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-This is not me accepting. -Take him. -You and your bitch will regret this. | 0:00:02 | 0:00:05 | |
Mark my words. | 0:00:05 | 0:00:07 | |
I didn't fetch you back here to do anything. Just...just be here. | 0:00:07 | 0:00:11 | |
All I've got is you. | 0:00:11 | 0:00:13 | |
When we transformed, did... | 0:00:13 | 0:00:15 | |
did we...? | 0:00:15 | 0:00:18 | |
THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE | 0:00:18 | 0:00:21 | |
& SCENES WHICH SOME VIEWERS MAY FIND UPSETTING | 0:00:21 | 0:00:25 | |
INDISTINCT SPEECH | 0:00:25 | 0:00:29 | |
Blood pressure dropping. | 0:00:29 | 0:00:31 | |
FLATLINE TONE | 0:00:34 | 0:00:36 | |
LOW GROWL | 0:01:07 | 0:01:09 | |
What the bloody hell do you think you're doing?! | 0:01:30 | 0:01:32 | |
Aaah! | 0:01:32 | 0:01:34 | |
HE SIGHS AND GRUNTS | 0:01:40 | 0:01:43 | |
DOOR OPENS | 0:01:52 | 0:01:54 | |
FOOTSTEPS George. | 0:01:54 | 0:01:56 | |
-Mm-hm? -Where's Annie? | 0:01:56 | 0:01:58 | |
Mm...er...probably off on one of her midnight rambles. | 0:01:58 | 0:02:02 | |
She doesn't need sleep, unlike some of us. | 0:02:02 | 0:02:04 | |
-Can I have a word? -But...oh. | 0:02:04 | 0:02:06 | |
Can't it wait until the morning, or at least until after I've peed? | 0:02:06 | 0:02:10 | |
Oh, yeah, yeah, yeah. After you pee. | 0:02:10 | 0:02:13 | |
I can't go now. | 0:02:16 | 0:02:18 | |
MUSIC PLAYS AND CHATTER | 0:02:18 | 0:02:21 | |
SHE COUGHS | 0:02:21 | 0:02:23 | |
NEARBY LAUGHTER | 0:02:24 | 0:02:27 | |
-< -I want a go. | 0:02:29 | 0:02:30 | |
HE SIGHS | 0:02:30 | 0:02:32 | |
I think Annie might fancy me. | 0:02:32 | 0:02:34 | |
-HE SIGHS -Finally. | 0:02:34 | 0:02:37 | |
You knew? | 0:02:37 | 0:02:39 | |
Oh, Mitchell, Annie is many things but subtle she is not. | 0:02:39 | 0:02:43 | |
You've rescued her from hell. | 0:02:43 | 0:02:45 | |
That kind of thing tends to turn a girl's head. | 0:02:45 | 0:02:48 | |
How long have you known? | 0:02:48 | 0:02:50 | |
I don't know. A couple of weeks. Pretty much since she came back. | 0:02:50 | 0:02:53 | |
And, for future reference, no-one says "fancy" any more. | 0:02:53 | 0:02:55 | |
-And you didn't think to tell me? -Um...no, because I'm not 12. | 0:02:55 | 0:03:00 | |
Did you...did you seriously not pick up on any of this? | 0:03:00 | 0:03:03 | |
-That whole guardian angel business. -OK, so she hasn't actually told you. | 0:03:03 | 0:03:09 | |
Oh, wow. We are 12, aren't we? | 0:03:09 | 0:03:12 | |
No, she hasn't told me she "fancies" you. | 0:03:12 | 0:03:16 | |
She doesn't need to. Her body language is deafening. | 0:03:16 | 0:03:19 | |
Jesus. What a mess. | 0:03:19 | 0:03:22 | |
-MUSIC PLAYS -Get off me! | 0:03:22 | 0:03:24 | |
Oh, yeah, you're the big man, aren't you? Hitting, pushing a woman! | 0:03:24 | 0:03:29 | |
Arsehole! Yeah, and I wasn't stealing, by the way! | 0:03:29 | 0:03:33 | |
Those drinks were dead! Clear off, love. | 0:03:33 | 0:03:36 | |
Oh, why don't you take a picture, you nosy bitch? | 0:03:38 | 0:03:40 | |
-You can see me? -What? | 0:03:40 | 0:03:43 | |
Ah! You think you're better than me, do you? | 0:03:43 | 0:03:46 | |
Little Miss Sodding High-And-Mighty, is it? | 0:03:46 | 0:03:49 | |
-Is it? Come on, then! -No, not today, thank you. | 0:03:49 | 0:03:52 | |
But who knows? You... you two could be good for each other. | 0:03:52 | 0:03:58 | |
-She could be good for me. But... -And you'll be good to her. | 0:03:58 | 0:04:02 | |
Of course. I'd never... | 0:04:02 | 0:04:05 | |
If you're thinking about doing this, don't go into it lightly. | 0:04:05 | 0:04:08 | |
This is no little thing. This is Annie we're talking about. | 0:04:08 | 0:04:12 | |
George. | 0:04:12 | 0:04:13 | |
You've got to know I would never hurt her. | 0:04:13 | 0:04:15 | |
-HE CHUCKLES -Yeah, I know. | 0:04:15 | 0:04:17 | |
Sure, I was just... | 0:04:17 | 0:04:20 | |
So, are you... are you gonna ask her out? | 0:04:20 | 0:04:23 | |
This could be so cool! | 0:04:23 | 0:04:25 | |
I don't know. I mean, how would it even work? | 0:04:25 | 0:04:27 | |
-With a ghost? -What do you mean? | 0:04:27 | 0:04:30 | |
Er... | 0:04:30 | 0:04:31 | |
Guys, I'm in trouble. There's a dead woman after me. | 0:04:31 | 0:04:35 | |
What...what happened? Are you OK? | 0:04:36 | 0:04:40 | |
I was walking past this club on Westland Street. | 0:04:40 | 0:04:42 | |
You know, that... that down-market version of Ritzy's. | 0:04:42 | 0:04:45 | |
Yeah, I know, like that's really possible. | 0:04:45 | 0:04:48 | |
Anyway, this dead woman got thrown out of the club, but... but she could see me. | 0:04:48 | 0:04:53 | |
-BANGING ON DOOR -And she followed me home! | 0:04:57 | 0:04:59 | |
Why didn't you just "Rentaghost" home? | 0:04:59 | 0:05:01 | |
That would be...that would be because... | 0:05:01 | 0:05:03 | |
-BANGING ON DOOR -I was under a lot of pressure, OK? | 0:05:03 | 0:05:07 | |
-BANGING ON DOOR -I just got up for a pee. | 0:05:07 | 0:05:10 | |
-Slag! -DOG BARKS IN DISTANCE | 0:05:10 | 0:05:13 | |
I know you're in there! Snobby cow! | 0:05:13 | 0:05:16 | |
SHE SNARLS | 0:05:16 | 0:05:18 | |
-All right, come on, then! -What have we got? | 0:05:18 | 0:05:20 | |
-Get out here and show yourself! -A drunk dead woman, shouting. | 0:05:20 | 0:05:23 | |
You! I know you're bloody in there! | 0:05:23 | 0:05:25 | |
-That's not a ghost. I can smell her. -Come on! | 0:05:25 | 0:05:28 | |
-You think you're so bloody... -What, from here? | 0:05:28 | 0:05:30 | |
GIRL SHOUTS | 0:05:30 | 0:05:32 | |
Oh, yeah, even without the whole wolf thing. | 0:05:32 | 0:05:35 | |
Well, of course you can smell her. She's got a body. | 0:05:35 | 0:05:39 | |
I'm sure I mentioned that. | 0:05:39 | 0:05:42 | |
-So, she's dead but she's got a body? -Which is rotting. | 0:05:42 | 0:05:47 | |
-This is not good. -That's why I'm so scared! | 0:05:47 | 0:05:49 | |
If she was just dead dead, no problem. But that is just weird! | 0:05:49 | 0:05:54 | |
No, hold on. Hold on a second here. | 0:05:54 | 0:05:57 | |
I...I think she's gone. | 0:05:57 | 0:06:00 | |
FLOORBOARDS CREAK | 0:06:02 | 0:06:04 | |
SHE SCREAMS | 0:06:21 | 0:06:23 | |
Oh! I thought we were supposed to be the scary ones. | 0:06:23 | 0:06:26 | |
Go and check the window. | 0:06:26 | 0:06:28 | |
Go! | 0:06:29 | 0:06:31 | |
Go on. | 0:06:32 | 0:06:34 | |
She's mental! Of course she is. | 0:06:46 | 0:06:49 | |
There's a car slowing down. I think people can see her! | 0:06:49 | 0:06:52 | |
