw it on The House Of Eliott. -I've got to go. | 0:03:15 | 0:03:19 | |
But...but what about your fry-up and the pancakes? And there's a fruit platter. | 0:03:19 | 0:03:23 | |
My interview. | 0:03:23 | 0:03:25 | |
Of course. No, your interview, yeah. | 0:03:25 | 0:03:28 | |
Oh. Thanks, Annie. | 0:03:28 | 0:03:31 | |
This was really sweet, if a little crazy thing to do. | 0:03:31 | 0:03:36 | |
-It doesn't stop there. I'm coming with you to your interview. -Ooh... | 0:03:36 | 0:03:39 | |
Mitchell. | 0:03:39 | 0:03:41 | |
Wherever you go from here, I've got your back. | 0:03:41 | 0:03:44 | |
Just think of me as your guardian angel. | 0:03:44 | 0:03:46 | |
Right, tie. | 0:03:46 | 0:03:48 | |
Tell me what your first job is so I can picture you. | 0:03:53 | 0:03:56 | |
Er...chronic constipation. I have to do a digital evacuation. | 0:03:56 | 0:04:00 | |
Ooh! | 0:04:00 | 0:04:03 | |
-Ew! -No, it isn't! | 0:04:03 | 0:04:05 | |
It's a Mr Jacobs, old guy. Collapsed in the car park. | 0:04:05 | 0:04:09 | |
Well, then, I will picture you mopping his troubled brow. | 0:04:09 | 0:04:14 | |
Aw! And I will picture you mopping up piddle. | 0:04:14 | 0:04:18 | |
-Hot(!) -See you. | 0:04:18 | 0:04:19 | |
See you. | 0:04:19 | 0:04:21 | |
Morning, Mr Jacobs. | 0:04:22 | 0:04:24 | |
How are you today? | 0:04:24 | 0:04:26 | |
George. George! | 0:04:28 | 0:04:30 | |
Stop him. Stop him. | 0:04:33 | 0:04:36 | |
Oh, God! | 0:04:41 | 0:04:43 | |
Thank you. | 0:04:43 | 0:04:45 | |
CHAINS RATTLING | 0:05:24 | 0:05:25 | |
And where do you think you're going? | 0:05:31 | 0:05:33 | |
Oh, I thought I'd try my luck in Haematology. | 0:05:33 | 0:05:36 | |
I know what you are. | 0:05:36 | 0:05:38 | |
So, you know what I'll do if you come any nearer, Goldie. | 0:05:38 | 0:05:41 | |
-What, like the rapper? -No, the Blue Peter dog. | 0:05:41 | 0:05:46 | |
Oh, right, yeah, cos... | 0:05:46 | 0:05:49 | |
Oh, yeah. That's, um...cutting. | 0:05:49 | 0:05:52 | |
But, you know, having worked with drunks in A&E for two years, | 0:05:52 | 0:05:56 | |
it takes a little more than that to scare me. | 0:05:56 | 0:05:59 | |
Look, I'm not some naughty little kid. | 0:05:59 | 0:06:02 | |
Yeah, draining a defenceless old man of blood is a step beyond naughty. | 0:06:02 | 0:06:08 | |
Now...settle! | 0:06:11 | 0:06:14 | |
OK, um...just keep telling yourself, "I've got this job." | 0:06:21 | 0:06:24 | |
I've turned up. I have got this job. | 0:06:24 | 0:06:27 | |
Ah, the banks have crunched. Do not get cocky. | 0:06:27 | 0:06:30 | |
Oh, thank you. Thank you so much for the vote of confidence. | 0:06:30 | 0:06:33 | |
And keep saying the interviewer's name. That builds a bond. | 0:06:33 | 0:06:35 | |
Like, "Yes, Ken. You're right, Ken. | 0:06:35 | 0:06:38 | |
"I totally agree with you...Ken." | 0:06:38 | 0:06:41 | |
-See? -Mr Mitchell. | 0:06:41 | 0:06:43 | |
-Yeah. -Don't call her Ken. | 0:06:43 | 0:06:46 | |
Hmm. | 0:06:50 | 0:06:52 | |
Seriously. | 0:06:54 | 0:06:57 | |
It was a fly. I was... | 0:06:57 | 0:06:59 | |
I was just swatting a fly. | 0:06:59 | 0:07:01 | |
-ANNIE: -Look at the effort he's made. | 0:07:01 | 0:07:04 | |
-Hmm? She can't hear me, can she? Ha-ha! -No. | 0:07:04 | 0:07:09 | |
Sorry? | 0:07:09 | 0:07:10 | |
No...fly. | 0:07:12 | 0:07:14 | |
I, um...I saw that, er... Jeff Goldblum film last night. The Fly. | 0:07:16 | 0:07:22 | |
It left me completely paranoid! | 0:07:22 | 0:07:24 | |
Freaking. Oh, not in a mad way. | 0:07:24 | 0:07:28 | |
-Stop talking. -Just, er... | 0:07:28 | 0:07:31 | |
I just thought I might have seen a fly... | 0:07:31 | 0:07:33 | |
-Stop. -..kind of. | 0:07:33 | 0:07:35 | |
I see you have plenty of experience in this role. | 0:07:39 | 0:07:42 | |
-That is right. -Say her name. | 0:07:42 | 0:07:45 | |
-Mrs... -Um... Oh. Maw? Um...Moo? | 0:07:45 | 0:07:50 | |
That's right, missus. | 0:07:50 | 0:07:51 | |
Loads. | 0:07:51 | 0:07:53 | |
-Tell her how much you enjoy the work. -Oh, it...it... | 0:07:53 | 0:07:57 | |
This...this job would... | 0:07:57 | 0:07:58 | |
You were inspired by Florence Nightingale to bring cleanliness to the wards. | 0:07:58 | 0:08:02 | |
-Oh, God, you know? -Don't say God. She might be religious. | 0:08:02 | 0:08:05 | |
Shit! | 0:08:05 | 0:08:07 | |
-God was better. -It isn't a complicated job. | 0:08:07 | 0:08:09 | |
I've done it before, I can do it again. What more is there to say? | 0:08:09 | 0:08:13 | |
Oh. | 0:08:13 | 0:08:14 | |
I don't think there's... anything more to say. | 0:08:14 | 0:08:19 | |
SHE SIGHS | 0:08:21 | 0:08:22 | |
Knocked back from wiping up shite. | 0:08:29 | 0:08:31 | |
Er...well, that was an inside job. | 0:08:31 | 0:08:35 | |
They'll be forced to advertise for legal reasons, but a cushty number like that? | 0:08:35 | 0:08:39 | |
I mean, she'll have a mate lined up. It'll be fine. | 0:08:39 | 0:08:43 | |
I'm not quite sure how, exactly, just yet. | 0:08:43 | 0:08:46 | |
But there is a perfect solution to this, and... | 0:08:46 | 0:08:49 | |
Oi. | 0:08:49 | 0:08:51 | |
Trust your guardian angel to find it. | 0:08:51 | 0:08:54 | |
They shouldn't let your sort work in a hospital. | 0:08:58 | 0:09:01 | |
Our sort? | 0:09:01 | 0:09:02 | |
Does the FA Cup here make you wear that uniform while he's doing you doggy style? | 0:09:02 | 0:09:06 | |
You're in enough trouble, young man, without getting pervy. | 0:09:06 | 0:09:09 | |
Trouble? That's my dad up there. | 0:09:09 | 0:09:11 | |
This is no worse than a baby sucking its mother's tit. | 0:09:11 | 0:09:14 | |
Beautifully put. | 0:09:14 | 0:09:16 | |
So, given your dad's age, I'm guessing your condition isn't a new thing? | 0:09:16 | 0:09:23 | |
-Where's your mother? -She's dead. | 0:09:24 | 0:09:27 | |
Right, sorry. So, is somebody else looking after you? | 0:09:29 | 0:09:32 | |
Just Dad. He's not doing a top job. | 0:09:32 | 0:09:34 | |
-Great. -Oh. | 0:09:34 | 0:09:37 | |
Nina, no. We are not getting involved. | 0:09:37 | 0:09:40 | |
-We can't let a teenage vampire loose on the street. -Er...I'm 46. | 0:09:40 | 0:09:44 | |
There you go, he's 46... Really? | 0:09:44 | 0:09:47 | |
Not emotionally, he isn't. Like he said, he's still effectively being breast-fed. | 0:09:47 | 0:09:51 | |
Well, if you're offering. | 0:09:51 | 0:09:53 | |
Oh, can you not ask my girlfriend to suckle you, please? | 0:09:53 | 0:09:55 | |
Look, you'll have to pull a sickie and take him back to the house. | 0:09:55 | 0:09:59 | |
-Why? -Look, this is Mitchell's territory. | 0:09:59 | 0:10:02 | |
