Browse content similar to The Longest Day. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Help with what?! -I'm pregnant! | 0:00:02 | 0:00:03 | |
-We're kind of... -An item! | 0:00:03 | 0:00:04 | |
That's amazing! | 0:00:04 | 0:00:06 | |
Somebody's going to get you. | 0:00:06 | 0:00:09 | |
Bang. | 0:00:09 | 0:00:10 | |
Well, good or bad, it's what happens next. | 0:00:12 | 0:00:15 | |
I am the beginning. | 0:00:16 | 0:00:18 | |
There will be more after me! | 0:00:19 | 0:00:21 | |
Do it! | 0:00:23 | 0:00:24 | |
ROARS | 0:00:24 | 0:00:27 | |
SCREAMING | 0:00:27 | 0:00:28 | |
This land is ours, and we have all the time in the world. | 0:00:28 | 0:00:34 | |
Aaarrrggghhh! | 0:00:34 | 0:00:40 | |
This programme contains some strong language | 0:00:40 | 0:00:42 | |
and some scenes which some viewers may find upsetting. | 0:00:42 | 0:00:45 | |
# Johnny, remember me... | 0:00:45 | 0:00:52 | |
# Well, it's hard to believe, I know | 0:00:52 | 0:00:54 | |
# But I hear her singing in the sighing of the wind | 0:00:54 | 0:00:58 | |
# Blowing in the treetops | 0:00:58 | 0:01:01 | |
# Way above me | 0:01:01 | 0:01:05 | |
# Johnny, remember me | 0:01:05 | 0:01:10 | |
# Yes, I'll always remember | 0:01:10 | 0:01:17 | |
# Till the day I die... # | 0:01:17 | 0:01:22 | |
Oh, God. | 0:01:28 | 0:01:30 | |
Georgio, how you doing, top gun? | 0:01:54 | 0:01:57 | |
Yeah, I know, mental in here. Look. | 0:01:57 | 0:02:01 | |
See that? Found it in the grounds. | 0:02:01 | 0:02:03 | |
He was having a piss in a bush and it throws itself at me. | 0:02:03 | 0:02:07 | |
Doo-twatting-lally. Won't even say its own name. | 0:02:07 | 0:02:11 | |
The law's going to take its photo, | 0:02:11 | 0:02:13 | |
put it on the news, see if anyone knows it. | 0:02:13 | 0:02:16 | |
And probably, they'll be wanting to interview me, and all. | 0:02:16 | 0:02:21 | |
Me on the telly! | 0:02:21 | 0:02:23 | |
That'll show my bastard brother-in-law. | 0:02:23 | 0:02:27 | |
Yeah, I've got a mate in imaging, | 0:02:41 | 0:02:45 | |
she owes me a favour, so she brought me in earlier. | 0:02:45 | 0:02:47 | |
I've still got some of that bloody jelly stuff. | 0:02:47 | 0:02:50 | |
Aw! | 0:02:50 | 0:02:52 | |
-You're holding it upside down. -Oh. | 0:02:52 | 0:02:56 | |
Aww, that's so sweet. | 0:02:56 | 0:03:00 | |
-Still there. -Yep. Still there. | 0:03:00 | 0:03:04 | |
-I thought I'd lost it. -But you didn't. | 0:03:06 | 0:03:10 | |
Nina, you didn't, it's all right. | 0:03:10 | 0:03:12 | |
It's OK, it can survive a transformation. It... | 0:03:12 | 0:03:16 | |
I hate calling it "it". The baby, the baby can survive! | 0:03:16 | 0:03:20 | |
We're going to have to have a treat tonight. | 0:03:21 | 0:03:24 | |
Big tea, major pudding and, oh, just happy times. | 0:03:24 | 0:03:28 | |
Ooh, and Jenga! | 0:03:28 | 0:03:30 | |
I'll see you back at the house. | 0:03:33 | 0:03:34 | |
Pissing Jenga. | 0:03:36 | 0:03:38 | |
MOBILE PHONE RINGS | 0:03:40 | 0:03:42 | |
George... | 0:03:44 | 0:03:45 | |
'Nina, it's him. I said it can't be him, but it's him, he's here...' | 0:03:45 | 0:03:49 | |
You're babbling. Slow down, breathe. | 0:03:49 | 0:03:52 | |
'It's definitely Herrick. He's here in the psych ward.' | 0:03:52 | 0:03:55 | |
What? | 0:03:55 | 0:03:56 | |
Look, it can't be, you've made a mistake. | 0:04:00 | 0:04:02 | |
There is no reflection! It's him! | 0:04:02 | 0:04:05 | |
This is the end. They take his photo, | 0:04:07 | 0:04:09 | |
they find out, they find out what he is. | 0:04:09 | 0:04:11 | |
This is the end. | 0:04:11 | 0:04:13 | |
Well, then we make a break for it. Now, just the two of us. | 0:04:13 | 0:04:18 | |
And go where? We will be hunted, every single one of us! | 0:04:18 | 0:04:22 | |
What are you doing? What are you doing? | 0:04:24 | 0:04:26 | |
I've no idea. | 0:04:26 | 0:04:28 | |
No, Nina, Nina, Nina, Nina... Oh, dear God. | 0:04:29 | 0:04:34 | |
MUFFLED CHATTER, TALK OVER RADIO | 0:04:38 | 0:04:41 | |
HERRICK WHISPERS TO HIMSELF | 0:04:41 | 0:04:44 | |
Mr Herrick? Do you know me? | 0:04:48 | 0:04:52 | |
OK, but I know you. My name's Nina. | 0:04:55 | 0:04:58 | |
Now, you want to get out of here, don't you? | 0:04:58 | 0:05:01 | |
I can help you. | 0:05:03 | 0:05:05 | |
I can help you get out of here, but you have to come now. | 0:05:05 | 0:05:08 | |
-Oh, my God. Oh, my God... -George. | 0:05:10 | 0:05:12 | |
Oh, my... What are you doing? | 0:05:12 | 0:05:14 | |
-Nina, did anyone see you? -I don't think so, come on, | 0:05:22 | 0:05:25 | |
before they figure it out. Come on! | 0:05:25 | 0:05:28 | |
Doors opening. | 0:05:30 | 0:05:32 | |
What floor? | 0:05:34 | 0:05:35 | |
Penthouse suite(!) What do you think? The basement! | 0:05:35 | 0:05:38 | |
-We can get out that way. Just hurry! -I'm trying. | 0:05:38 | 0:05:41 | |
Bloody move, you arseing lift! | 0:05:41 | 0:05:43 | |
Where are you taking me? | 0:05:43 | 0:05:45 | |
Just... It'll be all right, just trust us. | 0:05:45 | 0:05:48 | |
'Doors closing.' | 0:05:48 | 0:05:49 | |
'Doors opening.' | 0:05:50 | 0:05:52 | |
What the shite are you playing at, Brainiac? | 0:05:54 | 0:05:57 | |
-Do you know him? -Me? | 0:05:59 | 0:06:02 | |
Know him? Of course. | 0:06:02 | 0:06:05 | |
George, I can't believe you didn't say... | 0:06:05 | 0:06:07 | |
-Who is he, then? -This man? | 0:06:07 | 0:06:09 | |
This man here? LAUGHS | 0:06:09 | 0:06:12 | |
I will tell you exactly who this man is. | 0:06:12 | 0:06:16 | |
This man is my Uncle Billy. | 0:06:16 | 0:06:23 | |
'Doors closing.' | 0:06:28 | 0:06:29 | |
SCREAMING | 0:07:03 | 0:07:06 | |
You're going to be killed by a werewolf. A wolf-shaped bullet. | 0:07:11 | 0:07:15 | |
GUNSHOT | 0:07:15 | 0:07:17 | |
Mitchell?! | 0:07:17 | 0:07:19 | |
Yeah, coming. | 0:07:20 | 0:07:21 | |
Mitchell. | 0:07:21 | 0:07:23 | |
Yeah? What's up? | 0:07:31 | 0:07:32 | |
What's wrong? | 0:07:35 | 0:07:37 | |
Good job we've got plenty of rooms. | 0:07:37 | 0:07:40 | |
This will help with your dehydration. | 0:07:45 | 0:07:48 | |
You'll feel better. | 0:07:55 | 0:07:57 | |
Sip it very slowly. | 0:07:59 | 0:08:01 | |
He was in the acute unit. | 0:08:05 | 0:08:06 | |
The police were there, the bloody police! | 0:08:06 | 0:08:09 | |
