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-I'll do it. But it has to be done. -In the kitchen...you agreed to murder. | 0:00:02 | 0:00:05 | |
-Move! -I'm not letting you do it. | 0:00:05 | 0:00:08 | |
ANNIE: I'll do it. | 0:00:08 | 0:00:10 | |
-Do what? -Stake him. | 0:00:10 | 0:00:12 | |
Let me deal with it. | 0:00:12 | 0:00:14 | |
-We must keep this to ourselves. -It's not proof. | 0:00:14 | 0:00:16 | |
I'm going to make you tell me everything. | 0:00:16 | 0:00:18 | |
NINA: You need to come to Barry. You need to talk to a man called John Mitchell. | 0:00:18 | 0:00:23 | |
It's going to be the most beautiful day. | 0:00:23 | 0:00:26 | |
Contains some strong language and scenes which some viewers may find upsetting. | 0:00:26 | 0:00:31 | |
SLOW JAZZ MUSIC | 0:00:31 | 0:00:33 | |
Something, something, something, E, something, something, S? | 0:00:47 | 0:00:51 | |
Ah... It's every time I open my mouth...and there's a dent. | 0:00:51 | 0:00:55 | |
Something, something, something... | 0:00:55 | 0:00:57 | |
Yeah, there's a definite dent. | 0:00:57 | 0:00:59 | |
...E, something, something, S? | 0:00:59 | 0:01:02 | |
Here, have a feel of this. | 0:01:02 | 0:01:04 | |
Don't come any closer. | 0:01:04 | 0:01:06 | |
-No, seriously, have a feel of it. -I said, do not come near me. | 0:01:06 | 0:01:11 | |
And what? You want me to apologise? | 0:01:18 | 0:01:21 | |
I'm the one who looks like I'm wearing my face inside out. | 0:01:21 | 0:01:24 | |
-You're the one who should be apologising. -I told you to let her die. | 0:01:24 | 0:01:26 | |
-I wanted some company! -You've got company. | 0:01:26 | 0:01:29 | |
-Other company, Herrick! -I said no recruitment. | 0:01:29 | 0:01:33 | |
And why not? | 0:01:33 | 0:01:34 | |
-It doesn't matter any more. -No, no, why not, Herrick? | 0:01:34 | 0:01:39 | |
Ah, did you have something special planned? Oh. | 0:01:39 | 0:01:44 | |
Oh... | 0:01:46 | 0:01:48 | |
You know, the old ones, they kill at will...but they don't recruit lightly. | 0:01:51 | 0:01:57 | |
In fact, most of them only do it once. | 0:01:57 | 0:02:00 | |
They choose a protege. | 0:02:00 | 0:02:02 | |
It's an eternal bond. | 0:02:03 | 0:02:06 | |
I don't need a protege. | 0:02:06 | 0:02:08 | |
It isn't always about you. | 0:02:08 | 0:02:10 | |
Why do you think some of us live for ever, and others are like...fireflies? | 0:02:12 | 0:02:18 | |
Because some of us are smart and some of us are stupid. | 0:02:20 | 0:02:23 | |
If you choose an heir, | 0:02:27 | 0:02:29 | |
they inherit all your secrets. | 0:02:29 | 0:02:31 | |
They become...a dark angel - | 0:02:33 | 0:02:37 | |
your protector, | 0:02:37 | 0:02:39 | |
your saviour. | 0:02:39 | 0:02:40 | |
-Saviour from what? -Oh... | 0:02:40 | 0:02:43 | |
...perhaps a fate we've been lead to believe | 0:02:44 | 0:02:48 | |
there is no salvation from. | 0:02:48 | 0:02:50 | |
So... | 0:02:50 | 0:02:53 | |
...if something happens to you... | 0:02:54 | 0:02:56 | |
They can bring you back. | 0:02:56 | 0:02:57 | |
And that's possible? | 0:03:00 | 0:03:01 | |
That and so much more. | 0:03:03 | 0:03:04 | |
So you want me to be your heir? | 0:03:07 | 0:03:09 | |
KNOCKING | 0:03:09 | 0:03:13 | |
Oh, er... | 0:03:13 | 0:03:14 | |
Ah... | 0:03:19 | 0:03:21 | |
Tomb service. | 0:03:21 | 0:03:23 | |
HERRICK LAUGHS | 0:03:23 | 0:03:26 | |
-Hello. -I like watching you sleep. | 0:03:37 | 0:03:40 | |
I look at you and I think, "She's mine. | 0:03:40 | 0:03:44 | |
"She's all mine." | 0:03:44 | 0:03:46 | |
Mmm...that's sweet. | 0:03:46 | 0:03:50 | |
Creepy and slightly Ted Bundy-esque, but sweet. | 0:03:50 | 0:03:54 | |
Me and you... | 0:03:56 | 0:03:57 | |
Mum and Dad. | 0:03:57 | 0:03:59 | |
Mmm. | 0:03:59 | 0:04:00 | |
We're going to be the ones that have to teach them how to ride a bike, | 0:04:00 | 0:04:04 | |
we're going to have to set their curfew. | 0:04:04 | 0:04:07 | |
We're going to have to... | 0:04:07 | 0:04:08 | |
Relocate to 1950s America, where they actually used the term "curfew"? | 0:04:08 | 0:04:12 | |
That's hilarious. | 0:04:14 | 0:04:16 | |
I'm sorry, but you're just too easy. | 0:04:16 | 0:04:19 | |
I'm easy? You're the one that's knocked up. | 0:04:19 | 0:04:22 | |
Oh! THUDDING | 0:04:22 | 0:04:24 | |
It's not exactly the ideal baby-raising environment, though, is it? | 0:04:25 | 0:04:30 | |
Well, what is? | 0:04:31 | 0:04:33 | |
I don't know. Somewhere without a dementia-ridden vampire | 0:04:33 | 0:04:37 | |
lurking in the attic, perhaps? | 0:04:37 | 0:04:39 | |
You don't need to worry about Herrick. | 0:04:39 | 0:04:42 | |
We'll work something out. | 0:04:42 | 0:04:44 | |
Look... | 0:04:46 | 0:04:47 | |
we have to start thinking about the future, | 0:04:47 | 0:04:51 | |
our child and the little world we're going to create for him or her. | 0:04:51 | 0:04:55 | |
I'd do anything to make sure that world was safe, George. | 0:04:55 | 0:04:59 | |
Anything. | 0:04:59 | 0:05:01 | |
-Did you miss me? -Oh, shit! Annie, you frightened me. | 0:05:20 | 0:05:23 | |
Well, I'm a ghost - it's my prerogative. | 0:05:23 | 0:05:24 | |
Oh... | 0:05:24 | 0:05:26 | |
So, can I get you anything? Coffee? | 0:05:26 | 0:05:30 | |
Tea? | 0:05:30 | 0:05:32 | |
Me? | 0:05:33 | 0:05:34 | |
Coffee'd be great. | 0:05:34 | 0:05:35 | |
Oh. | 0:05:35 | 0:05:37 | |
-What are you doing, anyway? -Nothing. | 0:05:39 | 0:05:41 | |
-What's all this? -It's nothing. It's just... | 0:05:41 | 0:05:44 | |
What's got into you? | 0:05:44 | 0:05:46 | |
-Annie, don't... -Oh, my God. | 0:05:46 | 0:05:48 | |
I don't... | 0:05:51 | 0:05:53 | |
I can't believe it. | 0:05:54 | 0:05:56 | |
-All right, look, I can explain. -Has he seen it yet? | 0:05:56 | 0:05:58 | |
-Who? -"Who"? George! Does he know? | 0:05:58 | 0:06:02 | |
I'm so sorry, George. | 0:06:12 | 0:06:14 | |
Stop all the clocks. | 0:06:22 | 0:06:24 | |
Cut off the telephone. | 0:06:24 | 0:06:26 | |
Prevent the dog from barking with a juicy bone. | 0:06:26 | 0:06:31 | |
But know that you are not in this thing alone. | 0:06:34 | 0:06:38 | |
There's always a place in me that you can call home. | 0:06:38 | 0:06:42 | |
When you feel like we're growing apart, | 0:06:42 | 0:06:45 | |
let us just go back, back, | 0:06:45 | 0:06:50 | |
back, back, | 0:06:50 | 0:06:54 | |
back... | 0:06:54 | 0:06:55 | |
...back to the start. You've got to fight... | 0:06:58 | 0:06:59 | |
OK, then. Why don't we give George and Nina some space? | 0:06:59 | 0:07:03 | |