-He'll know what to do. -This is not our problem. | 0:10:02 | 0:10:04 | |
But it's only till his dad recovers | 0:10:04 | 0:10:06 | |
and then we can leave them both to it. | 0:10:06 | 0:10:09 | |
All right? | 0:10:10 | 0:10:12 | |
-Oh...! -Right, you're going home with George. | 0:10:12 | 0:10:15 | |
-What, to your kennel? -There go my kidneys as my sides split(!) | 0:10:15 | 0:10:19 | |
-Up. -Yeah, like you're the boss of me. | 0:10:19 | 0:10:22 | |
John Mitchell? | 0:10:37 | 0:10:39 | |
Who's asking? | 0:10:40 | 0:10:42 | |
You're a worryingly easy man to find. | 0:10:42 | 0:10:45 | |
We assumed you'd be keeping a low profile, | 0:10:45 | 0:10:48 | |
and then suddenly your name pops up on a job application. | 0:10:48 | 0:10:52 | |
Bad move, that. Sloppy. | 0:10:52 | 0:10:55 | |
Who are you? | 0:10:55 | 0:10:57 | |
Oh. | 0:10:57 | 0:10:58 | |
Richard Hargreaves. | 0:10:58 | 0:11:01 | |
Oh, right, so all this cloak-and-dagger stuff is to sell me a rug, is it? | 0:11:03 | 0:11:08 | |
Sarcasm. How unsurprising. | 0:11:08 | 0:11:10 | |
I'm here on behalf of the Old Ones. | 0:11:10 | 0:11:14 | |
The, er...the vampire elite. | 0:11:14 | 0:11:17 | |
They've entrusted me as their agent. | 0:11:17 | 0:11:20 | |
-Get out! -Mm-hm. | 0:11:20 | 0:11:22 | |
Is it true how they live? | 0:11:22 | 0:11:24 | |
All that hardcore Hammer horror shit, | 0:11:24 | 0:11:26 | |
avoiding sunlight, and sleeping in coffins and that? | 0:11:26 | 0:11:28 | |
I don't know. I wouldn't be so impertinent as to ask. | 0:11:28 | 0:11:32 | |
Well, so, this is what all the fuss was about. | 0:11:32 | 0:11:35 | |
You know, I expected some...demon. | 0:11:35 | 0:11:38 | |
What do I find? The last Russell Brand in the shop. | 0:11:38 | 0:11:42 | |
With me. | 0:11:44 | 0:11:45 | |
No, I'm sorry, pal, I'm not going anywhere. | 0:11:45 | 0:11:48 | |
-MAN CHUCKLES -Oh. | 0:11:48 | 0:11:50 | |
Oh, I think you are. | 0:11:50 | 0:11:52 | |
You see, | 0:11:52 | 0:11:54 | |
I'm here to discuss the Box Tunnel 20. | 0:11:54 | 0:11:58 | |
Come on. | 0:12:03 | 0:12:05 | |
Home sweet home. | 0:12:11 | 0:12:13 | |
It's a shit-hole. | 0:12:19 | 0:12:22 | |
Yes, but it's our shit-hole so show some manners. | 0:12:22 | 0:12:24 | |
I could tell you many stories about cheap B&B's like this, George, many stories. | 0:12:24 | 0:12:29 | |
And I don't want to hear any of them. | 0:12:29 | 0:12:32 | |
-Well, hello. -Oh, I thought I heard the door. | 0:12:32 | 0:12:35 | |
Well, did you hear my heart begin to beat a little faster? | 0:12:35 | 0:12:38 | |
No, no. No, definitely the door. | 0:12:38 | 0:12:41 | |
You sure it wasn't the buttons on my fly pinging off one by one? | 0:12:41 | 0:12:44 | |
You know, because of... | 0:12:47 | 0:12:50 | |
my lob-on? | 0:12:50 | 0:12:52 | |
Oh, you filthy little... | 0:12:52 | 0:12:55 | |
-Annie, this is Adam. -Hello. | 0:12:55 | 0:12:57 | |
Adam is a vampire. | 0:12:57 | 0:12:59 | |
-Isn't that fantastic(?) -Yeah. | 0:12:59 | 0:13:01 | |
Adam is going to be staying with us for as short a time as possible. | 0:13:01 | 0:13:04 | |
Upstairs. You can find a room to sit | 0:13:04 | 0:13:06 | |
and think about the way you've just behaved. | 0:13:06 | 0:13:08 | |
-Catch you later, sweet cheeks. -Go. | 0:13:11 | 0:13:14 | |
-Don't ask. -OK. | 0:13:16 | 0:13:18 | |
Have you any idea of the trouble your little escapade has caused? | 0:13:29 | 0:13:33 | |
I mean, have you seen a newspaper in the last four weeks? | 0:13:33 | 0:13:37 | |
This is the biggest manhunt for a century, | 0:13:37 | 0:13:39 | |
and you're strutting around in broad daylight. | 0:13:39 | 0:13:43 | |
What happens when the police catch up with you? | 0:13:43 | 0:13:45 | |
When they try to take your picture? | 0:13:45 | 0:13:48 | |
All our cover is blown. | 0:13:48 | 0:13:50 | |
An entire race, hidden for millennia, exposed by your weakness. | 0:13:50 | 0:13:55 | |
Oh, come on. I'd never get arrested. I know what to do. | 0:13:55 | 0:13:59 | |
Clearly not. | 0:13:59 | 0:14:01 | |
Which is why the Old Ones contacted me. | 0:14:01 | 0:14:03 | |
They want you to join them in South America, | 0:14:04 | 0:14:07 | |
and they've asked me to organise transit. | 0:14:07 | 0:14:10 | |
You'll travel with my next shipment. | 0:14:10 | 0:14:13 | |
Keep these papers with you and they'll guarantee your safe passage. | 0:14:14 | 0:14:19 | |
The details are all inside under some, er...cash for emergencies. | 0:14:19 | 0:14:23 | |
Oh, and while on board, you are not, I repeat NOT, to touch any of my carpets. | 0:14:23 | 0:14:31 | |
Oh, wait, wait a second. I'm not an Old One. I'm 117. | 0:14:31 | 0:14:34 | |
You are the most wanted man in the country. | 0:14:34 | 0:14:37 | |
Hardly the time to quibble about your age. | 0:14:37 | 0:14:39 | |
But once I'm there, there's no coming back, right? | 0:14:43 | 0:14:48 | |
No, well, why would you want to, eh? | 0:14:48 | 0:14:50 | |
Come back to this?! | 0:14:50 | 0:14:52 | |
Desperation, debauchery, on the fringe of society? A slave to your lust and hunger? | 0:14:52 | 0:14:59 | |
HE CHUCKLES You know, there's nothing funnier | 0:14:59 | 0:15:02 | |
than a vampire taking the moral high ground. Underneath the driving gloves | 0:15:02 | 0:15:05 | |
and the business cards, we're all the same, brother. | 0:15:05 | 0:15:08 | |
Oh, let me make this clear. We are not the same. | 0:15:08 | 0:15:11 | |
I am not a servant to my condition. | 0:15:11 | 0:15:14 | |
I have systems in place that allow me to feed without this carnage. | 0:15:14 | 0:15:21 | |
You are weak. | 0:15:22 | 0:15:24 | |
You are craven. | 0:15:24 | 0:15:26 | |
And your...pathetic tantrums threaten us all. | 0:15:26 | 0:15:31 | |
Hmm? | 0:15:34 | 0:15:36 | |
This is not me accepting. | 0:15:39 | 0:15:42 | |
This room here on the left will be your room. | 0:16:05 | 0:16:07 | |
On the right, take note, is the bathroom, if you need to wee-wee or something else. | 0:16:07 | 0:16:11 | |
Now, this here is your room. Isn't that fantastic? | 0:16:11 | 0:16:14 | |
I think there is a game of Buckaroo downstairs. | 0:16:14 | 0:16:17 | |
One of the other guests must have left it behind. | 0:16:17 | 0:16:20 | |
Bucka-fucking-roo? | 0:16:20 | 0:16:21 | |
Yes. | 0:16:21 | 0:16:23 | |
It's a fantastic game for two to eight players. | 0:16:23 | 0:16:26 | |
Oh, for...forget it. I was just trying to think of things to keep you occupied. | 0:16:26 | 0:16:30 | |
I can keep myself occupied. | 0:16:30 | 0:16:33 | |