They would have taken his photo and then... This isn't possible. | 0:08:09 | 0:08:13 | |
It can't be possible, but it's him. | 0:08:13 | 0:08:15 | |
It's definitely him. | 0:08:17 | 0:08:19 | |
Is it him, Mitchell? | 0:08:20 | 0:08:21 | |
Mitchell. Mitchell? | 0:08:28 | 0:08:29 | |
What are we going to do? | 0:08:31 | 0:08:32 | |
Stake him. | 0:08:35 | 0:08:37 | |
What did he say? | 0:08:37 | 0:08:39 | |
It is him, isn't it? I mean, I know it's him. | 0:08:44 | 0:08:47 | |
But it's not him, but it is him, isn't it? | 0:08:47 | 0:08:50 | |
It's him. | 0:08:50 | 0:08:51 | |
You're going to do it now? Mitchell, wait! | 0:08:53 | 0:08:55 | |
-Come here, you prick! -Wait. | 0:08:56 | 0:08:59 | |
Mitchell, wait. Mitchell! | 0:08:59 | 0:09:02 | |
Mitchell, wait, no! | 0:09:03 | 0:09:06 | |
Help me! | 0:09:07 | 0:09:08 | |
Wait! George, please, do something! Just wait! | 0:09:08 | 0:09:12 | |
THEY ALL SHOUT | 0:09:12 | 0:09:14 | |
Come on! | 0:09:15 | 0:09:17 | |
-Get up! Get up! -< Please, no! | 0:09:18 | 0:09:22 | |
MAN SCREAMS | 0:09:23 | 0:09:25 | |
Please, someone... George! | 0:09:25 | 0:09:28 | |
No! No! | 0:09:29 | 0:09:30 | |
Help me! Help me! | 0:09:33 | 0:09:35 | |
Don't! | 0:09:37 | 0:09:38 | |
DOORBELL RINGS | 0:09:42 | 0:09:44 | |
Shit, there's somebody at the door! What do they want? | 0:09:44 | 0:09:46 | |
Annie, would you mind? | 0:09:46 | 0:09:47 | |
Yes. No. I mean, I'll look, but.. | 0:09:48 | 0:09:51 | |
Don't do anything. | 0:09:53 | 0:09:55 | |
Just stay where you are. | 0:09:56 | 0:09:59 | |
< Is it the Jehovah's? | 0:10:01 | 0:10:03 | |
MOBILE PHONE RINGS | 0:10:03 | 0:10:05 | |
Shit! Shit it! | 0:10:05 | 0:10:08 | |
Barbara, yeah, I'm outside the house now. | 0:10:08 | 0:10:12 | |
I it the Jehovah's? I knew I shouldn't have been nice. | 0:10:12 | 0:10:15 | |
It's social services, it's got to be. | 0:10:15 | 0:10:17 | |
She looks knackered and she has terrible hair. | 0:10:17 | 0:10:19 | |
What? What? What? What? What? What? What? | 0:10:19 | 0:10:24 | |
What, what, what do they want? | 0:10:24 | 0:10:27 | |
At a wild guess, I'd say they'd like to know | 0:10:27 | 0:10:30 | |
how my Uncle Billy from Bristol came to be in a Barry psych ward. | 0:10:30 | 0:10:36 | |
Now, Mr Herrick, let's get you upstairs | 0:10:36 | 0:10:40 | |
and we can run you a nice warm bath. | 0:10:40 | 0:10:42 | |
What's happening? Why's he trying to hurt me? | 0:10:42 | 0:10:44 | |
HE MOUTHS I'm sorry, it won't happen again. | 0:10:44 | 0:10:47 | |
You promised me I'd be safe and he... | 0:10:47 | 0:10:49 | |
Who are you people? | 0:10:49 | 0:10:51 | |
I'll explain later, OK? | 0:10:51 | 0:10:53 | |
But right now, I need to get you upstairs. OK? | 0:10:53 | 0:10:56 | |
George, get the door, try and act normal. | 0:10:56 | 0:10:58 | |
-I think I'm going to be sick. -Who's Uncle Billy? | 0:10:58 | 0:11:02 | |
We had to think of something. | 0:11:04 | 0:11:06 | |
There were police. They were going to take photos. | 0:11:06 | 0:11:08 | |
DOORBELL RINGS | 0:11:08 | 0:11:09 | |
KNOCK ON DOOR | 0:11:09 | 0:11:11 | |
Oh, God. Oh, God. | 0:11:11 | 0:11:13 | |
Just look normal. Look normal! Be normal! | 0:11:13 | 0:11:17 | |
Sorry, I wasn't sure if the bell was working. | 0:11:19 | 0:11:22 | |
-The bell, is it not working? -I don't know. | 0:11:22 | 0:11:24 | |
That is completely unacceptable. | 0:11:24 | 0:11:25 | |
Mitchell, this is... | 0:11:25 | 0:11:27 | |
This is Wendy, and Wendy is a community psychiatric nurse! | 0:11:27 | 0:11:31 | |
Isn't that something? Isn't that just... | 0:11:31 | 0:11:34 | |
I mean, "Wow," is all I can say. "Mega wow!" | 0:11:34 | 0:11:37 | |
Oh, the vista? I know. Oh, God! | 0:11:38 | 0:11:41 | |
Sometimes, we pretend to surf in front of it. | 0:11:41 | 0:11:44 | |
Don't we, Mitchell, don't we? | 0:11:44 | 0:11:46 | |
Yeah, sometimes we do. | 0:11:46 | 0:11:49 | |
It's the wind in your hair, the salt spray on your face, | 0:11:49 | 0:11:52 | |
and it's just you and the ocean. | 0:11:52 | 0:11:55 | |
Sometimes we have a barbie and beers on the beach. Crazy days, Wendy. | 0:11:55 | 0:12:02 | |
Crazy days and crazy, crazy nights... Tea? | 0:12:02 | 0:12:07 | |
Cocking hell. | 0:12:12 | 0:12:15 | |
Oh, it's my lunch. I wondered what had happened to it. | 0:12:17 | 0:12:22 | |
Oh, thanks, just what I need. | 0:12:23 | 0:12:26 | |
Spitting feathers, I am. Bloody druids. | 0:12:26 | 0:12:30 | |
Sorry? | 0:12:30 | 0:12:32 | |
Why I wasn't able to meet you at the hospital | 0:12:32 | 0:12:34 | |
and drive you home - it's the bloody druids. | 0:12:34 | 0:12:35 | |
Having one of their bonanzas. All of them, on the ley lines. | 0:12:35 | 0:12:39 | |
They're blocking off the road. | 0:12:39 | 0:12:40 | |
There are queues going right back. Everyone's effing and jeffing. | 0:12:40 | 0:12:43 | |
I'll take that for you, shall I? | 0:12:43 | 0:12:45 | |
I mean, they call themselves druids, | 0:12:45 | 0:12:46 | |
but I recognised quite a few faces from B&Q | 0:12:46 | 0:12:49 | |
so I asked them, "Where's my sodding kitchen units?" | 0:12:49 | 0:12:51 | |
Be with me Monday, apparently. | 0:12:51 | 0:12:53 | |
They've been saying that for two weeks. Bastards. | 0:12:53 | 0:12:56 | |
I hope a standing stone falls on them. | 0:12:58 | 0:13:00 | |
-Excuse me if I'm talking a lot - I had three Red Bulls in the car. -Ah! | 0:13:00 | 0:13:04 | |
-PHONE BEEPS -Anyhow... | 0:13:04 | 0:13:05 | |
won't take up too much of your time, I know it's getting late, | 0:13:05 | 0:13:08 | |
just got to dot the Is, cross the Ts. | 0:13:08 | 0:13:10 | |
Then, if anything goes wrong, | 0:13:10 | 0:13:12 | |
it won't be me doorstepped by the tabloids. | 0:13:12 | 0:13:14 | |
Little social services in-joke for you there - | 0:13:15 | 0:13:18 | |
never fails to crack me up. | 0:13:18 | 0:13:19 | |
You've got the details of your uncle's doctor, | 0:13:21 | 0:13:24 | |
his medication, his care pathway? | 0:13:24 | 0:13:25 | |
Yeah, I-I can't quite remember all of it. | 0:13:25 | 0:13:30 | |
No, don't worry, because it'll all be in here. | 0:13:30 | 0:13:32 | |
Once it plays ball. Just...work! | 0:13:32 | 0:13:36 | |
Oh, work. Work or I'll bitchslap you! | 0:13:36 | 0:13:40 | |