-Yeah. -Mm-hm. | 0:07:03 | 0:07:05 | |
We'll be upstairs if you want anything. | 0:07:05 | 0:07:07 | |
All right. | 0:07:07 | 0:07:08 | |
Oh... | 0:07:31 | 0:07:33 | |
What did I do? | 0:07:33 | 0:07:34 | |
Oh... | 0:07:34 | 0:07:36 | |
It's difficult to find the right words at times like this. | 0:07:36 | 0:07:40 | |
Why not rely on those of the literary greats, like Auden... | 0:07:40 | 0:07:43 | |
and Cheryl Cole? | 0:07:43 | 0:07:46 | |
Did I... | 0:07:48 | 0:07:51 | |
-Did I punch him? -Yeah. | 0:07:51 | 0:07:53 | |
See, this is what happens, I panic. | 0:07:53 | 0:07:55 | |
I'm not very good with death. | 0:07:55 | 0:07:58 | |
-What was I thinking? -You were trying to make it better. | 0:07:58 | 0:08:02 | |
That's what you do. | 0:08:02 | 0:08:03 | |
You make things... | 0:08:03 | 0:08:06 | |
You make people...better. | 0:08:06 | 0:08:09 | |
What was he like? | 0:08:19 | 0:08:21 | |
Boring. | 0:08:23 | 0:08:24 | |
I'd look at the other kids at my school, and there was always drama. | 0:08:26 | 0:08:30 | |
Someone's father was an alcoholic, someone else's gambled, | 0:08:30 | 0:08:34 | |
someone's parents were getting divorced. | 0:08:34 | 0:08:37 | |
I mean, from the outside, it almost seemed glamorous. | 0:08:37 | 0:08:39 | |
But my dad...he worked hard, he never played away... | 0:08:39 | 0:08:44 | |
I don't think I ever even heard him raise his voice. | 0:08:45 | 0:08:49 | |
He's... | 0:08:49 | 0:08:52 | |
He was... | 0:08:52 | 0:08:55 | |
...ordinary, | 0:08:56 | 0:08:59 | |
boring. | 0:08:59 | 0:09:01 | |
I don't think I ever realised... | 0:09:03 | 0:09:05 | |
just how wonderful that was. | 0:09:05 | 0:09:08 | |
I need to go, Nina. | 0:09:15 | 0:09:17 | |
-To the service? -Yeah. Do you think it's a bad idea? | 0:09:17 | 0:09:20 | |
Well, no... | 0:09:20 | 0:09:23 | |
but...I don't know, just you turning up there... | 0:09:23 | 0:09:26 | |
Well, no-one need know I'm there if I'm discreet. | 0:09:26 | 0:09:29 | |
OK. | 0:09:31 | 0:09:32 | |
Er... | 0:09:32 | 0:09:34 | |
we better get a move on. | 0:09:34 | 0:09:35 | |
-Nina. -I need to call work. | 0:09:35 | 0:09:37 | |
Nina...I think I need to do this alone. | 0:09:39 | 0:09:43 | |
Alone? | 0:09:45 | 0:09:46 | |
You understand, don't you? | 0:09:49 | 0:09:51 | |
Mm, well... | 0:09:52 | 0:09:55 | |
if there's anything you need, | 0:09:55 | 0:09:58 | |
anything at all... | 0:09:58 | 0:10:01 | |
I know. | 0:10:01 | 0:10:02 | |
HE GROANS AND GASPS IN PAIN | 0:10:10 | 0:10:14 | |
I know. | 0:10:34 | 0:10:36 | |
I've felt it too. | 0:10:36 | 0:10:39 | |
Right now you're praying to a God that you don't believe in, | 0:10:39 | 0:10:42 | |
-begging for him to take the pain away... -Ah...! | 0:10:42 | 0:10:46 | |
...or just let you die. | 0:10:46 | 0:10:48 | |
But if God does exist, he doesn't listen to people like you and me. | 0:10:49 | 0:10:53 | |
I can help you, Herrick. | 0:10:54 | 0:10:57 | |
Do you want me to help you? Do you want me to make this go away? | 0:10:59 | 0:11:02 | |
-Of course I do. -You know why you're suffering. | 0:11:02 | 0:11:05 | |
-I don't. -You know. | 0:11:05 | 0:11:07 | |
You might not understand it yet, but you know. It's an instinct. | 0:11:07 | 0:11:11 | |
-You need to drink. -No. | 0:11:14 | 0:11:19 | |
-No. -HE GASPS | 0:11:20 | 0:11:21 | |
Not this insanity. | 0:11:21 | 0:11:24 | |
That's what she said. That girl, when she found me. | 0:11:24 | 0:11:27 | |
"Drink," she said. I wouldn't then...I wouldn't now. | 0:11:27 | 0:11:32 | |
I can make you powerful again. I can make you strong again. | 0:11:32 | 0:11:37 | |
And you never did give me my inheritance. | 0:11:42 | 0:11:44 | |
We've had extremely long lives, Herrick, and finally, | 0:11:56 | 0:12:00 | |
finally I feel complete. | 0:12:00 | 0:12:02 | |
I feel happy. I'm not ready for this to end. | 0:12:02 | 0:12:05 | |
I am not ready to leave her. | 0:12:05 | 0:12:08 | |
A werewolf ripped you to pieces, yet you survived. | 0:12:09 | 0:12:13 | |
I need you to tell me how. | 0:12:15 | 0:12:17 | |
HERRICK COUGHS | 0:12:24 | 0:12:26 | |
I'm not enough. | 0:12:32 | 0:12:35 | |
I'm never gonna be enough. | 0:12:35 | 0:12:37 | |
You need real blood. | 0:12:40 | 0:12:42 | |
You need fresh, human blood. | 0:12:42 | 0:12:46 | |
Man born of a woman has but a short time to live. | 0:12:47 | 0:12:53 | |
Like a flower, he blossoms and then withers. | 0:12:53 | 0:12:57 | |
Like a shadow, he flees and never stays. | 0:12:57 | 0:13:01 | |
In the midst of life, we are in death. | 0:13:01 | 0:13:05 | |
To whom can we turn for help but to you, Lord? | 0:13:05 | 0:13:09 | |
We have entrusted our brother, George, to God's merciful keeping. | 0:13:09 | 0:13:14 | |
GEORGE CLEARS HIS THROAT | 0:13:25 | 0:13:28 | |
George? | 0:13:34 | 0:13:36 | |
No... | 0:13:36 | 0:13:39 | |
I don't... I can't... I... | 0:13:39 | 0:13:43 | |
I don't dare believe it. | 0:13:43 | 0:13:45 | |
My God...George? | 0:13:45 | 0:13:47 | |
I thought you were dead. | 0:13:50 | 0:13:52 | |
I thought I'd never see you again. | 0:13:53 | 0:13:55 | |
I hoped, | 0:13:58 | 0:13:59 | |
I prayed, I dreamt, but I never actually... | 0:13:59 | 0:14:02 | |
Here you are. | 0:14:02 | 0:14:04 | |
You've come back. | 0:14:04 | 0:14:06 | |
You've come back to me. | 0:14:08 | 0:14:09 | |
Say something to your old man. | 0:14:11 | 0:14:13 | |
I've missed you, Dad. | 0:14:13 | 0:14:15 | |
So you're telling me I'm a ghost, I'm dead, that's my funeral, | 0:14:19 | 0:14:26 | |
that's my coffin, and I'm a ghost... | 0:14:26 | 0:14:30 | |
and nobody can see me... | 0:14:30 | 0:14:33 | |
-or hear me. -I know. | 0:14:33 | 0:14:36 | |
It does take a little bit of getting used to. | 0:14:36 | 0:14:39 | |
You'll be fine, Dad. | 0:14:39 | 0:14:42 | |
I wish I thought so. | 0:14:42 | 0:14:44 | |
You will. I promise. | 0:14:44 | 0:14:46 | |
Three years, and then you finally come back, | 0:14:46 | 0:14:49 | |
and it's like this, under these circumstances. | 0:14:49 | 0:14:53 | |
I mean, don't get me wrong, I'm grateful, but, um, | 0:14:53 | 0:14:58 | |
I just feel so... | 0:14:58 | 0:15:00 | |
What? | 0:15:00 | 0:15:02 | |
Guilty. | 0:15:02 | 0:15:03 | |
Because now I know why you left. | 0:15:03 | 0:15:06 | |
Why you stayed away, what made you run and hide. | 0:15:06 | 0:15:09 | |
Now you know? You know? | 0:15:09 | 0:15:14 | |
You know what I am? | 0:15:14 | 0:15:16 | |
Yeah. | 0:15:18 | 0:15:19 | |
-Do you think I'm a freak? -Of course I don't, son. | 0:15:20 | 0:15:24 | |
