Type 4 Being Human


Type 4

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Transcript


LineFromTo

-This is not me accepting.

-Take him.

-You and your bitch will regret this.

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Mark my words.

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I didn't fetch you back here to do anything. Just...just be here.

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All I've got is you.

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When we transformed, did...

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did we...?

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THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE

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& SCENES WHICH SOME VIEWERS MAY FIND UPSETTING

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INDISTINCT SPEECH

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Blood pressure dropping.

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FLATLINE TONE

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LOW GROWL

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What the bloody hell do you think you're doing?!

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Aaah!

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HE SIGHS AND GRUNTS

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DOOR OPENS

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FOOTSTEPS George.

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-Mm-hm?

-Where's Annie?

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Mm...er...probably off on one of her midnight rambles.

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She doesn't need sleep, unlike some of us.

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-Can I have a word?

-But...oh.

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Can't it wait until the morning, or at least until after I've peed?

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Oh, yeah, yeah, yeah. After you pee.

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I can't go now.

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MUSIC PLAYS AND CHATTER

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SHE COUGHS

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NEARBY LAUGHTER

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-<

-I want a go.

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HE SIGHS

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I think Annie might fancy me.

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-HE SIGHS

-Finally.

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You knew?

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Oh, Mitchell, Annie is many things but subtle she is not.

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You've rescued her from hell.

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That kind of thing tends to turn a girl's head.

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How long have you known?

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I don't know. A couple of weeks. Pretty much since she came back.

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And, for future reference, no-one says "fancy" any more.

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-And you didn't think to tell me?

-Um...no, because I'm not 12.

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Did you...did you seriously not pick up on any of this?

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-That whole guardian angel business.

-OK, so she hasn't actually told you.

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Oh, wow. We are 12, aren't we?

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No, she hasn't told me she "fancies" you.

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She doesn't need to. Her body language is deafening.

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Jesus. What a mess.

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-MUSIC PLAYS

-Get off me!

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Oh, yeah, you're the big man, aren't you? Hitting, pushing a woman!

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Arsehole! Yeah, and I wasn't stealing, by the way!

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Those drinks were dead! Clear off, love.

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Oh, why don't you take a picture, you nosy bitch?

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-You can see me?

-What?

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Ah! You think you're better than me, do you?

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Little Miss Sodding High-And-Mighty, is it?

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-Is it? Come on, then!

-No, not today, thank you.

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But who knows? You... you two could be good for each other.

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-She could be good for me. But...

-And you'll be good to her.

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Of course. I'd never...

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If you're thinking about doing this, don't go into it lightly.

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This is no little thing. This is Annie we're talking about.

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George.

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You've got to know I would never hurt her.

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-HE CHUCKLES

-Yeah, I know.

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Sure, I was just...

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So, are you... are you gonna ask her out?

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This could be so cool!

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I don't know. I mean, how would it even work?

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-With a ghost?

-What do you mean?

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Er...

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Guys, I'm in trouble. There's a dead woman after me.

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What...what happened? Are you OK?

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I was walking past this club on Westland Street.

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You know, that... that down-market version of Ritzy's.

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Yeah, I know, like that's really possible.

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Anyway, this dead woman got thrown out of the club, but... but she could see me.

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-BANGING ON DOOR

-And she followed me home!

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Why didn't you just "Rentaghost" home?

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That would be...that would be because...

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-BANGING ON DOOR

-I was under a lot of pressure, OK?

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-BANGING ON DOOR

-I just got up for a pee.

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-Slag!

-DOG BARKS IN DISTANCE

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I know you're in there! Snobby cow!

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SHE SNARLS

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-All right, come on, then!

-What have we got?

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-Get out here and show yourself!

-A drunk dead woman, shouting.

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You! I know you're bloody in there!

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-That's not a ghost. I can smell her.

-Come on!

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-You think you're so bloody...

-What, from here?

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GIRL SHOUTS

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Oh, yeah, even without the whole wolf thing.

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Well, of course you can smell her. She's got a body.

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I'm sure I mentioned that.

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-So, she's dead but she's got a body?

-Which is rotting.

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-This is not good.

-That's why I'm so scared!

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If she was just dead dead, no problem. But that is just weird!

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No, hold on. Hold on a second here.

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I...I think she's gone.

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FLOORBOARDS CREAK

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SHE SCREAMS

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Oh! I thought we were supposed to be the scary ones.

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Go and check the window.

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Go!

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Go on.

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She's mental! Of course she is.

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There's a car slowing down. I think people can see her!

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Well, of course they can see her! She's got a body!

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-We've got to let her in. BOTH:

-What?

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We have a shouting pissed corpse on our doorstep.

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Right, and you want a shouting pissed corpse inside?

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She's gonna draw attention to the house, Annie, to us.

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-What if somebody calls the police, huh?

-Oh...!

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Come on!

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Well, she...she's stopped shouting.

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What's she doing now? GIRL SOBS

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Crying, I think.

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And then just sitting.

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-But she's still quite loud.

-She stinks.

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SHE SOBS

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Um...um...

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Would...would you like some tea?

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Huh?

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DOOR SHUTS SHE SNIFFS

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SHE SNIFFS Oh!

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SHE SNIFFS Oh!

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-Straighteners!

-Oh, God.

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-Straighteners!

-What...?

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What...what can we get for you?

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Straighteners!