Oh, God, you're a teenage boy. Of course you can. | 0:16:33 | 0:16:37 | |
-Hello! -Shit a brick! Don't you knock? | 0:16:37 | 0:16:39 | |
Oh, no, I don't have to. Being dead has some perks. | 0:16:39 | 0:16:42 | |
Not with me. I don't want ghosts popping up all over the place. It freaks me out. | 0:16:42 | 0:16:46 | |
You're a 46-year-old vampire who dresses like a child. | 0:16:46 | 0:16:50 | |
Don't call her freaky. Up. | 0:16:50 | 0:16:53 | |
Anyway, just, er...came to see how you boys are getting on. | 0:16:53 | 0:16:56 | |
Uh. Badly. | 0:16:56 | 0:16:59 | |
Ah. Ow! | 0:16:59 | 0:17:01 | |
He just...he just kicked me! Annie, tell him off. | 0:17:01 | 0:17:04 | |
-DOOR SHUTS -Oh, that's Mitchell. | 0:17:04 | 0:17:06 | |
-I'd better warn him about this. Can... -Yeah, yeah. | 0:17:06 | 0:17:10 | |
Just put the Hoover round and maybe just dust a little. Thanks. | 0:17:10 | 0:17:13 | |
Mitchell? Is that another ghost? It's bloody Hogwarts, this place. | 0:17:13 | 0:17:17 | |
No, Mitchell is a vampire, actually. | 0:17:17 | 0:17:20 | |
Vamp... At last, someone normal. | 0:17:20 | 0:17:23 | |
I'd better go and... | 0:17:23 | 0:17:25 | |
Are you going to do both beds? | 0:17:25 | 0:17:27 | |
-Do both beds. Do... -OK. | 0:17:27 | 0:17:28 | |
Just in case, you know, in the night, me and you just want to... | 0:17:28 | 0:17:32 | |
in the night, just sort of do that. | 0:17:32 | 0:17:33 | |
-You've got to be joking. -It won't be for long. | 0:17:36 | 0:17:41 | |
It's just until his dad recovers, and then he'll be gone. | 0:17:41 | 0:17:44 | |
I will make sure of it. | 0:17:44 | 0:17:45 | |
We just thought, with you having gone through it... | 0:17:45 | 0:17:48 | |
Me going through it is exactly why I can't have him in the house. | 0:17:48 | 0:17:52 | |
The kid's still feeding. Staying clean from meat is a day-by-day... | 0:17:52 | 0:17:56 | |
No, no, a minute-by-minute thing. | 0:17:56 | 0:17:59 | |
How will I manage if he's giving it, "Oh, let's go out on the razz, | 0:17:59 | 0:18:02 | |
"find some women, drink them dry"? | 0:18:02 | 0:18:04 | |
Oh, I'm sure he'd never... | 0:18:04 | 0:18:06 | |
-No, that does sound quite like him. -Yeah. | 0:18:07 | 0:18:10 | |
And that's why I want him gone. | 0:18:10 | 0:18:12 | |
You could be his role model, teach him how to beat it. | 0:18:12 | 0:18:14 | |
No, no, no. You've picked the wrong man. | 0:18:14 | 0:18:17 | |
I don't think so. | 0:18:17 | 0:18:19 | |
Ah, Mitchell, my bro. | 0:18:21 | 0:18:25 | |
-Yes. -OK. Brilliant, brilliant. | 0:18:28 | 0:18:31 | |
OK, I know we all got off to a bad start, but I'm thinking if we all pull together, | 0:18:31 | 0:18:35 | |
this could be an interesting, enriching and very brief experience for us all. | 0:18:35 | 0:18:41 | |
Yeah, level with me, Mitch. How do you stick it with this sad-arse? | 0:18:41 | 0:18:44 | |
I think you need a new wingman. | 0:18:44 | 0:18:47 | |
I, sir, am a registered poon hound. | 0:18:47 | 0:18:50 | |
Have you ever actually had sex, Adam? | 0:18:54 | 0:18:56 | |
You know, proper balls-deep sex? | 0:18:57 | 0:19:00 | |
Have you touched a boob? | 0:19:02 | 0:19:04 | |
Be honest with me, Adam. Have you ever even touched a boob? | 0:19:04 | 0:19:08 | |
Because... Ha-ha-ha! | 0:19:08 | 0:19:11 | |
..I have. | 0:19:11 | 0:19:13 | |
Loads! | 0:19:13 | 0:19:15 | |
Ah, someone doth protest too much. | 0:19:24 | 0:19:27 | |
You don't come near me. | 0:19:28 | 0:19:31 | |
But, Mitch, we're like brothers in arms. | 0:19:37 | 0:19:41 | |
I'll have a Scotch. | 0:19:41 | 0:19:43 | |
This is near me. | 0:19:43 | 0:19:45 | |
This is where I told you not to be. | 0:19:45 | 0:19:47 | |
Look, I've never met anyone like me before. | 0:19:47 | 0:19:49 | |
Apart from the first time, and that was mostly fighting him off. Badly. | 0:19:49 | 0:19:53 | |
Please. No-one's ever taught me how to do this. | 0:19:56 | 0:19:58 | |
Adam, here's the thing, right? I don't care. | 0:19:58 | 0:20:02 | |
Yeah, like I want to hang out with some whiffy Goth anyway. | 0:20:07 | 0:20:11 | |
-Excuse me? -Just cos you're a vampire doesn't mean you have to smell like the undead. | 0:20:12 | 0:20:16 | |
One word, Mitch. Deodorant. Tch! | 0:20:16 | 0:20:19 | |
-Oh, good. You two have met. -He's just leaving. | 0:20:19 | 0:20:23 | |
You want to watch yourself with this one. | 0:20:23 | 0:20:25 | |
She's been giving me the glad eye ever since I arrived. | 0:20:25 | 0:20:28 | |
-Loves a bit of fang. -I do not! | 0:20:28 | 0:20:30 | |
That is a terrible thing to say. I do not like a bit of fang. | 0:20:30 | 0:20:35 | |
Not his fang, or anyone else's. | 0:20:35 | 0:20:38 | |
Er...you know, I'm not ruling it out. Just if the right fang came along. | 0:20:39 | 0:20:44 | |
But I haven't even thought about it. | 0:20:44 | 0:20:47 | |
At all. For ages. | 0:20:47 | 0:20:50 | |
OK, ladies. I'll catch you later. | 0:20:54 | 0:20:57 | |
HE MURMURS Can we...? | 0:20:57 | 0:20:59 | |
You see him? You... | 0:21:02 | 0:21:04 | |
Anyway, Mitchell, I have in my hand a piece of paper. | 0:21:07 | 0:21:10 | |
Phase two of Find Mitchell A Job Campaign. | 0:21:10 | 0:21:13 | |
Oh, Annie, Annie, it doesn't matter. I'm considering other options anyway. | 0:21:13 | 0:21:17 | |
Mitchell, you're not a quitter. | 0:21:17 | 0:21:19 | |
It says so here in the reference that I wrote. Check this out. | 0:21:19 | 0:21:22 | |
"John Mitchell is the finest employee I ever had. | 0:21:22 | 0:21:25 | |
"He is loyal and dependable and valued by all his co-workers. | 0:21:25 | 0:21:30 | |
"I recall he did not give the best interview..." | 0:21:30 | 0:21:32 | |
-Whoa!" -..but I put that down to nerves." | 0:21:32 | 0:21:35 | |
What, so I make a habit of screwing up interviews? | 0:21:35 | 0:21:37 | |
"But how glad am I that I took a chance on him? Very. | 0:21:37 | 0:21:41 | |
"Because I was rewarded with a pleasant and reliable worker, | 0:21:41 | 0:21:45 | |
"who would be an asset to any company. | 0:21:45 | 0:21:48 | |
"Plus, let's face it, he's easy on the eye." | 0:21:48 | 0:21:51 | |
I'm just covering all my bases. | 0:21:51 | 0:21:54 | |
Yeah. You know what? Maybe I just don't want to be a hospital cleaner any more. | 0:21:54 | 0:21:58 | |
No, of course you don't. This is just the beginning, Mitchell. | 0:21:58 | 0:22:02 | |
With me in your corner, next year you could be in the canteen. | 0:22:02 | 0:22:05 | |
I'm going to type this up. | 0:22:05 | 0:22:07 | |
-What's up? -Where's Adam? | 0:22:11 | 0:22:12 | |