Annie knew too. | 0:15:26 | 0:15:28 | |
She knew the moment she met me - it's supernaturals, | 0:15:28 | 0:15:31 | |
they see the crosses others bear so clearly, the scars on their soul. | 0:15:31 | 0:15:34 | |
-Annie? -She's my friend. She's a ghost too. | 0:15:34 | 0:15:38 | |
When...did you start...? | 0:15:42 | 0:15:45 | |
I mean, how did it, you-you-you know, begin? | 0:15:45 | 0:15:49 | |
Well, it was in Scotland. | 0:15:49 | 0:15:51 | |
That's when... | 0:15:51 | 0:15:53 | |
It's still quite difficult to... | 0:15:56 | 0:15:59 | |
I wish you'd come to me, talked to me. | 0:15:59 | 0:16:02 | |
You couldn't have changed anything, Dad. | 0:16:02 | 0:16:05 | |
It's not like there's a cure. | 0:16:05 | 0:16:08 | |
For the rest of my life, I'm going to be howling at the moon. | 0:16:08 | 0:16:12 | |
You poor thing. | 0:16:12 | 0:16:14 | |
Besides, I didn't want to burden you with any of this, or Mum. | 0:16:14 | 0:16:18 | |
She never gave up hope, you know. | 0:16:18 | 0:16:21 | |
Well, she was right not to. | 0:16:21 | 0:16:23 | |
What the hell is that prick doing here? | 0:16:33 | 0:16:35 | |
-Who? -Him, Mr Logue. | 0:16:35 | 0:16:37 | |
Taught me PE, remember? Made my life a bloody misery. | 0:16:37 | 0:16:40 | |
Left me hanging from the high bars for 45 minutes once. | 0:16:40 | 0:16:43 | |
Still can't watch the Olympics without having flashbacks. | 0:16:43 | 0:16:46 | |
-You didn't even know him! -No, I didn't know him. | 0:16:48 | 0:16:52 | |
What exactly is going on? | 0:16:55 | 0:16:56 | |
SIGN SQUEAKS | 0:16:56 | 0:16:59 | |
DOORBELL RINGS | 0:16:59 | 0:17:00 | |
All right? | 0:17:19 | 0:17:21 | |
Hi. Hold, please. | 0:17:21 | 0:17:23 | |
Thanks. | 0:17:23 | 0:17:25 | |
-Are you John Mitchell? -Yeah. | 0:17:26 | 0:17:29 | |
DC Reid from CID. | 0:17:29 | 0:17:30 | |
I just need to ask you a few questions. | 0:17:30 | 0:17:32 | |
If you could try and answer them, that would be great. | 0:17:32 | 0:17:34 | |
If you can't, that's fine too, because this is basically a barrel of balls. | 0:17:34 | 0:17:39 | |
I'm from the major time-wasting unit. | 0:17:39 | 0:17:42 | |
I just need to make sure I inconvenience | 0:17:42 | 0:17:45 | |
as many people as possible today. | 0:17:45 | 0:17:47 | |
Oh. My heel broke. | 0:17:47 | 0:17:48 | |
I fell so ungraciously, it was borderline pornographic. | 0:17:48 | 0:17:51 | |
And then I saw a homeless guy laugh at me. | 0:17:51 | 0:17:53 | |
It's been a spectacular day thus far. | 0:17:53 | 0:17:56 | |
I take it you don't like blood. | 0:17:58 | 0:18:00 | |
I'm not a huge fan myself, which can be problematic in homicide. | 0:18:00 | 0:18:04 | |
Is it all right if I clean myself up a bit, please? | 0:18:04 | 0:18:06 | |
-Yeah, sure. Come on in. -Thanks. | 0:18:06 | 0:18:09 | |
-So this is where you've been living? -Yeah. | 0:18:12 | 0:18:15 | |
I-I-I can't get my head around this. What happened with you and Mum? | 0:18:16 | 0:18:20 | |
When did she start seeing Mr Logue? | 0:18:20 | 0:18:22 | |
Well, they both attended the same salsa dancing class. | 0:18:22 | 0:18:25 | |
Salsa dancing? | 0:18:25 | 0:18:27 | |
Yeah. And, well, they were partnered up for the cha-cha... | 0:18:27 | 0:18:31 | |
No, wait, I tell a lie, it was the rumba. | 0:18:31 | 0:18:35 | |
And basically... | 0:18:35 | 0:18:36 | |
...it just went from there. | 0:18:37 | 0:18:39 | |
Well, how does it go from "kick ball change" | 0:18:39 | 0:18:41 | |
to suddenly walking out on a 25-year marriage | 0:18:41 | 0:18:43 | |
and shacking up with a failed athlete? | 0:18:43 | 0:18:44 | |
Kick ball change is a jazz step, isn't it? | 0:18:44 | 0:18:48 | |
Um... No, no, they do use it in Latin American too. | 0:18:48 | 0:18:52 | |
Oh, really? | 0:18:52 | 0:18:53 | |
Yeah, I'm sure I've seen it on Strictly. This is not the point! | 0:18:53 | 0:18:55 | |
Look, George, I was as surprised as you. | 0:18:55 | 0:18:58 | |
The last thing I expected her to tell me was she had a lover. | 0:18:58 | 0:19:02 | |
Oh, my God... Ugh! | 0:19:02 | 0:19:03 | |
I don't know what's worse - the fact that you're a ghost | 0:19:03 | 0:19:05 | |
or you just used the word "lover". What did you do when you found out? | 0:19:05 | 0:19:08 | |
Well... | 0:19:08 | 0:19:09 | |
Oh, whoa, whoa, relax there, Valentino(!) | 0:19:09 | 0:19:12 | |
Look, she'd made up her mind! | 0:19:12 | 0:19:14 | |
He makes her happy. | 0:19:14 | 0:19:16 | |
I obviously couldn't. | 0:19:16 | 0:19:18 | |
What?! Did you think time would stand still when you left? | 0:19:19 | 0:19:22 | |
No, of course not. It's just him living in our house | 0:19:22 | 0:19:26 | |
and you shacked up here like...king of the gypsies! | 0:19:26 | 0:19:30 | |
HE LAUGHS | 0:19:30 | 0:19:33 | |
-Yeah, that wasn't a compliment, Dad. -Come on, I'll make us a cup of tea. | 0:19:33 | 0:19:36 | |
Oh, God, not another ghost who makes tea they can't drink. | 0:19:36 | 0:19:39 | |
Oh, er, force of habit. | 0:19:41 | 0:19:43 | |
So, what now? | 0:19:45 | 0:19:47 | |
This passing over, what does it involve, exactly? | 0:19:49 | 0:19:52 | |
It's not as daunting as it sounds. | 0:19:52 | 0:19:54 | |
-Basically a door appears... -A door? | 0:19:54 | 0:19:57 | |
Yeah, a door comes, and you walk through it. | 0:19:57 | 0:20:00 | |
-What kind of door? -What do you mean? | 0:20:00 | 0:20:02 | |
Well, what type of door is it? | 0:20:02 | 0:20:05 | |
Wooden? Glazed? PVC? Panelled? | 0:20:05 | 0:20:09 | |
What? This is what concerns you?! | 0:20:09 | 0:20:11 | |
Not what lies beyond the door but the materials used to construct it? | 0:20:11 | 0:20:15 | |
So you're saying, when I least expect it, a door will just pop up, | 0:20:15 | 0:20:20 | |
and I'll walk through it, | 0:20:20 | 0:20:21 | |
and you'll wake up one morning, and I'll be gone...for ever. | 0:20:21 | 0:20:25 | |
It's not when you least expect it. You're hanging around for a reason. | 0:20:25 | 0:20:28 | |
There's obviously something you still need to do. | 0:20:28 | 0:20:30 | |
You do that thing, and the door comes. | 0:20:30 | 0:20:33 | |
Here we are. | 0:20:33 | 0:20:35 | |
Well, what happened? I don't understand. | 0:20:37 | 0:20:39 | |
Oh, there was a fire. | 0:20:39 | 0:20:41 | |
A fire? | 0:20:43 | 0:20:44 | |
You died in a fire? | 0:20:46 | 0:20:48 | |
-I didn't realise... -Well, it doesn't matter how I died. | 0:20:48 | 0:20:52 | |
Of course it matters! A fire, that's...that's painful, it's frightening. | 0:20:52 | 0:20:56 | |