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-Straighteners?

-Yeah.

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Oh, good. Great.

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-Because that will solve everything.

-Mm-hm.

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Nina... um... can I borrow your straighteners?

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Yeah, sure, course.

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THEY GIGGLE

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Er...George?

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A dead woman with a body followed Annie home.

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Of course.

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-Here.

-You do it, babe.

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-So, um...what do we call you?

-Anything you like, sweetheart.

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-Ow!

-Oh, sorry! Look, you got caught there.

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-Caught a little bit of your hair. Sorry.

-Don't worry, babe.

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I can tell you're not used to a beauty regime.

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Well, um...I'm Mitchell.

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-Oh, hi, Mitchell. I'm Sasha.

-HER BONES CRUNCH

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Like the Beyonce album.

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CRUNCHING AND SQUELCHING SASHA GIGGLES

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I'm Nina.

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Oh, my gran was called Nina.

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-Oh.

-Oh! Aren't you short?

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Um...that's a... that's a beautiful dress, Sasha.

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What a wonderful cut. Have you, have you been to a hospital recently?

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OK. Confession time.

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I was involved in a car accident. But, you know, it wasn't my fault.

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I was texting while I was driving, but that's not making a phone call.

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In my Beemer, Prussian blue, heated seats, all the extras.

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I love my little extras.

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SASHA GIGGLES

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So, you died, did you?

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-SQUELCHY CRUNCH

-Well, no. Obviously I didn't.

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Yeah, but apparently it was touch and go.

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Oh, and let me tell you, the doctors were very interested in me.

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Wouldn't leave me alone. Kept on prodding and poking me.

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And I said, "You'd better warm that up before you put it near me."

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SHE LAUGHS

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Ooh. I know, what is that smell?

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-I think someone's in denial.

-How can she not know she's dead?

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It solves one mystery, anyway.

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The mortuary suddenly being off limits.

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No, that was a chemical leak. Or they were hiding a zombie.

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Oh, Christ. Are we really gonna call her that?

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Well, dead body moving about?

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Can I just take a little step back to point out how insane this is?

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-Mitchell, what the hell is she?

-How should I know?

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At least she's not attacking us. Don't they usually attack people?

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No, they don't usually do anything, because they don't usually exist.

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What about eating brains?

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I don't know the rules. I know that she can be seen and she's rotten.

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Mm-hm, I can vouch for that.

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Do you think she'll continue rotting until she's, you know, soupy?

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Oh! We should take her back. Whatever she is, she's not our problem.

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She's the hospital's problem.

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-Oh, I hate to say it, but I agree.

-Really?

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Well, medically, we can't do anything for her here.

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If anyone can help her, they're at the hospital.

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OK, so we're all agreed.

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Yeah, all of us but Annie.

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Sorry about all that earlier, calling you a bitch and that.

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It was out of order.

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Oh, no, don't worry about it.

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I was a bit pissed.

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I wanted to get a bit of Dutch courage before I went home.

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-Home?

-Yeah, yeah.

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I thought, you know, bit of a drink, put on a bit of slap

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and then go and see my fella, Gethin.

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He's a scrum half for the Cardiff Blues, you know.

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Ah, that's nice.

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SQUELCHING

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Anyway, um...you got a mirror?

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Um...I don't actually think we do, no.

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-I don't...

-I don't think your friends like me much.

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What? No! Don't be...don't be so silly.

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-They're just like that.

-Oh, it's all right.

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Happens all the time, you know.

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Guys get awkward, start showing off, and the girls get jealous.

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I get it a lot.

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So, um...what's Mitchell's story? Is he single?

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No. No, he's my boyfriend.

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-Really?

-Yep.

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-Really.

-Wow!

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You did well there, didn't you?

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-Didn't I?

-Annie? Do you want to...

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Please, yes. Good. ..and I'll take over for, um...

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She has got to go.

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Wow! That was easy.

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Yeah, we thought we'd have to persuade you.

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What with you both being dead and all.

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She may well be dead,

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but that is pretty much all I have in common with that...

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that...chavalanche.

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Great. That's settled. I'll leave it all in your capable hands.

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-I'm going back to bed.

-Whoa, whoa. What?

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Annie's invisible to normals. You can't be seen on CCTV.

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I think you can manage sneaking one zombie back into a hospital.

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Now, I am taking my lady friend back to bed.

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Good night.

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-What?

-Aw.

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Good night. Night.

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SHE GIGGLES

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-Ooh.

-What's that?

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That's the tag from her toe. It was stuck to her shoe.

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Oh.

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SHE HUMS A TUNE

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So, um...how are we gonna convince her to go back to the hospital?

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We're not.

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-Not yet.

-What? Why?

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Check out the time and date of death.

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Let's pay a visit to the morgue.

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-HE URINATES

-Oh.

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Oh.

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Oh.

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HE STOPS URINATING

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TOILET FLUSHES

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DOOR OPENS

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Nina. Nina?

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Mm-hm?

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Is this yours?

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I thought, it can't be Mitchell's because he's a man,

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nor Annie's cos she's dead, it can't be Nina's cos she's on the pill.

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You're on the pill.

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Why would you be needing a pregnancy test? Are you late?

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-When were you thinking about telling me?

-Look...

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-I was looking for the right moment.

-OK, I'm not busy now. Are you busy?

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Fine. I'm pregnant.