PHONE RINGS | 0:13:40 | 0:13:42 | |
Not again. It's, yes, my line manager. I'm sorry. | 0:13:42 | 0:13:47 | |
-No, it's... I'll... -Barbara. | 0:13:47 | 0:13:49 | |
It's going to happen all over again. | 0:14:07 | 0:14:09 | |
It's not. We get rid of him. | 0:14:09 | 0:14:12 | |
We wait for her to do whatever she has to do | 0:14:12 | 0:14:14 | |
and then we get rid of him. | 0:14:14 | 0:14:15 | |
I don't understand - how is he here? | 0:14:15 | 0:14:17 | |
Here, in bloody Barry, in the hospital where we work, how? | 0:14:17 | 0:14:20 | |
I don't know. Stop asking me. | 0:14:20 | 0:14:22 | |
I ripped him to shreds. I killed him. | 0:14:22 | 0:14:25 | |
Let's keep our voices down, shall we? | 0:14:25 | 0:14:27 | |
I ripped his head off and you said... | 0:14:27 | 0:14:28 | |
you said that would be it, no-one survives werewolf attack. | 0:14:28 | 0:14:31 | |
It's the end, there is no coming back, so you tell me - | 0:14:31 | 0:14:34 | |
how has he survived? | 0:14:34 | 0:14:36 | |
I don't know! I don't have all the answers! | 0:14:36 | 0:14:39 | |
I just know that we need to get rid of him tonight. | 0:14:39 | 0:14:41 | |
But he doesn't know us. Not you! Of all people, he should know you. | 0:14:41 | 0:14:45 | |
And George and Nina. | 0:14:45 | 0:14:48 | |
He's supposed to hate werewolves but he was holding Nina's hand. | 0:14:48 | 0:14:51 | |
And what? What? You think he's all cured? | 0:14:51 | 0:14:54 | |
He's better now? He's bluffing! Why can't anyone see that?! | 0:14:54 | 0:14:58 | |
That noise that he made, that noise. He was so scared, | 0:14:58 | 0:15:01 | |
It was horrible, it was so...so human. | 0:15:01 | 0:15:06 | |
But he's not human. He's far from it. | 0:15:06 | 0:15:09 | |
Couldn't we just give him some clothes and some money | 0:15:09 | 0:15:14 | |
and drive him somewhere and just set him free? | 0:15:14 | 0:15:18 | |
Oh, yeah, that's brilliant! Why didn't I think of that? | 0:15:18 | 0:15:21 | |
Genius! Set him free?! For fuck's sake, Annie! | 0:15:21 | 0:15:24 | |
Don't talk to me like that! | 0:15:25 | 0:15:26 | |
Say something sensible, then! Jesus! | 0:15:26 | 0:15:28 | |
George, you understand, don't you? | 0:15:28 | 0:15:30 | |
You know there's only one way? | 0:15:30 | 0:15:32 | |
I can't do it, I can't do it, I can't... | 0:15:32 | 0:15:34 | |
Hey, hey, I'm not asking you to do anything. I'll do it. | 0:15:34 | 0:15:36 | |
But it has to be done. Agreed? | 0:15:36 | 0:15:39 | |
-WHISPERS: -Yes. | 0:15:43 | 0:15:44 | |
-Yes. -Right. It's decided. | 0:15:46 | 0:15:49 | |
-BUZZER RASPS -Bloody hell, what's that? | 0:15:50 | 0:15:52 | |
It's the timer for the meringues. | 0:15:52 | 0:15:54 | |
I was going to make Eton mess to celebrate. | 0:15:54 | 0:15:57 | |
Celebrate? Celebrate what? | 0:15:57 | 0:15:59 | |
Me still being pregnant, if you're interested. | 0:15:59 | 0:16:02 | |
Of course I'm still interested. | 0:16:02 | 0:16:04 | |
Of course I'm... That's wonderful, Nina. | 0:16:04 | 0:16:07 | |
All done, phone call over. | 0:16:07 | 0:16:11 | |
So, let's make a start, then I can get out of your hair. | 0:16:11 | 0:16:13 | |
MAN SCREAMS | 0:16:31 | 0:16:34 | |
If you wouldn't mind. A new face, it might scare him. | 0:16:36 | 0:16:40 | |
SCREAMING CONTINUES | 0:16:50 | 0:16:53 | |
George, wait, I don't want anybody going up there! | 0:17:00 | 0:17:02 | |
You are making things worse. George, get him some clean clothes. | 0:17:02 | 0:17:05 | |
George, get the man out of the attic, I don't want anybody going up there. | 0:17:05 | 0:17:07 | |
What does it matter what room they're in? | 0:17:07 | 0:17:08 | |
-It just does. -No, what matters is keeping him quiet, | 0:17:08 | 0:17:10 | |
answering her questions, looking like "appropriate carers", | 0:17:10 | 0:17:13 | |
and she goes, and we can... No, you. ...then you can do it. | 0:17:13 | 0:17:16 | |
And it's done. | 0:17:16 | 0:17:17 | |
-All right, Mr Herrick. -There was nothing in the mirror! | 0:17:17 | 0:17:20 | |
You see, it was a trick mirror. A joke. | 0:17:37 | 0:17:41 | |
It wasn't very funny! | 0:17:41 | 0:17:43 | |
No, it was silly, we were silly. Weren't we, George? | 0:17:43 | 0:17:46 | |
Yes, very silly. | 0:17:49 | 0:17:50 | |
You see, the thing is, Mr Herrick, downstairs there's a lady | 0:17:50 | 0:17:57 | |
and she'd like to talk with you, see if you're happy. | 0:17:57 | 0:18:02 | |
I should tell her about him, the dark one, attacking me. | 0:18:02 | 0:18:05 | |
No. No, you see, you can't do that. Um... | 0:18:05 | 0:18:08 | |
You'd be taken away, there'd be police. | 0:18:08 | 0:18:13 | |
-And would you get in trouble? -Yes, yes. A lot of trouble. | 0:18:13 | 0:18:19 | |
So, you want me to lie? | 0:18:19 | 0:18:21 | |
No, no. Not lie, exactly. Just not tell. | 0:18:21 | 0:18:27 | |
Can you do that for me? Hmm? | 0:18:27 | 0:18:31 | |
Please? | 0:18:32 | 0:18:34 | |
I'd like to get dressed now. | 0:18:49 | 0:18:51 | |
DOORBELL RINGS | 0:19:18 | 0:19:20 | |
Tena Lady moment! | 0:19:21 | 0:19:23 | |
DOORBELL RINGS | 0:19:31 | 0:19:32 | |
Shall I get that? | 0:19:32 | 0:19:34 | |
Can I help you? | 0:19:44 | 0:19:45 | |
-Is Mitchell here? -< Mitchell! | 0:19:46 | 0:19:49 | |
Er, is that the Irishman? | 0:19:49 | 0:19:50 | |
Yes, yes, he's in. He's a bit busy at the moment but... | 0:19:50 | 0:19:54 | |
-You have to invite me in. -No, don't invite her in. | 0:19:55 | 0:19:58 | |
Proper manners! Oh, my mother would have loved you! Come in. | 0:19:58 | 0:20:01 | |
< Shit! Mitchell! | 0:20:03 | 0:20:06 | |
Been camping? | 0:20:10 | 0:20:11 | |
Sorry, who are you? | 0:20:13 | 0:20:15 | |
Cara! Here you are. | 0:20:15 | 0:20:18 | |
The room's all ready for you, darling. | 0:20:18 | 0:20:21 | |
I need to talk to you. | 0:20:21 | 0:20:22 | |
Yeah, no worries, you just hang a left here, just head down there. | 0:20:22 | 0:20:26 | |
Mr Mitchell? | 0:20:26 | 0:20:27 | |
-Yeah? -Is she all right? | 0:20:27 | 0:20:29 | |
Oh, yeah, yeah, yeah. She's a hard-core raver. | 0:20:29 | 0:20:33 | |
Festival season. | 0:20:33 | 0:20:34 | |
She looks like she's just fallen off a park bench now, | 0:20:34 | 0:20:37 | |
but a hot shower and some beans on toast | 0:20:37 | 0:20:39 | |