Oh, George, no, it wasn't like that, honestly. | 0:20:56 | 0:20:59 | |
-Don't lie to me, Dad. -No. I...I fell asleep. I did. | 0:20:59 | 0:21:03 | |
Fell asleep and... when I opened my eyes, it was over. | 0:21:03 | 0:21:08 | |
How did it even start? | 0:21:08 | 0:21:11 | |
Um, I don't know. | 0:21:12 | 0:21:14 | |
You must have some idea. | 0:21:16 | 0:21:18 | |
I'd like to leave now, George. | 0:21:18 | 0:21:20 | |
I don't know what possessed me to come back here, anyway. | 0:21:20 | 0:21:22 | |
-Dad... -No, I'd like to leave now, George. | 0:21:22 | 0:21:25 | |
A nurse. | 0:21:26 | 0:21:27 | |
It seems I lucked out. So, are you going out, then, you and John? | 0:21:27 | 0:21:33 | |
Mitchell? No. | 0:21:33 | 0:21:34 | |
-NINA: God, no! No, no. No. -DC REID: You live here, though? | 0:21:34 | 0:21:40 | |
Yeah, with my boyfriend. | 0:21:40 | 0:21:41 | |
-The decor's quite...interesting. -It was like that when we moved in. | 0:21:43 | 0:21:47 | |
-DC REID: Christ, you got shafted! -NINA: Just a bit. | 0:21:47 | 0:21:50 | |
So, um, you want to speak with Mitchell? | 0:21:54 | 0:21:57 | |
Yeah, I'm working on this murder investigation... | 0:21:57 | 0:21:59 | |
It's not as interesting as it sounds. | 0:22:02 | 0:22:05 | |
I'm basically working my way through the incident record books, | 0:22:05 | 0:22:09 | |
which are anonymous tip-offs given by any nutter with an axe to grind. | 0:22:09 | 0:22:12 | |
I couldn't be further away from real police work | 0:22:12 | 0:22:15 | |
if I was straddling a pole in Spearmint Rhino. | 0:22:15 | 0:22:17 | |
Although, saying that, | 0:22:17 | 0:22:19 | |
I did know a detective who worked there once, undercover. | 0:22:19 | 0:22:22 | |
She stayed on in the end. The money was better. | 0:22:22 | 0:22:24 | |
So, um, someone...someone tipped you off about Mitchell? | 0:22:24 | 0:22:30 | |
Nina, you can relax. It's just routine. | 0:22:30 | 0:22:32 | |
Your friend doesn't have anything to worry about. | 0:22:32 | 0:22:35 | |
Because I'm and I use this term loosely "investigating" | 0:22:46 | 0:22:49 | |
this Box Tunnel 20 massacre... | 0:22:49 | 0:22:51 | |
-Is that for me? -Yes. | 0:22:51 | 0:22:52 | |
-Yeah, go ahead. -Thank you. | 0:22:52 | 0:22:55 | |
...I've been sent out to follow up... | 0:22:55 | 0:22:57 | |
My God, that's a good cup of tea. | 0:22:59 | 0:23:01 | |
Seriously, I think I've shagged people for less. | 0:23:02 | 0:23:05 | |
Do you have any biscuits? | 0:23:05 | 0:23:06 | |
Nina, give the lady some biscuits. | 0:23:06 | 0:23:09 | |
Jesus... | 0:23:09 | 0:23:10 | |
DC REID: Er, sorry. | 0:23:12 | 0:23:13 | |
I asked for a biscuit, not a kidney. | 0:23:13 | 0:23:16 | |
Oh, sorry, I wasn't... | 0:23:16 | 0:23:17 | |
I was... (CLEARS THROAT) ...I was talking to myself. | 0:23:17 | 0:23:20 | |
You've been sent out to follow up...? | 0:23:20 | 0:23:22 | |
Potential leads. Somebody said you might have some information for us. | 0:23:22 | 0:23:25 | |
Me? | 0:23:25 | 0:23:27 | |
Why would I have any information? Why would anyone say that? | 0:23:27 | 0:23:31 | |
It's probably someone you've pissed off. Maybe an ex-girlfriend. | 0:23:31 | 0:23:35 | |
Or one of the neighbours. Maybe they don't like your hair, | 0:23:35 | 0:23:38 | |
or maybe they find that accent really annoying. You might never find out. | 0:23:38 | 0:23:42 | |
I don't know anything about this. Nothing...at all. | 0:23:42 | 0:23:46 | |
Thank you for your time and for a truly extraordinary cup of tea. | 0:23:50 | 0:23:55 | |
Nancy, stop with the tea. | 0:23:55 | 0:23:58 | |
-That's it? -That's it. | 0:23:58 | 0:24:00 | |
Cool, I'll walk you to the door. | 0:24:00 | 0:24:03 | |
Oh, God. | 0:24:08 | 0:24:10 | |
Who do you think would give them Mitchell's name? | 0:24:10 | 0:24:13 | |
Like she said, he'll probably never find out. | 0:24:14 | 0:24:18 | |
This is Mitchell we're talking about. He'll find out. | 0:24:18 | 0:24:21 | |
-Nina... -George, look, I really feel | 0:24:30 | 0:24:33 | |
I should be with you at a time like this, so I think I'm going to come down. | 0:24:33 | 0:24:36 | |
Listen, Nina, you're not going to believe this, I've met my dad again | 0:24:36 | 0:24:40 | |
-and he's a ghost. -Come again? | 0:24:40 | 0:24:42 | |
Are you joking? | 0:24:46 | 0:24:48 | |
-I can't believe you've never seen it. -I didn't think I'd like it. | 0:24:48 | 0:24:52 | |
What, so over 1,500 people drowning | 0:24:52 | 0:24:54 | |
while Celine Dion wails like a banshee, what's not to like? | 0:24:54 | 0:24:57 | |
Seriously, Dad, I don't think that's your unfinished business. | 0:24:57 | 0:25:00 | |
RUSHING WATER | 0:25:07 | 0:25:09 | |
BELL TOLLS | 0:25:09 | 0:25:12 | |
SHOUTING AND SCREAMING | 0:25:12 | 0:25:16 | |
Well, couldn't she have moved over a bit? | 0:25:22 | 0:25:24 | |
That piece of wood she was floating on was massive. | 0:25:24 | 0:25:28 | |
What else have I got? | 0:25:28 | 0:25:29 | |
An unpaid newspaper tab. | 0:25:31 | 0:25:34 | |
One, two, three, four, five, six, that's six. | 0:25:34 | 0:25:38 | |
-Six sixty, | 0:25:38 | 0:25:40 | |
sorry, six eighty. | 0:25:40 | 0:25:42 | |
I'm ten pence short. | 0:25:42 | 0:25:43 | |
No, no, no, you don't understand. | 0:25:43 | 0:25:46 | |
You can't let me off, it has to be the correct, exact amount. | 0:25:46 | 0:25:48 | |
Um...I must have 10p somewhere, wait a moment. | 0:25:48 | 0:25:52 | |
Oh, thank you. Thank you very much. | 0:25:54 | 0:25:56 | |
And the fact that you told Auntie Linda you could eat pasta on the Atkins diet. | 0:25:56 | 0:26:01 | |
Could you tell Linda that you can't actually eat carbs on the Atkins diet? | 0:26:01 | 0:26:06 | |
Yes, I am serious. | 0:26:07 | 0:26:09 | |
That's pathetic. | 0:26:09 | 0:26:12 | |
When I'm gone... | 0:26:14 | 0:26:15 | |
and your mind's at rest | 0:26:15 | 0:26:20 | |
and you know that I'm OK, | 0:26:20 | 0:26:21 | |
well, then, then you can go and see your mum. | 0:26:21 | 0:26:24 | |
Mum? Oh, no, no, no, Dad, I came back for your funeral, that's all. | 0:26:24 | 0:26:28 | |
I need to keep all this, what I am, what I've become, away from her. | 0:26:28 | 0:26:32 | |
She'd cope, George. I did. | 0:26:32 | 0:26:34 | |
Dad, death gives you a great sense of perspective. | 0:26:34 | 0:26:39 | |
I'm not going to see her. | 0:26:41 | 0:26:43 | |
I can't ever do that. | 0:26:44 | 0:26:45 | |
RAIN PATTERS | 0:26:45 | 0:26:48 | |
So, your dad's a ghost. | 0:26:58 | 0:27:01 | |