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-Oh, my God. But you're on the pill.

-Yes. I am.

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But we had sex when we weren't exactly ourselves

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and apparently, the pill wasn't designed with werewolves in mind.

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But you know these tests can be wrong.

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Look... Oh, I've done three tests. I'm pregnant, George.

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It's happening.

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Or rather, it's not. I can't... I can't...

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I can't let this go any further.

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Um...I'm sorry.

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OK, so, um...let me get this straight.

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If I hadn't have found this,

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-would you have just had an abortion without telling me?

-No.

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-I was planning...

-God. You were just going to do it.

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-No discussion, no nothing.

-Don't you dare judge me.

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This isn't some... some teenage mistake, George.

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This is a child of...monsters.

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I mean, who even knows what it could be?

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Just the idea is terrifying.

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It could be fine.

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We're both fine! Most of the time.

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-It's my body, George.

-Yeah, well, part of it isn't.

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-Excuse me?

-There is part of me in there.

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As the father, I have as much right

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as you to decide what happens to our child.

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HE HUFFS

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I only got up for a pee!

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DOOR HANDLE RATTLES

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Is that blood?

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Oh, that can't be good.

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-SHE PANTS:

-I'm already dead. I'm already dead. I'm already dead.

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'I'm already dead.'

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-What's that?

-Where?

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There.

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Hey.

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Bingo.

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I don't think it was just Sasha.

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I've got four subject sheets here.

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All came back to life all at the same time.

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I think they were testing them, trying to find out what they were.

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How they worked. If it could spread.

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SCREAMS ON CAMCORDER

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I think they were scared.

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'SCREAMS'

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I know the feeling.

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Does it say anything about anaesthetic in there?

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Yeah.

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Um...anaesthetic ineffective.

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-How did you know?

-They did it anyway.

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SCREAMS ON VIDEO CAMERA

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What did they do...

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with them afterwards?

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Incinerated them...

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as a biohazard.

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Were they still alive when they burned them?

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I don't know.

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Well, doesn't matter anyway, does it?

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Because they weren't really alive, were they?

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And the dead don't feel real pain.

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HE SIGHS

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SASHA RASPS

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SHE WHEEZES

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SIREN IN DISTANCE

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Funny, somehow I thought you'd be taller,

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you know, close up, like.

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I'm sorry, do I know you?

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Oh, no. No, no, no. No. God, no.

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No, it's just that, um...

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well, um... it's just that I'm like you, you know.

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OK, all right, easy, easy.

0:20:210:20:23

-So, you're a vampire?

-Yeah, yeah, I am a brother of the blood.

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Name's Graham. Well, Graham was my mortal name.

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But when I was reborn to the night, I took the name of Siddion.

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Graham's fine.

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Siddion, I don't know what I was thinking. It's a shit name.

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Yeah, um...all right, Graham.

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Um...I'm kind of busy right now so can I help you with anything?

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Oh, God, I feel a little bit embarrassed now,

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but I am a little bit of a fanboy.

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-Or I could say fang boy.

-Yeah, yeah, yeah, I get it.

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And I was a massive Neil Diamond fan.

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Do you know Neil Diamond?

0:21:010:21:03

No, doesn't matter. But, um... that kind of gave me the idea.

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So, now I'm on a sort of pilgrimage, you know, like a star tour,

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and I'm visiting all the legends in our little world, so naturally...

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-You came to see me.

-Oh, my God.

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You are up there with the greats.

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What you did in Bristol, it was just...

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-Remind me again.

-No, wait. You don't need to be modest.

0:21:220:21:26

You got a whole chapter of vampires to renounce blood. Amazing.

0:21:260:21:31

Are those boots Paul Smith?

0:21:310:21:32

-Excuse me?

-Just wondering where you got your boots.

0:21:350:21:38

Yeah, listen, um...Graham, I have stuff that I really need to do, so...

0:21:400:21:45

Oh, God, yeah. No, of course. Of course.

0:21:450:21:47

Well, it has been such a privilege to meet you, Mitchell.

0:21:470:21:51

And, um...maybe I could catch you again some time?

0:21:510:21:56

Yeah. Yeah, yeah, yeah, maybe. Maybe some time.

0:21:570:22:00

-SOFTLY:

-Brilliant.

0:22:050:22:06

-CLUNK

-Yaaah!

0:22:140:22:17

SHE GROANS

0:22:200:22:22

Oh.

0:22:250:22:26

Hungover?

0:22:260:22:28

-Yeah, yeah, just a bit.

-BONES CRUNCH

0:22:280:22:30

Er...where did you two disappear to last night?

0:22:300:22:33

Oh, to the hospital.

0:22:330:22:34

We went to find out what happened to you.

0:22:340:22:37

We know about the others and we know about the experiments.

0:22:400:22:44

I don't know what you're talking about.

0:22:440:22:46

I think someone else has been drinking.

0:22:460:22:48

Oh, look, it's OK.

0:22:480:22:51

You're not alone.

0:22:510:22:53

We're all a bit... different in this house.

0:22:530:22:57

-How do you mean?

-OK.

0:22:570:23:00

Well...

0:23:000:23:02

I'm a ghost,

0:23:020:23:04

Mitchell's a vampire, and George and Nina are both werewolves.

0:23:040:23:09

BOTH GIGGLE

0:23:090:23:11

Fuck off!