Well, of course they can see her! She's got a body! | 0:06:52 | 0:06:55 | |
-We've got to let her in. BOTH: -What? | 0:06:55 | 0:06:57 | |
We have a shouting pissed corpse on our doorstep. | 0:06:57 | 0:07:00 | |
Right, and you want a shouting pissed corpse inside? | 0:07:00 | 0:07:03 | |
She's gonna draw attention to the house, Annie, to us. | 0:07:03 | 0:07:06 | |
-What if somebody calls the police, huh? -Oh...! | 0:07:06 | 0:07:10 | |
Come on! | 0:07:10 | 0:07:11 | |
Well, she...she's stopped shouting. | 0:07:14 | 0:07:17 | |
What's she doing now? GIRL SOBS | 0:07:19 | 0:07:21 | |
Crying, I think. | 0:07:21 | 0:07:24 | |
And then just sitting. | 0:07:24 | 0:07:26 | |
-But she's still quite loud. -She stinks. | 0:07:26 | 0:07:29 | |
SHE SOBS | 0:07:29 | 0:07:33 | |
Um...um... | 0:07:37 | 0:07:39 | |
Would...would you like some tea? | 0:07:40 | 0:07:43 | |
Huh? | 0:07:45 | 0:07:46 | |
DOOR SHUTS SHE SNIFFS | 0:07:46 | 0:07:49 | |
SHE SNIFFS Oh! | 0:07:51 | 0:07:53 | |
SHE SNIFFS Oh! | 0:07:55 | 0:07:57 | |
-Straighteners! -Oh, God. | 0:07:58 | 0:08:01 | |
-Straighteners! -What...? | 0:08:01 | 0:08:04 | |
What...what can we get for you? | 0:08:04 | 0:08:07 | |
Straighteners! | 0:08:07 | 0:08:09 | |
-Straighteners? -Yeah. | 0:08:09 | 0:08:11 | |
Oh, good. Great. | 0:08:11 | 0:08:13 | |
-Because that will solve everything. -Mm-hm. | 0:08:13 | 0:08:15 | |
Nina... um... can I borrow your straighteners? | 0:08:15 | 0:08:20 | |
Yeah, sure, course. | 0:08:20 | 0:08:21 | |
THEY GIGGLE | 0:08:21 | 0:08:24 | |
Er...George? | 0:08:24 | 0:08:26 | |
A dead woman with a body followed Annie home. | 0:08:26 | 0:08:31 | |
Of course. | 0:08:31 | 0:08:32 | |
-Here. -You do it, babe. | 0:08:32 | 0:08:35 | |
-So, um...what do we call you? -Anything you like, sweetheart. | 0:08:35 | 0:08:40 | |
-Ow! -Oh, sorry! Look, you got caught there. | 0:08:40 | 0:08:43 | |
-Caught a little bit of your hair. Sorry. -Don't worry, babe. | 0:08:43 | 0:08:46 | |
I can tell you're not used to a beauty regime. | 0:08:46 | 0:08:48 | |
Well, um...I'm Mitchell. | 0:08:48 | 0:08:51 | |
-Oh, hi, Mitchell. I'm Sasha. -HER BONES CRUNCH | 0:08:51 | 0:08:54 | |
Like the Beyonce album. | 0:08:54 | 0:08:56 | |
CRUNCHING AND SQUELCHING SASHA GIGGLES | 0:08:56 | 0:09:00 | |
I'm Nina. | 0:09:00 | 0:09:01 | |
Oh, my gran was called Nina. | 0:09:01 | 0:09:04 | |
-Oh. -Oh! Aren't you short? | 0:09:04 | 0:09:07 | |
Um...that's a... that's a beautiful dress, Sasha. | 0:09:07 | 0:09:10 | |
What a wonderful cut. Have you, have you been to a hospital recently? | 0:09:10 | 0:09:14 | |
OK. Confession time. | 0:09:14 | 0:09:17 | |
I was involved in a car accident. But, you know, it wasn't my fault. | 0:09:17 | 0:09:21 | |
I was texting while I was driving, but that's not making a phone call. | 0:09:21 | 0:09:25 | |
In my Beemer, Prussian blue, heated seats, all the extras. | 0:09:25 | 0:09:30 | |
I love my little extras. | 0:09:30 | 0:09:32 | |
SASHA GIGGLES | 0:09:35 | 0:09:37 | |
So, you died, did you? | 0:09:37 | 0:09:39 | |
-SQUELCHY CRUNCH -Well, no. Obviously I didn't. | 0:09:39 | 0:09:43 | |
Yeah, but apparently it was touch and go. | 0:09:43 | 0:09:47 | |
Oh, and let me tell you, the doctors were very interested in me. | 0:09:47 | 0:09:51 | |
Wouldn't leave me alone. Kept on prodding and poking me. | 0:09:51 | 0:09:54 | |
And I said, "You'd better warm that up before you put it near me." | 0:09:54 | 0:09:59 | |
SHE LAUGHS | 0:09:59 | 0:10:02 | |
Ooh. I know, what is that smell? | 0:10:02 | 0:10:05 | |
-I think someone's in denial. -How can she not know she's dead? | 0:10:05 | 0:10:09 | |
It solves one mystery, anyway. | 0:10:09 | 0:10:11 | |
The mortuary suddenly being off limits. | 0:10:11 | 0:10:14 | |
No, that was a chemical leak. Or they were hiding a zombie. | 0:10:14 | 0:10:17 | |
Oh, Christ. Are we really gonna call her that? | 0:10:17 | 0:10:19 | |
Well, dead body moving about? | 0:10:19 | 0:10:22 | |
Can I just take a little step back to point out how insane this is? | 0:10:22 | 0:10:26 | |
-Mitchell, what the hell is she? -How should I know? | 0:10:26 | 0:10:29 | |
At least she's not attacking us. Don't they usually attack people? | 0:10:29 | 0:10:33 | |
No, they don't usually do anything, because they don't usually exist. | 0:10:33 | 0:10:37 | |
What about eating brains? | 0:10:37 | 0:10:39 | |
I don't know the rules. I know that she can be seen and she's rotten. | 0:10:39 | 0:10:44 | |
Mm-hm, I can vouch for that. | 0:10:44 | 0:10:47 | |
Do you think she'll continue rotting until she's, you know, soupy? | 0:10:47 | 0:10:53 | |
Oh! We should take her back. Whatever she is, she's not our problem. | 0:10:53 | 0:10:57 | |
She's the hospital's problem. | 0:10:57 | 0:10:58 | |
-Oh, I hate to say it, but I agree. -Really? | 0:10:58 | 0:11:03 | |
Well, medically, we can't do anything for her here. | 0:11:03 | 0:11:06 | |
If anyone can help her, they're at the hospital. | 0:11:06 | 0:11:09 | |
OK, so we're all agreed. | 0:11:09 | 0:11:11 | |
Yeah, all of us but Annie. | 0:11:11 | 0:11:14 | |
Sorry about all that earlier, calling you a bitch and that. | 0:11:14 | 0:11:17 | |
It was out of order. | 0:11:17 | 0:11:18 | |
Oh, no, don't worry about it. | 0:11:18 | 0:11:20 | |
I was a bit pissed. | 0:11:20 | 0:11:21 | |
I wanted to get a bit of Dutch courage before I went home. | 0:11:21 | 0:11:24 | |
-Home? -Yeah, yeah. | 0:11:24 | 0:11:26 | |
I thought, you know, bit of a drink, put on a bit of slap | 0:11:26 | 0:11:29 | |
and then go and see my fella, Gethin. | 0:11:29 | 0:11:31 | |
He's a scrum half for the Cardiff Blues, you know. | 0:11:31 | 0:11:34 | |
Ah, that's nice. | 0:11:34 | 0:11:36 | |
SQUELCHING | 0:11:38 | 0:11:41 | |
Anyway, um...you got a mirror? | 0:11:44 | 0:11:46 | |
Um...I don't actually think we do, no. | 0:11:46 | 0:11:51 | |
-I don't... -I don't think your friends like me much. | 0:11:51 | 0:11:55 | |
What? No! Don't be...don't be so silly. | 0:11:55 | 0:11:58 | |
-They're just like that. -Oh, it's all right. | 0:11:58 | 0:12:00 | |
Happens all the time, you know. | 0:12:00 | 0:12:02 | |
Guys get awkward, start showing off, and the girls get jealous. | 0:12:02 | 0:12:05 | |
I get it a lot. | 0:12:05 | 0:12:06 | |
So, um...what's Mitchell's story? Is he single? | 0:12:08 | 0:12:13 | |
No. No, he's my boyfriend. | 0:12:13 | 0:12:16 | |
-Really? -Yep. | 0:12:16 | 0:12:19 | |
-Really. -Wow! | 0:12:19 | 0:12:21 | |
You did well there, didn't you? | 0:12:21 | 0:12:23 | |