And a pikey. | 0:27:01 | 0:27:03 | |
Hello. | 0:27:06 | 0:27:08 | |
MITCHELL: Annie, can we just forget about it? | 0:27:09 | 0:27:11 | |
ANNIE: Forget about it?! | 0:27:11 | 0:27:13 | |
Someone is trying to link you to the murder of 20 innocent people, Mitchell. | 0:27:13 | 0:27:17 | |
You heard what she said, it's probably nothing. | 0:27:17 | 0:27:20 | |
I might believe that if you weren't so shaken by it. | 0:27:20 | 0:27:22 | |
What? No, I'm not. | 0:27:22 | 0:27:24 | |
-I know you, Mitchell. -Annie, really, I'm not. | 0:27:24 | 0:27:27 | |
No, no, no, don't do that. | 0:27:27 | 0:27:30 | |
Don't put your mask on. | 0:27:30 | 0:27:32 | |
There's no point, I can see through it. | 0:27:32 | 0:27:34 | |
Something is worrying you. | 0:27:35 | 0:27:38 | |
Please, tell me what it is. | 0:27:38 | 0:27:40 | |
There was this girl, this vampire girl I sort of knew. | 0:27:49 | 0:27:54 | |
Her name was Daisy and she had this... | 0:27:54 | 0:27:56 | |
I see. | 0:27:56 | 0:27:58 | |
-D'you still have feelings for this girl? -No, no, it's not that... | 0:27:58 | 0:28:03 | |
You won't understand. | 0:28:05 | 0:28:07 | |
Try me. | 0:28:07 | 0:28:08 | |
No matter what I think of her, of what she may or may not have done, | 0:28:09 | 0:28:14 | |
talking to the police, it throws an unwelcome light on our world. | 0:28:14 | 0:28:18 | |
It's a betrayal. | 0:28:18 | 0:28:19 | |
So you'd rather be punished for something that you didn't do? | 0:28:19 | 0:28:22 | |
-They don't suspect me! -How can you be so sure? | 0:28:22 | 0:28:25 | |
Someone out there is trying to connect you to this. | 0:28:25 | 0:28:28 | |
-You have to go to the police, Mitchell. -We have a code. | 0:28:28 | 0:28:31 | |
It's not an honourable one, but we have to live by it, Annie. All right? | 0:28:31 | 0:28:36 | |
-We? -Yeah. | 0:28:36 | 0:28:37 | |
The only "we" is you and me. | 0:28:37 | 0:28:40 | |
And if you won't protect yourself, then I will. | 0:28:41 | 0:28:44 | |
Annie, don't... | 0:28:44 | 0:28:45 | |
Jesus Christ. | 0:28:47 | 0:28:50 | |
How was your journey, Nina? | 0:30:04 | 0:30:06 | |
Yeah, yeah, it was good... it was fine. | 0:30:06 | 0:30:08 | |
Oh, God... Go on! | 0:30:10 | 0:30:12 | |
What do you think of this? | 0:30:12 | 0:30:15 | |
Oh, it's a torch. | 0:30:15 | 0:30:17 | |
It's a torch with a spoon. A spoon-torch. | 0:30:17 | 0:30:21 | |
Sporch. | 0:30:21 | 0:30:23 | |
It's amazing what they think of! | 0:30:23 | 0:30:25 | |
But I suppose, when you live life on the open road, | 0:30:25 | 0:30:28 | |
everything has to earn its place. | 0:30:28 | 0:30:30 | |
No room for luxuries. | 0:30:30 | 0:30:31 | |
DING Oh, that'll be our cupcakes. | 0:30:31 | 0:30:34 | |
So, er...so you're, um... | 0:30:35 | 0:30:39 | |
George tells me that you're... like him. | 0:30:39 | 0:30:44 | |
That you...you and he have the same, er...? | 0:30:44 | 0:30:48 | |
Ah. Yes. We are indeed. | 0:30:48 | 0:30:50 | |
Is that how you met, then? | 0:30:50 | 0:30:52 | |
You both had this...unique... | 0:30:52 | 0:30:55 | |
Condition? | 0:30:55 | 0:30:57 | |
Um... Well, yeah, we met at the hospital. | 0:30:57 | 0:31:01 | |
We had an argument. Well, I say argument, | 0:31:01 | 0:31:05 | |
it consisted of me ranting in his general direction. | 0:31:05 | 0:31:09 | |
Sounds like the arguments I used to have with my wife. | 0:31:09 | 0:31:13 | |
I'm trying to rein it in a bit. | 0:31:13 | 0:31:15 | |
Oh, no, don't do that. | 0:31:15 | 0:31:16 | |
-No? -No. It's good. | 0:31:16 | 0:31:19 | |
It's spark. It's life. | 0:31:19 | 0:31:21 | |
When George left, Ruth, that's his mum... | 0:31:22 | 0:31:25 | |
well, she retreated into herself. | 0:31:25 | 0:31:29 | |
And, um...I couldn't drag her back. | 0:31:29 | 0:31:32 | |
I tell you something. | 0:31:33 | 0:31:34 | |
When everything fades to silence, you miss those one-sided arguments. | 0:31:34 | 0:31:39 | |
Mm. | 0:31:39 | 0:31:41 | |
I don't know what else to do. I mean, he could be talking about strangers. | 0:31:41 | 0:31:45 | |
I left, and everything just fell apart. | 0:31:45 | 0:31:48 | |
Your dad said that too. | 0:31:48 | 0:31:50 | |
-What? -Well, the reason they split up. | 0:31:50 | 0:31:53 | |
It wasn't just because she was having an affair. Well, not really. | 0:31:53 | 0:31:58 | |
It's just...when you went missing, it tore their world in two, George. | 0:31:58 | 0:32:02 | |
What, he said that? That it's my fault? | 0:32:03 | 0:32:06 | |
-He doesn't think that. -Well, it's the truth, though, isn't it? | 0:32:06 | 0:32:09 | |
Look, he wanted me to ask you something. | 0:32:09 | 0:32:13 | |
What? | 0:32:13 | 0:32:14 | |
His unfinished business. | 0:32:14 | 0:32:17 | |
He doesn't think it's something he needs to do. | 0:32:17 | 0:32:20 | |
He thinks it's something that you need to do. | 0:32:20 | 0:32:24 | |
If you could visit your mum. | 0:32:24 | 0:32:26 | |
If you could be reunited, a family again... | 0:32:26 | 0:32:29 | |
he knows that he'll be able to move on. | 0:32:29 | 0:32:32 | |
Nina, I can't do that. | 0:32:35 | 0:32:37 | |
I don't think you have a choice. | 0:32:39 | 0:32:41 | |
I don't understand. | 0:32:48 | 0:32:49 | |
I'm just passing on the message, Nancy Drew. | 0:32:49 | 0:32:53 | |
Don't call me that. You know I hate it. | 0:32:53 | 0:32:55 | |
-Come on, it's funny. -Oh, is it? | 0:32:55 | 0:32:57 | |
Do you find it funny when people call you Closet Cooper? | 0:32:57 | 0:32:59 | |
Who calls me Closet Cooper? | 0:32:59 | 0:33:01 | |
No-one. Look, I just want to go and speak to the guy again. I just... | 0:33:01 | 0:33:07 | |
-I just have a feeling about him. -Oh, I'm sorry. A "feeling"? | 0:33:07 | 0:33:09 | |
You should have said. I'll get the cuffs. | 0:33:09 | 0:33:11 | |
Look, I didn't just go down there and interview him willy-nilly. | 0:33:11 | 0:33:15 | |
We were given his name. He was living in Bristol at the time of the murders. | 0:33:15 | 0:33:18 | |
So was my Great-Aunt Mabel. It's a dead lead, Nancy, drop it. | 0:33:18 | 0:33:23 | |
Anyway, it doesn't matter. You're office bound for the foreseeable. | 0:33:23 | 0:33:27 | |
-What? -Boss's orders. | 0:33:27 | 0:33:29 | |
He wants you to help out with the witness appeal. | 0:33:29 | 0:33:31 | |
Cooper, Cooper! Wait, please. | 0:33:31 | 0:33:34 | |
Look, I know I can be a pain in the arse sometimes, | 0:33:34 | 0:33:37 | |
but I am barely clinging onto this investigation. | 0:33:37 | 0:33:39 | |
And it matters. | 0:33:39 | 0:33:41 | |