and she's back to the building society in her navy suit. | 0:20:39 | 0:20:42 | |
Of course! Raving. | 0:20:42 | 0:20:44 | |
Well, I was young once, too. | 0:20:44 | 0:20:46 | |
Once. | 0:20:48 | 0:20:49 | |
Of course you were. Why don't you take a seat in here? | 0:20:49 | 0:20:52 | |
I'll be with you in a second. | 0:20:52 | 0:20:53 | |
-WHISPERS: -Stay here. | 0:20:53 | 0:20:54 | |
Pleased to see me, then? | 0:20:58 | 0:20:59 | |
Nina, what if he says something? What if he tells? | 0:21:02 | 0:21:05 | |
Then we'll be in deep shit. | 0:21:05 | 0:21:06 | |
Hey, what is it? | 0:21:08 | 0:21:09 | |
Just now, in the kitchen, you agreed to murder. | 0:21:10 | 0:21:14 | |
It's not the same. | 0:21:17 | 0:21:19 | |
No thought, no question, just agreed. | 0:21:19 | 0:21:22 | |
I know this is really difficult for you to understand | 0:21:22 | 0:21:24 | |
because you weren't really there, but Herrick is dangerous. | 0:21:24 | 0:21:27 | |
He wasn't the one looking dangerous to me. | 0:21:27 | 0:21:30 | |
In seven months' time, we're going to have a baby. | 0:21:34 | 0:21:37 | |
I don't want our baby to have a father | 0:21:37 | 0:21:40 | |
who sticks his fingers in his ears... | 0:21:40 | 0:21:42 | |
I'm not listening to this. | 0:21:42 | 0:21:43 | |
...and agrees to murder, like it's nothing! | 0:21:43 | 0:21:45 | |
SIGHS | 0:21:54 | 0:21:55 | |
Ages it's taken me to find you. Tracked the dogs. | 0:21:59 | 0:22:02 | |
Knew you wouldn't be too far behind them. | 0:22:02 | 0:22:04 | |
What are you doing here? | 0:22:04 | 0:22:05 | |
Need your help. With Herrick. | 0:22:05 | 0:22:09 | |
Oh, great(!) You know about him? | 0:22:09 | 0:22:10 | |
Of course I bloody know! I brought him back! | 0:22:10 | 0:22:12 | |
He run off from me at the hospital. I need to find him. | 0:22:12 | 0:22:15 | |
You brought him back? | 0:22:15 | 0:22:18 | |
Oh, well, aren't you the clever girl(?) | 0:22:18 | 0:22:22 | |
He told me how to do it. He's our captain. | 0:22:22 | 0:22:26 | |
He'd always find a way, and he told me, and I done it to the letter, | 0:22:26 | 0:22:28 | |
but he don't know me, he don't know what he's for. | 0:22:28 | 0:22:32 | |
-Bullshit! He remembers! -He doesn't! | 0:22:32 | 0:22:34 | |
I've bled myself near enough out over and over, | 0:22:34 | 0:22:37 | |
just so he can get a taste and realise, but he just screams. | 0:22:37 | 0:22:41 | |
You're the only one who can make him how he's supposed to be. | 0:22:41 | 0:22:45 | |
How did he come back? | 0:22:45 | 0:22:46 | |
What's it matter to you all of a sudden? | 0:22:46 | 0:22:48 | |
Cara, Cara, listen to me, I need to know, OK? | 0:22:48 | 0:22:52 | |
I really need to know because... | 0:22:52 | 0:22:54 | |
I've been told that I'm going to get got. All right? | 0:22:56 | 0:22:58 | |
I don't know when, but one full moon, a werewolf is going to kill me, Cara, | 0:22:58 | 0:23:02 | |
and I'm not willing to accept that...that...er...? | 0:23:02 | 0:23:05 | |
-Prophecy? -Yeah. I won't have it. | 0:23:05 | 0:23:08 | |
I don't want to die, sweetheart, so you'll have to tell me. | 0:23:08 | 0:23:11 | |
I'll tell you, just as soon as you make my Herrick right. | 0:23:11 | 0:23:15 | |
Tit for tat, Mitchell. Tit for tat. | 0:23:15 | 0:23:18 | |
Hello? | 0:23:21 | 0:23:23 | |
Hello? | 0:23:24 | 0:23:25 | |
Can you hear me? Nina? | 0:23:26 | 0:23:29 | |
Mr Mitchell? | 0:23:29 | 0:23:32 | |
DOOR CREAKS AND CLOSES | 0:23:41 | 0:23:43 | |
Hello? | 0:23:52 | 0:23:54 | |
Mr Mitchell? | 0:24:02 | 0:24:04 | |
CROCKERY SHATTERS | 0:24:06 | 0:24:08 | |
Bollocks! | 0:24:08 | 0:24:10 | |
You help me with my darling, we'll tell you the secret. | 0:24:13 | 0:24:16 | |
And then me, you and Herrick, | 0:24:16 | 0:24:19 | |
we'll be unstoppable! | 0:24:19 | 0:24:20 | |
Wendy was calling you. She was going to come down here. | 0:24:22 | 0:24:25 | |
What? What does she want? | 0:24:25 | 0:24:27 | |
-Where are the others? -She's up there on her own. | 0:24:30 | 0:24:33 | |
Don't leave this room. | 0:24:34 | 0:24:35 | |
I'm going nowhere, Big Bad John. | 0:24:35 | 0:24:37 | |
MITCHELL: Uncle Billy's welcome here. Whatever he needs is good with us. | 0:24:49 | 0:24:53 | |
-WENDY: -That's so kind. Really generous. | 0:24:53 | 0:24:56 | |
MITCHELL: The poor guy's been through so much. | 0:24:56 | 0:24:58 | |
The least anyone can do is show a little compassion, you know? | 0:24:58 | 0:25:01 | |
How's he doing? | 0:25:04 | 0:25:06 | |
Much better, yeah, much, um... much calmer. | 0:25:06 | 0:25:10 | |
Mmm. So, I'll need to look round the house | 0:25:10 | 0:25:12 | |
and assess the suitability of the environment. | 0:25:12 | 0:25:15 | |
Again, that's just ticking boxes. | 0:25:15 | 0:25:18 | |
Yep. Er, cool, I'll leave you to it. | 0:25:18 | 0:25:20 | |
No, no, I've got some more questions, so if we all go, | 0:25:20 | 0:25:23 | |
then if any issues arise, we can chat through as a group. | 0:25:23 | 0:25:28 | |
You and your uncle must be very close for him to want to follow you. | 0:25:36 | 0:25:39 | |
-Is there no other family? -No, no, just us. | 0:25:39 | 0:25:42 | |
It must have really upset him when you left Bristol. | 0:25:42 | 0:25:45 | |
-What brought you here? -Work. | 0:25:45 | 0:25:48 | |
It's like that Tracey Thingy. | 0:25:52 | 0:25:55 | |
With the bed. | 0:25:55 | 0:25:57 | |
It's a contemplation room. | 0:25:57 | 0:25:59 | |
I tried that. Contemplation, meditation. | 0:26:01 | 0:26:05 | |
Ended up boring myself. | 0:26:05 | 0:26:07 | |
I was given the preliminary report from the hospital, | 0:26:08 | 0:26:13 | |
what your uncle said when he was found. | 0:26:13 | 0:26:16 | |
It's quite...distressing. | 0:26:16 | 0:26:19 | |
Oh? | 0:26:19 | 0:26:20 | |
He kept talking about a woman bleeding on him. | 0:26:20 | 0:26:26 | |
Trying to make him drink her blood. | 0:26:27 | 0:26:29 | |
I'm sorry, Nina, I mean, it's so ugly, | 0:26:30 | 0:26:33 | |
but there are people out there who prey on the vulnerable, | 0:26:33 | 0:26:37 | |
and if there's abuse, then we need to inform the police. | 0:26:37 | 0:26:40 | |
He hasn't said anything to you, has he? | 0:26:40 | 0:26:42 | |
No. | 0:26:42 | 0:26:44 | |