-Didn't I? -Annie? Do you want to... | 0:12:23 | 0:12:25 | |
Please, yes. Good. ..and I'll take over for, um... | 0:12:25 | 0:12:29 | |
She has got to go. | 0:12:31 | 0:12:34 | |
Wow! That was easy. | 0:12:34 | 0:12:36 | |
Yeah, we thought we'd have to persuade you. | 0:12:36 | 0:12:39 | |
What with you both being dead and all. | 0:12:39 | 0:12:42 | |
She may well be dead, | 0:12:42 | 0:12:43 | |
but that is pretty much all I have in common with that... | 0:12:43 | 0:12:47 | |
that...chavalanche. | 0:12:47 | 0:12:51 | |
Great. That's settled. I'll leave it all in your capable hands. | 0:12:51 | 0:12:55 | |
-I'm going back to bed. -Whoa, whoa. What? | 0:12:55 | 0:12:57 | |
Annie's invisible to normals. You can't be seen on CCTV. | 0:12:57 | 0:13:01 | |
I think you can manage sneaking one zombie back into a hospital. | 0:13:01 | 0:13:04 | |
Now, I am taking my lady friend back to bed. | 0:13:04 | 0:13:07 | |
Good night. | 0:13:08 | 0:13:10 | |
-What? -Aw. | 0:13:11 | 0:13:15 | |
Good night. Night. | 0:13:15 | 0:13:17 | |
SHE GIGGLES | 0:13:21 | 0:13:23 | |
-Ooh. -What's that? | 0:13:29 | 0:13:31 | |
That's the tag from her toe. It was stuck to her shoe. | 0:13:31 | 0:13:34 | |
Oh. | 0:13:34 | 0:13:36 | |
SHE HUMS A TUNE | 0:13:36 | 0:13:38 | |
So, um...how are we gonna convince her to go back to the hospital? | 0:13:38 | 0:13:42 | |
We're not. | 0:13:42 | 0:13:44 | |
-Not yet. -What? Why? | 0:13:44 | 0:13:47 | |
Check out the time and date of death. | 0:13:47 | 0:13:50 | |
Let's pay a visit to the morgue. | 0:13:52 | 0:13:55 | |
-HE URINATES -Oh. | 0:13:55 | 0:13:57 | |
Oh. | 0:13:57 | 0:13:59 | |
Oh. | 0:14:00 | 0:14:02 | |
HE STOPS URINATING | 0:14:08 | 0:14:09 | |
TOILET FLUSHES | 0:14:12 | 0:14:14 | |
DOOR OPENS | 0:14:23 | 0:14:25 | |
Nina. Nina? | 0:14:26 | 0:14:28 | |
Mm-hm? | 0:14:28 | 0:14:30 | |
Is this yours? | 0:14:30 | 0:14:33 | |
I thought, it can't be Mitchell's because he's a man, | 0:14:33 | 0:14:35 | |
nor Annie's cos she's dead, it can't be Nina's cos she's on the pill. | 0:14:35 | 0:14:39 | |
You're on the pill. | 0:14:39 | 0:14:40 | |
Why would you be needing a pregnancy test? Are you late? | 0:14:40 | 0:14:43 | |
-When were you thinking about telling me? -Look... | 0:14:43 | 0:14:45 | |
-I was looking for the right moment. -OK, I'm not busy now. Are you busy? | 0:14:47 | 0:14:51 | |
Fine. I'm pregnant. | 0:14:51 | 0:14:52 | |
-Oh, my God. But you're on the pill. -Yes. I am. | 0:14:55 | 0:14:57 | |
But we had sex when we weren't exactly ourselves | 0:14:57 | 0:15:00 | |
and apparently, the pill wasn't designed with werewolves in mind. | 0:15:00 | 0:15:03 | |
But you know these tests can be wrong. | 0:15:03 | 0:15:06 | |
Look... Oh, I've done three tests. I'm pregnant, George. | 0:15:06 | 0:15:11 | |
It's happening. | 0:15:11 | 0:15:14 | |
Or rather, it's not. I can't... I can't... | 0:15:14 | 0:15:17 | |
I can't let this go any further. | 0:15:17 | 0:15:19 | |
Um...I'm sorry. | 0:15:19 | 0:15:21 | |
OK, so, um...let me get this straight. | 0:15:22 | 0:15:25 | |
If I hadn't have found this, | 0:15:25 | 0:15:27 | |
-would you have just had an abortion without telling me? -No. | 0:15:27 | 0:15:32 | |
-I was planning... -God. You were just going to do it. | 0:15:32 | 0:15:35 | |
-No discussion, no nothing. -Don't you dare judge me. | 0:15:35 | 0:15:39 | |
This isn't some... some teenage mistake, George. | 0:15:39 | 0:15:43 | |
This is a child of...monsters. | 0:15:43 | 0:15:46 | |
I mean, who even knows what it could be? | 0:15:46 | 0:15:48 | |
Just the idea is terrifying. | 0:15:48 | 0:15:51 | |
It could be fine. | 0:15:51 | 0:15:53 | |
We're both fine! Most of the time. | 0:15:53 | 0:15:57 | |
-It's my body, George. -Yeah, well, part of it isn't. | 0:15:57 | 0:16:00 | |
-Excuse me? -There is part of me in there. | 0:16:00 | 0:16:03 | |
As the father, I have as much right | 0:16:03 | 0:16:05 | |
as you to decide what happens to our child. | 0:16:05 | 0:16:07 | |
HE HUFFS | 0:16:15 | 0:16:18 | |
I only got up for a pee! | 0:16:19 | 0:16:21 | |
DOOR HANDLE RATTLES | 0:16:31 | 0:16:32 | |
Is that blood? | 0:16:50 | 0:16:52 | |
Oh, that can't be good. | 0:16:54 | 0:16:55 | |
-SHE PANTS: -I'm already dead. I'm already dead. I'm already dead. | 0:17:14 | 0:17:17 | |
'I'm already dead.' | 0:17:17 | 0:17:19 | |
-What's that? -Where? | 0:17:30 | 0:17:33 | |
There. | 0:17:33 | 0:17:35 | |
Hey. | 0:17:41 | 0:17:43 | |
Bingo. | 0:17:44 | 0:17:45 | |
I don't think it was just Sasha. | 0:18:00 | 0:18:03 | |
I've got four subject sheets here. | 0:18:03 | 0:18:06 | |
All came back to life all at the same time. | 0:18:07 | 0:18:10 | |
I think they were testing them, trying to find out what they were. | 0:18:10 | 0:18:15 | |
How they worked. If it could spread. | 0:18:15 | 0:18:18 | |
SCREAMS ON CAMCORDER | 0:18:18 | 0:18:19 | |
I think they were scared. | 0:18:19 | 0:18:21 | |
'SCREAMS' | 0:18:21 | 0:18:23 | |
I know the feeling. | 0:18:23 | 0:18:25 | |
Does it say anything about anaesthetic in there? | 0:18:28 | 0:18:31 | |
Yeah. | 0:18:31 | 0:18:33 | |
Um...anaesthetic ineffective. | 0:18:33 | 0:18:36 | |
-How did you know? -They did it anyway. | 0:18:36 | 0:18:39 | |
SCREAMS ON VIDEO CAMERA | 0:18:39 | 0:18:42 | |
What did they do... | 0:18:45 | 0:18:47 | |
with them afterwards? | 0:18:47 | 0:18:50 | |
Incinerated them... | 0:18:50 | 0:18:52 | |
as a biohazard. | 0:18:52 | 0:18:54 | |
Were they still alive when they burned them? | 0:18:55 | 0:18:59 | |
I don't know. | 0:19:01 | 0:19:02 | |
Well, doesn't matter anyway, does it? | 0:19:03 | 0:19:07 | |
Because they weren't really alive, were they? | 0:19:07 | 0:19:10 | |
And the dead don't feel real pain. | 0:19:10 | 0:19:12 | |
HE SIGHS | 0:19:19 | 0:19:21 | |
SASHA RASPS | 0:19:24 | 0:19:26 | |
SHE WHEEZES | 0:19:28 | 0:19:31 | |
SIREN IN DISTANCE | 0:19:55 | 0:19:58 | |
Funny, somehow I thought you'd be taller, | 0:20:03 | 0:20:05 | |
you know, close up, like. | 0:20:05 | 0:20:06 | |
I'm sorry, do I know you? | 0:20:06 | 0:20:09 | |
Oh, no. No, no, no. No. God, no. | 0:20:09 | 0:20:13 | |
No, it's just that, um... | 0:20:13 | 0:20:16 | |
well, um... it's just that I'm like you, you know. | 0:20:16 | 0:20:19 | |
OK, all right, easy, easy. | 0:20:21 | 0:20:23 | |
-So, you're a vampire? -Yeah, yeah, I am a brother of the blood. | 0:20:24 | 0:20:28 | |
Name's Graham. Well, Graham was my mortal name. | 0:20:29 | 0:20:32 | |
But when I was reborn to the night, I took the name of Siddion. | 0:20:32 | 0:20:35 | |