This one matters. | 0:33:41 | 0:33:43 | |
I saw those men and women. | 0:33:43 | 0:33:45 | |
Or what was left of them. | 0:33:45 | 0:33:47 | |
All I want to do is help catch the bastard that butchered them. | 0:33:47 | 0:33:50 | |
And you will...Nancy. | 0:33:50 | 0:33:53 | |
You will. | 0:33:53 | 0:33:54 | |
Did I just say "willy-nilly"? | 0:34:00 | 0:34:03 | |
Don't beat yourself up about it. | 0:34:05 | 0:34:07 | |
This place will be the death of me. | 0:34:09 | 0:34:12 | |
Tell me about it, Reid. Tell me about it. | 0:34:12 | 0:34:16 | |
Hi, Mum. | 0:34:39 | 0:34:40 | |
Look, Reid, I know you didn't want me to, | 0:34:40 | 0:34:44 | |
but I've had a word with the governor, | 0:34:44 | 0:34:45 | |
asked him to get that Cooper prick off your back. | 0:34:45 | 0:34:48 | |
He didn't say very much, but you know how he likes to keep his cards | 0:34:48 | 0:34:51 | |
close to his chest. He's quite the... | 0:34:51 | 0:34:53 | |
Lia? | 0:34:59 | 0:35:01 | |
So hold on. I just want to make sure I have this right. | 0:35:02 | 0:35:06 | |
You left home three years ago because you decided to...? | 0:35:06 | 0:35:10 | |
To... | 0:35:10 | 0:35:12 | |
-Join a cult. -Join a cult. Good. | 0:35:14 | 0:35:17 | |
That's what I thought you said. | 0:35:17 | 0:35:19 | |
And you made no attempt to contact your mother | 0:35:19 | 0:35:22 | |
and put her out of her misery because...? | 0:35:22 | 0:35:24 | |
Because it was like a prison. | 0:35:24 | 0:35:26 | |
And we had to escape in the end, didn't we, Nina? | 0:35:26 | 0:35:28 | |
I was in the cult?! | 0:35:28 | 0:35:30 | |
-I was. I was in the cult. -She was in the cult. | 0:35:31 | 0:35:34 | |
-You had to escape? -Mm-hm. Yeah, we, um... | 0:35:34 | 0:35:37 | |
we secretly chipped away at this wall every day, then covered up the hole | 0:35:37 | 0:35:41 | |
with this old poster of Raquel Welch. | 0:35:41 | 0:35:44 | |
Until eventually we were able to tunnel our way out of there. | 0:35:44 | 0:35:48 | |
Isn't that the plot of Shawshank Redemption? | 0:35:48 | 0:35:51 | |
Well, that's where we got the frankly ludicrous idea from. | 0:35:51 | 0:35:55 | |
-What was the name of the cult? -The name of the cult was called | 0:35:58 | 0:36:01 | |
the, er, Church of Earth. The Church of Earth... | 0:36:01 | 0:36:04 | |
-...Wind and Fire. -Fire. | 0:36:06 | 0:36:07 | |
-I can't believe this. -I'm so sorry, Mum. | 0:36:09 | 0:36:12 | |
I thought you were going to tell me that...you'd had an accident. | 0:36:12 | 0:36:15 | |
That you'd suffered memory loss. | 0:36:15 | 0:36:17 | |
Yes, which arguably would have made more sense. | 0:36:17 | 0:36:21 | |
I'm sorry, Ruthie, but you'll have to take some of the responsibility here. | 0:36:21 | 0:36:24 | |
No. No, it's not Mum's fault. | 0:36:24 | 0:36:26 | |
I mean, he couldn't have had much of a disciplined upbringing. | 0:36:26 | 0:36:28 | |
And if you don't get the basics right, | 0:36:28 | 0:36:30 | |
they are going to be screwed up, aren't they? | 0:36:30 | 0:36:33 | |
You sound like an expert, Marcus. | 0:36:33 | 0:36:35 | |
-I'm a teacher. -Of rounders. | 0:36:35 | 0:36:38 | |
His dad wasn't very good at discipline. | 0:36:38 | 0:36:40 | |
He wasn't very good at anything, apart from getting himself killed. | 0:36:40 | 0:36:44 | |
Don't you dare! | 0:36:44 | 0:36:46 | |
Oh, anger management issues as well. How lovely. | 0:36:46 | 0:36:49 | |
Ignore him. | 0:36:49 | 0:36:51 | |
Look, Mum, the important thing is that I'm OK. I'm fine. | 0:36:51 | 0:36:56 | |
I didn't know that. Did I? I've been so scared. | 0:36:56 | 0:37:00 | |
I've been scared for three whole years. | 0:37:00 | 0:37:05 | |
Have you any idea how selfish, how cruel that was? | 0:37:05 | 0:37:10 | |
I don't know you at all, George. | 0:37:10 | 0:37:13 | |
Mum...please. | 0:37:13 | 0:37:17 | |
I can't. | 0:37:18 | 0:37:19 | |
I'm sorry. | 0:37:19 | 0:37:21 | |
I mean, it's amazing, really, when you think about it. | 0:37:25 | 0:37:27 | |
How everything is linked. Everything happens for a reason. | 0:37:27 | 0:37:30 | |
-Without no this, there'd be no that... -Annie, Annie, slow down. | 0:37:30 | 0:37:34 | |
Mitchell, look. | 0:37:35 | 0:37:37 | |
Who's that? | 0:37:41 | 0:37:43 | |
Surely you know. | 0:37:43 | 0:37:45 | |
No. Why would I? | 0:37:45 | 0:37:48 | |
In that place. Before you came to get me back, | 0:37:48 | 0:37:51 | |
before you saved me, she was there. | 0:37:51 | 0:37:53 | |
-I thought you might have met her. -No. | 0:37:53 | 0:37:56 | |
Oh, OK, all right, then. | 0:37:56 | 0:37:59 | |
-Why do you have her photograph? -She was murdered, Mitchell. | 0:38:00 | 0:38:03 | |
In the Box Tunnel 20. | 0:38:03 | 0:38:05 | |
This beautiful young girl, her whole life ahead of her. | 0:38:05 | 0:38:10 | |
So you see, I... I need to help Nancy solve this case. | 0:38:11 | 0:38:15 | |
Not just for your sake. | 0:38:15 | 0:38:18 | |
For Lia's too. | 0:38:18 | 0:38:20 | |
MUSIC BLARES OUT | 0:38:39 | 0:38:41 | |
See? Told you it wouldn't work, he's still here. | 0:38:41 | 0:38:45 | |
Dad? | 0:38:45 | 0:38:47 | |
Dad...? | 0:38:47 | 0:38:49 | |
Oh, my God! You're not dead! | 0:38:56 | 0:38:59 | |
I can explain. | 0:39:00 | 0:39:02 | |
I'd been promised one thing, and given something else. | 0:39:02 | 0:39:07 | |
When Ruth said she was leaving, | 0:39:07 | 0:39:09 | |
it was like the punch line of a really terrible joke. | 0:39:09 | 0:39:13 | |
I thought, "Is that it? Is this how it ends?" | 0:39:13 | 0:39:17 | |
One night, well, it was the early hours of the morning, I couldn't sleep, | 0:39:18 | 0:39:22 | |
so I went down to the allotments. | 0:39:22 | 0:39:25 | |
The place was a mess - smoke and ash everywhere. | 0:39:25 | 0:39:28 | |
My shed had burnt to the ground. And Paul's there. | 0:39:28 | 0:39:32 | |
-Who's Paul? -That's Dad's friend. | 0:39:32 | 0:39:34 | |
He's a police officer. | 0:39:34 | 0:39:36 | |
When he saw me, he nearly collapsed. | 0:39:36 | 0:39:38 | |
He tells me they found a body in my shed. | 0:39:38 | 0:39:41 | |
That it doesn't even look human any more. | 0:39:41 | 0:39:43 | |
Who was it? | 0:39:43 | 0:39:45 | |
Most likely some homeless guy looking for a bit of warmth. | 0:39:45 | 0:39:49 | |
Everyone assumed it was me. | 0:39:49 | 0:39:51 | |
So Paul hands me his phone, so I can let people know I'm OK. | 0:39:51 | 0:39:55 | |
And, er...I'm just looking at it thinking, | 0:39:55 | 0:39:59 | |
"Who do I call? | 0:39:59 | 0:40:02 | |