He's in the kitchen. | 0:22:12 | 0:22:15 | |
Oh, God. | 0:22:16 | 0:22:18 | |
-All right, sad-arse? -Nina just rang from the hospital. | 0:22:23 | 0:22:27 | |
He's taken a turn for the worse. But he's been asking for you. | 0:22:28 | 0:22:33 | |
Look, we've done our best but he is...he's just too weak. | 0:22:34 | 0:22:39 | |
Do you understand, Adam? | 0:22:40 | 0:22:42 | |
Well, look, we'll...we'll give you some time alone with him, OK? | 0:22:44 | 0:22:48 | |
Dad? | 0:22:59 | 0:23:01 | |
-HE PANTS -Adam. | 0:23:01 | 0:23:04 | |
I'm here, Dad. | 0:23:04 | 0:23:08 | |
Why? What's happened? | 0:23:09 | 0:23:12 | |
You collapsed. | 0:23:12 | 0:23:14 | |
You weren't well. You collapsed. | 0:23:14 | 0:23:16 | |
Are you all right? Have you fed? Here. | 0:23:16 | 0:23:20 | |
It's OK. I've got these people looking after me. | 0:23:20 | 0:23:22 | |
But they...they understand, do they? | 0:23:22 | 0:23:26 | |
It's fine. They're nice. | 0:23:26 | 0:23:29 | |
Now, you give me a minute and we'll get out of here, hey? | 0:23:29 | 0:23:34 | |
No, listen to me. You have to stay here. | 0:23:34 | 0:23:37 | |
I'm just...I'm just so... | 0:23:38 | 0:23:40 | |
so tired. | 0:23:40 | 0:23:42 | |
You gave me too much, Dad. | 0:23:42 | 0:23:45 | |
You made yourself weak. | 0:23:45 | 0:23:47 | |
What else could we do? | 0:23:47 | 0:23:50 | |
You know, | 0:23:53 | 0:23:56 | |
even when they're all grown-up, | 0:23:56 | 0:23:58 | |
people say to their kids, | 0:23:59 | 0:24:02 | |
"You were always my little boy." | 0:24:02 | 0:24:06 | |
You really were. | 0:24:08 | 0:24:11 | |
Maybe we...we were blessed that... | 0:24:13 | 0:24:17 | |
Please don't go. Please don't leave me. I can't do this on my own. | 0:24:17 | 0:24:21 | |
Dad, I'm scared. What's going to happen? | 0:24:21 | 0:24:24 | |
I don't know. | 0:24:31 | 0:24:34 | |
Oh, God, Adam. | 0:24:34 | 0:24:36 | |
I don't know. | 0:24:36 | 0:24:37 | |
DOOR CLOSES | 0:24:44 | 0:24:46 | |
Dad? Nina! | 0:24:46 | 0:24:48 | |
Nina! | 0:24:48 | 0:24:50 | |
-It's OK, it's OK. All right, all right. -What does he need? | 0:24:53 | 0:24:57 | |
I'm sorry, Adam. | 0:25:07 | 0:25:10 | |
HE SOBS | 0:25:15 | 0:25:18 | |
TROLLEY RATTLING | 0:25:18 | 0:25:20 | |
I think he knew it was going to happen. | 0:25:38 | 0:25:40 | |
That's why he came back to Wales. | 0:25:40 | 0:25:42 | |
He wanted to die here. | 0:25:42 | 0:25:45 | |
-This is it. I'm on my own. -Oh, no, you're not. | 0:25:47 | 0:25:51 | |
You and Nina are just dealing with a problem. That's all I am to you. | 0:25:51 | 0:25:56 | |
Look, I can't pretend to know how you're feeling, | 0:25:56 | 0:25:58 | |
cos personally I haven't been through it. | 0:25:58 | 0:26:01 | |
I know. You're just a kid. | 0:26:01 | 0:26:03 | |
Yeah, but, whatever you're feeling... | 0:26:05 | 0:26:09 | |
..you can tell me, I'll listen. | 0:26:10 | 0:26:13 | |
Do you want to know what I'm feeling, George? | 0:26:13 | 0:26:17 | |
Mm-hm. | 0:26:17 | 0:26:18 | |
Hungry. | 0:26:18 | 0:26:20 | |
Adam? | 0:26:23 | 0:26:24 | |
Do you want to go in and spend some time with your dad, and say goodbye to him? | 0:26:24 | 0:26:28 | |
I don't have a good feeling about this. | 0:26:43 | 0:26:46 | |
Someone's just died. You're not supposed to. | 0:26:46 | 0:26:48 | |
Adam hasn't just lost his dad. He's lost his food supply. | 0:26:48 | 0:26:52 | |
He's going to have to feed again soon. | 0:26:53 | 0:26:56 | |
SIREN WAILING OUTSIDE | 0:26:58 | 0:27:00 | |
-SIREN WAILING OUTSIDE -Oh, my God. | 0:27:02 | 0:27:06 | |
-Where is he? -Out. | 0:27:06 | 0:27:08 | |
-SIREN WAILING OUTSIDE -Oh, no. | 0:27:08 | 0:27:11 | |
You were a teenage boy once. You know what they do. | 0:27:36 | 0:27:38 | |
-Yeah, wank at any opportunity. -Well, that's helpful. | 0:27:38 | 0:27:41 | |
Well, no, there's other stuff but none of it really registers. | 0:27:41 | 0:27:45 | |
# Well, there goes a girl and a half | 0:27:45 | 0:27:47 | |
# She's got me going up and down | 0:27:47 | 0:27:51 | |
# She's got me going up and down... # | 0:27:51 | 0:27:54 | |
Dollar! | 0:27:57 | 0:27:59 | |
# ..Walking on the beaches Looking at the peaches | 0:27:59 | 0:28:02 | |
# Well, I got the notion, girl | 0:28:03 | 0:28:05 | |
# That you got some suntan lotion in that bottle of yours | 0:28:05 | 0:28:09 | |
# Spread it all over my peeling skin, baby | 0:28:09 | 0:28:11 | |
# That feels real good | 0:28:11 | 0:28:14 | |
# All this skirt lapping up the sun | 0:28:16 | 0:28:19 | |
# Lap me up | 0:28:19 | 0:28:21 | |
# Why don't you come on and lap me up... # | 0:28:21 | 0:28:24 | |
All right? | 0:28:29 | 0:28:31 | |
# ..Walking on the beaches Looking at the peaches... # | 0:28:31 | 0:28:32 | |
All right? | 0:28:32 | 0:28:35 | |
# ..Well, there goes another one Just lying down on the sand dunes | 0:28:35 | 0:28:39 | |
# I'd better go take a swim and see If I can cool down a little bit... # | 0:28:39 | 0:28:45 | |
-It's hot in here, isn't it? -Yeah, it's quite hot in here. | 0:28:45 | 0:28:49 | |
# ..Things on our minds You know what I mean... # | 0:28:49 | 0:28:53 | |
Um...hi. I wonder if you could help us, please. We're looking for a... | 0:28:53 | 0:28:56 | |
Hey, do you want to head outside, get some fresh air? | 0:28:56 | 0:28:58 | |
# ..Looking at the peaches... # | 0:28:58 | 0:29:00 | |
-All right. -# ..You just take a look over there... # | 0:29:01 | 0:29:04 | |
-No, I haven't. -Um... | 0:29:04 | 0:29:06 | |
# ..Is she trying to get out of that clitoris? | 0:29:06 | 0:29:10 | |
# Liberation for women That's what I preach | 0:29:10 | 0:29:13 | |
# Preacher man... # | 0:29:13 | 0:29:15 | |
Are you OK? | 0:29:19 | 0:29:20 | |
# ..Walking on the beaches looking at the peaches... # | 0:29:20 | 0:29:23 | |
Here we are. | 0:29:23 | 0:29:24 | |
# ..Oh, shit | 0:29:25 | 0:29:27 | |
# There goes the charabanc... # | 0:29:27 | 0:29:31 | |
Has anyone ever told you, you have beautiful tits? | 0:29:32 | 0:29:34 | |
Yeah, loads of people. | 0:29:34 | 0:29:36 | |
And skin so pale you can see the veins. | 0:29:36 | 0:29:39 | |
Well, my Auntie Kim got skin cancer off the sunbed so I don't use them. | 0:29:40 | 0:29:44 | |
And spray-on looks shit, so... | 0:29:48 | 0:29:50 | |
-What's your game? -It's OK. Um...he's my brother. | 0:29:56 | 0:29:59 | |
There's something really wrong with him. | 0:29:59 | 0:30:01 | |
-He really should have mentioned it. -What? | 0:30:01 | 0:30:03 | |
Um, he's really, er...passive aggressive. | 0:30:03 | 0:30:05 | |