Graham's fine. | 0:20:37 | 0:20:38 | |
Siddion, I don't know what I was thinking. It's a shit name. | 0:20:38 | 0:20:42 | |
Yeah, um...all right, Graham. | 0:20:42 | 0:20:45 | |
Um...I'm kind of busy right now so can I help you with anything? | 0:20:45 | 0:20:50 | |
Oh, God, I feel a little bit embarrassed now, | 0:20:50 | 0:20:53 | |
but I am a little bit of a fanboy. | 0:20:53 | 0:20:55 | |
-Or I could say fang boy. -Yeah, yeah, yeah, I get it. | 0:20:55 | 0:20:59 | |
And I was a massive Neil Diamond fan. | 0:20:59 | 0:21:01 | |
Do you know Neil Diamond? | 0:21:01 | 0:21:03 | |
No, doesn't matter. But, um... that kind of gave me the idea. | 0:21:03 | 0:21:06 | |
So, now I'm on a sort of pilgrimage, you know, like a star tour, | 0:21:06 | 0:21:09 | |
and I'm visiting all the legends in our little world, so naturally... | 0:21:09 | 0:21:13 | |
-You came to see me. -Oh, my God. | 0:21:13 | 0:21:15 | |
You are up there with the greats. | 0:21:15 | 0:21:17 | |
What you did in Bristol, it was just... | 0:21:17 | 0:21:20 | |
-Remind me again. -No, wait. You don't need to be modest. | 0:21:22 | 0:21:26 | |
You got a whole chapter of vampires to renounce blood. Amazing. | 0:21:26 | 0:21:31 | |
Are those boots Paul Smith? | 0:21:31 | 0:21:32 | |
-Excuse me? -Just wondering where you got your boots. | 0:21:35 | 0:21:38 | |
Yeah, listen, um...Graham, I have stuff that I really need to do, so... | 0:21:40 | 0:21:45 | |
Oh, God, yeah. No, of course. Of course. | 0:21:45 | 0:21:47 | |
Well, it has been such a privilege to meet you, Mitchell. | 0:21:47 | 0:21:51 | |
And, um...maybe I could catch you again some time? | 0:21:51 | 0:21:56 | |
Yeah. Yeah, yeah, yeah, maybe. Maybe some time. | 0:21:57 | 0:22:00 | |
-SOFTLY: -Brilliant. | 0:22:05 | 0:22:06 | |
-CLUNK -Yaaah! | 0:22:14 | 0:22:17 | |
SHE GROANS | 0:22:20 | 0:22:22 | |
Oh. | 0:22:25 | 0:22:26 | |
Hungover? | 0:22:26 | 0:22:28 | |
-Yeah, yeah, just a bit. -BONES CRUNCH | 0:22:28 | 0:22:30 | |
Er...where did you two disappear to last night? | 0:22:30 | 0:22:33 | |
Oh, to the hospital. | 0:22:33 | 0:22:34 | |
We went to find out what happened to you. | 0:22:34 | 0:22:37 | |
We know about the others and we know about the experiments. | 0:22:40 | 0:22:44 | |
I don't know what you're talking about. | 0:22:44 | 0:22:46 | |
I think someone else has been drinking. | 0:22:46 | 0:22:48 | |
Oh, look, it's OK. | 0:22:48 | 0:22:51 | |
You're not alone. | 0:22:51 | 0:22:53 | |
We're all a bit... different in this house. | 0:22:53 | 0:22:57 | |
-How do you mean? -OK. | 0:22:57 | 0:23:00 | |
Well... | 0:23:00 | 0:23:02 | |
I'm a ghost, | 0:23:02 | 0:23:04 | |
Mitchell's a vampire, and George and Nina are both werewolves. | 0:23:04 | 0:23:09 | |
BOTH GIGGLE | 0:23:09 | 0:23:11 | |
Fuck off! | 0:23:11 | 0:23:13 | |
Werewolves! | 0:23:16 | 0:23:18 | |
HE SNIFFS | 0:23:18 | 0:23:20 | |
Oh, no. | 0:23:24 | 0:23:26 | |
I'm ju... I've g... | 0:23:34 | 0:23:37 | |
Mitchell, wake up. | 0:23:40 | 0:23:42 | |
-She's still here. -Who? | 0:23:42 | 0:23:44 | |
Who? Who do you think? She's a little bit mouthy, little bit dead. | 0:23:44 | 0:23:50 | |
There have been developments. | 0:23:50 | 0:23:51 | |
-What kind of developments? -Um...won't be a tick. | 0:23:51 | 0:23:55 | |
Mitchell, is she still here? | 0:23:57 | 0:23:59 | |
-Yeah, there's been developments. -I was asking Mitchell. | 0:23:59 | 0:24:01 | |
Can you guys keep it down? She can hear you. | 0:24:01 | 0:24:04 | |
Oh, great. Come on in. Apparently, we're having a house meeting. | 0:24:04 | 0:24:07 | |
Look, so...so what's changed? | 0:24:07 | 0:24:09 | |
There were others like her at the hospital. | 0:24:10 | 0:24:13 | |
They were experimenting on them. | 0:24:13 | 0:24:16 | |
Basically, they tested them to destruction. They burnt them up. | 0:24:16 | 0:24:19 | |
Well, look, that's a really horrible story, | 0:24:19 | 0:24:21 | |
but is this really the best place? | 0:24:21 | 0:24:23 | |
-She's got nowhere else. -We do have a spare room. This was a B&B. | 0:24:23 | 0:24:28 | |
Oh, what? We're a supernatural hostel now, are we? | 0:24:28 | 0:24:32 | |
What next, a mummy? | 0:24:32 | 0:24:33 | |
Look, I have had ghost friends before. | 0:24:33 | 0:24:37 | |
This one just happens to be in a dead body. | 0:24:37 | 0:24:40 | |
Oh, so you're friends now, are you? You bloody hated her last night. | 0:24:40 | 0:24:44 | |
Shh! This is not about whether or not I like her. | 0:24:44 | 0:24:47 | |
This is about trying to do the right thing. | 0:24:47 | 0:24:49 | |
Look, she is rotting! She smells like off meat. | 0:24:49 | 0:24:53 | |
-Don't be so deadist. -Excuse me? | 0:24:53 | 0:24:56 | |
It's like racist, but for dead people. | 0:24:57 | 0:24:59 | |
Have you just spent the whole night making up words? | 0:24:59 | 0:25:02 | |
No, I have spent the whole night watching footage | 0:25:02 | 0:25:04 | |
of screaming people being dissected. | 0:25:04 | 0:25:06 | |
-We owe her, George. -We owe her? Why do we owe her? | 0:25:06 | 0:25:10 | |
She came back to life two weeks ago. | 0:25:10 | 0:25:12 | |
-All of them did, when I was on the other side. -Saving me. | 0:25:12 | 0:25:15 | |
So, hang on, what are we saying? That death's door was engaged? | 0:25:15 | 0:25:20 | |
Her spirit couldn't pass over because of me. | 0:25:20 | 0:25:25 | |
We made her. | 0:25:25 | 0:25:27 | |
We owe her. All of us do. | 0:25:27 | 0:25:28 | |
Guys? | 0:25:32 | 0:25:35 | |
OK, the address is 37, The Mount, Cyncoed CF23. | 0:25:35 | 0:25:41 | |
WHEELS RATTLE | 0:25:41 | 0:25:43 | |
Have you got it? | 0:25:43 | 0:25:46 | |
Hey. Nice boots. | 0:26:03 | 0:26:06 | |
Mitchell, this is brilliant, the two of us working together. | 0:26:06 | 0:26:10 | |
Oh, my God. I wish I had a camera. | 0:26:10 | 0:26:13 | |
Not that it would do me much good, because we don't show up on photos. | 0:26:13 | 0:26:16 | |
Which is doubly ironic, considering what I used to do for a living. | 0:26:16 | 0:26:20 | |
Go on, guess, Mitchell. | 0:26:20 | 0:26:21 | |
-You can't work here. -Bingo, photographer. | 0:26:23 | 0:26:26 | |
SEAGULLS CRY | 0:26:26 | 0:26:28 | |
Hey. You gave us a bit of a scare there, wandering off like that. | 0:26:28 | 0:26:32 | |
Oh, yeah, sure I did. | 0:26:32 | 0:26:34 | |
You don't have to worry about me any more. I'm home. Do you like it? | 0:26:35 | 0:26:40 | |
It's Gethin's money but my taste. | 0:26:40 | 0:26:42 | |
-This is not happening. -Cara says hello. | 0:26:42 | 0:26:45 | |