"My wife? | 0:40:02 | 0:40:04 | |
"My son?" | 0:40:04 | 0:40:05 | |
That's when I got the idea. | 0:40:07 | 0:40:08 | |
HE LAUGHS | 0:40:08 | 0:40:11 | |
Paul thought it was insane, of course... | 0:40:11 | 0:40:15 | |
but I convinced him to help me. | 0:40:15 | 0:40:17 | |
We made sure George Sands died in that fire. | 0:40:18 | 0:40:23 | |
Why would you even want that? | 0:40:24 | 0:40:26 | |
I needed to...start over. | 0:40:26 | 0:40:30 | |
Go somewhere else, be somebody else. | 0:40:30 | 0:40:34 | |
By the time you turned up, well, it had all gone too far. | 0:40:35 | 0:40:39 | |
But when you started talking about unfinished business, I thought, | 0:40:39 | 0:40:42 | |
"Good, I can stall things for a bit." | 0:40:42 | 0:40:46 | |
Spend some time with you. | 0:40:46 | 0:40:48 | |
Why did you go? To your funeral, I mean. | 0:40:48 | 0:40:51 | |
-I wanted to see Ruth before I left. -You still love her? | 0:40:51 | 0:40:54 | |
You can't just walk away from her, Dad. | 0:40:56 | 0:40:59 | |
She walked away from me. | 0:40:59 | 0:41:01 | |
She still loves you too. | 0:41:01 | 0:41:03 | |
-That's not true. -I know she does, she... | 0:41:04 | 0:41:07 | |
She chose him. | 0:41:07 | 0:41:09 | |
"Always in my thoughts, always in my heart, you're Ruth." | 0:41:09 | 0:41:14 | |
That should be Y-O-U-R. There's no apostrophe if it's a possessive... | 0:41:18 | 0:41:20 | |
Dad! | 0:41:20 | 0:41:22 | |
You really think she still loves me? | 0:41:26 | 0:41:27 | |
Yes, so for Christ's sakes, go and win her back! | 0:41:27 | 0:41:32 | |
Ruth. Ruth, I need you to listen to me. | 0:41:35 | 0:41:38 | |
That's much better. That's great. Very strong, very focused. | 0:41:38 | 0:41:41 | |
-I'm the one you should be with. -Brilliant! | 0:41:41 | 0:41:43 | |
-And the reasons for this are threefold. -Oh, again with the threefold! | 0:41:43 | 0:41:46 | |
Dad, you're not trying to secure her vote for the local election. | 0:41:46 | 0:41:48 | |
We need to nail this. She's expecting us soon. | 0:41:48 | 0:41:51 | |
Trust me, we will. Look, just come on. | 0:41:51 | 0:41:53 | |
Manly, macho. You know, the new George Senior has arrived. | 0:41:53 | 0:41:59 | |
I'm taking you back, Ruth, whether you like it or not! | 0:41:59 | 0:42:02 | |
No, no, we've tipped completely the other way now. | 0:42:02 | 0:42:05 | |
Yeah, you're a bit rapey now. Can we make it lighter, you know, charming? | 0:42:05 | 0:42:09 | |
-Yeah. Just be...funny. -Like funny butch. | 0:42:09 | 0:42:13 | |
Yeah, witty, but tough. | 0:42:13 | 0:42:15 | |
Like rugged, but quirky. | 0:42:15 | 0:42:17 | |
Yeah. You know like... | 0:42:17 | 0:42:19 | |
Like, um... | 0:42:19 | 0:42:20 | |
-Like Popeye? -Yes. | 0:42:20 | 0:42:21 | |
-No. -Popeye's not really what we're going for. | 0:42:21 | 0:42:24 | |
-More Bluto? -What, the dog? | 0:42:24 | 0:42:27 | |
The dog? No, that's Pluto. | 0:42:27 | 0:42:29 | |
-Bluto was Popeye's rival, wasn't he? -That's riveting stuff. | 0:42:29 | 0:42:33 | |
Why don't we leave Popeye and co to the side, and take it from the beginning. | 0:42:33 | 0:42:37 | |
All right? Now remember, | 0:42:37 | 0:42:39 | |
clear, confident, | 0:42:39 | 0:42:42 | |
focused. | 0:42:42 | 0:42:43 | |
-Let's do this properly, then. -Er, Mum... | 0:42:53 | 0:42:55 | |
I think... I think there's something you should know. | 0:42:55 | 0:42:58 | |
George? | 0:43:12 | 0:43:13 | |
Oh, you're having a fucking laugh! | 0:43:17 | 0:43:21 | |
CREAKING | 0:43:21 | 0:43:25 | |
DOORBELL RINGS | 0:43:29 | 0:43:30 | |
Don't look so pleased to see me. | 0:43:49 | 0:43:51 | |
Come on in. | 0:43:52 | 0:43:53 | |
I've only got five burgers on the grill, | 0:43:57 | 0:43:59 | |
but if you're expecting any more dead relatives to drop by, | 0:43:59 | 0:44:03 | |
do let me know, I'll put some more on. | 0:44:03 | 0:44:05 | |
Why would anyone do that, George? | 0:44:05 | 0:44:07 | |
-It's insane. -Do you like the cake? | 0:44:07 | 0:44:09 | |
We couldn't lay our hands on | 0:44:09 | 0:44:11 | |
a "welcome home, you're not actually dead" banner. | 0:44:11 | 0:44:14 | |
Even though there's obviously a growing market for them. | 0:44:14 | 0:44:17 | |
-I thought you didn't want me any more. -Oh, for God's sake, man! | 0:44:17 | 0:44:20 | |
You could have joined Guardian Soulmates, or something. | 0:44:20 | 0:44:23 | |
Oh, would you ever just shut up? | 0:44:23 | 0:44:25 | |
You're not seriously going to listen to this, are you, Ruth? | 0:44:25 | 0:44:28 | |
Oh! | 0:44:28 | 0:44:29 | |
Well, I'm not. | 0:44:29 | 0:44:31 | |
At the funeral, I saw you. | 0:44:31 | 0:44:34 | |
You looked...you looked so upset. | 0:44:36 | 0:44:39 | |
Of course I was upset. You were my husband, George. | 0:44:39 | 0:44:43 | |
-I loved you. -Loved or love? | 0:44:43 | 0:44:46 | |
You know, when I told you about Marcus, I thought, well, if nothing else, | 0:44:46 | 0:44:52 | |
it'll shake him up a bit. | 0:44:52 | 0:44:54 | |
If nothing else, I'll see some life in him. | 0:44:54 | 0:44:56 | |
Be it disgust, regret, anger... | 0:44:56 | 0:45:01 | |
anything. | 0:45:01 | 0:45:02 | |
But do you remember what you said? | 0:45:02 | 0:45:04 | |
You looked at me and you said, "That's a shame." | 0:45:05 | 0:45:09 | |
You didn't fight for me...for us. | 0:45:09 | 0:45:13 | |
-I'm fighting for you now. -Too much has changed. | 0:45:13 | 0:45:16 | |
This could be a new beginning, Ruth. For both of us. | 0:45:16 | 0:45:20 | |
-What do you say? -Actually, I'm not having any of it. | 0:45:20 | 0:45:23 | |
Get out! All of you. Come on. | 0:45:23 | 0:45:26 | |
Excuse me, don't touch him. | 0:45:26 | 0:45:28 | |
-Please, stop it. What are you doing? -I'm putting an end to the madness. | 0:45:28 | 0:45:31 | |
-You can't throw me out of my own home. -It's not your home any more. | 0:45:31 | 0:45:34 | |
You might as well have gone up in a cloud of smoke, George, | 0:45:34 | 0:45:38 | |
because you are dead to her. | 0:45:38 | 0:45:40 | |
This is my house, that is my wife, and you, sir, | 0:45:40 | 0:45:44 | |
you're nothing but a prick. | 0:45:44 | 0:45:47 | |
Get in! | 0:45:48 | 0:45:50 | |
I can't believe you did that. | 0:45:54 | 0:45:56 | |
I came back from the dead for you, Ruth. | 0:45:56 | 0:45:59 | |
How many men can manage that? | 0:45:59 | 0:46:01 | |
I love you, George. | 0:46:01 | 0:46:04 | |
Bye-bye! | 0:46:13 | 0:46:15 | |
You take care now. | 0:46:15 | 0:46:17 | |
I am well out of it! | 0:46:17 | 0:46:19 | |