Basically, he's just a knob. | 0:30:06 | 0:30:10 | |
I don't care. It's only for an afternoon and I've got a regular fella, anyway. | 0:30:10 | 0:30:14 | |
-So... -Classy. | 0:30:14 | 0:30:16 | |
Still, plenty more fish in the sea, eh? Come on. You all right? | 0:30:16 | 0:30:21 | |
What are you talking fish for? | 0:30:21 | 0:30:23 | |
-Is there anything we can get you? -He needed to feed. -So, you're saying | 0:30:25 | 0:30:30 | |
we should have let him tear that girl's throat out? | 0:30:30 | 0:30:32 | |
No, I'm saying he can't survive like this forever. | 0:30:32 | 0:30:35 | |
OK, but we can't turn him out onto the streets. He isn't safe. | 0:30:35 | 0:30:38 | |
Mitchell isn't safe with another vampire in the house, not while he's feeding. | 0:30:38 | 0:30:42 | |
Annie's right, I'm just about holding it all together, and he brings | 0:30:42 | 0:30:45 | |
-chaos here, I'm sorry. -Mitchell, you understand this. | 0:30:45 | 0:30:49 | |
-You know what I'm going through. -I do. | 0:30:49 | 0:30:51 | |
So, why won't you help me?! | 0:30:51 | 0:30:53 | |
OK, you know what? There...there is another option. | 0:31:03 | 0:31:06 | |
HE SIGHS | 0:31:08 | 0:31:09 | |
It just might be the answer. | 0:31:09 | 0:31:12 | |
We recarpet? | 0:31:12 | 0:31:14 | |
What?! No, no, no, no. This guy, he's one of us. | 0:31:14 | 0:31:18 | |
A vampire? | 0:31:18 | 0:31:20 | |
-How did you get his number? -He found me. | 0:31:21 | 0:31:24 | |
He says that he has systems in place. | 0:31:24 | 0:31:27 | |
No killing. | 0:31:27 | 0:31:29 | |
But he'll make sure the kid's fed. | 0:31:30 | 0:31:33 | |
We have to do something. | 0:31:34 | 0:31:36 | |
-You'll take Adam to him, then? -Oh, no. Me and him, we do not get on. | 0:31:41 | 0:31:45 | |
I'll call him and make the introduction, | 0:31:45 | 0:31:48 | |
but after that I don't want any part of it. | 0:31:48 | 0:31:49 | |
Oh, just take me to them. | 0:31:49 | 0:31:52 | |
Wow. | 0:31:58 | 0:31:59 | |
Oh, wow. | 0:32:01 | 0:32:03 | |
This... Oh, this is really nice! | 0:32:03 | 0:32:06 | |
All right, George! Little bit of help here, please? Mm. | 0:32:06 | 0:32:09 | |
Oh. Ooh, OK. | 0:32:12 | 0:32:15 | |
-Hello. -Hello. | 0:32:21 | 0:32:22 | |
You spoke to a friend of ours, Mitchell, about... | 0:32:22 | 0:32:24 | |
-This must be Adam. -Yeah. | 0:32:24 | 0:32:26 | |
Oh, come inside, young man. | 0:32:26 | 0:32:28 | |
Wipe your feet. | 0:32:32 | 0:32:34 | |
-Right. -Richard! | 0:32:34 | 0:32:36 | |
Well, well, well, well! | 0:32:38 | 0:32:41 | |
So, this is young Adam? | 0:32:41 | 0:32:44 | |
Oh, but look at you! | 0:32:44 | 0:32:47 | |
Darling, fetch the decanter. | 0:32:47 | 0:32:49 | |
Oh. Oh, not for me. I'm driving. | 0:32:49 | 0:32:52 | |
This is nice. | 0:32:52 | 0:32:54 | |
Oh, Richard, I told you to use the Waterford. | 0:32:55 | 0:32:58 | |
Oh, is that not it? Oh, well. | 0:32:58 | 0:33:02 | |
Here we are, there you go. Right. | 0:33:02 | 0:33:05 | |
Drawn just an hour ago. There you go. | 0:33:05 | 0:33:09 | |
-Soon put you straight. -Oh, that's the ticket. | 0:33:09 | 0:33:12 | |
There we go. Oh. | 0:33:12 | 0:33:16 | |
-All better now? -Course he is. He's right as ninepence. | 0:33:16 | 0:33:20 | |
-Have you seen the size of that TV? -Full HD, of course. | 0:33:20 | 0:33:23 | |
No! | 0:33:23 | 0:33:25 | |
I need to put some paper down first. | 0:33:25 | 0:33:29 | |
YOU can sit where you like, young man. | 0:33:34 | 0:33:37 | |
-You like that? -Thank you. | 0:33:37 | 0:33:39 | |
Of course, it's not as good as fresh from the vein. | 0:33:39 | 0:33:41 | |
Hang on. We were told there wouldn't be any killing. | 0:33:41 | 0:33:45 | |
We wouldn't have brought him here otherwise. | 0:33:45 | 0:33:47 | |
I don't appreciate your tone. | 0:33:47 | 0:33:49 | |
Given the company you've been keeping, | 0:33:49 | 0:33:51 | |
it's understandable that you think that we're all cold-blooded killers. | 0:33:51 | 0:33:55 | |
What's that supposed to mean? | 0:33:55 | 0:33:56 | |
We have a much more civilised arrangement. | 0:33:56 | 0:33:59 | |
Now, this is like a proper vampire house. | 0:33:59 | 0:34:02 | |
-Ooh! -No, no, no, the bulb's gone. | 0:34:02 | 0:34:05 | |
We stock up on the old eco-friendlies. Comes with... Watch your head! | 0:34:05 | 0:34:10 | |
Here we are, through here. THUD | 0:34:10 | 0:34:12 | |
-Ah! Ow, ow, ow! -All right? | 0:34:12 | 0:34:14 | |
-Oh, I don't know, I don't know. -KEYS RATTLE | 0:34:14 | 0:34:17 | |
SCREAM Ha-ha-ha! There he is! | 0:34:18 | 0:34:21 | |
Heh-heh! Whoo! | 0:34:21 | 0:34:24 | |
LAUGHTER | 0:34:24 | 0:34:25 | |
Yeah. | 0:34:25 | 0:34:28 | |
How's it hanging? | 0:34:28 | 0:34:30 | |
Erm... Oh, er... | 0:34:30 | 0:34:32 | |
It's...it's not so bad, yeah. | 0:34:32 | 0:34:35 | |
-Yourself? -Yeah, can't complain. | 0:34:35 | 0:34:38 | |
-You from Penarth, then? -Er, no. | 0:34:39 | 0:34:43 | |
Barry. | 0:34:43 | 0:34:44 | |
Um...yeah, actually, we came here on the B4267. | 0:34:44 | 0:34:50 | |
Oh, yeah, good road, eh? So, what you driving, then? | 0:34:50 | 0:34:53 | |
-Um, it's... -George. | 0:34:53 | 0:34:56 | |
You're chitchatting with a gimp. | 0:34:56 | 0:34:59 | |
LAUGHTER AND GROWLS | 0:35:03 | 0:35:06 | |
Ooh! Ooh! Whoo-ee! | 0:35:08 | 0:35:11 | |
Yee, yee, yee, yee, yee! LAUGHTER | 0:35:11 | 0:35:14 | |
Yo, yo, yo, yo, yo, yo! | 0:35:14 | 0:35:16 | |
Rah! LAUGHTER | 0:35:16 | 0:35:18 | |
Number Seven, as his name suggests, is the seventh of our little helpers, | 0:35:20 | 0:35:27 | |
and our favouritest yet! | 0:35:27 | 0:35:30 | |
He must have had a real name once. | 0:35:30 | 0:35:32 | |
I doubt it says Number Seven on his birth certificate. | 0:35:32 | 0:35:35 | |
You might have the courtesy to ask him directly. | 0:35:35 | 0:35:39 | |
-SHE CLEARS THROAT -So, tell us. | 0:35:39 | 0:35:43 | |
What is your name? | 0:35:43 | 0:35:45 | |
I'm Number Seven, how I want to be known. | 0:35:46 | 0:35:49 | |
Yeah, he's our big, bouncy food supply! | 0:35:49 | 0:35:51 | |
Yes, he is! | 0:35:51 | 0:35:54 | |
And...and numbers one to six died of what? Sustained blood loss? | 0:35:54 | 0:35:58 | |
Essentially, yes. | 0:35:58 | 0:36:01 | |
Poor Number Four had, er...Epstein-Barr, | 0:36:01 | 0:36:04 | |
but I don't think that's what took him in the end. | 0:36:04 | 0:36:07 | |
You buried them in your garden like gerbils. | 0:36:07 | 0:36:10 | |
-My God, they were human beings! -Precisely. | 0:36:10 | 0:36:13 | |
You see, the depravity of the human heart knows no bounds. | 0:36:13 | 0:36:18 | |