What did you say? | 0:26:48 | 0:26:49 | |
Yeah, she got over that whole pretending to kill | 0:26:49 | 0:26:53 | |
and bricking her up thing. | 0:26:53 | 0:26:55 | |
You'd have to ask her, though. | 0:26:55 | 0:26:56 | |
-Where is she? -Don't know. | 0:26:56 | 0:27:00 | |
She's around, though. Digging up trouble somewhere. | 0:27:00 | 0:27:04 | |
What do you want? | 0:27:04 | 0:27:06 | |
All I want to do is mop a few floors, Mitchell. | 0:27:07 | 0:27:10 | |
Is that too much to ask? | 0:27:11 | 0:27:13 | |
-Bring it on! -BEEPING AND THUDDING | 0:27:19 | 0:27:22 | |
Oh, and the brilliant Welshman's dominated this round. | 0:27:25 | 0:27:27 | |
Here comes the big finish. It's a straight right. | 0:27:27 | 0:27:29 | |
GETHIN CHATTERS AND GAME BEEPS | 0:27:29 | 0:27:33 | |
No, no, Gethin's got him. He's got him. | 0:27:33 | 0:27:38 | |
Gethin's gonna finish. | 0:27:38 | 0:27:41 | |
BEEPING | 0:27:41 | 0:27:43 | |
Oh, he's got him. He's got him. He's got him again. | 0:27:43 | 0:27:46 | |
-You bastard! -HE GASPS | 0:27:46 | 0:27:49 | |
This is how you do grief, is it? Playing on your bloody video games? | 0:27:49 | 0:27:52 | |
You should be in your bed, crying your eyes out! | 0:27:52 | 0:27:55 | |
-Um... maybe we should... -Sasha! Jesus! God! That's you, innit? | 0:27:55 | 0:27:59 | |
That's really you. | 0:27:59 | 0:28:00 | |
What's happened to you? What's happened to you...? | 0:28:00 | 0:28:04 | |
-They told me you died. -Yeah, well, plainly they were wrong. | 0:28:04 | 0:28:07 | |
-I was suing them. They'd lost the body. -Consider it found. | 0:28:07 | 0:28:10 | |
-Sasha, maybe we should... -Yeah, hang on! Did you mourn me at all? | 0:28:10 | 0:28:14 | |
Course I did, course I did! We had a wake and everything. | 0:28:14 | 0:28:17 | |
A lovely big party. You'd have been pleased as punch. | 0:28:17 | 0:28:20 | |
Oh. Do you still love me? | 0:28:20 | 0:28:23 | |
-Course I do. -Mm. | 0:28:25 | 0:28:27 | |
-Stay back! -What? But it's just me, babes. | 0:28:27 | 0:28:31 | |
Don't do that. I'm just the same as I always have been. | 0:28:31 | 0:28:35 | |
Your little pumpkin. | 0:28:35 | 0:28:37 | |
Get away from me! | 0:28:38 | 0:28:40 | |
-Oh! -Eurgh. Eurgh. | 0:28:40 | 0:28:45 | |
Gethin! | 0:28:45 | 0:28:47 | |
Geth! | 0:28:47 | 0:28:49 | |
Shall I, um...? | 0:28:53 | 0:28:55 | |
SQUELCHING | 0:28:58 | 0:29:01 | |
Uh. Oh. | 0:29:01 | 0:29:03 | |
-Mm. -Oh. | 0:29:03 | 0:29:05 | |
Wow. | 0:29:07 | 0:29:10 | |
Oh. | 0:29:13 | 0:29:14 | |
Right, I'm gonna just... | 0:29:15 | 0:29:18 | |
SHE GASPS | 0:29:20 | 0:29:22 | |
Um...we should probably go, Sasha, cos he's bound to call the police. | 0:29:22 | 0:29:27 | |
No, he's not. What's he gonna say? "My dead girlfriend came back..." | 0:29:27 | 0:29:32 | |
Oh, cos I am dead. | 0:29:32 | 0:29:34 | |
Aren't I? I keep saying I'm not. | 0:29:34 | 0:29:37 | |
But...oh, I can smell myself. | 0:29:37 | 0:29:39 | |
Oh, God. | 0:29:40 | 0:29:42 | |
Well, there are worse things than being dead. | 0:29:42 | 0:29:44 | |
-Just look at me. -You can be seen and heard by others. | 0:29:44 | 0:29:47 | |
-And I can't. -What, you're really a ghost? | 0:29:47 | 0:29:52 | |
Yeah. | 0:29:52 | 0:29:55 | |
But you've stayed so pretty. | 0:29:55 | 0:29:57 | |
Like the dead stay pretty in our memories. | 0:29:57 | 0:30:00 | |
You don't think of them like me. You never picture them rotting. | 0:30:00 | 0:30:04 | |
But I can feel it happening inside me like heat, like a compost heap. | 0:30:04 | 0:30:10 | |
And I know what happens when things rot. They don't last. | 0:30:10 | 0:30:14 | |
No, no, you don't know that. | 0:30:14 | 0:30:15 | |
I mean, who knows what the rules are to this? | 0:30:15 | 0:30:18 | |
I thought when I died that would be it for everything and it wasn't. | 0:30:18 | 0:30:22 | |
And it doesn't have to be for you. | 0:30:22 | 0:30:24 | |
No, we can...we can help you find your way. It'll be fine. | 0:30:24 | 0:30:28 | |
DOOR OPENS | 0:30:28 | 0:30:31 | |
HE SIGHS | 0:30:35 | 0:30:37 | |
Nina, I'm sorry. | 0:30:40 | 0:30:41 | |
I really wish we were normal. | 0:30:41 | 0:30:44 | |
I really wish we were having a nice normal argument | 0:30:44 | 0:30:47 | |
about the pros and cons of unwanted pregnancy | 0:30:47 | 0:30:49 | |
but... | 0:30:49 | 0:30:51 | |
we are not normal. | 0:30:51 | 0:30:53 | |
-And maybe... -It's not always about the wolf, George. | 0:30:54 | 0:30:59 | |
So, what are you saying? | 0:30:59 | 0:31:01 | |
I've got other stuff, old stuff, going on in my head. | 0:31:01 | 0:31:04 | |
It's... | 0:31:04 | 0:31:07 | |
SHE SIGHS: It's not you. | 0:31:07 | 0:31:09 | |
It's not you, it's me. | 0:31:09 | 0:31:11 | |
No, it's becoming a mother | 0:31:11 | 0:31:15 | |
and, um...all that means. | 0:31:15 | 0:31:18 | |
You see, um... | 0:31:19 | 0:31:21 | |
...my mum used to hit me. | 0:31:22 | 0:31:25 | |
All the time. | 0:31:29 | 0:31:30 | |
For my own good, you know, and she... | 0:31:31 | 0:31:33 | |
SHE SNIFFS | 0:31:33 | 0:31:35 | |
...always reminded me that, um, I was a mistake | 0:31:37 | 0:31:40 | |
and, er...I'd ruined her life, | 0:31:40 | 0:31:43 | |
and I was worthless, and I would never amount to anything. | 0:31:43 | 0:31:46 | |
She... | 0:31:46 | 0:31:48 | |
she made me hate myself. | 0:31:48 | 0:31:50 | |
I'm sorry. You've... you've never said. | 0:31:50 | 0:31:54 | |
No, there's never really a good time to bring up that conversation. | 0:31:54 | 0:31:57 | |
See, this...this thing inside me, whatever it is... | 0:32:01 | 0:32:07 | |
..it's a baby... | 0:32:08 | 0:32:11 | |
and I will become a mother, | 0:32:11 | 0:32:13 | |
and that terrifies me more than any werewolf bullshit. | 0:32:13 | 0:32:18 | |
SHE LAUGHS | 0:32:19 | 0:32:21 | |
You see, I was...I was pretty messed up even before you scratched me. | 0:32:21 | 0:32:27 | |
No, you're not. | 0:32:27 | 0:32:29 | |
You are strong and you are beautiful. | 0:32:32 | 0:32:35 | |
You are not in this alone. I will always be there. | 0:32:35 | 0:32:39 | |
I'm sorry. | 0:32:40 | 0:32:42 | |
It's not enough, George. | 0:32:42 | 0:32:45 | |
MUSIC PLAYS ON RADIO | 0:32:47 | 0:32:49 | |
-Are we having a party? -Er...not quite. | 0:32:49 | 0:32:53 | |
It's getting-ready music. Girlie night out. | 0:32:53 | 0:32:56 | |
Thought Sasha needed something to cheer her up, | 0:32:56 | 0:32:58 | |
such as getting pissed in a loud, dark room that smells of sick. | 0:32:58 | 0:33:02 | |
Yeah, it is a fine tradition, but, er... | 0:33:02 | 0:33:05 | |