So where does that come from, then? | 0:26:44 | 0:26:46 | |
I don't know. | 0:26:46 | 0:26:48 | |
You have to wonder what kind of movies he's been watching. | 0:26:48 | 0:26:50 | |
Poor Billy. | 0:26:52 | 0:26:54 | |
Can I borrow your loo? I'm completely bursting. | 0:26:56 | 0:26:58 | |
Think you're a proper princess, you. Looking down your nose at me. | 0:27:02 | 0:27:06 | |
But I got something you daren't even dream of. | 0:27:06 | 0:27:09 | |
What's that? | 0:27:09 | 0:27:10 | |
A demon lover. | 0:27:10 | 0:27:12 | |
How did it happen? | 0:27:18 | 0:27:19 | |
You being made, I mean. | 0:27:19 | 0:27:21 | |
He came for me at night. After my shift. | 0:27:21 | 0:27:24 | |
I locked up and took the rubbish out the back, and there he was. | 0:27:24 | 0:27:28 | |
He smiled at me and took me in his arms. | 0:27:29 | 0:27:33 | |
He said I was his bride in glory. | 0:27:33 | 0:27:35 | |
And the world was all sparkles and gold. | 0:27:35 | 0:27:38 | |
Mm. A knee-trembler by the bins. | 0:27:38 | 0:27:41 | |
That's enough to put stars in any girl's eyes. | 0:27:41 | 0:27:43 | |
You wouldn't understand. | 0:27:43 | 0:27:46 | |
Oh, I dunno. | 0:27:46 | 0:27:48 | |
I think we've got quite a lot in common. | 0:27:48 | 0:27:51 | |
I, er, loved my fiance, | 0:27:51 | 0:27:54 | |
put my heart on a plate for him. | 0:27:54 | 0:27:57 | |
And he killed me. | 0:27:57 | 0:27:59 | |
Herrick didn't kill me. He chose me because I was special! | 0:27:59 | 0:28:03 | |
He made me part of the master race! | 0:28:03 | 0:28:06 | |
Everything I am is for him, and he loves me! | 0:28:06 | 0:28:09 | |
But he doesn't know you, does he? He doesn't know any of us. | 0:28:09 | 0:28:12 | |
So if he doesn't know you, doesn't remember, | 0:28:12 | 0:28:15 | |
then it's all over, isn't it? | 0:28:15 | 0:28:18 | |
What do you mean, he doesn't know you? He's up at that hospital. | 0:28:18 | 0:28:22 | |
No, he's upstairs. But we could help you, I could help you. | 0:28:22 | 0:28:26 | |
Cara, please, we all can help... | 0:28:26 | 0:28:28 | |
-WENDY: -Barbara, can I call you back? | 0:28:29 | 0:28:32 | |
No, it's just I'm actually on the toilet, | 0:28:32 | 0:28:34 | |
doing an actual wee... | 0:28:34 | 0:28:36 | |
RAPID FOOTSTEPS What the hell is that? | 0:28:36 | 0:28:38 | |
Don't move. I'll deal with it. | 0:28:42 | 0:28:43 | |
NINA: George! | 0:28:45 | 0:28:46 | |
George! | 0:28:46 | 0:28:48 | |
George! | 0:28:48 | 0:28:50 | |
You! | 0:28:54 | 0:28:55 | |
Darling, we have to go now. This isn't the place for you. | 0:28:55 | 0:28:58 | |
Don't be scared. Not of me. | 0:28:58 | 0:29:01 | |
What you doing, darling? They're not fit to lick your boots! | 0:29:03 | 0:29:07 | |
I want her gone. | 0:29:07 | 0:29:09 | |
-The disgusting things she's done to me! -Don't worry, don't worry. | 0:29:09 | 0:29:12 | |
I won't let her hurt you. | 0:29:12 | 0:29:14 | |
Cara, come on, let's go. | 0:29:14 | 0:29:16 | |
You have to remember now. | 0:29:16 | 0:29:18 | |
Tell 'em who we are. | 0:29:18 | 0:29:20 | |
Because you know me, really, don't you? | 0:29:20 | 0:29:22 | |
I'm your Cara, the chosen one. | 0:29:22 | 0:29:25 | |
Together, we are divinity. | 0:29:25 | 0:29:28 | |
That's it. | 0:29:36 | 0:29:37 | |
That's it. See? | 0:29:38 | 0:29:41 | |
Don't need your pity or your help. | 0:29:41 | 0:29:43 | |
I have my Captain. Don't I, my love? | 0:29:45 | 0:29:48 | |
You obscene bitch. | 0:29:49 | 0:29:51 | |
You filth. | 0:29:51 | 0:29:54 | |
I can smell your stink, and it turns my stomach. | 0:29:54 | 0:29:58 | |
I'm nothing without you. | 0:29:59 | 0:30:01 | |
Well, then. | 0:30:02 | 0:30:04 | |
You are nothing. | 0:30:04 | 0:30:05 | |
CARA SOBS | 0:30:09 | 0:30:11 | |
Don't you look ugly when you're crying? | 0:30:12 | 0:30:14 | |
Cara, come on. | 0:30:16 | 0:30:18 | |
Come on. Let's get you out of here. | 0:30:19 | 0:30:21 | |
Let's go. Let's have a little chat, yeah? | 0:30:21 | 0:30:24 | |
Come on, let's go. | 0:30:24 | 0:30:25 | |
-Cara, come on. Cara, Cara! -Get off! | 0:30:25 | 0:30:28 | |
No! | 0:30:30 | 0:30:31 | |
Argh! | 0:30:33 | 0:30:36 | |
WENDY: Here you all are! | 0:30:49 | 0:30:50 | |
What's going on in here, then? | 0:30:51 | 0:30:53 | |
Are you smoking? | 0:30:57 | 0:30:58 | |
Fantastic! Oh, thank you, Jesus! | 0:31:00 | 0:31:03 | |
I'm supposed to be giving up, but...sod it! | 0:31:03 | 0:31:07 | |
Always keep one for emergency. | 0:31:07 | 0:31:09 | |
You must be Uncle Billy. | 0:31:15 | 0:31:17 | |
Hello. | 0:31:19 | 0:31:21 | |
Poor Cara, huh? | 0:31:36 | 0:31:37 | |
Having all that love thrown back in her face. | 0:31:37 | 0:31:39 | |
She killed... | 0:31:39 | 0:31:41 | |
and killed and killed. Don't waste your time on her. | 0:31:41 | 0:31:43 | |
You felt the same. | 0:31:43 | 0:31:45 | |
I saw the way you looked. | 0:31:45 | 0:31:46 | |
What did you want to talk to her about? | 0:31:48 | 0:31:50 | |
What was so important that made you look like that? | 0:31:50 | 0:31:52 | |
Mitchell? | 0:31:54 | 0:31:56 | |
-What do you want from me? -Nothing. | 0:31:56 | 0:31:57 | |
Don't change the subject. | 0:31:58 | 0:32:00 | |
You want every little corner of me. | 0:32:00 | 0:32:03 | |
But I just don't want to give it. | 0:32:03 | 0:32:04 | |
Why are you being like this? | 0:32:06 | 0:32:07 | |
Oh, come on. Don't tell me you haven't noticed. | 0:32:07 | 0:32:09 | |
All the bright smiles and the chat. | 0:32:09 | 0:32:13 | |
It doesn't make up for what just isn't there. | 0:32:13 | 0:32:15 | |
No. | 0:32:15 | 0:32:16 | |
No, you came and got me, you saved me and you said that you loved me. | 0:32:16 | 0:32:19 | |
I was in love with the idea of being a hero, | 0:32:19 | 0:32:22 | |
a rescuer, your saviour. | 0:32:22 | 0:32:25 | |
That's what I was in love with. Not you. | 0:32:25 | 0:32:27 | |
It's for the best. One day, you'll realise. | 0:32:27 | 0:32:29 | |
SOBBING | 0:32:45 | 0:32:48 | |
ELECTRICITY FIZZES AND CRACKLES | 0:32:55 | 0:32:58 | |
And you walked all the way? | 0:32:59 | 0:33:01 | |
You must be very tired. | 0:33:01 | 0:33:03 | |
-Yeah. My...my feet hurt. -They must do. | 0:33:03 | 0:33:06 | |
But you don't remember anything else, Mr Herrick? Nothing at all? | 0:33:06 | 0:33:10 | |