Name your blackest desires, | 0:36:18 | 0:36:21 | |
and somewhere, out in the sweating mass of humanity, | 0:36:21 | 0:36:26 | |
you'll find someone all too happy to gratify them. | 0:36:26 | 0:36:29 | |
These men were clearly ill. | 0:36:29 | 0:36:32 | |
Men? | 0:36:32 | 0:36:34 | |
Number Three was a lady. | 0:36:34 | 0:36:36 | |
I know what you're thinking, but you're wrong. | 0:36:36 | 0:36:39 | |
I had everything, on paper. | 0:36:39 | 0:36:41 | |
Came from a good family. Met my wife. Had a family of my own. It wasn't enough. | 0:36:41 | 0:36:47 | |
I felt...ordinary. | 0:36:47 | 0:36:50 | |
But with Richard and Emma... well, I'm special. | 0:36:51 | 0:36:55 | |
Not that special. There were six others before you. | 0:36:55 | 0:36:58 | |
Out of billions. | 0:36:58 | 0:37:00 | |
I matter here. | 0:37:00 | 0:37:02 | |
-I'm happy. -See? | 0:37:02 | 0:37:05 | |
But one day, all this... | 0:37:05 | 0:37:08 | |
will kill you. | 0:37:08 | 0:37:09 | |
Well, better a short life filled with pleasure | 0:37:09 | 0:37:13 | |
than a long one searching for joy. | 0:37:13 | 0:37:15 | |
You see, you may not understand our little arrangement here, | 0:37:15 | 0:37:23 | |
but at least accept it works. | 0:37:23 | 0:37:26 | |
Oh, take two. We want you to be big and strong. | 0:37:27 | 0:37:30 | |
-I'll take three. -Mm, good boy. | 0:37:30 | 0:37:33 | |
Get some flesh on those bones. | 0:37:33 | 0:37:36 | |
How's everything in here? All right? HE CHUCKLES | 0:37:37 | 0:37:40 | |
You off, then? | 0:37:40 | 0:37:42 | |
Oh. Er...yes, if you're sure you're all right. | 0:37:43 | 0:37:46 | |
-He won't want for anything. -It's Adam's decision. | 0:37:46 | 0:37:50 | |
Are you having a laugh? Look around, George. I'm a pig in shit. | 0:37:50 | 0:37:53 | |
-Adam. -Sorry. | 0:37:53 | 0:37:55 | |
Hm. | 0:37:55 | 0:37:57 | |
-Right, I'll show you to the door. -No, no, that's OK, we can find it. | 0:37:57 | 0:38:00 | |
Of course, yes. Like tracker dogs. | 0:38:00 | 0:38:04 | |
-Um...excuse me?! -No, come on. | 0:38:04 | 0:38:07 | |
Cheers for bringing me here, though. | 0:38:07 | 0:38:09 | |
Look after him. | 0:38:09 | 0:38:11 | |
We don't need you to tell us that. | 0:38:11 | 0:38:13 | |
OK? | 0:38:13 | 0:38:15 | |
-Shall I feed the boy now? -Oh, not yet, Seven. | 0:38:21 | 0:38:25 | |
We're going to make a night of it. | 0:38:25 | 0:38:27 | |
After all, Adam's finally where he belongs. | 0:38:27 | 0:38:31 | |
We should welcome him in style. | 0:38:31 | 0:38:34 | |
I'll put the plastic sheeting down in the box room, eh? | 0:38:34 | 0:38:39 | |
Number Seven, come on. | 0:38:40 | 0:38:42 | |
In today's main headline, | 0:38:45 | 0:38:46 | |
it's been a month since 19 passengers and one train driver were killed | 0:38:46 | 0:38:51 | |
in the Box Tunnel massacre. | 0:38:51 | 0:38:53 | |
The victims' families are calling on the Home Secretary to replace Alastair Lynch, | 0:38:53 | 0:38:57 | |
the Chief Constable of Avon and Somerset Police, | 0:38:57 | 0:39:00 | |
due to what they see as a lack of progress in the investigation. | 0:39:00 | 0:39:04 | |
-Jim Warren's here with the sport. Jim? -Thanks very much. | 0:39:04 | 0:39:07 | |
Our main story tonight is the much-anticipated clash | 0:39:07 | 0:39:11 | |
between the vampire John Mitchell and an as-yet-unnamed werewolf. | 0:39:11 | 0:39:15 | |
Regular viewers will know that this has been on the fixture list | 0:39:15 | 0:39:18 | |
since the prophecy was given to Mitchell by one of his victims | 0:39:18 | 0:39:22 | |
that he would be killed by a werewolf. | 0:39:22 | 0:39:24 | |
But in a surprise move, | 0:39:24 | 0:39:25 | |
Mitchell's camp recently cast doubt on the reliability of this prophecy. | 0:39:25 | 0:39:29 | |
They've dismissed it as mind games, | 0:39:29 | 0:39:32 | |
prompting this response from Team Werewolf. | 0:39:32 | 0:39:34 | |
"Mitchell won't be saying that when he gets his head ripped off. | 0:39:34 | 0:39:37 | |
"There's a wolf-shaped bullet with his name on it. Mitchell's gonna get got." | 0:39:37 | 0:39:42 | |
So, it just looks like this story refuses to stay dead. | 0:39:42 | 0:39:45 | |
Turning to rugby, | 0:39:45 | 0:39:47 | |
and following the sudden tragic death of scrum half Gethin Watson's girl... | 0:39:47 | 0:39:51 | |
-Well, that's sorted, then. -Yeah! | 0:40:05 | 0:40:08 | |
I'd file that under "job done". | 0:40:08 | 0:40:11 | |
He'll settle right in there. I mean, they do have a massive telly. | 0:40:12 | 0:40:16 | |
Oh, ginormous. | 0:40:16 | 0:40:19 | |
The whole house, it was furnished to the highest standards. | 0:40:19 | 0:40:21 | |
Yeah. It was so clean. | 0:40:21 | 0:40:24 | |
It was immaculate. | 0:40:24 | 0:40:25 | |
I mean, Richard and Emma themselves were slightly, what, eccentric perhaps? | 0:40:25 | 0:40:31 | |
Well, I'd go for "unreconstructed". | 0:40:31 | 0:40:33 | |
-Would you? -Yeah. | 0:40:33 | 0:40:35 | |
-Would you? -Mm. | 0:40:35 | 0:40:36 | |
And, well...kinky. | 0:40:36 | 0:40:40 | |
Filthy. Just arseholes. | 0:40:40 | 0:40:44 | |
A pair of complete and utter kinked-up...filthy racist arseholes. | 0:40:44 | 0:40:49 | |
We've just left a vulnerable young boy | 0:40:49 | 0:40:51 | |
with a pair of not only instinctive killers but heinous pervs. | 0:40:51 | 0:40:55 | |
You do realise I'm zipping my coat up and going back there? | 0:40:56 | 0:40:59 | |
Yeah, and I'm coming with you. | 0:40:59 | 0:41:01 | |
Mitchell? | 0:41:03 | 0:41:05 | |
DOOR CLOSES Yeah? | 0:41:05 | 0:41:07 | |
Mitchell? | 0:41:07 | 0:41:09 | |
Are you packing? | 0:41:10 | 0:41:12 | |
Unpacking, still. | 0:41:12 | 0:41:15 | |
-Oh, boys. -DOORS SLAM | 0:41:15 | 0:41:17 | |
-VEHICLE DRIVING OFF -Your phone rang. | 0:41:17 | 0:41:19 | |
Oh, thank you. | 0:41:19 | 0:41:21 | |
It's a withheld number. | 0:41:21 | 0:41:23 | |
Which usually means something official. | 0:41:23 | 0:41:26 | |
Like a job, say. | 0:41:26 | 0:41:29 | |
They've left a message. | 0:41:29 | 0:41:31 | |
-It won't be good news. -Oh, you don't know that. | 0:41:31 | 0:41:34 | |
-Put it on loudspeaker. -Uh... | 0:41:34 | 0:41:36 | |
Go on. Please, please, please! | 0:41:36 | 0:41:39 | |
-BEEP -'Hello, John. This is Nita Mawulawde.' | 0:41:39 | 0:41:43 | |
-That's how you say it. -Duh. | 0:41:43 | 0:41:45 | |
'I'm calling in regard to your interview this morning. | 0:41:45 | 0:41:49 | |
'I think we both know it didn't go as well as we'd have liked. | 0:41:49 | 0:41:52 | |