0:23:110:23:13

Werewolves!

0:23:160:23:18

HE SNIFFS

0:23:180:23:20

Oh, no.

0:23:240:23:26

I'm ju... I've g...

0:23:340:23:37

Mitchell, wake up.

0:23:400:23:42

-She's still here.

-Who?

0:23:420:23:44

Who? Who do you think? She's a little bit mouthy, little bit dead.

0:23:440:23:50

There have been developments.

0:23:500:23:51

-What kind of developments?

-Um...won't be a tick.

0:23:510:23:55

Mitchell, is she still here?

0:23:570:23:59

-Yeah, there's been developments.

-I was asking Mitchell.

0:23:590:24:01

Can you guys keep it down? She can hear you.

0:24:010:24:04

Oh, great. Come on in. Apparently, we're having a house meeting.

0:24:040:24:07

Look, so...so what's changed?

0:24:070:24:09

There were others like her at the hospital.

0:24:100:24:13

They were experimenting on them.

0:24:130:24:16

Basically, they tested them to destruction. They burnt them up.

0:24:160:24:19

Well, look, that's a really horrible story,

0:24:190:24:21

but is this really the best place?

0:24:210:24:23

-She's got nowhere else.

-We do have a spare room. This was a B&B.

0:24:230:24:28

Oh, what? We're a supernatural hostel now, are we?

0:24:280:24:32

What next, a mummy?

0:24:320:24:33

Look, I have had ghost friends before.

0:24:330:24:37

This one just happens to be in a dead body.

0:24:370:24:40

Oh, so you're friends now, are you? You bloody hated her last night.

0:24:400:24:44

Shh! This is not about whether or not I like her.

0:24:440:24:47

This is about trying to do the right thing.

0:24:470:24:49

Look, she is rotting! She smells like off meat.

0:24:490:24:53

-Don't be so deadist.

-Excuse me?

0:24:530:24:56

It's like racist, but for dead people.

0:24:570:24:59

Have you just spent the whole night making up words?

0:24:590:25:02

No, I have spent the whole night watching footage

0:25:020:25:04

of screaming people being dissected.

0:25:040:25:06

-We owe her, George.

-We owe her? Why do we owe her?

0:25:060:25:10

She came back to life two weeks ago.

0:25:100:25:12

-All of them did, when I was on the other side.

-Saving me.

0:25:120:25:15

So, hang on, what are we saying? That death's door was engaged?

0:25:150:25:20

Her spirit couldn't pass over because of me.

0:25:200:25:25

We made her.

0:25:250:25:27

We owe her. All of us do.

0:25:270:25:28

Guys?

0:25:320:25:35

OK, the address is 37, The Mount, Cyncoed CF23.

0:25:350:25:41

WHEELS RATTLE

0:25:410:25:43

Have you got it?

0:25:430:25:46

Hey. Nice boots.

0:26:030:26:06

Mitchell, this is brilliant, the two of us working together.

0:26:060:26:10

Oh, my God. I wish I had a camera.

0:26:100:26:13

Not that it would do me much good, because we don't show up on photos.

0:26:130:26:16

Which is doubly ironic, considering what I used to do for a living.

0:26:160:26:20

Go on, guess, Mitchell.

0:26:200:26:21

-You can't work here.

-Bingo, photographer.

0:26:230:26:26

SEAGULLS CRY

0:26:260:26:28

Hey. You gave us a bit of a scare there, wandering off like that.

0:26:280:26:32

Oh, yeah, sure I did.

0:26:320:26:34

You don't have to worry about me any more. I'm home. Do you like it?

0:26:350:26:40

It's Gethin's money but my taste.

0:26:400:26:42

-This is not happening.

-Cara says hello.

0:26:420:26:45

What did you say?

0:26:480:26:49

Yeah, she got over that whole pretending to kill

0:26:490:26:53

and bricking her up thing.

0:26:530:26:55

You'd have to ask her, though.

0:26:550:26:56

-Where is she?

-Don't know.

0:26:560:27:00

She's around, though. Digging up trouble somewhere.

0:27:000:27:04

What do you want?

0:27:040:27:06

All I want to do is mop a few floors, Mitchell.

0:27:070:27:10

Is that too much to ask?

0:27:110:27:13

-Bring it on!

-BEEPING AND THUDDING

0:27:190:27:22

Oh, and the brilliant Welshman's dominated this round.

0:27:250:27:27

Here comes the big finish. It's a straight right.

0:27:270:27:29

GETHIN CHATTERS AND GAME BEEPS

0:27:290:27:33

No, no, Gethin's got him. He's got him.

0:27:330:27:38

Gethin's gonna finish.

0:27:380:27:41

BEEPING

0:27:410:27:43

Oh, he's got him. He's got him. He's got him again.

0:27:430:27:46

-You bastard!

-HE GASPS

0:27:460:27:49

This is how you do grief, is it? Playing on your bloody video games?

0:27:490:27:52

You should be in your bed, crying your eyes out!

0:27:520:27:55

-Um... maybe we should...

-Sasha! Jesus! God! That's you, innit?

0:27:550:27:59

That's really you.

0:27:590:28:00

What's happened to you? What's happened to you...?

0:28:000:28:04

-They told me you died.

-Yeah, well, plainly they were wrong.

0:28:040:28:07

-I was suing them. They'd lost the body.