Just that I was walking and I was scared. | 0:33:10 | 0:33:15 | |
Really scared. | 0:33:17 | 0:33:19 | |
And then, er, Nina was there. | 0:33:20 | 0:33:22 | |
And how about here, Mr Herrick? Is this a good place for you to be? | 0:33:24 | 0:33:27 | |
Do you feel happy, safe here? | 0:33:28 | 0:33:31 | |
Of course. | 0:33:36 | 0:33:37 | |
I feel safe. | 0:33:38 | 0:33:40 | |
I'm not scared any more. | 0:33:40 | 0:33:42 | |
I'd like to stay here. | 0:34:00 | 0:34:02 | |
Just the...five of us. | 0:34:02 | 0:34:04 | |
Well, no, there'd be... there'd be four of you. | 0:34:04 | 0:34:07 | |
Is there another permanent resident here you haven't told me about? | 0:34:09 | 0:34:11 | |
No. | 0:34:11 | 0:34:12 | |
I meant you. | 0:34:20 | 0:34:21 | |
You're my friend. | 0:34:21 | 0:34:23 | |
Oh, that's so sweet! | 0:34:23 | 0:34:24 | |
Of course I'm your friend, but I live somewhere else. | 0:34:24 | 0:34:29 | |
Bless you, though. That's... | 0:34:31 | 0:34:33 | |
HE MOUTHS | 0:34:35 | 0:34:37 | |
That's...quite weird. | 0:34:38 | 0:34:40 | |
Er... Nina. Could we talk on our own for a bit? | 0:34:42 | 0:34:45 | |
Uh... Yeah, of course. | 0:34:45 | 0:34:48 | |
Come on, Uncle Billy. | 0:34:50 | 0:34:53 | |
Thank you for not saying anything. | 0:35:09 | 0:35:10 | |
I didn't want anyone to get into trouble. | 0:35:13 | 0:35:15 | |
You haven't done anything to me. | 0:35:17 | 0:35:18 | |
But your friend, | 0:35:20 | 0:35:21 | |
you want to watch him. | 0:35:21 | 0:35:22 | |
WENDY: There's no record of him. | 0:35:24 | 0:35:25 | |
Well, tha... | 0:35:27 | 0:35:29 | |
that's ridiculous. | 0:35:29 | 0:35:30 | |
CLACKING OF LAPTOP KEYS | 0:35:30 | 0:35:32 | |
This isn't right. This is not right. | 0:35:32 | 0:35:35 | |
There's something going on here. | 0:35:35 | 0:35:37 | |
I'm sorry, I need to make a phone call. | 0:35:37 | 0:35:40 | |
Yeah, well...so do I. | 0:35:40 | 0:35:43 | |
What's your manager's number? | 0:35:43 | 0:35:44 | |
I'm going to report you for negligence. | 0:35:46 | 0:35:48 | |
I haven't been negligent. | 0:35:48 | 0:35:49 | |
You arrive late, | 0:35:53 | 0:35:55 | |
bombed on bloody Red Bull, talking a load of inconsequential guff | 0:35:55 | 0:36:00 | |
about druids and kitchen units and now you accuse me of, what? | 0:36:00 | 0:36:05 | |
Fraudulently inventing a vulnerable relative | 0:36:05 | 0:36:08 | |
just to cover up the fact that you've deleted his records? | 0:36:08 | 0:36:11 | |
-- I didn't delete... -Doorstepped by the tabloids | 0:36:11 | 0:36:13 | |
is going to seem like a walk in the park when I'm done with you! | 0:36:13 | 0:36:16 | |
What's your manager's number, Wendy? | 0:36:19 | 0:36:21 | |
I'm going to unleash a shit storm! | 0:36:21 | 0:36:23 | |
George? | 0:36:26 | 0:36:27 | |
It is George, isn't it? | 0:36:27 | 0:36:30 | |
Did I do something to you? | 0:36:32 | 0:36:35 | |
Some... | 0:36:35 | 0:36:37 | |
injustice, some injury? | 0:36:37 | 0:36:40 | |
Just stop it, all right? | 0:36:40 | 0:36:43 | |
Enough! You know. | 0:36:43 | 0:36:45 | |
You know. | 0:36:45 | 0:36:47 | |
-You remember. -I don't. | 0:36:47 | 0:36:49 | |
I don't know even why I'm here. | 0:36:49 | 0:36:51 | |
All I remember is...snow. | 0:36:51 | 0:36:54 | |
And these women wiping their blood in my mouth. | 0:36:54 | 0:36:58 | |
Yeah, well. | 0:36:58 | 0:37:00 | |
What do you think of that? | 0:37:00 | 0:37:02 | |
You're a Jew? | 0:37:05 | 0:37:06 | |
But I'm not one of those sorts of people. | 0:37:07 | 0:37:10 | |
Anti-Semites. I'm not one of those. | 0:37:10 | 0:37:14 | |
WENDY: I've got 47 caseloads. | 0:37:26 | 0:37:29 | |
I'm not coping. | 0:37:29 | 0:37:30 | |
I don't sleep. | 0:37:33 | 0:37:34 | |
MOBILE PHONE RINGS | 0:37:34 | 0:37:36 | |
That'll be her again. | 0:37:38 | 0:37:39 | |
Yep. | 0:37:40 | 0:37:41 | |
Day and night, she's always picking holes in everything I do. | 0:37:41 | 0:37:45 | |
She just doesn't let up. | 0:37:45 | 0:37:47 | |
You'd better talk to her. | 0:37:48 | 0:37:49 | |
SHE STOPS THE CALL | 0:37:53 | 0:37:55 | |
Wendy... | 0:37:55 | 0:37:57 | |
I'm going to do you a very big favour. | 0:37:57 | 0:38:00 | |
OK? | 0:38:00 | 0:38:02 | |
You write it up like nothing happened, | 0:38:02 | 0:38:06 | |
sign it off. | 0:38:06 | 0:38:08 | |
And we keep it between us. | 0:38:08 | 0:38:11 | |
Oh, thank you. Oh, thank you, thank you. | 0:38:15 | 0:38:18 | |
Oh, thank you so much. | 0:38:18 | 0:38:21 | |
Thank you. | 0:38:21 | 0:38:22 | |
WENDY SOBS | 0:38:22 | 0:38:24 | |
-That's really... Thanks. -That's OK. | 0:38:24 | 0:38:28 | |
WENDY SOBS AND THANKS NINA | 0:38:28 | 0:38:31 | |
SHE SOBS | 0:38:43 | 0:38:45 | |
What was it that I did to you? | 0:39:07 | 0:39:09 | |
It's complicated. | 0:39:10 | 0:39:12 | |
-And did you do something to me? -Yeah, you could say that. | 0:39:12 | 0:39:17 | |
I apologise. | 0:39:20 | 0:39:22 | |
Whatever it was, it must have been pretty serious. | 0:39:24 | 0:39:27 | |
You don't seem the type to be violent. | 0:39:27 | 0:39:30 | |
And you're going to be a father too? | 0:39:30 | 0:39:32 | |
How do you know? | 0:39:32 | 0:39:34 | |
I heard Nina say. I'm sorry, I shouldn't have been listening. | 0:39:34 | 0:39:36 | |
But...new life? That's wonderful. | 0:39:39 | 0:39:43 | |
Frightening, but wonderful. | 0:39:43 | 0:39:45 | |
I don't know. I worry about it all the time. | 0:39:49 | 0:39:53 | |
-Is it the right time? -It never is. | 0:39:53 | 0:39:56 | |
I wonder if I'm right, if I'm going to be a good father. | 0:39:58 | 0:40:01 | |
I don't know... I don't know anything, I don't know... | 0:40:01 | 0:40:05 | |
You'll be a good father. | 0:40:09 | 0:40:11 | |
You need to have more faith in yourself, George. | 0:40:13 | 0:40:15 | |
Well done. | 0:40:32 | 0:40:33 | |
I'm not proud of it. | 0:40:35 | 0:40:36 | |
It can't be helped. | 0:40:36 | 0:40:38 | |
You did what was necessary. | 0:40:40 | 0:40:41 | |
Wait. | 0:40:43 | 0:40:44 | |
I didn't agree. | 0:40:45 | 0:40:47 | |
Because, you know, | 0:40:47 | 0:40:49 | |
if we're really going to execute an amnesiac psychiatric patient | 0:40:49 | 0:40:52 | |
like we're the governor of shitting Texas, or something, | 0:40:52 | 0:40:55 | |