'But I've heard from your previous employer and she speaks of you in glowing terms. | 0:41:52 | 0:41:59 | |
'So, I've decided to offer you the job.' | 0:41:59 | 0:42:01 | |
Yes! Yes! Yes, yes, yes! | 0:42:01 | 0:42:04 | |
Bang! Yes! I got you the job! I got you the job! Oh, I got a job! Oh! | 0:42:04 | 0:42:09 | |
That is brilliant. | 0:42:09 | 0:42:11 | |
I'm going to take you for a walk on the seafront. | 0:42:11 | 0:42:14 | |
-Boy, do I know how to celebrate! -Yeah. | 0:42:14 | 0:42:16 | |
-We got a job. -Yeah. | 0:42:16 | 0:42:18 | |
-A job! Yes, yes, yes! Oh! -Get out of here, you. | 0:42:18 | 0:42:22 | |
You're dressed already. What a shame. | 0:42:48 | 0:42:51 | |
-I'm not sure about this. -Oh, that was Number Two's. | 0:42:51 | 0:42:55 | |
He was a smallish gentleman. That's why he only lasted such a short time. | 0:42:55 | 0:43:00 | |
But I think it's a close enough fit. | 0:43:00 | 0:43:02 | |
Yeah, well, I usually go for a more relaxed vibe. | 0:43:02 | 0:43:04 | |
Oh, but the great and the good are gathering. | 0:43:04 | 0:43:07 | |
You've spent too long with lesser species. | 0:43:07 | 0:43:09 | |
The trash out on the housing estates. | 0:43:09 | 0:43:12 | |
The dole scum, the layabouts. | 0:43:12 | 0:43:16 | |
Werewolves. | 0:43:16 | 0:43:18 | |
SHE TUTS | 0:43:18 | 0:43:19 | |
Come with me. | 0:43:19 | 0:43:21 | |
-No, I'm actually tired. I'm really... -Oh, hush now. | 0:43:21 | 0:43:24 | |
It's time for you to claim your heritage. | 0:43:24 | 0:43:26 | |
As a vampire and as a man. | 0:43:26 | 0:43:30 | |
Now, who do we have in here? | 0:43:30 | 0:43:33 | |
Everybody, this is our boy - | 0:43:37 | 0:43:40 | |
Adam. | 0:43:40 | 0:43:42 | |
These will be your kind of people now. | 0:43:43 | 0:43:46 | |
Melvyn, there, is a dentist. | 0:43:46 | 0:43:48 | |
Simon. | 0:43:48 | 0:43:49 | |
-And...oh. You're Sue? -WOMAN MOANS | 0:43:49 | 0:43:52 | |
Hi, Sue. They work in local government. | 0:43:52 | 0:43:55 | |
And, er...oh, Tina and Liam run a garden centre. | 0:43:55 | 0:43:59 | |
-There, see? Shall we go upstairs? -Please, yeah. | 0:43:59 | 0:44:03 | |
-GIGGLING AND MOANING -Mm-hm. This way. | 0:44:03 | 0:44:07 | |
Hello? | 0:44:14 | 0:44:16 | |
It sounds like a party. | 0:44:19 | 0:44:21 | |
Oh, well, maybe we should come back tomorrow. | 0:44:22 | 0:44:24 | |
I mean, throwing him a party's not exactly mistreatment. | 0:44:24 | 0:44:27 | |
Yeah, a vampire party. Who knows what that involves? | 0:44:27 | 0:44:30 | |
-Yeah, which takes me back to, "Maybe we should come back tomorrow." -No. | 0:44:30 | 0:44:34 | |
This way, my darling boy. | 0:44:34 | 0:44:36 | |
LAUGHTER AND CHATTER | 0:44:40 | 0:44:42 | |
Ah, here he is! | 0:44:42 | 0:44:44 | |
The man of the hour! CHEERING AND APPLAUSE | 0:44:44 | 0:44:48 | |
Whassup, innit? | 0:44:50 | 0:44:52 | |
Tonight, | 0:44:52 | 0:44:53 | |
our young boy Adam... | 0:44:53 | 0:44:55 | |
..shall become...a man! CHEERING | 0:44:56 | 0:45:00 | |
I trust you'll all show him... | 0:45:00 | 0:45:03 | |
well, us... | 0:45:03 | 0:45:04 | |
-CHEERING -..your encouragement! | 0:45:04 | 0:45:08 | |
And just to celebrate this... very special occasion, | 0:45:08 | 0:45:13 | |
I've decided to push the boat out. | 0:45:13 | 0:45:16 | |
Emma, my sweet? Of course. | 0:45:16 | 0:45:20 | |
RICHARD: Number Seven's time... | 0:45:20 | 0:45:23 | |
has finally arrived! CHEERING | 0:45:23 | 0:45:26 | |
WHISTLING Number... | 0:45:26 | 0:45:29 | |
Seven! | 0:45:29 | 0:45:31 | |
Adam, my boy, it is time... | 0:45:33 | 0:45:36 | |
to drink him dry. | 0:45:36 | 0:45:38 | |
SHE GIGGLES OTHERS: Yes. | 0:45:38 | 0:45:41 | |
-Adam? Adam? -POUNDING MUSIC | 0:45:45 | 0:45:48 | |
-Oh. -LAUGHTER IN ROOM | 0:45:51 | 0:45:54 | |
Baby, when we get home... | 0:45:55 | 0:45:58 | |
can you remind me to gouge out my brain with a spoon? | 0:45:58 | 0:46:01 | |
-What did you see? -Bodies. | 0:46:01 | 0:46:03 | |
-Many, many bodies. -What, alive? | 0:46:03 | 0:46:05 | |
Very. | 0:46:05 | 0:46:07 | |
VAMPIRES: Drink! Drink! Drink! Drink! Drink! Drink! | 0:46:07 | 0:46:10 | |
Drink! Drink! Drink! | 0:46:10 | 0:46:12 | |
-Drink! Drink! Drink! Drink! Drink! -Drain him dry, my precious boy. | 0:46:12 | 0:46:15 | |
-You'll need all your strength for me. -Drink! Drink! Drink! Drink! Drink! | 0:46:15 | 0:46:19 | |
-CROWD: Drink! Drink! Drink! -Is this really such a good idea? | 0:46:19 | 0:46:23 | |
There's only two of us against what sounds like... | 0:46:23 | 0:46:25 | |
-CROWD: Drink! Drink! Drink! -..well, shitloads. | 0:46:25 | 0:46:28 | |
-Drink! Drink! Drink! Drink! Drink! -Well, we'll just have to tool up, then. | 0:46:28 | 0:46:33 | |
Tool up? | 0:46:33 | 0:46:34 | |
CROWD: Drink! Drink! Drink! | 0:46:34 | 0:46:36 | |
-Drink! Drink! Drink! Drink! Drink! -OK. | 0:46:36 | 0:46:40 | |
-Drink! Drink! Drink! -Kill me, young Adam. | 0:46:40 | 0:46:42 | |
-Drink! Drink! Drink! Drink! -Drink me dry. | 0:46:42 | 0:46:44 | |
-Drink! Drink! Drink! Drink! -Who wants some of my plant? | 0:46:44 | 0:46:48 | |
-I don't believe you people were invited. -We've come to take Adam back. | 0:46:51 | 0:46:55 | |
How dare you barge in here, you ill-mannered trash? | 0:46:55 | 0:46:58 | |
You mongrels. | 0:46:58 | 0:47:01 | |
Bet you didn't even wipe your feet. | 0:47:01 | 0:47:03 | |
No, but we'll wipe them on the way out. | 0:47:03 | 0:47:06 | |
If I wasn't holding this, I would totally high-five you. | 0:47:06 | 0:47:09 | |
Oh, yeah, you come in here with your ridiculous blunt morality | 0:47:09 | 0:47:13 | |
and you understand nothing of his world, nothing of his needs. | 0:47:13 | 0:47:17 | |
I tell you what. | 0:47:19 | 0:47:21 | |
Let's leave it to Adam, eh? | 0:47:21 | 0:47:23 | |
So, Adam, what's it to be? | 0:47:25 | 0:47:29 | |
A life of comfort and privilege, | 0:47:29 | 0:47:32 | |
and all the pleasures that a young man could ever dream of... | 0:47:32 | 0:47:36 | |
..or hardship, | 0:47:37 | 0:47:39 | |
desperation and hunger? | 0:47:39 | 0:47:42 | |
I choose them. | 0:47:45 | 0:47:48 | |
Er...you may need to be a little bit more specific, Adam. | 0:47:49 | 0:47:53 | |
Oh, yeah. I mean you, George and Nina. I choose you. | 0:47:53 | 0:47:55 | |
-Ooh! -Yes. | 0:47:57 | 0:47:58 | |
What did you say? | 0:47:58 | 0:48:00 | |
Well, I don't want this. I mean, it's completely fucked up. Look. | 0:48:00 | 0:48:03 | |
Adam, for goodness' sake, | 0:48:03 | 0:48:04 | |
drink the man's blood and have sex with me on the billiard table. | 0:48:04 | 0:48:07 | |