You're a bunch of weirdos. | 0:46:19 | 0:46:21 | |
The lot of you. | 0:46:21 | 0:46:23 | |
Ha-ha-ha! You don't know the half of it. | 0:46:25 | 0:46:28 | |
Thank you. Both of you. | 0:46:32 | 0:46:34 | |
Well, it's my fault we're in this mess in the first place. | 0:46:34 | 0:46:38 | |
But you're back now. We're together again. | 0:46:38 | 0:46:41 | |
A family again. That's all that matters. | 0:46:41 | 0:46:44 | |
Listen, Mum... | 0:46:51 | 0:46:53 | |
I wasn't really in a cult. | 0:46:54 | 0:46:56 | |
Your father told me... about your illness. | 0:46:56 | 0:47:01 | |
Oh, I'm not ill, either. | 0:47:01 | 0:47:03 | |
Well, not exactly. Look, the reason I left... | 0:47:03 | 0:47:06 | |
-The reason... -George, are you sure about this? | 0:47:09 | 0:47:11 | |
It's hard to... | 0:47:14 | 0:47:16 | |
actually say the words. | 0:47:16 | 0:47:19 | |
You take your time, son. | 0:47:19 | 0:47:21 | |
I'm... | 0:47:23 | 0:47:24 | |
I'm a werewolf. | 0:47:33 | 0:47:34 | |
Now...you are taking some form of medication at the moment, | 0:47:39 | 0:47:43 | |
aren't you, George? | 0:47:43 | 0:47:44 | |
Mm-hm. | 0:47:47 | 0:47:49 | |
You're going to get better, son. Me and your mum, we'll make sure of that. | 0:47:51 | 0:47:54 | |
I know you will. | 0:47:54 | 0:47:56 | |
I mean, I did know a Daisy, but... | 0:48:01 | 0:48:05 | |
No, Mitchell, tell her, tell her. | 0:48:05 | 0:48:07 | |
She needs to know. Leave out the vampire bits, but tell her. | 0:48:07 | 0:48:10 | |
Do you know Daisy's surname? | 0:48:10 | 0:48:13 | |
Um...oh... | 0:48:13 | 0:48:16 | |
Hannigan...Hannigan... | 0:48:16 | 0:48:18 | |
Hannigan-Spitteri. | 0:48:19 | 0:48:21 | |
-Unfortunate. -Yeah. | 0:48:22 | 0:48:24 | |
So, did this girl... | 0:48:24 | 0:48:25 | |
woman ever say anything about the Box Tunnel 20 to you? | 0:48:25 | 0:48:29 | |
-Would you like a drink? -I'm good. | 0:48:29 | 0:48:32 | |
Mitchell, what's wrong with you? | 0:48:32 | 0:48:33 | |
Did she mention the Box Tunnel 20 to you? | 0:48:33 | 0:48:35 | |
Yeah. | 0:48:39 | 0:48:40 | |
SHE MOUTHS | 0:48:40 | 0:48:41 | |
Yeah, she did. Um... | 0:48:41 | 0:48:44 | |
-Shortly after it happened. -What did she say? | 0:48:45 | 0:48:48 | |
I can't remember exactly. | 0:48:51 | 0:48:53 | |
-Great. -She just... | 0:48:56 | 0:48:59 | |
She seemed to know a lot about it. | 0:48:59 | 0:49:01 | |
She could describe the scene and the bodies. | 0:49:01 | 0:49:05 | |
It was as if she'd been there. | 0:49:05 | 0:49:08 | |
Have you any idea where I might find her? | 0:49:09 | 0:49:11 | |
No, I don't. I'm so sorry. | 0:49:11 | 0:49:13 | |
Fantastic. Can I use your bathroom, please, John? | 0:49:16 | 0:49:19 | |
Yeah, yeah, sure, it's upstairs. | 0:49:19 | 0:49:21 | |
Well, I told them. | 0:49:28 | 0:49:30 | |
I mean, they're probably going to try and have me sectioned, | 0:49:30 | 0:49:34 | |
-but I did tell them. -You did, and I'm very proud of you. | 0:49:34 | 0:49:38 | |
-Are you off, then? -Yeah. | 0:49:42 | 0:49:44 | |
-You take care of each other now. -We will do. | 0:49:46 | 0:49:49 | |
Enjoy Cornwall. | 0:49:50 | 0:49:52 | |
I'm going to fly, Jack. I'm going to fly! | 0:49:52 | 0:49:55 | |
-Did your dad just misquote Titanic? -Yeah, just...don't ask. | 0:50:00 | 0:50:05 | |
OK. | 0:50:05 | 0:50:07 | |
Bye. | 0:50:07 | 0:50:08 | |
Bye. | 0:50:09 | 0:50:11 | |
Can I help you? | 0:51:05 | 0:51:07 | |
Sorry, didn't mean to disturb you. | 0:51:07 | 0:51:09 | |
That's OK. Do you live here? | 0:51:09 | 0:51:12 | |
I'm staying with my niece. | 0:51:13 | 0:51:15 | |
Nina. I met her, she's lovely. | 0:51:15 | 0:51:19 | |
-You smell nice. -Thank you. | 0:51:21 | 0:51:24 | |
And John. I've met John. | 0:51:26 | 0:51:29 | |
I know you have. | 0:51:29 | 0:51:31 | |
He's lovely too. | 0:51:31 | 0:51:33 | |
HE SNEERS | 0:51:33 | 0:51:35 | |
You don't think so? | 0:51:35 | 0:51:37 | |
You wouldn't either, if you knew. | 0:51:39 | 0:51:41 | |
Knew what? | 0:51:42 | 0:51:43 | |
What lies beneath the surface. | 0:51:50 | 0:51:53 | |
What's that? | 0:51:53 | 0:51:55 | |
I can't tell you. | 0:51:57 | 0:51:59 | |
WHISPERS: It's a secret. | 0:51:59 | 0:52:00 | |
WHISPERS: I'm very good with secrets. | 0:52:02 | 0:52:04 | |
There's nobody here. | 0:52:06 | 0:52:08 | |
You can whisper it if you like. | 0:52:10 | 0:52:11 | |
You'll have to come closer. | 0:52:17 | 0:52:19 | |
I can't tell you, | 0:53:04 | 0:53:06 | |
but I can show you. | 0:53:06 | 0:53:08 | |
Show me what? | 0:53:11 | 0:53:13 | |
Where he buries his nightmare. | 0:53:15 | 0:53:18 | |
My God... | 0:53:36 | 0:53:37 | |
-Everything OK? -Yeah. | 0:53:43 | 0:53:45 | |
Sorry. I was just...talking to Billy, Nina's uncle. | 0:53:45 | 0:53:50 | |
Sweet man. | 0:53:50 | 0:53:51 | |
-I'll be on my way, then. -Right. | 0:53:53 | 0:53:55 | |
If I hear anything from Daisy... | 0:53:56 | 0:53:59 | |
-I'll let you know. -Thanks. | 0:53:59 | 0:54:02 | |
You know... | 0:54:02 | 0:54:04 | |
I thought you were supposed to solve crimes, not commit them. | 0:54:04 | 0:54:09 | |
I don't know what you're talking about. | 0:54:12 | 0:54:14 | |
Oh... | 0:54:14 | 0:54:15 | |
That's not true, is it, Nancy? | 0:54:16 | 0:54:19 | |
You've taken something that doesn't belong to you. | 0:54:20 | 0:54:24 | |
I think you should give it back. | 0:54:25 | 0:54:27 | |
-It's quite the collection, John. -It interests me, that's all. | 0:54:30 | 0:54:33 | |
-Bit of a sick hobby. -So's taxidermy, | 0:54:33 | 0:54:35 | |
but there's no law against that either. | 0:54:35 | 0:54:37 | |
Now, unless you're going to produce a warrant from that ridiculous bag, | 0:54:37 | 0:54:41 | |
I suggest you give me back that book. | 0:54:41 | 0:54:43 | |
I won't ask you again. | 0:54:45 | 0:54:47 | |
You really shouldn't have done that, Nancy. | 0:54:59 | 0:55:01 | |
SHE PANTS | 0:55:17 | 0:55:19 | |
Gotcha! | 0:55:22 | 0:55:24 | |
What's all this? | 0:55:55 | 0:55:57 | |
Annie has started fighting crime. | 0:55:57 | 0:55:59 | |
The old Herrick knows the answers, so we need to find him, now! | 0:55:59 | 0:56:02 | |
Something's different. | 0:56:02 | 0:56:04 | |
I'd like to speak to Nina's Uncle Billy again. I don't bite. | 0:56:04 | 0:56:07 | |
Mitchell, I implore you, keep that woman away from me. | 0:56:07 | 0:56:12 | |
John Mitchell...I'm coming to get you. | 0:56:12 | 0:56:16 | |
Yes! Sort of. | 0:56:16 | 0:56:17 | |
Subtitles by Red Bee Media Ltd | 0:56:35 | 0:56:39 | |
Email [email protected] | 0:56:39 | 0:56:42 |