then we should all have a vote. And I didn't get my vote. | 0:40:55 | 0:40:59 | |
Nina, William Herrick has achieved something | 0:40:59 | 0:41:02 | |
that nobody else has managed to do in over two millennia. | 0:41:02 | 0:41:06 | |
He is a vampire at the very height of his power, | 0:41:06 | 0:41:09 | |
and every second, he grows stronger. | 0:41:09 | 0:41:12 | |
Now he can't hurt Annie. Not me, not now, things have changed. | 0:41:12 | 0:41:16 | |
What things? | 0:41:16 | 0:41:18 | |
Things. It's complicated. | 0:41:19 | 0:41:21 | |
Oh, it always is with you. | 0:41:21 | 0:41:23 | |
But here's something simple. | 0:41:23 | 0:41:25 | |
You, George and the baby? | 0:41:25 | 0:41:27 | |
Herrick will annihilate you. | 0:41:27 | 0:41:29 | |
Oh, you're doing this for us? How selfless(!) | 0:41:29 | 0:41:33 | |
Do you think I'm enjoying this? | 0:41:33 | 0:41:35 | |
I think there's a poison in you | 0:41:36 | 0:41:38 | |
which is nothing to do with being a vampire. So, yeah. | 0:41:38 | 0:41:41 | |
I think you do enjoy it. | 0:41:41 | 0:41:44 | |
Oh, my God! | 0:41:46 | 0:41:48 | |
It's you! | 0:41:49 | 0:41:50 | |
Of course, of course, it's going to be you. | 0:41:52 | 0:41:55 | |
-What's going to be me? -Nina... | 0:41:55 | 0:41:58 | |
a little bullet. | 0:41:58 | 0:42:00 | |
I am going to make you so very happy. | 0:42:02 | 0:42:05 | |
-What the fuck does that mean? -You'll see. | 0:42:05 | 0:42:07 | |
And I'm going to do what needs doing, | 0:42:07 | 0:42:09 | |
because I don't need your permission for anything. | 0:42:09 | 0:42:11 | |
It's coming. | 0:42:15 | 0:42:17 | |
No. | 0:42:22 | 0:42:23 | |
No. | 0:42:25 | 0:42:27 | |
What are you doing, George? | 0:42:31 | 0:42:33 | |
Are you really going to use that? | 0:42:35 | 0:42:37 | |
I don't think you have it in you. | 0:42:37 | 0:42:40 | |
You know it. | 0:42:40 | 0:42:42 | |
And I know it. | 0:42:42 | 0:42:43 | |
Your hand is shaking, George. | 0:42:47 | 0:42:49 | |
Your hand is shaking so hard. | 0:42:49 | 0:42:52 | |
Who do you think you are, huh? | 0:42:56 | 0:42:58 | |
Pointing the stick at me, you fucking dog! Get out of my way! | 0:42:58 | 0:43:02 | |
I said no! | 0:43:02 | 0:43:04 | |
Move. | 0:43:09 | 0:43:11 | |
I'm not letting you do it. | 0:43:11 | 0:43:12 | |
Oh, what do you even care? You killed him once already. | 0:43:12 | 0:43:15 | |
What do I care? I never wanted to be a killer | 0:43:15 | 0:43:18 | |
of anything or anybody, but I did it. | 0:43:18 | 0:43:20 | |
I know! I know, and you did it for me. | 0:43:20 | 0:43:23 | |
I did it for us. And I'm doing this for us. | 0:43:23 | 0:43:26 | |
Herrick is a vampire, but he doesn't know he's one. | 0:43:26 | 0:43:29 | |
He doesn't remember all the things he's done. | 0:43:29 | 0:43:32 | |
When he did remember, he was punished, but now he doesn't. | 0:43:32 | 0:43:36 | |
Now he's just ordinary. | 0:43:36 | 0:43:38 | |
He was never ordinary, never! | 0:43:38 | 0:43:40 | |
Listen to me, George. Listen to me really good. | 0:43:40 | 0:43:43 | |
I'm not doing this on a whim. | 0:43:43 | 0:43:45 | |
It's costing me. | 0:43:45 | 0:43:47 | |
-You have no idea what it's costing me. -What are you talking about? | 0:43:47 | 0:43:50 | |
It doesn't matter. | 0:43:52 | 0:43:53 | |
If it's costing you so much, then don't do it. | 0:43:53 | 0:43:57 | |
I have to. I have to for you, for my friends, for the good of humanity. | 0:43:57 | 0:44:03 | |
-I'm not asking you to do anything. -You are. | 0:44:03 | 0:44:06 | |
You are asking me to look away, and I can't look away any more, | 0:44:06 | 0:44:11 | |
because I have looked away. With you. | 0:44:11 | 0:44:14 | |
But that has to end now, | 0:44:14 | 0:44:16 | |
because I have to stop you, because you can't stop yourself. | 0:44:16 | 0:44:20 | |
All right. | 0:44:20 | 0:44:21 | |
All right, fine. Stop me, but not with him, he's not worth it. | 0:44:21 | 0:44:25 | |
-Just once he's gone... -You're like a drug addict. | 0:44:25 | 0:44:28 | |
"One more hit and then I'll be done." | 0:44:28 | 0:44:31 | |
No. No. It's now. | 0:44:31 | 0:44:35 | |
You're making such a big mistake. | 0:44:35 | 0:44:37 | |
I'm going to be a father soon. | 0:44:37 | 0:44:39 | |
I have to teach my child the right way to live. | 0:44:39 | 0:44:42 | |
I have to teach my son or daughter about humanity. | 0:44:42 | 0:44:45 | |
And that someone is worthy of redemption, | 0:44:45 | 0:44:47 | |
no matter what they've done. | 0:44:47 | 0:44:48 | |
That someone can be forgiven their sins, no matter how unforgivable. | 0:44:48 | 0:44:53 | |
That is the ultimate test. | 0:44:53 | 0:44:56 | |
You really intrigue me, little lady. | 0:45:12 | 0:45:16 | |
You're the best friend I've ever had... | 0:45:18 | 0:45:20 | |
...and probably...ever will have. | 0:45:22 | 0:45:23 | |
But I will turn my back on you. | 0:45:23 | 0:45:26 | |
I will wipe you from my memory and I will never mention your name again. | 0:45:26 | 0:45:30 | |
I will never tell my son or daughter that I had a friend called Mitchell. | 0:45:30 | 0:45:34 | |
It will be... | 0:45:34 | 0:45:36 | |
as if we'd never met. | 0:45:36 | 0:45:38 | |
That's it. | 0:45:40 | 0:45:42 | |
Now, you make your choice. | 0:45:43 | 0:45:45 | |
She couldn't see you! I can see you. | 0:46:14 | 0:46:17 | |
Those others, they can see you. | 0:46:17 | 0:46:19 | |
But that idiot woman, she couldn't. | 0:46:19 | 0:46:21 | |
-Why? -She's not an idiot. | 0:46:21 | 0:46:23 | |
-She was nice. -Nice? | 0:46:23 | 0:46:25 | |
Who wants to be nice? | 0:46:25 | 0:46:27 | |
-I do. -Why? | 0:46:27 | 0:46:29 | |
I mean, nice isn't really working for you, is it? | 0:46:29 | 0:46:34 | |
You don't really fit in. | 0:46:34 | 0:46:37 | |
Nobody really listens. | 0:46:37 | 0:46:39 | |
You're a bit... | 0:46:39 | 0:46:41 | |
...peripheral. | 0:46:43 | 0:46:45 | |
Like a regimental mascot. | 0:46:45 | 0:46:47 | |
I fit in just fine. | 0:46:47 | 0:46:50 | |
And you are going to have to work a lot harder than that to get to me. | 0:46:52 | 0:46:56 | |
Just tell me how you do it. | 0:46:59 | 0:47:01 | |
-Guess. -Give me a clue, little lady. | 0:47:03 | 0:47:06 | |
Chuck me a bone. | 0:47:06 | 0:47:09 | |
What are you? | 0:47:12 | 0:47:14 | |