-Mm-hm? -..won't she be seen? | 0:33:05 | 0:33:08 | |
Ah. Make-up. | 0:33:08 | 0:33:10 | |
Works wonders. Mm-hm! | 0:33:10 | 0:33:12 | |
HE SNIFFS | 0:33:14 | 0:33:16 | |
-And how are you? -Me? | 0:33:16 | 0:33:18 | |
-Uh-huh. -Oh, you know me. | 0:33:18 | 0:33:21 | |
Always chipper. | 0:33:21 | 0:33:23 | |
I never use the word chipper. I don't know why I used it then. | 0:33:23 | 0:33:27 | |
And you? Yourself? You. Are you...are you great today? | 0:33:27 | 0:33:32 | |
-Are you milking a cow in there? -Ha-ha-ha! | 0:33:32 | 0:33:36 | |
So funny. Oh. | 0:33:36 | 0:33:38 | |
I must say, Mitchell, your old friend is very, very interesting. | 0:33:38 | 0:33:43 | |
-Two sugars, just like Mitchell. -Oh, cheers, love. All right, big fella? | 0:33:47 | 0:33:53 | |
Graham was just telling me about the time you went skiing. | 0:33:53 | 0:33:56 | |
Funny. I don't remember that at all. | 0:33:57 | 0:34:01 | |
Well, it was more falling than skiing. | 0:34:01 | 0:34:05 | |
We spent more time that week on our backs, with snow in our mouths, | 0:34:05 | 0:34:08 | |
than on the skis. | 0:34:08 | 0:34:10 | |
I don't remember it because it didn't happen. | 0:34:10 | 0:34:12 | |
Yeah, he was tough back then too, when he was training me. | 0:34:12 | 0:34:15 | |
Such a hard taskmaster. All he used to say was, train, train, train. | 0:34:15 | 0:34:18 | |
Train, bloody train. | 0:34:18 | 0:34:20 | |
You remember that, Mitchell? Bloody train? | 0:34:20 | 0:34:24 | |
Yes! | 0:34:25 | 0:34:27 | |
Yes, I do, now that you mention it. | 0:34:27 | 0:34:30 | |
I don't know how I forgot about that. That's really weird. | 0:34:30 | 0:34:32 | |
We don't want to bore Annie with that. | 0:34:32 | 0:34:36 | |
-Why don't I give you the tour? -Tour? | 0:34:36 | 0:34:40 | |
-Great. -We have a tour? | 0:34:43 | 0:34:46 | |
-Yeah. -Oh. | 0:34:46 | 0:34:48 | |
After you. | 0:34:48 | 0:34:50 | |
Oh. | 0:34:53 | 0:34:55 | |
And this is the cellar! | 0:34:55 | 0:34:58 | |
You...are in my home with my friends. That is a big no-no. | 0:35:01 | 0:35:07 | |
-They could be my friends, too. -No, they couldn't! | 0:35:07 | 0:35:10 | |
And you've got a spare room. I could move in. | 0:35:10 | 0:35:12 | |
Be nice to have Annie down the corridor. | 0:35:12 | 0:35:14 | |
Don't you even think about it. | 0:35:14 | 0:35:17 | |
That girl, she's really holding a torch for you. | 0:35:17 | 0:35:21 | |
And I'm thinking she doesn't know, does she, about his greatest work. | 0:35:21 | 0:35:27 | |
About all those people you ripped apart on that train. | 0:35:27 | 0:35:29 | |
The Box Tunnel 20. | 0:35:31 | 0:35:33 | |
And I think she needs to know. | 0:35:34 | 0:35:37 | |
I think she needs to know about the real Mitchell. | 0:35:38 | 0:35:41 | |
See how she feels about him then. | 0:35:41 | 0:35:43 | |
Or we could maybe... | 0:35:43 | 0:35:46 | |
..just maybe forget about the whole thing. | 0:35:47 | 0:35:49 | |
Sit down, watch a bit of Wipeout. Have a biscuit. | 0:35:50 | 0:35:54 | |
I think that'd be for the best, don't you? | 0:35:56 | 0:35:59 | |
HE SIGHS | 0:36:08 | 0:36:09 | |
Listen, er... I've got a lot of stuff on tonight. | 0:36:11 | 0:36:14 | |
So, um...I'll catch you soon, yeah? | 0:36:14 | 0:36:17 | |
Come on, shake hands. I'll teach you the cool one. | 0:36:18 | 0:36:22 | |
Shake. | 0:36:22 | 0:36:25 | |
OK, so first it's the normal one, then clasp the thumb, | 0:36:27 | 0:36:30 | |
bit of that, bit of that, bump the fist, and we're done. | 0:36:30 | 0:36:34 | |
Not really feeling the friendship, though. | 0:36:35 | 0:36:38 | |
But we can work on that. | 0:36:38 | 0:36:40 | |
Mitchell. | 0:36:40 | 0:36:43 | |
All right, mate. | 0:36:43 | 0:36:45 | |
See you later. | 0:36:46 | 0:36:48 | |
MUSIC: Pretty Woman by Roy Orbison | 0:36:52 | 0:36:54 | |
# Pretty woman Walking down the street | 0:36:57 | 0:37:01 | |
# Pretty woman The kind I like to meet | 0:37:01 | 0:37:05 | |
# Pretty woman | 0:37:05 | 0:37:07 | |
# I don't believe you You're not the truth | 0:37:08 | 0:37:12 | |
# No-one could look as good as you | 0:37:12 | 0:37:15 | |
# Yeah, she's walking back to me | 0:37:21 | 0:37:26 | |
# Yeah, oh... # | 0:37:28 | 0:37:30 | |
SHE GIGGLES | 0:37:30 | 0:37:34 | |
# Pretty woman. # | 0:37:34 | 0:37:35 | |
-Wow. -Wow. Wow, look at that. | 0:37:38 | 0:37:40 | |
-That is something else. -You'd better believe it, baby. | 0:37:40 | 0:37:43 | |
-Let's go and shake our moneymaker. -BOTH LAUGH AND SQUEAL | 0:37:43 | 0:37:48 | |
You look great. | 0:37:48 | 0:37:50 | |
You all do. | 0:37:52 | 0:37:54 | |
-Um...don't worry, I'm not drinking. -Uh-huh. | 0:37:54 | 0:37:57 | |
Got to keep an eye on... Priscilla over there. | 0:37:57 | 0:37:59 | |
I'm the designated woman with a pulse. | 0:37:59 | 0:38:02 | |
I just thought it'd be good to, um... get out for a while, you know. | 0:38:02 | 0:38:05 | |
-SASHA LAUGHS -Oh, yeah, no, no. No, it's great. | 0:38:05 | 0:38:07 | |
It's just...it's just a nice, normal night out with the girls. | 0:38:07 | 0:38:11 | |
Mm-hm. Or this. | 0:38:11 | 0:38:13 | |
SASHA GIGGLES | 0:38:13 | 0:38:15 | |
How's she coping, do you think? Has she come to terms with what she is? | 0:38:15 | 0:38:18 | |
Say it loud, I'm dead and I'm proud! Deal with it! | 0:38:18 | 0:38:21 | |
VEHICLE SOUNDS TOOTS | 0:38:21 | 0:38:22 | |
Ooh! Right, come on, ladies. | 0:38:22 | 0:38:25 | |
Those fellas aren't gonna shag 'emselves! Ha-ha! | 0:38:25 | 0:38:29 | |
Shag 'emselves! | 0:38:29 | 0:38:31 | |
Come on, Nina! | 0:38:31 | 0:38:33 | |
OK. | 0:38:33 | 0:38:35 | |
-VEHICLE MOTOR RUNS -See you. | 0:38:35 | 0:38:37 | |
-Bye. -Good luck. | 0:38:37 | 0:38:39 | |
Mitchell... | 0:38:40 | 0:38:43 | |
Shall we get pissed? | 0:38:43 | 0:38:46 | |
-You...are a genius, George. -Mm-hm. | 0:38:46 | 0:38:49 | |
# ...Don't make a sound, voices in my head playing like an echo, echo... # | 0:38:49 | 0:38:54 | |
Five years we were together. Gone, like that. That's men for you. | 0:38:54 | 0:39:00 | |
Right, I am gonna show you how it's done. | 0:39:00 | 0:39:04 | |
You stay there and watch the master at work. | 0:39:04 | 0:39:08 | |
# Doo-doo-doo-doo, doo-doo-doo-doo | 0:39:08 | 0:39:11 | |
# Bang, bang, bang, on the wall | 0:39:11 | 0:39:13 | |
# From dusk till dawn | 0:39:13 | 0:39:15 | |
# Doo-doo-doo-doo, doo-doo-doo-doo | 0:39:15 | 0:39:20 | |
# Bang, bang, bang, on the wall | 0:39:20 | 0:39:22 | |
# From dusk till dawn | 0:39:22 | 0:39:24 | |
# Doo-doo-doo-doo Doo-doo-doo-doo... # | 0:39:24 | 0:39:28 | |
Oh, this is so not healthy. | 0:39:31 | 0:39:33 | |