-Consider it found.

0:28:070:28:10

-Sasha, maybe we should...

-Yeah, hang on! Did you mourn me at all?

0:28:100:28:14

Course I did, course I did! We had a wake and everything.

0:28:140:28:17

A lovely big party. You'd have been pleased as punch.

0:28:170:28:20

Oh. Do you still love me?

0:28:200:28:23

-Course I do.

-Mm.

0:28:250:28:27

-Stay back!

-What? But it's just me, babes.

0:28:270:28:31

Don't do that. I'm just the same as I always have been.

0:28:310:28:35

Your little pumpkin.

0:28:350:28:37

Get away from me!

0:28:380:28:40

-Oh!

-Eurgh. Eurgh.

0:28:400:28:45

Gethin!

0:28:450:28:47

Geth!

0:28:470:28:49

Shall I, um...?

0:28:530:28:55

SQUELCHING

0:28:580:29:01

Uh. Oh.

0:29:010:29:03

-Mm.

-Oh.

0:29:030:29:05

Wow.

0:29:070:29:10

Oh.

0:29:130:29:14

Right, I'm gonna just...

0:29:150:29:18

SHE GASPS

0:29:200:29:22

Um...we should probably go, Sasha, cos he's bound to call the police.

0:29:220:29:27

No, he's not. What's he gonna say? "My dead girlfriend came back..."

0:29:270:29:32

Oh, cos I am dead.

0:29:320:29:34

Aren't I? I keep saying I'm not.

0:29:340:29:37

But...oh, I can smell myself.

0:29:370:29:39

Oh, God.

0:29:400:29:42

Well, there are worse things than being dead.

0:29:420:29:44

-Just look at me.

-You can be seen and heard by others.

0:29:440:29:47

-And I can't.

-What, you're really a ghost?

0:29:470:29:52

Yeah.

0:29:520:29:55

But you've stayed so pretty.

0:29:550:29:57

Like the dead stay pretty in our memories.

0:29:570:30:00

You don't think of them like me. You never picture them rotting.

0:30:000:30:04

But I can feel it happening inside me like heat, like a compost heap.

0:30:040:30:10

And I know what happens when things rot. They don't last.

0:30:100:30:14

No, no, you don't know that.

0:30:140:30:15

I mean, who knows what the rules are to this?

0:30:150:30:18

I thought when I died that would be it for everything and it wasn't.

0:30:180:30:22

And it doesn't have to be for you.

0:30:220:30:24

No, we can...we can help you find your way. It'll be fine.

0:30:240:30:28

DOOR OPENS

0:30:280:30:31

HE SIGHS

0:30:350:30:37

Nina, I'm sorry.

0:30:400:30:41

I really wish we were normal.

0:30:410:30:44

I really wish we were having a nice normal argument

0:30:440:30:47

about the pros and cons of unwanted pregnancy

0:30:470:30:49

but...

0:30:490:30:51

we are not normal.

0:30:510:30:53

-And maybe...

-It's not always about the wolf, George.

0:30:540:30:59

So, what are you saying?

0:30:590:31:01

I've got other stuff, old stuff, going on in my head.

0:31:010:31:04

It's...

0:31:040:31:07

SHE SIGHS: It's not you.

0:31:070:31:09

It's not you, it's me.

0:31:090:31:11

No, it's becoming a mother

0:31:110:31:15

and, um...all that means.

0:31:150:31:18

You see, um...

0:31:190:31:21

...my mum used to hit me.

0:31:220:31:25

All the time.

0:31:290:31:30

For my own good, you know, and she...

0:31:310:31:33

SHE SNIFFS

0:31:330:31:35

...always reminded me that, um, I was a mistake

0:31:370:31:40

and, er...I'd ruined her life,

0:31:400:31:43

and I was worthless, and I would never amount to anything.

0:31:430:31:46

She...

0:31:460:31:48

she made me hate myself.

0:31:480:31:50

I'm sorry. You've... you've never said.

0:31:500:31:54

No, there's never really a good time to bring up that conversation.

0:31:540:31:57

See, this...this thing inside me, whatever it is...

0:32:010:32:07

..it's a baby...

0:32:080:32:11

and I will become a mother,

0:32:110:32:13

and that terrifies me more than any werewolf bullshit.

0:32:130:32:18

SHE LAUGHS

0:32:190:32:21

You see, I was...I was pretty messed up even before you scratched me.

0:32:210:32:27

No, you're not.

0:32:270:32:29

You are strong and you are beautiful.

0:32:320:32:35

You are not in this alone. I will always be there.

0:32:350:32:39

I'm sorry.

0:32:400:32:42

It's not enough, George.

0:32:420:32:45

MUSIC PLAYS ON RADIO

0:32:470:32:49

-Are we having a party?

-Er...not quite.

0:32:490:32:53

It's getting-ready music. Girlie night out.

0:32:530:32:56

Thought Sasha needed something to cheer her up,

0:32:560:32:58

such as getting pissed in a loud, dark room that smells of sick.

0:32:580:33:02

Yeah, it is a fine tradition, but, er...

0:33:020:33:05

-Mm-hm?

-..won't she be seen?

0:33:050:33:08

Ah. Make-up.

0:33:080:33:10

Works wonders. Mm-hm!

0:33:100:33:12

HE SNIFFS

0:33:140:33:16

-And how are you?