-You are embarrassing us. -Look, get off me, you munter. | 0:48:07 | 0:48:09 | |
-Adam! -And up yours, you no-neck gaylord. Hm! | 0:48:09 | 0:48:12 | |
Don't you dare speak to your father like that. | 0:48:12 | 0:48:14 | |
Father? He's not my father. | 0:48:14 | 0:48:16 | |
Right. | 0:48:18 | 0:48:20 | |
I've had enough of this. | 0:48:20 | 0:48:22 | |
Oh. | 0:48:23 | 0:48:25 | |
Ah, these are not your people. These animals! | 0:48:25 | 0:48:30 | |
Yeah, tell it to someone who gives a shit. | 0:48:30 | 0:48:32 | |
-OK, I think we've made our point. -Come on, come on. | 0:48:32 | 0:48:36 | |
Oh, take him and his ingratitude. | 0:48:36 | 0:48:40 | |
But don't think that's an end to this. | 0:48:40 | 0:48:43 | |
You and your bitch will regret this. Mark my words. | 0:48:45 | 0:48:49 | |
-Right. -OK. | 0:48:49 | 0:48:52 | |
I need a drink. | 0:49:02 | 0:49:04 | |
Aargh! | 0:49:09 | 0:49:10 | |
Hm. | 0:49:19 | 0:49:20 | |
So we both got jobs today. | 0:49:22 | 0:49:24 | |
You in the hospital. And me...well, here. | 0:49:24 | 0:49:28 | |
-Hm? -Your guardian angel. | 0:49:28 | 0:49:30 | |
But, Annie, I didn't fetch you back here to do anything. | 0:49:30 | 0:49:34 | |
Just...just be here. | 0:49:34 | 0:49:37 | |
-Yeah, with you. -Yeah. And...and George and Nina. | 0:49:37 | 0:49:41 | |
-Yeah, but now that I am here... -We can look after ourselves. | 0:49:41 | 0:49:44 | |
Ha! You'd be lost without me. | 0:49:44 | 0:49:46 | |
And how would you be without us, huh? | 0:49:46 | 0:49:49 | |
You can't base your life on what you give to other people, cos, | 0:49:49 | 0:49:54 | |
well, we might not always be here. | 0:49:54 | 0:49:56 | |
Well, where would you go? | 0:49:56 | 0:49:58 | |
I mean, you wouldn't... you wouldn't go to that foul place and get me back | 0:49:59 | 0:50:05 | |
and then just, like, abandon me? | 0:50:05 | 0:50:08 | |
-Well, things change. -In a day? | 0:50:09 | 0:50:12 | |
Sometimes. | 0:50:12 | 0:50:14 | |
-But I'm your guardian angel. -Oh, stop it, Annie. | 0:50:15 | 0:50:19 | |
Stop defining yourself by what you do for other people. | 0:50:19 | 0:50:21 | |
-Get a... -A life?! | 0:50:21 | 0:50:24 | |
HE SIGHS | 0:50:24 | 0:50:26 | |
It's a bit late for that. | 0:50:26 | 0:50:28 | |
Um...what do you think I came back for... | 0:50:32 | 0:50:35 | |
..to a world where I can't be seen | 0:50:37 | 0:50:40 | |
or heard | 0:50:40 | 0:50:43 | |
or touched? | 0:50:43 | 0:50:45 | |
All I've got is you. | 0:50:45 | 0:50:47 | |
And Nina and George. | 0:50:47 | 0:50:49 | |
You are my life. You...you give me life. | 0:50:52 | 0:50:54 | |
You saw that place. | 0:50:56 | 0:50:57 | |
And I'm telling you that if I had to drift through this world... | 0:50:57 | 0:51:01 | |
..without you... | 0:51:02 | 0:51:04 | |
..with no-one knowing I'm even here, | 0:51:05 | 0:51:08 | |
then... | 0:51:08 | 0:51:10 | |
then I might as well be back there. | 0:51:10 | 0:51:13 | |
We'll pass you off as my brother for now. In a couple of years, | 0:51:24 | 0:51:27 | |
we'll...move on. Go north, away from awkward questions. | 0:51:27 | 0:51:31 | |
And I guess, eventually, you become our son. | 0:51:31 | 0:51:36 | |
Cool, I agree. It's still work. | 0:51:36 | 0:51:38 | |
What's he doing back here? | 0:51:38 | 0:51:40 | |
You know how to make someone feel welcome(!) | 0:51:40 | 0:51:42 | |
Look, you didn't see how those people live, Mitchell. It was grubby, desperate. | 0:51:42 | 0:51:47 | |
We couldn't leave him there. | 0:51:47 | 0:51:50 | |
No, course you couldn't. | 0:51:51 | 0:51:53 | |
Meaning? | 0:51:53 | 0:51:55 | |
HE SIGHS It's not who you are. | 0:51:55 | 0:51:58 | |
If someone needs help, you give it. | 0:51:58 | 0:52:00 | |
I can't let you do this. | 0:52:01 | 0:52:02 | |
I watched my mum and dad waste their whole lives on looking after me. | 0:52:04 | 0:52:08 | |
-I can't put anyone else through that. -Look, Adam, | 0:52:08 | 0:52:11 | |
I understand what you're saying. I do. | 0:52:11 | 0:52:13 | |
But if we let you walk out of here, we're putting people's lives at risk. | 0:52:13 | 0:52:17 | |
Maybe. Or maybe I'm better than you think. | 0:52:17 | 0:52:20 | |
Yeah. Maybe you are. | 0:52:20 | 0:52:24 | |
You know, if I'm never let loose, I'll never find out. | 0:52:24 | 0:52:27 | |
Oh. | 0:52:27 | 0:52:30 | |
Can't believe I'm doing this. | 0:52:33 | 0:52:35 | |
Here. | 0:52:37 | 0:52:39 | |
Don't ask me where I got it. | 0:52:40 | 0:52:43 | |
Let's just say vampires look after their own, huh? | 0:52:43 | 0:52:46 | |
Thank you, Mitchell. | 0:52:46 | 0:52:49 | |
I mean, the craving will come back, though, so how do I fight it? | 0:52:50 | 0:52:53 | |
You surround yourself with good people. That's what you do. | 0:52:58 | 0:53:04 | |
You find someone better than you. | 0:53:04 | 0:53:06 | |
Because then when you fail, you have to deal with their disappointment. | 0:53:09 | 0:53:14 | |
And that's what keeps you true. | 0:53:14 | 0:53:16 | |
So, where to first? | 0:53:26 | 0:53:29 | |
I don't know. I'll grab the first train out of here and see where it takes me. | 0:53:29 | 0:53:34 | |
-Stay in touch, yeah? -You SO want me. | 0:53:34 | 0:53:37 | |
SHE LAUGHS | 0:53:37 | 0:53:40 | |
Good luck, mate. | 0:53:41 | 0:53:42 | |
George, one more thing. | 0:53:42 | 0:53:45 | |
You're such a sad-arse. | 0:53:46 | 0:53:48 | |
See you. | 0:53:52 | 0:53:54 | |
Right. | 0:53:56 | 0:53:58 | |
Hm. | 0:54:00 | 0:54:02 | |
-Hey, fancy seeing you here. -All right? | 0:54:14 | 0:54:18 | |
-You all right? -Yeah, all right, yeah. | 0:54:18 | 0:54:19 | |
Yeah? Where you going? I'll come with. I can't be arsed with school. | 0:54:19 | 0:54:22 | |
No, you...you don't want to do that. | 0:54:22 | 0:54:25 | |
Yeah, I do. And now your bitch isn't here to stop us. | 0:54:25 | 0:54:29 | |
George. | 0:54:29 | 0:54:31 | |
No, this isn't what I want. You're not what I need. | 0:54:41 | 0:54:44 | |
Mate, are you real? | 0:54:45 | 0:54:48 | |
Shut up. | 0:54:48 | 0:54:50 | |
-I think he's going to be OK. -Yeah. | 0:54:54 | 0:54:57 | |
I think we all are. | 0:54:58 | 0:55:00 | |
Mwah. | 0:55:05 | 0:55:07 | |
-What have we got? -A drunk dead one. | 0:55:24 | 0:55:27 | |
I'm Sasha. Like the Beyonce album. | 0:55:27 | 0:55:31 | |
How can she not know she's dead? | 0:55:31 | 0:55:33 | |
-What did they do? -I think they were testing them. | 0:55:33 | 0:55:36 | |
-Name's Graham. -I am a little bit of a fanboy. | 0:55:36 | 0:55:39 | |
Email [email protected] | 0:56:05 | 0:56:07 |