She's just flirting. | 0:39:34 | 0:39:37 | |
She has every right to have fun. | 0:39:37 | 0:39:40 | |
-Come on. -Oh, no. | 0:39:40 | 0:39:42 | |
-Oh, come on. -No. | 0:39:42 | 0:39:43 | |
-Nina, come on. It'll be good for you. -No, Annie. Please, no! | 0:39:43 | 0:39:48 | |
# Bang, bang, bang, on the wall From dusk till dawn... # | 0:39:48 | 0:39:52 | |
SHE SIGHS | 0:39:54 | 0:39:56 | |
-They should be back by now. -They're all adults. | 0:39:56 | 0:39:59 | |
And two of them are dead. | 0:39:59 | 0:40:01 | |
I think they've seen the worst that life has to throw at them. | 0:40:01 | 0:40:04 | |
If you're worried, call Nina's mobile. | 0:40:04 | 0:40:07 | |
-I'm not worried. -Mitchell, it's OK to care. | 0:40:07 | 0:40:10 | |
It's...it's just when we lost Annie, it's like that old cliche, isn't it? | 0:40:10 | 0:40:16 | |
You don't miss someone until they're gone. And I missed her. | 0:40:16 | 0:40:20 | |
I really missed her. And I've got this fear that I'll lose her again. | 0:40:20 | 0:40:26 | |
So, tell her. | 0:40:26 | 0:40:27 | |
Then I could really lose her. | 0:40:27 | 0:40:29 | |
And it would just make our friendship weird. | 0:40:29 | 0:40:32 | |
Or, just maybe, your friendship could become something else. | 0:40:32 | 0:40:36 | |
Something better. | 0:40:36 | 0:40:38 | |
MUSIC PLAYS | 0:40:40 | 0:40:43 | |
# Do it, do it, do it Do it, do it, do it, do it now... # | 0:40:48 | 0:40:52 | |
SHE GIGGLES | 0:40:52 | 0:40:56 | |
# Do it, do it, do it Do it, do it, do it, do it now... # | 0:40:56 | 0:41:00 | |
What? What? | 0:41:02 | 0:41:04 | |
Was I a bet? | 0:41:04 | 0:41:06 | |
BONES CRUNCH | 0:41:19 | 0:41:23 | |
BONES CRUNCH | 0:41:26 | 0:41:27 | |
SHE SOBS | 0:41:27 | 0:41:30 | |
Oh! Aah! Ow! | 0:41:33 | 0:41:36 | |
-Oh! Oh! -GLASS BREAKS | 0:41:36 | 0:41:39 | |
Oh! Oh! | 0:41:39 | 0:41:42 | |
Aah! Aah! | 0:41:42 | 0:41:45 | |
Help me. Please. | 0:41:45 | 0:41:47 | |
Help me! | 0:41:47 | 0:41:50 | |
Oh! Aah! | 0:41:50 | 0:41:52 | |
-BONES CRUNCH -Uh! Aah! | 0:41:52 | 0:41:55 | |
SHE WAILS | 0:41:55 | 0:41:58 | |
All right, Sasha. | 0:41:58 | 0:42:00 | |
OK, you're OK. | 0:42:00 | 0:42:03 | |
OK. | 0:42:03 | 0:42:04 | |
MUSIC: "No Surprises" by Radiohead | 0:42:04 | 0:42:07 | |
# No alarms and no surprises... # DOOR OPENS AND SHUTS | 0:42:07 | 0:42:12 | |
A bit of help here, please! | 0:42:12 | 0:42:13 | |
-What's happened? -Don't know. She just collapsed. | 0:42:13 | 0:42:16 | |
-Nearly there. All right, onto the couch. -What's wrong with her hands? | 0:42:16 | 0:42:19 | |
Oh, my goodness. | 0:42:19 | 0:42:21 | |
We don't know. | 0:42:21 | 0:42:24 | |
SHE WHEEZES | 0:42:29 | 0:42:31 | |
None of the others lived long enough for this to happen. | 0:42:37 | 0:42:40 | |
Her body's still decaying. | 0:42:40 | 0:42:41 | |
Maybe whatever it was that was keeping her moving | 0:42:41 | 0:42:45 | |
just can't fight the decay any more. | 0:42:45 | 0:42:48 | |
-I think we may have another problem. -OK, Mitchell. | 0:42:49 | 0:42:54 | |
I need you to go back to the hospital | 0:42:54 | 0:42:56 | |
and borrow a little wheelchair. | 0:42:56 | 0:42:58 | |
-Why? -For Sasha. | 0:42:58 | 0:42:59 | |
I'm gonna take her on a little jolly to the Millennium Stadium. | 0:42:59 | 0:43:02 | |
And then we may well go on to the bay. It's lovely around there. | 0:43:02 | 0:43:05 | |
-All the restaurants and boats and stuff. -This is... | 0:43:05 | 0:43:09 | |
Mitchell, I know what you're gonna say and I don't want to hear it. | 0:43:09 | 0:43:12 | |
She has as much right to live a full and active life as the rest of us, | 0:43:12 | 0:43:16 | |
and her condition should not be an issue, | 0:43:16 | 0:43:18 | |
frankly, I'm a little disappointed in you for even bringing it up. | 0:43:18 | 0:43:21 | |
-Annie, it's OK. -I don't... What are you doing? | 0:43:21 | 0:43:23 | |
-I don't want a hug. -It's OK, it's OK. | 0:43:23 | 0:43:26 | |
Shh. | 0:43:26 | 0:43:28 | |
Mm. | 0:43:28 | 0:43:30 | |
You know, I hated her when we first met. | 0:43:30 | 0:43:33 | |
It seems weird now. | 0:43:33 | 0:43:35 | |
You're doing all you can for her. | 0:43:35 | 0:43:37 | |
-You're a good friend. -DOOR CLOSES | 0:43:37 | 0:43:39 | |
-Annie? -Oh, hey, Mitchell. | 0:43:39 | 0:43:42 | |
Graham just popped by and wanted to know if we wanted anything. | 0:43:42 | 0:43:47 | |
What?! | 0:43:48 | 0:43:49 | |
-Mitchell, what are you doing? -No, no, no, it's fine! | 0:43:49 | 0:43:52 | |
It's fine. It's just a... it's a long-running joke we have. | 0:43:52 | 0:43:55 | |
Ha-ha! The neck-grab game. | 0:43:55 | 0:43:58 | |
-He loves it! Isn't that right, Graham? -Yeah, he got me! | 0:43:58 | 0:44:02 | |
Oh, ho-ho, ho-ho! You little monkey! | 0:44:02 | 0:44:06 | |
Why don't me and you have a nice long chat about the good old days? | 0:44:06 | 0:44:10 | |
You'd like that! | 0:44:10 | 0:44:12 | |
It's a vampire tradition. Chill out. | 0:44:13 | 0:44:16 | |
-Look at him go! -Oh, I don't know. | 0:44:16 | 0:44:19 | |
Vampires. | 0:44:19 | 0:44:22 | |
It's over. We are done here. | 0:44:25 | 0:44:27 | |
-You forgotten what I know about you? -Screw it! Tell her. | 0:44:27 | 0:44:32 | |
-I don't think you want me to talk. -I don't care any more. | 0:44:32 | 0:44:34 | |
Maybe it's time they knew what I really am. | 0:44:34 | 0:44:36 | |
I don't deserve them as friends. I never have. | 0:44:36 | 0:44:39 | |
So, how about this, right? You tell them what I did, or I will. | 0:44:39 | 0:44:42 | |
-You're bluffing. -Oh. | 0:44:42 | 0:44:45 | |
If you think that, then you really don't know me at all, do you? | 0:44:45 | 0:44:48 | |
I will not be your puppet any more. | 0:44:48 | 0:44:50 | |
You are just a fat, pathetic wannabe | 0:44:50 | 0:44:53 | |
with no friends and no personality of your own. | 0:44:53 | 0:44:56 | |
You are nothing. | 0:44:56 | 0:44:58 | |
SHE MOANS | 0:45:01 | 0:45:03 | |
SHE SIGHS | 0:45:08 | 0:45:10 | |
SASHA WHIMPERS | 0:45:16 | 0:45:18 | |
Annie. | 0:45:18 | 0:45:21 | |
-OK, I'm here. -Annie. | 0:45:21 | 0:45:24 | |
Don't let them take me, Annie. | 0:45:24 | 0:45:27 | |
Don't let them burn me. Promise me you'll bury me. | 0:45:27 | 0:45:30 | |
I promise. Promise. | 0:45:30 | 0:45:32 | |
Oh, Mitchell. I, er... I met your oddball friend. | 0:45:35 | 0:45:40 | |
-What? -Graham? | 0:45:40 | 0:45:42 | |
He's been looking for you. | 0:45:42 | 0:45:45 | |
He seemed in a bit of a weird mood. | 0:45:45 | 0:45:48 | |