-Me?

0:33:160:33:18

-Uh-huh.

-Oh, you know me.

0:33:180:33:21

Always chipper.

0:33:210:33:23

I never use the word chipper. I don't know why I used it then.

0:33:230:33:27

And you? Yourself? You. Are you...are you great today?

0:33:270:33:32

-Are you milking a cow in there?

-Ha-ha-ha!

0:33:320:33:36

So funny. Oh.

0:33:360:33:38

I must say, Mitchell, your old friend is very, very interesting.

0:33:380:33:43

-Two sugars, just like Mitchell.

-Oh, cheers, love. All right, big fella?

0:33:470:33:53

Graham was just telling me about the time you went skiing.

0:33:530:33:56

Funny. I don't remember that at all.

0:33:570:34:01

Well, it was more falling than skiing.

0:34:010:34:05

We spent more time that week on our backs, with snow in our mouths,

0:34:050:34:08

than on the skis.

0:34:080:34:10

I don't remember it because it didn't happen.

0:34:100:34:12

Yeah, he was tough back then too, when he was training me.

0:34:120:34:15

Such a hard taskmaster. All he used to say was, train, train, train.

0:34:150:34:18

Train, bloody train.

0:34:180:34:20

You remember that, Mitchell? Bloody train?

0:34:200:34:24

Yes!

0:34:250:34:27

Yes, I do, now that you mention it.

0:34:270:34:30

I don't know how I forgot about that. That's really weird.

0:34:300:34:32

We don't want to bore Annie with that.

0:34:320:34:36

-Why don't I give you the tour?

-Tour?

0:34:360:34:40

-Great.

-We have a tour?

0:34:430:34:46

-Yeah.

-Oh.

0:34:460:34:48

After you.

0:34:480:34:50

Oh.

0:34:530:34:55

And this is the cellar!

0:34:550:34:58

You...are in my home with my friends. That is a big no-no.

0:35:010:35:07

-They could be my friends, too.

-No, they couldn't!

0:35:070:35:10

And you've got a spare room. I could move in.

0:35:100:35:12

Be nice to have Annie down the corridor.

0:35:120:35:14

Don't you even think about it.

0:35:140:35:17

That girl, she's really holding a torch for you.

0:35:170:35:21

And I'm thinking she doesn't know, does she, about his greatest work.

0:35:210:35:27

About all those people you ripped apart on that train.

0:35:270:35:29

The Box Tunnel 20.

0:35:310:35:33

And I think she needs to know.

0:35:340:35:37

I think she needs to know about the real Mitchell.

0:35:380:35:41

See how she feels about him then.

0:35:410:35:43

Or we could maybe...

0:35:430:35:46

..just maybe forget about the whole thing.

0:35:470:35:49

Sit down, watch a bit of Wipeout. Have a biscuit.

0:35:500:35:54

I think that'd be for the best, don't you?

0:35:560:35:59

HE SIGHS

0:36:080:36:09

Listen, er... I've got a lot of stuff on tonight.

0:36:110:36:14

So, um...I'll catch you soon, yeah?

0:36:140:36:17

Come on, shake hands. I'll teach you the cool one.

0:36:180:36:22

Shake.

0:36:220:36:25

OK, so first it's the normal one, then clasp the thumb,

0:36:270:36:30

bit of that, bit of that, bump the fist, and we're done.

0:36:300:36:34

Not really feeling the friendship, though.

0:36:350:36:38

But we can work on that.

0:36:380:36:40

Mitchell.

0:36:400:36:43

All right, mate.

0:36:430:36:45

See you later.

0:36:460:36:48

MUSIC: Pretty Woman by Roy Orbison

0:36:520:36:54

# Pretty woman Walking down the street

0:36:570:37:01

# Pretty woman The kind I like to meet

0:37:010:37:05

# Pretty woman

0:37:050:37:07

# I don't believe you You're not the truth

0:37:080:37:12

# No-one could look as good as you

0:37:120:37:15

# Yeah, she's walking back to me

0:37:210:37:26

# Yeah, oh... #

0:37:280:37:30

SHE GIGGLES

0:37:300:37:34

# Pretty woman. #

0:37:340:37:35

-Wow.

-Wow. Wow, look at that.

0:37:380:37:40

-That is something else.

-You'd better believe it, baby.

0:37:400:37:43

-Let's go and shake our moneymaker.

-BOTH LAUGH AND SQUEAL

0:37:430:37:48

You look great.

0:37:480:37:50

You all do.

0:37:520:37:54

-Um...don't worry, I'm not drinking.

-Uh-huh.

0:37:540:37:57

Got to keep an eye on... Priscilla over there.

0:37:570:37:59

I'm the designated woman with a pulse.

0:37:590:38:02

I just thought it'd be good to, um... get out for a while, you know.

0:38:020:38:05

-SASHA LAUGHS

-Oh, yeah, no, no. No, it's great.

0:38:050:38:07

It's just...it's just a nice, normal night out with the girls.

0:38:070:38:11

Mm-hm. Or this.

0:38:110:38:13

SASHA GIGGLES

0:38:130:38:15

How's she coping, do you think? Has she come to terms with what she is?

0:38:150:38:18

Say it loud, I'm dead and I'm proud! Deal with it!

0:38:180:38:21

VEHICLE SOUNDS TOOTS

0:38:210:38:22

Ooh! Right, come on, ladies.