What am I? | 0:47:14 | 0:47:16 | |
Onto you...is what I am. | 0:47:18 | 0:47:22 | |
I'm onto you...little man. | 0:47:23 | 0:47:27 | |
Before you say anything, I haven't come in here to do the whole crying thing. | 0:47:47 | 0:47:51 | |
And I'd rather not talk to you at all, | 0:47:51 | 0:47:52 | |
because you have been a five-star dickhead tonight, but you... | 0:47:52 | 0:47:56 | |
What's happened to your face? | 0:47:58 | 0:47:59 | |
George hit me. | 0:47:59 | 0:48:01 | |
Good. Good for George. Saves me the job. | 0:48:01 | 0:48:05 | |
It was like being kicked by a bastard horse! And get this, right, | 0:48:05 | 0:48:08 | |
he says, if I stake Herrick, he won't be my friend any more. | 0:48:08 | 0:48:11 | |
Why is he allowed to forget, and I can't? Huh? | 0:48:11 | 0:48:15 | |
Why him and not me? | 0:48:15 | 0:48:17 | |
I feel like I'm losing my mind, I'm so tired and I'm losing everything! | 0:48:17 | 0:48:24 | |
Yeah...yeah, it certainly looks like it. | 0:48:24 | 0:48:26 | |
I'll do it. | 0:48:29 | 0:48:30 | |
-Do what? -Stake him. | 0:48:30 | 0:48:32 | |
That's what I came to tell you, that you were right about him. | 0:48:32 | 0:48:35 | |
He is still who he is. So I will do it. | 0:48:35 | 0:48:37 | |
You're not strong enough for him. | 0:48:37 | 0:48:39 | |
I think about what and who I love, and I think about them in danger, | 0:48:39 | 0:48:44 | |
and I could tear this bloody house down with my teeth! | 0:48:44 | 0:48:47 | |
You have no idea how strong I am. | 0:48:47 | 0:48:50 | |
So I will do it. Right in the heart, yeah? | 0:48:50 | 0:48:53 | |
Annie, you can't, no! | 0:48:53 | 0:48:55 | |
I don't want you to do it, I don't want you to go near him. | 0:48:56 | 0:48:59 | |
I don't want George and Nina to go near him either, just... | 0:48:59 | 0:49:02 | |
-I'll deal with it. -He's evil! | 0:49:02 | 0:49:05 | |
I can manage him. I'll manage him. | 0:49:05 | 0:49:07 | |
We just... We have to make sure he doesn't feed. | 0:49:07 | 0:49:10 | |
Let me deal with it. | 0:49:10 | 0:49:11 | |
OK? | 0:49:13 | 0:49:14 | |
FLOORBOARD SQUEAKS | 0:49:32 | 0:49:33 | |
SQUEAKING | 0:49:35 | 0:49:37 | |
Let go of my hand. | 0:49:45 | 0:49:46 | |
I said some things that I didn't mean. | 0:49:47 | 0:49:49 | |
Then why the hell would you say them? | 0:49:49 | 0:49:51 | |
Because... | 0:49:53 | 0:49:55 | |
You and me... | 0:49:57 | 0:49:58 | |
...it's for eternity. | 0:49:59 | 0:50:01 | |
Really for ever. | 0:50:02 | 0:50:04 | |
I was running scared - a typical, useless man. | 0:50:04 | 0:50:08 | |
I don't want to live without you. | 0:50:10 | 0:50:12 | |
I can't live without you. | 0:50:13 | 0:50:16 | |
I can't. | 0:50:17 | 0:50:18 | |
I can't. | 0:50:19 | 0:50:22 | |
You're looking better. | 0:50:51 | 0:50:53 | |
I've found something. | 0:50:59 | 0:51:01 | |
I think you should see it. | 0:51:03 | 0:51:04 | |
MUSIC: "Dirge" by Death In Vegas | 0:51:06 | 0:51:09 | |
HERRICK: They were butchered. | 0:51:18 | 0:51:20 | |
It's like some sort of macabre diary. | 0:51:21 | 0:51:25 | |
Who would do such a thing? | 0:51:26 | 0:51:28 | |
We had to leave. | 0:51:30 | 0:51:32 | |
We ran. | 0:51:34 | 0:51:36 | |
He didn't want anyone coming up here. | 0:51:38 | 0:51:41 | |
-It's not proof. It's not proof. -Well, no, no. | 0:51:42 | 0:51:46 | |
But we must be careful, very careful. | 0:51:46 | 0:51:49 | |
The others, they don't see what sort of man he is. | 0:51:50 | 0:51:54 | |
But you and I, | 0:51:54 | 0:51:56 | |
we see. | 0:51:56 | 0:51:58 | |
We must keep this to ourselves. | 0:52:03 | 0:52:06 | |
Our secret. | 0:52:07 | 0:52:09 | |
For now. | 0:52:11 | 0:52:12 | |
Are you all right? | 0:52:30 | 0:52:32 | |
I just... I'm fine, I just feel... I feel sick. | 0:52:32 | 0:52:35 | |
-Nina... -I just feel sick, I'm fine... | 0:52:35 | 0:52:38 | |
MITCHELL: George! | 0:52:38 | 0:52:40 | |
George? | 0:52:42 | 0:52:43 | |
Nina! | 0:52:46 | 0:52:47 | |
SHE VOMITS | 0:52:49 | 0:52:50 | |
-NINA: -I'm sorry. -ANNIE: -Don't be sorry. | 0:52:52 | 0:52:54 | |
She's just a bit nauseous. George... | 0:52:56 | 0:52:58 | |
All right, all right... | 0:52:58 | 0:53:01 | |
George... | 0:53:07 | 0:53:08 | |
I choose you. | 0:53:10 | 0:53:12 | |
Where did you go? | 0:54:20 | 0:54:22 | |
Um, I... I needed some air. | 0:54:23 | 0:54:26 | |
You know what it is, don't you? | 0:54:28 | 0:54:30 | |
-It's morning sickness. -Yeah. | 0:54:30 | 0:54:33 | |
Come on, baby. | 0:54:35 | 0:54:36 | |
Aw. | 0:54:39 | 0:54:41 | |
OK. | 0:55:20 | 0:55:22 | |
If this amnesia was a bluff, even you would be cracking by now. | 0:55:22 | 0:55:25 | |
So let's take it from the top. | 0:55:25 | 0:55:27 | |
William Herrick. | 0:55:27 | 0:55:29 | |
Born 1843, made vampire in 1890. | 0:55:29 | 0:55:33 | |
You survived a werewolf attack. | 0:55:33 | 0:55:35 | |
If you don't mind me saying so, old son, | 0:55:35 | 0:55:37 | |
I think you're a bit touched with the simple stick. | 0:55:37 | 0:55:40 | |
You survived it and you found a way back. | 0:55:40 | 0:55:42 | |
Which means you've got something I want. | 0:55:42 | 0:55:44 | |
And if I have to dig that secret out of your skull with my nails, I'll do it. | 0:55:44 | 0:55:48 | |
I'm going to make you tell me everything. | 0:55:50 | 0:55:52 | |
PHONE RINGS | 0:55:58 | 0:56:00 | |
'This is the anonymous hotline for the Box Tunnel incident room. | 0:56:03 | 0:56:07 | |
'Please leave your message after the tone.' | 0:56:07 | 0:56:09 | |
BEEP | 0:56:09 | 0:56:11 | |
-NINA: -'You need to come to Barry. | 0:56:11 | 0:56:13 | |
'You need to talk to a man called John Mitchell. | 0:56:13 | 0:56:16 | |
BEEPING | 0:56:16 | 0:56:20 | |
It's going to be the most beautiful day. | 0:56:20 | 0:56:23 | |
It's not exactly the ideal baby-raising environment. | 0:56:30 | 0:56:33 | |
I'm dead. That's my funeral, and I'm a ghost. | 0:56:33 | 0:56:37 | |
-Are you John Mitchell? -Yeah. | 0:56:37 | 0:56:40 | |
DC Reid from CID. | 0:56:40 | 0:56:41 | |
Who do you think would give them Mitchell's name? | 0:56:41 | 0:56:43 | |
-HERRICK: -If you choose an heir, they inherit all your secrets. | 0:56:43 | 0:56:47 | |
-If something happens to you... -They can bring you back. | 0:56:47 | 0:56:50 |