What did he say? | 0:45:48 | 0:45:50 | |
Um...he said, "Tell Mitchell I'm going to make him proud." | 0:45:50 | 0:45:55 | |
Like you were his dad or something. What's that about? | 0:45:55 | 0:45:59 | |
Oh, it's nothing. It's just a running joke we have. Forget about it. | 0:45:59 | 0:46:03 | |
Bye. | 0:46:05 | 0:46:07 | |
# You're bad, you know... # | 0:47:35 | 0:47:37 | |
MITCHELL PANTS | 0:47:41 | 0:47:43 | |
-You don't have to do this. -You think I can't. | 0:47:46 | 0:47:49 | |
You think I haven't got it in me. | 0:47:49 | 0:47:51 | |
It isn't hard to do. | 0:47:51 | 0:47:54 | |
The hard part is not doing it. | 0:47:54 | 0:47:57 | |
And I failed, and I've regretted that every minute of every day since. | 0:47:57 | 0:48:02 | |
Then you are weak. | 0:48:02 | 0:48:04 | |
Who shall I do first? | 0:48:05 | 0:48:08 | |
Maybe I'll take the child. | 0:48:08 | 0:48:09 | |
Make the father watch. | 0:48:12 | 0:48:15 | |
I killed my own children, you know. | 0:48:16 | 0:48:18 | |
Ripped out their little throats. | 0:48:18 | 0:48:20 | |
Drained 'em dry. | 0:48:20 | 0:48:23 | |
Nothing's quite seemed real since then. | 0:48:24 | 0:48:26 | |
I'm sorry for what's happened to you, I really am. | 0:48:28 | 0:48:31 | |
I'm sorry I rejected you. | 0:48:31 | 0:48:34 | |
But... | 0:48:34 | 0:48:37 | |
this isn't the way. | 0:48:37 | 0:48:38 | |
You don't get it, do you? | 0:48:38 | 0:48:40 | |
I want to be the new legend that vampires whisper about in the night. | 0:48:40 | 0:48:45 | |
The new king of blood. | 0:48:47 | 0:48:49 | |
Starting from now. | 0:48:50 | 0:48:52 | |
Apologies, ladies and gentlemen! Undercover ticket inspector! | 0:48:55 | 0:48:58 | |
-Get your tickets out! -Get off me! | 0:48:58 | 0:49:00 | |
-He didn't have the right ticket! -Bitch! | 0:49:00 | 0:49:03 | |
Shut up, shh. | 0:49:03 | 0:49:05 | |
GRAHAM GASPS | 0:49:05 | 0:49:08 | |
So, what now, eh? You gonna kill me? | 0:49:12 | 0:49:15 | |
Cos you don't kill other vampires, Mitchell. Cara proves that. | 0:49:15 | 0:49:19 | |
D'you wanna throw me off the train? Go on, that's fine. | 0:49:19 | 0:49:22 | |
Cos there's plenty of other trains. There's plenty of other targets. | 0:49:22 | 0:49:25 | |
And I swear to you, | 0:49:25 | 0:49:27 | |
what I am gonna do will make your little massacre | 0:49:27 | 0:49:29 | |
look like a fucking paper cut. | 0:49:29 | 0:49:31 | |
How messed about are we, huh, are vampires as a species, | 0:49:31 | 0:49:36 | |
that my story can be seen as inspirational? | 0:49:36 | 0:49:39 | |
It has to end. | 0:49:39 | 0:49:41 | |
This story...has to die. | 0:49:41 | 0:49:45 | |
And it's gonna hurt. | 0:49:48 | 0:49:50 | |
I'm sorry. | 0:49:54 | 0:49:56 | |
I'm so sorry. | 0:49:58 | 0:50:00 | |
Tell...tell people that you liked me. | 0:50:06 | 0:50:11 | |
I will. | 0:50:11 | 0:50:13 | |
SASHA WHEEZES | 0:50:37 | 0:50:39 | |
Do you know what I wish? | 0:50:45 | 0:50:47 | |
I wish I'd done more. | 0:50:47 | 0:50:50 | |
You know, of everything. | 0:50:50 | 0:50:53 | |
Even the stupid stuff. | 0:50:53 | 0:50:55 | |
Like, every night that I went home early cos I was a bit tired, | 0:50:55 | 0:51:01 | |
I just wish I'd stayed out and danced and laughed | 0:51:01 | 0:51:06 | |
and lived. | 0:51:06 | 0:51:08 | |
Cos nights like that won't come your way again. | 0:51:09 | 0:51:12 | |
Even Gethin. | 0:51:13 | 0:51:16 | |
I just wish I'd loved him more. | 0:51:16 | 0:51:19 | |
And kissed him more. | 0:51:19 | 0:51:22 | |
And held him more. | 0:51:22 | 0:51:23 | |
We talked about having a baby. I just kept on putting it off. | 0:51:26 | 0:51:30 | |
Saying, you know, can't afford to this year. We're going to Belize. | 0:51:30 | 0:51:35 | |
We're buying a new rug. A new car. | 0:51:35 | 0:51:39 | |
What does any of that matter now? | 0:51:39 | 0:51:42 | |
You got to promise me you won't let those chances pass you by. | 0:51:44 | 0:51:48 | |
I promise. | 0:51:48 | 0:51:51 | |
Cos it all goes. It all falls away. | 0:51:51 | 0:51:54 | |
The looks. | 0:51:55 | 0:51:57 | |
Money. | 0:51:57 | 0:51:59 | |
Lovers, friends. | 0:51:59 | 0:52:01 | |
Not all your friends. | 0:52:01 | 0:52:02 | |
No. | 0:52:02 | 0:52:04 | |
Not all your friends. | 0:52:05 | 0:52:06 | |
And the ones that are there at the end are the real ones, aren't they? | 0:52:08 | 0:52:15 | |
Yeah... Yeah. | 0:52:15 | 0:52:17 | |
Thank you... | 0:52:20 | 0:52:22 | |
for being my friend, Annie. | 0:52:22 | 0:52:24 | |
It's easy. | 0:52:26 | 0:52:28 | |
SHE SNIFFS | 0:52:35 | 0:52:37 | |
Live, Annie. | 0:53:03 | 0:53:06 | |
Seize the day. | 0:53:06 | 0:53:09 | |
I will. | 0:53:09 | 0:53:10 | |
-How is she? -She's gone. | 0:53:32 | 0:53:34 | |
Sorry. | 0:53:39 | 0:53:40 | |
George. | 0:53:48 | 0:53:49 | |
SHE SIGHS | 0:53:49 | 0:53:52 | |
Would you like to have... | 0:53:52 | 0:53:55 | |
a little... | 0:53:55 | 0:53:57 | |
hairy baby with me? | 0:53:57 | 0:54:00 | |
Yes, I would. | 0:54:05 | 0:54:06 | |
HE CHUCKLES | 0:54:17 | 0:54:19 | |
Are you OK? | 0:54:35 | 0:54:37 | |
No. | 0:54:42 | 0:54:43 | |
No, I'm not. | 0:54:45 | 0:54:47 | |
Listen, I need to... | 0:54:50 | 0:54:52 | |
I need to tell you something. | 0:54:56 | 0:54:57 | |
I've done such things, Annie. | 0:55:03 | 0:55:06 | |
I've done such terrible... | 0:55:08 | 0:55:10 | |
..unforgivable things. | 0:55:12 | 0:55:13 | |
-And I need to tell you. -No, you don't. | 0:55:16 | 0:55:19 | |
-I need to do this. -No, you don't. | 0:55:19 | 0:55:22 | |
Mitchell, listen. | 0:55:23 | 0:55:26 | |
I know what you are. | 0:55:26 | 0:55:28 | |
I've known since day one. | 0:55:28 | 0:55:30 | |
But all those things you've done, they're in your past, right? | 0:55:32 | 0:55:34 | |
It's who you are now that counts. | 0:55:34 | 0:55:37 | |
And...and what you've done for me, | 0:55:37 | 0:55:40 | |
..for George, for all of us... | 0:55:41 | 0:55:44 | |
..that's the man I know. | 0:55:45 | 0:55:48 | |
That's the man I trust. | 0:55:48 | 0:55:50 | |
And... | 0:55:54 | 0:55:55 | |
..that's the man I want. | 0:55:56 | 0:55:59 | |
Do you forgive me? | 0:56:05 | 0:56:06 | |
We need to know if the baby will survive the transformation. | 0:56:50 | 0:56:53 | |
I've been such a bad girl. | 0:56:53 | 0:56:56 | |
You can't outrun me. Definitely can't outfight me. | 0:56:56 | 0:56:59 | |
You can't even outlive me. | 0:56:59 | 0:57:01 | |
HE SNARLS | 0:57:04 | 0:57:05 | |
Subtitles by Red Bee Media Ltd | 0:57:11 | 0:57:14 | |
E-mail [email protected] | 0:57:14 | 0:57:17 |