0:38:220:38:25

Those fellas aren't gonna shag 'emselves! Ha-ha!

0:38:250:38:29

Shag 'emselves!

0:38:290:38:31

Come on, Nina!

0:38:310:38:33

OK.

0:38:330:38:35

-VEHICLE MOTOR RUNS

-See you.

0:38:350:38:37

-Bye.

-Good luck.

0:38:370:38:39

Mitchell...

0:38:400:38:43

Shall we get pissed?

0:38:430:38:46

-You...are a genius, George.

-Mm-hm.

0:38:460:38:49

# ...Don't make a sound, voices in my head playing like an echo, echo... #

0:38:490:38:54

Five years we were together. Gone, like that. That's men for you.

0:38:540:39:00

Right, I am gonna show you how it's done.

0:39:000:39:04

You stay there and watch the master at work.

0:39:040:39:08

# Doo-doo-doo-doo, doo-doo-doo-doo

0:39:080:39:11

# Bang, bang, bang, on the wall

0:39:110:39:13

# From dusk till dawn

0:39:130:39:15

# Doo-doo-doo-doo, doo-doo-doo-doo

0:39:150:39:20

# Bang, bang, bang, on the wall

0:39:200:39:22

# From dusk till dawn

0:39:220:39:24

# Doo-doo-doo-doo Doo-doo-doo-doo... #

0:39:240:39:28

Oh, this is so not healthy.

0:39:310:39:33

She's just flirting.

0:39:340:39:37

She has every right to have fun.

0:39:370:39:40

-Come on.

-Oh, no.

0:39:400:39:42

-Oh, come on.

-No.

0:39:420:39:43

-Nina, come on. It'll be good for you.

-No, Annie. Please, no!

0:39:430:39:48

# Bang, bang, bang, on the wall From dusk till dawn... #

0:39:480:39:52

SHE SIGHS

0:39:540:39:56

-They should be back by now.

-They're all adults.

0:39:560:39:59

And two of them are dead.

0:39:590:40:01

I think they've seen the worst that life has to throw at them.

0:40:010:40:04

If you're worried, call Nina's mobile.

0:40:040:40:07

-I'm not worried.

-Mitchell, it's OK to care.

0:40:070:40:10

It's...it's just when we lost Annie, it's like that old cliche, isn't it?

0:40:100:40:16

You don't miss someone until they're gone. And I missed her.

0:40:160:40:20

I really missed her. And I've got this fear that I'll lose her again.

0:40:200:40:26

So, tell her.

0:40:260:40:27

Then I could really lose her.

0:40:270:40:29

And it would just make our friendship weird.

0:40:290:40:32

Or, just maybe, your friendship could become something else.

0:40:320:40:36

Something better.

0:40:360:40:38

MUSIC PLAYS

0:40:400:40:43

# Do it, do it, do it Do it, do it, do it, do it now... #

0:40:480:40:52

SHE GIGGLES

0:40:520:40:56

# Do it, do it, do it Do it, do it, do it, do it now... #

0:40:560:41:00

What? What?

0:41:020:41:04

Was I a bet?

0:41:040:41:06

BONES CRUNCH

0:41:190:41:23

BONES CRUNCH

0:41:260:41:27

SHE SOBS

0:41:270:41:30

Oh! Aah! Ow!

0:41:330:41:36

-Oh! Oh!

-GLASS BREAKS

0:41:360:41:39

Oh! Oh!

0:41:390:41:42

Aah! Aah!

0:41:420:41:45

Help me. Please.

0:41:450:41:47

Help me!

0:41:470:41:50

Oh! Aah!

0:41:500:41:52

-BONES CRUNCH

-Uh! Aah!

0:41:520:41:55

SHE WAILS

0:41:550:41:58

All right, Sasha.

0:41:580:42:00

OK, you're OK.

0:42:000:42:03

OK.

0:42:030:42:04

MUSIC: "No Surprises" by Radiohead

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# No alarms and no surprises... # DOOR OPENS AND SHUTS

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A bit of help here, please!

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-What's happened?

-Don't know. She just collapsed.

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-Nearly there. All right, onto the couch.

-What's wrong with her hands?

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Oh, my goodness.

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We don't know.

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SHE WHEEZES

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None of the others lived long enough for this to happen.

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Her body's still decaying.

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Maybe whatever it was that was keeping her moving

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just can't fight the decay any more.

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-I think we may have another problem.

-OK, Mitchell.

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I need you to go back to the hospital

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and borrow a little wheelchair.

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-Why?

-For Sasha.

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I'm gonna take her on a little jolly to the Millennium Stadium.

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And then we may well go on to the bay. It's lovely around there.

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-All the restaurants and boats and stuff.

-This is...

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Mitchell, I know what you're gonna say and I don't want to hear it.

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She has as much right to live a full and active life as the rest of us,

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and her condition should not be an issue,

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frankly, I'm a little disappointed in you for even bringing it up.

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-Annie, it's OK.

-I don't... What are you doing?

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-I don't want a hug.

-It's OK, it's OK.

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Shh.

0:43:260:43:28

Mm.

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You know, I hated her when we first met.

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It seems weird now.

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You're doing all you can for her.

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-You're a good friend.

-DOOR CLOSES

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-Annie?

-Oh, hey, Mitchell.

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Graham just popped by and wanted to know if we wanted anything.

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What?!

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-Mitchell, what are you doing?

-No, no, no, it's fine!

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It's fine. It's just a... it's a long-running joke we have.

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Ha-ha! The neck-grab game.

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-He loves it! Isn't that right, Graham?

-Yeah, he got me!

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Oh, ho-ho, ho-ho! You little monkey!

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Why don't me and you have a nice long chat about the good old days?

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You'd like that!

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It's a vampire tradition. Chill out.

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-Look at him go!

-Oh, I don't know.

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Vampires.

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It's over. We are done here.

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-You forgotten what I know about you?

-Screw it! Tell her.

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-I don't think you want me to talk.

-I don't care any more.

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Maybe it's time they knew what I really am.

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I don't deserve them as friends. I never have.

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So, how about this, right? You tell them what I did, or I will.

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-You're bluffing.

-Oh.

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If you think that, then you really don't know me at all, do you?

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I will not be your puppet any more.

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You are just a fat, pathetic wannabe

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with no friends and no personality of your own.

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You are nothing.

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SHE MOANS

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SHE SIGHS

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SASHA WHIMPERS

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Annie.

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-OK, I'm here.

-Annie.

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Don't let them take me, Annie.

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Don't let them burn me. Promise me you'll bury me.

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I promise. Promise.

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Oh, Mitchell. I, er... I met your oddball friend.

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-What?

-Graham?

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He's been looking for you.

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He seemed in a bit of a weird mood.

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What did he say?

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Um...he said, "Tell Mitchell I'm going to make him proud."

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Like you were his dad or something. What's that about?

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Oh, it's nothing. It's just a running joke we have. Forget about it.

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Bye.

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# You're bad, you know... #

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MITCHELL PANTS

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-You don't have to do this.

-You think I can't.

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You think I haven't got it in me.

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It isn't hard to do.

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The hard part is not doing it.

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And I failed, and I've regretted that every minute of every day since.

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Then you are weak.

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Who shall I do first?

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Maybe I'll take the child.

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Make the father watch.

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I killed my own children, you know.

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Ripped out their little throats.

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Drained 'em dry.

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Nothing's quite seemed real since then.

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I'm sorry for what's happened to you, I really am.

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I'm sorry I rejected you.

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But...

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this isn't the way.

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You don't get it, do you?

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I want to be the new legend that vampires whisper about in the night.

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The new king of blood.

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Starting from now.

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Apologies, ladies and gentlemen! Undercover ticket inspector!

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-Get your tickets out!

-Get off me!

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-He didn't have the right ticket!

-Bitch!

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Shut up, shh.

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GRAHAM GASPS

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So, what now, eh? You gonna kill me?

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Cos you don't kill other vampires, Mitchell. Cara proves that.

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D'you wanna throw me off the train? Go on, that's fine.

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Cos there's plenty of other trains. There's plenty of other targets.

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And I swear to you,

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what I am gonna do will make your little massacre

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look like a fucking paper cut.

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How messed about are we, huh, are vampires as a species,

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that my story can be seen as inspirational?

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It has to end.

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This story...has to die.

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And it's gonna hurt.

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I'm sorry.

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I'm so sorry.

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Tell...tell people that you liked me.

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I will.

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SASHA WHEEZES

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Do you know what I wish?

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I wish I'd done more.

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You know, of everything.

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Even the stupid stuff.

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Like, every night that I went home early cos I was a bit tired,

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I just wish I'd stayed out and danced and laughed

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and lived.

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Cos nights like that won't come your way again.

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Even Gethin.

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I just wish I'd loved him more.

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And kissed him more.

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And held him more.

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We talked about having a baby. I just kept on putting it off.

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Saying, you know, can't afford to this year. We're going to Belize.

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We're buying a new rug. A new car.

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What does any of that matter now?

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You got to promise me you won't let those chances pass you by.

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I promise.

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Cos it all goes. It all falls away.

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The looks.

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Money.

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Lovers, friends.

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Not all your friends.

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No.

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Not all your friends.

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And the ones that are there at the end are the real ones, aren't they?

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Yeah... Yeah.

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Thank you...

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for being my friend, Annie.

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It's easy.

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SHE SNIFFS

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Live, Annie.

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Seize the day.

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I will.

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-How is she?

-She's gone.

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Sorry.

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George.

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SHE SIGHS

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Would you like to have...

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a little...

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hairy baby with me?

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Yes, I would.

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HE CHUCKLES

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Are you OK?

0:54:350:54:37

No.

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No, I'm not.

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Listen, I need to...

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I need to tell you something.

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I've done such things, Annie.

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I've done such terrible...

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..unforgivable things.

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-And I need to tell you.

-No, you don't.

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-I need to do this.

-No, you don't.

0:55:190:55:22

Mitchell, listen.

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I know what you are.

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I've known since day one.

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But all those things you've done, they're in your past, right?

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It's who you are now that counts.

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And...and what you've done for me,

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..for George, for all of us...

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..that's the man I know.

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That's the man I trust.

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And...

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..that's the man I want.

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Do you forgive me?

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We need to know if the baby will survive the transformation.

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I've been such a bad girl.

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You can't outrun me. Definitely can't outfight me.

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You can't even outlive me.

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HE SNARLS

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Subtitles by Red Bee Media Ltd

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E-mail [email protected]

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